NCEM Young Composers Award 2023, English Cornett and Sackbut Ensemble,National Centre for Early Music, York
EIGHT finalists, selected from more than 70 composers under the age of 25, enjoyed a day of workshops with the English Cornett and Sackbut Ensemble (ECSE) and composer Liz Dilnot Johnson.
The outcome was ECSE’s evening concert, which presented the new scores interwoven with 15th and 16th century Spanish works.
This was not merely a satisfying melange. It gave context to the entire enterprise. More than that, it allowed ECSE to introduce the two traditional ‘Spanish’ tunes on one of which the competitors were asked to base their pieces: La Spagna (actually an Italian bassadanza) or Ayo Visto La Mappamundi (I Have Seen The Map Of The World).
It needs to be said at once that the six members of ECSE played superbly, on two cornetts, three sackbuts and an organ, often dealing with technical problems quite outside their comfort zone.
Three of their contributions were lithe organ solos from Silas Wollston. The full group’s highlight was in Counterpoints on La Spagna, taken from the few that survive from the 120 or so written by Constanzo Festa.
Three composers chose La Spagna as their inspiration. Mollie Carlyle’s Not Quite Music To Dance To started slowly, then grew in balletic activity, which included three brief solos, the instruments uniting in a closing unison.
Tommaso Bailo’s Out Of The Cradle Endlessly Rocking – the title of a Walt Whitman poem – was sectional, with detectable motifs, moving from a diffuse start to a racy close. Edwin de Nicolò’s Alameda And Toccata slowly developed into jazzy syncopation, nicely shaded, before a quieter resolution.
The remaining five chose the Mappamundi tune. Rachel Sunter’s Nada Que Perder(Nothing To Lose) also went for syncopation, mostly in the top two sackbuts, against a running counterpoint in the cornetts.
Reese Carly Manglicmot’s Fly! used a number of pedal points to underline its various takes on flight, before coming to an abrupt end. Sam Meredith’s piece employed the full Mappamundi title in clearly structured counterpoint, including the organ, before a bluesy close.
Owen Spafford’s Bog Bodies – mummified cadavers found in peat bogs – appealed to local tastes by adding fragments of the Lyke-Wake Dirge to his underlying motif, contrasting the cornetts against the sackbuts and using quarter-tones evocatively.
Jacob Jordan’s A Ceremonial Dance For Mice, highly syncopated throughout, especially in the sackbuts, stuck to a compelling trochaic rhythm.
These last two were declared winners at the end of the evening, Spafford in the 19 to 25 age group, Jordan – the youngest finalist (17 this year) – in the 18 and under category. But all eight finalists displayed distinctive talents and none of the pieces lacked interest, quite the reverse.
These are all names to watch, without exception. And music of this calibre is breathing new life into period instrument techniques.
The concert was streamed and may be viewed at http://www.youngcomposersaward.co.uk . It also will be recorded for broadcast on BBC Radio 3’s Early Music Show on Sunday, November 26.
Wind-blown: The English Cornett & Sackbut Ensemble members Adrian France, Tom Lees, Gawain Glenton, Conor Hastings, Andy Harwood-White and Emily White
ENTRIES are sought for the NCEM Young Composers Award 2023.
Each year the award is presented by the National Centre for Early Music, York, in association with BBC Radio 3, who welcome the English Cornett & Sackbut Ensemble as partners for next year.
Young composers are invited to write a new piece for this virtuoso period instrument group based on a popular tune from the Spanish “Golden Age” of the 16th and 17th centuries, creating their composition in the same spirit by using the melody as a starting point for musical ideas.
The award is open to young composers resident in Great Britain up to the age of 25 and is judged in two age categories: 18 and under and 19 to 25.
NCEM director Dr Delma Tomlin says: “The Young Composers Award continues to be one of the highlights on the NCEM’s calendar and is an extremely important part of the organisation’s work.
“For the 2023 awards, we are delighted to be working with the English Cornett & Sackbut Ensemble, an award-winning group with a host of distinguished recordings to its name.
“The winning compositions will be broadcast on BBC Radio 3’s Early Music Show, a wonderful way to launch the careers of aspiring young composers.”
NCEM direcor Dr Delma Tomlin: “The Young Composers Award continues to be one of the highlights on the NCEM’s calendar”
BBC Radio 3 controller Alan Davey says: “Here at Radio 3, we believe that it is vital to encourage and support creative exploration, as this is the only way to keep classical music alive with the idea of an ever-growing canon, attracting new audiences with a sense of exploration and discovery.
“That is why we are so proud to partner with the National Centre for Early Music once more for its 2023 Young Composers Award. This collaboration enables us to expose our audiences at home to some of the brightest talents in Early Music practice, broadcasting their works on our Early Music Show.”
Gawain Glenton, the English Cornett & Sackbut Ensemble’s co-director, says: “A key part of our mission as an ensemble is to expand the horizons of our beautiful instruments.
“We’re therefore thrilled to return as the ensemble-in-residence and can’t wait to see what the young composers write for us. Pieces from our last appearance in 2018 have since become part of our core repertoire. We’re looking forward to once again showcasing the work of the UK’s wonderful young artistic voices.”
Composers must register their interest by 12 noon on February 17 and scores should be submitted by March 17 2023. Full details, including the English Cornett & Sackbut Ensemble’s guide on how to write for their instruments, can be found at: https://www.youngcomposersaward.co.uk/
The shortlisted composers will be invited to a collaborative workshop at the NCEM, at St Margaret’s Church, Walmgate, York, led by composer Christopher Fox and the English Cornett & Sackbut Ensemble. In the evening, the shortlisted pieces will be performed with the judges present, when the two winning compositions will be announced. The NCEM will meet all travel and accommodation costs for those selected to attend.
The winning works will be premiered in a public performance at the Stoller Hall in Manchester on November 9 2023, when the concert will be recorded for broadcast on BBC Radio 3’s Early Music Show.
Winners Adam Possener, left, and Christopher Churcher at the National Centre for Early Music
ADAM Possener and Christopher Churcher have won the 2022 National Centre for Early Music Composers Awards.
Possener was victorious in the age 19 to 25 category with his composition 52°N 20.5° E; Churcher, the 18-and-under age group with Arborescent.
The final of the 15th annual competition, presented in partnership with BBC Radio 3, was live-streamed last Thursday (19/5/2022) from the NCEM, at St Margaret’s Church, Walmgate, York.
Compositions by the eight finalists were played for the first time by former BBC Radio 3 New Generation artists Consone Quartet, who specialise in performances with period instruments using gut strings. Their concert programme also included Franz Josef Haydn’s String Quartet in D, Opus 71 No. 2.
Dr Christopher Fox: Leading the workshop with young composers at the NCEM
The event followed a day-long workshop with the young composers at the NCEM, led by Dr Christopher Fox, Emeritus Professor of Music at Brunel University, and Consone Quartet, where the finalists – all based in the UK – were invited to enter into the musical sound world of one of the quartet’s favourite composers, Fanny Mendelssohn.
The 2022 panel of judges were: BBC Radio 3 producer Les Pratt, NCEM director Dr Delma Tomlin and Consone Quartet.
Churcher’s Arborescent and Possener’s 52°N 20.5° E will be premiered by Consone Quartet at Stour Music Festival on June 24, when it will be recorded for broadcast later in the year on BBC Radio 3’s Early Music Show,the weekly programme that airs every Sunday from 2pm to 3pm and on BBC Sounds.
Consone Quartet with winners Adam Possener, third from left, and Christopher Churcher
Delma Tomlin says: “Once again, we enjoyed an array of outstanding music at the NCEM, and I’d like to congratulate all our composers for their outstanding work. It was an absolute joy to welcome them to our home at St Margaret’s Church for an incredible day of exploring the world of composition.
“I’d also like to say a massive thank-you to my fellow judges and to BBC Radio 3; their continued support is invaluable and enables us to continue to stage this major annual award.”
Alan Davey says: “Music will only exist as long as young people keep putting their minds and spirits to it and feel compelled to keep creating it – breathing new life into the art form and bringing their own personal insights and approaches.
NCEM Composers Awards finalists with Dr Christopher Fox and Consone Quartet
“That’s why supporting young composers is one of Radio 3’s main missions, and we can’t wait to share these wonderful new compositions with our listeners on the Early Music Show and on BBC Sounds.”
The live streamed performance is available on Facebook.com/yorkearlymusic @yorkearlymusic.
Consone Quartet: Partners in the NCEM Young Composers Award 2022
COMPOSERS aged 25 and under are invited to write a new work for string quartet for the NCEM Young Composers Award 2022.
Each year, the award is presented by the National Centre for Early Music, in York, in association with BBC Radio 3. For 2022, they are delighted to welcome the Consone Quartet, the BBC New Generation Artists, as creative partners, as announced on BBC Radio 3’s Early Music Show on November 21.
Composers are asked to write a new piece – three to four minutes in length – for string quartet, working alongside the Consone Quartet’s Agata Daraškaite, Magdalena Loth-Hill, Elitsa Bogdanova and George Ross, who play ‘period’ instruments using gut strings.
For next year’s award entries, they invite young composers to learn about the musical sound world of one of their favourite composers, Fanny Mendelssohn, a talented pianist who wrote 400 works but never enjoyed the acclaim that brother Felix received. “This is the opportunity to create a new piece which explores this fascinating time in musical history,” they say.
Shortlisted composers will be invited to the Award Day at the NCEM, at St Margaret’s Church, Walmgate, when the shortlisted compositions will be presented by the Consone Quartet in a workshop led by composer Professor Christopher Fox. In the evening, the Consone Quartet will perform each of the pieces for a panel of judges.
The two winning pieces, one from each age category (see below), will be premiered by the Consone Quartet at Stour Music Festival on June 26 2022, when the performance will be recorded for future broadcast on BBC Radio 3’s Early Music Show.
This major national annual award is open to young composers up to the age of 25, resident in the UK, and is divided into two categories: 18 and under and 19 to 25.
NCEM director Delma Tomlin says: “The Young Composers Award is one of the most important dates in the NCEM’s calendar and gives us a vital opportunity to work with the wider community. Last year, we received an astonishing number of applications from all over the UK and we’re sure that enthusiasm to take part will just keep on growing.
NCEM director Delma Tomlin: “Thrilled to be working with the Consone Quartet”
“For 2022, we’re thrilled to be working with the Consone Quartet, who will be guiding the shortlisted composers and performing their pieces. They’ll be joined in York by composer Professor Christopher Fox to host a day of workshops with the shortlisted candidates before the public performance in the evening.
“This year, the compositions will be performed at the prestigious Stour Music Festival and, of course, broadcast on BBC Radio 3’s Early Music Show – a brilliant beginning for any young composer.”
Alan Davey, controller of BBC Radio 3 and classical music, says: “As Covid restrictions lift and we are able to celebrate the return of live music to UK stages, BBC Radio 3 believes it is vital to give appreciation and encouragement to young composers and performers who represent the future of music in this country.
“That is why we are so proud to partner with the National Centre for Early Music’s 2022 Young Composer Award. Each year, it enables us to help audiences at home discover the brightest talents in Early Music practice, broadcasting their works on our Early Music Show.”
Consone Quartet are “thrilled to be joining forces” with the NCEM for the Young Composers Award. “Having competed in the NCEM’s International Young Artists Competition, we appreciate how much these sorts of opportunities can help to kickstart a young musician’s career,” they say. “We cannot wait to hear what the shortlisted composers have written, to work in more detail with them and eventually to perform their works.”
The Young Composers Award is an integral part of the NCEM’s work, with comments from the 2021 awards illustrating the impact and importance of the experience. Witness: “I have gained confidence in myself. Hearing my piece come to life was an incredible experience,” said one. “Great contacts and lots of fun!” said another. “Christopher Fox’s insightful comments, always thinking outside the box,” enthused a third.
The deadline for registration is 12 noon on Friday, February 18 2022; the deadline for submission of scores is 12 noon, Friday, March 18. Shortlisted candidates will be informed by April 8 and will be invited to attend the Award Day in York on May 19.
L’Apothéose in the grounds of the National Centre for Early Music, St Margaret’s Church, York, after winning the York International Young Artists Competition in 2019. Picture: Jim Poyner
YOUNG ENSEMBLES SOUGHT FOR YORK INTERNATIONAL YOUNG ARTISTS COMPETITION 2022
CALLING young ensembles of the world: the deadline for applications for next year’s York International Young Artists Competition is January 14 2022.
This prestigious longstanding competition for young ensembles will take place on Saturday, July 16 at the National Centre for Early Music as part of next summer’s York Early Music Festival.
The first prize includes a recording contract from Linn Records: a £1,000 prize; opportunities to work with BBC Radio 3 and a concert at the 2023 York Early Music Festival.
Other prizes include: the Friends of York Early Music Festival Prize; the Cambridge Early Music Prize and a prize for The Most Promising Young Artist/s endowed by the EUBO Development Trust.
The competition is open to Early Music ensembles with a minimum of three members; ensembles must have an average age of 33 years or under, with a maximum age of 37 years for individuals.
The ensembles must demonstrate historically informed performance practice and play repertory from any period, spanning the Middle Ages to the 19th century, on period instruments.
Sollazzo Ensemble: “Winning the competition was a turning point in our career”
The competition is recognised as a major international platform for emerging talent in the world of early music. Attracting musicians from all over the globe, it offers a boost to young professional careers with opportunities for performance, recording and broadcasting and international exposure.
NCEM director Delma Tomlin says: “We are so pleased to be staging the 2022 competition, which brings together young musicians of the highest calibre from the UK and all over the world.
“This is one of highlights of the York Early Music Festival and we are always overwhelmed by the superb quality of the performances from these fantastically talented young artists. The competition provides a joyous, optimistic finale to our festival and we are delighted to be able give these rising stars many exciting future opportunities.”
2019 winners L’Apothéose say: “Winning the York competition was an extremely important and prestigious recognition of our career, and taking part was an immensely joyful experience.”
Fellow former winners Sollazzo Ensemble enthuse: “Winning the competition was a turning point in our career, bringing us to the attention of both a wider audience and professionals throughout Europe.”
Details of how to apply can be found at yorkcomp.ncem.co.uk; alternatively, send an email to yorkcomp@ncem.co.uk.
Young Composers Award winner Delyth Field with Palisander at the National Centre for Early Music, York
DELYTH Field and Jacob Fitzgerald have won the 14th National Centre for Early Music Young Composers Award prizes.
Presented in partnership with BBC Radio 3, the finals were streamed last night (13/5/2021) from the NCEM in York.
Delyth Field won the age 19 to 25 categorywith “Kagura Suite for Recorders”, inspired by Kagura, the oldest form of dance in Japan.
Jacob Fitzgerald won the age 18 and under category with “murmuration”, composed in response to the natural dance performed by starlings across the skyscape.
Young composers living in the United Kingdom were invited to create a new work for recorder quartet based on dance-forms from across all eras and cultures. Although they were writing for instruments from the Baroque era, they were not limited to dance forms of that period.
The eight finalists’ compositions were performed by recorder quartet Palisander after a day-long workshop at the NCEM led by composer Christopher Fox, professor of music at Brunel University, working alongside Palisander and the shortlisted composers.
Mollie Carlyle, Delyth Field and Lux Knightley took part in the 19 to 25 category; Jacob Fitzgerald, Matty Oxtoby, Adam Spry, Shuchen Xie and Shoshana Yugin-Power in the younger final.
The 2021 panel of judges were BBC Radio 3 producer Les Pratt, NCEM director Dr Delma Tomlin and Palisander.
Young Composers Award winner Jacob Fitzgerald with recorder quartet Palisander after last night’s final
“Kagura Suite for Recorders” and “murmuration” will be premiered by Palisander at St John’s Smith Square, London, as part of the London Festival of Baroque Music, where the September 20 performance will be recorded for broadcast on BBC Radio 3’s Early Music Show.
Delma said: “The NCEM Young Composers Award continues to attract composers of the highest calibre from all over the UK and the standard of compositions this year was extremely high. I’d like to congratulate all our composers for their impressive work, and we hope that they enjoyed this unique and rewarding experience.
“Due to Covid-19 restrictions, we had to stage last year’s awards online, so we were especially thrilled to be able to welcome young composers to our home of St Margaret’s Church in Walmgate. As always, I would like to say a massive thank-you to my fellow judges and the fabulous Palisander, who will perform the pieces at St John’s Smith Square on September 20.
“Last but not least, I would like thank our partners, BBC Radio 3, for their continued and invaluable support, which enables us to continue presenting these important awards.”
Alan Davey, controller of BBC Radio 3 and classical music, said: “We are proud to support the NCEM’s Young Composers Awards once again as part of Radio 3’s mission to find and support young talent and to promote new music, in this case work inspired by early music.
“The project reflects the excellence of young talent and the quality of work that young composers are producing. We warmly congratulate the winners and look forward to sharing performances of their works later this year on the Early Music Show.”
The streamed performance is available to watch at youngcomposersaward.co.uk/2021 and the Facebook page, @yorkearlymusic.
“Over the past year, our digital outreach has become increasingly significant as part of our offer and we’re thrilled to be able to continue to expand it,” says NCEM director Delma Tomlin
THE National Centre for Early Music, in York, has been awarded a £28,000 Capital Kickstart grant from the Government’s £1.57 billion Culture Recovery Fund.
This will enable the NCEM, in St Margaret’s Church, Walmgate, to push forward with its ambitious digital plans, despite the financial challenge caused by the Covid-19 crisis.
NCEM director Dr Delma Tomlin said:“We would like to thank the Culture Recovery Fund for their continued support and for this extremely generous grant in recognition of our vital and important work. Over the past year, our digital outreach has become increasingly significant as part of our offer and we’re thrilled to be able to continue to expand it.”
The NCEM is one of 74 organisations receiving grants totalling £58.9 million today. The Capital Kickstart grants programme helps organisations cover costs added to capital projects such as building works, refurbishments, and large-scale equipment purchases by pandemic-related delays or fundraising shortfalls.
To continue the “outstanding success of its significantly increased digital output”, the NCEM needed additional funds for livestream cameras and filming equipment, plus in the new website in order to reach wider audiences and support the Early Music sector.
Steven Devine performing the first live-streamed concert at the NCEM on March 21
The first live-streamed concert on Early Music Day on March 21 by harpsichordist Steven Devine attracted a worldwide audience of more than 70,000 and this summer’s online York Early Music Festival continued to engage new audiences from as far afield as the USA and Australia.
This month, the NCEM is staging the York Early Music Christmas Festival, a festive programme of live concerts running until this weekend. Newly added for 2020 is York Christmas At Home, a digital festival of nine concerts to be streamed from today until Sunday that will then be available on demand.
In November, the NCEM’s Young Composers Award 2020, presented in association with BBC Radio 3 and The Tallis Scholars, took place digitally; again, the behind-closed-doors concert was live-streamed to a wide audience. Plans for next year’s award with BBC Radio 3 and 2021 partners, recorder quartet Palisander, are in progress already.
The NCEM continues to play an important part in the promotion and support of the professional development of Early Music ensembles worldwide with residencies and workshops in the planning stage. As a bonus, the NCEM’s new spring music festival will coincide with celebrations for 2021 Early Music Day on the anniversary of JS Bach’s birthday on March 21.
Alongside a varied programme of music, in 2021 the NCEM will be staging the Beverley & East Riding Early Music Festival and the York Early Music Festival.
Ben Pugh, seated, leading the tech team for the online 2020 York Early Music Festival in July
Since the beginning of the Covid-19 crisis, the NCEM has continued to keep music alive and was one of the first UK arts organisations to broadcast online concerts worldwide.
Education and engagement with communities has continued too, drawing in socially isolated individuals to a weekly Cuppa And A Chorus, as well as sharing music-making through a series of teaching videos aimed at deaf youngsters, I Can Play.
Today, the Department of Culture, Media and Sport also announced that £165 million from the Culture Recovery Fund has been offered in repayable loans to help 11 major cultural organisations survive the loss of income caused by the crisis.
This follows previous rounds of the Culture Recovery Fund, including the grants programme that distributed £428 million to more than 2,000 cultural organisations across the country and the £3.36 million Emergency Grassroots Music Venues Fund.
Culture Secretary Oliver Dowden said: “This Government promised it would be here for culture and today’s announcement is proof we’ve kept our word.
Matthew Wadsworth and Kate Bennett Wadsworth captured on camera in their live-streamed concert at the NCEM. The concert can be enjoyed again as part of York Christmas At Home on Sunday at 10.30am via ncem.co.uk
“The £1 billion invested so far through the Culture Recovery Fund has protected tens of thousands of jobs at cultural organisations across the UK, with more support still to come through a second round of applications.
“Today, we’re extending a huge helping hand to the crown jewels of UK culture, so that they can continue to inspire future generations all around the world.”
Sir Nicholas Serota, chair of Arts Council England, said: “Today’s announcement is another vital step in securing the future of England’s cultural sector. Supporting capital projects will help to ensure that we maintain an innovative, sustainable cultural infrastructure that supports world-class creative work, while the loans announced today will enable some of our largest and most prestigious cultural organisations to weather the effects of Covid-19 and reopen when it is safe to do so.
“The Arts Council is grateful to the Government for their support through the Culture Recovery Fund and we are proud to support all the organisations receiving funding today.”
For more details on the 2020 York Early Music Christmas Festival and York Christmas At Home festival, go to: ncem.co.uk.
Palisander: Dynamic young recorder quartet will be performing the competing composers’ works on award day at the 2021 NCEM Young Composers Award in York
THE call-out for entries for the 2021 NCEM Young Composers Award in York is under way.
Launched on BBC Radio 3’s Early Music Show today, the annual competition invites composers aged 25 and under to write a new work for recorder quartet.
Each year, the award is presented by the National Centre for Early Music, at St Margaret’s Church, Walmgate, in association with BBC Radio 3, joined for the 2021 award by the vibrant young recorder quartet Palisander.
This major national award is open to young composers resident in the UK and is divided into two categories: 18 years and under and 19 to 25 years.
Composers are asked to create a new work for recorder quartet based on any dance form from across all eras and cultures, from the bransle and the galliard to the Charleston and the tango.
The work may be a single movement rooted in a single dance form, a continuous movement that combines different dance forms, or a suite made up of two, three or four short movements. The entire piece should last between three to four minutes.
Shortlisted composers will be invited to the award day at the NCEM on Thursday, May 13 2021 when the shortlisted compositions will be presented by Palisander in a workshop led by composer Christopher Fox. In the evening, Palisander’s Lydia Gosnell, Teresa Wrann, Miriam Monaghan and Caoimhe de Paor will perform each of the pieces for a panel of judges.
The two winning pieces, one from each age category, will be premiered by Palisander in a public performance at St John’s Smith Square, London, on May 20 2021 as part of the London Festival of Baroque Music and recorded for broadcast on BBC Radio 3’s Early Music Show.
“We can’t wait to hear what people come up with,” says NCEM director Delma Tomlin
NCEM director Delma Tomlin says: “We are delighted to introduce an exciting new element of dance into this year’s awards. This really helps us to open up the award, giving us the opportunity to work with an ever-broader community.
“Palisander are well versed in supporting school groups and emerging musicians and we are thrilled to work with such a dynamic young ensemble. We can’t wait to hear what people come up with!
“Shortlisted candidates will be able to enjoy an action-packed day of workshops in York with Palisander plus composer Christopher Fox. The winning compositions will be broadcast on BBC Radio 3’s Early Music Show, a feather in the cap of any young composer.”
Alan Davey, the Beeb’s controller of BBC Radio 3 and classical music, says: “Supporting young talent and promoting new music are both central to BBC Radio 3 and we are proud to continue our commitment to supporting the next generation of composers inspired by early music.”
Palisander, all alumni from the Guildhall School of Music and Drama, are “very proud” to be partnering with the NCEM and Radio 3 for next year’s award. “Our programmes, though rooted in history, are not bound by it. Contemporary compositions, arrangements and performance presentation play a central role in our concerts, so we’re eager to hear the next generation’s take on one of our favoured genres: music to dance to!” say the London quartet.
“We look forward to introducing the young composers to our plethora of recorders of varying shapes and sizes, as well as the different timbres and extended techniques at their disposal. As passionate ambassadors of our instrument, we hope that the young composers will be as inspired as we are by the plentiful possibilities of the recorder family.”
The closing date for registration is Friday, February 19, 5pm; the deadline for submission of scores is Friday, March 19, 12 noon. Shortlisted candidates will be informed on Friday, April 9 and will be invited to attend the award day and workshops in York on May 13.
Terms and conditions and details of how to take part, including Palisander’s advice on composing for recorder quartet, can be found at: www.youngcomposersaward.co.uk/2021. Alternatively, email: info.composers@ncem.co.uk.
Christmas At Home with Palisander : York Early Music Christmas Festival launches an online weekend to complement the socially distanced concert programme at the NCEM. Palisander will play their part in both
PALISANDER will present Mischief & Merriment at the York Early Music Christmas Festival at the NCEM, Walmgate, York, on December 4 at 4.30pm and 7pm.
The recorder quartet of Lydia Gosnell, Miriam Monaghan, Caoimhe de Paor and Teresa Wrann will recall how Christmas was the highlight of the Tudor calendar when strict Advent fasting would be followed by 12 indulgent days of mischief and merriment.
These elaborate celebrations were presided over by the Lord of Misrule, who co-ordinated the Christmastide entertainments for the court. For their December 4 programme, Palisander will return to the NCEM to take on the role of Lords of Misrule, presenting festive songs and dances to keep toes tapping throughout December.
Traditional Renaissance settings of familiar carols will be paired with music to accompany the whopping 20-plus course Tudor Christmas dinner, complemented by Yuletide courtly dances and playful contemporary takes on the Lord of Misrule’s spectacles.
Palisander will showcase their full recorder family, from the six-inch garklein to the six-foot contrabass, plus everything in between, and among the featured composers will be Antony Holborne, John Dowland, Thoinot Arbeau and Michael Praetorius.
York Christmas At Home will present nine online concerts in three days from December 11 to 13. Palisander’s Mischief & Merriment will be streamed at 1pm on December 12 and will be available to view on demand until January 6 2021. Tickets are on sale at: https://tickets.ncem.co.uk/en-GB/shows/palisander%20online/events.
Tickets for the York Early Music Christmas Festival can be booked at ncem.co.uk. Hurry, hurry, is the advice
On screen: National Centre for Early Music Young Composers Award winners Eilidh Owen and Finton O’Hare, with their fellow competitors on Zoom , at last night’s live-streamed final
FINTON O’Hare and Eilidh Owen have won the National Centre for Early Music Young Composers Award prizes in York.
O’Hare emerged as the victor in the 19 to 25 age group, Owen likewise in the 18 and under category, at last night’s final live-streamed from the NCEM, St Margaret’s Church, Walmgate.
Presented in association with BBC Radio 3, the 13th iteration of the NCEM award invited young composers living in the UK to create a new polyphonic work for unaccompanied choir, setting either the Our Father (Pater Noster) prayer from St Matthew’s Gospel or the first and last verses of George Herbert’s poem The Flower.
The eight finalists’ compositions were performed by York musicians Ex Corde Vocal Ensemble, the consort of the Ebor Singers.
Seeking the prize in the 18 to 25 final were Fintan O’Hare’s composition Come Passing Rain, Noah Bray’s Our Father, Sam Gooderham’s Late-Past, Caitlin Harrison’s The Flower and James Mitchell’s The Lord’s Prayer.
Competing for the 18 years and under award were Eilidh Owen’s As If There Were No Such Cold Thing, Ethan Lieber’s The Flower and Emily Pedersen’s Pater Noster.
The evening also featured performances of works by Owain Park and Alexander Campkin, winners in 2010 when Owain took home the 18 and under prize. Both have become well established composers, providing good examples and inspiration for the 2020 entrants. Music by Alec Roth and Ben Parry was performed too.
“This year has been very different, moving the final and the workshop online, but we’re sure that the composers enjoyed this exciting experience,” said NCEM director Dr Delma Tomlin
Last night’s final followed a day-long online workshop from the NCEM, where composer Christopher Fox, professor of music at Brunel University, and Ex Corde Vocal Ensemble were joined virtually by the young composers.
The 2020 panel of judges were BBC Radio 3 producer Les Pratt, The Tallis Scholars’ director, Peter Phillips, and NCEM director Dr Delma Tomlin.
Reflecting on the 2020 competition, played out against the backdrop of the Covid-19 pandemic, Delma said: “The NCEM Young Composers Award continues to attract composers of the highest calibre from all over the UK.
“This year has been very different, moving the final and the workshop online, but we’re sure that the composers enjoyed this exciting experience. We’re looking forward to the concert at the Cadogan Hall next year with the wonderful Tallis Scholars performing the winning pieces.”
Next March’s London premiere of O’Hare and Owen’s compositions will be recorded for broadcast on BBC Radio 3’s Early Music Show.
Delma concluded: “Congratulations to our talented young composers and a special thank-you to the Ex Corde Vocal Ensemble, who helped make the award possible. I’d also like to say a big thank-you to my fellow judges and, last but not least, BBC Radio 3 for their invaluable support
“We look forward to meeting in person for the 2021 award. Details will be announced on BBC Radio 3’s Early Music Show on November 29.”
Last night’s live-streamed performance can be viewed at ncem.co.uk/composersaward.
