Tag: Holy Trinity Goodramgate

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Writer Natalie Roe and director Josie Connor team up for Sonnets In Bloom 2025 at Holy Trinity. Who’s new in the cast?

Sonnets In Bloom script writer Natalie Roe, left, and director Josie Connor in the Holy Trinity churchyard, in Goodramgate, York, where the York Shakespeare Project performance will take place

YORK Shakespeare Project’s summer celebration of Shakespeare’s sonnets returns to the churchyard of Holy Trinity, Goodramgate, York, from  August 15 to 23.

Sonnets In Bloom brings together the Bard, director Josie Connor, scriptwriter Natalie Roe and a cast of 12 sonneteers.

“The last two shows have attracted record audiences so we are delighted again to be offering a summer taste of Shakespeare that is both entertaining and accessible,” says producer Maurice Crichton.

“This year we return to Holy Trinity Goodramgate, where site co-ordinator Gemma Murray and her team of volunteers made us so welcome last year.”

The year’s show has been scripted by Natalie Roe in her first involvement with YSP’s Sonnets project. “Natalie has incorporated a record 13 sonnets into her script, including seven that have not featured in previous YSP productions,” says Maurice.

Harry Summers: One of nine new sonneteers taking part in Sonnets In Bloom 2025

“Shakespeare wrote at least 154 sonnets. We have plenty more to go at but the new ones in this show mean we will have featured more than a third of the total across the nine sonnets productions we have so far put on.”

In Natalie’s script, “Reverend Planter is very excited that his church is hosting the regional leg of Summer in Bloom. You are all warmly invited to enjoy a complimentary drink and to see the goings on. Participants are arriving with their prized entries, some more competitive than others. But where is the special guest? And who will win the People’s Vote?”

Josie Connor is directing YSP for the first time, having worked with Natalie previously when she directed her script, Boxes, for York Settlement Community Players’ pub theatre initiative, The Direct Approach, in 2023.

As ever, Sonnets In Bloom features a wide variety of colourful characters, who each find an opportunity to give voice to one of Shakespeare’s sonnets.

“It’s a lovely experience,” says YSP chair Tony Froud. “You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notice that the language has become Shakespearean. And you can look forward to the odd surprise or two.”

Sonnets In Bloom 2025 producer Maurice Crichton

This will be the ninth time that YSP has put on a show based on Shakespeare’s sonnets, having first staged Sonnet Walks in 2014 , when audiences divided into groups met colourful characters as they walked around the streets of York, in the run-up to Le Grand Depart of that summer’s Tour de France.

In 2020, in the depths of the pandemic, the format was adapted to become Sit-Down Sonnets, when guiding a socially distanced group around the streets was impracticable. Sit-down shows have prevailed ever since.

This year, the cast of 12 is mostly new to the Sonnet shows and younger too. “Only three performers have been involved previously, and with a new writer and a first-time Sonnets director, this production will take a fresh look at a trusted format,” says Maurice.

The cast in full is: Harry Summers*; James Tyler*; Stuart Lindsay*; Grace Scott; Benjamin Rowley*; Emilie Knight; Oliver Taylor*; Tom Langley*; Xandra Logan; Annie Dunbar*; Lily Geering* and Stuart Green*. (*New to the sonnets.)

York Shakespeare Project in Sonnets In Bloom, Holy Trinity churchyard, Goodramgate, York, August 15 to 23, 6pm and 7.30pm, plus 4.30pm, August 16 and 23. Box office: 01904 623568;  https://www.yorktheatreroyal.co.uk/show/sonnets-in-bloom-2025/; in person from York Theatre Royal box office. Price, including a drink: £10 or £5 for age 14 to 17. Running time: 50 minutes.

York Shakespeare Project’s poster for Sonnets In Bloom 2025

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York Georgian Festival revives Joseph Peterson’s 18th century comic romp The Raree Show at Merchant Taylors’ Hall

Geoff Turner’s Sir Thomas Graspall in Mr Joseph Peterson’s The Raree Show or The Fox Trap’t. Picture: Gareth Buddo

IN a celebration of 18th century theatre and the lives of York’s Georgian players and comedians, The Raree Show or The Fox Trap’t will open the York Georgian Festival 2025. 

Presented by Holy Trinity, Goodramgate, at Merchant Taylors’ Hall, Aldwark, on August 7, the hour-long 7.30pm performance promises entertainment, wit and historical intrigue.

Think of all the delightful clichés of 18th century theatre: mannered acting; plays with double titles; characters whose names give away their personalities;wicked uncles, clever servants, comedy foreigners; physical comedy and happy endings.

“Joseph Peterson’s The Raree Show or The Fox Trap’t delivers all of this with a hearty dose of charm,” says director Sarah Cowling, York tour guide and Churches Conservation Trust volunteer at Holy Trinity, Goodramgate, who is fascinated by York’s Georgian theatrical scene.

Andrea Mitchell’s Belinda. Picture: Toni Wainwright

“Joseph Peterson, a parishioner from Goodramgate, described in the parish register as ‘comedian’, wrote this piece specifically to delight and amuse the citizens of York – the city he ‘reveres’. When it was first performed in 1738, it is very likely that it was performed in the very hall we will be performing in on August 7: Merchant Taylors’ Hall.

“Very likely”, Sarah? “The source I had for proof that the piece was performed in York has proven unreliable. It is ‘most likely’ that it was performed here in York – as it was written for the city and the original Dramatic Personae are all from York – but I cannot find the playbill or proof. It is ‘most likely’ that it was performed in Merchant Taylors’. Indeed some of the original actors are known to have performed in there,” she says.

“After success at last year’s Georgian Festival with a read-through of Peterson’s masterpiece, Merchant Taylors’ have been kind enough to offer use of the hall for this year’s ‘off-book’ production.”

Peterson’s theatrical romp is billed as “a tale of a ward trapped into marriage against her late father’s wishes; divided couples reunited; sword fights; terrible French accents; clever tricks and a satisfying ‘happily ever after’”.

 Nick Patrick Jones’s Sir Fopling Conceit. Picture: Gareth Buddo 

“The driving force behind this production is the fascinating figure of Mr Joseph Peterson, an actor, parishioner of Holy Trinity, Goodramgate, and writer,” says Sarah. “Peterson was so dedicated to his craft that he added new meaning to the phrase ‘dying on stage’ – later in life, quite literally dying mid-performance.

“The Raree Show or The Fox Trap’t is very much a vehicle for Mr Peterson. He wrote it, he introduces it, appears in it and wraps up the proceedings.”

Born in 1710, Peterson married Margaret Whare in St Michael le Belfrey at the age of 22. In January 1738, their son Joseph was baptised at Holy Trinity, Goodramgate, hence his listing as a ‘comedian’ in the parish records.

“He was a key member of Thomas Keregan’s company of actors, performing in productions such as Twin Rivals, The Shepherd’s Opera and The Trepan or Virtue Rewarded,” says Sarah.

Joy Warner’s Corinna. Picture: Gareth Buddo

“Before the establishment of York Theatre Royal, one of the venues used for theatre in York was the Merchant Taylors’ Hall, where we will stage our lively production, mirroring where The Raree Show or The Fox Trap’t may have been performed nearly 300 years ago.”

18th century life on stage was often unpredictable. In 1746, Peterson left York theatre for the Norwich Theatre Company, where he continued to thrive. “However, in October 1758, while performing Measure For Measure at Market Cross Theatre in Bury St Edmunds, Suffolk, he collapsed mid-performance. His last words were, ‘reason thus with life if I do lose thee I lose a thing that none but fools would keep a breath thou art…’, says Sarah.

“He died in the arms of fellow actor Mr Moody. Curiously, Mr Moody had previously experienced another actor’s death in his arms on stage in Harrogate!”

What can next Thursday’s audience expect? “It might help to know that A Raree Show is essentially a peep show – images in a box, not necessarily risqué. In our production, the Raree Show refers to various current events (current to the 1730s), adding a satirical edge to the performance.”

The cast for last summer’s York Georgian Festival read-through of The Raree Show or The Fox Trap’t

Funds raised from this charity performance will be used to conserve the First World War Roll of Honour from Bedern National School, displayed at Holy Trinity Church, Goodramgate. “The performance of the work, written by a former more than 100 years ago,” says Sarah.

Summing up next Thursday’s performance, she concludes: “We invite our audience to step into the 18th century and revel in the theatrical artistry of The Raree Show or The Fox Trap’t. With its captivating storyline and historical insights, this production is sure to be an unforgettable highlight of the York Georgian Festival.

“The show has sold out, which is brilliant, but there’s a whole catalogue of these funny little York-grown Georgian shows. I really hope we can unearth more.” 

York Georgian Festival: Holy Trinity, Goodramgate, presents Joseph Peterson’s The Raree Show or The Fox Trap’t, Merchant Taylors’ Hall, Aldwark, York, August 7, 7.30pm; doors 7pm. SOLD OUT. Booking link for returns: tps://bit.ly/3EnRhEY.

Who’s in the cast for The Raree Show of The Fox Trap’t?

York tour guide Mad Alice: Making cameo appearance in The Raree Show or The Fox Trap’t

Sir Thomas Graspall, played by Geoff Turner; Squire Timothy and Smart, Joe Standerline; Manly, Matt Tapp; Belamour, Zander Fick; Sir Fopling Conceit and Mr Joseph Peterson, Nick Patrick Jones; Servant and Mrs Peterson, Aileen Bloomer; Belinda, Andrea Mitchell; Corinna, Joy Warner, and Betty, Mad Alice (in a cameo by The Bloody Tour of York guide Alicia Stabler). 

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York Shakespeare Project invites you to a secret wedding at Holy Trinity Church, Goodramgate, as Summer Sonnets return

York Shakespeare Project’s poster for Summer Sonnets at Holy Trinity Church

YORK Shakespeare Project’s Summer Sonnets return to the churchyard of Holy Trinity, Goodramgate, York from August 9 to 17.

“After attracting a record audience of more than 600 people to the show last year in the Bar Convent gardens, we are delighted again to be offering a taste of Shakespeare that is both entertaining and accessible,” says YSP chair Tony Froud, who is directing the sonnet season for a second year.

Holy Trinity last hosted YSP’s Sit-Down Sonnets in September 2020, under social distancing restrictions during the Covid pandemic.

Writer Josie Campbell

“This year we plan to take full advantage of the historic and beautiful setting”, says Tony. “Many people will know the church as the site of the blessing of the relationship of Anne Lister (Gentleman Jack) and Ann Walker [at Easter 1834] and we are building this year’s show around that famous event” [now marked by a York Civic Trust rainbow plaque with the wording “took sacrament here to seal her union”).

The Summer Sonnets show has been scripted by Josie Campbell, who performed for YSP on the Rose Theatre’s Shakespeare Wagon in 2019 at the Eye of York.

Sharing her time between Yorkshire and Dubai, Josie is a professional actor/director and co-founder of Little Britches Theatre Company. In 2021 she toured Yorkshire with a pop-up production of Shakespeare’s Will, a one woman show about Anne Hathaway, Shakespeare’s wife.

Summer Sonnets director Tony Froud

For Summer Sonnets, Josie has come up with an entertaining plot, taking full advantage of the church’s setting and rich history. “I have thoroughly enjoyed writing a Sonnets show, which includes Anne Lister, one of Yorkshire’s most uncompromising and resilient women”, she says.

Audiences are “invited to a secret wedding in Holy Trinity, Goodramgate, in the heart of York”, where they will “meet the church’s most famous couple while enjoying a complimentary drink. As they witness the happy event, they may start to wonder: is everything quite what it seems?”

Debutant York Shakespeare Project sonneteer Grace Scott in rehearsal. Picture: John Saunders

“As ever, the show features a wide variety of colourful characters, each speaking in everyday English until they shift into their 14 lines of verse from one of Shakespeare’s sonnets to reveal the heart of their story,” says Tony.

“It’s a lovely experience. You can sip your complimentary drink on a summer’s evening in a delightful setting. Very often, the characters slip into a sonnet and the audience hardly notices that the language has become Shakespearean. And you should look forward to a surprise or two!”

2024 marks the tenth anniversary of YSP’s first show built around Shakespeare’s sonnets in the form of 2014’s Sonnet Walks, wherein groups of audience members met assorted characters as they walked through the streets of York.

Liam Godfrey: Making his Summer Sonnets debut. Picture: John Saunders

“Sadly, I never saw the Walks, but there’s an advantage in having a single setting where characters can meet, start a story and then reappear to complete it,” says Josie.

Tony’s cast is a blend of actors new* to the YSP Sonnets and seasoned sonneteers: Maurice Crichton; Marie-Louise Feeley*; Liam Godfrey*; Emily Hansen; Halina Jaroszewska*; Alexandra Logan*; Sally Mitcham; Grace Scott*; Effie Warboys*; Helen Wilson and Tony Froud himself.

York Shakespeare Project in Summer Sonnets, Holy Trinity Church, Goodramgate, York, August 9 to 17, except August 12, 6pm and 7.30pm, plus 4.30pm on August 10 and 17. Box office: 01904 623568 or yorktheatreroyal.co.uk/show/summer-sonnets/. Tickets: £10; £5, age 14 to 17; two under-14s per adult. The price includes a free drink.

Regular York Shakespeare Project sonneteer Helen Wilson in rehearsal. Picture: John Saunders
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REVIEW: York Shakespeare Project, Sonnets At The Bar, “Secret Garden” at Bar Convent Living Heritage Centre, York

Mick Taylor’s caretaker, Mr Barroclough, tells busker Luke Tearney to vacate the Bar Convent garden pronto. Picture: Simon Boyle

YORK Shakespeare Project’s Sonnets At The Bar resume in the “secret garden” of the Bar Convent Living Heritage Centre from this evening.

Not so secret that the pesky rain could not find Friday’s first performance at 6pm, but this new location for YSP affords protection under parasols and the natural shade of the garden itself, plus the availability of umbrellas and tea towels for wiping down seats. Ah, the joys of the English summer.

YSP had favoured Sonnet Walks through the city streets and public gardens for several years before switching to socially distanced Sit-down Sonnets at Holy Trinity churchyard, in Goodramgate, last September in a pragmatic response to Covid safety requirements.

Helen Wilson’s doggedly enthusiastic Julie in York Shakespeare Project’s Sonnets At The Bar

The audience is seated once more for Sonnets At The Bar, but there is movement aplenty by Emilie Knight’s cast of sonneteers, each emerging from different corners and paths for their allotted time in the spotlight.

Knight has moved up from playing Covid Nurse last year to nursing the 2021 production through rehearsals, introducing four debutant sonneteers and five Shakespeare sonnets new to YSP service.

Noting how the Bar Convent is a hive of community activities, some held outdoors for Covid safety, she hit on the structure of each sonneteer playing someone either hosting classes, groups or meetings or attending them, all under the often irascible care of  Mick Taylor’s seen-it-all-before, seen-it-all-once-too-often caretaker, Mr Barrowclough, in effect our hurry-up host for the hour.

Frank Brogan’s Simon: It feels like we are invading grief, even though he has been brave enough to go public

It takes little to rile him, as he hectors Luke Tearney’s amicable busker off the premises and later ponders how much money he could have made from a PPE contract, given the omnipresence of discarded face masks he has to pick up. In a nutshell, Taylor’s brusquely humorous Barrowclough prefers talking to the trees, giving each a punning name.

From each character’s thoughts and actions emerges a sonnet, starting with Sally Mitcham’s vexed Zumba class attendee Karen (O From What Power Hast Thou This Powerful Might), followed by Helen Wilson’s jaunty Scouser Julie, always cajoling at her side (Whilst I Alone Did Call Upon They Aid).

Frank Brogan’s fever-browed Simon is in a bad place, or rather the wrong place, as he discovers all too late after unburdening himself at what he assumes to be an Alcoholics Anonymous meeting. His rendition of When In Disgrace With Fortune And Men’s Eyes, so troubling and confessional as he strives to come to terms with the loss of his wife, feels like invading grief even though he has been brave enough to go public.

Aran MacRae, seated in the Bar Convent garden in the lead-up to Sonnets At The Bar’s opening performance

Taylor’s Mr Barrowclough brings out all his exasperation in Tired With All These, For Restful Death I Cry before West End musical actor Aran MacRae makes his return to the York stage as Paul, a principled parish clerk weighed down by skeletons and impropriety all around him, who delivers Let Those Who Are In Favour With Their Stars with a sombre down-beat.

Darkness makes way for all the colours under the sun in Sindy Allen’s Persephone, a yoga instructor determined to keep doom at bay through indefatigable brightness of spirit and even brighter hair and clothing. Let Not My Love Be Called Idolatry has all the bounce of Tigger when escaping her lips.

Youngest participant Josh Roe’s Joseph Smythe has been using lockdown to teach himself assorted musical instruments, and dressed as if for the Proms, he conducts his audition with precocity and youthful lack of self-awareness, making way for a suitably assured account of Music To Hear, Why Hear’st Thou Music Sadly?.

York Shakespeare Project debutant sonneteer Josh Roe at the dress rehearsal for Sonnets At The Bar

Lindsay Waller-Wilkinson, one of the 2021 newcomers, has a naturally theatrical voice, one that draws you in to her role as Liz, an ebullient grandmother too busy for “swiping right”, as she undertakes childminding duties. “Some Say Thy Fault Is Youth, Some Wantonness” takes on a knowing air.

None other than Judith Ireland could play Sister Colette, radiating wisdom and serenity, in a finale that interrupts her peace in the garden with the vomiting interjection of Luke Tearney’s surly, scowling, cussing Tim, a bad lad or maybe just one in need of re-direction, courtesy of remediuk.org.

He brings anger, frustration and desperation to ’Tis Better To Be Vile Than Vile Esteemed in an eye-catching performance of much promise, and who better to restore calm than Ireland’s nun with No More Be Grieved At That Which Thou Hast Done. Amen to that.

Lindsay Waller-Wilkinson: One of those voices that can bathe words in deepest warmth

Taylor’s Mr Barrowclough has to have the final word, one last harrumph before we leave, the rain having desisted. Three Saturday performances would subsequently pass without a downpour, despite a dodgy forecast, a blessing that producer Maurice Crichton put down to “the power of the Bar Convent sisterhood’s prayer”.

All hell will return come the autumn when YSP’s two-decade passage through Shakespeare’s plays will resume with Leo Doulton’s apocalyptic account of Macbeth in October.

York Shakespeare Project presents Sonnets At The Bar 2021, Bar Convent Living Heritage Centre, Blossom Street, York, until August 7. Performances: 6pm and 7.30pm nightly, plus 4.15pm, Saturday. Tickets: 01904 623568 or at yorkthreatreroyal.co.uk.

Mick Taylor’s caretaker Mr Barrowclough looks to the heavens, knowing something else will be coming along soon to irritate him
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York Shakespeare Project to perform Sonnets At The Bar in Bar Convent garden in August. Auditions set for next week

Knight’s move: Emilie Knight will direct York Shakespeare Project’s Sonnets At The Bar after playing Covid Nurse in Sit-down Sonnets at Holy Trinity Church last September. Picture: John Saunders

YORK Shakespeare Project has a not-so-secret new location for its latest sonnet adventures, the secret garden of the Bar Convent Living Heritage Centre, in Blossom Street, York.

After several years of Sonnet Walks through the city streets and public gardens and the socially distanced Sit-down Sonnets at Holy Trinity churchyard, in Goodramgate, last September, here come Sonnets At the Bar 2021, directed by Emilie Knight and produced by Maurice Crichton, from July 30 to August 7.

“Emilie Knight and I have struck up a good working relationship at the Bar Convent with James Foster, the chief operations officer,” says Maurice. “They have a lovely ‘secret’ garden with plenty of room and a surprisingly quiet, voice-friendly acoustic for a space so close to one of the busiest road junctions in the city.”

Looking forward to mounting this summer’s spree of Shakespeare sonnets, Maurice enthuses: “York Shakespeare Project wants to involve people in a close engagement with Shakespeare’s writing, and as Jonathan Bate says in every Royal Shakespeare Company edition of the plays: ‘The best way to understand a Shakespeare play is to see it or ideally to participate in it’.

“Emilie is setting up auditions ‘open to all’ and we want to get the word out as widely as possible to try to involve some new faces in this format.”

The “secret” garden at the Bar Convent Living Heritage Centre in York: the August venue for York Shakespeare Project’s Sonnets At The Bar 2021

Those auditions will be held at the Bar Convent onJune 4 from 5pm and June 5 from 10am. Anyone wanting to arrange an audition time should contact Emilie at emknight65@aol.com, putting ‘Sonnets’ in the heading and indicating a preference of day and time.

“I’ll provide details of everything you need to prepare when confirming your audition time,” says Emilie, who performed in last year’s Sit-down Sonnets in role of Covid Nurse at Holy Trinity Church.

Outlining the format of this summer’s performances, she explains: “We’ll be bringing our audience into the secret garden of the Bar Convent to witness the comings and goings of the ordinary people of York as they pursue their hobbies and interests at a community venue.

“The characters cover a range of age and gender and a couple also require some musical ability (instrument or vocal). We welcome all levels of experience, as commitment, enthusiasm and a certain amount of flexibility will determine the success of this production. And, we want you to have fun!”

Rehearsals will be held outdoors, initially in West Bank Park, Holgate, and then at the Bar Convent.

The eight evening performances from July 30 to August 7 – no show on Monday, August 2 – will be complemented by late-afternoon matinees on both Saturdays. “We’re going to include a drink in the ticket price and this will be provided by the heritage centre’s café,” says Maurice.

“‘The best way to understand a Shakespeare play is to see it or ideally to participate in it,” says Maurice Crichton, producer of York Shakespeare Project’s Sonnets At The Bar 2021
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Emilie Knight moves to director for York Shakespeare Project’s 2021 Sonnet Walks

Knight’s move: Emilie Knight will direct York Shakespeare Project’s Sonnet Walks in 2021 after playing Covid Nurse in Sit-down Sonnets at a socially distanced Holy Trinity Church, Goodramgate, York, in September 2020. Picture: John Saunders

YORK Shakespeare Project has appointed Emilie Knight to direct the 2021 Sonnet Walks in a plan to resume open-air theatre in York as soon as conditions allow. 

Anticipating the granting of Government permission for outdoor events, but awaiting confirmation on what level of social distancing will be required, YSP is delighted to make the appointment. 

“We want to hit the ground running just as soon as we’re permitted to,” says York Shakespeare Project (YSP) committee member Tony Froud.

YSP will make an announcement on performance dates and the audition process for Emilie’s production later in the spring.

Emilie is well acquainted with the Sonnet Walks, having appeared in three productions. First performing as a Sting-obsessed sonneteer in 2018 an d as Mother of the Bride and guide the following year, she found playing Covid Nurse in last year’s Sit-down Sonnets at Holy Trinity Church, Goodramgate, was “one of the most affecting roles I’ve ever played”. 

York resident Emilie has made regular appearances with the Knaresborough Players and was involved in the York community projects Blood + Chocolate on the city streets in 2013 and Everything Is Possible: The York Suffragettes at York Theatre Royal in 2017.

Interested in all aspects of theatre, not least costume and tech, Emilie says it was only a matter of time before she would turn her attention to directing: “This is a new adventure for me and I’m thrilled to have been chosen to direct this year’s Sonnets production. 

Sting in the tale: Emilie Knight in York Shakespeare Project’s 2018 Sonnet Walks. Picture: John Saunders

“I’m very grateful to the YSP committee for entrusting me with this important feature of the canon.  I look forward to the challenge and hard work involved as I know it will be hugely rewarding. 

“I was made so welcome when I joined YSP, have learnt so much and have had so much fun.  I want others to share that experience too.”  

The Sonnet Walks were first performed by YSP in 2014, and since their revival in 2017 they have become an annual event. Until 2020, they took the form of a walk around the streets and snickelways of York, allowing audience members to meet a series of colourful local characters, each with a lively tale to tell and a Shakespearean sonnet to recite.

Last September, Covid-safe restrictions saw the format adapted to the Sit-Down Sonnets, with audience and cast members all socially distanced in the atmospheric setting of the Holy Trinity churchyard.

YSP is confident York audiences are crying out for the resumption of live theatre. “With theatres closed since March, last September’s Sit-Down Sonnets were hugely welcomed by actors and audience members alike,” says Tony Froud.

“We’re hoping for the same response for live performance this year.  By appointing Emilie now, we’re making sure that it will happen immediately guidance permits.”

Meanwhile, YSP is “hoping to revive” its production of Macbeth, postponed by Lockdown 1 ten days short of its first night in March 2020. Watch this space for any updates.

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Spring to Awaken for weekend of online celebration at NCEM on March 27 and 28

Iestyn Davies: York countertenor will perform with viol specialists Fretwork at the Awaken weekend

THE National Centre for Early Music, in York, is to play host to an online celebration of music for springtime on March 27 and 28.

The weekend programme of Awaken will feature celebrated British musicians, working across a range of historic venues to mark “the unique association between the City of York and the exquisite beauty of the music of the past”.

The two days of festivities will begin with a musical whistle-stop tour led by the all-male vocal group The Gesualdo Six, directed by Owain Park at 1pm on March 27. Beyond These Shores: A York Tapestry will explore the musical “jewels in the crown” of Renaissance Europe, as revealed in the stained glass and manuscripts of the City of York.

The journey will show off some of the city’s most beautiful buildings, such as Holy Trinity Church, Goodramgate; St Olave’s Church, Marygate, and the mediaeval splendour of the Merchant Adventurers’ Hall, Fossgate.

At sixes and sevens: The Gesualdo Six with director Owain Park, middle, back row

The weekend’s grand finale, on March 28, will feature I Fagiolini in Super-Excellent, directed by Robert Hollingworth in a 7pm concert filmed in York. They will be joined by the English Cornett & Sackbut Ensemble to present a multi-choir extravaganza of music from the Italian Renaissance, taking a musical journey across Spain to the New World and back again.  

Also appearing in Awaken will be York international countertenor Iestyn Davies, performing with the instrumental viol specialists Fretwork on March 27, as they bring light to the 17th century world of JC Bach and his contemporaries, interlaced with the 20th century genius of Ralph Vaughan Williams, in a 7pm programme entitled The Sky Above The Roof.

Directed by Olwen Foulkes, rising stars Ensemble Augelletti will make their York debut at the NCEM’s home, St Margaret’s Church, Walmgate, presenting A Spring In Lockdown on March 27 at 3pm, and BBC New Generation artists The Consone Quartet will perform Schubert’s Quintet in C major with cellist Alexander Rolton on March 28 at 3pm.

Looking forward to the reawakening weekend, NCEM director Delma Tomlin says: “As we gradually move into spring, we are delighted to bring you Awaken, which through music brings us the promise of hope, joy and warmth for the coming months.

“Through music, Awaken brings us the promise of hope, joy and warmth for the coming months,” says NCEM director Delma Tomlin

“Since the very first lockdown, we have continued to bring you some of the finest music streamed from our beautiful base of St Margaret’s Church. For Awaken, we’ve branched out further and are very excited to be able to show off some of the city’s architectural gems, which provide us with a fitting backdrop for the glorious music.

“We’re also pleased to welcome back some of our most popular performers and to introduce a few new faces. We hope you’ll join us for these sublime sounds of spring.”

Tickets cost £10 for individual online concerts or £40 for a weekend pass on 01904 658338, at ncem.co.uk or by emailing boxoffice@ncem.co.uk. Full programme details can be found at: ncem.co.uk/awaken. The concerts will be available on demand until April 30.

Before Awaken, The Gesualdo Six will mark Early Music Day by performing a 3pm concert on March 21, toasting the genius of Josquin des Prez, French composer of the Renaissance age. The live-stream from the NCEM will form part of the annual celebrations organised in association with the European Early Music Network, REMA.

The Consone Quartet: Performing Schubert’s Quintet in C major with cellist Alexander Rolton on March 28

The musicians taking part in Awaken will be:

The Gesualdo Six: Owain Park, director; Andrew Leslie Cooper, Guy James, countertenors; Josh Cooter, Joseph Wicks, tenors; Michael Craddock and Sam Mitchell, basses.

Ensemble Augelletti: Olwen Foulkes, recorders, director; Ellen Bundy, Alice Earll, violins; Elitsa Bogdanova, viola; Carina Drury, cello; Harry Buckoke, bass/gamba; Toby Carr, theorbo; Benedict Williams, harpsichord/organ

Fretwork: Richard Boothby, Emily Ashton, Joanna Levine, Asako Morikawa, Sam Stadlen, viols, with Iestyn Davies, countertenor.

Consone Quartet: Agata Daraškaite, Magdalena Loth-Hill, violins; Elitsa Bogdanova, viola; George Ross, cello, with Alexander Rolton, cello.

I Fagiolini: Robert Hollingworth,director; Martha McLorinan, Nicholas Mulroy, Matthew Long, Greg Skidmore, singers; William Lyons, Nicholas Perry, dulcians, shawms; Catherine Pierron, James Johnstone, organs; Eligio Quinteiro, Lynda Sayce, theorboes, guitars.

English Cornett & Sackbut Ensemble:  Gawain Glenton, Conor Hastings, cornetts; Emily White, Miguel Tantos-Sevillano, Tom Lees, Hilary Belsey, Andrew Harwood-White, Adrian France, sackbuts.

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Wanted: Director for York Shakespeare Project’s open-air sonnets production

Talking tartan: Helen Wilson performing at York Shakespeare Project’s socially distanced Sit-down Sonnets in the churchyard at Holy Trinity Church, Goodramgate, York, last September

YORK Shakespeare Project is issuing a call-out for a director for this year’s outdoor sonnet performances.

“We would like to hear from people interested in directing Sonnet Walks/Sit-down Sonnets 2021, our annual open-air production incorporating selections from Shakespeare’s sonnets in a devised framework,” says YSP’s Tony Froud. 

Masked up: The poster for last September’s graveyard smash, Sit-down Sonnets

“Last September, our Sit-down Sonnets, staged by director Mick Taylor at a socially distanced Holy Trinity Church, Goodramgate, were welcomed by performers and audiences alike. Now, in these continuing uncertain times, we would like to mount a new production of the sonnets.”

When and where that can happen remains to be seen, says Tony. “No dates have been set but we expect this to be later in the summer, and we want to appoint someone with a strong idea for this year’s production so that we can begin work on making it happen.”

The director’s role is not a professional appointment. If you are interested, please contact Tony Froud at yorkshakespeareproject@gmail.com to receive more details.

Picture this: Mick Liversidge performing at York Shakespeare Project’s Sit-down Sonnets in 2020
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REVIEW: Sit-down Sonnets 2020, York Shakespeare Project, until Saturday

Helen Wilson dons the tartan and the Scottish accent for Sit-down Sonnets. All pctures: John Saunders

York Shakespeare Project, Sit-down Sonnets, Holy Trinity churchyard, Goodramgate, York, until September 12, 5.45pm and 7pm daily, plus 4.15pm on Saturday. Box office: yorktheatreroyal.co.uk

YORK Shakespeare Project’s last production was Antony And Cleopatra in October 2019, leaving only two to complete the 20-year cycle of presenting all of his plays.

Next up should have been Macbeth, but sure enough, if anything could de-rail the stately progress to the finishing post, it would have to be the Scottish play, the one afeared by the theatre world at large.

Lo and behold, its curse struck again, only a week to go to opening night for Leo Doulton’s production, when the Covid-19 lockdown put a stop to everything. Who knows when to expect the return of the Mac, but in the meantime YSP keeps busy with Zoom play readings each month, under the guise of the Quarantine Players, and now with the Sit-down Sonnets, a variation on YSP’s Sonnet Walks around York.

If the hat fits: Mick Liversidge

The Churches Conservation Trust is keen for Holy Trinity to play host to more outdoor performances amid its gravestones, mown grass, five benches and trees, and tucked away from the Goodramgate shoppers, it is a delightful haven for theatre or music.

YSP has frequented the churchyard previously, as a stopping point to deliver a Sonnet Walk, but now comes a full-scale 45-minute production to a seated audience,  spread out with social distancing in “ten social bubbles or 20 souls, whichever maximum we reach first”.

Producer Maurice Crichton’s invitation to review came with a covering note and a request: “As always we think part of the delight of live theatre is surprise,” he wrote, and he is right on that score, along with his advice to bring a rug, a cushion, a camp chair, maybe a flask and a packet of biscuits.

“The conceit of this show is that it is a selection of Shakespeare’s characters in the present day paired with a sonnet. I wonder which character will be next? I wonder which character would be dressed like that? I wonder which sonnet this character is going to have? Who is [YSP founder] Frank Brogan playing this time?

Where there’s a Will: Margaret Hillier

“These are questions we want to be a part of the show. For that reason, we are holding back our [printed] ‘programme’ to the end. It’s a memento that confirms what the audience has seen, not a spoiler of what they are about to see. 

“Our polite request is that you don’t spoil everything by publishing everything we have.”

Your reviewer could not have put it better than the ever-eloquent former solicitor Mr Crichton, m’lud. Covid-19 has done so much spoiling already in 2020 that another killjoy would not be appropriate.

Suffice to say, director Mick Taylor, bearing a rod as if he were Prospero, guides the audience into the fast-flowing performance of ten sonnets, pointing out how Shakespeare himself was blighted by pandemics, with theatres being closed for more than six years between 1603 and 1613.

He makes way for 11 YSP luminaries to take on the guise of familiar Shakespeare characters but now in a modern context, be they a grave digger or a nurse, as they reflect on lockdown, isolation, masks, social distancing and the NHS.

Mick Taylor looks on as Emily Hansen performs her Sit-down Sonnet

The shadow of Covid hangs heavy over their apposite sonnet choices: ‘mourn’ ‘fever’ ‘absent in the spring’ and ‘epitaph’ all leap out from the titles, but so do ‘summer’s day’ and ‘love’ and, in turn, a love of theatre. Sadness, resilience and grave humour sit side by side as resonance and relevance abound in this pandemic-blighted contemporary context.

How else could Mick Taylor end but with Puck’s epilogue, If We Shadows Have Offended, from A Midsummer Night’s Dream – the very play that would suit a Holy Trinity churchyard staging.

In deference to the YSP request, I shall remain muzzled – an alternative to the de rigueur mask worn by Shakespeare on the show poster and programme cover – as to who each actor plays, but step forward for a closing burst of applause: Di Starr, Emily Hansen, Emilie Knight, a tartaned Helen Wilson, Mick Liversidge, Frank Brogan, Phyllis Carson-Smith, Nigel Evans, Sue Harris, Judith Ireland and Margaret Hillier, Will quill in hand.

The rest is silenced.

York Shakespeare Project’s poster for Sit-down Sonnets: note the Bard’s on-trend mask and trainers

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How much hand sanitiser will Lady Macbeth get through? Take a seat for YSP’s Sit-down Sonnets in a churchyard for the answer

Mick Taylor, York Shakespeare Project’s director for Sit-down Sonnets, aptly takes a seat for last Saturday’s rehearsal at the Rowntree Park amphitheatre

YORK’S purveyors of Shakespeare’s Sonnet Walks are staging a sit-down, but not as an act of protest.

Instead, the mood will be celebratory as York Shakespeare Project present a special production of Shakespeare’s sonnets from Friday, allowing audiences to enjoy live theatre outdoors.

YSP’s Sit-down Sonnets can be seen at the Holy Trinity churchyard, in Goodramgate, where the 45-minute production will feature Shakespearean characters responding to the pandemic, each sharing a famous Shakespeare sonnet as part of their monologue.

“The conceit this time is that the sonneteers are well-known Shakespeare characters in the present day, coping as best they can with lockdown,” says producer Maurice Crichton. “In what is now time-honoured fashion, each has a sonnet to tee up, the pairing of character and sonnet hopefully opening up some unknown sonnets in an accessible way and giving some well-known ones a new angle.

York Shakespeare Project cast members Shirley Williams, left, and Di Starr performing Shakespeare’s Sonnet Walks in 2019 in the churchyard at Holy Trinity, Goodramgate, where Sit-down Sonnets will open on Friday

“Thinking of some of the characters I’ve played, I wondered how might they each be placed? Ulysses is no longer troubled that Achilles won’t come out of his tent because all the Greeks are stuck under canvas waiting for the latest R number estimates.

“Claudius is annoyed he’s had to postpone his marriage to Gertrude but is relieved there are no trains home from Wittenburg for Hamlet to catch; Feste can’t sing in public, so he’s planning an online concert from a willow cabin he’s constructing at Olivia’s gate…It’s a fun game to play and not just with Shakespeare.” 

Conceived and directed by Mick Taylor and produced by Crichton, the sonnets show will be performed by Frank Brogan; Nigel Evans; Emily Hansen; Sue Harris; Margaret Hillier; Judith Ireland; Emilie Knight; Mick Liversidge; Phyllis Carson-Smith; Di Starr; Mick Taylor himself and Helen Wilson, “sharpening up her Miss Jean Brodie act”.

As to who they will play, Maurice teases: “We are being coy about which Shakespeare characters you will see…but Mick has had some fun pulling a script together.”

Note the face mask: York Shakespeare Project’s topical poster for September’s Sit-down Sonnets

For the past few years, the York community theatre company has produced Sonnet Walks, a guided walk around York where the audience meets a range of connected characters with a story to tell and a Shakespearean sonnet to share.

Now comes the sit-down variation, under Taylor’s direction. “Like everyone involved with theatre, we’ve missed being able to enjoy and take part in live performance,” he says. “Having staged the Sonnet Walks previously, we knew that, as a format, it could be adapted in a way that would allow us to perform to a seated audience outdoors. And Holy Trinity is a beautiful place to do it: a leafy sanctuary in the centre of the city.”

Explaining the 2020 format, Mick says: “In these Sit-down Sonnets, we’ve taken some of Shakespeare’s most memorable characters and written new monologues for them as they find themselves in the middle of this pandemic.

“How might things have turned out for them if they’d been stuck in lockdown? How can Brutus get near to Caesar to put his knife in when all the senate meetings are on Zoom? Where can Romeo get his fateful poison if the apothecary’s on furlough? And how much hand sanitiser will Lady Macbeth get through? They’ll share their thoughts on a world of lockdowns, masks and social distancing, along with a sonnet that reflects their feelings.”

How prescient: York Shakespeare Project founder Frank Brogan predicts the end of the world in last summer’s Shakespeare’s Sonnet Walks. Cue Covid-19…

Making an historical link, Mick points out: “Shakespeare himself was no stranger to the impact a pandemic can have on theatre. Between 1603 and 1613, the theatres were closed for a total of six and a half years. Thankfully, we can return in performances like this a little sooner!”

York Shakespeare Project were just over a week away from the opening night for their spring production of Macbeth when lockdown began in late-March, stalling the 20-year mission to produce all of Shakespeare’s known plays by 2021 on the home straight, when only two big hitters, Macbeth and The Tempest, were left to perform.

Committee member Tony Froud says: “We were obviously very disappointed to have to postpone Macbeth and, like other companies, we are waiting to see how and when indoor live performance can safely return before deciding when we can prepare to stage the plays again.

“That’s why we’re so pleased to be able to perform Shakespeare in front of an audience in this way. Mick and Maurice have done a tremendous job in a short amount of time to prepare a production that audiences can enjoy safely and that brings the beauty of the sonnets to life in new ways.

Take a seat: York Shakespeare Project’s Sit-down Sonnets cast members listen to director Mick Taylor, fourth from right, when rehearsing in Rowntree Park, York, last weekend

“We hope that people will be able to join us for what should be a fun and unique performance, and a long-overdue chance to watch live theatre.”

YSP pass on their thanks to the Churches Conservation Trust and the volunteers at Holy Trinity Church, Goodramgate, for accommodating Sit-Down Sonnets this summer.

“We looked at Dean’s Park and the Museum Gardens but in both cases that would have involved opening late specially for us,” says Maurice. “Last year, Ed van der Molen at Holy Trinity Church was very responsive to our idea of bringing our Sonnet Walks through the churchyard and this year even more so: he could not have been more welcoming.

“The review in The Press last year said: ‘What can be more lovely than a marriage of Shakespeare’s golden verse and York’s heritage’. Holy Trinity is a jewel in York’s heritage and its churchyard a haven in the city centre. It was our first choice for trying out this new format.”

Frank Brogan in rehearsal for the Sit-down Sonnets

The Covid-secure Sit-down Sonnets will be presented from September 4 to 12 (except September 7) at 5.45pm and 7pm nightly, bolstered each Saturday by a 4.15pm matinee.

“The audience capacity is ten social bubbles or 20 souls, whichever maximum we reach first,” says Maurice. “We don’t really know how it will feel to have a static show rather than a walk, but the sonnets will come thicker and faster and it will be colder, so dress warmly.

“There are five park benches in the churchyard, which we will be using, so a cushion would be a useful thing to bring, as would a rug and a camp chair. Maybe a flask and a packet of biscuits too.

“We’re delighted to see that the latest weather forecast for this week’s opening performances is: Friday, 16C, 5% chance of rain, 11mph breeze; Saturday, 15C, 6% chance of rain, 9mph breeze.” 

Tickets are available at yorktheatreroyal.co.uk, priced at £7 for adults, £4 for 14-17 year olds, and two under-14s may accompany each adult for free. To find out more about dates, tickets and the production, go to: yorkshakespeareproject.org.