HALLOWEEN films and double bills, classic comedy and a time-travelling York legend, a Disney deep freeze and a punk/jazz collision help Charles Hutchinson leave behind October for November frights and delights.
Play of the week: Noises Off, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
MATTHEW Kelly, Liza Goddard and Simon Shepherd lead the cast in Theatre Royal Bath’s touring revival of Michael Frayn’s riotous Noises Off, directed by Lindsay Posner, who staged Richard III and Romeo And Juliet for York’s first season of Shakespeare’s Rose Theatre productions in 2018.
Structured as a play within a play, this cherished 1982 farce follows the on and off-stage antics of a touring theatre company stumbling its way through the fictional farce Nothing On, from shambolic final rehearsals to a disastrous matinee, seen silently from backstage, before the catastrophic final performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.
York legend of the week: Punch Porteous – Lost In Time, All Saints North Street, York, tonight, 7pm.
HAVE you heard or indeed seen the eccentric, evasive York legend Punch Porteous: soldier, philosopher, worker (when absolutely unavoidable), husbandman, connoisseur of ale and now the subject of poet Robert Powell, creative practitioner Ben Pugh and producer John Beecroft’s “multi-media drama experience”?
York Theatre Royal creative director Juliet Forster directs Powell, Nick Naidu and Imogen Wood in Powell’s story of an ordinary man with an extraordinary predicament, lost in time in York. While the city shape-shifts around him, he is catapulted unpredictably into different eras of its history from c.70 to c.2023. Box office: yorktheatreroyal.co.uk/show/punch-porteous-lost-in-time/.
Music, poetry and comedy bill of the week: Navigation Art & Performance present Punk Jazz: A Halloween Special, The Basement, City Screen Picturehouse, York, tonight, 7.30pm
COMPLEMENTING the ongoing Punk/Jazz: Contrasts and Connections exhibition at Micklegate & Fossgate Socials, Navigators Art & Performance bring together energetic York punk band The Bricks; intense improvisers Teleost; the Neo Borgia Trio, formed for the occasion from a University of York big band; grunge-influenced Mike Ambler and the experimental Things Found And Made.
Taking part too will be firebrand polemical poet Rose Drew and comedians Isobel Wilson and Saeth Wheeler. Box office: https://bit.ly/nav-punkjazz.
Children’s concerts of the week: MishMash presents String!, National Centre for Early Music, Walmgate, York, tomorrow, 11.30am and 2pm
THE Gildas Quartet lead tomorrow’s double celebration of the string quartet in informal 40-minute performances featuring a diverse programme from Haydn to Jessie Montgomery, Joseph Bologne, Chevalier de Saint-Georges to Dvorak, and everything in between.
Staged creatively to bring the audience into the music, these fun concerts are suitable for ages seven to 11 and their families. Box office: 01904 658338 or ncem.co.uk.
Community film event of the week: The Witches (PG), Theatre@41, Monkgate, York, tomorrow, 2.30pm
MAKE It York and The Groves Community Centre team up for a Halloween screening of Robert Zemeckis’s visually innovative 2020 film The Witches. Based on Roald Dahl’s novel, it tells the darkly humorous, heartwarming tale of an orphaned boy who goes to live with his loving Grandma in late-1967 in the rural Alabama town of Demopolis, where they have an run-in with the Grand High Witch (Anne Hathaway). Box office: tickets.41monkgate.co.uk.
Folk concert of the week: Emily Portman & Rob Harbron, National Centre for Early Music, Walmgate, York, Tuesday, 7.30pm
EMILY Portman, from The Furrow Collective, and Rob Harbron, who performs with Leveret, Fay Hield and Jon Boden, have formed an inspired collaboration to delve into English folk traditions with an intricately woven contemporary sound.
Portman (voice, banjo and piano) and fellow composer Harbron (concertina, guitar and voice) released their debut album, Time Was Away, last November, comprising eight English folk songs and two 20th century poems set to music. Box office: 01904 658338 or ncem.co.uk.
Halloween screaming/screening of the week: Nosferatu: Live Silent Cinema, Theatre@41, Monkgate, York, Tuesday, 7.30pm
CHRIS Green’s score was commissioned by English Heritage for an outdoor screening of FW Murnau’s 1922 German Expressionist vampire film at Dracula’s spiritual home of Whitby Abbey. Now the composer plays his haunting blend of electronic and acoustic instruments for the first time in York to accompany the first cinematic interpretation of Bram Stoker’s Dracula, one that gave birth to the horror movie. Box office: tickets.41monkgate.co.uk.
Double bill of the week: Please Please You presents Steve Gunn & Brigid Mae Power, Rise@Bluebird Bakery, Acomb, York, Wednesday, doors 7.30pm
EXPERIMENTAL Brooklyn guitarist and songwriter Steve Gunn’s “forward-thinking” songwriting draws on the blues, folk, ecstatic free jazz and psychedelia, suffused with a raga influence. His website says he is “currently somewhere working on new music”, although York will be the first of 12 solo gigs in Britian, Spain and Poland in November.
Wednesday’s gig will be opened by Irish singer-songwriter Brigid Mae Power, whose latest folk-tinged dreampop album, Dream From The Deep Well, arrived in March. Box office: seetickets.com/event/steve-gunn/rise-bluebird/.
Musical of the week: York Stage in Disney’s Frozen Jr, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee
IN a story of true love and acceptance between sisters, Disney’s Frozen Jr follows the journey of Princesses Anna and Elsa, based on the 2018 Broadway and West End musical set in the magical land of Arendelle, with all the Kristen Anderson-Lopez and Robert Lopez songs from the animated film.
Producer Nik Briggs directs a cast led by Megan Pickard, Bea Charlton, Matilda Park and Esther de la Pena as the princesses. Malachi Collins plays the Duke of Weselton, Lottie Marshall, Bulda, and Oliver Lawery, King Agnarr. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
In Focus: Say Owt Slam, with special guest Polarbear, The Crescent, tonight, 7.45pm
SAY Owt, York’s loveably gobby gang of performance poets, take over The Crescent community venue twice a year for a raucous night of spoken word and poetry in the form of a stellar slam.
Fast, frantic and fun, a slam gives each poet three minutes to wow the audience. Regular host Henry Raby enthuses: “We love doing Say Owt on a Saturday night, because it’s a party! A poetry party!
“Although one poet will be crowned a Say Owt Slam Champion, this isn’t a bitter battle. It’s a celebration as poets bring a variety of styles and forms. In the past, we’ve had tender personal reflections, hilarious laugh-out-loud comedy poems and fiery political tirades.”
Special guest at tonight’s Say Owt Slam in York will be Polarbear. “The last time he graced our city, Polarbear (a.k.a Steven Camden) was supporting Scroobius Pip and Kae Tempest,” says Henry. “He’s an internationally acclaimed spoken word artist and award-winning writer from Birmingham, whose poetry drips with gorgeous storytelling.
“He talks about people and places with a unique ear for language: celebrating the tiny human characteristics.”
Since first stepping on stage in 2004, Polarbear has performed his work and led creative projects from Manchester to Melbourne and Kuala Lumpur to California, as well as featuring on BBC Radio1, 3 and 6Music, attracting 155,000 views on YouTube and releasing a live album on Scroobius Pip’s Speech Development record label.
A few surprises might be in store tonight too. Box office: thecrescentyork.com/events/say-owt-slam-featuring-polarbear/ or on the door.
AN historic crucifix, a Wolds art trail, 40th anniversaries at the quadruple and a York-made horror double bill promise a heap of interesting encounters for Charles Hutchinson and you alike.
Exhibition launch of the week:Hide & Seek: The Aftermath of the Gunpowder Plot, Bar Convent Living Heritage Centre, Blossom Street, York, today until November 16
THE only surviving item from thousands seized in raids on Catholic houses after the 1605 Gunpowder Plot goes on show in York. The late 16th/early 17th century crucifix belonged to Father Edward Oldcorne (1561-1606), who was hanged, drawn and quartered despite being innocent of involvement. His crime: he attended school in York with infamous plotter Guy Fawkes and committed the treasonous act of becoming a Catholic priest.
On display will be new research into the crucifix, more information on Oldcorne and the men he was caught alongside, and an exploration of how priest hiding holes were constructed within the fabric of buildings. Tickets: barconvent.co.uk.
Children’s gig of the week: Andy And The Odd Socks, York Theatre Royal, today, 1pm
STRAIGHT off the telly and onto the live stage, Andy And The Odd Socks bring their madcap mix of songs, slapstick and silliness to life with a 70-minute show to entertain families of all ages.
Fronted by Andy Day, CBeebies regular and 2021 York Theatre Royal panto star as Dandini in Cinderella, their sock’n’roll makes for the ideal first concert for children. Andy And The Odd Socks are patrons for the Anti-Bullying Alliance, by the way. Tickets update: filling up fast; 01904 623568 or yorktheatreroyal.co.uk.
Studio show of the week: Essential Theatre in The Mistake, York Theatre Royal Studio, tonight, 7.45pm
DIRECTED by Rosamunde Hutt, Michael Mears’s Spirit of the Fringe award-winning play explores the events surrounding the catastrophic ‘mistake’ that launched the nuclear age, followed by a post-show discussion.
1942. On a squash court in Chicago, a dazzling scientific experiment takes place, one that three years later will destroy a city and change the world forever. Two actors, one British (Mears), one Japanese (Riko Nakazono), enact the stories of a brilliant Hungarian scientist, a daring American pilot and a devoted Japanese daughter, in a fast-moving drama about the dangers that arise when humans dare to unlock the awesome power of nature. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Season start of the week: York Late Music, Franko Bozak, 1pm; Delta Saxophone Quartet, 7.30pm, Unitarian Chapel, St Saviourgate, York, today
FRANKO Bozac showcases the reasons why the accordion should not be underestimated in his afternoon programme, featuring a collaboration between composer James Williamson and visual artist Romey T Brough.
Celebrating their own ruby anniversary, the Delta Saxophone Quartet mark York Late Music’s 40th year by performing Steve Martland, The Soft Machine and new works. Box office: latemusic.org or on the door.
Musical of the week: Be Amazing Arts in West Side Story, Joseph Rowntree Theatre, York, today and tomorrow, 2.30pm and 7.30pm
MALTON company Be Amazing Arts present Leonard Bernstein and Stephen Sondheim’s musical transition of Shakesespeare’s Romeo And Juliet to modern-day New York City, where two young idealistic lovers find themselves caught between warring street gangs, the “American” Jets and the Puerto Rican Sharks.
Arthur Laurents’s book remains as powerful, poignant and timely as ever, charting the lovers’ struggle to survive in a world of hate, violence and prejudice in this innovative, heart-wrenching landmark Broadway musical. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Art event of the weekend: Pocklington Area Open Studios 2023, today and tomorrow, 10am to 5pm
TAKING in Pocklington, villages with ten miles of the East Yorkshire market town, the Yorkshire Wolds and North Derwent Valley, Pocklington Area Open Studios 2023 features 28 artists in 14 venues.
This compact art trail features paintings, ceramics, textiles, jewellery and photography, with the chance to meet diverse painters and makers, many in their own studios, who will preview their latest works for sale, discuss their creative processes, potential commissions and upcoming workshops and courses.
Venue 1: Park Lane End Studio, Park Lane, Bishop Wilton: Colin Pollock, oils, acrylics and watercolour; Judith Pollock, printmaking and mixed media.
Venue 2: The Studio, The Old School, Skirpenbeck: Lesley Peatfield, fine art and abstract photography; Richard Gibson, sculptures.
Venue 3: Rocking Horse Studio, Rocking Horse Yard, Fangfoss: Shirley Davis Dew, painting; Sue Giles, textile art exploring Japanese Shibori techniques of dyeing; Richard Moore, handmade ceramic tiles.
Venue 4: Fangfoss Pottery, The Old School, Fangfoss,: Gerry Grant, ceramics; Sarah Relf, drawing and illustration.
Venue 5: I Woldview Road, Wilberfoss: Mo Burrows, jewellery; Bernadette Oliver, acrylic, ink and collage; Tori Foster, jewellery.
Venue 6: 4 Archibald Close, Pocklington: Peter Schoenecker, 2D and 3D art works.
Venue 7: 35 St Helens Road, Pocklington: Mary Burton, acrylics and pastels; Lee Steele, ceramics; Ingrid Barton, mixed media.
Venue 8: Newfold House Granary Studio, Newton upon Derwent: Chris Cullum, textile arts.
Venue 9: Tullyframe, Main Street, Barmby Moor: Penny De Corte, ceramic art; Avril Cheetham, jewellery.
Venue 11: Church Farm, Town Street, Hayton: Noreen Thorp, pastel, watercolour and mixed media, Lynda Heaton, watercolour and mixed media.
Venue 12: Hayton Studio, Manor Farm, Town Street, Hayton: Peter Edwards, mixed media; Harry Hodgson, mixed media.
Venue 13: Plum Tree Studio & House, Pocklington Lane, Huggate: Belinda Hazlerigg, paintings, printmaking, silk scarves and ceramics.
Venue 14: 3 Stable Court, Londesborough: Tony Wells, ceramics.
For the brochure, map and artist details, head to: pocklingtonareaopenstudios.co.uk/info.html.Free entry.
Touring play of the week: Frantic Assembly in Metamorphosis at York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinee
POET, author, broadcaster and speaker Lemn Sissay has adapted Franz Kafka’s Metamorphosis for Frantic Assembly, visceral purveyors of theatre full of physicality, movement and emotional truths, who last toured Othello to York.
Gregor Samsa finds himself transformed from breadwinner into burden in this absurd and tragic story, wherein humans struggle within a system that crushes them under its heel in Kafka’s existential depiction of the limitations of the body and mind, imagination and aspiration. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Sing something synth-full: Howard Jones: Celebrating 40 Years 1983-2023, York Barbican, Wednesday, doors, 7pm
SINGER, songwriter and synth player Howard Jones, 68, is marking the 40th anniversary of his revolutionary debut single, New Song, performing in a five-piece with Kajagoogoo’s Nick Beggs on bass and Robert Boult on guitar. Expect a “sonic visual feast” of hits and fan favourites and a support spot from Blancmange.
“I think my ’80s’ work still resonates through the generations because of the positive message in the lyrics,” says Jones. “I’ve always believed that music can give the listener a boost, especially when things in life prove challenging. Things can only get better when we realise the power of our own actions and engagement.” Box office: yorkbarbican.co.uk.
More 40th anniversary celebrations: The Waterboys, York Barbican, Thursday, 7.30pm
MIKE Scott has made a habit of playing York Barbican, laying on his Scottish-founded folk, rock, soul and blues band’s “Big Music” in 2012, 2013, 2014, 2015, 2018 and October 2021.
Since then, The Waterboys have released 15th studio album All Souls Hill in 2022; re-released 2000’s Rock In A Weary Land, 2003’s Universal Hall and 2007’s Book Of Lightning on vinyl; appeared on Sky Arts’ The Great Songwriters and announced a six-CD box set of This Is The Sea for early 2024. Joining Scott will be Memphis keyboard player “Brother” Paul Brown, British drummer Ralph Salmins and Irish bassman Aongus Ralston.
Level 42’s Living It Up tour date on Friday the 13th is unlucky for some – it has sold out – but tickets are still available for fellow Eighties’ combo The Waterboys at yorkbarbican.co.uk.
Spooky screening of the week: Book Of Monsters and Zomblogalypse, Spark: York, Piccadilly, York, Friday, 6pm to 11pm
YORK’S horror filmmaking community gathers this Friday The 13th for a special double screening of Dark Rift Horror’sBook Of Monsters and MilesTone Films’Zomblogalypse.
Both York-made indie films have enjoyed award-scooping film festival tours, with Dark Rift’s follow-up feature, How To Kill Monsters,now screening internationally.
Meet the filmmakers, cast and crew of each movie, including directors Stewart Sparke, Hannah Bungard, Miles Watts and Tony Hipwell and star Lyndsey Craine. Add in signings, photo opportunities with cast and props, and merchandise to buy, including both films on Blu-ray, official posters, art cards and other fun stuff. Box office: ticketpass.org/event/EGUKTC/dark-rift-double-bill. 18-plus only.
In Focus: How York composer James Williamson, artist Romey T Brough and Croatian accordionist Franko Bozac collaborated for Late Music premiere and Blossom Street Gallery exhibition
YORK composer James Williamson’s composition, Romey Collages, will be premiered by accordionist Franko Bozac as part of the 2023 York Late Festival season today.
The work is a collaboration between James and artist Romey T Brough that emerged from him seeing her work at Blossom Street Gallery, Blossom Street, York.
Romey, who lived and worked in York for many years, now resides at her studio in the Hertfordshire countryside. Her latest collages will be on show at Kim Oldfield’s gallery until October 29 under the exhibition title of A Collaboration in Music and Colour
“It’s a really interesting exploration of the relationship between the audible and visual,” says Kim.
Croatian accordion virtuoso Franko Bozac will be making his Late Music debut at St Saviourgate Unitarian Chapel this afternoon, when Romey Collages will be showcased.
Composer James Williamson says: “This set of five pieces is a direct response to a set of monoprint collages by Romey. I first came across her work in 2016 in Blossom Street Gallery, where one of Romey’s collages was displayed on the wall and it immediately caught my eye.
“The collage was a vibrant display of repeated strips of colours, each strip with its own character, yet similar to the one before and after; a kind of self-similarity.”
At the time, James was working towards his PhD in composition, which drew on minimalist visual art and a fascination with the Deleuzian idea of difference and repetition and how might this apply to composing.
“To cut a long story short, I contacted Romey through the gallery to learn more about her work. We immediately connected over a coffee and thought it would be a great idea to collaborate on a project,” says James.
“Romey then created a series of five collages that drew inspiration from music, with each work having a musical title: Chaconne, Aubade, Nocturne, Pastorale and Berceuse. I then responded to these works and created a set of five pieces, each one being a musical interpretation of the works and their titles.
“Like most of my recent work, I use one or two ideas in each piece. I flesh these ideas out using repetition of singular fragments or phrases, juxtaposed by other contrasting fragments, similarly to Romey’s collages.”
Around the same time, James was contacted by Franko Bozac to commission a new piece. “I thought it would be great to tie the two projects together. I have always loved the accordion for its sound and versatility, and rather fittingly, when the bellows open up, it reminds me of collages themselves.”
In turn, Romey recalls: “I had a phone call from Kim, when I was exhibiting my monoprint collages in Blossom Street Gallery, saying that a young composer was interested in meeting me as he composed music the way I created my collages.
“I was very intrigued, and we met up for coffee outside York Theatre Royal. I hadn’t heard any of James’s compositions but was amazed by how we both could understand each other’s creative processes, and when he suggested a collaboration I was delighted to agree.”
On the bus back to her York studio, she thought of moods of the day from dawn to night. “Early the next day I travelled to Monks Cross on a very misty morning and Aubade/Dawn came to me,” she says. “The rest followed on, culminating in Nocturne/Night, inspired by the view from my studio through an established beech hedge of car headlights flashing past.
“I have since then indulged in listening to James’s compositions and created more collages inspired by his work. It’s been an exciting collaboration for me, and I hope to continue creating music-inspired images.”
Describing her modus operandi, Romey says: “My monoprints are created by painting with acrylic paint onto glass; the image is then transferred to paper. The glass is wiped clean each time a print is taken, therefore each one is unique.
“The collages are a development following on from the photographic ones I occasionally create. I am fascinated by how reorganising strips of my monoprints can bring more intensity to the colours and evoke memories and emotions.”
DrJames Williamson: the back story
STUDIED at University of Huddersfield and Royal Academy of Music, completing PhD in Composition at University of York.
His works have been performed by: Psappha; Aurora Orchestra; Hebrides Ensemble; London Sinfonietta; CoMA London; Croatian Philharmonic Orchestra; Lunar Saxophone Quartet; Delta Saxophone Quartet; Quatuor Diotima; Ligeti String Quartet; University of York Symphony Orchestra; RAM Symphony Orchestra; Kate Ledger (piano); Anna Snow (voice); Ian Pace (piano), Franko Bozac (accordion) and Stephen Altoft (19-division trumpet).
Broadcasts include BBC Radio 3’s Late Junction and Hear And Now, Beethoven FM (Chile) and Radio 3 Beograd.
Romey T. Brough: the back story
STUDIED initially at Harrow Art School in Middlesex, north of London. Awarded various certificates including national Diploma in Design.
Studied overseas in Italy in Positano, winning a scholarship. Studied with Professor Spadini at Rome Academy.
Work exhibited regularly at Royal Academy, London, and is in archives of Tate Gallery, London, and galleries and collections throughout UK, Japan, Australia and United States of America.
ONE down, eight to go! The York Beethoven Project is under way with its vow to perform all of Ludwig Van B’s symphonies.
“The first event at Acomb Methodist Church was a huge success,” says organiser John Atkin, the York musical director and White Rose Theatre stalwart. “Fifty-six musicians put themselves forward to take part in the come-and-play workshop, so we closed registration in advance.
“Those players came from a variety of musical organisations in York, as well as further afield, which was the aim, and 54 attended on the day – September 23 – hosted by York Light Orchestra.
“They rehearsed Symphony No 1 in C major Op. 2, and it was then performed to an audience at the end, where there was standing room only.”
Atkin led the inaugural day, aided by fellow musicians Marcus Bousfield and Jonathan Sage. “It was very well organised and ran like clockwork through five sessions of rehearsals,” says John.
“The second one was a sectional rehearsal where the wind instruments were directed by Jonathan. Following these sessions, we performed our debut concert. There were ample breaks between each session with a couple of hundred cups of tea and coffee being consumed.”
Acomb Methodist Church is the regular rehearsal venue for York Light Orchestra, the day’s hosts. “They gave us access to their equipment and music library,” says a grateful John.
Although musicians came predominantly from York, “a few friends and colleagues travelled in from Sheffield, Hull, Harrogate, Thirsk and Northallerton”. “The longest distance travelled was by a couple from East Sussex, who picked us up online. They can’t do Symphony No 2 but have the date for No. 3 in their diaries,” says John.
“There was a pretty even split between men and women, ranging in age from 20s to 70s, with a mixture of full-time players, keen amateurs and a few people ‘getting back into playing’ after a number of years.”
Explaining his reasons for setting up the project, John says: “I get typecast at times as ‘the man that does shows’. Well, yes I am, but I also love classical music and have looked to spend more time doing this and some other projects as I get older.
“I started playing Beethoven as a young piano student. Then he was on my set works list at A-level, and we did a large piece of work on him at university, where I first had the opportunity to conduct his orchestral works.
“Over the years, life has got in the way but completing the full cycle of symphonies has always been an ambition. After discussing it with colleagues at gigs and in a number of theatre pits around Yorkshire, it become evident that people would be supportive of the idea, so we launched York Beethoven Project in June and the response was great. Not only did we have 54 players at the first event, but we also have eight others on the waiting list.”
Outlining what he is seeking to achieve with the York Beethoven Project and assessing what the first day delivered, John says: “The plan was for it to be inclusive and fun while performing the work to a good standard. The concert was informal and introduced a number of people to Beethoven for the first time.
“All of our aims were achieved, as well as players rekindling friendships with people they hadn’t seen for some time. Playing Beethoven for fun all day with 50 people – what’s not to like?!”
Instruments were spread evenly with 32 string players, 21 wind players and a percussionist. “That made the sound well balanced,” says John. “All instruments that Beethoven wrote for are welcome to sign up for the next event at Millthorpe School, hosted by York Arts Education, where I lead some Saturday ensembles.
“Here we hope to join up with a number of senior students and expand the orchestra even more for Symphony No. 2, which is one of my personal favourites. We’ll be doing it in the same format of a one-day workshop on Saturday, February 10.
“The sessions for Symphony No. 3, Eroica, will take place in September 2024 with two performances, hosted by the Joseph Rowntree Theatre, York, and the Welsey Centre, Malton. These concerts will feature revolutionary music from musicals too, including Les Miserables, Carousel and Sondheim works.”
The concert series will end with Symphony No. 9 in D minor No. 125 in 2027, just in time for the 200th anniversary of Beethoven’s death (on March 26 1827, at the age of 56). Each concert will take place in a different York venue and will be performed by York-based musicians and those from “not too far away”. Even Sussex!
AYCKBOURN and android love, traction engines and farming photography, comic fantasy and anecdotal Love stories keep Charles Hutchinson busy as summer exits stage left.
Premiere of the week: Alan Ayckbourn’s Constant Companions, Stephen Joseph Theatre, Scarborough, Thursday to October 7
IN Alan Ayckbourn’s 89th play, Lorraine is a fabulously successful lawyer of a certain age. Jan Sixty is the janitor of her building, an android of indeterminate age. In a not-too-distant future, where humans have turned to artificial friends for companionship without compromise, can Lorraine and Jan find true love?
“Reading so much about the inevitable arrival of AI into our society – some would say it’s already here! – I felt a cautious look forward might be in order,” says Alan. Box office: 01723 370541 or sjt.uk.com.
Full steam ahead: Yorkshire Traction Engine Rally, Scampston Hall, Scampston, near Malton, today and tomorrow, 9am to 5pm
THE Yorkshire Traction Engine Rally, organised by Outdoor Shows, takes over Scampston Hall’s parkland this weekend. Among the steam fair attractions will be tractor pulling, steam engines, classic cars, vintage tractors, classic motorcycles, fairground organs, miniature steam engines, stationary engines and vintage commercials.
In the main arena, Flyin Ryan and his motorcycle stunt team deliver daredevil antics, comedy routines, fire stunts and arena entertainment, while the Scarborough Fair Collection stages two days of music and magic extravaganzas. Box office: scampston.co.uk or outdoorshows.co.uk.
Recalling the “quiet Beatle”: The George Harrison Project, Joseph Rowntree Theatre, York, tonight, 7.30pm
MARKING the Beatles legend’s 80th anniversary, this tribute show to George Harrison embraces his Fab Four, solo and Traveling Wilburys supergroup years.
Here come Here Comes The Sun, Something, Taxman, While My Guitar Gently Weeps, My Sweet Lord, All Things Must Pass, Got My Mind Set On You, Handle With Care, Give Me Love, What Is Life, If I Needed Someone, Cheer Down and many more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Geek of the week: York Unleashed Comic-Con, York Racecourse, Knavesmire, York, tomorrow, 11am to 5pm
YORK actor David Bradley, from the Harry Potter films, Game Of Thrones and Doctor Who, leads the guest appearances at this weekend’s “geekiest, nerdiest” gathering. Lee Boardman, Clive Russell, Richard Gibson and Kit Hardman will be there too, along with comic creators and authors Sasha Ray Art, Carolyn Craggs, Lindsey Greyling, KS Marsden, Kelvin VA Allison Paolo Debernardi, Victoria Bates and Ben Sawyer.
Look out too for Geeky Attractions on three sites, including a Back To The Future time machine, a retro gaming area, Star Wars display, children’s activities, art area, stage talks, cosplay masquerade and geeky market selling merchandise and collectables. Tickets update: available on the door from 11am.
Fundraiser of the week:Don Pears and Singphonia presents The Great American Songbook – From A To Z Joseph Rowntree Theatre, York, tomorrow, 4pm
DON Pears and Singphonia explore the vast scope of the Great American Songbook from the 1900s to the present, from Al Jolson to Beyoncé, covering spirituals and jazz through rock’n’roll and Rat Pack standards to modern hits, not forgetting musical theatre too.
Musical director Pears and his group of York singers perform solos, duets, and group numbers, taking in Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Judy Garland, Elvis Presley, John Denver and The Carpenters in a fundraiser for the JoRo. Box office: 01904 501395 or josephrowntreetheatre.co.uk.
Tribute show of the show: Don’t Stop Believin’, Grand Opera House, York, tomorrow, 7.30pm
JUMP aboard the midnight train, heaven is a place on Earth called York, for this end-of-the-night anthems spectacular, a new feelgood tribute show that promises a crazy, crazy night of non-stop, singalong favourites.
Hits by Blondie, Bryan Adams, Cher, Rainbow, Bon Jovi, Kate Bush, Starship, Europe and Belinda Carlisle feature among the 30 songs in this high-energy theatre production with “a sizzling cast, fantastic costumes and amazing light show”. Box office: atgtickets.com/york.
Anecdotes of the week: The One Like Judi Love, York Theatre Royal, Thursday, 8pm
EXPECT unrelenting, humorous anecdotes from “the one like Judi Love” on her first official talk tour, full of stories from the Hackney stand-up comedian and presenter’s life.
Regular Loose Women panellist Love, 43, has appeared on Taskmaster, The Jonathan Ross Show, The Graham Norton Show, 8 Out Of 10 Cats Does Countdown and the Royal Variety Performance too. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Getting the swing of things:Alligator Gumbo, At The Mill, Stillington, near York, Friday, 7.30pm
SUMMER At The Mill welcomes Alligator Gumbo for a night of swing/jazz from the New Orleans heyday. In particular, the Leeds seven-piece focuses on the raw music of the roaring 1920s, largely improvised with melodies and solos happening simultaneously.
Performing extensively for more than ten years, Alligator Gumbo have played international jazz festivals and clubs throughout the country with their good-natured mix of foot-stomping rhythms, tap-away tunes and raucous singalongs. Bar At The Mill will be running from 6.30pm, alongside the wood-fired pizzas. Box office: tickettailor.com/events/atthemill/942447.
Outdoor cinema: City Screen Picturehouse presents Movies In The Moonlight, Museum Gardens, York, Mamma Mia!, September 8, 7.30pm, and Barbie (12A), September 9, 7.30pm
PICTUREHOUSE Outdoor Cinema returns to the York Museum Gardens for open-air screenings of Phyllida Lloyd’s 2008 Abba hit-laden musical rom-com Mamma Mia! (PG) and this summer’s splash-of-pink box-office smash, Greta Gerwig’s Barbie (12A). Free samples of Mochi Balls from ice cream makers Little Moons can be enjoyed on both nights.
Whether on a girls’ night out or a family & friends evening, audience members are encouraged to dress up – and sing along too on the Mamma Mia! Night. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.
Exhibition launch of the week: Fields, Folds and Farming Life, Nunnington Hall, Nunnington, near York, September 9 to December 17; 10.30am to 5pm, last entry at 4.15pm, with reduced winter hours from November 24
FIELDS, Folds and Farming Life, an exhibition by Yorkshire documentary, travel and portrait photographer Valerie Mather, captures candid moments from a year in the lives of upland farmers in Bransdale, a valley and surrounding moorland in North Yorkshire.
The combination of Mather’s work and specially produced films and artwork reveals the hard work and determination of the farming community in navigating the ever-changing agricultural world to achieve a better farming future for people, the environment and wildlife. No booking is required; exhibition included in admission price at this National Trust property.More details at nationaltrust.org.uk/visit/yorkshire/nunnington-hall.
EVERYTHING is up in the air for Charles Hutchinson in his search for cultural entertainment and enlightenment as balloons take to the Yorkshire skies. Tea is on the menu too.
Festival of the week: Yorkshire Balloon Fiesta, Castle Howard, near York, today until Bank Holiday Monday
THE Yorkshire Balloon Fiesta has left the green expanse of York’s Knavesmire for the country air of Castle Howard, its new (stately) home. The family-friendly extended weekend features mass balloon launches, tethered balloons and night-glow displays that light up the evenings against the backdrop of Castle Howard’s grounds and architecture.
Look out for headline 9pm live sets from Sister Sledge tonight, Eurovision star Sam Ryder tomorrow and Joel Corry on Monday. For family entertainment, here come The Raver Tots Big Top each afternoon, Andy And The Odd Socks (tomorrow, 2.30pm); CBeebies’ Justin Fletcher (Monday, 1.30pm); Dick & Dom DJ Battle (Monday, 3pm) and street-dancers Diversity (Monday, 4.30pm).
Activities include a fun fair, TV character meet-and-greets and the world’s largest inflatable assault course, culminating in a spectacular finale on Monday evening. Box office: yorkshireballoonfiesta.co.uk.
Tea time part one: Joseph Rowntree Theatre Summer Garden Party, Trinity House, Stockton on the Forest, near York, tomorrow, 3pm
FIRST held in 2021, the Joseph Rowntree Theatre Summer Garden Party returns this weekend, taking over the private garden of Trinity House. A choice of teas with home-made plain or cheese scones will be on the menu, complemented by a raffle and cake stall.
Special guests The Notebook, an acoustic duo, will be performing two sets spanning soul, ambient jazz and “live lounge-type” pop. Proceeds will go to the JoRo’s fundraising appeal. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Children’s activity of the week: Story Craft Theatre’s Summer Fun Garden Party, At The Mill, Stillington, near York, Monday, 10am to 12 noon
STORY Craft Theatre and At The Mill join forces on Bank Holiday Monday for a magical event celebrating the joys of being in the garden.
Suitable for two to eight-year-olds, York duo Janet Bruce and Cassie Vallance’s morning party fun includes craft making, a scavenger hunt, a word search, lawn games and an enchanting interactive theatre show. Box office: athemill.org.
Film screening of the week: Sovereign, York Theatre Royal, Wednesday, 7pm, and Thursday, 2pm and 7pm
CAMERAS recorded the July 23 evening performance of York Theatre Royal’s 2023 community play, York playwright Mike Kenny’s adaptation of C J Sansom’s Tudor-set political thriller, Sovereign, at King’s Manor, Exhibition Square. This film can be viewed at three free screenings in the Theatre Royal’s main house with a booking limit of four tickets per person.
In 1541, lawyer Matthew Shardlake (Fergus Rattigan) and his assistant Jack Barak (Sam Thorpe-Spinks) are sent to York to await the arrival of Henry VIII on his mission to sort out northern rebels. Cue intrigue, mystery, murder and North v South shenanigans. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Britpop memories of the week: Sleeper, The Crescent, York, Wednesday, 7.30pm
THE Crescent has teamed up with the National Lottery and Music Venue Trust for a United By Music summer show with Britpop legends Sleeper.
Louise Wener’s reawakened band are back on the road, where fellow founder members Jon Stewart (guitar) and Andy Maclure (drums) are joined by bassist Kieron Pepper, previously of The Prodigy, to reactivate Inbetweener, What Do I Do Now?, Sale Of The Century, Nice Guy Eddie, Statuesque et al. Honey Moon support. Tickets update: Sold out; for returns only, check the crescentyork.com.
Tribute show of the week: The Rocket Man, A Tribute To Sir Elton John, Grand Opera House, York, Thursday, 7.30pm
MISSING Sir Elton after that Glastonbury finale? Step forward Jimmy Love and his band, ready to head down the Yellow Brick Road for two hours of Elton John hits, from Saturday Night’s Alright For Fighting and Crocodile Rock to Philadelphia Freedom and I’m Still Standing, plus many, many more.
Love’s tribute show takes a journey through Elton’s life and career, the highs and the lows, with many a laugh too. Box office: atgtickets.com/york.
Tea time part two: The Tiger Who Came To Tea, York Theatre Royal, September 1, 2pm and 4.30pm, and September 2, 11am, 2pm and 4.30pm
COMMEMORATING the centenary of author Judith Kerr’s birth, The Tiger Who Came To Tea is back on the road in a 55-minute musical production adapted and directed by David Wood.
This slice of teatime mayhem serves up singalong songs, oodles of magic and interactive fun suitable for children aged three upwards when the doorbell rings just as Sophie (Millie Robins) and her mum (Katie Tripp) sit down to tea. Who could it possibly be? Enter a big, furry, stripy, tea-guzzling Tiger (Benjamin Stone). Scott Penrose, former president of the Magic Circle, provides the magical illusion designs. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Art event of the week: Fangfest, Fangfoss, near Pocklington, September 2 and 3, 10am to 4pm each day
NEXT weekend’s Fangfest, the Fangfoss Festival of Practical Arts, features 30 artists and craft makers demonstrating and exhibiting their work, from woodworking, rocking horse-making, felting and painting to wire sculpture, medieval tile techniques, jewellery and peg loom-weaving.
A mixed-media pattern design workshop and drop-in craft activities, such as children’s card marking, pot-throwing on the wheel, pottery painting and a collaborative mixed-media mural, will be taking place too. A charity sunflower trail, classic car collection, pantomime-themed flower festival in St Martin’s Church, fairground rides, archery sessions and busking spots for ukuleles, a shanty crew, young celloists and a pop choir are further attractions. Entry is free.
Nostalgia afoot:Jo Whiley’s 90s Anthems, York Barbican, September 9, 7.30pm
BBC Radio 2 presenter, DJ and producer Jo Whiley, the voice of a Brit generation, is heading for York after rummaging through her record bag to dig out the very best of 1990s’ anthems.
Whiley was on the cutting-edge, leading the charge as Britpop blew up, dance music exploded and indie went wild. Now comes the chance to re-live those magical memories on a dancefloor, from Oasis to Blur, The Chemical Brothers to The Prodigy. Box office: yorkbarbican.co.uk.
THE summer season of festival delights is drawing to a close but the outdoors still beckons Charles Hutchinson, who also looks ahead to big names northwards bound.
Festival of the week: Leeds Festival, Bramham Park, August 25 to 27
THE last big outdoor festival of the Yorkshire summer season kicks off on Friday with headliners Billie Eilish (Main Stage East) and Imagine Dragons (Main Stage West). Look out that day too for Steve Lacy, Declan McKenna, Rina Sawayama, Becky Hill and Little Tjay.
The Saturday bill includes headliners Sam Fender and Foals, Loyle Carner, Wet Leg, Leeds band Yard Act, Bicep Llve and Frank Turner. Among the Sunday acts will be headliners The Killers and The 1975, Central Cee, Nothing But Thieves, Knucks, Case Atlantic and Arlo Parks. Comedy and dance stages are on the menu too. Box office: leedsfestival.com.
Tribute show of the week: Supersonic Queen, Joseph Rowntree Theatre, York, Sunday, 7.30pm
SUPERSONIC Queen return to the JoRo with its “strongest, most talented line-up yet”, guaranteed to blow your mind. Ten years and counting on the tribute act circuit, these musicians “care deeply about delivering the most authentic and entertaining performance”, full of energy, enthusiasm and Queen hits by the dozen. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Exhibition of the week: Sean Taylor, Illustrations, City Screen Picturehouse café bar, Coney Street, York, until September 2
COINCIDING with City Screen Picturehouse’s latest Culture Shock season of Bruce Lee films, Sean Taylor is exhibiting paintings and pen and graphic drawing at City Screen Picturehouse. Icons aplenty feature, bold and striking.
Circus show of the week: All Ways Good Company in Swings & Roundabouts, At The Mill, Stillington, near York, Sunday, 11am to 1pm
JOIN Jane and Dora, a mum and daughter circus duo, on three trips to the park, where they will share their tales with you and hear yours too before hosting an interactive finale.
Commissioned by Hullabaloo Theatre, Swings & Roundabouts is a selection of short stories about everyday moments in the park, told in an extraordinary way as Jane and Dora flip and fly, turning the park into an aerial playground. Then have a go yourself on the aerial equipment, whatever your age. Wear long sleeves but no jewellery or clothes with zips. Box office: atthemill.org.
Last of the summer season: Olly Murs and Scouting For Girls, Scarborough Open Air Theatre, Wednesday, gates open at 6pm
OLLY Murs concludes Cuffe & Taylor’s season of outdoor gigs on the Scarborough coast with support from Scouting For Girl on Wednesday night. After four years off the music radar, focusing on The Voice and Starstruck, Murs released his seventh studio album, Marry Me, last December, the title being prompted by his now fiancée Emelia Tank.
Tonight, at Scarborough OAT, DJ Pete Tong is in action with his Ibiza Classics. The Essential Orchestra and Jules Buckley will be there too. Box office: scarboroughopenairtheatre.com.
Outdoor theatre show of the week: Slapstick Picnic in Peter Pan, At The Mill, Stillington, near York, Wednesday, 6.30pm
SLAPSTICK Picnic whip up a three-hander version of Peter Pan, inviting imaginations to soar as they dish out J M Barrie’s timeless tale of hapless pirates, feral children and a particularly punctual reptile.
Look out for polished buffoonery and swift silliness as the cast members swap wigs, wings and waistcoats to play all the parts at Slapstick’s characteristic breakneck pace. A percentage of ticket sales will be donated to Great Ormond Street Hospital. Box office: atthemill.org.
Folk night of the week: Gary Stewart’s Folk Club, At The Mill, Stillington, near York, Friday, 7.30pm
EASINGWOLD musician Gary Stewart’s Folk Club, a regular feature in At The Mill’s summer seasons, runs in two halves: The first is a traditional folk club, where anyone can come and play and offer up a song, a tune, a poem or a story. “Just turn up and let us know!” says Gary.
The second half is a headline set by a guest artist, in this case budding York singer-songwriter and newly formed producer Kitty VR, who fashions and performs her songs on electric guitar alongside her delicate vocals, with a sense of vulnerability and relatability. Box office: atthemill.org.
As recommended by the late John Peel: Nina Nastasia, The Crescent, York, August 29, 7.30pm
NINA Nastasia, an alt-folk artist of Calabrian-Italian and Irish descent, was born and raised in Hollywood, Los Angeles, California. Despite studying piano and showing an early talent for writing short stories, she initially had no aspirations of pursuing a career in music. Nevertheless, seven albums have ensued, along with airplay on the late John Peel’s BBC Radio 1 show and album collaborations with Jim White.
After a period of relative obscurity, Nastasia returned in July 2022, signing a record deal with Temporary Residence to release Riderless Horse, recorded in upstate New York by Steve Albini and Greg Norman. Box office: thecrescentyork.com.
Damian Lewis, yes, that Damian Lewis, at Brudenell Social Club, Leeds, October 1, doors at 7.30pm
ACTOR and now singer and guitarist Damian Lewis will play Leeds as the only Yorkshire gig of his 11-date tour with his jazz and rock band in support of debut album Mission Creep, released on Decca Records in June.
Lewis wrote all the album’s original songs during the pandemic’s first lockdown, although the origin story began when, after leaving school, he took to the road with his guitar and went busking through continental Europe. This experience has stayed with him ever since and is reflected in the album, produced by his friend, jazz musician Giacomo Smith. Box office: brudenellsocialclub.co.uk or seetickets.com.
Birthday celebration: Eight@Eighty, Joni Mitchell 80th Birthday Party charity concert, at The Basement, City Screen Picturehouse, York, November 2, 7.30pm
STAN Smith is organising a celebration of Canadian-American singer-songwriter Joni Mitchell’s 80th birthday this autumn. Taking part will be Edwina Hayes, Emily Lawler, Gracie Falls, Holly Taymar, Jeremy Bradford, Laura Ingram, Sarah Dean and Stan himself. Box office: stansmith.org.
Booking ahead: George Benson, supported by Melissa Errico, Leeds First Direct Arena, July 3 2024, 7.30pm
LEGENDARY American guitarist and singer George Benson, 80, will play Leeds on the closing night of next summer’s five-date British tour.
The ten-time Grammy Award winner will be performing such Gibson soul, jazz and blues favourites as Give Me The Night, Lady Love Me (One More Time), Turn Your Love Around, Inside Love, Never Give Up On A Good Thing and In Your Eyes. He is working on new music too. Box office: ticketline.co.uk.
In Focus: Director Zoe Waterman on reviving Alan Platers’s musical Blonde Bombshells Of 1943 at the SJT
ALAN Plater’s 2004 musical Blonde Bombshells Of 1943 is being revived most warmly and wittily by Scarborough’s Stephen Joseph Theatre, Bolton’s Octagon Theatre and Keswick’s Theatre by the Lake.
This summer’s glorious co-production finds these northern powerhouse producing theatres collaborating for the third year in a row after Laura Wade’s Home, I’m Darling in 2021 and Emma Rice’s account of Noel Coward’s Brief Encounter in 2022.
Zoe Waterman, who directed Jane Eyre at the SJT last year, is at the helm for Hull playwright Plater’s fortifying wartime story of the North’s most glamorous all-girl Forties’ swing band, whose band leader, Betty, needs to find new musicians for an important BBC job after the latest exodus of members in the arms of American GIs.
“I am absolutely thrilled to be directing Blonde Bombshells Of 1943,” says Zoe. “We’ve got a glorious and terribly talented cast; it’s such a privilege to work with performers who are not only stunning actors but also phenomenal musicians.
“It’s always a joy to make work that celebrates women, and this isno exception: full of hilarious, practical, strong characters who make do and mend as the time dictates and manage to pull an all-singing, all-dancing performance out of the jaws of an air raid.”
Zoe also directed Jim Cartwright’s The Rise And Fall Of Little Voice at Theatre by the Lake in 2019, and when the three theatres discussed who should be the director this summer after settling on Blonde Bombshells for the 2023 co-production, Zoe was approached for the task.
“I’d been called by Paul [SJT artistic director Paul Robinson], who I knew from the SJT, and I’d worked a lot at Theatre by the Lake, where I’d really cut my theatre teeth, first doing a one-person show, then a three-hander in the studio and then graduating to a main theatre show,” she says. “I’d spoken with Lotte [artistic director Lotte Wakeham] at the Bolton Octagon too.”
Crucially too, Zoe had experience of mounting actor-musician productions: “I did The Borrowers that way at Theatre by the Lake and Jane Eyre was in that format at the SJT, and I’ve done actor-musician pantomimes at Theatr Clwyd,” she says.
“I absolutely love this way of working, though I wouldn’t want to do only this one form of theatre, but I love that thing of weaving the music into the story and really thinking of them as one in this piece, whereas in some actor-musician shows you think, ‘if they could have afforded a band and actors, that would have been better’.
“But to have actor-musicians front and centre in this show is fantastic and it works wonderfully.”
Step forward Verity Bajoria, Lauren Chinery, Georgina Field, Stacey Ghent, Rory Gradon, Alice McKenna, Gleanne Purcell-Brown and Sarah Groarke, who appeared in the 2004 premiere at the West Yorkshire Playhouse, Leeds.
Four weeks of rehearsals in Bolton – where Zoe was working for the first time – has led to a June run at the Octagon, followed by a July stretch in Keswick and now the August finale in Scarborough.
“So often in regional subsidised theatres, in-house productions run for only three weeks, so it’s gone in a blur and you’ve missed it, but co-productions give both audiences and actors a longer run at it,” she says.
“From starting in Bolton, it was wonderful to see how the show had developed by the show’s 50th performance, at Theatre by the Lake.”
Blonde Bombshells Of 1943 runs at Stephen Joseph Theatre, Scarborough, until August 26. Box office: 01723 370541 or sjt.uk.com .
FALSETTOS, William Finn and James Lapine’s “very Jewish, very gay” 1992 Tony Award winner, had been made unavailable for the British stage after a London production met with opposition over a lack of authenticity and accuracy.
However, negotiations spanning two years have paid off for “art with a point” York company Black Sheep Theatre Productions, whose director, Matthew Clare, has acquired exclusive UK rights to present the off-Broadway hit.
It would be good to see such persistence rewarded at the box office, but York theatregoers’ resistance to try out unfamiliar works is long established. Nevertheless, the support from Wednesday’s audience was admirably vocal from start to finish.
Falsettos pairs 1981’s March Of The Falsettos, a humorous study of men’s immaturity, with 1990’s Falsettoland, a graver piece penned in reaction to the devastating impact of the Aids epidemic on New York’s gay community.
In 1979, New Yorker Marvin (Chris Mooney) leaves his wife Trina (Nicola Holliday) and son Jason (Matthew Warry, aged 13) to live with Whizzer (Dan Crawfurd-Porter), his younger lover. They have known each other for nine months, says Whizzer; ten, insists the older, more hooked Marvin. They are arguing already.
Naively, Marvin expects to retain a tight-knit family. A subject he has discussed with his psychiatrist, the neurotic, insomniac Mendel (James Robert Ball), who in turn becomes a listening ear for latest client Trina. So much so, they marry, setting up the family unit Marvin had envisaged.
All this is expressed in song in a sung-through musical full of Sondheim emotional truths and vexatious Woody Allen humour (especially in Ball’s Mendel). All have their say, not only Marvin and the fast-exiting, exasperated Whizzer, but Trina and Jason too. Mendel listens and listens, cross-legged and looking as awkward as the conversations.
On opening night, sound balance favoured band over voice in this first act, meaning not everything was clear to the ear, for all the heart-felt, often beautiful singing. Such a hindrance to comprehending fully what was going on was detrimental to the show’s impact at this juncture, and the standalone March Of The Falsettos number in luminous white only added to that sense of bafflement.
Ollie Kingston’s choreography was fun here, but that scene came and went like a ghost. Such are the limitations of a sung-through structure, where more narrative would be helpful.
Post-interval, frustration vanishes. The voices can be heard far better; the singing is more dramatic; the songs are superior, as two storylines play out two years later in 1981: Jason’s preparation for his bar mitzvah and Whizzer’s reunion with Marvin under the spreading cloud of Aids.
Into the story, and very welcome too, come Marvin and Whizzer’s lesbian neighbours, Dr Charlotte (Helen Spencer), struggling with the rising tide of Aids patients, and girlfriend Cordelia (Rachel Higgs), forever cooking up another nibble.
Just as Marvin and his family learn to grow up, so Falsettoland is a far more mature piece than March Of The Falsettos. It is better balanced too with the presence of Charlotte and Cordelia being all important. Spencer brings gravitas; Higgs, puppyish devotion, amid the “hospital bed humour”.
Performances all round settle down as the night progresses to match the high quality of the singing. Ball’s Mendel is the comic driving force; Jarry delights as Jason, being pulled hither and thither but remaining single-minded too; Holliday’s resolute Trina handles the big ballads with aplomb.
In a heightened drama without conventional heroes and villains, the gay characters of Marvin and Whizzer are depicted with three-dimensional complexity, devoid of any stereotyping. They play chess, they play squash, they bicker, they learn, their love blossoms, and in turn the stage chemistry of Mooney and Crawfurd-Porter grows too.
Staging Falsettos has been a passion project for Matthew Clare, who leads his four-piece band with suitable conviction from the keyboards, while Kingston’s choreography is alive to both humour and dramatic effect and the building-block set design is practical and amusingly adaptable.
Art with a point? Yes, indeed. Black Sheep Theatre Productions and the JoRo are to be commended for bringing Falsettos to York’s attention. The more variety there is to the city’s theatre portfolio, the better, when playing safe would be the easier path.
Black Sheep Theatre Productions perform Falsettos at 7.30pm tonight and tomorrow; 2.30pm and 7.30pm, tomorrow. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
SHAKESPEARE in gardens, music and magic by the riverside, an LGBTQ musical premiere and a riotous hen party on stage are among Charles Hutchinson’s eye-catchers for upcoming entertainment.
Festival of the week: The Boatyard Festival, The Boatyard, Bishopthorpe Marina, Ferry Lane, Bishopthorpe, York, today, 10am until late
THIS family-friendly music festival will be headlined by ebullient York band Bull. Look out too for Bonneville, Tymisha, London DJ Zee Hammer, Yorky Pud Street Band, The Plumber Drummer, City Snakes, Rum Doodle and Hutch.
Further attractions will be stilt walkers, a hula-hoop workshop, a giant bubble show, magic, face painting, fayre games, stalls, food and drink, with free admission for accompanied children. Box office: head to the-boatyard.co.uk/events/ for the QR code to book.
Crazy chaos of the week: Four Wheel Drive presents A Midsummer Day’s Dream, National Centre for Early Music, York, today at 11am, 12.30pm and 2.30pm
FOUR Wheel Drive, producers of “off-road theatrical experiences” in York, invite children aged seven to 11 and their families to a musical, magical and mystical diurnal reimagining of William Shakespeare’s romcom in the NCEM gardens (or indoors if wet).
Four Athenians run away to the forest, only for the sylvan sprite Puck to make both the boys fall in love with the same girl while also helping his master play a trick on the fairy queen. Will all this crazy chaos have a happy ending? Anna Gallon and Alfie Howle’s interactive 45-minute adaptation will allow children to engage in the mischief-making Midsummer action, performed by Gallon, Katja Schiebeck and Esther Irving. Grab a boom-wacker and book tickets on 01904 658338 or necem.co.uk.
Debut of the week: Esk Valley Theatre in Deals And Deceptions, Robinson Institute, Glaisdale, Whitby, until August 26
IN artistic director Mark Stratton’s first play for Esk Valley Theatre, Danny and Jen leave London and head to an isolated cottage in the North York Moors. City clashes with country, dark forces are at work and humorous situations arise.
“We may think we know the person we are married to, but do we?” asks Stratton, who is joined in the cast by Clare Darcy and Dominic Rye. “What someone chooses to show the world is not always who they are. If they trade in deals and deceptions, then a day of reckoning will surely come.” Box office: 01947 897587 or eskvalleytheatre.co.uk.
Hen party comedy heads to hen party haven: Bridesmaids Of Britain, Grand Opera House, York, tomorrow, 7pm
BILLED as “the girls’ night out to remember”, welcome to Diana Doherty’s Bridesmaids Of Britain. Becky is the overly loyal maid-of-honour whose life unravels as she leads best friend Sarah on a wild ride down the road to matrimony.
Things go awry, however, as competition between Becky and Tiffany – Sarah new BFF (best friend forever, obvs) – over who is the bride’s bestie threatens to upend the wedding planning that has been in the making since primary school. Be prepared for dance-offs, sing-offs and eventually shout-offs at the “hen do of the year”, held in a caravan. Will this wedding story have a happy ending, or will these best friends rip each other apart? Box office: atgtickets.com/york.
York premiere of the week: Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee.
YORK company Black Sheep Theatre Productions has been granted an exclusive British licence by Concord Theatricals and composer/lyricist William Finn to stage Finn and James Lapine’s “very gay, very Jewish” musical Falsettos, thanks to the persistence of director Matthew Clare.
In its late-Seventies, early-Eighties American story, set against the backdrop of the rise of Aids, Marvin has left his wife Trina and son Jason to be with his male lover Whizzer, whereupon he struggles to keep his Jewish family together in the way he has idealised. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
York music bill of the week: Northern Radar presents Pennine Suite, Sun King, Everything After Midnight and The Rosemaries, The Crescent, York, Friday, 7.30pm to 11pm
PENNINE Suite play their biggest headline gig to date in an all-York line-up on a rare 2023 appearance in their home city. The five-piece draws inspiration from the alternative rock movements of the 1980s and 1990s, interlaced with shoegaze and pop melodies, typified by the singles Far and Scottish Snow. Box office: thecrescentyork.com.
Bard convention: York Shakespeare Project in Sonnets At The Bar, Bar Convent Living Heritage Centre, Friday to August 19 (except August 14), 6pm and 7.30pm plus 4.30pm Saturday performances
YORK Shakespeare Project returns to the secret garden at Bar Convent for another season of Shakespeare sonnets, this time directed by Tony Froud. Reprising the familiar format, the show features a series of larger-than-life modern characters, each with a secret to reveal through a sonnet.
Inside writer Helen Wilson’s framework of the comings and goings of hotel staff and guests, the characters will be played by Diana Wyatt, Judith Ireland, Sarah Dixon, Frank Brogan, Maurice Crichton, Nigel Evans, Harold Mozley, Froud and Wilson. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Talking elephants of the week: Next Door But One in The Firework-Maker’s Daughter, York Theatre Royal patio, August 12, 11am and 2pm
YORK theatre-makers Next Door But One’s adventurous storyteller travels to Lila’s Firework Festival in this intimate, inclusive, accessible and fun stage adaptation of Philip Pullman’s novel, replete with talking elephants, silly kings and magical creatures.
As Lila voyages across lakes and over mountains, she faces her biggest fears and learns everything she needs to know to become the person she has always wanted to be. Makaton signs and symbols, puppetry and audience participation play their part in Ceridwen Smith’s performance. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Change of tack: Burning Duck Comedy Club presents Grace Petrie: Butch Ado About Nothing, The Crescent, York, September 17, 7.30pm
FOLK singer, lesbian and checked-shirt-collector Grace Petrie has been incorrectly called “Sir” every day of her adult life. Now, after finally running out of subject matter for her “whiny songs”, she is putting down the guitar to work out why in her debut stand-up show, Butch Ado About Nothing, on her return to The Crescent.
Finding herself mired in an age of incessantly and increasingly fraught gender politics, the Norwich-based Leicester native explores what butch identity means in a world moving beyond labels, pondering where both that identity and she belong in the new frontline of queer liberation. Petrie also plays Old Woollen, Leeds, on August 31 (8pm) and The Leadmill, Sheffield, on September 10 (7.30pm). Box office: gracepetrie.com; York, thecrescentyork.com; Leeds, oldwoollen.co.uk; Sheffield, leadmill.co.uk.
YORK company Black Sheep Theatre Productions is running a list of Eight Reasons Not To Miss Falsettos in emphatic block capitals on Facebook ahead of next week’s York premiere at the Joseph Rowntree Theatre.
One reason: the limited availability. “Falsettos is a show that is not available for licence in the United Kingdom for normal theatre companies to perform,” it reads. “Falsettos is only available by special agreement with the composer, William Finn, and Concord Theatricals for production by Black Sheep Theatre Productions and is very unlikely to be done in the UK any time soon.
“If you miss this production, you won’t be able to find another one any time soon,” it re-emphasises.
For a barrier-breaking LGBTQ+ American musical where “love can tell a million stories”, that statement only tells half the story. Let director Matthew Clare fill in the rest as Black Sheep stick to their mission of making “Art with a point”.
“It’s been done only once before in the UK by a semi-pro company, off-West End, in London. It lasted for a week – there was a big backlash against it as a very gay and very Jewish musical,” he says.
“No-one in the cast was Jewish and lot of the Hebrew in it was pronounced wrongly, leading to a letter being signed by prominent members of the Jewish community and published in the Guardian. Miriam Margolyes and David Baddiel spoke on the matter, and in the light of that letter, pressure was put on to close the production. That’s what happened.
“Subsequently, the performing right were not available in the UK and that’s still the case, but now I have attained exclusive rights for Falsettos in the UK.”
How come? “Concord Theatricals have the rights in America, so I contacted them. That was nearly three years, during Covid, saying when everything gets back to normal, how could I make a production happen?” recalls Matthew.
“They initially said, ‘No, there are no rights in the UK’, but I kept pushing and through thatI got in touch with William Finn, the composer.”
First by email, then in conversation. “I talked openly with him, saying I wanted to be faithful to the piece. He’s Jewish, and we have Jewish representation on the production team,” says Matthew.
“My vision for our production was discussed by Concord with William, and they then said, ‘that’s fine, we agree for you to do it’.”
Permission was granted in spring 2022, a rights fee was agreed and paid, and Matthew then dealt directly with Concord in the UK. “It’s still heavily managed by them,” he says. “I’ve talked to them about twice a month, as I also did Elegies For Angels, Punks And Raging Queens through them, and because of that they’ve now kind of backed off over the last two months.
“They did stipulate that the child in the show – Jason – has to be male and there could be flexibility with other casting, though it all has to be as stated for gender. The cast also has to have an understanding of Jewish customs, such as bar mitzvahs, and we made sure the cast was au fait with everything by day one of rehearsals.”
Written by Finn and James Lapine, Falsettos is a Tony Award-winning sung-through musical that combines 1981’s March Of The Falsettos and 1990’s Falsettoland in its late-Seventies, early-Eighties story of Marvin (played by Chris Mooney), who has left his wife, Trina (Nicola Holliday) and 12-year-old son, Jason (Matthew Warry), to be with his male lover, Whizzer (Dan Crawfurd-Porter), and struggles to keep his Jewish family together in the way he has idealised.
“It’s a beautiful and heart-breaking story that explores the definitions of maturity and masculinity through this non-traditional family, and via a character who is immature at the start, as the AIDS pandemic comes to light,” says Matthew.
The cast of seven is completed by James Robert Ball as psychiatrist Mendel Weisenbachfeld, Helen Spencer as Dr Charlotte and Rachel Higgs as her girlfriend Cordelia. Together they must “bring their characters to life and present them in the most realistic and emotionally impactful ways”, as championed in another of the aforementioned eight reasons to see Falsettos.
“In this show, we have a fairly large representation of LGBTQ+ people in the cast and production team, and that brings with it an understanding of the roles and how to play them,” says Matthew of a musical whose characters and roles have played “a significant role in promoting diversity and inclusivity in the theatre community”.
“It’s important that these characters are presented in a realistic and sensitive manner, hooking audiences and ensuring the best possible show for you to watch!
“The themes are timeless, delving into the importance of acceptance, the strength of chosen families, defining masculinity and maturity, and the resilience needed to face life’s challenges. Its messages of love, compassion and unity resonate across the generations and continue to be relevant in our ever-changing world.
“That’s why we did Elegies For Angels, Punks And Raging Queens too. Theatre with a point is the best kind of theatre, and I want people to think and reflect on what they’ve just seen after the show.”
Black Sheep Theatre Productions in Falsettos, Joseph Rowntree Theatre, York, August 9 to 12, 7.30pm plus 2.30pm Saturday matinee. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Copyright of The Press, York
In profile: James Robert Ball, who is playing Mendel Weisenbachfeld
SUMMING up his role in Falsettos, James Robert Ball says: “Mendel is a middle-aged Jewish psychiatrist, an intellectual, but he’s a nervous wreck, trying to solve his own problems by solving everyone else’s.
“He’s treating the main character, Marvin, who has left his wife, Trina, because he’s gay and has stopped the charade of living a married life with a woman. Mendel starts treating Trina too, meddles his way into the family, then marries her and becomes the new father figure to Marvin and Trina’s son, Jason.”
Assessing Falsettos’ characters, James says: “They’re all very fleshed out. No-one is the hero. No-one is the villain. They each have their own neuroses and manipulate someone else but they all have heart too.
“The show is kind of a close observation of family dynamics and messy modern dynamics at that.”
James is a musical theatre composer and lyricist, musical director, actor, author, piano and singing teacher, pianist, accompanist and “Sondheim obsessive”. “I’m a freelance professional musician,” says the piano, trombone and clarinet player. “When I’m in shows as a musician, I’m a professional; when I’m doing a show like this, I’m an amateur.”
Director Matthew Clare originally had James in mind to be the rehearsal pianist, but his performances for York Stage as Mr Mushnik in Little Shop Of Horrors in July 2022 and Baron Bomburst’s spy Goran in a Vulgarian double act with Jack Hooper’s Boris in Chitty Chitty Bang Bang in April demanded further roles. Step forward James’s Mendel Weisenbachfeld.
“The core of what I’m good at as an actor is that there isn’t much acting required, because Mendel is quite like me, and it’s a ‘schticky’ character again, having done Mr Mushnik with a similar vibe and similar characteristics,” he says.
Broad, physical humour marked out his double act with Jack Hooper in Chitty Chitty Bang Bang. “We put a lot of work into that partnership, and particularly for the kids in the audience, it was perfect old-time vaudeville humour,” says James.
“I had a great time working with Jack – it takes loads of effort to look that silly and get that beat going.”
Humour of a different dynamic is at play in Finn and Lapine’s “emotionally truthful” musical, one rooted in verbal volleyball before gradually turning into “hospital/deathbed humour” (or gallows humour, to use a more familiar term). “It’s all about the awkwardness in the moment, like in Woody Allen’s films,” says James.
“Stephen Sondheim is a useful reference here. It’s similar to Into The Woods in how the patter of chatter is translated into song, and how there’s a contrast in song styles with the ballads being more melodic.”
Did you know?
JAMES Robert Ball’s debut novel, A Botanical Daughter, will be published in March 2024. He teaches singing and performance at York Stage School.
Did you know too?
JAMES Lapine has collaborated frequently with Stephen Sondheim, as well as William Finn, in his career as a stage director, playwright, screenwriter and librettist, not least on Into The Woods.
IF a picture paints a thousand words, then look at the one above. It captures the essence of NETheatre York.
That stage looks busy, very busy, bursting with happy faces, everyone revelling in performing and being in a group whose love of entertaining York audiences is writ large in every buoyant show. Such is the sugar rush of a Steve Tearle production – he has become the P T Barnum of York – that the impact is almost giddying. No wonder the ‘E’ in NETheatre stands for ‘exciting’.
‘Excitable’ would be true too, maybe even over-excitable, in that desire to delight, with the opening night in too much of a rush at the start amid a few technical gremlins. No doubt those theatrical E numbers will settle down, but the sound balance with so many performers on stage – a cast of 60 – always will be a challenge.
Tearle has found a formula that works at the box office, one that appeals to family, friends and stalwart supporters alike. If you build a production with a big cast, giving opportunities to young performers to cut their stage teeth, as well helping nascent talents to bloom and calling on a stock of regulars, they will come. In big numbers.
Tuesday, Wednesday, Friday and the Saturday matinee have sold out already; Thursday and Saturday night are down to the last few tickets (box office, 01904 501935 or josephrowntreetheatre.co.uk).
Another factor is at play here: Grease, in a word. Everyone loves Grease, just as everyone loves Abba and Queen, don’t they. Don’t they?! That film, those iconic John Travolta and Olivia Newton-John performances, those songs, are embedded in more than one generation, reflected in the wide age range attending on Tuesday.
Sensibly, NETheatre York (the latest name for NE Musicals York) applied for the extra rights to be allowed to use the opening title song, You’re The One That I Want, Sandy and Hopelessly Devoted To You from the 1978 movie. Out go Drive In Movie, All Choked Up and It’s Raining On Prom Night. In come four songs that all made the UK top three, the John and Olivia duet topping the charts for nine weeks.
Tearle likes a night at the theatre to be a full experience for the audience from the moment of arrival, in this case running a glitter station for sparkling facial adornments. Aptly, your reviewer’s programme sparkled on the Creative Team page, from stray glitter particles as it turned out.
Scott Kendrew, in de rigueur spangly trousers, opens the show, fulfilling his dream to sing a solo song in a musical, performing Grease in the guise of Frankie Valli with an all-American swagger. Soon the stage is populated by the T-Birds greaser gang, the Pink Ladies, more and more Rydell High School pupils and the new, young 1959 intake, under the charge of Perri Ann Barley’s indefatigable head teacher Miss Lynch.
It does provide a wow factor, such a full stage, but this staging comes with complications. The central focus of a scene is not always clear amid so many bodies; voices become muffled in dialogue on one occasion when two performers move beyond the stage apron into the auditorium; peripheral movement sometimes distracts from the principals, Maia Beatrice’s college newcomer Sandy Dumbrowski is too crowded in by the ensemble in that all-important Summer Nights duet with Finlay Butler’s Danny Zuko.
The traffic is less heavy, indeed clear, for the confessional, heartfelt solo numbers, emphasising the song and its delivery, whether Butler’s Danny in Sandy; Beatrice’s Sandy in Hopelessly Devoted To You or, best of all, the stand-out Melissa Boyd’s cynical tough cookie Rizzo in There Are Worse Things (I Could Do).
Rizzo is her dream role and it shows. Sparks fly in the company of Calum Davis’s cocksure Kenickie, who revels in his big number, Greased Lightnin, the peak of Ellie Roberts’s choreography too.
University of Hull theatre student Butler and Cleethorpes pantomime star Beatrice first performed together in York College days, re-sparking that chemistry as strutting Danny and a grittier-than-usual Sandy, culminating in the pent-up romantic release of You’re The One That I Want.
Broad humour courses through the somewhat graphic performances of T-Birds Roger (Flynn Coultous in his NETheatre debut), Sonny (Kristian Barley) and Doody (guitar-playing Matthew Clarke). Juliette Brenot’s Frenchy, Mo Kinnes’s Jan and Erin Greenley’s Marty, leader Rizzo’s fellow Pink Ladies, are not content to stay in the background.
Sam Richardson and Chloe Drake play the nerdy Eugene and goody-goody/irritating cheerleader Patty respectively with admirable enthusiasm for such uncool roles. Ellie Roberts’s Cha-Cha and Kit Stroud’s radio jock Vince Fontaine make the most of their cameos.
Musical director Scott Phillips pops out of the pit to transform into band leader Johnny Casino. Director/producer/co-choreographer Steve Tearle turns into Las Vegas Elvis – if Elvis had made it to his silver sixties – for the Teen Angel set-piece, Beauty School Dropout, all in white, tongue in cheek, lights flickering in his cape.
Phillips leads his band – two tenor sax, guitars, bass and drums – from the keyboards with exuberance and a dash of jazz swing. The ensemble, whether speeding through the aisles or giving their all in the routines, relishes every scene.
Some might want Tearle’s Grease to be a little calmer, less frenetic, to let scenes breathe, but just as the show’s Grease car sign was made and sent from China in only two weeks, so this Grease works flat out to deliver its thrills, right down to Phillips’s Grease Mega-Mix party finale, everyone up on their feet busting their John and Olivia moves.
NETheatre York presents Grease The Musical, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee. Box office for last few tickets: 01904 501935 or josephrowntreetheatreyork.co.uk