Meet the “new Paul” in The Bootleg Beatles, American Miles Frizzell, at York Barbican

A shoe-in for the new Paul: Miles Frizzell, right, takes up his seat as The Bootleg Beatles’ Paul McCartney, making his tour debut in 5: The Concert. Picture: Copyright, The Bootleg Beatles

THE Bootleg Beatles’ latest tour, 5: In Concert, introduces the tribute band’s “new Paul McCartney” in a show built around the Fab Four’s five top-selling albums.

Playing 14 pre-Christmas British dates, including  York Barbican on December 15, as part of a huge 2025-2026 European tour, Miles Frizzell, from Nashville, Tennessee, will make his Bootleg debut on this run, performing songs from 1965’s Rubber Soul, 1966’s Revolver, 1967’s Sgt. Pepper’s Lonely Hearts Club Band, 1968’s The Beatles (aka “The White Album”) and 1969’s Abbey Road.

“It’s all here…the iconic mop tops and the Chelsea boots, the Vox amps and the Chesterfield suits,” promises The Bootleg Beatles’ multi-media show. “Each tiny vocal inflection and each witty Beatle quip, all meticulously studied on this Magical Mystery trip. It’s not the Beatles but you simply won’t believe it.”

How come a 21-year-old American from the country capital of Nashville, Tennessee, was drawn to playing Liverpudlian Paul McCartney in The Bootleg Beatles? “The Beatles’ music has always been in my family,” says Miles. “My dad was a huge fan, my mum was a fan, and when I was 12/13, I ‘rediscovered’ a couple of songs I first hear when I was five or six, and I became really obsessed with them.

“The songs they wrote; how they they wrote them; how they dressed…it all became a huge part of my life. Even learning to play the guitar upside down. Some believed it might never happen, but here I am, playing Paul.

“There are some drawbacks to playing guitar this way. Like, usually, in any guitar shop, there are no guitars that I can play. But there are definitely some pros too.

“First of all, I’m going on tour making my British debut in the greatest Beatles’ tribute show in the world, so that can’t be bad!”

This tour is only the second time that Miles has travelled to Britain. “The first was for my audition, meeting the rest of the band for the first time when I auditioned by Putney Bridge in London,” he says.

“There were about 130 people people overall that auditioned, and there were four or five others auditioning on that day, so it was quite competitive. I met only one other, Joe Kane. We had a good chat, talked about The Beatles; how much we both loved them.”

Miles was picked for Paul and returned to UK to rehearse with his new Fab Four compadres from November 18. They first time they would play together would be at the Liverpool Philharmonic Hall, in The Beatles’ home city, on December 7. What a baptism of fire!

“I’m an American, but you just listen to The Beatles so much, so you can just pick up the accent. Anybody could do it. It just takes time!” he says.

“It’s been a long road, and especially now I’m finding little things with the accent. The music came first for me. I learned how to play like Paul, sing like Paul, singing like a Brit, a Scouser, but The Beatles were also impersonating the American style, so I’m learning as an American how to be a British person, a Scouser and yet American too. We’ve had fun ‘Scousing around’ and I’m enjoying that challenge of ‘Can you tell that I’m an American?’!”

The poster for The Bootleg Beatles’ 5:The Concert itinerary in 2025-2026

It had to be Paul for Miles. “Not only is he a songwriting genius, but also he has this cheeky charm about him, though John [Lennon] was the witty one,” he says. “Paul always feels like the main one, and I don’ think The Beatles could have continued after [manager] Brian Epstein died without Paul leading them. He wasn’t everything in The Beatles but he was the glue.”

The new tour show, 5: In Concert, will take The Beatles’ story from appearing on the Ed Sullivan Show in their iconic suits and white shirts, through green lapels, red satin shirts – the Budokan look, one of Miles’s favourites – and onwards to Sgt. Pepper and the White Album.

“I get to wear a flashy pink suit for that one. It’s an exciting wardrobe change,” he says. “For Abbey Road, you can’t go wrong with what they wore on that iconic album cover, with George in his famous jean look.” And Paul in bare feet, of course!.“We’ve been thinking about that; we’ve kicked around the idea of me being barefooted, in sandals or in Beatle boots.”

 To find out what the decision was, you will have to attend Monday’s concert. Miles, meanwhile, is decisive on his favourite of the five albums featuring in the show. “It’s a hard question to answer. It’s always different, actually listening to the album rather than dissecting them,” he says.

“Listening to them, Abbey Road might be my favourite, but getting ready for the tour, I feel I really fancy ‘The White Album’ now. Great orchestration, great songs, and, man, weren’t they in their prime! It feels so Beatley, this band playing great songs and rocking out.”

Still rocking out, after all these years, is one Paul McCartney. “I got to see Paul in Nashville and, two days later, at Atlanta, Georgia. I didn’t meet him but he did wink at me!” says Miles. “Seeing him, it felt spiritual.

“Paul played at this place called The Pinnacle [in the Buckhead neighbourhood of Atlanta]. It holds only 4,000, which is a small venue for Paul, where tickets cost $1,500. I couldn’t make that happen, but I ended up at the last minute going to the venue just to get a glimpse of him as his entourage arrived.

“We went to the box office on the off-chance, and they now had tickets going for 300 dollars for general admission standing tickets, which means you can get as close to the stage as possible. We got to the front, in the middle! Like the Pinnacle name, it was my pinnacle of going to gigs. It was truly incredible!”

Miles continues: “The fact that you can still see Paul McCartney in the flesh, and he still looks great and sounds great, is fantastic. Not everyone gets that opportunity – and with John [Lennon] and George [Harrison], you can only go from the videos now.”

It was only at this point that CharlesHutchPress enquired if Miles had past experience of playing Paul. “I’ve been doing it professionally for four years, since I was 17,” he reveals. “I perform in the USA in The Fab Four show, the Emmy-winning American tribute show, and I also work with a show called 1964 – The Tribute, Forever Abbey and Classical  Mystery Tour. I play Paul in all those.”

Ah, right, that’s why it’s a thumbs-up to Miles being picked as “the new Paul” in The Bootleg Beatles.

The Bootleg Beatles, 5: In Concert, York Barbican, December 15, 7.30pm; Sheffield City Hall, December 19, 7pm. Box office: York, yorkbarbican.co.uk; Sheffield,  sheffieldcityhall.co.uk; also bootlegbeatles.com/gigs.

Elvis Costello to play 60 different songs over four gigs on two September nights with Steve Nieve at Leeds City Varieties

Elvis Costello: 60 songs from 50 years in four shows in two nights at Leeds City Varieties Music Hall in September

ELVIS Costello will bring his new career-spanning presentation, 15 Songs From 50 Years, to Leeds City Varieties on September 2 and 3 for four unique performances over two days.

Walking in the footsteps of Harry Houdini and beyond the long shadow of Charlie Chaplin, Frank Carson and Leonard Sachs at the Swan Street music hall, Costello will be joined at each 75-minute show by keyboard player Steve Nieve, his long-serving, Royal College of Music-trained  cohort in The Attractions and The Imposters.

Each day, the 7pm soiree will feature an entirely different repertoire to the 9.30pm set list, the songs being selected from each of the five decades of Costello’s songwriting, whether solo or in the company of Flip City; American country rock band Clover; The Attractions; Squeeze’s Chris Difford;  The Coward Brothers, with T-Bone Burnett; the Confederates; Paul McCartney; the Brodsky Quartet; The Imposters; Burt Bacharach, Allen Toussaint or the Roots.

A 15-song programme will be printed in advance of each concert with few, if any repeats anticipated but with the possibility of impromptu choices along the way. Costello. 69, and Nieve, 66, very occasionally take requests but should never be mistaken for a jukebox.

The third and fourth performances, on the second day, will “propose a deuce of delights”: two entirely different 15-song set-lists selected from half a century of popular songwriting craft.

“The four shows are guaranteed to feature 60 different songs, but we suspect this is just the start,” predicts the shows’ publicity machine.

Those who want to attend all four contrasting shows in this exclusive engagement can obtain a special season ticket to include premium seats for each show in the front rows or boxes with exclusive use of the bar in between shows.

Tickets go on sale on Friday (22/3/2024) at 10am at ElvisCostello.com. Don’t dilly dally, advises the press release, lifting a lyric from Costello’s anti-war single Pills And Soap, released under the pseudonym of The Imposter in the run-up to the 1983 General Election.

The then and now and Now And Then of the Bootleg Beatles at York Barbican tomorrow

Bootleg Beatles: Get back to York Barbican tomorrow night

LET’S start at the end: the “final” Beatles song, Now And Then, the Fab Four’s 18th chart topper and first in 54 years since 1969’s The Ballad Of John And Yoko.

Yes, the fastest-selling vinyl single of the 21st century will be incorporated into the Bootleg Beatles’ perfectly timed return to York Barbican tomorrow night (13/12/2023).

“It will feature towards the end of the show, in the section when we’re covering the final years of The Beatles,” says Steve White, who is entering his 12th year as the tribute band’s Paul McCartney.

“We hope people are moved by it, the way we present it with the lighting. I’ve seen a video of our performance and it’s really quite haunting.”

First watching the documentary that accompanied the reawakened ghost of  John Lennon’s ballad, with its combination of Lennon’s original late-1970s’ demo, 1994 guitar lines by George Harrison and new parts by McCartney and Ringo Starr, Steve felt the hair on the back of his neck standing up on encountering Lennon’s vocal, separated through the magic of AI.

“It’s a melancholy song, appropriate for the end of The Beatles, and then having to learn it, I could have broken down in tears when we played it for the first time at The Crown in Melbourne on our Australian tour,” he says. “The moment we started the first chord, the crowd just stood up. It was an amazing feeling.”

The song’s title could not be more apt: the now and the then of The Beatles. “We have lost two already, and there are two to go, so to speak. We’re never gonna see anything like them again. Never ever going to see the real thing again,” says Steve.

“With every year that ticks by, we appreciate more than ever that Paul and Ringo are part of the UK’s fixtures and fittings. I’m dreading when they go. Paul is my absolute hero.

“I don’t know him and yet I feel like I know him, and it will feel like losing a member of the family when the day comes. I just hope that I get the chance to say hello, shake his hand and thank him for all the music he has brought us, telling him ‘you are the most amazing musician there’s ever been’. That’s all I’d want to say. He means so much to me.”

Nottinghamshire musician Steve had first been a member of The Beatles Experience with three friends. “We didn’t set out to be a Beatles band but a Sixties’ covers band, but we were all huge fans of The Beatles and kind of based ourselves on them,” he recalls.

“We used to do a few Beatles songs in the set, and someone asked if we could  play just Beatles songs at their 60th birthday party, then a wedding anniversary, and it began to overshadow our Sixties’ tribute show.”

At the time, Steve was the band’s rhythm guitarist, “effectively John Lennon”, he says. “But people kept saying you have to be Paul, because you look more like him – I’m blessed with the eyebrows! – so me and the bass player switched over.

“That meant I had to learn to play [guitar] left-handed, being a right hander. To get to a very crude level of playing took me three months, playing six to eight hours a day, then gradually getting more professional to fill in the blanks.”

Steve went on to audition for the Bootleg Beatles, first sending in a video, then auditioning in person, the process whittling down the applicants to “serious contenders to play with the rest of the band to see how we gelled”.

White, who had seen the Bootleg Beatles many times, was the right fit and continues to travel the long and winding road through the Fab Four Sixties after more than a decade of Bootleg service.

For the past six years, he has been accompanied on the nostalgia trip by Tyson Kelly’s John, Steve Hill’s George and Gordon Elsmore’s Ringo as they re-create the sound and look of each Beatles’ phase in fastidious detail.

“We always go through the Beatles’ career from start to finish, picking out the key points, and so many are iconic, but you can switch the material, like the choice of psychedelic songs,” says Steve. “This show is markedly different: different costumes, guitars, material – and Now And Then of course.

“As usual, we’ll be travelling with our resident orchestra too, four brass and four string players, and another guy, who plays keys.”

The Beatles are back with Now And Then and expanded reissues of their Red and Blue compilations, just as old rivals The Rolling Stones resurface with Hackney Diamonds, their first album of original material since 2005’s A Bigger Bang.

Steve will always be in the Beatles camp. “The Rolling Stones, no discredit to the Stones, as they’re an incredible, iconic band, but they do have a ‘sound’, more of a blues edge. Early on The Beatles were more popified, the ‘unclean’ Stones were more edgy, still are, but The Beatles went on to be so diverse in such a short time together, spanning pretty much everything,” he says.

“How could you ever pigeonhole The Beatles? You couldn’t. It’s impossible.”

Bootleg Beatles, York Barbican, December 13, 7.30pm. Box office: yorkbarbican.co.uk.

Elvis is back in the building in Baz Luhrmann’s movie. Did he take care of business? Chalmers & Hutch decide

The poster artwork for Baz Luhrmann’s Elvis

WHAT we saw in Austin Butler’s Elvis and Tom Hanks’s Colonel Parker is revealed in Episode 97 of culture vultures Graham Chalmers and Charles Hutchinson’s arts podcast, Two Big Egos In A Small Car.

Under discussion too are: Beatle Paul at 80 at Glastonbury; Graham’s charmed DJ skills on a Knaresborough dancefloor and Chemical Brothers’ thunderous rave at Castle Howard.

To listen, head to: https://www.buzzsprout.com/1187561/11013513

Meanwhile, in Episode 96…

The artwork for A Light For Attracting Attention, the debut album by The Smile, alias Radiohead’s Thom Yorke and Jonny Greenwood and Sons Of Kemet drummer Tom Skinner

CHAMERS & Hutch check out Thom Yorke’s Smile. Graham makes Danish news then dissects David Hepworth’s book on the rise and fall of rock’n’roll stars, Uncommon People. Charles demystifies the York Mystery Plays, “on the waggon” for 2022.

To listen, head to: https://www.buzzsprout.com/1187561/10899683

Have the Oscars lost the plot full stop, never mind that slap in the face?

The official logo for the Oscars

TWO Big Egos In A Small Car podcasters Graham Chalmers and Charles Hutchinson debate the future of the Academy Awards in Episode 84.

Under discussion too are Live At Leeds going outdoors; pop plagiarism; Taylor Hawkins RIP; McCartney’s popularity at 80; Bono the poet and Edinburgh International Film Festival’s August return.

To listen, go to: https://www.buzzsprout.com/1187561/10342422