Artist Sue Clayton captures ‘the feeling, the atmosphere, the experience’ of the Tent of Hope, Askham Bar’s vaccination centre

Tent Of Hope: Sue Clayton’s commissioned painting of the NHS York Vaccination Centre at Askham Bar, York. Plans are afoot for prints and postcards to be made available to raise funds for a charity. Watch this space.

YORK artist Sue Clayton has unveiled a specially commissioned painting of the “Tent Of Hope” at the NHS York Vaccination Centre at Askham Bar.

Sue has picked out members of the Nimbuscare teams that work there to feature in the pen-and-wash work, joined on the canvas by the cat that makes daily visits to the site.

The work is on show in the tent that has administered 200,000 jabs, one in every 250 in Britain so far, with the full repertoire of Oxford/AstraZeneka, Pfizer and Moderna Covid-19 vaccines available.

On view too for those attending a vaccine appointment is Sue’s portrait exhibition of children and young adults with Down Syndrome, entitled 21, presented in association with Pocklington Arts Centre (PAC) until Sunday, June 13.

Nimbuscare’s director of quality and patient experience, Michelle Phillips, says: “It’s a huge privilege to have this very special art here at the Vaccination Centre. We’re especially delighted with the unique painting Sue has done for us. Thanks to everyone who has helped make it happen.” 

“We wanted to encapsulate the feeling, the atmosphere, the experience, in the Tent of Hope,” says Nimbuscare director of quality and patient experience Michelle Phillips

Standing beside the painting, Michelle adds: “We wanted to encapsulate the feeling, the atmosphere, the experience, in the Tent of Hope, where we try to not make it feel like a factory production line, like a turkey on a conveyor belt, but instead make it very much about everyone playing their part in the community. That’s why we call it ‘the tent of hope’ because the vaccine has been the turning of the tide.

“We wanted to find a local artist to express their interpretation of that experience, and I found Sue through a mutual friend.

“She was immediately excited and even more so when we met to chat about what we wanted from the painting, what the vaccination centre means to us, and what a variety of people work here: from the foundation-year doctors, nurses, retired [medic] returnees and health-care assistants to ambulance staff, security services, volunteers from all walks of life, and the military services at the start. Sue has come up with an amazing piece of art.”

Sue takes up the story: “I believe the recommendation to Michelle came from Big Ian Donaghy – Ian was one of the six York Heroes I painted in 2018 – making a nice full circle celebrating our heroes,” she says.

The commission brief was “quite open”, being left to her interpretation. “I immediately felt it should be a joyous watercolour; I wanted something almost whimsical…a definite celebration piece,” she says. 

“It was important to me to try to represent a member from each team that works there: the volunteers, marshals, nurses, doctors, army medics, plus a whole host more.

Artist Sue Clayton, site manager Will McEvoy and Nimbuscare director Michelle Phillips with the Tent Of Hope painting

“It was also important to speak to staff about what they felt about working there and I also spoke to friends about their feelings when visiting the tent.”

Sue enjoys the “quirky side” too. “That’s why the little black-and-white cat who visits the tent site each day is there, as is the much-appreciated tea trolley for the staff,” she says. 

“The finished piece shows the tent, celebratory rainbow-coloured splashes festooning the blue sky, and we see a little vignette of a vaccinator at work and various personnel, all socially distanced, of course!  It’s a pen-and-wash piece with the pen purposefully relaxed, almost in a ‘wibbly-wobbly’ fashion to add a sense of fun.”

The accompanying 21 exhibition was presented previously on the railings of All Saints’ Church, Pocklington, from March 19 to April 19 and comes a year after Sue held her studio show, Downright Marvellous At Large, at PAC, giant pair of hand-knitted odd socks and all.

Sue, a portrait artist with a vibrant colour palette and a social purpose, chose the theme of 21, not only to mark World Down Syndrome Day on March 21 but also to symbolise the extra 21st chromosome that people with Down Syndrome have, her energetic son James among them. 

“The PAC initiative of holding the outdoor exhibition was just so perfect, Covid-safe, free to access and inclusive, and it was a huge success on its first showing in Pocklington town centre,” says Sue. 

Sue Clayton’s portrait of Holly from her 21 exhibition of children and young adults who have Down Syndrome

“There was such a great reaction. I’ve had people sending in photos of themselves by the portraits. It was brilliant to be sent photos of the models themselves, by their portraits. 

“I know for many families it became a trip out – it was great that there was an ice-cream parlour at the end of the exhibition! I had a very proud moment with my kids as I heard some lovely comments from passers-by, discussing the portraits with no knowledge that I had painted them.”

PAC director Janet Farmer says: “We always enjoy working with Sue on staging her striking exhibitions at PAC, so it’s been absolutely fantastic to be able to continue sharing her inspirational work with the public in the midst of the pandemic by taking the exhibition outdoors. 

“It’s been brilliant to see so many people enjoying the opportunity to engage with art at this time, and we’re looking forward to sharing it with many more people as we bring the exhibition to the NHS York Vaccination Centre.”

The 21 posterboards are all-weather and ideal for transferring to other locations, hence Sue and Pocklington Arts Centre’s shared enthusiasm for touring the exhibition after the reaction to the Pocklington run.

 NHS York Vaccination Centre site manager Will McEvoy, Nimbuscare director of quality and patient experience Michelle Phillips, artist Sue Clayton and Pocklington Arts Centre director Janet Farmer at the unveiling of 21

“The idea to bring it to the Vaccination Centre came about just in conversation with Michelle really: a lovely correlation of discussing when I would present the commission piece and me saying I would love to show ’21’ in York, if only I could think of a venue. A lightbulb moment!” says Sue.

“When Sue offered us the 21 exhibition, we jumped at the opportunity,” says Michelle. “There’s so much colour in the portraits, and the way they have transformed the tent is amazing.”

Among the 21 portraits is Andrew, the son of a Nimbuscare vaccinator, lead nurse Theresa Ollerenshaw. “I’ve known Sue since Andrew was a baby and she’s been doing inspiring art ever since I’ve known her,” she says.

“She’s spreading awareness of Down Syndrome, and so many people are going to see these portraits when ordinarily they wouldn’t. I love how they capture young people enjoying life. It’s going to be very strange coming in and seeing Andrew whenever I’m in here!”

“Andrew was one of the new pen and ink portraits I did in lockdown,” says Sue. “With Andrew having beautiful Titian red hair, I just wanted to capture that, and it’s been a joy to be able to sit down and do these portraits, listening to BBC Sounds.”

Nimbuscare vaccinator Theresa Ollerenshaw stands beside Sue Clayton’s portrait of her son Andrew from the 21 exhibition at the NHS York Vaccination Centre

Now, two new options are in the pipeline for 21. “Hopefully, Hull Waterside & Marina and Bradford…so far,” says Sue. “More immediately, a short video of the exhibition is going to be featured in a pop-up art show at Kirkgate Market in Leeds.

“I was absolutely blown away by the positive feedback I received in Pocklington, so I’m really excited about now taking it to other venues so that many more people can browse the portraits and join me in celebrating young people with Down Syndrome at work and play. 

“My son James, who’s a huge inspiration for me, turned 18 in lockdown, so this was the perfect time to put this exhibition together and I hope it brings a lot of joy to people after what has been such a challenging time for so many.”

Six questions for York artist Sue Clayton on vaccine jabs, new projects, art classes, lockdown and life after June 21.

Your Tent Of Hope painting features the Vaccination Centre at Askham Bar. Did you have your jab there?

“I’ve now had both jabs as I’m classed as a carer because my son, James, has Down Syndrome. We had ours at the Haxby Group practice, although I did support my mum on both occasions to the Askham Bar site…it was that first sight of the gleaming white domes that stays in my mind.”

Artist Sue Clayton and her son James

Did you find going for the first jab emotional?

“On my own jab, I didn’t feel too emotional, but the first time I took my mum, I did. She was nervous and is hard of hearing, so I was pleased to go in with her for support.

“I felt the same again, supporting James for his jab. He’s had to shield and it really felt like a positive step forward. The feeling of now having both jabs gives us a reassurance we’ve never felt before.”

How are your art projects progressing: when might we see the results?

“Oohhh…I’m on with an exciting new project, which came about from a conversation on a park bench in the Museum Gardens. I was having a chat with Michael Miles, who’s a lifelong York City fan and creates the Y-Front fanzine.

“Although not a follower of football myself, he held me captivated as he talked about his love for his team and what Bootham Crescent meant to him. One of those conversations where someone’s passion for something sparks your own interest to listen to them. 

Sue Clayton’s playful self-portrait

“I also learned that York City Football Club celebrates its centenary next year. So, a plan has come together: I’m painting a series of portraits of the fans to be revealed all together next year. The fans are sending me their photos and I’ll be including many through the years. I’m loving it!

“Also, excitedly, I hope to collaborate with Tony Cope. His photography is just exquisite and I’m a huge fan. He captures such a poignancy and feeling in his work. Watch this space.”

How are the art classes you lead online going?

“They’re going well. I love that I now have people tuning in each week from all over the UK and the Netherlands too! It’s interesting that this time last year I panicked about using this new-fangled Zoom ‘whatdoyacallit’ and now I’m reticent to return to face-to-face teaching as it suits me so well.”

If you could sum up your life in Lockdown x 3 in five words, what would they be?

“Lockdown 3 has been the hardest in many ways for me. I was devastated that my relationship ended, and as we came out of lockdown, I lost my lovely dog to cancer – so, not the best of times. 

“My five words? Sadness, loss but new beginnings.”

What do you most want to be able to do after “freedom day” on June 21(hopefully!)?

If it’s safe to do so, I’m looking forward to giving people hugs again. I’m naturally quite tactile and, boy, I’ve missed contact with people. I’m looking forward to seeing live gigs, theatre, cinema, and meals out again too.

Jab in the art: Sue Clayton’s portraits on show for when you take a seat at the NHS York Vaccination Centre at Askham Bar

Martin Simpson and The Dunwells to enter twilight zone for Primrose Wood Acoustics. Katie Spencer and Rachel Croft to support

Martin Simpson: Headlining Primrose Wood Acoustics in Pocklington on July 1. Picture: Geoff Trinder

POCKLINGTON Arts Centre will go down in the woods on July 1 and 8 to present Primrose Wood Acoustics, two outdoor concerts at twilight in a beautiful Pocklington sylvian setting.

Virtuoso Scunthorpe-born guitarist and singer-songwriter Martin Simpson will headline the first 7pm event at Primrose Wood, supported by Yorkshire singer-songwriter Katie Spencer.

A week later, the second twilight session will feature Leeds indie-folk/Americana band The Dunwells and opening act Rachel Croft, the York singer-songwriter.

The acoustic concerts are being staged by Pocklington Arts Centre (PAC) after a series of online events and outdoor exhibitions by York artists Karen Winship and Sue Clayton held during the pandemic. 

Primrose Wood Acoustics not only will mark the first time PAC has taken concerts into the outdoors – giving audiences a chance to experience live music within a unique and Covid-secure setting – but also will be the first concerts to be hosted by the East Yorkshire venue since the first lockdown last March. 

Katie Spencer: Deeply personal songs of nostalgia, loss and love. Picture: Tom Arran

PAC director Janet Farmer says: “During the pandemic, we’ve been doing a lot of walking in the Pocklington area including Primrose Wood. With its natural clearings and proximity to the town centre, we immediately thought it would provide the perfect outdoor stage with a difference, so the idea of Primrose Wood Acoustics was born. 

“As we prepare to re-open the venue, we’re very much looking forward to being able to bring some truly unique events to our audiences. This is going to be something quite special.”

Martin Simpson travels the length and breadth of Britain and beyond to give intimate solo performances full of passion, sorrow, love, beauty, tragedy and majestic fingerstyle guitar playing.

Simpson, 68, who recorded his first album, Golden Vanity, in 1976, is equally at home playing English traditional folk, American folk and blues and his own compositions on acoustic and slide guitar and banjo to boot.

Support act Katie Spencer writes songs imbued with the northern landscapes of her Yorkshire home and the warmth and idealism of the early 1970s’ folk and songwriter movements. Originally from Hull, she draws on the grainy imagery of the industrial docks and sea-fronts in her deeply personal songs of nostalgia, loss and love. 

The boys Dunwell: Brothers Joseph and David of Leeds band The Dunwells

The Dunwells, formed by brothers Joseph and David Dunwell in Leeds in 2009, combine heartfelt lyrics with American-influenced indie-folk song structures, as heard on their 2012 debut album, Blind Sighted Faith, and six subsequent albums and EPs.

The Dunwells have performed at both PAC and Platform Festival, at Pocklington’s Old Station, and have toured the United States extensively, not least appearing at SXSW music festival in Austin, Texas. They last released a studio album, Something In The Water, in September 2019, followed by the live recording Live At Aire Street last December.

Support act Rachel Croft’s song-writing is cinematic, moody and classic, wherein atmospheric backdrops frame her vocals as she blends folk, rock and soul styles.

Rachel’s new EP, Reap What You Sow, will drop this summer, exploring a more potent, bluesy style.

Concertgoers can access the location from both main entrances to Primrose Wood via Burnby Lane and The Balk, with the concerts being staged close to the Burnby Lane (YO42 2QB) entrance.

Tickets cost £15 for July 1 and £12.50 for July 8 at pocklingtonartscentre.co.uk.

Rachel Croft: Exploring a “more potent, bluesy style” on her summer EP. Picture: Amy D’Agorne

CharlesHutchPress puts questions to York singer-songwriter Rachel Croft as she prepares for the twilight hour in Primrose Wood.

Where and when did you last play a gig?

“The last real gig was at Highfield House in Driffield, back in October 2020 – a lone event I was lucky enough to share with Blair Dunlop and Gary Stewart. Before that, I think it was last March, sharing the night with Joe Shepard at the NCEM in York.” 

Have you played in woodland previously? 

“I haven’t played a gig as such in a woodland but I’ve recorded and performed in a few woodlands for music videos. Really atmospheric! 

“Only Dreams had woodland in it, and the new video for Reap What You Sow, directed by James Buck, will have a part shot in woodland too.”

What do you feel about playing at the twilight hour: a magical time of day or a harbinger of the dark night to come?!

“Playing outdoors in the twilight hour sounds just right for some of my songs. I like to write atmospheric music, and I think this will be the perfect setting to finally share them with people!

“I think sunset can be a nostalgic time in a way, thinking about the day that’s done and the start of night. Certainly, it could add to the moodiness of some of my songs too.” 

Playing outdoors in the twilight hour sounds just right for some of my songs,” says Rachel. Picture: Amy D’Agorne

You have a new EP on the way, Reap What You Sow. When and how will you release it?

“The EP is due this summer. I’ll stagger a single and then the rest of the songs later on in the season, along with videos and live performances hopefully. We’re still finishing them, so once we have them completed, I can set a date and get cracking. I’m really excited to share these songs; they’re my best work so far. Stay tuned!” 

Where and when was the EP recorded?

“It was recorded here in York, at Young Thugs Studios [in South Bank Social Club, Ovington Terrace], and has been ongoing for probably six months now, what with so much uncertainty and all my usual funding methods gone, which made things interesting!

“All the musicians on the tracks are from around here and I’m really lucky to know so many talented people.” 

What are the song titles and themes and were any influenced by pandemic times?

“I’m keeping the song titles on the down-low for now, except Reap What You Sow, the title track and first single. There are five songs, though, and as a collection they represent a storm, sort of. The build-up, the energy, the wreckage left behind, and then the rebuild, leaving it behind. 

“All the songs are from the lockdown, and I think they helped me to release a lot of pent-up frustration and emotion. I’ve never felt that, until this point, I’ve really released anything that shows the most of me, not just one side.

“It feels really liberating; I’ve always loved music like this but never before felt like I could be that artist. And then, well, it was the pandemic, so I thought I might as well have a go.”

“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound,” says Rachel

The EP will “explore a more potent, bluesy style”: how will that manifest itself and what has drawn you to the blues?

“The bluesy style is mainly in two of the songs, where I was playing with some different chord variations and was influenced a lot by cinema, film music, and the jazz music I play with the Croft Mullen Band here in York [in a residency at The Phoenix Inn, George Street], alongside writing my own music.

“It’s been really nice to bridge that gap between styles. It’s got a lot of electric sounds in it too, but I love the vintage Nancy Sinatra feel of parts of the songs, how that weirdly works with quite fierce guitars at points.

“I’ve also started using my lower voice more in the songs, which I think really suits this change of sound. I can’t wait for everyone to hear it.”

What have you discovered about yourself in lockdown?

“I have learned that by having all the joyful distraction taken away, I can be more productive with song-writing. I can choose to sit down, and write, if I try. I never thought I could do that before lockdown. It’s been a great time for my music; I’ve never written so much, but maybe that’s because music seems to come easiest when you’re not totally happy.” 

What else is in the diary for you for 2021? Hopefully more shows?

“I’ll be playing at Wickham Festival [Hampshire], Lindisfarne Festival [Northumberland], Northern Kin Festival [Stanhope, Bishop Auckland] and Beverley Fringe, all going well, and I’ve got a few concerts booked here in York and further afield that I’m looking forward to announcing to my socials soon! I’m just happy to get to play to real actual humans again!” 

NEWS JUST IN: 14/5/2021

RACHEL Croft will open series two of the acoustic Songs Under Skies concerts in a double bill with Wounded Bear in the National Centre for Early Music gardens at St Margaret’s Church, Walmgate, York, on June 1. Gates, 6.30pm; socially distanced concert, 7pm to 8.30pm. Box office: tickets.ncem.co.uk.

More Things To Do in York and beyond and on the home front in loosened lockdown. List No. 32, courtesy of The Press, York

Love letters straight to your art from York Theatre Royal’s reopening show, Love Bites

THE Downing Street briefing on Step 3 of the roadmap rollout is just around the tantalising corner. Charles Hutchinson highlights the rising tide of upcoming shows, ongoing festivals and exhibitions and online options.

Love story of the month: The Love Season: Love Bites, York Theatre Royal, May 17 and 18

YORK Theatre Royal reopens with two nights of Love Bites, both a love letter to live performance by York artists and a celebration of the creative talent across the city.

More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day theatres can reopen under Step 3 of the Government’s lockdown loosening – and May 18. The 22 short pieces will be performed each socially distanced night, introduced by broadcaster Harry Gration.

“We hope Love Bites will turn out to be ‘a many-splendored thing’!” says director Juliet Forster. Prompt booking is advised at yorktheatreroyal.co.uk or on 01904 623568.

Ruth Rogers: Violinist performing at Ryedale Festival’s online Spring Festival on RyeStream

Online festival of the week: Ryedale Festival’s Spring Festival, running until May 8

TOMORROW night will see the fast-rising combo The Immy Churchill Trio toast the arrival of spring with Spring Will Be A Little Late This Year, a late-night session of jazz standards from the Great American Songbook online from Helmsley Arts Centre at 9pm.

Finishing the festival at Castle Howard with The Lark Ascending on May 8 at 3pm, the virtuosic London Mozart Players and violinist Ruth Rogers will perform Grieg’s Holberg Suite, Vaughan Williams’s The Lark Ascending and Vivaldi’s Spring from The Four Seasons.

The Spring Festival season will be available to view on RyeStream until the end of May.

Are you going for Scarborough air? York artist Malcolm Ludvigsen painting on the bracing seafront at the East Coast resort

Exhibition launch of the week in York: Malcolm Ludvigsen’s Art, Village Gallery, York

PROLIFIC York plein-air artist Malcolm Ludvigsen is the focus of Village Gallery’s first new exhibition of 2021 in Colliergate, York.

Erstwhile maths professor Ludvigsen spends much of his time on the beaches and headlands of Yorkshire, fascinated endlessly by the sea and sky.

The show of Ludvigsen oil paintings will run until Saturday, June 19 with Covid-secure, socially distanced measures in place. Opening hours are Tuesday to Saturday, 10am to 4pm.

Not a spoiler alert: Irish humorist Ed Byrne will play York for the first time since his Spoiler Alert tour in 2018

Comedy gig announcement of the week in York: Live At The Theatre Royal Comedy Night, York Theatre Royal, July 1

THIS will be Ed Byrne’s night in York when the observational Southern Irish comedian headlines an all-star bill.

Joining headliner Ed will be Mock The Week’s whip-smart wordsmith Rhys James and Have I Got News For You panellist-in-lockdown Maisie Adam, hosted by “compere-beyond-compare” Arthur Smith, the veteran gloomy weather-faced comedian and presenter from Bermondsey, London.

Tickets are on sale at yorktheatreroyal.co.uk and on 01904 62356.

Cuppa and a couple of gigs at Pocklington Arts Centre for Omid Djalili in July

Comedy gig announcement of the week outside York: Omid Djalili, Pocklington Arts Centre, July 22, at the double

POCKLINGTON Arts Centre has confirmed its first live shows since Tom Rosenthal’s Manhood comedy gig on March 14 last year.

British-Iranian comedian Omid Djalili will perform twice on Thursday, July 22. Significantly too, those 7pm and 9pm performances will be without social-distancing measures, but full of provocative, intelligent cultural observations.

Djalili, 55, originally had been booked for July’s now-cancelled Platform Festival at the Old Station, Pocklington.

Dancing Dan: Dancing On Ice star Dan Whiston glides into Rawcliffe Country Park in August

Get your skates on: Cinderella On Ice, Rawcliffe Country Park, York, August 17 to 22

DANCING On Ice three-time champion Dan Whiston will lead the company for Cinderella On Ice, a show fuelled by high-speed ice-skating and aerial feats.

“I cannot wait to get back on the ice and for the crowds to witness this amazing show after such a troubled past 12 months of lockdowns,” says Whiston. “We hope to both wow and amaze.”

Fairytale On Ice’s ice-palace production will be performed by “some of the world’s most elite entertainers and skilled skaters after thousands of auditions”. Tickets for the 4.30pm matinees and 7.30pm evening performances are on sale at fairytaleonice.com.

Seven UP: Shed Seven’s Shedcember tour to climax with two nights at Leeds O2 Academy

The return of the York heroes: Shed Seven, Shedcember tour

SHED Seven will close their 2021 Shedcember tour with two nights at Leeds O2 Academy on December 20 and 21.

The York band’s 18-date itinerary will take in further Yorkshire shows at Sheffield O2 Academy on November 30 and Hull City Hall on December 1, but not a home-city gig, alas.

The Sheds’ concerts are billed as Another Night, Another Town – The Greatest Hits Live – a nod of acknowledgement in the direction of last December’s 21-track live double album. Tickets are selling very fast at shedseven.com, gigsandtours.com and ticketmaster.co.uk.

Senegal and Wales combine in the Pocklington-bound music-making of Seckou Keita and Catrin Finch

On the move: Catrin Finch & Seckou Keita, Pocklington Arts Centre

WELSH harpist Catrin Finch and Sengalese kora player Seckou Keita will now play Pocklington on May 21 2022.

The 7.30pm concert has been rescheduled from June 10 2021 for the usual Covid reasons. All original tickets remain valid; further tickets go on sale from 10am tomorrow (7/5/2021) at pocklingtonartscentre.co.uk.

Finch and Keita will be showcasing songs from their next album, as yet untitled and set for release next year. 

Rapper and beatboxer Testament testifying in Orpheus In The Record Shop

And what about?

AS lockdown’s gradual, grinding release continues to make an impact on live performance, Leeds company Opera North will seek to entertain viewers at home. Check out Orpheus In The Record Shop, available for free at: bbc.co.uk/iplayer/episode/m000vbtx/lights-up-orpheus-in-the-record-shop.

Inspired by the ancient Greek myth, rapper and playwright Testament fuses spoken word and beatboxing with a cinematic score performed by the Orchestra and Chorus of Opera North.

Originally performed during Connecting Voices at Leeds Playhouse, it has been reworked for film by Alex Ramseyer-Bache and Playhouse artistic director James Brining as part of the BBC Lights Up season.

World music duo Catrin Finch & Seckou Keita move Pocklington gig to May 2022

Catrin Finch and Seckou Keita: New date for Pocklington Arts Centre concert

WELSH harpist Catrin Finch and Senegalese kora player Seckou Keita will play Pocklington Arts Centre on May 21 2022.

The 7.30pm concert has been rescheduled from June 10 2021 for the usual C-word reasons.

All original tickets for the mesmerising, intricate and ethereal virtuoso collaboration will remain valid and further tickets will be on sale from 10am on Friday (7/5/2021) at pocklingtonartscentre.co.uk.

Finch and Keita will be showcasing songs from their next album, as yet untitled and set for release next year. 

Pocklington Arts Centre (PAC) director Janet Farmer says: “Having seen this superb world music duo at English Folk Expo in Manchester in 2018, it’s a privilege to welcome these BBC Radio 2 Folk Award winners to PAC next year. 

“It will be the first time we’ve welcomed both Catrin and Seckou to Pocklington for what we know will be a stunning exhibition of world-class musicianship and a truly remarkable night of live music.”

Drawing deep on their diverse traditions and transforming them with synergy, Finch, 41, and Keita, 43, released their debut album, Clychau Dibonback, in 2013, followed by long-awaited Soar in 2018, when they mounted spring and autumn UK tours.

Soar takes flight on the wings of the osprey, the bird of prey now returned to Wales after centuries of absence, that makes its annual 3,000-mile migration from the coasts of West Africa to the Welsh estuaries of Wales, “soaring like music and dreams over man-made borders, on its innate and epic journey of endurance”.

Soar soared to the heights of winning the fRoots Critics Poll Album of The Year in 2018, Best Fusion Album in the Songlines Music Awards and Best Transregional Album in the Transglobal World Music Charts, both in 2019. 

That year too, the album was nominated for Album of the Year at the BBC Radio 2 Folk Awards, where Finch and Keita won Best Group/Duo and Seckou was named Musician of The Year.

Any ticket holder needing further information about the change of date should contact the box office.

When Pocklington Arts Centre was home to Penny Arcadia…Jon Marshall tells all online

Jon Marshall, of Magic Carpet Theatre and the Inner Magic Circle, who presents tonight’s live online talk on the history of the building now known as Pocklington Arts Centre

FROM Penny Arcadia To Pocklington Arts Centre, the story behind the historic Market Place venue, will be told by magician and performer Jon Marshall in a Zoom event this evening (May 4).

Pocklington Arts Centre (PAC) has been staging events for more than 20 years, but should you be wondering what the Grade II listed building was once used for and how it came to be the arts hub it is today, Jon has the answers. 

Tales of fire-eaters, magicians and amusements all will feature in the 7.30pm illustrated talk as Jon, director and performer with Hull company Magic Carpet Theatre, takes his audience on a trip down memory lane, delving into the origins of the building formerly known as Oak House, dating back to the 1700s. 

“The talk promises to be a fascinating and entertaining online event unveiling the story behind the building, from doctor’s house, cinema and museum housing Europe’s largest collection of amusement machines, to East Yorkshire’s premier arts venue,” says PAC director Janet Farmer. 

Marshall, a member of the Inner Magic Circle with Gold Star, promises a fascinating and entertaining evening, replete with tales of former owners of the building Jon and Pat Gresham.

From Penny Arcadia To Pocklington Arts Centre: Jon Marshall’s online audience will hear tales of the Gresham family, who once owned the historic venue. Pictured are the late Pat and Jon Gresham with their son Maxwell

“They were larger-than-life local characters, cinema proprietors and museum curators,” he says. “All will be revealed about the exploits and colourful adventures of Jon, who was once a magician, fire-eater, pantomime promoter and sideshow showman.

“The audience will also hear about Pat, who was determined that when the Penny Arcadia closed, the building should not become yet another retail unit but instead should provide entertainment and a service to the people of Pocklington and the surrounding area. 

“I had the privilege of knowing the Gresham family for over 50 years from the mid-1960s, so participants will be able to see many previously unpublished photographs and images from over the years.”

Marshall’s company Magic Carpet Theatre are regular performers at PAC and last October they recorded two shows there for streaming for free on PAC’s YouTube channel: Magic Circus from January 7 to 21 and The Wizard Of Castle Magic from February 18 to March 4, both with financial assistance from the I Am Fund and Smile Foundation.

Now comes From Penny Arcadia To Pocklington Arts Centre. “When I moved into area, I’d already met Jon, and then got to know Jon and Pat really well. They became great family friends,” says Marshall.

Director Jon Marshall as the Ringmaster, showing his frustration with Steve Collison’s Clown in Magic Carpet Theatre’s Magic Circus

“The Pocklington Arts Centre building goes back to the 1700s, and it opened as a cinema in the 1930s. Jon bought the Ritz Cinema in 1981 and that’s when he started putting his collection of amusement machines in there.

“They lived in Westwood House, North Dalton, a big old house and grounds that Jon and Pat did up and lived there for some time. After Jon died, Pat continued to run the building, and she was determined it should not be turned into shops despite receiving various offers.”

Encouraged by Pocklington Town Council, Pat ran Penny Arcadia until 1996, when the last event was a September display of Jon Gresham’s magical props.

“It was a totally unique enterprise, collecting arcade music machines, which is a huge part of our culture,” says Marshall. “Jon’s interest had been sparked by being given a music box by Pat and he went on to become president of the British Music Box Society.

“At that time, the country was going into decimalisation and that meant many, many penny-operated music machines became redundant overnight, and that was perfect for Jon, who drove around the country as pier arcades were throwing them off the piers.

The late Jon Gresham with assorted penny arcade machines

“Some were acquired for free, some he paid for, and he amassed one of Europe’s largest collections. Much of it is still together in a collection, and no, not in America.”

After Jon died, Pat kept them in the outbuildings of Westwood House, for use at the Penny Arcadia. “She was a very astute businesswoman, continuing to run Penny Arcadia very well and Beverley Playhouse too, putting on such live shows as children’s theatre and plays,” says Marshall.

Tonight’s Zoom show will tap into the nostalgia emanating from the Gresham story. “Jon and Pat were huge characters in their own right with big personalities. He was a public schoolboy, who went to Oundle School, and his father ran a timber importers’ business in Hull with sawmills in Brough and Sheffield,” he says.

“Jon was destined to go into the family business, and though he didn’t do National Service for medical reasons, he said he wouldn’t be able to work for the family for at least two years as he should have been doing National Service, and so instead he trained as Europe’s youngest fire-eater, calling himself ‘Jon Gresham from Copenhagen’, as he thought being Scandinavian would add something to the act – and he was blond.

“He toured Europe but then his father said it was ‘now or never’ for him to join the timber business. He did so, but he’d made many great friends touring Europe, and so he also started to promote pantomimes in Harrogate, Scarborough and on the coast, such as Cinderella and Aladdin, appearing as a fire-eating genie in the shows, while working for the family.”

Jon Gresham was a “real dynamo”, in Marshall’s appraisal. “As well as all this going on, he’d do his fire-eating at music halls and on variety bills, and he could appear at fairgrounds, blowing fire in air outside the fairground to attract people inside to see the shows,” he says.

Jon Gresham: Billed as “The world’s youngest fire-eater from Copenhagen”

“He really got a taste for it and decided to open his own sideshow in 1956, The Robot Show, staged in one of the Corrigans’ buildings, as he knew the fairground family well and had become a friend.”

Jon Gresham continued to run the family business as managing director, Monday to Friday, but at weekends he was a sideshow showman and proprietor, spreading his time between 12 sites, among them Rhyl, Porthcawl, Great Yarmouth, Dreamland at Margate and Hull Fair.

From the Smallest Ironing Lady in the Country to the Girl in the Goldfish Bowl, Gresham’s sideshows were often elaborate, as well as curious. Annual accounts show he would have at least two girls, a manager and box-office manager per site.

Before marrying Jon Gresham, Pat had been an interior designer and colour consultant. “He used her skills for decorating the sideshows and the Penny Arcadia,” says Marshall.

“Pat also designed and decorated the captain and crew’s quarters for trawlers at Hull, when it was unheard of for a woman to do that.

The Headless Lady: One of Jon Gresham’s live illusion sideshows

“If a girl in the shows was suddenly taken away by the police, somebody had to take her place, so Pat always kept alert. ‘I never knew if I was going to be legless in Margate or headless in Scarborough,’ she once said.”

The Greshams travelled by pantechnicon van, an old vehicle painted purple and known affectionately as “Gertrude”. “The season would run from Whitsun to September, and they would tour their live illusion sideshows throughout that period,” says Marshall.

“The sideshows ran until 1969, when the problem was the resistance to prices going up from six pence and a shilling, but there was another problem too: the crowds going to the seaside resorts were declining in the face of the rise in package holidays, so you now had to rely on footfall on the day.

“It was all by chance, if people were walking by in the daytime or in the evening after the meal at the digs. He would send out the Headless Lady to pique their interest. By then two thirds of the business was on Sundays; Saturday was change-over day, and Sunday was the peak day, running from 10am to 10pm.”

Showman Marshall has since restored some of the sideshows to take them out to festivals to entertain new audiences. “Normally I’d be doing it from April/May to September, but alas we’ve not been out since Derby Feste in September 2019, though we’re hoping we may be able to go out again in 2022,” he says.

Jon and Pat Gresham with their daughter Lindsey at Penny Arcadia, now Pocklington Arts Centre

Marshall’s decision to revive sideshows began with a conversation at a dinner with Pat Gresham. “We thought, ‘wouldn’t it be fun to restore a sideshow for a Magic Circle dinner?’,” he recalls.

“We found the gaudy frontispiece to The Flash with slogans and the picture to entice people in: ‘It’s not the show that gets the dough. It’s The Flash that gets the cash’, it said, and we were off and running.”

Jon Gresham’s sideshows had been in storage from 1969 to 2004 in outbuildings at Westwood House. “They’d been moved around, there’d been pigeons and rats, and nothing was in any order or visible, frankly.

“So, it was out with the rubber gloves to start a detective hunt, and that’s when we found The Flash frontispiece and, by a stroke of luck, the goldfish bowl, alas with cracks in it, from the Girl in the Goldfish Bowl.

“They’re like the ones you see in cartons, and they’re hard to find now, but luckily with some acrylic we’ve been able to mend it and make it watertight.”

The late Pat Gresham. “She was an enormous help to us in our research, as the Greshams never threw anything away in terms of records,” says John Marshall

Marshall has restored seven shows in all now, comparing the experience of finding the Gresham show stock to British archaeologist Howard Carter locating King Tutankhamun’s tomb in 1922. “Because they had been painted in the 1950s with layers of varnish to protect against the sea salt, we had very little restoration to do,” he says.

“Pat was an enormous help to us in our research, as the Greshams never threw anything away in terms of records. Jon left his memoirs and there’s a biography with a chapter by Pat [who died in 2019] and a contribution by Professor Eddie Dawes, the Yorkshire magician and biochemist [who founded the University of Hull’s biochemistry department].

“I’ve written a chapter on the Penny Arcadia and on Jon’s straitjacket, which went to an escapologist called Danny Hunt, and his fire-eating equipment, which is still being used by Tom Cockerill, who has re-created the act for the International Brotherhood of Magicians Convention, performing the original acts with that original equipment.”

The biography, Jon Gresham: The Life And Adventures Of A Sideshow Showman, is available on Amazon and eBay and from Pocklington Arts Centre too, and more information on the revived sideshows can be found at sideshowillusions.com, with details soon to be added on the 2022 season.

Tickets for tonight’s Zoom illustrated talk cost £5 at:  ticketing.eu.veezi.com/sessions/?siteToken=5c398sshg8x6xjr7k9mw32dvr8

Three cheers for Pocklington Arts Centre, booking Omid Djalili, Mark Watson and Gary Delaney in Punderland for comedy uplift

POCKLINGTON Arts Centre has confirmed its first live shows since Tom Rosenthal’s Manhood comedy gig on March 14 last year.

The East Yorkshire venue, in Market Place, Pocklington, has been closed to the public since March 17 2020 but comedian Omid Djalili is to perform twice on Thursday, July 22.

Significantly too, those 7pm and 9pm performances will be without social-distancing measures.

British-Iranian comedian, actor, television producer, presenter, voice actor and writer Djalili, 55, originally had been booked for July’s now-cancelled Platform Festival at the Old Station, Pocklington.

When Pocklington Arts Centre’s festival organisers, director Janet Farmer and venue manager James Duffy, decided not to stage the large-scale indoor festival under the continuing pandemic cloud, award-winning Djalili agreed to do two shows in one night at PAC to ensure all those who had purchased tickets for the festival gig would not miss out.

Pundemonium: Gary Delaney promises oodles of one-liners in his new show next year

Janet says: “We’re over the moon that despite having to change our plans for putting on a full-scale Platform Festival this year, Omid Djalili will perform at PAC twice in one night, and those performances will be non-socially distanced. 

“In the event of Covid restrictions being reintroduced, we will let customers know in advance.” 

Djalili’s comedy is at once intelligent, provocative, boundlessly energetic and rooted in cultural observations, wherein he explores the diversity of modern Britain.

Tickets for the original event at Platform Festival remain valid and any ticket holder needing further information should contact the box office. Remaining tickets for the new shows cost £25 at pocklingtonartscentre.co.uk.

Looking ahead, Janet says: “We have some outstanding live comedy lined up as part of our forthcoming live events programme, and Omid is the perfect addition to this. 

“We have more exciting announcement coming up and we cannot wait to be able to bring our audiences some incredible live shows once again.”

What’s on for Watson? A third show for Mark Watson at Pocklington Arts Centre next February after earlier visits in 2016 and 2019

Newly in the PAC diary for 2022 are two more comedy shows: Mark Watson on February 12 and  Gary Delaney on May 26 on his newly extended Gary In Punderland tour.

Bristol stand-up comedian, novelist and sports pundit Watson, 41, will be completing a hattrick of Pock appearances, prompting Janet to say: “It will be an absolute joy to welcome Mark Watson back to the venue, having had him perform live here in 2016 and again in 2019. 

“After the year we’ve just had, I think we could all do with some laughter, so Mark is the perfect addition to our forthcoming programme of live comedy.”

In the ever-innovative Watson’s latest show, spiritual enquiry will meet high-octane observational comedy as the Taskmaster survivor and No More Jockeys cult leader attempts to cram a couple of years of pathological overthinking into an evening of stand-up.

Watson has made his Mark not only on Taskmaster but also on Never Mind The Buzzcocks and Have I Got News For You and emerged safely from his Celebrity Island experience with Bear Grylls.

Stream team: Compere Tim FitzHigham, left, and comedian Mark Watson in their living rooms for the first Your Place Comedy online show

During the first lockdown last year, Watson was part of the first double bill for Your Place Comedy, the virtual comedy club set up to support independent venues across the Yorkshire and Humber region, including PAC. 

On April 19 2020, a pyjama-clad Watson and Hull humorist Lucy Beaumont performed live online from their homes, in his case, in the living room, in hers, down the pub, The Dog And B**tard, that she and fellow comedian husband Jon Richardson have set up in their Hebden Bridge garden.

In Gary In Punterland, longstanding Mock The Week guest Gary Delaney will “dive into a rabbit hole of the best jokes in the world”.

Delaney’s last tour was extended four times, eventually playing more than 200 venues. For the follow-up, apparently Delaney has been through the laughing glass, re-emerging to deliver a new show tooled with punch after punch of knock-out one-liners.

Janet says: “We’re delighted to announce that Gary Delaney will be bringing his new show to our stage next year as part of our live events programme that we can’t wait to resume, welcoming everyone back and having our auditorium filled with laughter once again.”

Tickets for Watson and Delaney’s 8pm shows each cost £20 at pocklingtonartscentre.co.uk; seetickets.co.uk are selling Watson tickets too.

Holy Moly! Here come The Crackers as Pocklington Arts Centre revs up to reopen

Holy Moly & The Crackers: “Always putting on such an energetic, vivacious show”

FIERY gypsy folk’n’rollers Holy Moly & The Crackers will return to Pocklington Arts Centre on October 16 as the East Yorkshire venue “excitedly resumes its live events”.

The North Yorkshire and Newcastle band are noted for sparking up a raucous, feelgood party atmosphere at their blazing live shows, built on soul, rock indie and Balkan folk.

Pocklington Arts Centre director Janet Farmer says: “Holy Moly & The Crackers always put on such an energetic, vivacious show, featuring their unique sound that has our audiences foot stomping and dancing in the aisles, so we can’t wait to welcome them back after their sold-out show back in February 2019.”

The band formed in 2011 almost by mistake, when singer, guitarist and trumpet player Conrad Bird, fellow singer and violinist Ruth Patterson and costume designer and accordion player Rosie Bristow met at a house party in Leamington Spa, of all places, in their late teens.

Enamoured by Rosie’s party-prop accordion, the three decided to start playing music together, mainly stomping Irish, American and Balkan folk and drinking songs at open mics and dive bars, as an alternative to Smack, Leamington’s main student club that provided the only other option for a night out.

After moving north, the founders were joined by jazz/funk bass player Jamie Shields and drummer Tommy Evans in 2015, when they released the single A Punk Called Peter, a “sort of New Orleans funeral march mixed with some fine and highly danceable reggae”.

Holy Moly & The Crackers’ artwork for Take A Bite, their 2019 album

Second album Salem marked the 2017 launch of their own label, Pink Lane Records, and a heightened profile for the band after lead single Cold Comfort Lane was picked up by Hollywood producers to turbo-boost the stick-it-to-the-man comedy crime caper Ocean’s 8 in 2018. 

Classically trained but psychedelic and DIY punk-inspired guitarist Nick Tyler came on board that year to add to The Crackers’ grunt and diesel power.

Reuniting with Salem producer Matt Terry, they recorded swaggering third album Take A Bite in 2019, once again at Vada Studios, built in a 1260 chapel near Alcester on the Warwickshire /Worcestershire border.

“Apparently it’s called Vada Studios because the owner is obsessed with Star Wars’ Darth Vader,” says Conrad, whose band stayed in one of the outhouses.

Teaming up with Terry for a second time proved fruitful. “He’s worked with bands like The Prodigy and The Enemy and he has really good ideas for pop sensibilities,” says Conrad. “I was always against ‘pop’, but there’s a real skill to it. There was a chance for us to go with another producer, but we felt we could do more with Matt to develop our sound.”

Whereupon The Crackers hit the road in full throttle, joining shanty punks Skinny Lister on tour around Europe, before appearing at more than 30 festivals and undertaking a victorious headline lap of the UK, culminating in selling out their biggest show to date at Sage Gateshead on the banks of the Tyne. Ruth and Conrad tied the knot that busy year too.

2020 saw the band blasting out of the blocks with the single Road To You, “a shot of espresso that comes loaded and ready to work in a short, sharp shock”. Twenty-seven dates across ten countries should have added up to their biggest European tour to date, to go with support slots for fan Frank Turner across France and Germany and a return to Glastonbury for its 50th anniversary, but we all know what happened next.

Tickets for Holy Moly & The Crackers’ 8pm gig cost £20 at pocklingtonartscentre.co.uk.

Tom Rosenthal: The last show at Pocklington Arts Centre before the first lockdown last March

POCKLINGTON Arts Centre (PAC) has been closed to the public since March 17 2020, curtailing that year’s 20th anniversary celebrations after comedian Tom Rosenthal’s Manhood show on March 14, but the venue will hopefully be re-opening our doors this summer”.

Watch this space for further updates, but already director Janet Farmer and venue manager James Duffy have confirmed that the PAC-programmed Platform Festival at the Old Station, Pocklington, has been called off for a second successive summer.

Festival shows by the likes of comedian Omid Djalili, Richard Thompson and Shed Seven duo Rick Witter and Paul Banks in acoustic mode initially had been moved from 2020 to 2021, although former Led Zeppelin lead singer Robert Plant’s Saving Grace acoustic gig with fellow vocalist Suzi Dian never had a new Platform date set in place.

“Robert hasn’t rescheduled any of his 2020 shows, originally because he was recording with Alison Krauss in Nashville,” says James.

“We looked into moving Richard Thompson’s date too, but he’s cancelled his plans because amid the continuing uncertainty over Covid, he’s not sure where he would stand, what with being based in the United States.”

More details are yet to be confirmed, but Pocklington Arts Centre is contemplating reopening with a film programme from July 2, followed by the full reopening in September, with greater clarity once the Government roadmap is rubber-stamped.

Velma Celli: Drag diva to play Pocklington Arts Centre in December

“It will be a slow re-start at first to restore audience confidence in coming to PAC, and film is a good way of doing that,” says Janet. “With films, you naturally socially distance to get the best view.

“But that’s why we couldn’t go ahead with the Platform Festival, because there are still uncertainties and it made sense to call it off.”

Plans are afoot instead for Primrose Wood Acoustic, a short series of outdoor shows in a 60 to 70-capacity woodland setting at Primrose Wood, Pocklington, in early July. Two shows are pencilled in for PAC in July too, subject to the Government’s Covid statements. Again, watch this space for more info as and when.

Within PAC, the lavatories have been refurbished and upgraded; air-purifying units to increase air flow are being installed around the building; a Covid-secure screen is in place at the box office, and such Covid measures as an app for ordering drinks, anti-bacteria spray “foggers” and hand-sanitising stations will be the way forward.

The frustrating year of lockdown x 3 has kept Janet and James busy rearranging concerts by, for example, The Felice Brothers and Courtney Marie Andrews three times and New Yorker Jesse Malin twice.

The management duo have been working their way through 20 years of paper work in the attics and have set up a beehive on the flat roof as part of a PAC environmentally friendly package.

So, now there is a buzz about the place in more ways than one, and on the Pocklington horizon is a theatrical ghost-walk promenade, commissioned from Magic Carpet Theatre founder Jon Marshall for the dark nights of November before the December dazzle of glam cabaret supreme in the company of York drag diva deluxe Velma Celli (date TBC).

LipService link up with Pocklington Arts Centre for live stream of Withering Looks

Maggie Fox, left, and Sue Ryding in a scene from LipService Theatre’s Withering Looks

POCKLINGTON Arts Centre favourites LipService Theatre will present a special live stream of their savvy yet delightfully silly Bronte sisters spoof Withering Looks tomorrow night (22/4/2021).

Forming part of the still-closed East Yorkshire venue’s ongoing series of online events during the pandemic lockdowns, the 7.30pm streaming will be introduced on Zoom by LipService duo Maggie Fox and Sue Ryding.

They will conduct a live question-and-answer session too at the finale. “We’ll either be on Maggie’s sofa or mine, with some no doubt very interesting photographs behind us!” says Sue.

Tickets are selling fast with customers from far and wide – including Belgium – snapping them up.

Dubbed “the Laurel and Hardy of literary deconstruction” by the Guardian, LipService have visited Pocklington Arts Centre regularly, and when pandemic restrictions put a cross through their latest return, they settled on tomorrow’s stream instead.

“We’re doing this live stream specially for Pocklington Arts Centre, who had booked us to perform Withering Looks as part of their grand celebrations for their 20th anniversary last year, when obviously we couldn’t do it,” says Sue.

For the uninitiated in the Lip Service world of affectionate parody and pastiche, Withering Looks explores a day in the life of the Bronte sisters. “Well, two of them, Anne’s just popped out for a cup of sugar,” say the duo. “And in true David Attenborough style there’ll be additional footage, going behind the scenes of the making of the show.”

Commissioned by the Bronte Parsonage Museum, the filmed performance by “Britain’s favourite literary lunatics” was recorded by Maggie, from York, and Sue, from the other side of the Pennines, at the Bronte family’s home at Haworth, West Yorkshire.

Scenes from Withering Looks filmed “in the actual parsonage where the Bronte sisters wrote their actual books actually” will be complemented by additional material by Maggie and Sue recorded in and around Haworth village and on the wild and windswept moors in sub-zero temperatures. 

“We made the recording three years ago in January, when the Parsonage was closed for cleaning, so we could do the filming,” says Sue. “That’s when we also filmed some scenes on the moors…in a blizzard. It was freezing! I think we nearly died! I’ve never been so cold!”

Maggie recalls the filming sessions: “We worked with a wonderful crew, with Noreen Kershaw directing us. She got a fantastic team together with the floor manager from The Teletubbies, the soundman from The Night Manager, and a brilliant cameraman, who did documentaries outdoors with Billy Connolly, so he was used to the cold.”

Maggie and Sue first met as drama students at Bristol University in a “very serious Henrik Ibsen production that had the audience on the floor laughing”. A tragedy for Ibsen nevertheless turned out to be the launching pad to a very long partnership in satirical comedy.

Lip Service’s promotional image for their digital performances of Chateau Ghoul in lockdown

Forming LipService in Manchester in 1985, Maggie and Sue have chalked up 22 original comedies from a distinctly female perspective, as well as series for BBC Radio and tours of Germany, Eastern Europe, the United States and Pakistan, over the past 35 years.

Not everyone has appreciated their comic tone. “We did a ‘very controversial’ production of Oscar Wilde’s The Importance Of Being Earnest, when someone asked: ‘Who thought this was a good idea, with all the cross-dressing and the underlying scandal that was going on among the actors?’,” says Maggie.

LipService are keeping busy, despite the hiatus in live performances. “We should be on tour with our new show, a farce set in a hotel called Chateau Ghoul, but we’ll now be doing that tour this autumn,” says Sue. “In the meantime, while venues remain closed, we’ve being down live stuff on Zoom to keep our audiences involved, offering an interactive digital performance, with the invitation for people to make origami windmills.”

Maggie adds: “We’ve had lovely feedback, with people saying how much they’re enjoying see us close up for about 50 per cent of the show. But it is quite disconcerting seeing people with their ‘computer face’ on. That neutral face, where you think, ‘Do they hate us?’. It’s weird for us getting familiar with seeing them so close up!

“Doing a digital performance is a new way of performing for us, and we’ve really enjoyed it, because it means we can perform ‘live’, but we can have a different relationship with our audience, chatting with them beforehand, where they’ll tell us on the stream where they’re watching from, or what they’ve had for dinner…”

…“Or we can pick on people for the quality of their origami!” says Sue. “But what’s been interesting is that we’ve had an international response, with people watching from Belgium, Oklahoma and San Francisco.”

What next? “We’ve been thinking about turning our Sherlock Holmes show into an interactive murder mystery, using the material in a different way for a streamed show,” says Maggie.

Above all, they long for a return to taking to the stage. “I really, really miss loading the van, driving to venues, looking around towns – like going to York Minster – doing the shows and hoping there’s a bar open afterwards,” says Sue.

Meanwhile, what about those ticket holders from Belgium, Luc and Hilde Verstraeten-Mariën, who will Zoom into the PAC show after their plans to catch LipService live were thwarted by the pandemic?

“We were excited to hear that Lip Service had created Zoom performances,” say Luc and Hilde. “We’ve just watched Château Ghoul and it made our day! We really enjoyed the show: it was funny, cheeky, and mad. We enjoyed the interactive part of it and we thought they made clever and creative use of Zoom. We kept giggling for the rest of the evening!

“We are looking forward to more of the same: refreshingly funny, intelligently witty and slightly mad at the same time, highly creative, high-standard comedy with a twist by two fabulous women.”

Tickets for Withering Looks cost £15 at pocklingtonartscentre.co.uk.

Copyright of The Press, York

LipService Theatre take Bronte literary spoof Withering Looks onto Zoom for Pocklington Arts Centre virtual show

Maggie Fox and Sue Ryding in LipService Theatre’s literary spoof of the writerly Bronte sisters, Withering Looks

POCKLINGTON Arts Centre favourites LipService Theatre will present a special live stream of their savvy yet delightfully silly Bronte sisters spoof Withering Looks on April 22.

Forming part of the still-closed East Yorkshire venue’s ongoing series of online events during the pandemic lockdowns, the 7.30pm streaming will be introduced on Zoom by LipService duo Maggie Fox and Sue Ryding, who will conduct a live question-and-answer session too at the finale.

Tickets are selling fast with customers form far and wide – including Belgium – snapping them up.

Commissioned by the Bronte Parsonage Museum, the filmed performance by “Britain’s favourite literary lunatics” was recorded by Maggie and Sue at the Bronte family’s home at Haworth, West Yorkshire.

Scenes from Withering Looks filmed “in the actual parsonage where the Bronte sisters wrote their actual books actually” will be complemented by additional material recorded in and around Haworth village and on the wild and windswept moors in sub-zero temperatures. 

“Withering Looks explores a day in the life of the Bronte sisters (well two of them, Anne’s just popped out for a cup of sugar) and in true David Attenborough style there will be additional footage going behind the scenes of the making of the show,” promise the duo.

Maggie, from York, and Sue, from t’other side of the Pennines, first met as drama students at Bristol University in a “very serious Henrik Ibsen production that had the audience on the floor laughing”.

A tragedy for Ibsen nevertheless turned out to be the launching pad to a very long partnership in satirical comedy, as the duo recall. Forming LipService in Manchester in 1985, Maggie and Sue have chalked up 22 original comedies from a distinctly female perspective, as well as series for BBC Radio and tours of Germany, Eastern Europe, the United States and Pakistan, over the past 35 years.

Dubbed “the Laurel and Hardy of literary deconstruction” by the Guardian, LipService have visited Pocklington Arts Centre regularly. PAC director Janet Farmer says: “I’m absolutely delighted to have LipService returning to our live events programme, albeit this time virtually. 

“PAC has a longstanding relationship with the company, with Maggie and Sue selling out numerous performances in recent years with their unique theatrical style and infectious enthusiasm.

“I, along with fellow PAC staff members, will be attending the performance and this will be the first time the venue has had direct interaction with its audience members, at an event, in over a year.”

Meanwhile, what about those ticket holders from Belgium, Luc and Hilde Verstraeten-Mariën, who will Zoom into the PAC show after their plans to catch LipService live were thwarted by the pandemic?

“We were excited to hear that Lip Service had created Zoom performances,” say Luc and Hilde. “We’ve just watched Château Ghoul and it made our day! We really enjoyed the show: it was funny, cheeky, and mad. We enjoyed the interactive part of it and we thought they made clever and creative use of Zoom. We kept giggling for the rest of the evening!

“We are looking forward to more of the same: refreshingly funny, intelligently witty and slightly mad at the same time, highly creative, high-standard comedy with a twist by two fabulous women.”

Tickets for Withering Looks cost £15 at pocklingtonartscentre.co.uk.

More Things To Do in York, beyond and at home as Step 2 on the roadmap nears. List No. 30, courtesy of The Press, York

York actor-writer Anna Soden in rehearsal for Strawberry Lion’s streamed performance of E Nesbit’s Five Children And It

ROLL on Monday and Step 2 of the Government’s roadmap to recovery, when outdoor hospitality can resume and zoos, theme parks, drive-in cinemas and libraries can re-open.

Charles Hutchinson casts an eye over what’s on and what’s next.

Strawberry Lion’s show poster for Five Children And It

Children’s stream of the week: Strawberry Lion in Five Children And It, via Explore York libraries

YORK company Strawberry Lion’s streamed production of E Nesbit’s novel Five Children And It can be viewed for free on @YorkExplore’s YouTube channel daily until April 14 at 5pm.

Suitable for children aged five and over, the show is written and performed by York actor, musician, writer, theatre-maker and company founder Anna Soden, who has set Nesbit’s 1902 story with the grumpy magical creature on Scarborough beach.

Sailing Hopefully, by Jack Hellewell, from Jack’s Travels at Kentmere House Gallery, York, from next Monday

Exhibition launch of the week ahead: Jack Hellewell: Jack’s Travels, Kentmere House Gallery, Scarcroft Hill, York, from April 12

CURATOR Ann Kentmere is toasting Roadmap Step 2 Day by reopening Kentmere House Gallery on April 12 with Jack Travels, the first in a lockdown-delayed series of exhibitions to celebrate the centenary of the late Bradford artist Jack Hellewell.

This year marks the 30th anniversary of Ann and David Petherick’s gallery in their York home, and Hellewell’s show will be open every day from April 12 to 17, 11am to 5pm, with extended opening to 9pm next Thursday, before Ann resumes her regular opening hours on the first weekend of each month and Thursdays from 6pm to 9pm. Or you can just ring the bell on the off-chance.

York Dungeon: Heading out into York’s haunted streets for a walking tour

Walking tour launch of the month ahead: The York Dungeon, from April 16

THE York Dungeon will spring its “frighteningly fun but family-friendly” walking tour on this socially distanced haunted city from next Friday.

Taking The York Dungeon above ground on Fridays to Sundays, guests will be led on a tour of hair-raising historic locations by two of the Clifford Street visitor attraction’s most/least loved characters, who will tell horrible tales of York’s murkiest, darkest history,  wrapped up in suspense and surprises. Start times will be throughout each day; tickets must be pre-booked at thedungeons.com/york/.

Ela Bochenek, documentations assistant for Scarborough Museums Trust, with Bathers In Sunlight by Zdzislaw Ruszkowski , on show at Scarborough Art Gallery in Scarborough: Our Seaside Town, from next month

A day by the sea but inside a gallery: Scarborough: Our Seaside Town, Scarborough Art Gallery, May 18 to September 12

SCARBOROUGH Art Gallery’s summertime exhibition will look at life in a seaside town, as seen through the eyes of local people. 

Curator Esther Lockwood interviewed team members from Scarborough Museums Trust, asking for their personal views and recollections of life by the sea year-round before selecting items from the trust’s extensive collections.

These will include an early 20th century ice cream cart that once operated on Scarborough’s South Bay beach; the East Coast resort’s Pancake Bell, rung to signal the start of the unique tradition of skipping on the seafront on Shrove Tuesday, and other seaside ephemera, paintings, vintage photographs and postcards.

Kinky Sex, Grayson Perry’s first plate, now among the “lost pots” brought together for his Pre-Therapy Years exhibition at CoCA, York

Missing Grayson’s Art Club on Channel 4 already? Head to Grayson Perry: The Pre-Therapy Years, York Art Gallery, May 28 to September 5

GRAYSON Perry’s lockdown-delayed “lost pots” exhibition at York Art Gallery’s Centre of Ceramic Art (CoCA) will open at last next month.

This touring show is the first celebration of Perry’s earliest forays into the art world, re-assembling the explosive and creative works the Chelmsford-born artist, author and television presenter made between 1982 and 1994.

“It’s as near as I will ever get to meeting myself as a young man, an angrier, priapic me with huge energy but a much smaller wardrobe,” says Perry.

SpongeBob The Musical: Pick Me Up Theatre have acquired the rights for a winter production in York

Audition opportunity: Pick Me Up Theatre, SpongeBob The Musical, Theatre @41 Monkgate, York

YORK company Pick Me Up Theatre are to stage SpongeBob The Musical from December 7 to 18 at Theatre @41 Monkgate, York.

Director Robert Readman and musical director Sam Johnson will hold auditions there in July and August for performers aged 15 to 23 and actor-musicians for the Bikini Bottom Band.

Anyone interested is asked to email pickmeuptheatre@gmail.com for an audition form.

Del Amitri: First album in 19 years and first York Barbican gig after the same hiatus

Gig announcement of the week in York: Del Amitri, York Barbican, September 18

DEL Amitri will follow up the May 28 release of their seventh studio album, Fatal Mistakes, with a September 18 gig at York Barbican.

Justin Currie’s Glaswegian band last played the Barbican in May 2002, the year they released their last album, Can You Do Me Good?.

Greatest hits and new material will combine in a set supported by The Bryson Family. Tickets will go on sale tomorrow (9/4/2021) at 9am at yorkbarbican.co.uk.

John Spiers, left, and Jon Boden: Pocklington Arts Centre gig in October for the former Bellowhead cornerstones

Gig announcement of the week outside York: Spiers & Boden, Pocklington Arts Centre (PAC), October 20, 8pm

AFTER years of speculation, much-loved English folk duo Spiers & Boden are back together and not only working on new material, but also bringing a live performance to Pock in the autumn. 

John Spiers, 46, and Jon Boden, 44, were the driving forces in big folk band Bellowhead, who played a glorious headline set at PAC’s Platform Festival at The Old Station, Pocklington, in July 2015. Tickets cost £20 at pocklingtonartscentre.co.uk.