Anne-Marie to play Scarborough Open Air Theatre with Hrvy and Gracey on August 29

Anne-Marie: Scarborough Open Air Theatre debut this summer

ANNE-MARIE will head to the Yorkshire coast on August 29 for a headline concert at Scarborough Open Air Theatre.

The chart-topping Essex singer-songwriter will be joined at her Sunday show that August Bank Holiday weekend by Hrvy and Gracey. Tickets will go on general sale at 9am on Friday, April 2 via ticketmaster.co.uk.

Nine-time BRIT Award nominee Anne-Marie Rose Nicholson, from East Tilbury, near Thurrock, is a former West End child star who has notched four UK top ten singles and 4.5 billion global streams.

Her 2016 breakthrough, Alarm, has been followed by further lead-artist hits Ciao Adios and Friends, with Marshmello, in 2017; 2002, with Ed Sheeran, and Rewrite The Stars, with James Arthur, in 2018, Birthday in 2020 and Don’t Play, a number two success with KSI and Digital this year.

Hrvy: Singing Holiday in Scarborough over August Bank Holiday weekend

Anne-Marie, who will turn 30 on April 7, has been a featured artist, alongside Sean Paul, on Clean Bandit’s 2016 number one, Rockabye; Artists For Grenfell’s 2017 number one, Bridge Over Troubled Water; David Guetta’s Don’t Leave Me Alone in 2018, Live Lounge Allstars’ 2019 chart-topper Times Like These and Rudimental’s Come Over in 2020.

On March 20, millions tuned in to witness Anne-Marie’s debut Grand Final win on ITV’s The Voice UK as she mentored Scotsman Craig Eddie to victory.

Further buoyed last year by his cheeky-chappie performances with Janette Manrara on Strictly Come Dancing, Hrvy already had progressed from singing in his bedroom to signing his first record deal at 15 and achieving hits with Holiday, Phobia, Personal, Me Because Of You and Good Vibes.

After two sell-out British and European tours, Hrvy – real name Harvey Leigh Cantwell – has signed a new global record deal at 22 with BMG.

Gracey: Supporting Anne-Marie at Scarborough Open Air Theatre

Gracey, a platinum-selling songwriter since the age of 16, has written for Rita Ora, Olly Murs and Kylie Minogue and had a top ten smash with Don’t Need Love, her 2020 collaboration with 220 Kid.

Gracey – 23-year-old Grace Barker from Brighton – has since released Empty Love, a collaboration with Australian singer Ruel, and her second EP, The Art Of Closure.

Peter Taylor, of Scarborough Open Air Theatre (OAT) promoters, says: “We are absolutely delighted to announce a headline show this summer with Anne-Marie, supported by Hrvy and Gracey.

“Anne-Marie has had hits around the world, and we’ve had so many requests to bring her here to Scarborough OAT. This is not only going to be a very popular announcement but one of the must-see shows of the summer.”

Aljaž and Janette move York date to April 2022…but here comes their streamed show

Strictly between us: Aljaž Škorjanec and Janette Manrara and a model of an Oscar

STRICTLY Come Dancing regulars Aljaž Škorjanec and Janette Manrara are moving their Remembering The Oscars show at York Barbican for a second time.

The persistent pandemic has enforced a switch to April 7 2022, for the only Yorkshire performance of next year’s tour, after an earlier change from Spring 2020 to March 2021.

“Due to the continuing uncertainty regarding the unlocking of mass gatherings for events in the entertainment sector, it has been decided to reschedule the tour to Spring 2022,” the official statement reads, after the 41-date tour was postponed again, this time rescheduled for March 19 to May 7 2022.

All tickets will remain valid for the new dates. As announced earlier, the tour’s producers and Aljaž and Janette will be making ten free VIP tickets available to NHS staff at every venue as a way of showing their gratitude to front-line workers, with a meet & greet with the two dancers as part of the package. Information on how to claim these tickets will be announced “as soon as normal services resume”. 

In Remembering The Oscars, husband and wife Aljaž and Janette will give the red-carpet treatment to Oscar-winning songs, dances, movies and stars.

Slovenian-born dancer and choreographer Aljaž, 31, says: “We’re devastated to have to postpone for a second time what we truly believe is our best show to date. However, everybody’s health and safety comes first, so we know it’s absolutely the right decision to make.

“Equally, we’re thrilled audiences across the UK will still get to see our amazing show next year, by which point we all hope the pandemic will finally be behind us.”

Miami-born Cuban-American dancer and choreographer Janette, 37, adds: “Like all performers, we’re very much looking forward to the moment when we can all get back on the stage and put on a real show for everyone.

The poster for Aljaž and Janette’s rearranged Remembering The Oscars tour in 2022

“It will be a memorable and emotional moment for both the cast and audience that’ll be worth waiting for. In the meantime, stay safe everybody.”

Tickets remain valid for the new York Barbican date, but ticket holders unable to attend the April 7 2022 show should contact yorkbarbican.co.uk for refund details.

Meanwhile, in the wake of the latest tour postponement, Aljaž and Janette are to star in a streamed performance of the still-to-be-debuted Remembering The Oscars for a limited three-week season starting on March 27.

In this one-hour special, Aljaž & Janette will celebrate the greatest award-winning songs, films and dance routines from the Golden Ages of Hollywood through to Disney family favourites and beyond.

The Strictly duo will be joined by a cast of singers and dancers on a specially constructed stage, backed by a large LED screen that will show brand-new filmed content, as they dance their way through bespoke and original and musical arrangements of more than 25 songs.

Among the films in the spotlight will be Dirty Dancing, Mary Poppins, Flashdance, Cabaret, The Wizard Of Oz, An American In Paris, The Lion King, La La Land, Toy Story, Singin’ In The Rain, Frozen, A Chorus Line, William Shakespeare’s Romeo + Juliet and Scent Of A Woman, among others.

The performance will be intercut with commentaries from Aljaž and Janette, complemented by backstage behind-the-scenes content; their personal account of how the show and its routines were created; why they picked certain songs; how they devised each of the show’s sections and the influences behind their performances.

Shot using ten high-definition cameras, the pay-per-view event will premiere on Saturday, March 27 at 7.30pm and can be watched on demand via Smart TVs, computers, tablets and phones until April 17.

Up stream: Aljaž and Janette announce “the streaming event of the year!”

All tickets come with a free digital 32-page programme, packed with exclusive photos, interviews, Oscar trivia and much more. Options to upgrade include an after-show pass to an In Conversation with Aljaž and Janette and an exclusive 30-minute behind-the-scenes film, featuring additional footage with access to the dressing rooms, rehearsals and backstage.

Aljaž and Janette say: “We feel awful having to postpone our Remembering The Oscars tour for a second time due to the pandemic, but we’re delighted to have been given the opportunity to film some of the highlights from the show.

“Hopefully this will give our audience and fans a taster of what is to come next year. We love and miss you and hope you enjoy the show.”

Many of the postponed tour’s venues, such as Birmingham Symphony Hall, Newcastle Theatre Royal and Northampton’s Derngate Theatre, have come together to help to promote the stream.

The show’s co-producers, Steven Howard for The TCB Group and David Shepherd, have commented jointly: “The support we have from our friends in the regions is invaluable. While venues remain closed, they are working with us to promote this very special streamed performance of Remembering The Oscars to their respective audiences.

“We all know how important local venues are to the cultural fabric of the UK, so we hope this goes someway to supplement the public’s craving for live performance.”

Tickets are available at £15 from: https://tcbtv.ticketco.events/uk/en/e/remembering_the_oscars or www.rememberingtheoscars.com.

Further offers:

In Conversation with Aljaž and Janette: £5

Aljaž and Janette answer all your questions and talk about the show, their dreams and aspirations for the future. In Conversation is a revealing insight into their Remembering The Oscars journey and the inspirations behind their choice of songs and dance routines. They will be joined by “some very special guests”.

Behind The Scenes with Aljaž and Janette: £5

Exclusive 30-minute film featuring additional footage with access to the dressing rooms, rehearsals and backstage of Remembering The Oscars.

Kevin Clifton must wait year longer to play dream role after Strictly Ballroom delay

Clifton suspension: Kevin Clifton’s dream role is put on hold for a year after postponement of the Strictly Ballroom tour. Picture: Dan Hogan

KEVIN Clifton will not be in Strictly twice over this year.

In March, the 2018 champion announced he was leaving the Strictly Come Dancing professional squad after seven seasons in annual pursuit of the BBC One glitter ball trophy, filling his diary instead with the 2020/2021 UK and Ireland tour of Baz Luhrmann’s Strictly Ballroom The Musical, directed by Strictly judge Craig Revel Horwood, no less.

The tour should have run from September 26 to June 26 2021, but the Covid-19 pandemic has necessitated its postponement until a new starting date of September 27 2021 in Plymouth.

“Kevin from Grimsby”, 37, will play his dream role of Scott Hastings at the Grand Opera House, York, from November 15 to 21 2021, rather than November 23 to 28 this autumn.

Further rearranged Yorkshire dates are: Bradford Alhambra Theatre, November 22 to 27 2021, Hull New Theatre, April 25 to 30 2022, and Sheffield Lyceum Theatre, May 30 to June 4 2022, on a tour that will end in where else but the ballroom-dancing mecca of Blackpool on July 2 2022.

“You can still expect a simply fab-u-lous show for all to enjoy,” promises director Craig Revel Horwood

Announcing the tour’s postponement, the producers say: “To ensure everyone’s safety in these uncertain times, we had to take the difficult decision to reschedule the original tour dates.

“But the good news is that all of the shows in the touring schedule have been rearranged and tickets for each performance will be exchanged automatically, so fans will not miss out on this musical extravaganza. Details of how to exchange tickets will follow in the coming weeks.” 

Clifton says: “I’m really delighted that the Strictly Ballroom tour has been rescheduled.  As I’ve mentioned before, it’s my all-time favourite film and Scott Hastings is my dream role, so I can’t wait to bring this musical to theatres across the UK next year.  In the meantime, please stay safe and keep well, everyone.”

Director Craig Revel Horwood enthuses: “I’m thrilled that our new production of Strictly Ballroom The Musical has been rescheduled for 2021/2022.  The tour may be a year later, but you can still expect those same sexy dance moves, scintillating costumes and a simply FAB-U-LOUS show for all to enjoy, starring the one and only Kevin Clifton.”

Clifton joined Strictly Come Dancing in 2013, performing in the final five times, missing out only in 2017 and 2019, and he was crowned Strictly champion in 2018 with celebrity partner Stacey Dooley, the BBC documentary filmmaker, presenter and journalist.

“I’m beyond excited to be finally fulfilling a lifelong ambition to play Scott Hastings,” says Kevin Clifton, dressed a la mode as Hastings goes into battle on the ballroom floor

A former youth world number one and four-time British Latin Champion, Clifton has won international open titles all over the world. After making his West End musical theatre debut in 2010 in Dirty Dancing, he starred as Robbie Hart in The Wedding Singer at Wembley Troubadour Park Theatre and as rock demigod Stacie Jaxx in the satirical Eighties’ poodle-rock musical Rock Of Ages in the West End, a role that also brought him to Leeds Grand Theatre last August.

Clifton last performed at the Grand Opera House, York, in the ballroom dance show Burn The Floor last May.

Strictly Ballroom The Musical tells the story of Scott Hastings, a talented, arrogant and rebellious young Aussie ballroom dancer. When his radical dance moves lead to him falling out of favour with the Australian Dance Federation, he finds himself dancing with Fran, a beginner with no moves at all.

Inspired by one another, this unlikely pair gathers the courage to defy both convention and family and discover that, to be winners, the steps don’t need to be strictly ballroom.

Featuring a book by Luhrmann and Craig Pearce, the show features a cast of 20 and combines such familiar numbers as Love Is In The Air, Perhaps Perhaps Perhaps and Time After Time with songs by Sia, David Foster and Eddie Perfect.

Rock on: Kevin Clifton as rock demigod Stacee Jaxx in Rock Of Ages at Leeds Grand Theatre last August

Strictly Ballroom began as an uplifting, courageous stage play that Luhrmann devised with a group of classmates at Sydney’s National Institute of Dramatic Art in Australia in 1984. Eight years later, he made his screen directorial debut with Strictly Ballroom as the first instalment in his Red Curtain Trilogy.

The film won three 1993 BAFTA awards and received a 1994 Golden Globe nomination for Best Picture. Strictly Ballroom The Musical had its world premiere at the Sydney Lyric Theatre in 2014, and the West Yorkshire Playhouse, Leeds, staged the first British production in December 2016 to January 2017.

When announcing his full-time move into the world of musical theatre only a week before the Covid-19 lockdown in March, Clifton said: “I’m beyond excited to be finally fulfilling a lifelong ambition to play Scott Hastings in Strictly Ballroom The Musical. When I was ten years old, I first watched the movie that would become my favourite film of all time. This is my dream role.

“Plus, I get to work with Craig Revel Horwood again. I really can’t wait to don the golden jacket and waltz all over the UK in what’s set to be an incredible show.” Now, alas, he must wait for a year longer.

Tickets for the York run are on sale at atgtickets.com/york; Bradford, “on sale soon”;  Hull, from May 15, at hulltheatres.co.uk; Sheffield, “in the autumn”.

Joanne Clifton, Kevin’s sister, as Janet Weiss in The Rocky Horror Show at the Grand Opera House, York, last June

Did you know?

KEVIN is not the only member of the Clifton dancing family of Grimsby to have graduated from Strictly champion into musicals. Sister Joanne, 36, appeared at the Grand Opera House, York, as demure flapper girl Millie Dillmount in Thoroughly Modern Millie in February 2017; combustible Pittsburgh welder and dancer Alex Owens in Flashdance in November that year and prim and proper but very corruptible Janet Weiss in The Rocky Horror Show in June 2019.

Strictly’s Aljaž and Janette move Barbican show to 2021 and invite NHS heroes

Aljaž Škorjanec and Janette Manrara: Remembering The Oscars tour moves to Spring 2021

REMEMBER the new York Barbican date for Remembering The Oscars. Strictly Come Dancing couple Aljaž Škorjanec and Janette Manrara are rescheduling their postponed April 10 show for April 21 next year.

In keeping with all 38 dates, ten free VIP tickets will be made available to NHS staff “as a way of the producers and Aljaž and Janette showing their gratitude to these front-line heroes” caught in the eye of the Coronavirus pandemic storm.

This will include a meet & greet with the Strictly duo, and information on how to claim these tickets will be announced very soon “once normal services resume”. 

Aljaž and Janette say: “We know what we are offering is a relatively small gesture, but we want to acknowledge the amazing effort of the NHS staff who are facing unimaginable pressure on a daily basis as they treat patients across the UK affected by Coronavirus.

“We’ll be rolling out the proverbial red carpet for these heroes and we look forward to thanking them in person throughout the tour.”

The 2020 tour of Škorjanec and Manrara’s new dance spectacular had been due to start earlier this month, but was postponed after theatres closed nationwide in response to the Covid-19 pandemic.

The tour now will run from March 20 to May 4 2021 and all tickets will remain valid for the rearranged dates of Remembering The Oscars, wherein Aljaž and Janette will give the red-carpet treatment to Oscar-winning songs, dances, movies and stars. 

Janette says: “We are so thrilled to have the opportunity to put on this magnificent show, which we are so proud of, in 2021. We hope that when these difficult times pass, we can bring joy and smiles to everyone’s hearts; nothing would make us happier.” 

Aljaž added: “It was heart-breaking to not be able to open with our show this year, but we are now so thrilled that our beautiful show will still be seen by the UK audiences next year. We cannot wait to be back on stage and perform for you all.”

York Barbican is the only Yorkshire date on the tour. Ticket holders unable to attend the April 21 2021 show should contact the Barbican box office, 0203 356 5441. 

Strictly speaking, Kevin Clifton WILL still be in Strictly. Here’s why…

From Strictly to Strictly Ballroom: Kevin Clifton in his dream role as Scott Hastings. Picture: Dave Hogan

KEVIN Clifton will still be in Strictly after all this year…and next year too.

Not the 2020 series of Strictly Come Dancing, but the 2020/2021 UK and Ireland tour of Baz Luhrmann’s Strictly Ballroom The Musical, directed by Strictly judge Craig Revel Horwood, no less.

“Kevin from Grimsby”, 37, will play his dream role of Scott Hastings, with Yorkshire dates in York, Hull, Sheffield and Bradford, after the 2018 Strictly champion announced his exit last week from BBC One’s ballroom dance show, ending  seven seasons in annual pursuit of the glitter ball trophy.

“I really can’t wait to don the golden jacket ,” says Kevin Clifton

Clifton is making a full-time move into the world of musical theatre, kicking off with the musical version of the 1992 Australian film that so inspired him in childhood days in Grimsby.

“I’m beyond excited to be finally fulfilling a lifelong ambition to play Scott Hastings in Strictly Ballroom The Musical,” he says.  “When I was ten years old, I first watched the movie that would become my favourite film of all time. This is my dream role.

“Plus, I get to work with Craig Revel Horwood again.  I really can’t wait to don the golden jacket and waltz all over the UK from September this year in what’s set to be an incredible show.”

Craig Revel Horwood: directing Kevin Clifton in Strictly Ballroom. Picture: Ray Burmiston

On tour from September 26 to June 26 2021, Strictly Ballroom will visit the Grand Opera House, York, from November 23 to 28, as well as Hull New Theatre, October 12 to 17; Sheffield Lyceum Theatre, April 12 to 17 2021, and Alhambra Theatre, Bradford, May 31 to June 5 2021.

Clifton joined Strictly Come Dancing in 2013, performing in the final five times, missing out only in 2017 and 2019, and was crowned Strictly champion in 2018 with celebrity partner Stacey Dooley, the BBC documentary filmmaker, presenter and journalist.

A former youth world number one and four-time British Latin Champion, Clifton has won international open titles all over the world. After making his West End musical theatre debut in 2010 in Dirty Dancing, he starred as Robbie Hart in The Wedding Singer at Wembley Troubadour Park Theatre and as rock demigod Stacie Jaxx in the satirical Eighties’ poodle-rock musical Rock Of Ages in the West End, a role that also brought him to Leeds Grand Theatre last August.

Kevin Clifton as Stacee Jaxx in Rock Of Ages at Leeds Grand Theatre in 2019

Clifton last performed at the Grand Opera House, York, in the ballroom dance show Burn The Floor last May.

Strictly Ballroom The Musical tells the story of Scott Hastings, a talented, arrogant and rebellious young Aussie ballroom dancer. When his radical dance moves lead to him falling out of favour with the Australian Dance Federation, he finds himself dancing with Fran, a beginner with no moves at all.

Inspired by one another, this unlikely pair gathers the courage to defy both convention and family and discover that, to be winners, the steps don’t need to be strictly ballroom.

Sam Lips as Scott Hastings and Gemma Sutton as Fran in the British premiere of Strictly Ballroom The Musical at the West Yorkshire Playhouse, Leeds, in 2016/2017. Picture: Alastair Muir

Featuring a book by Luhrmann and Craig Pearce, the show features a cast of 20 and combines such familiar numbers as Love Is In The Air, Perhaps Perhaps Perhaps and Time After Time with songs by Sia, David Foster and Eddie Perfect.

Strictly Ballroom began as an uplifting, courageous stage play that Luhrmann devised with a group of classmates at Sydney’s National Institute of Dramatic Art in Australia in 1984. Eight years later, he made his screen directorial debut with Strictly Ballroom as the first instalment in his Red Curtain Trilogy.

The film won three 1993 BAFTA awards and received a 1994 Golden Globe nomination for Best Picture. Strictly Ballroom The Musical had its world premiere at the Sydney Lyric Theatre in 2014, and the West Yorkshire Playhouse, Leeds, staged the first British production in December 2016 to January 2017.

Joanne Clifton, Kevin’s sister, as Janet Weiss in The Rocky Horror Show at the Grand Opera House, York, last June

Kevin is not the only member of the Clifton dancing family of Grimsby to have graduated from Strictly champion into musicals. Sister Joanne, 36, appeared at the Grand Opera House, York, as demure flapper girl Millie Dillmount in Thoroughly Modern Millie in February 2017; combustible Pittsburgh welder and dancer Alex Owens in Flashdance in November that year and prim and proper but very corruptible Janet Weiss in The Rocky Horror Show in June 2019.

York tickets are on sale on 0844 871 3024 or at atgtickets.com/york; Hull, 01482 300306 or hulltheatres.co.uk. Sheffield and Bradford tickets will be available soon.

Strictly’s Giovanni Pernice says This Is Me in York Barbican summer dance show

This is him: Giovanni Pernice in This Is Me

STRICTLY Come Dancing star Giovanni Pernice will lead his cast of professional dancers in This Is Me at York Barbican on June 11.

For his fourth year of touring, the 29-year-old Sicilian will be joined by leading lady Giulia Dotta, a professional dancer on Dancing With The Stars Ireland, who performed with Pernice on his first two solo tours and has appeared around the country in shows such as Rip It Up and Here Come the Boys.

The poster for This Is Me, Giovanni Pernice’s new touring show

In the company too will be Oksana and Jonathan Platero. Oksana is a former Strictly professional, reaching the quarter-final with Judge Rinder in 2016. Her husband, Jonathan, is a world salsa champion and they both dance on the Latin version of So You Think You Can Dance? on American television.

The line-up of dancers from around the world also will include Larisa Untila, Valerio La Pietra and Domenico Palmisano.

This Is Me is directed and choreographed by dance power-couple Trent Whiddon and Gordon Grandosek Whiddon. This duo has performed in such shows as Burn The Floor and on screen in Strictly Come Dancing and Dancing With The Stars, as well as creating the musical Le Hotel. 

Giovanni Pernice on stage, leading his company of dancers

Pernice’s new show will pay homage to the music and dances that have inspired a career that has taken him from competition dancer to Strictly regular on BBC One.

Last summer, Strictly trio Pernice, Aljaž Škorjanec and Gorka Marquez played Harrogate Convention Centre on June 25 and Hull Venue on July 17 on their 38-date Here Come The Boys tour.

Tickets for This Is Me’s 7.30pm performance are on sale on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Brendan Cole calls time on big band song-and-dance shows but showman will return

Brendan Cole in Show Man, dancing its way to the Grand Opera House, York, next month

HEADING for York on February 25, ballroom dancer Brendan Cole’s Show Man will be his last big band production after ten years of touring five shows.

Just to be clear, the former Strictly Come Dancing star is not retiring but song-and-dance concert tours on such a theatrical scale will be consigned to the past after Live & Unjudged in 2010, 2011 and twice in 2012; Licence To Thrill in 2013 and 2014; A Night To Remember in 2015 and 2016; All Night Long in 2017 and 2018 and now Show Man in 2019 and 2020.

“This will be my last big band tour after touring for so many years,” says the 43-year-old New Zealander, who will be bringing Show Man to the Grand Opera House next month.

“I’ve loved every second of being on the stage with my friends, who have now become family. It’s time for something different and I’m honoured to be taking Show Man out for one last run.

Taking Show Man out for one last run: Brendan Cole launches the second leg of his 2019/2020 tour

“I’m so proud of this production and I’m going out on a high. If you love live music from one of the best touring bands and exciting and emotive dance, this is the show for you.”

Back on the road from February 19, Show Man draws its inspiration from the magic of theatre and the movies, combining Cole and his hand-picked championship dancers and eight-piece big band and singers with laughter and chat throughout.

Choreography will be high energy, up close and personal, complemented by the lighting and special effects. Expect a cheeky Charleston to Pencil Full Of Lead, a sexy Salsa to Despacito, music fromBeggin’ to Bublé, plus numbers from The Greatest Showman and La La Land.

‘I’m really excited to be bringing back Show Man, having toured this production early in 2019. This is my most exciting tour to date; it’s so dynamic and theatrical, much more so than any previous tour,” says Brendan, who you may remember lifted the very first Strictly Come Dancing glitterball trophy when partnering news presenter Natasha Kaplinsky in 2004.

” I’m particularly proud of Show Man because of its theatricality,” says Brendan Cole

“We have five male dancers, three female dancers, choirs, a violinist and brand new staging, which allows the choreography to be exciting and different; bigger and better lifts, some very strong theatrical numbers, as well as a new-look set. It really is something special. My aim is to wow the audience and give them everything they’d expect and much, much more.”

Why stop doing such big-scale shows now? “I’m giving myself options for the future,” says Brendan, who, by the way, spent the Christmas season in pantoland, playing the Spirit of the Ring in Aladdin at the New Victoria Theatre, Woking. “My days of playing Aladdin are over!” he quips. “I’m not hired for my looks!”

Back to Show Man being his last tour on the grand scale. “The thing is, with these big band tours, I’ve been doing it for ten years now; it takes a year to put each one together and I don’t have the time to do that anymore.

“Since I left Strictly at the end of 2017, I’m delighted to say I’ve been crazily busy. I’m involved in The X Factor, I’m doing some other TV shows. There’s a show that’s just been filmed for Channel 4, though I can’t go into detail yet!”

“There’s that moment I really enjoy, when a dance has just finished, and there’s a hush, as if the audience are almost in a state of trance…,” says Brendan Cole

For now, the focus is on enjoying the second leg of Show Man shows. “It was Katie Bland who came up with the Show Man title, because it’s a show with all the different aspects of dance, taking it on a more theatrical slant and movie influenced too, such as The Greatest Showman and Dirty Dancing.

“Katie said, ‘you are ‘the showman’, and after seeing The Great Showman, I knew I had to include it in the show.”

Not only will there be a big band, but also a choir at the Grand Opera House. “We use local singers, anyone from 12 years old to young adults, and they range in number from 12 to 27 each night,” says Brendan.

Looking back over ten years of shows, “My favourite was my first, Live & Unjudged, when it was very raw,” he recalls. “But I’m particularly proud of Show Man because of its theatricality.”

My aim is to wow the audience and give them everything they’d expect and much, much more,” says Brendan Cole

What comes next for Brendan, the showman dancer? “Something much more intimate,” he says, “One of the things I’ve tried to do is make Show Man more intimate, but that’s a hard thing to do in a big band show.

“But I have no plans for the next move yet, because I’d like some time out as it’s gruelling, taking hours and hours to put the content together and then the company together for a show like Show Man. I want to take some time out with my family.”

Such is his love of dance shows and dancing itself, Brendan will be back. “It’s the magic of it. Creating a story between two people in a dance. That little bit of magic for two and a half, three, minutes. It’s storytelling without words, and as people watch, they create their own stories,” he says.

“It’s the waltzes that I really love. There’s a real beauty to them. Then there’s that moment I really enjoy, when a dance has just finished, and there’s a hush, as if the audience are almost in a state of trance…”

…And, there, in a nutshell, is why Show Man will be a chapter, rather than the closing chapter, in Brendan Cole’s dance story. He has a vision beyond 2020.

Brendan Cole, Show Man, Grand Opera House, York, February 25, 7.30pm. Box office: 0844 871 3024 or at atgtickets.com/York

Copyright of The Press, York