Martin Simpson: Solo concert at NCEM tomorrow. Picture: Geoff Trinder
FINGERSTYLE guitarist Martin Simpson plays an intimate solo concert at the National Centre for Early Music, Walmgate, York, tomorrow night (25/10/2023).
Scunthorpe-born Simpson, 70, combines passion, sorrow, love, beauty, tragedy and majesty in his acoustic and slide guitar playing.
Equally at home performing English traditional folk, American folk and blues and his own compositions, he is listed in Gibson Guitars’ Top 30 acoustic guitarists of all time and is an ace banjo-picker to boot.
Down the years, Simpson has collaborated with Jackson Browne, Martin Taylor, June Tabor, Richard Hawley, Bonnie Raitt, Danny Thompson, David Hidalgo and Richard Thompson, among others.
He has been a linchpin of The Full English (The Elizabethan Session) and recorded Murmurs, a collaboration with Andy Cutting and Nancy Kerr in 2015.
His 2020 album, Home Recordings, was recorded at his home by his regular producer – and now neighbour – Andy Bell and found Simpson playing and singing among his guitar and banjo collection and out on his Peak District-facing porch.
Simpson’s collaboration with Nashville guitarist Thomm Jutz, Nothing But Green Willow, The Songs of Mary Sands and Jane Gentry, was released on September 29.
In September 2022, he started his first proper tour since 2019, a run of 20 gigs in 21 days. This autumn, he is on tour once more, brought to York by The Crescent and Black Swan Folk Club for tomorrow’s 7.30pm seated concert at the NCEM. Box office: https://www.seetickets.com/event/martin-simpson/ncem/2718024 or on the door.
Did you know?
MARTIN Simpson has had the most nominations of any performer in the BBC Radio 2 Folk Awards, 32 times in all, 13 as Musician of the Year, winning that accolade twice.
The Trials Of Cato’s Tomos Williams and Robin Jones with new addition Polly Bolton
BBC Radio 2 Folk Award winners The Trials Of Cato will headline the third Primrose Wood Acoustics session in Pocklington on August 5.
Organised by Pocklington Arts Centre (PAC), the outdoor concert series will complete its summer hattrick by popular demand after sold-out sylvan shows on July 1 and 8.
Scunthorpe-born virtuoso guitarist, singer and songwriter Martin Simpson and East Yorkshire singer-songwriter Katie Spencer played the first night; Leeds indie-folk/Americana band The Dunwells and York singer-songwriter Rachel Croft, the second.
The third 7pm event will once again “fuse nature’s soundtrack, background birdsong and transcendent live music under a natural canopy of trees to create a truly enchanting open-air experience for audiences”.
PAC director Janet Farmer says: “Primrose Wood Acoustics is a new concept for Pocklington Arts Centre, with this being the first time we have taken live music not only outdoors but also into a woodland setting.
The Dunwells performing at the second Primrose Wood Acoustics in Pocklington on July 8
“Our first two events have proved so popular, selling out on both occasions and attracting such positive, uplifting feedback, that we just had to do another one.
“This time we have The Trials Of Cato headlining, which is a perfect fit for such a charming woodland setting. When nature and live music collide something really wonderful happens and we know this is going to be no exception.”
Hailed by Mark Radcliffe, The Folk Show host on BBC Radio 2, as “one of the real discoveries on the folk circuit in recent times”, The Trials Of Cato won Best Album at the 2019 BBC Radio 2 Folk Awards for their debut, Hide And Hair.
Formed in Beirut, when Tomos Williams, Will Addison and Robin Jones were working in Lebanon as English teachers, the trio had returned to Britain in 2016, Here, they set about performing tirelessly up and down the country with their stomping tunes and captivating stories that paid homage to the tradition while twisting old bones into something more febrile and modern.
Bolton wanderer: Polly Bolton, solo singer-songwriter, member of The Magpies and now part of the folk trio The Trials Of Cato
Hide And Hair’s release in November 2018 was greeted with airplay on BBC 6 Music and Radio 2 and thumbs-up coverage in national publications, while mastering engineer John Davis, who worked with Jimmy Page on the Led Zeppelin remasters, memorably dubbed them “The Sex Pistols of folk”.
After a year of wall-to-wall touring across the UK, Europe and North America, however, the band’s march was halted by the stultifying silence of the global pandemic, but now they are emerging anew from their transformative chrysalis.
“The Trials continue,” they say, but this time, after Addison’s departure, Williams and Jones are joined by Leamington Spa multi-instrumentalist and singer Polly Bolton, from The Magpies, for their hotly anticipated second album.
Set for release later this year (precise date yet to be confirmed), Gog Magog is named both after the mythical giant of Arthurian legend and the Cambridgeshire hilltop, where the new album was birthed over lockdown.
The support act for August 5 will be announced shortly. Tickets cost £14 on 01759 301547 or at pocklingtonartscentre.co.uk.
Roll out the bunting: The Dunwells in acoustic mode in Primrose Wood, Pocklington, on July 8
PRIMROSE Wood Acoustics will return to the Pocklington woodland for a third double bill – yet to be confirmed – on August 5.
This step three announcement follows the long-awaited return of live music for organisers Pocklington Arts Centre (PAC) after staging sold-out outdoor concerts in Primrose Wood on July 1 and 8.
Scunthorpe-born virtuoso guitarist, singer and songwriter Martin Simpson and East Yorkshire singer-songwriter Katie Spencer played the first night; Leeds indie-folk/Americana band The Dunwells and York singer-songwriter Rachel Croft, the second.
Martin Simpson: Headlined first Primrose Wood Acoustics double bill in Pocklington on July 1
Each was performed to a socially distanced audience of 85 at twilight. “Accompanied by bird song and set under a natural canopy of trees, there was a collective sense of being a part of something special, almost 18 months after PAC last staged a live music event,” said PAC director Janet Farmer.
Artists and audience alike concurred. Joe and Dave Dunwell said: “After 15 months of playing to a computer screen and doing live streams, to be actually playing live in a woodland was just incredible and the audience were just amazing. We loved it!”
Rachel Croft enthused: “For the first time, I felt totally in my element again. Having had all that time off, you get used to not having an amp or an audience or any interaction, so it’s been really special to be in this amazing spot and I’m just really grateful to have been a part of it.”
York singer-songwriter Rachel Croft performing the opening set at Thursday’s Primrose Wood Acoustics concert in the Pocklington sylvan setting
Commenting after Thursday’s concert, audience member Sue Bowden said: “Amazing evening! Fantastic live music in a beautiful setting on a fabulous summer’s evening; brilliantly organised too. Well done to all involved.”
Jane Smith agreed: “What a wonderful gig – our first since March 2020. Great performances in a beautiful setting. Very well organised. Thank you all at Pocklington Arts Centre.”
Julie Eeles said: “A fantastic night: amazing performances by Rachel Croft and The Dunwells. Thank you, Pocklington Arts Centre, for organising the event.”
Thursday’s audience watching The Dunwells in Primrose Wood, Pocklington
Vital to Thursday’s open-air concert was the contribution of sound engineer Daren Bishop. “It was a fantastic event,” he said afterwards. “What a pleasure to be a part of it. I loved mixing the sound in that setting.”
The Primrose Wood Acoustics series comes on the heels of assorted online events and outdoor exhibitions held by PAC since the start of the pandemic.
“Being able to bring live music back to our audiences has just been incredible,” said the director. “We’d like to thank our customers for their support, as well as Pocklington Cricket Club, Burnby Hall Gardens and Pocklington Town Council for helping to make these events possible.”
Looking forward to reopening: Pocklington Arts Centre director Janet Farmer in the auditorium
Watch this space for the announcement of the August 5 double bill. Meanwhile, to keep up to date with PAC’s future events, head to pocklingtonartscentre.co.uk.
Pocklington Arts Centre will reopen formally on July 20, preceded by two sold-out socially distanced warm-ups: work-in-progress gigs by South Shields humorist Sarah Millican on July 14 and 15 at 7.30pm.
“I’ll be trying out loads of new stuff,” says the Geordie joker. “It’ll be rough and ready and very, very fun.”
Sarah MIllican: Warming up for her Bobby Dazzler tour with a brace of sold-out gigs at Pocklington Arts Centre
Next week’s shows are in preparation for her sixth international tour, Bobby Dazzler, whose 2021/2022 itinerary will bring Millican, 46, to York Barbican from November 12 to 14.
“You’ll learn about what happens when your mouth seals shut; how to throw poo over a wall; trying to lose weight but only losing the tip of your finger; a surprisingly funny smear test, and how truly awful a floatation tank can actually be,” says Sarah, who has “spent the past year writing jokes and growing her backside”.
“I can’t wait to get back on the road and make you laugh,” she adds. For ticket details on the 8pm shows, head to yorkbarbican.co.uk
Joshua Burnell and Katie Spencer at the National Centre for Early Music, York, at Monday’s Songs Under Skies double bill
REVIEW: Songs Under Skies, Joshua Burnell and Katie Spencer, National Centre for Early Music, St Margaret’s Church, Walmgate, York
EAST Yorkshire singer-songwriter Katie Spencer, like so many musicians divorced by lockdown restrictions from their livelihood of live shows, had taken to streaming gigs to the alienating sound of silence.
No wonder she smiled at the welcoming sound of applause, as reviving as hearing birdsong after being stuck indoors. “It’s lovely to be sharing live music for the first time in a long time,” she said at the 7pm outset of week two of Songs Under Skies, the acoustic outdoor festival run by the NCEM, Fulford Arms, The Crescent and Music Venues Alliance.
All those mid-pandemic night streams, and her guitar never misbehaved. First live show back, and a string snapped, whereupon Katie administered a string re-fit at a speed to impress Formula One wheel-changers. Joshua Burnell would later refer to her handiwork as “the fastest in the history of music”.
“It’s wild to be playing music in front of live people instead of my plants and bookcase,” said Katie Spencer
That said, Katie’s primary handiwork is her acoustic guitar-playing, a gentle caress to lyrics that have the scent, sentience and scene-painting of poetry, sung in a voice that lingered in Monday’s NCEM churchyard air.
Raised by the seaside near Hull, she sang of how the water shapes both the land and the people who live there in her best number, Edge Of The Land. Weatherbeaten and Shannon Road were similarly affecting in a re-introductory set best summed up by her sentiment: “It’s wild to be playing music in front of live people instead of my plants and bookcase.”
Katie will be doing so again in support of Martin Simpson at Primrose Woods, Pocklington, on July 1 and at The Magpies Festival at Sutton Park, Sutton-on-the-Forest on August 14. Hopefully, that guitar will be on best behaviour.
Half an hour would pass for an audience as socially distanced as the churchyard graves before prog-folk songwriter Joshua Burnell took to the blue awning stage with keyboard player Oliver Whitehouse.
Not even a sound alarm could put Joshua Burnell off his stride on his return to the concert stage.
Burnell is a multi-instrumentalist on his recordings, but here he focused on acoustic guitar, adapting to the night temperature that demanded constant re-tuning, a routine that afforded him the time to talk between songs, although not to the length that had prompted a BBC Radio York presenter to advise him he should hand out a pamphlet the next time he introduced new single Shelagh’s Song in concert.
No such pamphlet was forthcoming or necessary. Joshua is an engaging storyteller as much as an eloquent songwriter equally capable of evoking Tolkien, folk forefathers, Al Stewart, Peter Gabriel-era Genesis and even Marc Bolan’s puckish dictionary.
He name-checked Ian McKellen for the opening Labels, recalling how the thespian knight had pondered “Why do we need to put labels on love?”. “Do you know what, Sir Ian, you’re right,” he said. “So throw your labels away, ‘Cause love has no use for them,” Joshua duly affirmed, almost enough to make any reviewer desist from further labelling on this occasion.
Joshua is as good at excavation as at conjuring new material, typified by an obscure but wonderful cover version, Eli Geva, Norwegian songwriter’s anguished Siege of Beirut ballad from an album of 12 banned songs from around the world.
The artwork for Joshua Burnell’s single Shelagh’s Song
Next came the aforementioned Shelagh’s Song, his account of how early-Seventies Edinburgh folk singer Shelagh McDonald vanished for 30 years after a particularly bad LSD trip. The re-surfaced Shelagh so loved the song she has sent Joshua a parcel with a letter, artwork and some lyrics she never published. Actions can speak so much louder than labels!
Joshua had just adjusted his guitar tuning again in the night cold when a new interruption tapped him on the shoulder: a sound alarm going off in the neighbouring bustle of Walmgate. One look from Joshua, and it was gone, as if ashamed at having held up “a bit of an anthem for positivity and things to come”: Golden Days, written in lockdown as the good weather rolled in and the vaccine programme was rolled out.
Not even the Prime Minister’s 6pm postponement of Freedom Day could deflate Joshua. “I still feel optimistic that we’re in a better place than we were a year ago,” he asserted.
If one lyric encapsulates retro-futurist Burnell in 2021, it would be: “Did I go through the wardrobe door because it’s been winter here for much too long”. Indeed it has, and as Songs Under Skies nudged and hushed it out the back door, he ended with Lucy, his variation on a “Ziggy Stardust character song”. Closer to Bolan than Bowie, if a label must be applied, but Lucy under darkening skies was a diamond finale.
Open welcome: Pocklington Arts Centre director Janet Farmer looks forward to reopening on July 20
POCKLINGTON Arts Centre will reopen to the public on July 20 and film screenings will re-start on July 23, 491 days since the last performance.
Director Janet Farmer and venue manager James Duffy have chosen this date to ensure the safety of customers and volunteers.
“Over the past few months, our main focus has been planning the safe reopening of the building, ensuring all staff are trained appropriately and making sure the venue has all its new systems, resources and processes in place and working well,” says Janet.
“We have sought feedback from staff, volunteers and customers and this will be vital to the success of this process. Our main aim is to ensure the visitor experience at Pocklington Arts Centre (PAC) is safe, secure and enjoyable.”
In late-March 2020, the East Yorkshire venue launched a crowdfunding page, raising more than £18,000 in under a month, followed by successful funding applications to the Smile Foundation’s I Am Fund and the Government’s Culture Recovery Fund.
Spiers & Boden: October 20 booking at Pocklington Arts Centre
Janet says: “I would like to thank our customers, in addition to Pocklington Town Council, the Friends of PAC, the Smile Foundation, Arts Council England and the Music Venue Trust for their collective support over the past year.
“It has been a very difficult time for everyone, but their kind words, financial support and continued interest in all things PAC has meant a great deal and helped carry the venue through these extraordinary times.”
Staff have rescheduled forthcoming events for the autumn and winter, transferring more than 4,000 tickets and refunding customers for 20-plus cancelled events.
“Throughout the closure period, we have stated our determination to emerge from the situation more vibrant than ever and our autumn and winter programme is a testament to that,” says Janet.
“2021/22 will see a fantastic range of live events being staged here, alongside our trademark diverse mix of film screenings, live broadcasts, exhibitions, community events and private hires.”
Velma Celli: York’s queen of vocal drag will make Pocklington debut on December 3. Picture: Kirkpatrick Photography
In the diary are Grammy Award winner Loudon Wainwright III, September 24; Northumberland Theatre Company (NTC) in Oscar Wilde’s “trivial comedy for serious people”, The Importance Of Being Earnest, September 30; North Eastern gypsy folk-rockers Holy Moly & The Crackers, October 16; Oxford singer-songwriter Thea Gilmore, October 7, and Irish jazz/blues chanteuse Mary Coughlan, October 19.
Bellowhead alumni and BBC Radio Folk Award winners Spiers & Boden are booked in for October 20; Red Ladder Theatre Company, from Leeds, in Nana-Kofi Kufuor’s My Voice Was Heard But Was Ignored, for November 25; television and radio broadcaster and author Jeremy Vine, November 26; Welsh singer-songwriter Martyn Joseph, December 2, and York drag diva deluxe Velma Celli, December 3.
Confirmed for 2022 are An Evening With Julian Norton, from Channel 5’s The Yorkshire Vet, January 18; singer-songwriter Teddy Thompson, January 22;Welsh guitarist, songwriter, vocalist and former Amen Corner cornerstone Andy Fairweather Low, February 11, and Eighties’ pop singer and actress ToyahWillcox, March 3.
PAC’s two open-air acoustic concerts in Primrose Wood, Pocklington, with Martin Simpson and Katie Spencer on July 1 and The Dunwells and Rachel Croft on July 8 will go ahead despite the Government’s Step 4 roadmap delay, but now under social-distancing restrictions. Both 7pm shows have sold out.
Janet says: “We always knew this was a possibility when the shows were first planned and there’s sufficient space for people to enjoy the event safely, while experiencing the atmospheric setting of Primrose Wood.”
Martin Simpson: Headlining at a sold-out Primrose Woods on July 1
PAC increased its online artistic output during the pandemic, staging 18 events to more than 9,000 audience members.
In addition, a series of outdoor exhibitions has been held by PAC across the region. York artists Sue Clayton and Karen Winship have shown work at All Saints’ Church, Pocklington, and Sue will be following Karen into Hull Waterside and Marina. Those attending the York Vaccination Centre at Askham Bar can see her Down Syndrome portraits in the Tent of Hope.
“We felt it was vitally important to have continued customer engagement throughout the prolonged closure period and the public response to these events and exhibitions has been very positive,” says Janet.
“We’re also very much aware there’s no substitute to watching a live performance, in person, and sharing this experience with fellow audience members.
“Everyone at PAC is now counting down the days until the doors can reopen and we can welcome customers back. It’s been a very long interval and we can’t wait for the second half to begin.”
For full event listings and ticket details, go to: pocklingtonartscentre.co.uk.
York artist Karen Winship at the launch of her NHS Heroes exhibition at Hull Waterside and Marina
Joshua Burnell: Sharing a Song Under Skies double bill with Katie Spencer on June 14. Picture: Elly Lucas
SONGS Under Skies will return to the glorious gardens of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, in June.
Five outdoor acoustic double bills will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.
Wounded Bear and Rachel Croft: First Songs Under Skies double bill on June 1
As with last September’s debut series, season two of the open-air, Covid-safe Songs Under Skies will be presented by the National Centre for Early Music (NCEM), working in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance.
Gates will open at 6.30pm for the acoustic double bills from 7pm to 8.30pm with a 30-minute interval between sets. Each concert costs £8 and tickets must be bought in advance, either in “pods” for family groups or as individuals at tickets.ncem.co.uk.
Kell Chambers and Nadedja: Double bill in the NCEM churchyard gardens on June 2
Social distancing will be strictly observed and masks must be worn inside the NCEM but will not be required in the gardens.
NCEM director Delma Tomlin says: “We’re very excited to be bringing you the second Songs Under Skies: a feast of acoustic music taking place in our beautiful gardens, the perfect spot for a June evening in the sunshine.
Katie Spencer: Yorkshire singer-songwriter to play NCEM gardens on June 14, as well as a second Yorkshire open-air gig at Primrose Wood Acoustics, Pocklington, supporting Martin Simpson on July 1 at 7pm
“We’re also glad to be working once again with our partners The Fulford Arms, The Crescent and York Music Venues Network to begin the long-awaited revival of live music in our city. Last year Songs Under Skies was a complete sell-out and we’re looking forward to welcoming back audiences for these summer nights of music by these talented musicians.”
Harkirit Boparai, from The Crescent and the York Music Venues Network and North East regional coordinator for the Music Venues Alliance, says: “We’re delighted to be collaborating with the NCEM for another short run of outdoor concerts to take place in their beautiful gardens, with a stellar line-up of musicians from York and beyond heralding the return of live gigs to York.
Zak Ford and Alice Simmons: Playing acoustic sets at Songs Under Skies on June 15
“One of the silver linings of the pandemic has been that cultural organisations in the city have been able to collaborate in ways that they didn’t before, and after the success of our last series in the autumn, it’s been great to work with the NCEM team once again.”
Among the first arts organisations to stream online concerts, the NCEM has been keeping music alive since the beginning of lockdown, attracting a worldwide audience of more than 70,000.
Epilogues and Sunflower Thieves: Songs Under Skies’ closing concert coupling on June 16
Over the past year, the NCEM staged socially distant events when possible and streamed concerts and festivals from St Margaret’s Church.
In June, this will continue with the streaming of the very first Beverley & East Riding Early Music Festival Online with concerts, walks and talks from the Yorkshire market town where the first festival was staged 35 years ago. This summer’s York Early Music Festival will run from July 12 to 16; a full line-up announcement is expected today (17/5/2021).
Kitty VR: Playing her first gig for seven months at the NCEM churchyard at last September’s first Songs Under Skies concert series. Picture: Neil Chapman/Unholy Racket
Last year’s inaugural Songs Under Skies presented Amy May Ellis and Luke Saxton on September 2; Dan Webster and Bella Gaffney, September 3; Kitty VR and Boss Caine, September 9; Wolf Solent and Rosalind, September 10; Polly Bolton and Henry Parker, September 16, and Elkyn and Fawn, September 17.
Full details of this summer’s Songs Under Skies can be found at: ncem.co.uk/songs-under-skies/.
Martin Simpson: Headlining Primrose Wood Acoustics in Pocklington on July 1. Picture: Geoff Trinder
POCKLINGTON Arts Centre will go down in the woods on July 1 and 8 to present Primrose Wood Acoustics, two outdoor concerts at twilight in a beautiful Pocklington sylvian setting.
Virtuoso Scunthorpe-born guitarist and singer-songwriter Martin Simpson will headline the first 7pm event at Primrose Wood, supported by Yorkshire singer-songwriter Katie Spencer.
A week later, the second twilight session will feature Leeds indie-folk/Americana band The Dunwells and opening act Rachel Croft, the York singer-songwriter.
The acoustic concerts are being staged by Pocklington Arts Centre (PAC) after a series of online events and outdoor exhibitions by York artists Karen Winship and Sue Clayton held during the pandemic.
Primrose Wood Acoustics not only will mark the first time PAC has taken concerts into the outdoors – giving audiences a chance to experience live music within a unique and Covid-secure setting – but also will be the first concerts to be hosted by the East Yorkshire venue since the first lockdown last March.
Katie Spencer: Deeply personal songs of nostalgia, loss and love. Picture: Tom Arran
PAC director Janet Farmer says: “During the pandemic, we’ve been doing a lot of walking in the Pocklington area including Primrose Wood. With its natural clearings and proximity to the town centre, we immediately thought it would provide the perfect outdoor stage with a difference, so the idea of Primrose Wood Acoustics was born.
“As we prepare to re-open the venue, we’re very much looking forward to being able to bring some truly unique events to our audiences. This is going to be something quite special.”
Martin Simpson travels the length and breadth of Britain and beyond to give intimate solo performances full of passion, sorrow, love, beauty, tragedy and majestic fingerstyle guitar playing.
Simpson, 68, who recorded his first album, Golden Vanity, in 1976, is equally at home playing English traditional folk, American folk and blues and his own compositions on acoustic and slide guitar and banjo to boot.
Support act Katie Spencer writes songs imbued with the northern landscapes of her Yorkshire home and the warmth and idealism of the early 1970s’ folk and songwriter movements. Originally from Hull, she draws on the grainy imagery of the industrial docks and sea-fronts in her deeply personal songs of nostalgia, loss and love.
The boys Dunwell: Brothers Joseph and David of Leeds band The Dunwells
The Dunwells, formed by brothers Joseph and David Dunwell in Leeds in 2009, combine heartfelt lyrics with American-influenced indie-folk song structures, as heard on their 2012 debut album, Blind Sighted Faith, and six subsequent albums and EPs.
The Dunwells have performed at both PAC and Platform Festival, at Pocklington’s Old Station, and have toured the United States extensively, not least appearing at SXSW music festival in Austin, Texas. They last released a studio album, Something In The Water, in September 2019, followed by the live recording Live At Aire Street last December.
Support act Rachel Croft’s song-writing is cinematic, moody and classic, wherein atmospheric backdrops frame her vocals as she blends folk, rock and soul styles.
Rachel’s new EP, Reap What You Sow, will drop this summer, exploring a more potent, bluesy style.
Concertgoers can access the location from both main entrances to Primrose Wood via Burnby Lane and The Balk, with the concerts being staged close to the Burnby Lane (YO42 2QB) entrance.
Tickets cost £15 for July 1 and £12.50 for July 8 at pocklingtonartscentre.co.uk.
Rachel Croft: Exploring a “more potent, bluesy style” on her summer EP. Picture: Amy D’Agorne
CharlesHutchPress puts questions to York singer-songwriter Rachel Croft as she prepares for the twilight hour in Primrose Wood.
Where and when did you last play a gig?
“The last real gig was at Highfield House in Driffield, back in October 2020 – a lone event I was lucky enough to share with Blair Dunlop and Gary Stewart. Before that, I think it was last March, sharing the night with Joe Shepard at the NCEM in York.”
Have you played in woodland previously?
“I haven’t played a gig as such in a woodland but I’ve recorded and performed in a few woodlands for music videos. Really atmospheric!
“Only Dreams had woodland in it, and the new video for Reap What You Sow, directed by James Buck, will have a part shot in woodland too.”
What do you feel about playing at the twilight hour: a magical time of day or a harbinger of the dark night to come?!
“Playing outdoors in the twilight hour sounds just right for some of my songs. I like to write atmospheric music, and I think this will be the perfect setting to finally share them with people!
“I think sunset can be a nostalgic time in a way, thinking about the day that’s done and the start of night. Certainly, it could add to the moodiness of some of my songs too.”
“Playing outdoors in the twilight hour sounds just right for some of my songs,” says Rachel. Picture: Amy D’Agorne
You have a new EP on the way, Reap What You Sow. When and how will you release it?
“The EP is due this summer. I’ll stagger a single and then the rest of the songs later on in the season, along with videos and live performances hopefully. We’re still finishing them, so once we have them completed, I can set a date and get cracking. I’m really excited to share these songs; they’re my best work so far. Stay tuned!”
Where and when was the EP recorded?
“It was recorded here in York, at Young Thugs Studios [in South Bank Social Club, Ovington Terrace], and has been ongoing for probably six months now, what with so much uncertainty and all my usual funding methods gone, which made things interesting!
“All the musicians on the tracks are from around here and I’m really lucky to know so many talented people.”
What are the song titles and themes and were any influenced by pandemic times?
“I’m keeping the song titles on the down-low for now, except Reap What You Sow, the title track and first single. There are five songs, though, and as a collection they represent a storm, sort of. The build-up, the energy, the wreckage left behind, and then the rebuild, leaving it behind.
“All the songs are from the lockdown, and I think they helped me to release a lot of pent-up frustration and emotion. I’ve never felt that, until this point, I’ve really released anything that shows the most of me, not just one side.
“It feels really liberating; I’ve always loved music like this but never before felt like I could be that artist. And then, well, it was the pandemic, so I thought I might as well have a go.”
“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound,” says Rachel
The EP will “explore a more potent, bluesy style”: how will that manifest itself and what has drawn you to the blues?
“The bluesy style is mainly in two of the songs, where I was playing with some different chord variations and was influenced a lot by cinema, film music, and the jazz music I play with the Croft Mullen Band here in York [in a residency at The Phoenix Inn, George Street], alongside writing my own music.
“It’s been really nice to bridge that gap between styles. It’s got a lot of electric sounds in it too, but I love the vintage Nancy Sinatra feel of parts of the songs, how that weirdly works with quite fierce guitars at points.
“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound. I can’t wait for everyone to hear it.”
What have you discovered about yourself in lockdown?
“I have learned that by having all the joyful distraction taken away, I can be more productive with song-writing. I can choose to sit down, and write, if I try. I never thought I could do that before lockdown. It’s been a great time for my music; I’ve never written so much, but maybe that’s because music seems to come easiest when you’re not totally happy.”
What else is in the diary for you for 2021? Hopefully more shows?
“I’ll be playing at Wickham Festival [Hampshire], Lindisfarne Festival [Northumberland], Northern Kin Festival [Stanhope, Bishop Auckland] and Beverley Fringe, all going well, and I’ve got a few concerts booked here in York and further afield that I’m looking forward to announcing to my socials soon! I’m just happy to get to play to real actual humans again!”
NEWS JUST IN: 14/5/2021
RACHEL Croft will open series two of the acoustic Songs Under Skies concerts in a double bill with Wounded Bear in the National Centre for Early Music gardens at St Margaret’s Church, Walmgate, York, on June 1. Gates, 6.30pm; socially distanced concert, 7pm to 8.30pm. Box office: tickets.ncem.co.uk.
