The Gesualdo Six vocal consort to take up March residency in York for Early Music Day

At sixes and sevens: The Gesualdo Six…and director Owain Park (third from left, back row)

THE Gesualdo Six will lead the National Centre for Early Music’s celebrations for Early Music Day 2021 on March 21 by embarking on an online whistle-stop musical tour of York.

The Cambridge vocal consort’s concert will be a streamed at 3pm as part of a day when musical organisations throughout Europe will come together for a joyful programme of events to mark JS Bach’s birthday. 

During its residency – an alternative G6 summit – The Gesualdo Six will spend almost a week in York performing in a variety of locations on a musical trek around the city that will be filmed and shared in March.

The film is designed to celebrate the beauty of this historic city and its musical influences, showcasing many of York’s venues that have been unable to open their doors since last March. 

Directed by Owain Park, The Gesualdo Six brings together some of Britain’s finest young consort singers: countertenors Guy James and Andrew Leslie Cooper; tenors Josh Cooter and Joseph Wicks; baritone Michael Craddock and bass Sam Mitchell.

Formed in March 2014 for a performance of Gesualdo’s Tenebrae Responsories for Maundy Thursday in the chapel of Trinity College, Cambridge, the ensemble gave more than 150 performances at major festivals in the UK and abroad in its first five years.

The Gesualdo Six has been awarded the Choir of the Year prize at the Classical Music Digital Awards and its album Fading was awarded Vocal Recording of the Year by Limelight.

National Centre for Early Music director Delma Tomlin: Planning the programme for Early Music Day

Looking forward to the March residency, NCEM director Delma Tomlin says: “We are delighted to welcome our good friends The Gesualdo Six, who will be spending time in York, taking advantage of some of the atmospheric acoustics within the city walls and performing a concert, a very special treat for Early Music Day.

“The concert will be shared with our friends and colleagues in Europe and beyond, as we join together for this wonderful annual celebration.”

Against the backdrop of the Brexit severance from Europe, Delma says: “I’d also like to say a special thank-you to REMA, the Early Music Network in Europe, for their hard work helping to make sure the celebrations continue.”

She adds: “Other delights in store in March include performances by many artists who have supported us over this difficult year, recording behind closed doors at St Margaret’s Church [the NCEM’s home in Walmgate, York]. You might not be able to be with us in person, but we hope you can still join us for a feast of fabulous music.” 

Director Owain Park welcomes the chance for The Gesualdo Six to undertake a residency in York. “After a challenging year, it has been a delight to put our minds to this incredibly exciting project,” he says.

“We have long admired the work of the NCEM in York and so it has been an immense privilege to curate a musical journey that weaves through the city’s historic venues. Chiming with the NCEM’s spring celebrations, we aim to highlight the extraordinary power of collaboration and unity in a world where the seeds of division are increasingly sown.”

Delma concludes: “Venues for the filming in York will be confirmed very soon. Please check our website, ncem.co.uk, and social media platforms for regular updates and more details of this year’s programme of Early Music Day celebrations. 

“The NCEM has put in place many changes to ensure the safety and wellbeing of the artists, audience and staff. All performances and filming will take place following current Government Covid-19 guidelines.” 

Velma Celli and Jess Steel bubble up for York lockdown streamed concert tonight

A midwinter night’s stream: The poster for An Evening With Velma & Jess tonight

AFTER last Friday’s Large & Lit In Lockdown Again solo show online, York drag diva Velma Celli forms a bubble double bill with powerhouse singing hairdresser Jess Steel tonight.

Together they will be presenting An Evening With Velma & Jess, streamed from the riverside abode of Ian Stroughair, the musical actor inside the fabulous international cabaret creation.

Jess, leading light of Big Ian Donaghy’s fundraising A Night To Remember shows at York Barbican, runs the Rock The Barnet salon in Boroughbridge Road, where her clientele can listen to their favourite vinyl on a classic record player while having their hair styled or enjoying a beauty treatment.

Tonight’s 8pm show is the second in a new series of hour-long Velma Celli streamed gigs in lockdown. “It’s the day of the show, ya’ll,” says Velma on Facebook. “So much work and love has gone into this, so if you fancy some lockdown fun, please tune in and support Jess and I.

“Tickets come off sale at 5pm and you have 48 hours to watch it just in case ya busy, Barbra’s.” To book, go to: http://bit.ly/2XxMqrG.

Here Ian/Velma answers Charles Hutchinson’s rapid-fire questions ahead of showtime.

How did last week’s show go? What were the highlights?

“It was SO much fun and camp. I loved singing all new songs and just having a laugh… with myself!”

Having moved from Bishopthorpe to a riverside house, how did the new location work out?

“Lovely! I am living in my friend’s dreamy townhouse at the moment. Posh!” 

What will you be singing tonight?

“OOOOOO, Cilla, Disney, ’60s, ’70s, ‘80s, ‘90s. It’s a real mixed bag this time.”

What will Jess be singing?

“Dolly. Gaga. Amy.” 

How come you can perform together in lockdown?

“I am in Jess’s bubble. Yes!”

How would you sum up Jess in five words?

“Talent. Kind. Hilarious. Generous. Fabulous.”

How did you celebrate your birthday yesterday in lockdown?

“With snacks. Facetime. Gin.”

What’s the best birthday present you have ever received?

“Another year to have a go at being better.”

York musicians Eboracum Baroque go virtual for Fairest Isle concert on January 23

Eboracum Baroque: Streamed concert on January 23 with Henry Purcell’s music to the fore

EBORACUM Baroque will return to the online platform on January 23 with Fairest Isle: Music from the 17th and 18th century England.

The 7pm streamed concert was recorded in October at King’s Ely, a school in Cambridgeshire, when the York ensemble was able to film with no Coronavirus lockdown in place.

Performing that autumn day were Elen Lloyd Roberts, soprano; Miriam Monaghan, recorder; Chris Parsons, trumpet; Miri Nohl, cello, and Laurence Lyndon Jones, harpsichord.

Founder Chris Parsons says: “We’re determined to keep going and provide support to young freelance musicians in these challenging times. We’re also very keen to continue to offer exciting new digital content for our audiences who we wish we could perform to in person.”

Looking forward to the January 23 stream, Chris says: “We’ll take the online audience back to 17th and 18th century England, featuring some of the great composers of the day, particularly Henry Purcell, who was held in such high regard at the time.

“The programme includes some of Purcell’s big hits from the London stage, productions that had never been seen in England until now – it must have been pretty amazing!

“Purcell’s stage works of the 1690s were huge spectacles with elaborate Italian stagecraft, and we’ve picked music from The Fairy Queen, an adaptation of Shakespeare’s A Midsummer Night’s Dream and the patriotic King Arthur.”

What else? “Music and musicians from Europe flooded London at this time and Italianate music was very much in vogue,” says Chris. “So we’ll feature a virtuosic recorder concerto by Sammartini, who made his name in 18th century London, and a Vivaldi sonata, alongside British composers, including John Blow and an overture featuring the trumpet by William Croft.” 

Summing up that period of music-making, Chris says: “One of Ely’s famous sons, Oliver Cromwell, played a major part in shutting the theatres and not allowing concerts earlier on in the 17th century, so it was an amazing melting pot of music-making in London when Charles II returned to the throne, and for composers like Purcell an amazing place and time to be writing such brilliant music.”’

Taking concerts online amid the strictures of the Covid-19 pandemic has been a fruitful new avenue for Parsons and his fellow musicians. “Our virtual winter season was a success, when we streamed A Baroque Christmas, recorded at Wimpole Church and Wimpole Hall in our second home of Cambridge, on December 12.

“We feel incredibly lucky to have filmed the Fairest Isle concert back in October while we were able to be together, and we have some virtual projects in the pipeline for 2021.

“These include a 17th century pub concert – with beer tasting from a local brewer – coming up in February, which we hope will be an exciting online experience for our audience too.

“We’ll be embracing technology again for that one, recording parts individually and then sticking them all together. All being well, we also hope to film a concert in York in March but it’s hard to plan for the future.”

The Fairest Isle concert will be premiered on youtube.com/eboracumbaroque and at facebook.com/eboracumbaroque. “We’re very keen to make our concerts accessible to all, so whether you are new to baroque music or a regular watcher of early music, we hope there is something for everyone,” says Chris.

“We introduce each piece with a background of the composer and the history of the piece to set the scene.

“So, on January 23, we invite you to sit back, relax and enjoy this varied and energetic programme from the comfort of your own home.”

The programme for Fairest Isle: Music from the 17th and 18th century England:

Hark The Echoing Air from The Fairy Queen,  Henry Purcell (1659 -1695); 

Recorder Concerto in F Major, Sammartini (1700 – 1775); 

I Allegro, II Siciliano, III Allegro Assai; 

Sweeter Than Roses from Pausanias, The Betrayer Of His Country, Henry Purcell; Overture from With Noise Of Cannon, William Croft (1678 – 1727); 

I Moderato, II Allegro, III Adagio, IV Allegro; 

Music For A While from Oedipus, Henry Purcell;

Cello Sonata in Bb Major, Antonio Vivaldi;

I Largo, II Allegro, III Largo, IV Allegro; 

Lovely Selina from The Princess Of Cleve, John Blow (1649 – 1708); 

Two movements from The Division Flute, Anon; 

I, Readings Ground, II, A Division On A Ground; 

Fairest Isle from King Arthur, Henry Purcell.

Did you know?

EBORACUM Baroque is an ensemble of young professional singers and instrumentalists, formed in 2012 by Chris Parsons at the University of York and the Royal College of Music, London.

Drag diva Velma Celli kickstarts 2021 with Large & Lit In Lockdown streamed show

Velma Celli: Large & Lit In Lockdown Again but from a new location

AFTER his “Fleshius Creepius” panto villain in York Stage’s Jack And The Beanstalk, Ian Stroughair planned to pull on his drag rags for a live Velma Celli show on January 15 at his adopted winter home of Theatre @41 Monkgate.

He anticipated more shows would have followed too, but then came York’s new impediment of Tier 3 status post-Christmas, and inevitably tighter restrictions still to come until the jabs make their point.

Consequently, he announces instead: “Darlings, as we head back into a lockdown in York, Velma Celli is back on the streaming! My first show, Large & Lit In Lockdown Again, is on Friday (8/1/2021) at 8pm. I would love you to join me for an hour of camp cabaret fun! Get those requests and shout-outs in!”

In 2020, Velma hosted a series of streamed shows from Case De Velma Celli, alias the drag diva’s Bishopthorpe kitchen. Firstly, on April 29, a fundraiser for St Leonard’s Hospice, followed by Large & Lit In Lockdown and virtual versions of the cabaret queen’s hit shows Equinox, Me & My Divas and A Night At The Musicals.

Usually to be found once a month gracing The Basement stage at City Screen, York, Velma returned to live performance in York by signing up for a rugby club – York RI Rugby Union Football Club, in New Lane, Acomb, to be precise – for An Evening Of Song outdoors under the September stars.

Jack And The Beanstalk saw Ian turn to the dark side as the vainglorious “Fleshius Creepius”, and now, newly moved into a riverside abode in York, he is ready to return to Velma Celli mode from Friday.

Tickets for Virtual Velma start at £10 via http://bit.ly/3nVaa4N. Watch this space for news of an online show every Friday from Ian’s new HQ.

Here, Ian answers Charles Hutchinson’s quickfire questions at the outset of a new year still shrouded in uncertainty for the arts world.

From where will you be streaming the January 8 show?  Still as a kitchen-sing drama or from a different room at your new riverside pad?

“The living room.”

On a technical level, what did you learn about doing digital streams from your earlier series of shows?

“That tech is stressful but once you have a system, it’s a piece of cake.” 

Ian Stroughair as Fleshius Creepius in York Stage’s pantomime, Jack And The Beanstalk

What will the new show feature: any songs making their debut?

“Expect lots of divas as per. I’m gonna whack in some classic Amy Winehouse too: Back In Black.”

Will a remote guest be joining you?

“Not this time. You get Velma all to yourself.”

Your 2020 ended on a high with the villainous Fleshius Creepius in York Stage’s Jack And The Beanstalk.  How did it feel to be back on stage in a show with a proper run to it?

“It was EVERYTHING. Such a joy and a wonderful experience. Feel so lucky and positive for a return of theatre as a whole!” 

What did you enjoy most about performing this pantomime – a new hybrid of “pansical” or “musical theatre with pantomime braces on” – in your home city?

“Working with the entire team. Everyone was sensational. The most talented cast I’ve ever worked with.” 

What were your highlights of 2020, aside from the pantomime?

“Reconnecting with York. I’ve fallen in love with it big time. Growing up here was a very different place and time, especially for the LGBTQIA+, but now it’s SO much more diverse.”

What realistic hopes do you have for yourself in 2021?

“That I can stay afloat until venues can open. It’s hard but, my lord, I’ll plod on.”

What hopes would you still have for 2021 in an ideal world?

“That theatre and the arts in general would have a boom and rebirth. I’m hopeful but realistic it may take longer than I dream.”

If you could address the Government, why do the arts matter?

“We need the arts more than we ever thought. It’s entertainment. It’s escapism. It’s culture. We all need it.” 

York Early Music Christmas Festival opens today…and it’s live at the NCEM

Welcome to the 2020 York Early Music Christmas Festival: Palisander reach for their recorders for today’s opening brace of concerts. Picture: Marc McGarraghy

CHRISTMAS arrives today at the National Centre for Early Music with the reopening of its doors for the annual York Early Music Christmas Festival.

Recorder quartet Palisander will launch the festivities at the Covid-secure St Margaret’s Church, Walmgate, with two socially distanced concerts at 4.30pm and 7pm.

The festival of live concerts will run until December 12, complemented by the inaugural York Christmas At Home festival of streamed concerts from December 11 to 13. Full details, including tickets and concert times, can be found at ncem.co.uk.

Look out for Martin Dreyer’s reviews of Palisander’s Mischief & Merriment programme today and Illyria Consort’s How Brightly Shines The Morning Star on December 7 in CharlesHutchPress.

Michael Chapman’s concert at Merchant Adventurers’ Hall to be streamed on Sunday

Michael Chapman recording Ancient & Modern at the Merchant Adventurers’ Hall, York, for streaming on Sunday

VETERAN troubadour Michael Chapman has recorded a special concert during Lockdown 2 at the Merchant Adventurers’ Hall, York, to be streamed online on Sunday (29/11/2020) at 7pm.

Filmed on November 12, the Ancient & Modern recording represents a look-back over the long and illustrious career of the 79-year-old Leeds singer, songwriter and guitarist, who combines classics and newer compositions in a concert also featuring a support slot and interview by close friend and mentee Katie Spencer. 

Sunday’s event marks a first venture into streamed concerts by the York community venue The Crescent and promoters Please Please You and Ouroboros, alias Joe Coates and Harkirit Boparai.

“This is new terrain for us, but we are big believers in Michael and his music, and it’s an honour to present him during these times and at this point in his career” says Boparai. “Michael is a unique musician with more than 50 years of experience, floating between Americana, blues and psychedelic folk.”

Boparai was delighted the recording could go ahead despite Lockdown 2 being imposed from November 5. “We were lucky, the lockdown nearly threw everything, but then it emerged under the Government guidance that streaming and rehearsal were permitted as long as everyone involved were ‘professionals’,” he says. 

“They still want us to work! I also think, to be fair, they saw the value in allowing culture to continue in an online form. 

Chapman by candlelight: The poster for Sunday’s streamed concert from the Merchant Adventurers’ Hall by Michael Chapman

“Merchant Adventurers’ Hall had a new clerk starting in the week of lockdown, and I remember anxiously waiting for their decision and interpretation of guidance…”.

Good news was forthcoming, whereupon Chapman could head to the hall. Explaining his choice of concert title, he says: “I wanted to call it Ancient & Modern in reference to the hymn books of days gone by and because it reflects the songs I selected to play for this show.” 

The title also acknowledges Chapman’s approach and sound. While firmly rooted in traditional folk, blues and Americana, his constant pushing of the envelope has inspired a new generation of artists, such as instrumentalist-turned-singer Steve Gunn, who produced his last two albums for the Paradise Of Bachelors label, 50 and True North, featuring pedal-steel guitarist BJ Cole and singer-songwriter and guitarist Bridget St John.

Gunn says: ‘It’s been an honour to share a stage with Michael, or even just to be in the room when he’s playing. I know so many of his stories and songs by heart now. I cherish them.”’

This continuous evolution of style has garnered a cult following for Chapman, also making him virtually impossible to categorise. While this may sometimes infuriate reviewers and concert bookers alike, it is exactly what keeps his fervent supporters on board and has brought a whole raft of younger appreciators to his music over the past decade. 

Chapman’s journey has taken him from the acoustic virtuoso of the early Cornish folk days, typified by his Fully Qualified Survivor album, through to Memphis Soul, courtesy of Stax producer Don Nix, and the album Savage Amusement, dipping into New Age music via Heartbeat, and onwards even to full-on improv for Thurston Moore’s label, Ecstatic Peace.

Moore says: “Michael Chapman, beyond the machinations of the record industry, became the great teacher for all of us guitar playing songwriters coming up in the late-20th century. With an organic mix of passion and remove, he showed that getting lost in the music was a way to find the truth of the heart. No better lesson learned, I’d say.” 

After making the acoustic guitar his own, Chapman has been exploring the electric guitar in these latter, mellower years, while still retaining the intensity of his playing and song-writing.

Chapman may be approaching 80 – that landmark will fall on January 24 2021 – but it will not diminish his need to move the music forward, dip into the past and embrace the present with as much enthusiasm and fervour as a man at his stage in life can muster. 

“Michael’s online concert will be available for ticket holders to watch as many times as they like for up to three days from the time of broadcast, and you can watch on computers, phones or through smart TVs and Chromecasts,” says Boparai.

For more information and tickets, head to: www.thecrescentyork.com. For a downloadable video teaser, go to: https://vimeo.com/481206388

Tickets cost £10 or you can choose to pay £15 to further support Michael Chapman and the freelance production crew during these difficult times.

For the last word on Chapman’s lasting impact, here is Rockford, Illinois guitarist, singer and songwriter Ryley Walker: “One of my greatest influences in life. Taught me to play guitar better, act like a professional, and always demand the cash at the end of the night. 80 years and just getting started. A true honour and privilege to call Michael a friend and mentor. MC shows love and truth in every tune. Guitar king and living legend Michael Chapman!”