Theatre@41 combines the new and familiar in autumn and winter of theatre, music, comedy, cinema and pantomime rehearsals

Burning Duck Comedy Club presents Helen Bauer in Madam Good Tit at Theatre@41 in October

NEW partnerships, returning performers, comedy acts aplenty and community theatre regulars make up the autumn and winter season at Theatre@41, Monkgate, York.

One year on from throwing open its doors post-pandemic, the black-box studio will play host to Yorkshire and national companies and artists alike.

“We’re doing all right, whether by chance or design!” says chair Alan Park.  “In the year since we took over the programming, there’s been a nice balance between comedy, music and theatre, with a focus on new writing, as well as continuing our relationships with York Stage, Pick Me Up Theatre, White Rose Theatre, York Settlement Community Players and York Musical Theatre Company.

“The mailing list has gone up from 40 to 2,000 and we feel that people are invested in the building, our charity status, the work we present, and want us to do well. There are plenty of people who run theatres, but we want to run a ‘movement’ and we think we’re getting there.”

Colin Hoult in The Death Of Anna Mann. Picture: Linda Blacker

Looking ahead to the new season, one new partnership finds Theatre@41 linking up with York promoter Al Greaves’s well-established Burning Duck Comedy Club, complementing his programme at The Crescent (and previously at The Basement at City Screen Picturehouse).

“Maggie Smales, one of our trustees, reached out to Al,” says Alan.  “Initially, comedy promoters were contacting us directly, and we were doing maybe two comedy shows a season, but we got in touch with Al to say ‘we don’t want to tread on your toes, but we’d love to work with you’, and so now we have six shows this autumn through linking up with Al.”

Among those shows will be Lauren Pattinson’s It Is What It Is on September 16; Colin Hoult, from the Netflix series After Life, presenting The Death Of Anna Mann  on October 8; the returning Olga Koch, star of her own BBC Radio 4 series, in Just Friends on October 15 and fellow Edinburgh Festival Fringe Best Newcomer nominee Helen Bauer’s Madam Good Tit, on October 22. Look out too for Taskmaster winner Sophie Duker next April.

Returning to Theatre@41 will be Dyad Productions, following up the sold-out I, Elizabeth with Christmas Gothic, adapted and performed by Rebecca Vaughan, on November 26 and 27, and  Sarah-Louise Young, building on the sold-out success of Alan’s favourite show so far, An Evening Without Kate Bush, by presenting her charming yet cheeky West End and Off-Broadway cabaret hit Julie Madly Deeply, a tribute to Julie Andrews.

Sarah-Louise Young in her Julie Andrews tribute, Julie Madly Deeply. Picture: Steve Ullathorne

Further returnees will be East Riding company Other Lives Theatre Productions in Landmarks, Nick Darke’s environmentally topical story of a farming family feud, and Nunkie Theatre’s Robert Lloyd Parry with two more gripping MR James ghost stories by candlelight in Oh, Whistle on November 25.

“We’ve had a lot of good feedback from artists, such as Olga Koch’s agent,” says Alan. “We know there’s paint peeling off walls, the roof is leaking, but we believe in making the artists welcome, like giving them a little York Gin pack on arrival. We try to be a friendly venue where everyone will want to come back.”

Endorsements for Theatre@41 are spreading, leading to debut visits by Mark Farrelly in his Quentin Crisp show, Naked Hope, on September 7 and Olivier Award-winning actor and director Guy Masterson, staging his one-man adaptation of Charles Dickens’s A Christmas Carol on November 24.

Seven York companies and performers are booked in. Robert Readman’s Pick Me Up Theatre will stage Roald Dahl’s Matilda The Musical Jr from September 23 to October 2 and The Sound Of Music from December 16 to 30 in the Christmas slot. York Settlement Community Players will perform Christopher Durang’s Tony Award-winning Broadway comedy Vanya And Sonia And Masha And Spike from November 3 to 5.

Rebecca Vaughan in Dyad Productions’ Christmas Gothic. Picture: Ben Guest

White Rose Theatre will deliver The Last Five Years, an emotionally charged musical full of upbeat numbers and beautiful ballads by Jason Robert Brown that tells the story of two lovers over the course of five years, with Cathy starting her tale at the end of the relationship and Jamie telling his story from the beginning. Directed by Claire Pulpher, it will run from November 9 to 12.

Barnstorming country-rock band The Rusty Pegs will play Rumours (Again!) in a 45th anniversary celebration of the Fleetwood Mac nugget on October 9, after giving Theatre@41’s re-launch gig post-Covid; Jessa Liversidge will sing Some Enchanted Sondheim on October 9, and York Musical Theatre Company will mark their 120th anniversary with A Musical Celebration on October 13 and 14.

Spookologist and ghost-botherer Doctor Dorian Deathly, a winner in the 2022 Visit York Tourism Awards, will make his Theatre@41 debut with his Halloween show, A Night Of Face Melting Horror!, from October 26 to 31.

“Each night, Dorian will be hot-footing over here after doing his Deathly Dark ghost tour for a cabaret evening with a bar of the dead and cocktails,” says Alan. “He came to us with the idea, and we thought, ‘yeah, let’s do it’. He has a huge following, so we’re delighted he wanted to come here.”

The horror! The horror” The poster for Doctor Dorian Deathly’s Halloween show, A Night Of Face Melting Horror!

Paul Birch, one of the stand-outs in York Theatre Royal’s Green Shoots showcase for new work in June, will bring his improv group, Foolish, to Theatre@41 for the third time. On September 15, he will host a night of ad-hoc comedy improvised from suggestions written in chalk on the stage floor under the title of Cobbled Together.

Seeking to foster a growing relationship with The Groves community, Theatre@41 will play host to the inaugural Groves Community Cinema: a weekend of classic films old and new right on residents’ doorsteps when visitors will be invited to “pay what you feel”, with support from an ARG Events and Festivals Grant in partnership with Make It York and City of York Council.

“Historically, we’re on the edge of The Groves, and maybe The Groves has never quite felt this is The Groves’ theatre, but we hope that putting on a community cinema weekend will make it feel more like it’s part of their community, rather than people just walking past our doors,” says Alan.

Olga Koch: Returning to Theatre@41 to present Just Friends

September 10 will offer Encanto Singalong at 2.30pm and Close Encounters Of The Third Kind at 6pm; September 11, Kes at 2.30pm and Nomadland at 6.30pm.

Three more new additions add to the sense of momentum at Theatre@41. Firstly, £5,000 funding from City of York Council and the Liz and Terry Bramall Foundation will ensure the lighting rig “no longer wobbles”; secondly, the theatre will resume being a polling station for elections.

Last, but not least, the Monkgate building will be turned into the rehearsal rooms for veteran dame Berwick Kaler’s Grand Opera House pantomime, Old Granny Goose. “We’re giving them multiple rooms, including the dance studio,” says Alan. “They’ll have the run of the building basically.”

For performance times and to book tickets for the new season, head to: tickets.41monkgate.co.uk.

Copyright of The Press, York

Pantomime dame Berwick Kaler and daft-lad sidekick Martin Barrass will be rehearsing Old Granny Goose at Theatre@41 ahead of its run at the Grand Opera House, York

York Theatre Royal Studio to reopen with Tutti Frutti, haunting Female Gothic and Nightwalkers tales and Polish soldier’s trials

York playwright Mike Kenny: Updated adaptation of Hans Christian Andersen’s The Princess And The Pea for Tutti Frutti in York Theatre Royal Studio

YORK Theatre Royal Studio will reopen this autumn after lockdown hibernation and temporary use for storage.

The capacity has been reduced from 100 to 71, a Covid-safety measure that means the theatre space will now be head-on only, with seating no longer on the sides.

First to bed into this configuration will be Leeds children’s theatre company Tutti Frutti with York playwright Mike Kenny’s adaptation of Hans Christian Andersen’s story The Princess And The Pea from October 21 to 26.

Imagine a place where what you see is not what it seems, with forgotten stories and forgotten things, say Tutti Frutti. Imagine princesses who don’t know they are princesses and a prince who doesn’t want to be king. Imagine a real prince, discovering a real princess, and a story that ends happily ever after.

Inside the Museum of Forgotten Things, three musical curators tell the amazing tale of the museum’s artefacts, most notably the mystery of a little green pea and how it ended up there.

Tutti Frutti promise an hour of humour, memorable songs and a romp through every type of princess you could imagine, replete with costumes to match.

“The audience will meet a demanding queen, an array of wannabe princesses and our main characters, an unknown girl, who is blown into the palace by a gust of wind, and an indecisive prince under pressure to find his real princess,” says Mike. “Will he ever find a real princess or his happy-ever-after?”

This show was first made by Tutti Frutti and York Theatre Royal in 2014 for an extensive tour and Christmas run at the Sheffield Crucible before playing to sell-out audiences in Hong Kong and Singapore in January 2015.

“In the dark between life and death, a haunted woman tells strange and terrifying tales”: Rebecca Vaughan in Female Gothic

Now it returns in a new and updated adaptation by Kenny and the inventive Tutti Frutti in a funny, original, beautiful retelling suitable for children aged three upwards and their families. Evening performances will start at 6pm, complemented by Friday shows at 10am and 1pm, Saturday, 3pm, and Tuesday, 11am and 2pm.

Dyad Productions producer Rebecca Vaughan will perform her adaptation of Female Gothic, directed by Olivier Award winner Guy Masterson on October 28 and 29 at 7.45pm.

In the dark between life and death, a haunted woman tells strange and terrifying tales; eerie stories, dusty and forgotten. Until now. “It’s the Hallowe’en season, so come along and be thrilled by three lost gothic spine-tinglers from the great Victorian female writers,” says Rebecca, who has appeared in such Dyad shows as Jane Eyre: An Autobiography, Christmas Gothic, I, Elizabeth and Austen’s Women.

Summoning the magic of the contraries, storytellers Jan Blake & TUUP will present Nightwalkers on October 30 at 7.45pm: a night of “disturbing, comedic and poignant tales of ghosts, duppies, jumbies, loogaroos, soucouyants and other supernatural beings that haunt the Caribbean and the Americas”.

Jan Blake, the queen of Afro-Caribbean storytelling, and TUUP – the acronym stands for The Unorthodox, Unprecedented Preacher – will explore the sorcery, shape-shifting and deep magic that has endured to sustain some and punish others through thunderous storytelling designed to raise the roof as well as neck hairs.

In Imagine If Theatre’s new production, My Old Man, on November 18 at 8pm, Michal Piwowarski’s whole world changes when his granddaughter Tasha finally moves out. The school dinner lady becomes his favourite person, a new neighbour moves onto the street and he has to face his biggest battle yet.

Imagine If Theatre allow people to “imagine if” within their own lives through their thought-provoking productions, creating theatre designed to be “inspiring, entertaining and unashamedly honest for intimate audiences”.

They make theatre shows based on the world around them, comprising real stories from real people, and in the case of the heartfelt and humorous My Old Man, that story revolves around the trials and tribulations of Michał, an old, blind Polish soldier.

Full details of the upcoming York Theatre Royal Studio season can be found at yorktheatreroyal.co.uk. Box office: 01904 623568 or at yorktheatreroyal.co.uk.