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More Things To Do in York & beyond when time travel and hot dancing counters the chill. Hutch’s List No. 11, from The Press

The future, here they come: Amy Revelle, Dave Hearn, centre, and Michael Dylan in Original Theatre’s The Time Machine. Picture: Manuel Harlan

THE week ahead is so crammed with clashing cultural highlights, Charles Hutchinson wishes you could climb aboard a time machine.

Find time for: Original Theatre in The Time Machine, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees  

DAVE Hearn, a fixture in Mischief Theatre’s calamitous comedies for a decade, takes time out to go time travelling in John Nicholson and Steven Canny’s re-visit of H G Wells’s epic sci-fi story for Original Theatre.

“It’s a play about three actors who run a theatre company and are trying to put on a production of The Time Machine, with fairly limited success,” says Hearn. “But then a big event happens that causes the play to spiral out of control and my character [Dave] discovers actual time travel.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Curtains At Village Gallery, by Suzanne McQuade, marks the final exhibition at Simon and Helen Main’s art space in Colliergate, York

Farewell of the week: The Curtain Descends, Village Gallery, Colliergate, York, until April 15

AS the title indicates, The Curtain Descends will be the last exhibition at Village Gallery after 40 exhibitions showcasing 100-plus Yorkshire artists in five and a half years. “The end of the shop lease and old age creeping up has sadly forced the decision,” says gallery co-owner Simon Main.

Ten artists have returned for the farewell with work reduced specially to sale prices. On show are watercolours by Lynda Heaton, Jean Luce and Suzanne McQuade; oils and acrylics by Paul Blackwell, Julie Lightburn, Malcolm Ludvigsen, Anne Thornhill and Hilary Thorpe; pastels by Allen Humphries and lino and woodcut prints by Michael Atkin. Opening hours are 10am to 4pm, Tuesday to Saturday.

Singer PP Arnold: From The First Cut Is The Deepest to Soul Survivor, her autobiography is under discussion at York Literature Festival

Festival of the week: York Literature Festival, various venues, today until March 27

HIGHLIGHTS aplenty permeate this annual festival, featuring 27 events, bolstered by new sponsorship from York St John University. Among the authors will be broadcasters David Dimbleby and Steve Richards; political journalist and think tank director Sebastian Payne (on The Fall of Boris Johnson); The League Of Gentlemen’s Jeremy Dyson; Juno Dawson, thriller writer Saima Mir and York poet Hannah Davies.

On Music Memoir Day at The Crescent, on March 18, at 1.30pm American singer PP Arnold delves into her autobiography, Soul Survivor, at 1.30pm. At 4pm, writer/broadcaster Lucy O’Brien discusses her new book, Lead Sister: The Story Of Karen Carpenter, and the challenges of writing a biography. Go to yorkliteraturefestival.co.uk for the full programme.

Too hot to handle: Strictly’s Gorka Marquez and Karen Hauer in Firedance at the Grand Opera House, York

Hot moves amid the weekend chill: Gorka Marquez and Karen Hauer in Firedance, Grand Opera House, York, Sunday, 5pm

STRICTLY Come Dancing stars Gorka Marquez and Karen Hauer reignite their chemistry in Firedance, a show full of supercharged choreography, sizzling dancers and mesmerising fire specialists.

Inspired by movie blockbusters Baz Luhrmann’s Romeo & Juliet, Moulin Rouge, Carmen and West Side Story, Marquez and Hauer turn up the heat as they dance to Latin, rock and pop songs by Camilla Cabello, Jason Derulo, Gregory Porter, Gipsy Kings and Jennifer Lopez. Box office: atgtickets.com/york.

Suede: First appearance at York Barbican in a quarter of a century

Gig of the week: Suede, York Barbican, Wednesday, 7.45pm

ELEGANT London rock band Suede play York Barbican for the first time in more than 25 years on the closing night of their 2023 tour. Pretty much sold out, alas, but do check yorkbarbican.co.uk for late availability.

Last appearing there on April 23 1997, Brett Anderson and co return with a set list of Suede classics and selections from last September’s Autofiction, their ninth studio album and first since 2018. “Our punk record,” as Anderson called it. “No whistles and bells. The band exposed in all their primal mess.”

Sloane danger: Ben Weir’s psychopathic Sloane, left, playing siblings Kath (Victoria Delaney) and Ed (Chris Pomfrett) off each other in rehearsal for York Actors Collective’s Entertaining Mr Sloane

Debut of the week: York Actors Collective in Entertaining Mr Sloane, Theatre@41, Monkgate, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

DIRECTOR Angie Millard launches her new company, York Actors Collective, with Joe Orton’s controversial, ribald comedy Entertaining Mr Sloane, the one that shook up English farce with its savage humour in 1964.

Living with her father, Dada Kemp (Mick Liversidge), Kath (Victoria Delaney) brings home a lodger: the amoral and psychopathic Sloane (Ben Weir). When her brother Ed (Chris Monfrett) arrives, the siblings become involved in a sexual struggle for Sloane, who plays one off against the other as their father is caught in the crossfire. Box office: tickets.41monkgate.co.uk.

Classrooom comedy: Sara Howlett, left, Laura Castle and Sophie Bullivant in rehearsal for Rowntree Players’ production of John Godber’s Teechers Leavers ’22

Education, education, education play of the week: Rowntree Players in Teechers, Joseph Rowntree Theatre, York, Thursday to Saturday, 7.30pm plus 2.30pm Saturday matinee

FAMILIAR to York’s streets at night as ghost-walk guide and spookologist Dr Dorian Deathly, actor Jamie McKellar is directing a play for the first time since 2008, at the helm of Rowntree Players’ production of former teacher John Godber’s state-of-the nation, state-of state-education comedy Teechers.

Updated for Hull Truck’s 50th anniversary celebrations as Teechers Leavers ’22, Godber’s class warfare play within a play features a multi role-playing, all-female cast of Laura Castle, Sophie Bullivant and Sarah Howlett as Year 11 school leavers Salty, Hobby and Gail put on a valedictory performance, inspired by their new drama teacher. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

David Ford: Songs and stories at The Crescent

The robots are coming: David Ford, Songs 2023, The Crescent, York, Thursday, 7.30pm

EASTBOURNE singer-songwriter David Ford might play solo stomps with loop machines and effects pedals or backed by a swish jazz trio or with a string quartet attached. Not this time.

For 2023, Ford has taken the rare decision to keep it simple, leave most of the crazy machines at home, play some of his favourite songs and share stories about where they came from. Oh, and he’ll be bringing his new DIY toy, a drum robot. Beat that. Box office: thecrescentyork.com.

Tuesday’s seated Crescent gig by The Go-Betweens’ Robert Forster, promoting his new album The Candle And The Flame, has sold out by the way.

Because he cared: Comedian Bilal Fafar reflects on working in a care home for the very wealthy in Care at Theatre@41, Monkgate

Caring comedian of the week: Burning Duck Comedy Club presents Bilal Zafar in Care, Theatre@41, Monkgate, York, March 19, 8pm

WANSTEAD comedian Bilal Zafar, 31, is on his travels with a new show about how he spent a year working in a care home for very wealthy people while being on the minimum wage.

Fresh out of university with a media degree, Bilal was dropped into the real world, where he was given far too much responsibility for a 21-year-old lad who had just spent three years watching films. Box office: tickets.41monkgate.co.uk; age limit,18 and over.

In Focus: Anders Lustgarten’sThe City And The Town, at Stephen Joseph Theatre, Scarborough, March 15 to 17

Gareth Watkins as Magnus in Anders Lustgarten’s The City And The Town. Picture: Karl Andre

LONDON playwright and political activist Anders Lustgarten’s new play, The City And The Town, heads to the Yorkshire coast next week. 

This funny, eclectic drama brings a fresh perspective to the political divides and problems facing Great Britain and Europe today.

By way of contrast to those schisms, the tour involves a hands-across-the-water partnership: a co-production by Riksteatern, the national touring theatre of Sweden, and Matthew Linley Creative Projects in association with Hull Truck Theatre.

Lustgarten’s play tells the story of brothers Ben and Magnus. Ben, a successful London lawyer, returns home for his father’s funeral after 13 years away, only to be confronted not only by family and old friends, but also by uncomfortable truths about the past, present and future of the provincial community and family he grew up in and left behind for the metroplis.

Lustgarten, by the way, is the son of progressive American academics and read Chinese Studies at Oxford: in other words, he is an internationalist (and an Arsenal supporter to boot).

Directed by Riksteatern artistic director Dritero Kasapi, The City And The Town features Gareth Watkins as Magnus, Amelia Donkor as Lyndsay and Sam Collings as Ben, with set design by Hannah Sibai and lighting design by Matt Haskins.

Amelia Donkor’s Lyndsay in The City And The Town. Picture: Karl Andre

Kasapi is at the helm of his first UK production since Nina – A Story About Me And Nina Simone. “Even from the very first draft Anders sent us, I knew that this was a play I wanted to direct,” he says. “In fact, I’d go as far as saying it’s the play I’ve wanted to direct for a very long time.

“By exploring the rise of the right, Anders is looking at something that is happening all over Europe. But this is not just a political play, it’s also a humane one. It explores the question of if and how we belong to society, what can happen when we lose that connection and how we perceive our common history as a society.”

Kasapi was educated as a stage director at the Faculty of Dramatic Arts in Skopje, Macedonia, but since the early years of his professional life he has been engaged as a cultural organiser.

From 2015 to 2018, he was the deputy artistic director at Kulturhuset Stadstetern in Stockholm. He took up his present post in November 2018. 

The City And The Town follows such Lustgarten plays as Lampedusa (Hightide/Soho Theatre), The Seven Acts Of Mercy (Royal Shakespeare Company), The Secret Theatre(Shakespeare’s Globe) and The Damned United (Red Ladder/West Yorkshire Playhouse, 2016, turning Brian Clough’s 44 days as Leeds United manager in 1974 into a Greek tragedy).

The City And The Town began its UK tour at Hull Truck on February 10 and 11 and has since played Northern Stage, Newcastle, Wilton’s Music Hall, London, Mercury Theatre, Colchester, and Norwich Playhouse before its Scarborough finale. It will then transfer to Sweden for an autumn tour.

The City And The Town, Stephen Joseph Theatre, Scarborough, March 15 to 17, 7.45pm plus 1.45pm Thursday matinee. Box office: 01723 370541 or www.sjt.uk.com

The tour poster for The City And The Town
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Mark Thomas isn’t mucking about as he puts the need for change in black and white

No hidden meanings: Everything is in black and white in Mark Thomas’s new show. Picture: Tony Pletts

MARK Thomas, the grouchy godfather of British political comedy, is taking down politicians, mucking about, offering new ideas and finding hope in his new tour show, Black And White.

At Leeds City Varieties Music Hall tomorrow night (3/11/2022) and The Crescent, York, on Tuesday, he asks: How did we get here? What are we going to do about it? Who’s up for a sing-song?

“After lockdowns and isolation, this is a show about the simple act of being in a room together and toppling international capitalism,” says Londoner Mark, veteran alternative comedian, television and radio presenter, satirist, journalist and purveyor of political stunts on Channel 4’s The Mark Thomas Comedy Product.

He is heading out on the road after this summer’s sold-out Edinburgh Fringe run at The Stand Comedy Club elicited such reviews as: “seething, righteous and largely evidenced anger”… “incandescent critique of UK and world politics”… “his ire is something to behold”.

Here comes doubting Thomas, putting everything in Black And White in a turbulent world, but why give the tour that tagline? “Because it matches the tour poster!” he reasons. “A mate of mine took the photo, and then an artist called Tracey Mobley put it through a computer that turned it into a drawing. It looked amazing!

“So, when they said you need a name for the show – where I’m just going to muck about – I thought, let’s call it ‘Black And White’. But if you want to go for an ideological understanding of it, I guess it’s got to the point where it’s all of us against the one per cent, where this economic Ponzi scheme isn’t working for us and it’s got to change.”

Mark is up and running now. “Liz Truss espoused the free market, as a willing supporter of the Tufton Street think tanks, which means big responsibilities for human beings, but no responsibilities for businesses. Now she’s gone, Sunak is in, but it’s not even a U-turn.

“It’s like, ‘how much s**t do you want to take? 100 per cent or 99 per cent?’, then 99 per cent is what it will be. What communities need to do is build up resistance.”

How, Mark? “I wouldn’t want to tell people how to do it because they’re the ones doing it,” he says. “There are loads of people doling stuff. Some are doing food banks. There’s a brilliant centre in Sheffield that helps asylum seekers and refugees, The Sanctuary.

“They do English classes, IT classes, help with legal matters, as well as hot meals and advice. It’s a fantastic place just doing its best to help the community.

The poster image of Mark Thomas that prompted his tour title, Black And White

“Then there are community pubs. They’re the things that’ll keep going. That’s the kind of stuff I love, that really excites me. Like my football club, AFC Wimbledon, winning the community club of the year award, making sure it’s embedded in the club. Trade unions, communities, that’s what we have to support.”

In past shows, Mark has discussed visiting the West Bank and Jenin; lobbying Parliament; walking in the footsteps of the highest NHS officials; playing at the Royal Opera House; “making stuff” for TV, radio and newspapers and going undercover.

Black And White promises “creative fun”, or mucking about, if you prefer. “My favourite playwright is Bertolt Brecht, dear old Bertolt Brecht [the 20th century German theatre practitioner, playwright and poet]. I went to his house…he wasn’t in,” says Mark.

“What was fascinating about him, I remember seeing his play The Caucasian Chalk Circle at 15, and it changed my mind, which is one of the cornerstones of theatre, that you can go to a show and have your mind changed.

“Brecht always talked about creative fun, creative dissent, like those climate protestors throwing soup at Van Gogh’s Sunflowers painting at the National Gallery. The point being that people were really, really shocked by it, and it was only afterwards that they realised nothing was destroyed.

“It led to more thinking about how we need to have discussions about climate change, how we discuss it and how we may bring about change. In 100 years, no-one will remember a petition, but they will remember dangerous and creative acts because that’s the stuff that’s genuinely upsetting.

”Look at the Suffragettes. They burnt buildings, smashed windows, went on hunger strike. It was a mass movement with masses of acts of defiance. Women were being force-fed when they were on hunger strike. They brought about change.”

What new ideas for change is Mark proposing. “Nationalising the banks,” he says off the cuff. Unlikely, surely? “It doesn’t matter if it’s likely now. It’s about starting the conversation and then it might become reality,” Mark asserts.

“We need to have much more devolved power, given to communities. Proportional representation. Voting at 16. Why shouldn’t someone of 16 have the right to vote? Politics and history are the things that give people agency.”

Mark Thomas: Putting forward new ideas and finding hope in his new comedy tour de force. Picture: Tony Pletts

Where might we find hope, Mark? “Hope is a precious commodity, but there’s a difference between optimism and hope. Just don’t give me false optimism,” he says. “Defiance is the bedrock of hope.

“If you destroy a statue, you can get ten years in jail. That means a statue has more rights of protection than women. That’s nuts.”

Mark is on a roll again. “I voted Remain for one reason, and that’s because I thought a vote for Leave would increase racism and I won’t vote for that,” he says. “But once the vote has happened, that’s the vote, that’s it. Now we need to have a conversation about Brexit, how it’s working out , and what we might do about it in the future.

“Now everyone is feeling the pinch of stagnation and austerity, but all Brexiteers will stand up to say is they’re for sovereignty.

“I hope what we’re going through is the high water mark and this is our time for change. It might not be the high water mark, but one thing is for sure: I love that Bob Crow quote: ‘If you fight, you won’t always win, but if you don’t fight, you will always lose’.”

That fighting spirit permeates through Black And White: “The show is about being rude,” says Mark. “Shouting, mucking about, looking at what communities can do, celebrating us and defiance.”

As ever, Mark Thomas promises “I’ll be around, I’ll help” with his political ire, his zeal for change. How will he mark turning 60 on April 11 next year. “I’ll get my London bus pass and go on the longest route I can,” he says.  

Mark Thomas: Black And White, Leeds City Varieties Music Hall, tomorrow, 8pm; The Crescent, York, November 8, 8pm; King’s Hall and Winter Gardens, Ilkley, November 9, 8pm. Box office: Leeds, leedsheritagetheatres.com; York, thecrescentyork.seetickets.com; Ilkley, bradford-theatres.co.uk. Age guidance: 16 plus.

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Fostekew or Pattison? The choice is yours as Burning Duck Comedy Club stages two shows in two venues on one night in York

Jessica Fostekew: Serving up comedy at The Crescent

HOW can the Burning Duck Comedy Club be in two places at once in York tonight?

Here’s how: York comedy promoter Al Greaves is staging both Jessica Fostekew: Wench at The Crescent community venue at 7.30pm and Lauren Pattison’s Edinburgh award-nominated It Is What It Is at Theatre@41, Monkgate, kicking off half an hour later at 8pm.

Co-presented with Little Wander, Fostekew’s Wench is “a show about sexy things (awkward), private things (oh no) and a woman trying to sit on the face of time to keep it still (hot, right?)”.

Fostekew has appeared on Live At The Apollo, QI and Harry Hill’s Clubnite on TV and BBC Radio 4’s News Quiz and The Now Show with Steve Punt and Hugh Dennis on the wireless. She is the regular co-host of the Guilty Feminist podcast and is the host and creator of the Hoovering podcast too.

Lauren Pattison: Girl from the north country. Picture: Matt Crockett

Pattison heads to York tonight on the back of being nominated for Best Show in this summer’s Edinburgh Comedy Awards. After a lengthy period of watching the world unravel, she follows up 2019’s Hench show with It Is What It Is, but she is reluctant to say exactly what It Is What It Is is about.

Why? “Because, if the last year has taught me anything, it’s life can change fast…it is what it is,” she says. “Let’s just say sometimes you need to fall apart to rebuild into exactly who you were meant to be.”

Stand-up, writer and performer Pattison, who graduated from Northumbria University, Newcastle, with a First Class degree and First Class masters in Drama, has performed on Stand Up For Live Comedy (BBC), Comedy Central At The Comedy Store and Roast Battle and has supported Katherine Ryan on tour.

Doors open at 7pm for Fostekew; tickets are available from wegottickets.com and on the door. Tickets for Pattison: tickets.41monkgate.co.uk and on the door.

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Let’s talk about gigs, music culture and stories, mental health and The Twenty Seven Club at York Literature Festival

Harkirit Boparai: Taking part in tomorrow’s panel discussion

GIG-GOING: Live Music and Literature Stories will be the focus of a York Literature Festival panel discussion at the Fulford Arms, Fulford Road, York, tomorrow (24/3/2022).

This discussion and celebration of music culture explores how we document live music and the power of stories and publishing to unite music scenes.

Billed as “a must for musicians, reviewers, bloggers, promoters, photographers or anyone who understands the importance of music culture”, this 7.30pm event features a panel of Harkirit Boparai, Sarah Williams and Amy McCarthy.

Harkirit is the venue manager and concert promoter (for Ouroboros) at The Crescent community venue and a vital cog in the Music Venue Trust; Sarah edits Shout Louder, a webzine dedicated to the modern punk scene, and Papercuts, an independently published series of anecdotes about DIY culture; Amy is a PhD student researching music memoirs as part of the York Music Stories project.

The book cover artwork for Lucy Nichol’s The Twenty Seven Club

The panel discussion will be followed by a reading and interview with Newcastle author Lucy Nichol, whose debut novel, The Twenty Seven Club, explores mental health and the media through the 1990s’ music scene in Hull.

Lucy’s story begins with Emma hearing of the tragic death of Kurt Cobain, prompting her to ask why so many musicians died aged 27 [bluesman Robert Johnson, Rolling Stone Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison and Amy Winehouse among them].

Lucy, author, freelance writer, PR and marketing consultant, mental health campaigner, flunked punk and addiction stigma buster, will be discussing her novel’s darkly comic journey of self-discovery, friendship, fandom and hope in conversation with Amy McCarthy.

On the bill too will be spoken-word contributions from Hannah Davies and live music from Jack Woods. Tickets are on sale at yorkliteraturefestival.co.uk or at thefulfordarms.com.

Hannah Davies: Pearls of spoken-word wisdom
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Blues news: The 3rd York Blues Festival is confirmed for The Crescent on April 2 2022

Paul Winn: Co-director of 3rd York Blues Festival next April

THE 3rd York Blues Festival will be held on Saturday, April 2 2022 at The Crescent community venue, York, with live music from 1pm to 11pm.

Co-director Paul Winn says: “After the stresses involved with organising and rescheduling the 2nd York Blues Festival four times amid the pandemic, we were eventually able to hold the event on July 24, a whole five days after Government restrictions were lifted. 

“Naturally, crowd numbers were down on the day but this did not detract from what was a fantastic occasion.”

Tickets for next spring’s festival are on sale at thecrescentyork.com. Head to yorkbluesfest.co.uk for further information.

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What’s on at The Crescent in York tonight? Mark Watson, but his 8pm gig has sold out

Mark Watson: Instructions on How You Can Almost Win at The Crescent. Picture: Matt Crockett

COMEDIAN Mark Watson marks the return of full-capacity gigs at The Crescent community venue, York, with a sold-out 8pm show tonight.

York promoter Al Greaves’ Burning Duck Comedy Club presents Bristol-born Watson, 41, in How You Can Almost Win. Doors open at 7pm.

Watson says: “In 2017, I went on the show The Celebrity Island with Bear Grylls. It involved being abandoned on an island, starved half to death, almost struck by lightning, cut off from all loved ones and turned into a psychological wreck. I was pretty sure it was the most challenging situation I would ever be in. Then, in 2020, the entire planet basically went into survival-show mode.”

As we crawl from the wreckage of the pandemic, tonight Watson dispenses droplets of wisdom brought back from his island misadventure to suggest ways we can adapt. “But still with jokes,” he promises.

Mark Watson, in his pyjamas, sharing the screen with show host Tim FitzHigham at the first Your Place Comedy livestream in April 2020

During the first lockdown last year, Watson was part of the first double bill for Your Place Comedy, the virtual comedy club set up to support independent venues across the Yorkshire and Humber region.

On April 19 2020, a pyjama-clad Watson and Hull humorist Lucy Beaumont performed live online from their homes, in his case, in the living room, in hers, down the pub, The Dog And B**tard, that she and fellow comedian husband Jon Richardson have set up in their Hebden Bridge garden.

Watson, comedian, novelist, sports pundit, Taskmaster survivor and No More Jockeys cult leader, is noted for cramming spiritual enquiries, high-octane observational comedy and pathological overthinking into his evenings of stand-up.

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REVIEW: Songs Under Skies, Joshua Burnell and Katie Spencer, NCEM, York 14/6/2021

Joshua Burnell and Katie Spencer at the National Centre for Early Music, York, at Monday’s Songs Under Skies double bill

REVIEW: Songs Under Skies, Joshua Burnell and Katie Spencer, National Centre for Early Music, St Margaret’s Church, Walmgate, York

EAST Yorkshire singer-songwriter Katie Spencer, like so many musicians divorced by lockdown restrictions from their livelihood of live shows, had taken to streaming gigs to the alienating sound of silence.

No wonder she smiled at the welcoming sound of applause, as reviving as hearing birdsong after being stuck indoors. “It’s lovely to be sharing live music for the first time in a long time,” she said at the 7pm outset of week two of Songs Under Skies, the acoustic outdoor festival run by the NCEM, Fulford Arms, The Crescent and Music Venues Alliance.

All those mid-pandemic night streams, and her guitar never misbehaved. First live show back, and a string snapped, whereupon Katie administered a string re-fit at a speed to impress Formula One wheel-changers. Joshua Burnell would later refer to her handiwork as “the fastest in the history of music”.

“It’s wild to be playing music in front of live people instead of my plants and bookcase,” said Katie Spencer

That said, Katie’s primary handiwork is her acoustic guitar-playing, a gentle caress to lyrics that have the scent, sentience and scene-painting of poetry, sung in a voice that lingered in Monday’s NCEM churchyard air.

Raised by the seaside near Hull, she sang of how the water shapes both the land and the people who live there in her best number, Edge Of The Land. Weatherbeaten and Shannon Road were similarly affecting in a re-introductory set best summed up by her sentiment: “It’s wild to be playing music in front of live people instead of my plants and bookcase.”

Katie will be doing so again in support of Martin Simpson at Primrose Woods, Pocklington, on July 1 and at The Magpies Festival at Sutton Park, Sutton-on-the-Forest on August 14. Hopefully, that guitar will be on best behaviour.

Half an hour would pass for an audience as socially distanced as the churchyard graves before prog-folk songwriter Joshua Burnell took to the blue awning stage with keyboard player Oliver Whitehouse.

Not even a sound alarm could put Joshua Burnell off his stride on his return to the concert stage.

Burnell is a multi-instrumentalist on his recordings, but here he focused on acoustic guitar, adapting to the night temperature that demanded constant re-tuning, a routine that afforded him the time to talk between songs, although not to the length that had prompted a BBC Radio York presenter to advise him he should hand out a pamphlet the next time he introduced new single Shelagh’s Song in concert.

No such pamphlet was forthcoming or necessary. Joshua is an engaging storyteller as much as an eloquent songwriter equally capable of evoking Tolkien, folk forefathers, Al Stewart, Peter Gabriel-era Genesis and even Marc Bolan’s puckish dictionary.

He name-checked Ian McKellen for the opening Labels, recalling how the thespian knight had pondered “Why do we need to put labels on love?”. “Do you know what, Sir Ian, you’re right,” he said. “So throw your labels away, ‘Cause love has no use for them,” Joshua duly affirmed, almost enough to make any reviewer desist from further labelling on this occasion.

Joshua is as good at excavation as at conjuring new material, typified by an obscure but wonderful cover version, Eli Geva, Norwegian songwriter’s anguished Siege of Beirut ballad from an album of 12 banned songs from around the world.

The artwork for Joshua Burnell’s single Shelagh’s Song

Next came the aforementioned Shelagh’s Song, his account of how early-Seventies Edinburgh folk singer Shelagh McDonald vanished for 30 years after a particularly bad LSD trip. The re-surfaced Shelagh so loved the song she has sent Joshua a parcel with a letter, artwork and some lyrics she never published. Actions can speak so much louder than labels!

Joshua had just adjusted his guitar tuning again in the night cold when a new interruption tapped him on the shoulder: a sound alarm going off in the neighbouring bustle of Walmgate. One look from Joshua, and it was gone, as if ashamed at having held up “a bit of an anthem for positivity and things to come”: Golden Days, written in lockdown as the good weather rolled in and the vaccine programme was rolled out.

Not even the Prime Minister’s 6pm postponement of Freedom Day could deflate Joshua. “I still feel optimistic that we’re in a better place than we were a year ago,” he asserted.

If one lyric encapsulates retro-futurist Burnell in 2021, it would be: “Did I go through the wardrobe door because it’s been winter here for much too long”. Indeed it has, and as Songs Under Skies nudged and hushed it out the back door, he ended with Lucy, his variation on a “Ziggy Stardust character song”. Closer to Bolan than Bowie, if a label must be applied, but Lucy under darkening skies was a diamond finale.

Review by Charles Hutchinson

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More Things To Do in York and beyond that Euro football tournament. It’s all kicking off in List No. 36, courtesy of The Press, York

What’s the pecking order here? Twirlywoos Live! at York Theatre Royal

EUROS 2020? What Euro 2020? The sun is out and so is Charles Hutchinson’s diary as he points you in the direction of curious CBeebies favourites, acoustic concerts, a dockyard Romeo & Juliet, a large painting, Clough v Leeds United and more ideas aplenty. 

Children’s show of the week: Twirlywoos Live!, York Theatre Royal, tomorrow at 1.30pm and 4pm; Saturday, Sunday, 10am and 2pm

TOODLOO, Great BigHoo, Chick and Peekaboo set sail for York on board their Big Red Boat for their Theatre Royal theatrical adventure Twirlywoos Live!.

Curious, inquisitive and eager to learn about the world, these small, bird-like characters from the CBeebies television factory will be brought to life with inventive puppetry, mischief, music and plenty of surprises.

Written by Zoe Bourn, the 55-minute show is recommended for ages 1+; babes in arms are welcome too. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Joshua Burnell: York prog-folk musician will perform in a Songs Under Skies double bill on June 14. Picture: Elly Lucas

Outdoor gigs of the week ahead: Songs Under Skies 2, National Centre for Early Music churchyard, York June 14 to 16

SONGS Under Skies returns to the NCEM’s glorious gardens at St Margaret’s Church, Walmgate, York, for acoustic double bills by Katie Spencer and Joshua Burnell on June 14, Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.

As with last September’s debut series, season two of the open-air, Covid-safe concerts is presented by the NCEM in tandem with The Crescent community venue, the Fulford Arms and the Music Venues Alliance.

Gates open at 6.30pm for each 7pm to 8.30pm concert with a 30-minute interval between sets. Tickets must be bought in advance, either in “pods” for family groups or as individuals at tickets.ncem.co.uk.

Art at large: Subterranea Nostalgia, by Corrina Rothwell

Biggest painting of the week award: Corrina Rothwell’s Subterranea Nostalgia, in The Cacophany Of Ages at Pyramid Gallery, York, until July 1

CORRINA Rothwell’s exhibition of abstract works features the largest canvas painting in the near-30 years that Terry Brett has run Pyramid Gallery in York.

“Subterranea Nostalgia measures 1600mm by 1600mm. That was fun, getting it upstairs!” says Terry, whose gallery is housed in a National Trust-owned 15th century building in Stonegate. “The painting has a real impact. If you know anyone with really big walls, it would be perfect for them!”

Nottingham artist Corrina favours mixed media and acrylic on canvas for the paintings, on show at Pyramid and online at pyramidgallery.com.

Not having a ball: Luke Dickson’s Brian Clough goes to hell and back in his 44 days in charge of Leeds United in Red Ladder Theatre Company’s The Damned United

Football, football, football, not on the box but in a theatre: Red Ladder Theatre Company in The Damned United, York Theatre Royal, June 16

THE choice is yours: Italy versus Switzerland at the Euro 2020 on ITV at 8pm or the inner workings of Brian Clough’s troubled mind at Elland Road in 1974 at York Theatre Royal, kick-off 7.30pm.

Adapted from Yorkshireman David Peace’s biographical novel by Anders Lustgarten, The Damned United is a psychodrama that deconstructs Old Big ‘Ead’s 44 days as manager of Leeds United, whose Don Revie-tutored players he despised as much as they loathed him.

The double act of Luke Dickson’s flawed Clough and David Chafer’s avuncular Peter Taylor are joined by Jamie Smelt as everyone else in a story of sweat and booze, fury and power struggles, demons and defeats.

That’s a good idea…

Festival of the month: York Festival of Ideas 2021, running until June 20

THIS year marks the tenth anniversary of York’s bright idea of a festival dedicated to educating, entertaining and inspiring.

Under the banner of Infinite Horizons to reflect the need to adapt to pandemic, the Festival of Ideas is presenting a diverse programme of more than 150 free online and in-person events.

The best idea, when needing more info on the world-class speakers, performances, family activities and walking trails, is to head to yorkfestivalofideas.com/2021/.

You kiss by the dock: Husband and wife Jordan Metcalfe and Laura Elsworthy as Romeo and Juliet in Hull Truck Theatre’s Romeo & Juliet at Hull’s former dry dock

Outdoor play outside York announcement of the month: Hull Truck Theatre in Romeo & Juliet, Stage@The Dock, Hull, July 15 to August 7

AFTER John Godber Company’s Moby Dick completes its run at the converted Hull dry dockyard this Saturday, next comes Hull Truck Theatre’s al-fresco staging of Shakespeare’s tragic love story.

The title roles in Romeo & Juliet will be played by Hull-born husband and wife Jordan Metcalfe and Laura Elsworthy, who appeared in The Hypocrite and The Last Testament Of Lillian Bilocca in 2017 as part of Hull’s year as UK City of Culture celebrations.

Metcalfe and Elsworthy, who married in the summer of 2018 after bonding when working on The Hypocrite, will play a stage couple for the first time, performing on a traverse stage to emphasise Verona’s divided society. Box office: hulltruck.co.uk.

Hitting the Heights: Lucy McCormick’s wild-haired Cathy in the Wise Children poster for Emma Rice’s adaptation of Wuthering Heights, bound for York Theatre Royal

Looking ahead to the autumn: Wise Children in Emma Rice’s Wuthering Heights, York Theatre Royal, November 8 to 20

EMMA Rice’s Wise Children company is teaming up with the National Theatre, York Theatre Royal and the Bristol Old Vic for her elemental stage adaptation of Emily Bronte’s Yorkshire moorland story of love, vengeance and redemption.

In an intoxicating revenge tragedy for our time shot through with music, dance, passion and hope, Rice’s company of performers and musicians will be led by Lucy McCormick’s Cathy.

“Emboldened and humbled by the enforced break, I feel truly lucky,” says Rice. “I cannot wait to get back to doing what I love most and to share this thrilling and important piece with the world. It’s time.”

An Evening With Julian Norton, vet, author and now show host, is booked in for Pocklington Arts Centre

Veterinary appointment in 2022: An Evening With Julian Norton, Pocklington Arts Centre, January 18

JULIAN Norton, author, veterinary surgeon and star of Channel 5’s The Yorkshire Vet, will share amusing anecdotes from his work with animals in North Yorkshire, bringing to life all the drama and humour in the daily routine of a rural vet.

Following in the footsteps of James Herriot author Alf Wight, Norton has spent most of his working life in Thirsk. His latest book, All Creatures: Heart-warming Tales From A Yorkshire Vet, was published in March. Box office: pocklingtonartscentre.co.uk.

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Musicians’ art show Super Cool Drawing Machine heads to The Crescent

The Super Cool Drawing Machine T-shirt on sale in the exhibition gift shop

SUPER Cool Drawing Machine, Yuppies Music’s touring exhibition of musicians’ “other” work, will run at The Crescent community venue, York, from Thursday to Sunday.

This celebration of art created by international touring independent musicians is billed as a “much-needed exploration of FUN stuff”, on show each day from 11am to 9pm with Covid-secure measures in place.

Under social distancing restrictions, attendees will have to book in advance, choosing a specific time slot to view the exhibition. Consequently, only a small number of tickets are available at £5 for each time slot at seetickets.com.

“Over the moon” to be supported by Arts Council England, Yuppies Music and York music promoters Please Please You will present works by renowned musicians from alternative, experimental, jazz, folk, rock, soul, ambient, indie backgrounds.

Among them will be trailblazing saxophonist and figurehead of the British jazz scene Shabaka Hutchings; Mercury-nominated Welsh singer/producer Cate Le Bon; experimental folk musician Richard Dawson; African-American experimentalist Lonnie Holley and drummer/composer Seb Rochford, plus members of This Is The Kit, Mammal Hands, Haiku Salut, Snapped Ankles and more besides.

On display from May 27 to 30 will be paintings, photography, drawings, ceramics, digital instillations, recycled arts, sculpture and furniture, adding up to “colourful and interactive arts for the open-minded and curious”, complemented by a gift shop.

The full listing of artists is: Bex Burch, of Vula Viel; Bryony Jarman-Pinto; night flight: Cate Le Bon; H. Hawkline; Tim Presley; Cloudshoes; Daisuke Tanabe; Ed Dowie; Francois & The Atlas Mountains; Haiku Salut; Holysseus Fly; Ichi; Jeffrey Lewis…

…Leafcutter John; Lonnie Holley; Mammal Hands; Peter Broderick; Poppy Ackroyd; Rachael Dadd; Richard Dawson; Rhodri Davies; Rozi Plain; Seb Rochford; Shabaka Hutchings; Snapped Ankles; Tara Clerkin; This Is The Kit; Yama Warashi and Yumi And The Weather.

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NCEM gardens to stage second set of Songs Under Skies acoustic double bills with The Crescent and Fulford Arms

Joshua Burnell: Sharing a Song Under Skies double bill with Katie Spencer on June 14. Picture: Elly Lucas

SONGS Under Skies will return to the glorious gardens of the National Centre for Early Music, at St Margaret’s Church, Walmgate, York, in June.

Five outdoor acoustic double bills will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.

Wounded Bear and Rachel Croft: First Songs Under Skies double bill on June 1

As with last September’s debut series, season two of the open-air, Covid-safe Songs Under Skies will be presented by the National Centre for Early Music (NCEM), working in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance.

Gates will open at 6.30pm for the acoustic double bills from 7pm to 8.30pm with a 30-minute interval between sets. Each concert costs £8 and tickets must be bought in advance, either in “pods” for family groups or as individuals at tickets.ncem.co.uk.  

Kell Chambers and Nadedja: Double bill in the NCEM churchyard gardens on June 2

Social distancing will be strictly observed and masks must be worn inside the NCEM but will not be required in the gardens.

NCEM director Delma Tomlin says: “We’re very excited to be bringing you the second Songs Under Skies: a feast of acoustic music taking place in our beautiful gardens, the perfect spot for a June evening in the sunshine.

Katie Spencer: Yorkshire singer-songwriter to play NCEM gardens on June 14, as well as a second Yorkshire open-air gig at Primrose Wood Acoustics, Pocklington, supporting Martin Simpson on July 1 at 7pm

“We’re also glad to be working once again with our partners The Fulford Arms, The Crescent and York Music Venues Network to begin the long-awaited revival of live music in our city. Last year Songs Under Skies was a complete sell-out and we’re looking forward to welcoming back audiences for these summer nights of music by these talented musicians.”

Harkirit Boparai, from The Crescent and the York Music Venues Network and North East regional coordinator for the Music Venues Alliance, says: “We’re delighted to be collaborating with the NCEM for another short run of outdoor concerts to take place in their beautiful gardens, with a stellar line-up of musicians from York and beyond heralding the return of live gigs to York.

Zak Ford and Alice Simmons: Playing acoustic sets at Songs Under Skies on June 15

“One of the silver linings of the pandemic has been that cultural organisations in the city have been able to collaborate in ways that they didn’t before, and after the success of our last series in the autumn, it’s been great to work with the NCEM team once again.”

Among the first arts organisations to stream online concerts, the NCEM has been keeping music alive since the beginning of lockdown, attracting a worldwide audience of more than 70,000. 

Epilogues and Sunflower Thieves: Songs Under Skies’ closing concert coupling on June 16

Over the past year, the NCEM staged socially distant events when possible and streamed concerts and festivals from St Margaret’s Church.

In June, this will continue with the streaming of the very first Beverley & East Riding Early Music Festival Online with concerts, walks and talks from the Yorkshire market town where the first festival was staged 35 years ago. This summer’s York Early Music Festival will run from July 12 to 16; a full line-up announcement is expected today (17/5/2021).

Kitty VR: Playing her first gig for seven months at the NCEM churchyard at last September’s first Songs Under Skies concert series. Picture: Neil Chapman/Unholy Racket

Last year’s inaugural Songs Under Skies presented Amy May Ellis and Luke Saxton on September 2; Dan Webster and Bella Gaffney, September 3; Kitty VR and Boss Caine, September 9; Wolf Solent and Rosalind, September 10; Polly Bolton and Henry Parker, September 16, and Elkyn and Fawn, September 17.

Full details of this summer’s Songs Under Skies can be found at: ncem.co.uk/songs-under-skies/.