SAY Owt, York’s rowdy but loveable spoken-word and poetry gang, are bringing Bad Betty Press up north tonight for a 7.30pm bill of open-mic spots and featured wordsmiths at the Fulford Arms.
“Bad Betty Press are an independent publisher boasting some of the finest poets in the UK, and for this show we have open-mic spaces for poets local to York and surrounding towns and villages or people who have never performed with us before,” says Say Owt artistic director Henry Raby.
Tonight’s “super selection of super spoken worders” at the first Say Owt live event since December 2020 comprises York punk poet Crow Rudd and Bad Betty Poetry guests Kirsten Luckins and Tanatsei Gambura.
Crow Rudd (they/them) is a disabled nonbinary queer published poet and slam champion whose work focuses on mental health, grief, politics and the power of cuddles. Creator of Sad Poets Doorstep Club, founder of the UK Trans & Nonbinary Poets Network and reigning Stanza Slam champion, their debut collection ‘i am a thing of rough edges’ is out, published by Whisky & Beards.
Kirsten Luckins, a poet, performer and spoken word theatre-maker from the north-east coast, puts the emphasis on compassion and playfulness in her multi-artform, collaborative creative practice.
She has toured two award-nominated spoken-word shows and is a director, dramaturg and creative producer. She is artistic director of the Tees Women Poets collective and co-founder of the Celebrating Change digital storytelling project, where she teaches creative memoir writing.
Zimbabwean poet, intermedia artist and cultural practitioner Tanatsei Gambura was the runner-up in the inaugural Amsterdam Open Book Prize for the manuscript Things I Have Forgotten Before, published this year by Bad Betty Press.
Drawing from personal experience, her work explores the themes of black womanhood in the context of post-colonial immigration, global geopolitics and cultural identity. She is an alumnus of the British Council residency, These Images Are Stories, and her work has been recognised by United Nations Women and the Goethe Institut.
Say Owt’s always high-energy shows are supported by funding from Arts Council England. “Tonight’s event will feature a set of banging poems, full of wit and humour to warm your soul this October. Best of all, admission is free,” says Henry, who will co-host the show at the Fulford Arms, Fulford Road, with Stu Freestone.
THE Love Season will soon set hearts pulsing at York Theatre Royal, where the Step 3 reopening will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day that theatres can reopen after restrictions are lifted – and May 18.
The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.
In the fifth in a series of CharlesHutchPress Q&As, Ashleigh J Mills [they/them] has five minutes to discuss their Love Bite,In Progress.
ASHLEIGH [they/them] is a Black, non-binary and unapologetically autistic creator, calling themselves Angry Black Changeling on their Twitter account. Politically and poetically minded, their work seeks to explore and digest their lived experience of life on the margins. They believe that within resistance lies creation. They are a work in progress.
How did you hear about Love Bites, Ashleigh?
“Henry Raby, York’s resident punk poet, tagged me in the call out on Twitter. As someone who dips in and out of York’s poetry scene, he probably recognised that it’d be definitely something I’d be interested in! And I was!”
What is your connection with York?
“I moved to York almost eight years ago now. Initially for university, I’ve attended both York St John and the Uni of York in the past. But really, I’ve made my home there. I’ve got partners and a cat and everything!”
What will feature in your Love Bite, In Progress, and why?
“In Progress is a poem I’ve created as a love letter to words and to the complex and tricksy process of learning who you are and who you’re going to be. I’ve kept a Good Words List for over four years now: a list of words I don’t know, learn and don’t want to forget. Using those words, I’ve created a piece about lockdown-inflicted self-reflections.”
You believe that “within resistance lies creation”. Discuss further…
“We live in a world of oppressive power structures. I’m a person who is Black, queer, trans, autistic, and disabled. As such, my existence will always function as a form of resistance – whether or not I opt into that. “I think there are a myriad of ways to navigate straddling so many intersections, but for me, poetry and art is my primary outlet and communication tool. It helps me filter and process my own experiences and find similar community, which is an endlesssly important thing when any one of those facets of my identity can implicitly result in isolation. I believe, as Audre Lorde once wrote, “poetry is not a luxury”.
In lockdown, what have you missed most about theatre?
“I’ve been quite privileged in terms of lockdown and theatre. I’m studying a professional acting MA at ALRA North [Academy of Live and Recorded Arts, in Wigan, Manchester]. While lockdown has undoubtedly impacted us, it’s also been sprinkled with times I’ve been able to get into a (Covid-safe) room and create with my small cohort. It’s been a relief, an adventure and a very stressful time all in one!
“I’ve missed being able to explore new places and theatres and see new experimental and exciting ways of working! However, I’m pleased that accessibility within theatre has come into the mainstream awareness and contention.
“I hope the trend for more accessible theatre continues as more venues begin to reopen their doors. Like poetry, theatre and art should not be a luxury! I hope the future holds a new way of doing things that doesn’t negate the widened access lockdown has inspired!”
What’s coming next for you?
“I’m heading into my final seven months of my actor training. So hopefully I’ll finish that and get a certificate to prove it!
“More seriously, I hope to unearth a way of making art that I can access holistically. I often receive feedback that I’m too intellectual or academic. But really, I feel that this is a symptom of existing as I do. When your existence is politicised, people often assume that when you speak from experience, you’re trying to root a social theory or make it accessible. I’m not. I’m just expressing myself as best I know how.
“In summary, I want to work with new people and find new ways of accessing creativity. I want to act. I want to write. I want to continue exploring this new-found joy of play. There’s much I want to do! So we shall see what the future holds when we get to it.”
What would be the best way to spend five minutes if you had a choice?
“My dream five minutes would be being inside on a rainy Sunday afternoon, with my cat, Franklin, on my lap. I’d have a coffee from the local fancy coffee shop, soft music would play in the background, and I’d be able to just sit, and be, and read a book from my books-to-read shelf without thinking about work, or deadlines, or ‘being productive’.”
Tickets cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.
SAY Owt, York’s loveable gang of performance poets, are back in live action for the first time since the summer for a night of socially distanced spoken word at The Crescent on December 11.
In start-stop-restart-stop again 2020, these loquacious hosts of high-energy bursts of words and verse have hosted live-streams in lockdowns, most recently Lovely Lockdown Lyricism last Friday, and pop-up poetry on York Theatre Royal’s patio in August.
Stepping up to the mic on December 11 will be Say Owt’s A-team of Henry Raby, Hannah Davies, Stu Freestone and Dave Jarman, joined by special guest poets Katie Greenbrown and Ruth Awolola. In a nutshell, here comes a slam-winning sextet of soulful poets with modern, relevant and upbeat verse.
“The night will feature a set of banging poems, full of wit and humour to warm your soul this December,” says artistic director Henry. “Expect some brand-new pieces, improv poetry and a few silly surprises hiding up our spoken-word sleeves!
“Last Friday’s online gig was good: it’s just nice to keep connecting with our audience. Now Say Owt and The Crescent want to give you a night of energy and warmth after a tough year.”
The Crescent, in The Crescent, off Blossom Street, York, will have a Covid-secure, socially distanced seated capacity of 60. “The performers and the venue are following all regulations and guidelines to keep the audience as safe as possible,” says Henry.
DO you want an assortment of noisy, slam-winning York performance poets, word-weavers and gobheads to perform at a social distance near you?
If so, the Say Owt Showcase luminaries Henry Raby, Stu Freestone, Hannah Davies and Dave Jarman are the quartet to entertain you, being “ideal for socially distanced spaces and audiences”.
“We’re York’s lovable and raucous poetry gang and we’re available to programme and present high-energy, 60-minute showcases of the sharp, relevant, hilarious and engaging spoken word,” says Henry, director of the Say Owt’s “war of the words” slam nights.
“Say Owt’s word-warriors have delighted in ripping up stages at the Great Yorkshire Fringe and the Arts Barge in York, the Edinburgh Fringe and the Ilkley Literature Festival, and last month we performed as part of York Theatre Royal’s Pop-Up On The Patio festival, a bubbled and socially distanced event.
“Our Say Owt Showcase on August 28 sold out and played to a drizzly, but happy, audience.”
Performance poet in residence at the Deer Shed Festival, author, playwright and event organiser Raby is noted for his punk poetry being anarchic and raw, with a sharp political edge, much like his regular Tweets.
He has performed at Latitude Festival, Boomtown Fair and the Intentional Youth Arts Festival and toured with Creative Arts East and Apples and Snakes’ Public Address Tour.
His latest solo show, Apps And Austerity, looks back over the past decade of technology and stultifying, stringent political policies, as aired at the Pop-Up festival last Friday.
Freestone, Raby’s fellow co-founder of Say Owt, is the cheekiest of rogues with his devilish facial hair and a penchant for Hip-Hop. His work is blissful, engrossing and, above all, unflinchingly honest.
An actor too, he has worked with various York companies and in 2015 was nominated for Best Spoken Word Artist at the Saboteur Awards. The only thing remotely cheesy about him is when he may have served you from behind the counter at The Cheese Trader in Grape Lane.
When playwright, actor, poet, writing course tutor and stage director Hannah Davies “isn’t trying to smash the patriarchy”, she is busy with her York theatre company Common Ground.
Hannah has won slams across the UK and was a finalist in the BBC Fringe Slam 2017, and her work encapsulates themes of young love, female identity and the small moments that make us smile.
Say Owt associate artist Dave Jarman describes himself as a “word-gobbing, ukulele-strumming, bodhran-abusing poet from t’North”.
Resident poet for the Great Yorkshire Fringe in 2017, playwright, actor and occasional Elf, he reflects on community, people, places and our national identity in his poetry and performances.
For more information on how to send for the four wordsmen of the apocalypse to do a show for you, email firstname.lastname@example.org.
A BANK Holiday on Monday, the return to schools drawing ever closer, masked or unmasked, the summer calendar is speeding by.
Make the most of the outdoors before the crepuscular Covid uncertainty of autumn and beyond arrives for theatres, concert halls and gig venues alike.
Charles Hutchinson pops outside, then quickly head back indoors in the rain with these recommendations.
Comedy for your living room…from theirs: Your Place Comedy presents Paul Sinha and Angela Barnes, Sunday, 8pm
YORKSHIRE virtual comedy project Your Place Comedy returns after a summer break to deliver a second series of live streamed shows over the next three months, re-starting with The Chase star Paul Sinha and BBC Radio 4 News Quiz guest host Angela Barnes this weekend.
Corralled by Selby Town Council arts officer Chris Jones, ten small, independent theatres and arts centres from God’s Own Country and the Humber are coming together again, amid continued unease for the industry, to provide entertainment from national touring acts.
Sunday’s show will be broadcast live to viewers’ homes for free, with full details on how to watch on YouTube and Twitch at yourplacecomedy.co.uk. “As before, viewers will have an option to make a donation to the venues if they have enjoyed the broadcast,” says Chris.
Garden theatre part three: Park Bench Theatre in Every Time A Bell Rings, Friends Garden, Rowntree Park, York, until September 5
SAMUEL Beckett’s First Love has left the bench for good. Children’s show Teddy Bears’ Picnic, starring Cassie Vallance, resumes daytime residence from today. From this week, the premiere of Engine House Theatre artistic director Matt Aston’s lockdown monologue Every Time A Bell Rings occupies the same bench on evenings until September 5.
Performed by Slung Low and Northern Broadsides regular Lisa Howard and directed by Tom Bellerby on his return to York from London, Aston’s 50-minute play is set in Lockdown on Easter Sunday 2020, when isolated, grief-stricken Cathy searches for solace on her favourite park bench in her favourite park in this funny and poignant look at how the world is changing through these extraordinary times.
Tickets for performances in the Covid-secure Friends Garden must be bought in advance at parkbenchtheatre.com or yorktheatreroyal.co.uk. Bring picnics, blankets and headphones to tune in to shows delivered on receivers.
Deckchairs will be provided: Pop-Up On The Patio, week three at York Theatre Royal, August 28 and 29
YORK Theatre Royal’s Covid-secure summer festival of outdoor performances on Hannah Sibai’s terrace stage climaxes with five more shows, three tomorrow, two on Saturday.
First up, tomorrow at 4pm, is York company Cosmic Collective Theatre’s cult show Heaven’s Gate, an intergalactic pitch-black comedy starring satirical writer Joe Feeney, Anna Soden, Lewes Roberts and Kate Cresswell as they imagine the final hour of four fictionalised members of a real-life UFO-theistic group.
York performance poet Henry Raby puts the word into sword to slice up the past decade in Apps & Austerity at 6.30pm; Say Owt, the York outlet for slam poets, word-weavers and “gobheads”, follows at 8pm. On Saturday, York magician, juggler and children’s entertainer Josh Benson is unstoppable in Just Josh at 1pm before York pop, soul and blues singer Jess Gardham closes up the patio at 4pm.
York exhibition of the week and beyond: Jo Walton, Paintings and Rust Prints, Pyramid Gallery, Stonegate, York, until September 30
YORK artist Jo Walton uses rust and rusted metal sheet in innovative ways to create her artworks. Iron filings are applied as ‘paint’ and as they rust, reactions occur, resulting in every painting being unique and unrepeatable.
“Jo’s work is abstract, inspired by horizons,” says Pyramid Gallery owner Terry Brett. “Her work features enhanced rust-prints on plaster surfaces, combinations of rusted sheet metal with oil painting and painting seascapes on gold-metal leaf.”
First blockbuster of the summer…at last: Christopher Nolan’s Tenet, at York cinemas
THE wait is over. This summer has been more blankbuster than blockbuster, thanks to the stultifying impact of the Covid lockdown and the big film companies’ reluctance to take a chance on a major release in the slow-burn, socially distanced reopening of cinemas.
Step forward Christopher Nolan, director of Memento, Inception, three Dark Knight/Batman movies and Dunkirk to grasp the nettle by releasing the 151-minute psychological thriller/action movie Tenet.
John David Washington (yes, Denzel’s son), Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine and Kenneth Branagh ride a rollercoaster plot that follows a secret agent who must manipulate time in order to prevent the Third World War. Apparently, Tenet is a “film to feel, not necessarily understand”, like a Scarborough fairground ride, then.
Double bills galore outside a church: Songs Under Skies, National Centre for Early Music, St Margaret’s Church, Walmgate, York, between September 2 and 17
SONGS Under Skies will bring together the National Centre for Early Music, The Crescent, The Fulford Arms and the Music Venues Alliance for an open-air series of acoustic concerts next month in York.
Dates for the diary are: September 2, Amy May Ellis and Luke Saxton; September 3, Dan Webster and Bella Gaffney; September 9, Kitty VR and Boss Caine; September 10, Wolf Solent and Rosalind; September 16, Polly Bolton and Henry Parker; September 17, Elkyn and Fawn.
Gates will open at the NCEM’s Walmgate home, St Margaret’s Church, at 6.30pm for each 7pm start; acts will perform either side of a 30-minute interval with a finishing time of 8.30pm.
And what about…
Discovering The Waterboys’ new album, Good Luck, Seeker, Mike Scott’s latest soulful blast, met with universal thumbs-up reviews. Or bunking down with 1981 Ashes-winning captain turned psychoanalyst Mike Brearley’s new book for the end of summer, Spirit Of Cricket.
WHO will be popping up at York Theatre Royal’s Pop-Up On The Patio festival from August 14 to 29?
Taking part in a Covid-secure summer season of outdoor performances, on a terrace stage designed by Yorkshire theatre designer Hannah Sibai, will be “Yorkshire’s finest theatre and dance makers”.
Step forward York Dance Space; Mud Pie Arts; Crafty Tales; Fool(ish) Improv; The Flanagan Collective and Gobbledigook Theatre; puppeteer Freddie Hayes; Cosmic Collective Theatre; performance poet Henry Raby; Say Owt, the York outlet for slam poets, word-weavers and “gobheads”; magician, juggler and children’s entertainer Josh Benson and singer Jess Gardham.
They will perform at one end of the patio, decorated with “Glastonbury-style bunting”, performing to audiences of a maximum of 35 in demarcated bubbles.
“We’re so excited to have been able to bring live theatre back to our city this summer,” says Theatre Royal producer Thom Freeth, who has co-ordinated the festival programme of theatre, dance, music, magic, puppetry, improvised comedy, storytelling and slam poetry.
“Our building may still be closed, but we didn’t want that to stand in the way of entertaining the people of York during this difficult time. Pop-Up On The Patio gives us the opportunity to showcase the work of brilliant home-grown performers, many of whom are part of our freelance family, who have been disproportionally affected by this pandemic.”
Looking forward to staging the first shows on the Theatre Royal premises since March 17, executive director Tom Bird says: “It’s been a short but intense preparation period: we wanted to go hyper-local with the festival, to give a platform to York artists, and we’re absolutely delighted at getting a very local, highly skilled bunch across so many genres.”
Explaining the decision to focus the festival on Friday evenings and Saturdays, Bird says: “We are easing our way back from a total stop, turning everything off in March, so we’re feeling our way in, and we want to make sure that everything is safe, for the audience, performers and staff.
“The world is changing all the time, so we wanted to give ourselves breathing space in what we’re doing by restricting ourselves to three weekends for the festival, but who’s to say we won’t do more patio shows.”
The Theatre Royal management has implemented extra safety measures to keep visitors and staff safe during the three festival weekends, reconfiguring the patio to allow for a socially distanced audience and stage. These measures will be under constant review and apply to all the performances.
Tickets are on sale at yorktheatreroyal.co.uk and must be bought in advance.
THE FESTIVAL PROGRAMME:
Dance // Shorts, August 14, 7pm
CURATED by York Dance Space, this evening of live contemporary dance theatre in an outdoor, intimate setting will be a compilation of bite-size solos and duets from “some of the most interesting and exciting young artists from across Yorkshire and the Humber”.
Performances include solo work from Alethia Antonia, from the James Wilton Dance Company; Coalesce Dance Theatre; Daisy Howell, from Brink Dance Company, and Namiuki Dance.
Look out too for a selection of Doorstep Dances from Hull artists Tamar and Jo, spanning contemporary, Northern Soul, jazz dance and physical theatre styles. Suitable for age 12 upwards.
Mud Pie Arts, August 15, 22 and 29, 11am, for age 4 to 11
“WHAT is easy to get into but hard to get out of?” askMud Pie Arts drama practitioners Jenna Drury and Nicolette Hobson. “The answer? Trouble, of course!
“So, join us for Saturday elevenses in our Silly Summer Stories show. There’ll be interactive storytelling, riddles, games and all kinds of family tomfoolery.”
Have you heard the one about the old woman who lived in a vinegar bottle, or the farmer who fished for sausages? Now is the chance to enjoy those stories. “Come and find us on the patio every Saturday this month to celebrate all things daft,” say Jenna and Nicolette.
Crafty Tales, August 15 and 22, 1pm, for two to six year olds
YORK Theatre Royal’s Story Craft Theatre return with an outdoor version of Crafty Tales, presented by Cassie Vallance and Janet Bruce.
“As always, there’ll be a story to tell plus songs, games and dancing, all designed around a brilliant picture book with interactive and imaginative play,” they say. “Although Crafty Tales is aimed at two to six year olds, all children are welcome.”
Fool(ish) Improv, August 15, 4pm
FOOL(ISH) Improv is a bite-sized comedy show with absolutely no plan or permission, created by York writer and director Paul Birch.
Strap in for 60 minutes of improvised mayhem where you, the audience, provide the suggestions for the actors to make stuff happen. Instantly.
“Taking nothing seriously – and everything for granted – our merry band of charlatans and misfits will bring music, comedy and appalling levels of acting to give you a delightful hour of spontaneous comedy,” says Paul.
“You bring the ideas, we’ll bring the performance, and together we’ll make a joyous family show that has no business being indoors. Now, you have to come. We couldn’t do it without you.”
Orpheus, The Flanagan Collective and Gobbledigook Theatre in Orpheus, August 21, 6pm
ALEXANDER Flanagan-Wright and Phil Grainger should have been heading up to the Edinburgh Fringe to present the British premiere of The Gods, The Gods, The Gods this month after its Antipodean premiere before Covid-19 intervened.
Instead, they have been presenting Orpheus in socially distanced performances in back gardens and a week of At The Mill shows in Alex’s own back garden at Stillington Mill, near York, last week.
Written by Alex, with incidental music and songs by Phil, the international award-winning Orpheus is a thoroughly modern, beautifully poetic re-telling of an ancient Greek myth.
Dave is single, stood at the bar; Eurydice is a tree nymph, and Bruce Springsteen is on the juke box in this tale of impossible, death-defying love told through hair-raising spoken word and soaring soul music, where Alex and Phil weave a world of dive bars, side streets and ancient gods.
Eurydice, The Flanagan Collective and Gobbledigook Theatre, August 21, 8pm
LENI is five years old, holding a Superman costume for her first day at school. Eurydice is five years into the rest of her life, sporting a bee tattoo on her wrist, in Alexander Flanagan-Wright’s story of someone defined by someone else’s myth.
This tale of making changes, taking leaps and being a daily superhero is billed as “a story about a woman told by women”.
That was the case when performed by Alex and Phil Grainger’s co-creators, Serena Manteghi and Casey Jane Andrews, to 2019 Adelaide Fringe Best Theatre award-winning success. Now, Alex and Phil take over to weave a world of day-to-day power and beauty and goddesses, told through heart-stopping spoken word and live electronica.
Freddie Does Puppets in Fred’s Microbrewery, August 22, 4pm
FRED’S Microbrewery is the world’s first Puppet-in-a-Pub theatrical experience, a modern-day Punch and Judy story courtesy of York puppeteer Freddie Hayes.
Grouchy Fred and his bitter and twisted wife Sharon are two very grumpy Yorkshire puppets cum pub landlord and landlady of the Fred’s Microbrewery, where the frank, fractious duo serve beer-infused banter to adult audiences in an afternoon of debauchery and puppet profanities.
Fred and Sharon have sparred at York’s Great Yorkshire Fringe and had plenty to say at the Edinburgh Fringe, Shambala Festival, Moving Parts Festival and Folkestone Puppet Festival too.
In lockdown and beyond, Fred and Sharon have been living inside a laundry bag in Freddie’s attic. Now, bag unzipped, she is ready to unleash them once more in a show with an age guide of 15-plus on account of the strong language and adult themes.
Heaven’s Gate, Cosmic Collective Theatre, August 28, 4pm
FOUR cups of apple sauce. Four canvas camp beds. One comet. Heaven’s Gate is closing and the Away Team are ready for graduation, but whatever you do, don’t say the C-word. ‘C’ for ‘cult’, that is.
Presented by the new York company Cosmic Collective Theatre – satirical writer Joe Feeney, Anna Soden, Lewes Roberts and Kate Cresswell – Heaven’s Gate imagines the final hour of four fictionalised members of the real-life UFO-theistic group.
As they prepare for their “graduation” to the “Kingdom of Heaven”, the excitement is palpable, but all too soon the cracks appear. Is the Heavenly Father really waiting for them on a Spaceship? Is Planet Earth soon to be recycled? Is castration compulsory? Isn’t Turkey Potpie an underwhelming last supper?
Cosmic Collective Theatre’s intergalactic pitch-black comedy comes with adult themes and strong language – but no C-word, of course – to give it a 15-plus age guide
Henry Raby: Apps & Austerity, August 28, 6.30pm
“2010-2019. What was going on?” asks York-grown punk performance poet, activist and Say Owt artistic director Henry Raby as puts the word into sword to slice up the past decade.
From the memes and scenes, from riots to Royal Weddings to Referendums, Henry sums up a decade of technology and austerity with attitude, humour and insight.
Slam champ and Deer Shed resident poet Henry has performed across the UK, from festivals front rooms. “This is my fifth solo show, so I must have got something right by now,” he says.
Say Owt Showcase, August 28, 8pm
YORK’S lovable and raucous poetry gang proudly present an assortment of noisy slam-winning performance poets, word-weavers, and gobheads. “Spice up your Friday night with a glass-raising toast to the spoken word,” says host Henry Raby.
Say Owt word-warriors have delighted in ripping up stages at the Great Yorkshire Fringe and the Arts Barge in York, the Edinburgh Fringe and the Ilkley Literature Festival.
Josh Benson in Just Josh’s Ultimate Family Show, August 29, 1pm
CALLING all families! Just Josh is “hugely excited” to be back performing live with his family magic, juggling and balloon show!
If you have encountered Josh Benson previously, you will know that he is one of Yorkshire and indeed the UK’s “biggest kids”, noted for his boundless energy and shameless attempts to do absolutely anything in pursuit of a laugh from a crowd.
Josh, Corntroller of Entertainments at York Maze and regular pantomime silly billy, has taken his magic all over the UK and beyond, returning home from his P&O Cruises stint in February.
“My show is suitable for kids from four to 104, with laughs and, all being well, amazement for the whole family” says Josh.
Jess Gardham, August 29, 4pm
YORK pop, soul, blues and acoustic singer-songwriter, musical actress and 2018 MasterChef quarter finalist Jess Gardham closes Pop-Up On The Patio with an afternoon set.
Jess has performed all over Britain, the United States, Europe and Canada and supported the likes of Paul Carrack, KT Tunstall, The Shires, Wilko Johnson and Martin Simpson.
Her songs have been played regularly on BBC Introducing and her debut album, Beyond Belief, was picked up by BBC Radio 2.
Jess has taken lead roles in theatre productions such as Hairspray, Ghost The Musical and Rock Of Ages. “I hope to perform in theatre again when they’re open again,” she says.
Arriving YORK Theatre Royal will open the entrance to the Pop-Up patio a quarter of an hour before every performance starts.
“There will likely be some queueing, but we will do everything we can to keep this to a minimum,” says the festival website. “Please arrive in good time for any performance.”
All tickets will be digital and checked without contact at a social distance at the entrance to the patio area, where refreshments will be available.
Departing STAFF will be managing the departure from the performance area “so that we don’t have large crowds all leaving at the same time”.
Loos THE loos in De Grey House next to the patio will be open throughout. All loos will be stocked with anti-bacterial hand soap and stringent hand-washing guidelines are in place.
Social distancing EACH household or social bubble will be seated at a safe distance from other households or social bubbles, in line with Government guidance at the time of the performance.
“You will be directed to a designated ‘social bubble spot’ by our staff,” says the website. “Please be patient with them and sit where they direct – they know best!”
Food and refreshments A LIMITED range of soft and alcoholic drinks will be on sale, alongside ice creams and chocolate.
Ticketing policy IF you have any symptoms of COVID-19, have been diagnosed with the virus or have been in direct contact with a diagnosed individual in the past 14 days, you must not attend the event.
If you are unable to attend as a result of illness, please email email@example.com and a ticket transfer can be arranged. Tickets can only be refunded if the booked performance has sold out.
Additional cleaning THE patio area will be thoroughly cleaned between each performance. “Our already high cleaning standards have been enhanced by a cleaning programme designed to clean and sanitise the high touch points,” assures the website.
HARRY Baker, mathematician-turned-world-slam champion, marks turning
10,000 days old by celebrating numbers, words and life itself at The Crescent,
York, on March 15.
Making a plus out of everything, Baker will be at the latest gathering
of Say Owt, the spoken-word fulcrum hosted by York performance poet Henry Raby.
“From winning his school’s Battle of the Bands competition with a Jay-Z maths homage, to his prime number poetry TED talk being watched by millions online, Harry’s love of language and logic has got him through literal marathons, seen him rap battle in front of Ice Cube, and now has him analysing the technical accuracy of So Solid Crew’s 21 Seconds,” says Henry. “He’s got 99 problems but maths ain’t one.”
Support comes from Amy King and Robert Steventon. “Amy won Say Owt Slam #23 last September. She’s a queer, northern, spoken-word artist, co-founder of the Sheffield spoken-word night All Mic Long, and her poetry tackles topics such as sexuality, feminism and her unwavering love for Wetherspoons,” says Henry.
“Robert. who won Say Owt Slam #24 in February, is the maestro of Manchester’s Punk In Drublic poetry/comedy night. His poetry is 50 per cent heartfelt gut-grabbing honesty, 50 per cent honorary gobby northern nuance.”
Doors open at 7pm for the 7.30pm performance of Harry Baker: I Am 10,000. Tickets cost £10, concessions £8, from Earworm Records, in Powells Yard, off Goodramgate, or The Crescent, off Blossom Street, or at seetickets.com or £12 on the door.