Can’t see the wood for the bricks? Then head to Chalmers & Hutch’s podcast

Ah, but they’re not bricks, as tree-hugger Hutch discovers close up. These wood blocks form part of Karin Van Der Molen’s sculpture, Shield, at the Himalayan Gardens, Grewelthorpe, near Ripon

BE pepped up by the one and only arts club badinage from Two Big Egos In A Small car podcasters Chalmers & Hutch, as they discuss Grewelthorpe’s jewel, the Himalayan Gardens; Velma Celli’s Drag Brunch; Metronomy’s English Riviera landmark; the “Top 20 Most Inspirational Novels”; York’s strange version of The Masked Singer and Cruella & Disney reboots.

Head to: https://www.buzzsprout.com/1187561/8674205

No resurrection for Jesus Christ Superstar after council ‘admin error’, but what next for unstoppable Bev Jones Music Company?

Bev Jones Music Company cast members gather at Rowntree Park last September

THE York version of The Masked Singer is coming to a head.

Bev Jones Music Company’s open-air production should have opened at Rowntree Park amphitheatre this afternoon but instead Jesus Christ Superstar has turned into Jesus Christ Supersnag – all because of masks.

In a nutshell, producer Lesley Jones was given an edict 12 days ago by City of York Council that Claire Pulpher’s cast of 27 must wear masks when singing to meet Covid regulations, not least Claire herself in the role of Mary.

Oh, and the not-for-profit York company would need to pay for professional security staff too for safety purposes, to stop anyone who had not booked from congregating on the periphery. Oh, and could the company provide portable lavatories too, please?

All this came via an email to Lesley from a Public Health Specialist Practitioner Advanced. “Whilst I have every sympathy with anyone trying to deliver an event, we can only give them the advice we have and cannot offer anything other than what the government guidance allows at the time of review,” the council apparatchik wrote.

“It is also worth noting that as this is a musical and involves singing, there is specific reference in the performing arts guidance to singing and the additional risks this poses in relation to Covid transmission. This is not currently considered in the Covid plan supplied by the organiser.”

The official cited an extract from the guidance “requiring the event organiser to pro-actively discourage activities which can create aerosol such as shouting, chanting and singing…as this is a popular musical can we be assured this will be realistic or achievable? Also wearing face coverings reduces the mass of aerosol expelled when singing, so masks should be worn during the event. Probably not possible?”

Probably not possible? Impossible, decided Lesley, as the additional costs would be prohibitive, and so, down the drain went many hours of rehearsals and hundreds of ticket sales for today’s 3pm show and tomorrow’s 2pm and 5pm performances that would need to be reimbursed (a task now being handled by the Joseph Rowntree Theatre box office).

And yet everything had been possible when Bev Jones Music Company staged the socially distanced Strictly Live In The Park on September 13 last year, same location, but no requirement to mask up the singers. Just as York Stage had been able to perform shows at the amphitheatre from August 23 to 25 (York Stage Musicals revue) and September 18 to 20 (Jukebox Divas).

When Lesley made the booking in February for the return to Rowntree Park, she planned the event in line with the council’s event management plans, requiring a Covid risk assessment and a health and safety assessment, plus contingency plans in the event of a terrorist attack or flooding.

Put in place were Covid testing for the cast; thermometer testing for cast, crew and public at each performance; ticket-only admission; the audience placed in socially distanced bubbles. The new normal, in other words.

The council’s later demands over masks and security came after its discussions with Public Health England and the Safety Advisory Group, but what was the difference this time?

City of York Council, in effect, made an admin error, as explained to Lesley Jones by Sarah Stoltz, the council’s director of public health, in an email on June 6. “One of my staff was asked by Trading Standards on 26th May 2021 to provide public health feedback to the Safety Advisory Group (SAG) on the proposals for your event,” she wrote. 

“I must stress, here, that the feedback in the email was only intended to be shared with SAG members for them to consider this, along with all the other expert advice from members of SAG, e.g. North Yorkshire Police, so that SAG could make a decision on whether the event should go ahead and what mitigations might need to be in place.

“We are in stage 3 of the government roadmap out of lockdown and so it is entirely appropriate that SAG undertook due diligence on the safety of the event, as happens with all events across York.”

Here comes the crucial part: “But the email was never intended to be shared with you and it did not constitute public health advice to you personally as the organiser; it was feedback to SAG and members would have considered the appropriateness of this feedback in due course,” said the director.

“However, it was shared and unfortunately taken out of context. I understand how angry and frustrated you must have felt in receiving it and can only apologise for the distress this has caused you.”

The explanation came too late to resurrect Jesus Christ Superstar, alas. “We were given such restrictive regulations by City of York Council, we had no option but to pull the production,” says Lesley, who is launching a formal complaint.

Is there any good news for Bev Jones Music Company devotees, however? “I must tell you that an ‘angel’ has appeared in the form of Jamboree Entertainment, who have offered us their professional [Sounds In The Grounds] festival stage on June 24 as compensation, if we could put together a music event suitable for the venue,” says Lesley.

“Not one to look a gift horse in the mouth, we’ve taken on the challenge, resulting in the aptly named Strictly Unstoppable, featuring every member of the JCS cast in a new-style production for The Bev Jones Music Company with the emphasis on ‘an evening of fun with massive pop tracks to suit all, plus a beer wagon to help the atmosphere’.

“For those who love festivals, this will be popular, with numbers such as Boogie Shoes, Forget You, Uptown Funk, Sweet Caroline, a Whitney Houston song, Somebody To Love, Barcelona, to name a few, plus a smattering of show tunes from Chicago and The Rocky Horror Show and dozens more. We want the audience to get up in their social bubbles and dance.”

Octopus unmasked, Katherine Jenkins returns with cinema album and York Barbican gig

Katherine Jenkins: from The Masked Singer’s Octopus to a cinematic new album and 2021 tour

KATHERINE Jenkins, the biggest-selling classical artist of the century, will return to York Barbican on February 5 next year.

The Welsh mezzo-soprano, 39, will be showcasing her 14th studio album, Cinema Paradiso, set for release on Decca Reecords on April 17 this spring.

Tickets go on sale on Friday (February 28) at 10am on 0203 356 5441, at yorkbarbican.co.uk or in person from the Barbican box office.

Sharing its name with Giuseppe Tornatore’s 1988 Italian film, Cinema Paradiso is a collection of “unforgettable songs from some of the world’s best-loved movie moments”, such as Moon River, from Breakfast At Tiffany’s;  Pinocchio’sWhen You Wish Upon A Star; a duet of Tonight, from West Side Story, with Welsh singer and actor Luke Evans, plus themes from Schindler’s List, The Lord Of The Rings and Dances With Wolves.

“I’ve always loved movie soundtracks,” says Katherine, who turns 40 on June 29. “I wanted to create an iconic movie moment with this record: all the best film musical themes that we know and love, all together on one album.

“The last few albums I’ve made have been inspired by what’s happening in my own world. This one, in particular, was inspired by the things that were going on around me. Having played my first movie role last year, it felt like a natural transition for me.”

The poster for Katherine Jenkins’ 2021 tour

Katherine’s endeavours in the world of film have been a huge inspiration in the making of Cinema Paradiso, especially her role in the upcoming Minamata, directed by her husband, Andrew Levitas.

Katherine not only makes her film debut, performing alongside Johnny Depp and Bill Nighy, but also she co-wrote the title track with Eminem’s right-hand woman, Skylar Grey, and performed on the film score written by Sakamoto, the Academy Award-winning singer, songwriter, record producer, activist and actor.

Minamata will be released later this year, having received its world premiere at this month’s Berlin International Film Festival with Katherine in attendance, amid glowing reviews from the film industry and fans alike.

Returning to discussing the album tracks, Katherine says: “West Side Story has always been up there for me in terms of musical films. Somewhere has been specially recorded for this album – minus the Octopus mask [from the ITV series The Masked Singer] and I’m thrilled to have Luke Evans join me on Tonight. I loved seeing some of his TV performances last year and it was great fun to create an all-Welsh version of the duet!”

Another pick for Cinema Paradiso, I’ll Never Love Again, from A Star Is Born, has been released as a single, going straight to the top of the iTunes Classical Chart.

I’ll Never Love Again also kick-started Katherine’s journey on The Masked Singer in the guise of The Octopus, en route to finishing third. “My job can be quite serious at times, but I have a four-year-old daughter who absolutely loves Blue Planet, so I created ‘The Octopus’ character for her,” she says.

“The hope with this album is that each song conjures up an iconic image from cinema,” says Katherine Jenkins

“Her favourite colours are pink and purple with sparkles and I thought it would be something to allow her to understand more about what mummy does. I can’t think of a better reason to do the show”.

Katherine adds: “The hope with this album is that each song conjures up an iconic image from cinema. A Star Is Born is quite a recent film, but the scene where Lady Gaga sings I’ll Never Love Again is so touching and memorable that it felt completely right to include it as one of my favourite movie musical moments.

“In a bid to disguise my voice on The Masked Singer, I chose songs that weren’t the norm for me, and so this track is a happy experiment for me, and after Ken [judge Ken Jeong] said it was the performance of the season, I felt it deserved a place on the album.”

In 2017, Katherine was crowned the number one-selling Classical Music Artist of the Last 25 Years by Classic FM and she made chart history in 2018 when Guiding Light became her 13th UK classical number one album.

Katherine last performed at York Barbican in May 2019, having previously sung there in February 2012 and February 2015.