WHO better to mark Panto Day than York Stage’s villain, Ian Stroughair, whose performance in Jack And The Beanstalk combines a craving for power with towering stage domination.
Stroughair’s intemperate character, Flesh Creep, is so hell-bent in his quest, he could spare only three minutes for these short, sharp, snappy answers to CharlesHutchPress’s equally quickfire questions.
What was the first pantomime you ever saw and what do you recall of it?
“Leeds. Not sure which, but I was frightened to death by the baddie.”
What was your first pantomime role?
“Dandini in Cinderella, The Regent Theatre, Stoke.”
What has been your favourite pantomime role?
Who have you not yet played in pantomime that you would love to play?
“Dame. Not old enough, I don’t think, though.”
Who is your favourite pantomime performer and why?
“Julian Clary. Utterly fabulous.”
This year’s pantomime will be an experience like no other…what are your expectations of performing a show in these strange circumstances?
“My expectations are that it will be awesome.”
Which pantomime role should Boris Johnson play?
“The Evil Queen.”
Who or what has been the villain of 2020?
Who or what has been the fairy of 2020?
How would you sum up 2020 in five words?
“It has been a mess.”
What are your wishes for 2021?
“For theatres to boom.”
What are your hopes for the world of theatre in 2021?
“For theatres to boom.”
Happy Panto Day, Ian.
York Stage’s Jack And The Beanstalk runs at Theatre @41 Monkgate, York, until January 3. Box office: yorkstagepanto.com
York Stage in Jack And The Beanstalk, John Cooper Studio, Theatre @41 Monkgate, York, until January 3 2021. Box office: yorkstagepanto.com
THIS is a York pantomime season like none before.
York Theatre Royal has, like a council politician, taken to the wards seeking votes, in this case for the audience choice of Travelling Pantomime. Dame Berwick Kaler’s comeback on board Dick Turpin Rides Again, after his headline-making crosstown transfer to the Grand Opera House, has gone into Covid-enforced hibernation for a year. Likewise, Rowntree Players have taken the winter off.
Yet, what’s this? A newcomer bean-sprouting up at Theatre @41 Monkgate, courtesy of York Stage’s debut pantomime, Jack And The Beanstalk, a show stuffed with West End talent with York and wider Yorkshire roots, bedding in nicely with socially-distanced performances for maximum audiences of 55 at the Covid-secure heart of Monkgateshire.
Once temperature tested at the doors and hands cleansed, you are led up the beanstalk-clad stairway to your brightly-coloured seat in the John Cooper Studio, a black-box theatre here configured as a traverse stage, the bubble-compliant audience sitting to either side or upstairs on the mezzanine level.
Safety division comes in the form of screens, like on Have I Got News For You, giving a different Perspextive on watching a show, but in no way impeding the view. Actors are socially distanced – they exchange elbow greetings; romance is replaced by best friendships – and audience members are close to the stage in this intimate setting, but not too close. The dame does not dispense sweets and we are asked to refrain from shouting.
Not your normal panto, then, in this all-too abnormal year, except that writer-director Nik Briggs’s 2020 vision for pantomime still has all the elements: the song and dance; the puns and punchlines; the slapstick and the transformation scene; the dame (Alex Weatherhill) and Daisy the cow; the drama-queen baddie (Ian Stroughair) and his narcissism; the topical and the local references; the daft wannabe superhero dreamer (Jordan Fox) and the fairy (Livvy Evans); the principal girl (May Tether) and her plain-speaking principles.
Then add the all-action ensemble (Matthew Ives, Danielle Mullan and Emily Taylor) and the band, a trio of musical director Jessica Douglas, fellow keyboard player Sam Johnson and York’s premier league drummer, Clark Howard, parked upstairs but omnipresent and on the button, The Great British Bake Off theme tune et al.
Briggs has called his show “a musical with pantomime braces on”; his choreographer, Gary Lloyd, a big signing from the West End and tour circuit, has coined the term “pansical”. That may suggest a slightly awkward new hybrid, but like the cult rock’n’roll pantomime at Leeds City Varieties, the musical driving force here is a winning addition to the tradition.
Ninety minutes straight through – intervals are so last year – Jack And The Beanstalk is full of beans, lovely to look at and lively too, loud at times but rarely lewd (blame the dame for those “innocent but guilty” moments, met with knowing laughter).
Surprise celebrity cameos pop up on video, and York Mix Radio’s morning team of Ben Fry and Laura Castle provide the pre-recorded countdown chat pre-show.
Briggs is breaking his duck as a pantomime writer, and his script is a little mannered by comparison with the highly experienced Paul Hendy’s way with words for the Travelling Pantomime, but he does know the notes, he does play them in the right order, and the jokes invariably hit home, especially those that play on the Covid conventions of 2020.
His reinvention of the pantomime cow is a particular joy, even if the dame’s nutty slapstick routine is hampered by having to play safe.
Briggs’s characters, bold and playful and bright, will appeal to children and adults alike. The singing is the ace card. What voices, whether Weatherhill’s operatic entry; professional debutante Tether’s arrival as Yorkshire’s next Sheridan Smith with her gift for investing personality in every line or the appealing Fox’s top-notch prowess in big numbers and ballads alike.
Evans’s Fairy Mary is fun and feisty, especially in her battles with Stroughair’s long-fingered, stove-pipe top-hatted Flesh Creep, commanding the stage with that irrepressible swagger and spectacular singing we know from his drag diva, Velma Celli.
You will never have a better chance to see Gary Lloyd’s flamboyant, fab-u-lous choreography so close up it is almost personal, dazzlingly pretty in the transformation scene, bouncing madly on and off trampolines in Stroughair’s high point, Jump (the Van Halen anthem).
Bean there, done that? Not until you have seen this new brand of York pantomime.
Review by BARSTOW TEASDALE. Copyright of The Press, York
YORK has seen plenty of Ian Stroughair this year, online largely, from his Bishopthorpe kitchen in his cabaret guise as drag diva divine Velma Celli.
From December 11, the West End musical actor, singer and dancer can be enjoyed in his home city like never before, making his York pantomime bow in York Stage’s Jack And The Beanstalk at the Covid-secure, socially distanced Theatre @41 Monkgate.
Given his glamorous, glorious-voiced alter ego as Velma, you may have expected Ian to slip into the dame’s costumes, but “perhaps I’m a little young for dame,” he says.
Instead, 6ft 5 in his boots and stove pipe top hat, Ian will be switching to the dark side, entering stage left as Flesh Creep in writer-director Nik Briggs’s 90-minute production on a traverse stage.
“Yeah, finally I’m doing a panto in York,” he says, wiping away the face paint from his photo-call session. “Before the pandemic lockdown changed everything, I was supposed to be auditioning for the York Theatre Royal pantomime [Cinderella, pre-lockdown], but that didn’t happen.
“Just like I was going to be doing Funny Girls for three months, taking over from Betty Legs Diamond, so I should have been going up to Blackpool for that, but then all the theatres shut suddenly. So instead I got on the train and came home to York.”
In globe-strutting Velma Celli mode, Ian had been performing in Australia before the escalating Coronavirus pandemic sent him packing back to Blighty, quarantining in York from a week before lockdown.
He refused to be downtrodden, instead writing and cycling to keep show-fit and embracing the nascent possibilities of steaming concerts live and sparkly from the improvised Case De Velma Celli kitchen stage.
“It was tricky at first because we were trying to navigate the technology to make it look and sound good, so it was a big learning curve, but so many friends were just sitting at home moaning, and I thought, ‘no, there are still ways to be artistic and you just have to think outside the box and work harder than everyone else,” recalls Ian, who began with an April 29 fundraiser by Velma for St Leonard’s Hospice, York.
Later, for his kitchen-sing dramas, he presented Velma in Large & Lit In Lockdown and virtual versions of the cabaret queen’s hit shows Equinox, Me & My Divas and A Night At The Musicals.
Usually to be found once a month gracing The Basement stage at City Screen, York, Velma returned to live performance in York by signing up for a rugby club – York RI Rugby Union Football Club, in New Lane, Acomb, to be precise – for An Evening Of Song outdoors under the September stars.
Velma playing to playing a rugby club crowd in York on a Friday night…that’s brave, Ian? “Someone suggested there and I went down and met the lovely Caroline Knight and I was sold. Lovely people there and I grew up in Acomb, so it just felt right,” he says.
“The crowd turned out to be mainly people who come to my shows at City Screen, but we did have a LGBTQ rugby team in!”
Rehearsals for Jack And The Beanstalk began at Theatre @41 on November 23, reuniting Ian with West End choreographer Gary Lloyd, who has headed north to York, where his sister, Jo Theaker, is a leading light with York Stage.
“Gary directed and choreographed me in a show called What A Feeling! for a UK tour and the London Palladium,” Ian recalls. “I was 23, so it was nearly 15 years ago. It’s still the hardest-working show I’ve ever done because Gary’s choreography is always spectacular, so it’s great to be working with him again. He’s one of the very best.”
Ian has previous form in pantomime, playing Dandini in 2015/16 in Cinderella at the Regent Theatre, Stoke. “I loved every minute. We were fortunate to win a couple of Great British Pantomine Awards,” he says.
“I was nominated too, for Best Actor, which was lovely. Julian Clary beat me. It was me, Julian and Samuel Holmes, who were nominated; they’re both panto veterans, Julian with his £20,000 worth of costumes at the Palladium…and then me in my panto debut!”
Now comes the sinister sidestep to playing the baddie Flesh Creep in Jack And The Beanstalk. “I’ve never done baddie before, so I’m going to take out Velma’s ‘potty’ mouth and replace it with some sinisterly articulated elocution,” says Ian, elongating his words.
Having lost his mother a few years ago, Ian says Christmas “can be a difficult time”, but “if you can’t laugh at a pantomime you must be dead inside”. “So, I can’t wait to be spreading the joy this Christmas. I’m loving it, after the only things that got me through this year were fried food and wine!”
Looking to the day when he may yet emulate his “idol and a living legend”, York’s long-running dame Berwick Kaler, Ian says: ”Panto producers do keep trying to get me to play Ugly Sister, and should I ever play dame, it’s a role where it’s all in the rhythm and instinctive comedy timing. That’s something you can’t teach but you can get better at it.
“It’s an exhausting role and should be the heart of every great panto. I prefer the dame to not be too polished aesthetically; a tad rough around the edges ideally.”
York Stage presents Jack And The Beanstalk at Theatre @41 Monkgate, York, from December 11 to January 3; show times, Monday to Saturday, 2pm and 7pm; Sundays, 1pm and 6pm; Christmas Eve, 12 noon and 5pm; New Year’s Eve, 12 noon. Box office: online only at yorkstagepanto.com. Please note, audiences will be seated in household/support bubble groupings only.
CHRISTMAS in York would not be complete without a family outing to the pantomime, reckons York Stage producer Nik Briggs.
No wonder he is excited to announce his company will be bringing a brand new professional staging of Jack And The Beanstalk to the city this winter, billed as “a panto made in York for the people of York”.
Running from December 11 2020 to January 3 2021 at Theatre @41 Monkgate, York, the 90-minute, Covid-secure show will feature Ian Stroughair, alias York’s international drag diva Velma Celli, in wicked mode in the cast of eight laden with West End talent from Yorkshire and the North East.
Nik says: “Join us this December for some magical Christmas entertainment as we present Jack And The Beanstalk in the Theatre @41 building in the heart of York on Monkgate.
“Our traditional family pantomime will be performed in a traverse setting in the John Cooper Studio, with the audience placed either side of a central stage with a capacity of 80 and no interval in the show.”
“Covid-secure safety measures will be in place and, for the first time at a York Stage show, Perspex safety screens will be placed between households and support bubbles so that our audiences can safely enjoy the show.”
Introducing his cast, Nik says: “We’re so excited to be bringing a sensational show to York this Christmas with the most exciting casting!”
Taking on the challenge of climbing the beanstalk will be West End actor Jordan Fox (from Kinky Boot, Friendsical, Beautiful) as Jack, who must take on the evil Flesh Creep, played by Ian Stroughair (Cats, Fame, Chicago and Rent, as well as award-winning drag vocalist Velma Celli).
Supporting Jack on his quest will be another York-born West End talent, Livvy Evans (Tina, Motown, Soho Cinders), as Fairy Mary and Alex Weatherhill (Chicago, All Male G&S) as Dame Trott.
York Stage are thrilled to be giving May Tether, a favourite of past York Stage Musicals shows, her first professional contract, playing Jill, following her graduation from London drama school Trinity Laban in July.
Completing the cast will be Matthew Ives (The Boyfriend, Closer to Heaven, La Cage Aux Folles); Emily Taylor (Great British Pantomime Award nominee and regular choreographer of the Grand Opera House pantomime) and Danielle Mullan, the North Easterner who captained the dance team in Berwick Kaler’s York Theatre Royal pantomimes for many years.
Looking forward to York Stage adding a new string to their bow after this summer’s open-air musical theatre concerts in Rowntree Park, Theatre@41 board chairman Alan Park says: “Christmas isn’t Christmas without panto. We’re delighted York Stage are taking full advantage of Theatre@41’s flexible space to ensure York families will still be able to safely enjoy a full all-singing and all-dancing pantomime.
“We can’t wait to welcome audiences back and for the building to echo with music and laughter again.”
Summing up what lies in store in Jack And The Beanstalk, Nik says: “With an exciting cast filled with West End talent, all born and bred in Yorkshire, and a creative team made up from those who brought shows such as Shrek, The Sound Of Music and Hairsprayto York, audiences can be assured of a show of true panto magic!”
“Expect glitzy sets and costumes, a show filled with singing and dancing, lots of laughs and, of course, a huge beanstalk! Audiences can book now for a giant slice of traditional Christmas fun at one of the city’s most magical, bean-sized theatres for all the family!”
Tickets for the 40 performances are on sale at yorkstagepanto.com
Jack And The Beanstalk in a nutshell…
PANTOMIME: Jack And The Beanstalk, presented by York Stage Ltd.
WHERE: John Cooper Studio, Theatre @41, Monkgate, York, YO31 7PB.
WHEN: December 11 2020 to January 3 2021.
SHOW TIMES: Monday to Saturday, 2pm and 7pm; Sundays, 1pm and 6pm; Christmas Eve, 12 noon and 5pm; New Year’s Eve, 12 noon.
RUNNING TIME: 90 minutes with no interval.
AUDIENCE CAPACITY: 80, seated in household/support bubble groupings only.
PRICE: Ranging from £20 to £27.
TICKETS: Available online only, via www.yorkstagepanto.com
Writer, director and producer for York Stage Ltd: NIK BRIGGS
Musical director: JESSICA DOUGLAS
Cast: JORDAN FOX as Jack; MAY TETHER as Jill; IAN STROUGHAIR as Flesh Creep; LIVVY EVANS as Fairy Mary; ALEX WEATHERHILL as Dame Trott; EMILY TAYLOR, MATTHEW IVES and DANIELLE MULLAN, Ensemble.
YORK drag diva Velma Celli is signing up for a rugby club in her home city.
Velma, the cabaret creation of West End and international musical actor, singer and dancer Ian Stroughair, will play at York RI Rugby Union Football Club, in New Lane, Acomb on Friday night after a spring and summer of lockdown shows live-streamed from Ian’s Bishopthorpe kitchen.
In the wake of such online diva delights from Case de Velma Celli as Large & Lit In Lockdown, Equinox, Me And My Divas and A Night At The Musicals, here comes An Evening Of Song, live in the Acomb open air.
“Bring your bubble, chairs and campness to York RI Club, New Lane for a spectacular outdoor evening of music and laughs beneath the stars,” says the club website. “Joining Velma will be some of Yorks greatest vocal talents!”
Here, Charles Hutchinson asks Ian/Velma to stretch out on the psychiatrist’s sofa for a spot of quick-thinking self-analysis and more besides.
What did you learn about yourself in lockdown?
“That I wasn’t spending enough time at home.”
Were there good things to being back in York, quarantining after your Australian shows in your home city, rather than in the Big Smoke?
“Goodness, yes. It’s just such a beautiful place and people are lovely.”
What were the best aspects of doing shows online?
“Learning how to do it well. A new skill, it was tricky, but we got there.”
What were the worst aspects?
“Learning how to do it well. A new skill, it was tricky, but we got there.”
Is there long-term potential for online shows, given that not everyone can get down to London…or even to The Basement, at City Screen, your regular York haunt?
“Yes, I think it will continue to bridge the gap well into 2021. Theatre and the like are going to be baby-stepping it for a long time, so online can keep us all entertained: something we have all learned we need so much in our lives.”
How did you feel to be performing to a live audience again in person at Proud Cabaret All Stars in London last Friday and Saturday? What have you missed most?
“It was AWESOME! I will never forget it. The atmosphere was incredible. It was at a stunning venue on Embankment…it’s HUGE! I’ve missed it all but mostly the cast. The energy and, of course, the audience.
You’re playing a rugby club in York on a Friday night…that’s brave! Discuss!
“Someone suggested there and I went down and met the lovely Caroline [Knight] and I was sold. LOVELY people there and I grew up in Acomb, so it just feels right.”
What will feature in An Evening Of Song…the title would suggest a show that can go anywhere, span any genre, climb every musical mountain?
“HA! Yes, it will be a mixed bag of whatever I fancy on the day and of course requests online. Message me on Facebook, peeps!
“Pop, rock, impressions and some musical theatre (obvs).”
Did Lockdown give you a chance to experiment anew with the powder and paint?
“I didn’t. I only wear make-up for the show and I enjoyed the break. It takes forever!”
If anyone is heading down to London on October 8, what can they look forward to in That Drag Show, “an evening of debauched fun and fabulosity at London’s newest drag revue show”, with you, Karla Bear and Portia at the Proud Cabaret City?
“The triple threats, sent from the Gods. The girls are AWESOME! Really talented folks, so the place might explode.”
Who are Karla Bear and Portia? What do they each specialise in?
“Karla is an Ozzie import and she wasted no time making a stamp on the UK drag scene, appearing in Kinky Boots in the West End within weeks of arriving.
“She was in the Australian cast of Wicked. She won Drag Idol UK, was the closing act at London LGBT Pride in 2019 and is the girl next door you don’t want your daddy to meet!
“Portia is a West End legend and made an infamous splash into Soho when she originated the role of Young Bernadette in Priscilla Queen Of The Desert at The Palace Theatre and also in La Cage Aux Folles. She’s one of London’s most sought-after hosts and has more legz than a bucket of chicken.”
What is the impact on the live drag scene of this sudden burst of TV shows – the latest being Canada’s Drag Race on BBC Three – for drag addicts needing their glamorous fix?
“Drag is hugely popular now, which must be a good thing.”
Velma Celli, Karla Bear and Portia in That Drag Show, Proud Cabaret City, Mark Lane, London, EC3R 7AH, October 8, 8pm, doors 7pm. Tickets: £20 to £50 at https://www.ticketweb.uk/event/that-drag-show-proud-cabaret-city-tickets/10698715
“DARLINGS, I am in London for a bit to try and get things moving and it’s safe to say that it is depressing as F!” So wrote York drag diva divine Velma Celli to her adoring devotees on email on Saturday lunchtime.
“Anyway, I’ll plod on as long as I can. So, I am doing my show ‘Me & My Divas’ next Saturday [June 27] and I would LOVE for you to join me LIVE from LANDAN!”
Since then, Velma, the glorious cabaret creation of actor Ian Stroughair, has returned to Bishopthorpe, from where his series of online performances, streamed live from the Case De Velma Celli kitchen, will resume this weekend.
VELMA Celli, York’ glamorous globe-strutting drag diva, will be Large & Lit in her latest lockdown concert streamed from her Bishopthorpe kitchen on Saturday night.
Ian Stroughair, the alter-ego of fabulous cabaret creation Velma, returned to self-isolate in his native York, rather than his adopted milieu of London, directly from a tour of Australia, and obeying government orders, he has stayed home since quarantine.
Ian, who presents The Velma Celli Show at The Basement, City Screen, York, each month, organised Velma’s first intimate kitchen gig for May 2, in support of St Leonard’s Hospice, in Tadcaster Road, where his late mother was a patient.
“I’d always wanted to find a way to support the hospice, and this seemed like the perfect opportunity,” said Ian, who raised £1,288 for St Leonard’s that night. “With so many conventional fundraising events postponed due to the lockdown, it was a great way for people to support the hospice while enjoying a fantastic, fun and fruity evening of live music in their own living room.”
Ian’s glittering cabaret queen has starred in such self-originated shows as A Brief History Of Drag, Equinox – Something Fabulous This Way Comes and Me And My Divas, as well as The Velma Celli Show, and now he adds Large & Lit In Lockdown to his title list.
Diva Velma’s repertoire of impersonations of singers and their peculiar mannerisms draws inspiration from a multitude of the best female vocalists of the past 75 years, from Judy Garland to Lady Gaga and beyond. “And unlike many drag queens, Velma always performs live, adding her own special spin to familiar songs,” Ian says.
Charles Hutchinson asks Ian Stroughair/Velma Celli for quick answers to quick questions ahead of Saturday’s 8pm gig.
How did the first kitchen concert go? What was the highlight for you?
“It was so much fun but totally bizarre not having an audience. Trying to navigate this new way of working was tricky but still fun. The highlight was telling my house mates to clap at the end of the songs! Bless them, they didn’t know if they were allowed. LOL!”
How did it work out singing a “remote” duet with York country singer Twinnie?
“I sang from the kitchen and she was out in the garden – which you can get to without coming through the house – on a radio mic. There was a rather fabulous patio door reveal! ‘Social-distant duetting’ is the new black!”
Why have you chosen Large & Lit In Lockdown for the latest show title? Nice alliteration, by the way!
“I love alliteration and I am large. Mainly because it’s become custom in this house to fry EVERYTHING!”
Where will you perform on Saturday? In the kitchen again or another room?
“Kitchen, better acoustics.”
How will the set list differ from the first concert?
“It will be completely different. This time we’ll have some Bowie, Barbra and Britney! Ya welcome!”
Choice of dress for the occasion?
“Whatever I can still fit into.”
Any songs come to mind to perform in response to the Government’s new advice to Stay Alert?
“All By Myself, the Eric Carmen song.”
When do you envisage being able to return to the world of the stage, the greasepaint and the live audience?
“I don’t want to think about that! Most likely 2021. Urgh.”
How do people acquire a ticket for the best seat in their house for the live stream from Case De Velma Celli?
“As per [usual], all you need to do is get ya tickets from the link below a.s.a.p. and a live link will arrive in your email inbox on the day of the show. Click on it at show time and BOOM! There she is.
VELMA Celli, York’ very own globe-strutting drag diva, will host a special fundraising concert for St Leonard’s Hospice live from her kitchen on Saturday night to “add a little sparkle to lockdown while helping this great cause”.
Ian Stroughair, the alter-ego of fabulous cabaret creation Velma, returned to self-isolate in his native York directly from a tour of Australia, since when he has joined a host of fellow West End performers to create a season of online streamed concerts from their own homes.
In the wake of Velma’s successful Leave A Light On concert, when viewers tuned in from York, London and even as far afield as New York, Ian decided to organise an intimate gig in support of St Leonard’s Hospice, in Tadcaster Road, York.
“Unfortunately, too many of us have seen the amazing work of the team at St Leonard’s Hospice first hand, as loved ones, including my mum, spent time there as cancer was making life increasingly difficult for them,” says Ian, who presents The Velma Celli Show at The Basement, City Screen, York, each month.
“I’ve always wanted to find a way to support the hospice, and this seems like the perfect opportunity. With so many conventional fundraising events postponed due to the lockdown, this is a great way for people to support the hospice while enjoying a fantastic, fun and fruity evening of live music in their own living room.”
Ian’s glittering cabaret queen has starred in such self-originated shows as A Brief History Of Drag, Equinox – Something Fabulous This Way Comes and Me And My Divas, as well as The Velma Celli Show.
Diva Velma’s repertoire takes inspiration from many of the best female vocalists of the past 75 years, from Judy Garland to Lady Gaga and beyond. “So there’s something for everyone – including hilarious impersonations of the voices and peculiar mannerisms – of some of pop music’s most famous stars,” Ian says. “Unlike many drag queens, Velma always performs live, adding her own special spin to familiar songs.”
queen supreme Velma Cella is to appear in thousands of living rooms across the
country – and around the world – in an uplifting live concert, streamed
Drag Party will be on screen at 6.30pm as
part of the Leave A Light On concert series promoted by Lambert Jackson and The
Theatre Café, St Martin’s Lane, London, to provide financial support for the
performers involved and entertainment for people in self-isolation.
is a tough time for many people, particularly those who regularly attend live
concerts, shows and gigs who are missing the unedited nature of live
performance,” says Ian Stroughair, the West End actor and singer behind Velma
Celli’s spectacular make-up and even more spectacular singing.
fantastic that Lambert Jackson and The Theatre Café have produced such a superb
series of concerts that can be watched live at home from some of the finest
West End performers. I’m incredibly proud to be taking part.”
Velma Celli’s monthly show at The Basement, City Screen, York, is in abeyance during the Coronavirus lock-down, but devotees and first-timers alike tuning in tomorrow evening can expect “some belted classics and plenty of laughs along the way as we leave reality behind for an hour of camp fun”.
Leave The Light On pays homage to the theatre tradition of leaving a single light burning on the stage of an empty theatre, supposedly to appease the ghosts who reside there.