Griffonage Theatre: Theatre at the intersection of the madcap and the macabre
IRISH village tales, love’s vicissitudes, folk and ceilidh nights and ghost & goblin storytelling bring autumn cheer to Charles Hutchinson.
Time to discover: Griffonage Theatre in FourTold, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
YORK devotees of the madcap, the macabre and making the familiar strange and the strange familiar, Griffonage Theatre transport audiences to the quirky rural town of Baile Aighneas – The Town of Dispute – for FourTold, a quartet of comedies by early 20th century Irish playwright Lady Augusta Gregory, never presented together in the UK until now under Northern Irish director Katie Leckey.
Encounter the bustling market and all its gossip in Spreading The News; the restaurant where newspaper editors wine, dine and mix up their Coats; the post office, where the splendid Hyacinth Halvey has sent word he is coming to town, and the bus stop where strangers such as The Bogie Men can quickly become friends! Box office: tickets.41monkgate.co.uk.
Joe Layton and Hannah Sinclair Robinson in Frantic Assembly’s Lost Atoms at York Theatre Royal. Picture: Scott Graham
Relationship drama of the week: Frantic Assembly in Lost Atoms, York Theatre Royal, until Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
FRANTIC Assembly follow up York Theatre Royal visits of Othello and Metamorphosis with their 30th anniversary production, a two-hander memory play by Anna Jordan, directed by physical theatre specialist Scott Graham.
Joe Layton and Hannah Sinclair Robinson play Robbie and Jess, whose chance meeting, disastrous dates and extraordinary transformative love is the stuff of fairy tales. Or is it? Lost Atoms is a wild ride through a life-changing relationship, or Robbie and Jess’s clashing recollections as they relive the beats of connection, the moments of loss, but are their stories the same and can their memories be trusted? Box office: 01904 623568 or yorktheatreroyal.co.uk.
Lightning Seeds’ Ian Broudie: Pure entertainment at York Barbican
Oh, lucky you gig of the week: Lightning Seeds, Tomorrow’s Here Today, 35 Years Greatest Hits Tour, York Barbican, tomorrow, 8pm
NOW in his 36th year of leading Liverpool’s Lightning Seeds, Ian Broudie heads to York on his extended Tomorrow’s Here Today tour. Cue Pure, The Life Of Riley, Change, Lucky You, Sense, All I Want, Sugar Coated Iceberg, You Showed Me, Emily Smiles, Three Lions et al. Casino support. Box office: yorkbarbican.co.uk.
Jack Fry’s Quasimodo and Ayana Beatrice Poblete’s Esmerelda in Black Sheep Theatre Productions’ The Hunchback Of Notre Dame
Musical of the week: Black Sheep Theatre Productions in The Hunchback Of Notre Dame, Joseph Rowntree Theatre, York, October 10, 11 and 14 to 18, 7.30pm and 2.30pm Saturday matinees
BLACK Sheep Theatre Productions bring a cast of five leads, seven ensemble actors and a 23-strong choir to the York company’s larger-than-life staging of Alan Menken & Stephen Schwartz’s musical rooted in Disney’s 1996 musical film and Victor Hugo’s 1831 novel.
Combining powerful themes of love, acceptance and the nature of good and evil with a sweeping score, Matthew Peter Clare’s show will be “like nothing you’ve seen before”. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Alex Mitchell: Headlining the Funny Fridays comedy bill at Patch at Bonding Warehouse, York
Comedy gig of the week: Funny Fridays, Patch at Bonding Warehouse, Terry Avenue, York, Friday, 7.30pm
BRITAIN’S Got Talent star Alex Mitchell headlines October’s Funny Fridays bill at Patch, hosted by promoter and comedy turn Katie Lingo. On the bill too will be Pheebs Stephenson, Jacob Kohn, Lorna Green and Jimmy Johnson.
“As this year’s event falls on World Mental Health Day, we’re raising money for Samaritans with bucket collections, ticket proceeds and a raffle. I’m a volunteer at the York branch and see first-hand the incredible work they do.” Tickets: eventbrite.co.uk or on the door.
Suthering’s Julu Irvine and and Heg Brignall: Playing Helmsley Arts Centre
Folk gig of the week: Suthering, Helmsley Arts Centre, Friday, 7.30pm
ADVOCATES for the LGBTQ+ community and for the rights of women and other marginalised people, Tavistock folk duo Suthering’s Julu Irvine and and Heg Brignall weave harmonies through their original songs, paired with gentle guitar and emotive piano arrangements.
Known for their chemistry, storytelling and humour on stage, they intertwine their messages about the state of our climate, social conscience, the importance of community and connecting with nature, while championing female characters, creating new narratives for women and unearthing the female heroines of the folk tradition, as heard on their second album, 2024’s Leave A Light On. Box office: 01439 771700 or helmsleyarts.co.uk.
Ceilidh of the week: Jackhare Ceilidh Band, Milton Rooms, Malton, Saturday, 7.30pm
RYEDALE Dog Rescue presents the Jackhare Ceilidh Band in an evening of traditional English dance music this weekend. Doors open at 7pm and the Studio Bar will be open. Tickets must be pre-booked by emailing fundraising@ryedaledogrescue.org.uk, phoning 01653 697548, texting 07843 971973 or messaging on the Ryedale Dog Rescue Facebook page.
Robin Simpson: Storyteller and York Theatre Royal pantomime dame
Spooky entertainment of the week: Robin Simpson’s Magic, Monsters And Mayhem!, Rise at Bluebird Bakery, Acomb, York, October 12, doors 4pm
YORK Theatre Royal pantomime dame Robin Simpson – soon to give his Nurse Nellie in Sleeping Beauty this winter – celebrates witches, wizards, ghosts and goblins in his storytelling show.
“The audience is in charge in this interactive performance, ideal for fans of spooky stories and silly songs,” says Robin. “The show is perfect for Years 5 and upwards, but smaller siblings and their grown-ups are very welcome too.” Tickets: bluebirdbakery.co.uk/rise.
Beverley Knight: Stories and songs at York Barbican. Picture: Lewis Shaw
Concert announcement of the week: Beverly Knight, Born To Perform, York Barbican, June 20 2026
QUEEN of British soul Beverley Knight will share stories from her life on stage, as well as performing her biggest hits, musical theatre favourites and cherished songs that have inspired her.
“I’m excited to get back on the road but with a different kind of show that folk are used to with me,” says Wolverhampton-born Beverley, 52. “Born To Perform is me taking you on a journey through my life on both music and theatre stages, using my memories and of course my songs. I’m stripping back my sound so the audience can lean in a little closer and really hear my soul.” Tickets go on sale on Friday at 10am at https://www.yorkbarbican.co.uk/whats-on/beverley-knight-2026.
Roy Chubby Brown: No offence, but it’s simply comedy, reckons Britain’s stalwart potty-mouthed joker at York Barbican
FROM sacre bleu comedy to a French silent film, Graham Nash and Al Stewart on vintage form to Grayson Perry on good and evil, love’s vicissitudes to the Hunchback musical, October is brewing up a storm of culture, reports Charles Hutchinson.
Blue humour of the week: Roy Chubby Brown, It’s Simply Comedy, York Barbican, tonight, 7.30pm
GRANGETOWN gag veteran Roy Chubby Brown, now 80, forewarns: “Not meant to offend, it’s simply a comedy tour”. After more than 50 years of spicy one-liners and putdowns, he continues to tackle the subjects of sex, celebrities, politics and British culture with a high profanity count and contempt for political correctness. Box office: yorkbarbican.co.uk.
Gemma Curry in Hoglets Theatre’s The Tale Of The Loneliest Whale at York Theatre Royal Studio
Children’s show of the week: Hoglets Theatre in The Tale Of The Loneliest Whale, York Theatre Royal Studio, today, 11am and 2pm
FRESH from an award-winning Edinburgh Fringe run, York company Hoglets Theatre invite primary-age children and families to an exciting adventure packed with beautiful handmade puppets, sea creatures, original songs and audience interaction aplenty.
Performed, crafted and directed by Gemma Curry, The Tale Of The Loneliest Whale celebrates friendship, difference and the beauty of being yourself in Andy Curry’s tale of Whale singing his heart out into the deep blue sea, but nobody singing back until…a mysterious voice echoes through the waves, whereupon Whale embarks on an unforgettable adventure. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Graham Nash: Sixty years of song at York Barbican. Picture: Ralf Louis
Vintage gigs of the week: Graham Nash, An Evening Of Songs And Stories, York Barbican, Sunday, 7.30pm; Al Stewart, The Farewell Tour, York Barbican, October 7, 7.45pm
GRAHAM Nash, 83-year-old two-time Rock & Roll Hall of Fame inductee and Grammy award winner, performs songs spanning his 60-year career fromThe Hollies to Crosby, Stills andNash, CSNY (Crosby, Stills, Nash & Young) to his solo career, joined by Todd Caldwell (keyboards and vocals), Adam Minkoff(bass, drums, guitars and vocals) and Zach Djanikian (guitars, mandolin, drums and vocals). Long-time friend Peter Asher supports.
The poster for Al Stewart’s farewell tour, visiting York Barbican on Tuesday
Glasgow-born folk-rock singer-songwriter Al Stewart marks his 80th birthday (born 5/9/1945) with his UK farewell tour. After relocating to Chandler Arizona from Los Angeles, his home for the past 45 years, he is winding down his touring schedule with his long-running time band The Empty Pockets. Time for the last Year Of The Cat. Box office: yorkbarbican.co.uk.
Jonny Best: Leading Frame Ensemble’s improvised score for The Divine Voyager at the NCEM. Picture: Chris Payne
Film event of the week: Northern Silents presents The Divine Voyager with Frame Ensemble, National Centre for Early Music, York, Monday, 7.30pm
FRAME Ensemble’s spontaneous musicians Jonny Best (piano), Susannah Simmons (violin), Liz Hanks (cello) and Trevor Bartlett (percussion) accompany Julien Duvivier’s lushly photographed, beautifully poetic 1929 French silent film The Divine Voyage with an improvised live score.
In a tale of faith and hope, rapacious businessman Claude Ferjac sends his ship, La Cordillere, on a long trading journey, knowing it is likely to sink after poor repairs. An entire village of sailors, desperate to support their families, has no choice but to set sail. Box office: 01904 658338 or ncem.co.uk.
James Lee, left, Helen Clarke, front, Wilf Tomlinson, back, and Katie Leckey rehearsing for Griffonage Theatre’s FourTold. Picture: John Stead
Time to discover: Griffonage Theatre in FourTold, Theatre@41, Monkgate, York, October 6 to 11, 7.30pm plus 2.30pm Saturday matinee
YORK devotees of the madcap, the macabre and making the familiar strange and the strange familiar, Griffonage Theatre transport audiences to the quirky rural town of Baile Aighneas – The Town of Dispute – for FourTold, a quartet of comedies by early 20th century Irish playwright Lady Augusta Gregory, never presented together in the UK until now under Northern Irish director Katie Leckey.
Encounter the bustling market and all its gossip in Spreading The News; the restaurant where newspaper editors wine, dine and mix up their Coats; the post office, where the splendid Hyacinth Halvey has sent word he is coming to town, and the bus stop where strangers such as The Bogie Men can quickly become friends! Box office: tickets.41monkgate.co.uk.
Hannah Sinclair Robinson’s Jess and Joe Layton’s Robbie in Frantic Assembly’s Lost Atoms, on tour at York Theatre Royal next week. Picture: Tristram Kenton
Relationship drama of the week: Frantic Assembly in Lost Atoms, York Theatre Royal, October 7 to 11, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees
FRANTIC Assembly follow up York Theatre Royal visits of Othello and Metamorphosis with their 30th anniversary production, a two-hander memory play by Anna Jordan, directed by physical theatre specialist Scott Graham.
Joe Layton and Hannah Sinclair Robinson play Robbie and Jess, whose chance meeting, disastrous dates and extraordinary transformative love is the stuff of fairy tales. Or is it? Lost Atoms is a wild ride through a life-changing relationship, or Robbie and Jess’s clashing recollections as they relive the beats of connection, the moments of loss, but are their stories the same and can their memories be trusted? Box office: 01904 623568 or yorktheatreroyal.co.uk.
Grayson Perry: “Finding out if you really are thoroughly good or maybe quite evil, but in a fun way” at the Grand Opera House
Question of the week: Grayson Perry: Are You Good?, Grand Opera House, October 7, 7.30pm
AFTER A Show For Normal People And A Show All About You, artist, iconoclast, television presenter and Knight Bachelor Grayson Perry asks Are You Good? A question that he thinks is “fundamental to our humanity”.
“In this show I will be helping you, the audience, find out if you really are thoroughly good or maybe quite evil, but in a fun way,” says Sir Grayson. “I always start out with the assumption that people are born good and then life happens. So, let’s pull back the curtain and see where your morals truly lie.” Add audience participation and silly songs, and expect to come out with core values completely in tatters. “Is it more important to be good or to be right? It’s time to update what is a virtue and what is a sin. No biggie.” Box office: atgtickets.com/york.
Lightning Seeds’ Ian Broudie: Pure entertainment at York Barbican on Thursday
Oh, lucky you gig of the week: Lightning Seeds, Tomorrow’s Here Today, 35 Years Greatest Hits Tour, York Barbican, October 9, 8pm
NOW in his 36th year of leading Liverpool’s Lightning Seeds, Ian Broudie heads to York on his extended Tomorrow’s Here Today tour. Cue Pure, The Life Of Riley, Change, Lucky You, Sense, All I Want, Sugar Coated Iceberg, You Showed Me, Emily Smiles, Three Lions et al. Casino support. Box office: yorkbarbican.co.uk.
Jack Fry’s Quasimodo and Ayana Beatrice Poblete at Black Sheep Theatre Productions’s Selby Abbey photoshoot for The Hunchback Of Notre Dame, opening next week at the JoRo
Musical of the week: Black Sheep Theatre Productions in The Hunchback Of Notre Dame, Joseph Rowntree Theatre, York, October 10, 11 and 14 to 18, 7.30pm and 2.30pm Saturday matinees
BLACK Sheep Theatre Productions bring a cast of five leads, seven ensemble actors and a 23-strong choir to the York company’s larger-than-life staging of Alan Menken & Stephen Schwartz’s musical rooted in Disney’s 1996 musical film and Victor Hugo’s 1831 novel.
Combining powerful themes of love, acceptance and the nature of good and evil with a sweeping score, Matthew Peter Clare’s show will be “like nothing you’ve seen before”. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
In Focus: Prima Choral Artists in Prima XV, Selby Abbey, October 11, 7.30pm
Eva Lorian, artistic director of Prima Choral Artists
ARTISTIC director and producer Eve Lorian is marking 15 years as the visionary force behind Prima Choral Artists, the forward-thinking mixed voice choir that sets standards for diversity and innovation in the choral scene across York and beyond.
Even during the challenges of the pandemic years, Eve has crafted multiple bespoke programmes annually, both in Yorkshire and internationally.
Each concert reflects her distinctive musician’s insight, anticipating trends, celebrating diversity, honouring renowned choral names and championing the work of contemporary composers.
“It’s little wonder that such a portfolio can scarcely be captured in one individual concert, and so Prima have dedicated the entirety of 2025 to recognise these 15 years of musical creativity,” says Eve.
In this autumn’s pinnacle of those celebrations, Eve and Prima Choral Artists will return to Selby Abbey on October 11, where they will be joined once again by Greg Birch on piano.
The guest performers, the New World String Quartet, have a long history of high-level professional engagements across the region and their collaborations with Eve and Prima stretch back almost ten years.
“It’s impossible to express in words what this choir represents and what it has meant to people over these past 15 years,” Eve explains. “In much the same way, it’s nearly impossible to express our entire musical landscape in one single concert – the varied and diverse styles, the collaborations and the opportunity to embrace the new music of living composers.
“Our celebrations at Selby Abbey will, we hope, offer a glimpse of the multitude of genres and techniques that the choir has mastered over this time.”
Such musical diversity demands expertise. As an accomplished instrumentalist, vocal coach and performance mentor, Eve brings a wealth of experience, with her list of qualifications ensuring a steady and skilled hand to guide the singers through the ambitious programme planned for Selby Abbey.
Curated carefully to appeal to all tastes, Eve’s hand-picked selection will provide a glimpse into the breadth and versatility of her choir. The evening will feature the very best of choral music from across the decades, balancing timeless works by Handel and operatic master Verdi with contemporary highlights from Karl Jenkins, John Rutter and the genre-defying Christopher Tin.
In true Prima style, the choir also will celebrate linguistic diversity through its repertoire, performing in Italian, English, Hebrew and Xhosa, alongside the evocative, phonetic pseudo-language of Karl Jenkins.
This rich tapestry of vocal traditions reflects Eve’s long-standing commitment to global music expression, honouring voices and cultures from around the world and inviting audiences to connect through the shared experience of song.
Bridging the gap between classical masters and mid-century Broadway, Leonard Bernstein provides a natural link in the programme, with Stephen Sondheim bringing this genre firmly into the modern era.
The eclectic nature of the evening is enhanced further with music by female choral composers and arrangements of well-known songs by popular artists. Even a touch of “Girl Power” will be given a unique choral treatment.
Eve is in no doubt that this evening is for everyone: “Selby Abbey is a very special place for me and the choir and I am delighted to share this celebration of the choral world in all its wonderful variety, together with familiar and new faces at this most stunning location,” she says.
Prima’s year of anniversary celebrations will continues with two Family Christmas Concerts in St Olave’s Church, Marygate, York, on December 13 and 20 at 4pm.
Tickets for Prima XV are selling fast at https://www.primachoral.com/ or in person from the Selby Abbey Gift Shop, open daily 10am to 4pm. Alternatively, buy on the door from 7pm. A bar will be available on the night. For more information on concerts and all things Prima, visit www.primachoral.com.
Griffonage Theatre director Katie Leckey in rehearsal for FourTold, next week’s focus on Irish playwright Lady Augusta Gregory at Theatre@41, Monkgate. Picture: John Stead
CHANCES are high that you will never have heard of Lady Augusta Gregory, but why not?
“Because she fell out of favour in her native Ireland,” says Griffonage Theatre co-founder and director Katie Leckey, introducing the neglected playwright from rural Roxborough, County Galway, whose work will be reactivated in FourTold, the York company’s quadruple bill of one-act comedies at Theatre@41, Monkgate, York from October 6 to 10.
Here are the facts: Isabella Augusta, Lady Gregory was an Anglo-Irish dramatist, folklorist and theatre manager, who co-founded the Irish Literary Theatre and the Abbey Theatre, Dublin, with William Butler Yeats and Edward Martyn.
“She was very popular in the early 20th century, in America too, and she was especially popular in own lifetime [Augusta died on May 22 1932, aged 80]. She was still being performed regularly until the mid-1950s,” says Katie. “But her plays died out mainly because they were mostly performed at Abbey Theatre, which she’d helped to create.
“What these plays were at the time was commercial theatre, light comedies. Irish plays written for Irish people, performed by Irish actors.
James Lee in the rehearsal room for Griffonage Theatre’s FourTold. Picture: John Stead
“Only one of the plays we’re doing has been toured anywhere near recently, and even that was 25 years ago, when two productions were done in England, but Coats has never been performed in the UK.”
Until now…when Griffonage Theatre, the York company with University of York roots and a flair for the madcap and macabre, will feature Coats in FourTold, an “evening of captivating storytelling, complete with a live band, performed in an intimate setting that makes you feel right at home, wherever that may be”.
FourTold will transport next week’s audiences to the quirky rural town of Baile Aighneas, or “The Town of Dispute,” as Katie calls it. “The town boasts many splendid features, as presented in the four plays: the bustling market – and all its gossip – in Spreading The News!; the restaurant where two well-to-do newspaper editors wine, dine and mix up theirCoats; the post office, where the splendid Hyacinth Halvey has sent word he’s coming to town, and the…er, coach stop…where strangers like The Bogie Men can quickly become friends!” she says.
Lady Augusta is a passion project for Northern Irish actor, director and sound designer Katie, forming part of her now completed MA theatre studies at the University of York. “I did The Bogie Men for a closed, invitation-only exam piece, when it had never been performed in England before,” she says.
“Even in Ireland its performance record is tenuous! Only one performance in 1903. Hyacinth Halvey wasn’t done over here either, so our production marks the first time these four plays will be performed together in Great Britain.
Script in hand: Katie Leckey in rehearsal for FourTold. Picture: John Stead
“She didn’t start writing until her 40s and then wrote more than 60 plays, in the decades preceding the Irish Civil War – and novels too, translating Irish myths into English. She was a crazy lady! The best!
“Because she wrote so prolifically, I’ve taken an eclectic mix from 1903 to 1914, picking plays I liked – though I could have chosen any four because they’re so good.
“They’re tiny, tiny pieces, almost like sketches: Spreading The News! is 20-25 minutes; Coats, a rip-roaring 15 minutes; Hyacinth Halvey, 35 minutes, The Bogie Men, 25. Though she did also write Graina, a tragedy, a big epic tale, nothing like these plays, that the Abbey Theatre revived a year ago. She could do the whole scope.”
Katie has decided not to ‘Anglicise’ the plays “because they were written in the Irish dialect, where she listened to people on her estate in the tiny village of Gort,” she says. “I’ve been there. It’s a lovely part of the world.
“She would listen to the labourers, servants and villagers because she was very philanthropic. The dialect would die out in her lifetime. It was born out of English having to be learned because of colonisation and was spoken by villagers who didn’t speak English well and were uneducated. It’s known as Hiberno English, but more specifically it was specifically KIltartanese because Gort is in and around Kiltartan.
James Lee, left, Helen Clarke=Neale , front, Wilf Tomlinson, back, and Katie Leckey rehearsing for Griffonage Theatre’s FourTold. Picture: John Stead
“The fascinating thing is that I’ve found it very similar to the Northern Irish dialect, born out of the English and the Scots coming over, so it’s similar to my own upbringing. It feels familiar to me, and rather than having Irish accents in the show, I want to do an homage to this Irish dialect, like the villagers would have had to learn.”
Katie continues: “The language is beautiful! They say things that you would never say; it’s still in English but the words are in a really fascinating order. It’s been one of the hardest things I’ve had to learn – and I had to learn both roles in Harold Pinter’s The Dumb Waiter last year!”
Katie’s cast of eight will be mirroring the performance manner of the Fay Brothers at the Abbey Theatre, while expanding on its confines. “They trained actors in a very specific style that was expressly for Irish actors, mostly based on the voice,” she says. “They focused on line delivery and rhythm, so there wasn’t much movement in the pieces – and that’s another reason her plays died out outside southern Ireland. They never even broke out into Northern Ireland.
“The other reason she died out? She’s a woman, whereas WB Yeats’s work has always been done. But we all know everyone loves an Irish accent, and just as the Fay Brothers focused on the lyrical and the voice, so I’m doing that too because it should be preserved, but I’m also focusing on the physicality of the language and the individual characters, because the characters are nuts – such as the butcher who sells unwholesome meat!
“The plays are a snapshot of a very strange rural Irish town: like Royston Vasey, home of The League Of Gentlemen, meeting Father Ted.”
Katie hopes to do a PhD on Lady Augusta. “I’m applying for it here because you can do a PhD through practice at the University of York,” she says. “I’d love to take her work out of being performed in the Fay Brothers style.
Making an entrance: Katie Leckey’s Magistrate rides on to the Theatre@41, Monkgate stage in the opening Lady Augusta Gregory play, Spreading The News, as James Lee’s Mrs Tully looks on. Picture: John Stead
“Her life was quite politically scandalous as she married a Unionist Anglo-Irish landowner, and had an affair with an Irish Republican. At some point she ran for the Irish Senate [the Seanad Éireann] but didn’t win.
“There’s no theatrical scholarship of her work, though there are biographies of her life story and you can read her letters and some studies of the myths around her work, but no studies of her theatrical work, which I think is criminal.”
Does Lady Augusta have a statue, Katie? “One, at Trinity College in Dublin. W B Yeats has more!” she says. To mark St Brigid’s Day, in February 2023, Trinity College installed four new sculptures in its Old Library to honour the scholarship of four trailblazing women: scientist Rosalind Franklin, mathematician Ada Lovelace, women’s right advocate Mary Wollstonecraft and folklorist, dramatist and theatre-founder Augusta Gregory.
Katie’s cast plays 22 characters between them in her multi-role-playing production. “We have a double task: to make plays that are not familiar feel more familiar, and when her plays are already strange, how do we present them in a familiar style? That’s a big challenge, especially when they’re all wee pieces, almost like sketches,” she says.
“What we’ve done is call on what we’ve done before [productions of Poe In Pitch Black, Patrick Hamilton’s Rope and Harold Pinter’s The Dumb Winter] and call on everyone’s suggestions in rehearsals.
Ben Koch’s Taig and Katie Leckey’s Darby, the chimney sweeps, in The Bogie Men. Picture: John Stead
“Her plays have a very melodramatic, very specific style, one that I’ve never seen on stage, which is why I’m so fascinated by her writing. They’re very stylised, almost like being in a courtroom at points; very joyful in tone and full of very much larger-than-life characters.
“When the plays were put on at The Abbey Theatre, the performances were bare with no theatrical spectacle, just people talking, which hopefully I’ve retained but there now needs to be physicality to supplement the dialogue, which is why I’ve put in slapstick. That’s what I learned from doing The Bogie Men for my Masters, so I’ve tried to extrapolate that to the extreme!”
Describing Lady Augusta’s theatrical tropes, Katie says: “Each of the plays has a dispute or misunderstanding at its centre: the classic comedy sketch set-up with either a minor misunderstanding or a massive argument – and she’s very good at writing massive fall-outs. A lot of the comedy comes from schadenfreude, especially in Coats.”
To capture that abundant friction, Katie has settled on a “thrust-plus” set, created by production designer Wilf Tomlinson. “It’s a traverse stage [with the audience placed either side] but it also goes half way round the balcony as well, so it’s almost in the round too but not quite! I’ve not really set it in any specific time or place, in the Town of Dispute but with modern references such as Rubik’s Cubes, yo-yos and a tricycle. All very playful, for comic effect.”
One final thought from Katie: “I have a sneaky feeling Samuel Beckett must have read The Bogie Men because there are very strange Beckettian tones to it,” she says, in a nod to sparring chimney sweeps Darby and Taig being forerunners of Waiting For Godot’s clownish Vladimir and Estragon
Griffonage Theatre presents FourTold, Theatre@41, Monkgate, York, October 6 to 10, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.
Did you know?
LADY Augusta Gregory acted on stage only once. “She said she would never do it again as she didn’t like the feel of the greasepaint, but she would often be there at performances of her plays, floating around the theatre,” says Katie.
Griffonage Theatre’s poster for FourTold, starring Katie Leckey as The Magistrate, Mr Hazel and Darby; Ben Koch as James Ryan, Hyacinth Halvey and Taig; Wilf Tomlinson as Shawn Early and James Quirke; Emily Carhart as Mrs Fallon and Jo Muldoon; Helen Clarke as Bartley Fallon and Mrs Delane; Grace Palma as Mrs Tarpey and Phoebe Farrell; James Lee as Mrs Tully, Mr Mineog and Miss Joyce and Peter Hopwood as Jack Smith
Griffonage Theatre: the back story
YORK theatre company with University of York origins, devoted to the madcap and the macabre, eliciting humour from the darkness. “We aim to make the strange familiar, and the familiar strange,” vows the company motto.
Founded in 2022, Fourtold is Griffonage Theatre’s fourth production, after the devised Poe In Pitch Black, Patrick Hamilton’s Rope, and Harold Pinter’s The Dumb Waiter. “We can be found, lurking in shadows, smiling deviously, at https://www.griffonage.uk/,” says Katie.
The crew for FourTold comprises: director and sound designer, Katie Leckey; assistant director, Miles John; lighting designer and technical stage manager, Leo McCall; set designer, Wilf Tomlinson; stage manager, Zoe Deacy-Clarke; marketing manager, Jamie Williams; executive producer, Jack Mackay.
York companyGriffonage Theatre in debut production Poe In Pitch Black
Ghosts In The Garden: York’s haunted history told in 58 wire-mesh sculptures
FROM garden ghosts to a lonely whale, Toussaint’s saxophone to Kurdish comedy, Charles Hutchinson finds joy both outdoors and indoors.
Spectral trail of the season: Ghosts In The Garden, across York, until November 2
ORGANISED by York BID (Business Improvement District), the Ghosts In The Gardens sculpture trail has returned to York’s public gardens, ruins, hidden corners and green spaces in a free family event featuring 58 3D wire-mesh figures inspired by York’s haunted history.
Crafted in partnership with York creative team Unconventional Design, the translucent figures range from soldiers to monks, with ten new spectral sculptures to “ensure fresh surprises for returning visitors”.
Saxophonist Jean Toussaint: Opening autumn season at National Centre for Early Music tonight
Jazz gig of the week: Jean Toussaint, National Centre for Early Music, Walmgate, York, tonight, 7.20pm
THE Jean Toussaint Quintet – saxophonist, composer and bandleader Toussaint, pianist Emile Hinton, bassist Conor Murray, drummer Ben Brown and trumpet player Joti (CORRECT) – showcases his JT5 project’s latest album, recorded at London’s Vortex jazz club in 2024.
York Music Forum students will be working with Toussaint earlier in the day to share their work on stage from 7.20pm to 7.40pm. Box office: 01904 658338 or ncem.co.uk.
Gemma Curry in Hoglets Theatre’s The Tale Of The Loneliest Whale at York Theatre Royal Studio
Children’s show of the week: Hoglets Theatre in The Tale Of The Loneliest Whale, York Theatre Royal Studio, Friday, 4.30pm; Saturday, 11am and 2pm
FRESH from an award-winning Edinburgh Fringe run, York company Hoglets Theatre invite primary-age children and families to an exciting adventure packed with beautiful handmade puppets, sea creatures, original songs and audience interaction aplenty.
Performed, crafted and directed by Gemma Curry, The Tale Of The Loneliest Whale celebrates friendship, difference and the beauty of being yourself in Andy Curry’s tale of Whale singing his heart out into the deep blue sea, but nobody singing back until…a mysterious voice echoes through the waves, whereupon Whale embarks on an unforgettable adventure. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Cooper Robson: Say Owt Slam special guest at The Crescent, York
Sizzling spoken words of the week: Say Owt Slam with special guest Cooper Robson, The Crescent, York, Friday, 7.30pm
HEATON slam champion and left-wing, left-field loudmouth Cooper Robson returns to York for a special-guest full set of hard-hitting poetry, raucous comedy and outlandish at The Crescent. Robson sports “more meter than Mo Farrah, more nonsense than a sapling touching Tolkien-tree”, while spouting more trash than a government coastal policy. Box office: thecrescentyork.com or on the door.
Helen Lederer: For bitter, for farce at Pocklington Arts Centre
Comedy conversation of the week: Helen Lederer, Not That I’m Bitter, Pocklington Arts Centre, Friday, 7.30pm
FROM Absolutely Fabulous to French & Saunders, Helen Lederer has been a familiar face in British comedy since her 1980s’ alt. comedy beginnings, being “in the spotlight but not always centre stage”. Now, she brings her signature wit and warmth to page and stage as she shares stories of fame, failure, family and finding your voice when the odds are stacked against you in a man’s world.
Expect sharp observations, outrageous anecdotes and a refreshingly candid take on everything from mental health to midlife reinvention, in conversation with presenter and podcaster Johnny Ianson, as Lederer discusses her memoir Not That I’m Bitter as part of East Riding Libraries Festival of Words. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
The Creepy Boys: Teenage birthday party. Picture: Nick Robertson Photography
“Bizarre comedy with just a splash of the occult”: The Creepy Boys, Theatre@41, Monkgate, York, Friday, 8pm
THE Creepy Boys, Canadian creators of cult-smash Slugs and 2025 Edinburgh Comedy Award nominees, present their existential self-titled show – and you’re invited as they throw their 13th birthday party. Expect games. Gifts. Possibly Satan. Probably Cake.
Combining 2000s’ sexy songs and dances, satanic rituals and Willem Dafoe, horny little boys Sam Kruger and S.E. Grummett will do whatever it takes to make their birthday dreams come true, even re-enacting their own birth, while interrogating the trappings of millennial nostalgia, before driving the show off a wild horror-comedy cliff. Box office: tickets.41monkgate.co.uk.
Kae Kurd in What’s O’Kurd: That’s what’s occurring at Pocklington Arts Centre on Saturday
Comedy gig of the week: Kae Kurd: What’s O’Kurd, Pocklington Arts Centre, Saturday, 8pm
KAE Kurd, British-Kurdish stand-up comedian, Ain’t Got A Clue podcaster and lead writer and voice of ITV’s dating show Loaded In Paradise, brings his new tour, What’s O’Kurd, to Pocklington.
Born Korang Abdulla in Saqqez, Iran, and now based in South London, Kae performed his debut show Kurd Your Enthusiasm at the 2017 Edinburgh Festival Fringe, since when he has toured Spoken Kurd Tour in 2021 and Kurd Immunity in 2023. He has written for Cunk & Other Humans (BBC), Have I Got News For You (BBC) and A League of Their Own (Sky One), as well as for the i newspaper and Total Politics, and has appeared on Mock The Week and Celebrity Masterchef. Box office: 01759 301547 or pocklingtonartscentre.co.uk.
Our Biggest Ever Open Mic: Saturday’s evening of anything-goes entertainment at Milton Rooms, Malton
Open opportunity of the week: Our Biggest Ever Open Mic, Milton Rooms, Malton, Saturday, 7pm
THE stage is all yours on Saturday at the Milton Rooms’ “Biggest Ever Open Mic evening” for all manner of performers. Admission is free and doors and the bar will be open at 6.30pm. Tech support will be provided. Go for it! For more information, email info@themiltonrooms.com.
Martin Ledger of Alchemy Live: Finding himself in Dire Straits in a good way at Helmsley Arts Centre
Tribute show of the week: Alchemy Live, The Music Of Dire Straits, Helmsley Arts Centre, Saturday, 7.30pm
FORMED by life-long Dire Straits fans and full-time musicians Martin Ledger and Neil Scott, Alchemy Live announced their first show for Friday the 13th in 2022 in York, duly selling out there and around Yorkshire and moving on to theatre shows from January 2023.
Fast forward to 2025 and the launch of an expanded line-up, featuring pedal steel and saxophone, enabling them to tackle the huge production of Dire Straits’ final album On Every Street and the resultant live record On The Night. Every song choice is taken from a specific live performance in Dire Straits’ history, for example the show-opening Money For Nothing from Live Aid at Wembley Stadium in 1985, “with every nuance of Mark Knopfler’s playing technique followed faithfully” throughout. Box office: 01439 771700 or helmsleyarts.co.uk.
Pixies: Playing York for first time in 40-year career next May
Gig announcement of the week: Pixies, York Barbican, May 20 2026
CELEBRATING 40 years since their 1986 formation in Boston, Massachusetts, Pixies will head out on their Pixies 40 worldwide tour next year. The British and European leg will open with their long-overdue York debut on May 20 at York Barbican.
Founding members Black Francis, Joey Santiago and David Lovering will be touring with bassist Emma Richardson as they head to the UK, Ireland, Germany, Italy and the Netherlands. Tickets for their only Yorkshire concert are on sale at bnds.us/ziwfqx or yorkbarbican.co.uk/whats-on/pixies.
York oboe player Desmond Clarke: Performing on Navigators Art’s YO Underground #5 bill at The Basement, City Screen Picturehouse
FOOD for thought for heading out and about as York Food & Drink Festival opens and Inspector Morse is on the case in Charles Hutchinson’s recommendations.
Navigators Art presents YO Underground #5, The Basement, City Screen Picturehouse, York, tonight, 7.30pm
YORK arts collective Navigators Art’s regular fulcrum of left-field new music, words and performance returns this weekend with a focus on ethnic instruments, acoustic-electronic improvisation, words and guitar-based fusion, plus passionate new songwriting.
Expect bold, beautiful and adventurous sounds from flautist Carmen Troncoso, York oboe player Desmond Clarke and Osc~, No Spinoza and a new York ‘supergroup’, the NSC Sound Union, combining members of Soma Crew and Namke Communications. Admission is £6 at www.ticketsource.co.uk/navigators-art-performance) or £10 on the door.
Sam Blythe: Taking on a multitude of roles in George Orwell’s Animal Farm at Theatre@41, Monkgate
Solo show of the week: Sam Blythe in Animal Farm, Theatre@41, Monkgate, York, tonight, 7.30pm
CELEBRATING 70 years of its publication on August 17 1945 and 30 since the first performance of Guy Masterson’s solo adaptation of George’s Orwell’s satirical allegorical dystopian novella, Sam Blythe takes up Masterson’s mantle on stage.
Bringing all of Orwell’s multiple characters to vivid life, Blythe transforms into Snowball, Napoleon, Squealer, Boxer, Clover, Mollie, Benjamin, Muriel, the Sheep, Dogs, Cows, Hens and the Cat in a performance designed to shock, enchant, bewitch and bewilder, ringing out Orwell’s prescient warning that politicians through the ages, and of all creeds and colours, will often let power corrupt them. Box office: tickets.41monkgate.co.uk.
Rebecca Vaughan’s Lady Susan in Dyad Productions’ Austen’s Women: Lady Susan. Picture: Seamus Flanagan
Magnificently crafted tale of manipulation and manners of the week:Dyad Productions in Austen’s Women: Lady Susan, York Theatre Royal Studio, today, 2pm; Helmsley Arts Centre, Sunday, 7.30pm
DYAD Productions return with a new solo comedy show, Jane Austen’s 1794 tale of manipulation and manners. Directed by Andrew Margerison, company regular Rebecca Vaughan plays devil-may-care widow Lady Susan, oppressed, rebellious daughter Frederica, long-suffering sister-in-law Catherine, family matriarch Mrs De Courcy and insouciant best friend Alicia.
At the vanguard of Vaughan’s wickedly humorous adaptation is the charming, scheming and witty Lady Susan, taking on society and making it her own, but has this coquette met her match? Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.
Skosh chef-proprietor Neil Bentinck: Cookery demonstration at St Crux Hall on September 27 at 1pm at York Food & Drink Festival
Festival of the week: York Food & Drink Festival, cooking until September 28
HIGHLIGHTS of this autumn’s York Food & Drink Festival include 70 street food and produce stands in Parliament Street; the Entertainment Marquee on Parliament Street, serving a bill of Live for St Leonard’s Hospice music acts; more live music in St Sampson’s Square, and demonstrations, events, tastings, and sampling at St Crux Hall.
Further events will be two taste trails; the Food Factory in St Crux Hall and Museum Gardens; the Pork Pie competition in Bedern Hall; Curry & Comedy at the NCEM; Yahala Mataam’s refugee pop-up restaurant night and cookery school; Tang’s festival debut; Jorvik Viking Centre’s activities with an historic twist and the Meet The Makers drinks fair. For the full festival programme, head to: yorkfoodfestival.com.
One of Simon Baxter’s photographs from All The Wood’s A Stage, his joint exhibition with Joe Cornish at Nunnington Hall. Picture: Simon Baxter
Ryedale exhibition launch of the week: All The Wood’s A Stage, Nunnington Hall, near York, from today to March 29 2026
ALL The Wood’s A Stage will continue the 2022 showcase Woodland Sanctuary, exhibited originally at the Moors Centre in Danby. This latest chapter features predominantly new photographs that celebrate the beauty and vital significance of trees, woodlands and forests across the UK.
Photographers Joe Cornish and Simon Baxter depict trees as silent performers on nature’s stage, encouraging us to observe, listen and reflect. Trees provide joy, peace and inspiration, being lungs of the Earth, guardians of biodiversity and a crucial part of our mental and physical well-being. Through changing seasons, they symbolise life, death and renewal. Tickets: nationaltrust.org.uk/visit/yorkshire/nunnington-hall.
The poster for The Return Of The Legends, featuring Strictly Come Dancing alumni Brendan Cole, James Jordan, Pasha Kovalev, Vincent Simone and Ian Waite, at York Barbican
Dance show of the week: The Return Of The Legends, starring Brendan, James, Pasha, Vincent and Ian, York Barbican, today, 7.30pm
STRICTLY Come Dancing alumni Brendan Cole, James Jordan, Pasha Kovalev, Vincent Simone and Ian Waite follow up 2024’s Legends Of The Dancefloor with new Latin, tango, rumba and ballroom routines and more Strictly stories in The Return Of The Legends. Joined by a supporting cast, they deliver a night of dancing, camaraderie, music and laughter. Box office: yorkbarbican.co.uk.
Robert Took, Georgina Liley, Catherine Warnock and James McLean in Mikron Theatre’s Hush Hush!, on tour at Clements Hall, York
Touring play of the week: Mikron Theatre in Hush Hush!, Clements Hall, York, Sunday, 4pm
IN a daring theatrical mission, Marsden’s Mikron Theatre Company infiltrates the clandestine world of wartime code-breaking in Lucie Raine’s Hush Hush!, exposing the vital contributions of the unsung heroes of Bletchley Park’s Hut 3, whose ingenuity and unwavering resolve helped secure victory.
Peggy Valentine arrives at Bletchley in 1940, 18 years old, headstrong and gifted. Finding herself in a world of boffins, soldiers and debutantes, Peggy must shoulder the burden of high-pressure war work while navigating a new world of feuds, friendships and growing up in a frame of absolute secrecy. Mikron’s crack team of actor-musicians, Georgina Liley, Robert Took, Catherine Warnock and familiar face James McLean, blends original songs, live music and compelling storytelling. Box office for returns only: 01484843701 or email admin@mikron.org.uk.
Tom Chambers as Detective Chief Inspector Morse in the first Inspector Morse original stage play, House Of Ghosts, at Grand Opera House, York
Murder mystery of the week: Inspector Morse: House Of Ghosts, Grand Opera House, York, September 23 to 27, 7.30pm plus 2.30pm Wednesday and Saturday matinees
BIRMINGHAM Repertory Theatre and Simon Friend Entertainment are touring the Inspector Morse franchise’s debut original stage play, House Of Ghosts, penned by Alma Cullen, directed by Anthony Banks and starring Tom Chambers.
A chilling mystery unfolds when a young actress dies suddenly on stage during a performance, prompting Detective Chief Inspector Morse to embark on a gripping investigation. What begins as a suspicious death inquiry takes a darker turn when the legendary inspector, in tandem with Detective Sergeant Lewis, uncovers a connection to sinister events in his own past, 25 years earlier. Box office: atgtickets.com/york.
Kieran Hodgson: Voicing his thoughts on the USA
Comedy gig of the week: Kieran Hodgson: Voice Of America, Theatre@41, Monkgate, York, September 26, 8pm
AMERICA. What happened, man? Ever since he was a little loser kid in a little loser country (yes, England), Holmfirth-born Kieran Hodgson has been putting on an American accent and dreaming a big American dream.
Nowadays, however, it’s not so simple. Didn’t America go completely bananas? Didn’t he get too old for dreaming? And when Hollywood comes calling, does Kieran actually sound American after all? Here he assesses how a scared world feels about the USA and impersonates a bunch of old prospectors and former Presidents. Box office for returns only: https://tickets.41monkgate.co.uk.
The horror, the horror: Dead Northern returns to City Screen Picturehouse
Film event of the week: Dead Northern presents The Festival of Horror, City Screen Picturehouse, York, September 26 to 28
IN “the world’s most haunted city”, Dead Northern hosts three days of film and live events, taking in music, social activities, food, drink and merchandise. Friday Frights opens with a 10.30am showcase of student short films and videos, followed by UK premiere of Sun at noon with a Q&A.
The 2pm short film showcase focuses on Teeth, Claws, Tentacles and Clowns. At 4pm the Dead Talks talk reveals Dracula’s mysterious connection to York under the splendid title of Who Are You Calling A Count?! A mystery Dracula classic film re-surfaces at 5pm and the UK premiere of Hellhouse LLC: Lineage is booked in for 7.30pm. The night concludes with the Welcome Social & Quiz with the Independent Horror Society.
Saturday Screams kicks off with the Flesh & Bone short film showcase at 10.30am, followed by the world premiere of A Mother’s Recall at noon and the Twisted Tales short film showcase at 1.45pm.
The 3.30pm UK film premiere will be Home Education, concluding with a Q&A, and the 5.30pm classic feature will be the 40th anniversary release of A Nightmare On Elm Street 2: Freddy’s Revenge.
7.30pm’s Signature Live Event will be Spirits By Spirits; the 8.45pm feature film will be The Beast Of Riverside Hollow, with a Q&A, and the night ends with the VIP Awards Party at 11pm.
Day three, Sunday Shock The 28th, launches with the 10.30am classic feature, 1981’s Evil Dead, followed by the UK premiere of Nightfall – A Paranormal Investigation at noon and the Spectres & Shadows short film showcase at 1.30pm.
The UK premiere of Tabula Rasa will be shown at 2.45pm; the 4.15pm screening of He Kills At Night will include a Q&A, and Inside The Mind will be the theme of the 6pm short film showcase. In Dead Talks Part II at 7.30pm, the Independent Horror Society welcomes special guests for When Horror Struck Again, a discussion on underrated sequels.
The festival concludes with a classic feature, 1987’s Evil Dead II. For more details on Dead Northern Part VI 2025 Horror Film Festival, visit deadnorthern.co.uk/dead-northern-2025-horror-film-festival.
In Focus: York Printmakers’ 10th Anniversary Handmade Print Fair, York Cemetery, today and tomorrow
Russell Hughes discussing monoprinting. Picture: Chris Kendall Photography
THIS weekend York Printmakers celebrates a decade of creativity, collaboration and craftsmanship with its 10th Annual Print Fair, designed for lovers of original art and handmade processes.
This year’s fair reflects the group’s continuing mission: to keep traditional printmaking alive, accessible and valued.
Over the past decade, York Printmakers has grown into a vibrant collective of more than 40 artists, all committed to the authenticity of printmaking. The fair showcases a wide range of techniques — from linocut to collagraph, screen print to woodcut — all created by hand.
“People are often surprised to learn the difference between a reproduction and a handmade print,” says founding member Sally Clarke. “At our fair, you get to see the blocks, the plates, the tools — and meet the people who made them.
“In a world where everything is easily copied, our fair champions the original: prints made by hand, with care and intention.”
Bridget Hunt describing how to make a collograph plate. Picture: Chris Kendall Photography
This year’s milestone event reflects on ten years of artistic evolution, celebrating the unique voices of long-standing members while championing the newer members to the collective: artists whose fresh perspectives and experimental approaches are helping to shape the future of the craft.
“It’s always a pleasure to welcome new members, especially those just discovering printmaking or beginning their creative journey,” says long-standing member Russell Hughes. “They bring energy and new ideas that inspire even the most experienced among us. And in return, we’re able to share knowledge and techniques that have stood the test of time. That exchange is what keeps the group dynamic and evolving.”
Visitors can explore a rich variety of work, meet the makers and buy original prints directly from the artists.
York Printmakers’ 10th Anniversary Handmade Print Fair, Chapel and Harriet Room, York Cemetery, Cemetery Road, York, September 20 and 21, 10am to 5pm. Free entry.
York Printmakers’ poster for this weekend’s print fair at York Cemetery
In Focus too: Pete McKee, Viva La Nan!, RedHouse Gallery, Harrogate, and McKee Gallery, Sheffield
Pete McKee’s poster for September 27’s Viva La Nan! launch at RedHouse Gallery, Harrogate
PETE McKee’s double exhibition celebrating the beloved nans of his childhood will open across two Yorkshire galleries this autumn.
Viva La Nan! will go on view at RedHouse Gallery, Cheltenham Mount, Harrogate, from September 27 to October 4 and the McKee Gallery, Leah’s Yard, Cambridge Street, Sheffield, for two days only, October 11 and 12, presenting more than 120 drawings on paper created “in tribute to Nans, Grandmothers, Grandmas,Grannies, Grans, Nanas”.
Each gallery will be home to a completely different exhibition with “fans of art and fans of Nans” invited to enjoy both shows. The heart-warming collection includes original drawings on paper, showcasing the development of McKee’s process from sketchbook to final painting, and the exhibition offers a rare opportunity to own a unique McKee artwork, with prices ranging from just £75 to £2,450.
A Lovely Cup O’ Tea, by Pete McKee
“I wanted to create an exhibition celebrating the power of Nans and the love we have for them,” says Pete, who grew up on a Sheffield housing estate. “It shows the beauty and dignity of women who have lived through hardship and pain; women who have worked and toiled and managed to raise us on next to nothing. I consider my nans as iconic figures to be put on a pedestal and worshipped for the mighty women that they are”
The double exhibition coincides with McKee’s first major museum show, The Boy Name With A Leg Named Brian, on show until November 2 at Weston Park Museum, Sheffield, where it has drawn 80,000 viewers already.
McKee’s work captures life’s simple pleasures with an innocence often lost in today’s fragmented and high-octane society. His images make you stop and think, laugh out loud or break your heart.
Viva La Nan! artworks by Pete McKee
To celebrate the Harrogate opening, Pete will launch the show in person on September 27 at 10am, when the first 50 visitors will receive a signed limited edition copy of the exhibition exclusive Daily Nan newspaper.
On October 12, the curious and adventurous are invited to join Pete and RedHouse on an unforgettable “Yorkshire road trip” with McKee Travel: the Harrogate to Sheffield Bus Tour to see both Sheffield shows on one day.
“We’ll be making a grand day of it,” says RedHouse Gallery’s David McTague. “Not only will you see the second phase of the exhibition at the McKee Gallery, but we’ll also provide onboard entertainment and stop for a spot of afternoon tea. Before heading home, we’ll also drop by the Weston Park Museum and meet the artist at his concurrent show, The Boy With The Leg Named Brian.”
McKee Travel’s Yorkshire road trip from Harrogate to Sheffield on October 12
Here is the itinerary: 9.10am, coach departs Harrogate from RedHouse Gallery; 11am, arrive in Sheffield and visit Viva La Nan! at Leah’s Yard; 12.30pm, afternoon tea at the Chocolate Bar; 2pm, visit to McKee’s exhibition at Weston Park Museum; 4pm, coach to depart from Sheffield and arrive in Harrogate circa 5.40pm.
Ticket includes seat reservation on McKee Travel coach; on-board entertainment, including bingo; exclusive exhibition paraphernalia; priority entry to Viva La Nan! at Leah’s Yard; reservation at Chocolate Afternoon Tea Experience; entry to Pete McKee: The Boy With The Leg Named Brian; Meet & Greet with the artist at Weston Park Museum. For tickets, go to https://www.redhouseoriginals.com/shop/artwork/gift-voucher/mckee-travel-hgate-bus-ticket.
At RedHouse, in addition to Viva La Nan!, a selection of original archive paintings by Pete McKee will be on view in the first floor gallery rooms. Highlights include Room 414, McKee’s homage to legendary guitarist Robert Johnson: The King Of Delta Blues, and Music For Pleasure, an artwork created for Rhoda Dakar’s album Version Girl. On show too will be Gone To The Dogs, an exceptionally rare “early years” painting from 2003.
Acid House, from the Viva La Nan! series, by Pete McKee
In a further celebration of the Harrogate opening of Viva La Nan!, a selection of original McKee drawings will be available at exclusive Collector Prices, starting at £195, with all artworks signed by McKee and sold framed to the artist’s specifications, with selected works presented in vintage frames.
“I wanted to make my artwork accessible,” says Pete. “I want people to be able to have that pleasure of owning a piece of original artwork and looking at it every day, knowing that you own a bit of the artist’s soul.”
Pete McKee, Viva La Nan!, RedHouse Gallery, Cheltenham Mount, Harrogate, September 27 to October 4, open Monday to Saturday, 10am to 5pm; The McKee Gallery, Cambridge Street, Leah’s Yard, Sheffield, October 11. 10am to 5.30pm, and October 12, 11am to 4pm.
Sheffield artist Pete McKee
Pete McKee: back story
BORN in Sheffield in 1967, Pete McKee creates iconic and enduring images that reflect his experiences of growing up on a council estate, surrounded by working-class culture and humour.
This down-to-earth and nostalgic thread runs through all of his work and has gained him a worldwide following.
Comics were a large part of Pete’s childhood and he would read “any that he could get his hands on”, when Whizzer and Chips, The Dandy, The Beano and Hergé’s beloved Tintin were particular favourites.
Pete McKee at work on Viva La Nan!
Pete has collaborated with Noel Gallagher, Liam Gallagher, Oasis, Sir Paul Smith, Arctic Monkeys, Richard Hawley, Disney, Warp Films, Clarks Shoes, The Human League, Rega and BBC 6 Music. Noel Gallagher once phoned him to say that McKee’s painting of a child practising guitar on a bed summed up his youth. McKee fans include actress Maxine Peake and filmmaker Ken Loach.
Longstanding supporter of Teenage Cancer Trust Charity, designing concert posters for charity’s Royal Albert Hall shows.
Opened McKee Gallery in Sheffield in 2010, putting on first major exhibition in 2013, The Joy Of Sheff, and since then showcasing numerous shows such as Six Weeks To Eternity, 2016, This Class Works, 2018, and Frank and Joy: A Love Story, 2023.
Pete McKee in his studio
Now holding his longest-running exhibition yet, A Boy With A Leg Named Brian, at Weston Park Museum in Sheffield, from November 29 2024 until November 2 2025.
Patron of Sheffield Children’s Hospital Charity, Art+; one of his most notable annual projects being the charity’s Christmas card design.
Received honorary doctorate from Sheffield Hallam University in 2018, when presented as a Doctor of Arts at that year’s graduation.
A work in progress for the Viva La Nan! series
In 2024, after more than a decade at Sharrow Vale Road, the McKee Gallery relocated to Leah’s Yard, Cambridge Street, in Sheffield city centre.
Pete’s modus operandi: “I’ve got my own path to plough and I do that regardless of what fashions are, or what the art world deems to be appropriate. I’ve got my own niche. It’s my world and I have people that follow me, like my work, and understand it. I just want people to enjoy what they see.”
Emma Burke’s wartime nurse performing Anthem, from Chess
“THE show’s concept is playful, radical too, and has the potential to be rolled out again,” predicted your reviewer, when encountering June 2023’s “out of this world” Musicals In The Multiverse.
Sure enough, here comes the bigger, bolder sequel, still with a “big cast, bags of energy and enthusiasm, and a fun idea for a show”, still with Helen “Bells” Spencer as director and Matthew Clare in charge of the remarkable musical arrangements as songs are freed from the chains of their usual presentation.
The company and venue has changed, from the Joseph Rowntree Theatre Company and art deco Joseph Rowntree Theatre to Spencer and Nick Sephton’s Wetherby-based Wharfemede Productions and black-box Theatre@41, Monkgate.
The show title has replaced ‘In’ with the broader-sounding ‘Across’ to reflect an even more expansive multiverse: alternative worlds where musical favourites and newer works are turned on their head, taking on a new life with a change of gender, era, key or musical style, as musical director James Ball and his band, out of view behind curtains but worthy of a standing ovation in their own right, deliver Matthew Clare’s diverse, dazzling arrangements with such brio.
Nick Sephton and Helen “Bells” Spencer’s tender rendition of I Don’t Need A Roof
Attending Monday night’s dress rehearsal, the technical rough edges with the projection would be ironed out by tonight’s opening show, and likewise Bells Spencer was keeping herself busy in taking notes, and even adjusting actors’ stage positions mid-number to achieve the right balance. Choreographer Connie Howcroft, when not performing, kept an eye on the big numbers too.
Musicals Across The Universe sits inside an end-on set design, usually bare to enable use of the full stage, even the stairway, with the occasional addition of chairs too, while projections, whether of a blur of Fake News or images of wartime Poland, accompany assorted numbers. Costume changes are frequent, sometimes amusing, often witty, always striking.
Act One opens with the full company finding its voice in Facade, a number from Jekyll And Hyde that is the essence of putting on a front, but with the truth still bursting through. As Long As He Needs Me, Nancy’s troublesome song from Oliver!, becomes more mournful, less desperate, in Jai Rowley’s interpretation.
The Place Where The Lost Things Go, from Mary Poppins Returns, is transformed into a children’s song, all the more moving in Matthew Warry’s performance, supported by Laertes Singhateh and Emelia Charlton-Matthews.
Lauren Charlton-Matthews: Outstanding rendition of Dear Bill from Operation Mincemeat. Picture: Simon Trow
Anthem, from Chess, takes on a Jazz Age air in Emma Burke’s rendition; Lauren Charlton-Matthews chose Dear Bill, from the Grand Opera House-bound Operation Mincement for her solo number, duly delivering the show’s best storytelling singing.
Go The Distance/Defying Gravity, from Hercules/Wicked, vie for centre stage in a mash-up for David Copley-Martin, Emily Hardy, Naomi Mothersille and Zander Fick; partners Spencer and Sephton bring tender romance to Big Fish’s I Don’t Need A Roof and Tess Ellis revels in the stark solo spotlight in Miss Saigon’s Why God? Why?
Two Act One favourites follow in quick succession, first Rosy Rowley’s lonesome Mr Cellophane, from Chicago, her face marked by a painted tear, accompanied by the Dance Core in white masks with crimson lips and matching dark tears.
Listen, from Dreamgirls, branches out from dialogue to Jai Rowley expressing himself in British Sign Language, learned expressly for this performance, to be interpreted in song by James Ball as Matthew Warry takes over on piano.
Exchanging sign language: James Ball, left, and Jai Rowley in Listen
After the men-in-black smooth chops of When She Loved Me, from Toy Story, you will go potty for Connie Howcroft’s polka-dotty reinvention of Friend Like Me from Aladdin, with her Dance Core in tow.
Mickey Moran, outstanding in the 2023 show, comes to the fore in Act Two’s opening Queen Medley from We Will Rock You, both on lead vocals as bravura as Freddie Mercury and on guitar too. The show must go on, and indeed does with Naomi Mothersille leading Make Them Hear You from Ragtime.
Richard Bayton and James Ball address songs to each other as gay lovers on the path to separation, first in Bayton’s confessional Just Not Now, from I Love You Because, then Ball, wrought with tragedian drama in Abba’s The Winner Takes It All, from Mamma Mia!, the show’s outstanding solo turn.
It’s Never That Easy/I’ve Been Here Before, from Closer Than Ever, find Spencer, Howcroft, Emily Hardy and Naomi Mothersille in harmony; Tess Ellis, in cream, stands out from the crowd in the heartfelt Someone Like You, from Jekyll & Hyde, and Ben Holeyman does likewise in Gypsy’s Don’t Rain On My Parade. Take note of Kirsty Barnes, notebook in hand, in Santa Fe, from Newsies.
Life is a Cabaret for Zander Fick, surrounded by the Dance Core in Musicals Across The Multiverse. Picture: Simon Trow
Zander Fick, fresh from playing drag star Loco Chanel in Everybody’s Talking About Jamie, dons fishnets, shiny red Latex top and matching high heels and lipstick, to darken Sally Bowles’s Cabaret, from Cabaret, into being more in keeping with the Emcee.
Bayton and Ellis, Holeyman and Barnes play two couples in declamatory tandem in the mash-up of Million Dreams and How Far I’ll Go from The Greatest Showman and Moana, and mother and child partnerships, Spencer and Singtaheh, Rowley times two and Charlton-Matthews a deux, express the bond movingly in Mamma Mia’s Slipping Through My Fingers. Abbie Law savours the last solo showcase in Shouldn’t I Be Less In Love With You, from I Love You, You’re Perfect, Now Change.
The full company assembles for Blame It On The Boogie, from MJ The Musical, a celebratory finale led flamboyantly by Rosy Rowley and Mickey Moran that has everyone dancing to the Multiverse max.
Wharfemede Productions present Musicals Across The Multiverse, Theatre@41, Monkgate, York, September 10 to 13, 7.30pm plus 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.
Rosy Rowley. front, left, and Mickey Moran, front, right, lead the outbreak of dancing in Blame It On The Boogie, the finale to Musicals Across The Multiverse
Willow artist Laura Ellen Bacon in the saloon at her Whispers Of The Wilderness exhibition at Beningbrough Hall. Picture: Anthony Chappel-Ross
WILLOW sculptures, outdoor cinema, musical premieres and the Yellow Brick Road are beckoning Charles Hutchinson.
Exhibition opening of the week: Laura Ellen Bacon, Whispers Of The Wilderness, Exploring Wilderness Gardens, Beningbrough Hall, near York, until April 12 2026, Tuesday to Sunday, 11am to 4pm
WHISPERS Of The Wilderness brings together contemporary large-scale willow sculptures by Laura Ellen Bacon, historic pieces from across the National Trust collection to showcase Wilderness Gardens through time and a new drawing studio designed by artist Tanya Raabe-Webber.
Complemented by a new soundscape, audio chair, sketches of the developing sculptures and more, the exhibition is a sensory experience across the first-floor Reddihough Galleries and Great Hall. Tickets: nationaltrust.org.uk/visit/yorkshire/beningbrough.
Heath Ledger and Julia Stiles in 10 Things I Hate About You, Sunday’s screening at Picturehouse Outdoor Cinema at York Museum Gardens
Film event of the week: City Screen Picturehouse presents Picturehouse Outdoor Cinema, York Museum Gardens, York, Stop Making Sense (PG), tonight, 6.30pm; 10 Things I Hate About You (12A), Sunday, 6.30pm
JONATHAN Demme’s Stop Making Sense, capturing David Byrne’s Talking Heads in perpetual motion at Hollywood’s Panatges Theatre in December 1983, re-emerges in a 40th anniversary restoration of “the greatest concert film of all time”.
Joseph Gordon-Levitt, Allison Janney, Julia Stiles and Heath Ledger star in 10 Things I Hate About You, wherein Cameron falls for Bianca on the first day of school, but not only his uncool status stops him from asking her out. Blankets, cushions and small camping chairs are allowed. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.
Hal Cruttenden: Reflecting on the insanity of modern politics at Burning Duck Comedy Club. Picture: Matt Crockett
“Take no prisoners” gig of the week: Hal Cruttenden Can Dish It Out But Can’t Take It, Theatre@41, Monkgate, York, tonight, 8pm
HAL Cruttenden promises to stick it to ‘The Man’, as long as ‘The Man’ does not stick it back to him. Expect hard-hitting pontificating on middle-aged dating, social media, the insanity of modern politics and his daughters loving him but not respecting him. Box office: tickets.41monkgate.co.uk.
Artist Kerry Ann Moffat with her oil painting Sunlight Catching Wooden Sculpture at the Created In York pop-up gallery in High Petergate, York
Pop-up art space of the week: Created In York, hosted by Blank Canvas by Skippko charity, 22 High Petergate, York, 10.30am to 5pm, Thursdays to Saturdays; 11am to 4pm, Sundays
CHAMPIONING change through creativity, York art charity Skippko’s rolling programme of three-week Created In York shows is running in High Petergate until December 2025 in tandem with York Conservation Trust. On show until September 14 are oil paintings by Kerry Ann Moffat and linocuts and woodblock prints by Rachel Holborow.
York RI Golden Rail Band:Performing Sounding Brass and Voices with York RI Golden Railway Band. Picture: Keith Meadley
Musical partnership of the week: Sounding Brass and Voices, York Philharmonic Male Voice Choir and York RI Golden Rail Band, Joseph Rowntree Theatre, York, tonight, 7.30pm
YORK Philharmonic Male Voice Choir and York RI Golden Rail Band reunite for a fourth joint concert in a tender and thrilling pairing of brass and voices, celebrating 100 years of music.
“From romantic film music to toe-tapping hits, there will be something for everyone,” says Golden Rail Band conductor Nick Eastwood. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Musicals Across The Multiverse choreographer Connie Howcroft, right, working on moves with Zander Fick, Ben Holeyman, Abbie Law and Lauren Charlton-Matthews
Interdimensional journey of the week: Wharfemede Productions in Musicals Across The Multiverse, Theatre@41, Monkgate, York, September 10 to 13, 7.30pm and 2.30pm Saturday matinee
DIRECTOR Helen “Bells” Spencer and musical director Matthew Clare follow up 2023’s Musicals In The Multiverse 2023 with another blend of iconic musical theatre hits reconfigured with surprising twists.
“Think unexpected style swaps, minor to major key switches, gender reversals, era-bending reinterpretations, genre mash-ups and more,” says Bells.” Box office: tickets.41monkgate.co.uk.
Debbie Isitt’s cast in rehearsal for the world premiere of Military Wives – The Musical at York Theatre Royal. Picture: Danny With A Camera
World premiere of the week: Military Wives – The Musical, York Theatre Royal, September 10 to 27, times vary
YORK Theatre Royal stages the world premiere of writer-director Debbie Isitt’s musical based on the 2019 film, rooted in Gareth Malone’s The Choir: Military Wives project.
Faced with husbands and partners being away at war, the women are isolated, bored and desperate to take their minds off feelings of impending doom. Enter Olive to help them form a choir. Cue a joyous celebration of female empowerment and friendship, courage and ‘unsung’ heroes. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Libby Greenhill’s Medium Alison, left, Hattie Wells’s Young Alison and Claire Morley’s Alison in Pick Me Up Theatre’s Fun Home
York premiere of the week: Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, September 10 to 19, 7.30pm plus 2.30pm Saturday and Sunday matinees
ROBERT Readman directs the York premiere of Jeanine Tesori and Lisa Krow’s five-time Tony Award winner, based on Alison Bechdel’s graphic novel.
When her volatile father dies unexpectedly, Alison (Claire Morley) recalls how his temperament and secrets defined her family and her life. Moving between past and present, she relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her sexuality and the looming, unanswerable questions of her father’s hidden desires. Box office: ticketsourse.co.uk/pickmeuptheatrecom.
Rob Newman: Wondering where we are going in Where The Wild Things Were at The Crescent
The future, now: Burning Duck Comedy Club presents Rob Newman, Where The Wild Things Were, The Crescent, York, September 11, 7.30pm
ROB Newman wants to discuss where we are and where we are going, from future cities and philistine film directors to Dorothy Parker’s Multiverse Diaries. Throw in Pythagorean gangsters, intellectual bingo callers and a crazy character called Arlo for a comedic “tour-de-force utterly unlike anything else you will ever see anywhere else”. Box office: thecrescentyork.com.
Mick Tickner: Headlining the Funny Fridays bill at Patch
Comedy gathering of the week: Funny Fridays, at Patch, Bonding Warehouse, Terry Avenue, York, September 12, 7.30pm
AFTER May and June sell-outs and a summer break, Funny Fridays returns for a third night of stand-up hosted by promoter and comedian Katie Lingo. On the £10 bill are 2023 Hull Comedian of the Year Hannah Margaret, Jamie Clinton, Kerris Gibson, James Earl Marsters and headliner Mick Tickner. Box office: eventbrite.co.uk/e/funny-fridays-at-patch-tickets-1473792325519?aff=oddtdtcreator.
Erin Childs’ Dorothy with Toto (Freddie) in York Stage’s The Wizard Of Oz
Ruby slippers of the week: York Stage in The Wizard Of Oz, Grand Opera House, York, September 12 to 20, times vary
UNDER Nik Briggs’s direction, York Stage skips down the Yellow Brick Road as Erin Childs’ Dorothy, Toto and her friends, the Scarecrow (Flo Poskitt), Tin Man (Stu Hutchinson), and Cowardly Lion (Finn East), journey to the Emerald City to meet the Wizard (Ian Giles).
In navigating the enchanting landscape of Oz, Dorothy is watched closely by Glinda, the Good Witch (Carly Morton) as the Wicked Witch of the West (Emily Alderson) plots to thwart Dorothy’s quest and reclaim the magical ruby slippers. Box office: atgtickets.com/york.
Hal Cruttenden: Dishing it out at Theatre@41, Monkgate, but can he take it?
THE best of the Edinburgh Fringe, from stand-up comedy to new theatre, is bound for Theatre@41, Monkgate, York, this autumn.
Comedy performers will be led off by Have I Got News For You and Would I Lie To You panellist Hal Cruttenden in Hal Cruttenden Can Dish It Out But Can’t Take It on September 6, followed by four-time Edinburgh Award nominee Kieran Hodgson in Voice Of America on September 27, when he explores how a scared world feels about the USA and impersonates a bunch of old prospectors and former Presidents.
Creepy Boys were nominated for this year’s Edinburgh Comedy Award for their show Slugs. Now they bring their original madcap self-titled show to York on October 3. John Robertson Plays With His Audience, on November 16, is the latest show from the cult Dark Room host, packed with unpredictable improv and crowd work.
Kieran Hodgson: Voicing fears prompted by the USA
Innovative theatre comes in the form of a one-man Animal Farm, solo adaptation of Orwell’s prophetic novel, performed by Sam Blythe on September 20.
Theatre@41 chair Alan Park says: “Prior to the Edinburgh Fringe, we welcomed a number of stand-ups previewing their shows in the Halfway To Edinburgh season in July, including eventual Edinburgh Comedy Award winner Sam Nicoresti, and it’s great to see more of these artists having success at the Fringe.
“The ethos of the Edinburgh Fringe resonates with our own belief in supporting new and emerging performers, so we’re really pleased to be welcoming these brilliant shows to our theatre this autumn.”
John Robertson: Playing with his York audience on November 16 Picture: Mark Dawson
Running from July 13 to 19, Halfway To Edinburgh featured Sam Nicoresti, Josie Long, Lulu Popplewell, Molly McGuinness, Phil Ellis, Hayley Ellis, Susan Riddell, Kate Dolan, Barmby Moor surrealist Rob Auton and Chloe Petts, plus Nina Gilligan in her 2024 Fringe show Goldfish.
“We were absolutely thrilled to bring such a fantastic calibre of comedic talent to York with Halfway To Edinburgh,” says Alan. “The festival was a unique opportunity for York audiences to experience the excitement and innovation of the Edinburgh Fringe without leaving the city. It was the perfect chance to see some incredible shows before they hit the big stage in Scotland.”
Tickets for the autumn season are on sale at tickets.41monkgate.co.uk.
Wharfemede Productions artistic director Helen “Bells” Spencer, right, leading a rehearsal for Musicals Across The Multiverse
THE musical multiverse is on the move but with the visionary creative team of director Helen “Bells” Spencer and co-creator and musical director Matthew Clare still at the helm.
After the Joseph Rowntree Theatre Company staged Musicals In The Multiverse as its “most ambitious concert production ever” in June 2023, now Helen’s Wetherby-founded company, Wharfemede Productions, takes up the multiverse mantle for Musicals Across The Multiverse, featuring a stellar cast of performers drawn from across Yorkshire’s vibrant talent pool.
Promising to be “even more inventive and boundary-pushing”, this out-of-this-universe sequel will take over Theatre@41, Monkgate, York, from September 10 to 13, with its “nod to the Marvel franchise and the Spiderverse”.
“Musicals Across The Multiverse is a bold and exhilarating theatrical experience that reimagines your favourite musical theatre numbers like never before,” says Wharfemede Productions artistic director Bells, whose daily diary combines being a consultant psychiatrist with motherhood and her multiple theatrical pursuits.
“Step into a multiverse where the classics you know and love still exist, but not as you remember them. You’ll hear the songs that you know and love, but with their traditional presentation turned on its head, so they’re different but still recognisable.
Musical director Matthew Clare, right, in rehearsal with Wharfemede Productions cast members for Musicals Across The Multiverse
“Think unexpected style swaps, minor to major key switches, surprising gender reversals, era-bending reinterpretations, genre mash-ups and more, offering audiences a witty, heartfelt journey through the many worlds of the multiverse.
“Inventive, genre-defying and packed with surprises, Musicals Across The Multiverse is a celebration of creativity and theatrical flair that promises to delight, challenge and thrill audiences. This is musical theatre recharged, remixed and ready to take you on an interdimensional journey you won’t forget.”
Bell is “absolutely thrilled” to be working with Matthew again. “He’s incredibly talented,” she enthuses. “Collaborating with him is always a joy. He’s not only a brilliant musician and composer, but also an endlessly inspiring creative partner. His ability to take an idea and elevate it into something truly original is nothing short of magic.
“Our friendship and shared passion for musical theatre have been at the heart of developing this piece. We both love exploring the ‘what ifs’ of familiar stories and pushing the boundaries of traditional performance. We’re not afraid to take risks, flip conventions on their head, and do things a little differently – and that spirit of playful reinvention is what Musicals Across The Multiverse is all about.”
In Bells’ cast will be Abbie Law; Ben Holeyman; choreographer Connie Howcroft; David Copley-Martin; Ellie Carrier; Emilia Charlton-Mathews; Emily Hardy; Emma Burke; Jack Fry; Jai Rowley and James Ball.
Musicals Across The Multiverse choreographer Connie Howcroft, right, working on moves with Zander Fick, Ben Holeyman, Abbie Law and Lauren Charlton-Matthews
So too will Kirsty Barnes; Laertes Singhateh; Lauren Charlton-Mathews; Matthew Warry; Mickey Moran; Naomi Mothersille; Nick Sephton; Richard Bayton; Rosy Rowley; Tess Ellis; Zander Fick and Bells herself.
“Our cast is nothing short of phenomenal,” she says. “This time we have multiple new additions from the production of Les Miserables I did this summer at Leeds Grand Theatre, and it means we now have a lovely mix of people from York and Leeds, who haven’t done a show together before, making it a really unique mix.
“They’ve thrown themselves into this wild, imaginative world with energy, humour and heart. Rehearsals have been full of laughter, creativity, and genuine moments of magic. Watching this show come to life with such an amazing group of performers from across Yorkshire has been a total privilege.
“Hopefully this format is something we can continue to grow. We’re now talking with The Carriageworks about taking shows there as well as to York.”
Bells and Matthew’s original concept for the parallel universes of this musical multiverse emerged from a conversation among York’s musical theatre performers about songs they would love to sing but would never have the opportunity to do so in a fully staged musical production, on account of, for example, the gender or the age of the character in the original setting.
“This is musical theatre recharged, remixed and ready to take you on an interdimensional journey you won’t forget,” says director Helen Spencer
“We pride ourselves in Wharfemede Productions on being an inclusive and welcoming artistic space for all,” says Bells. “The concept for this show allows our wonderfully talented and diverse cast to perform songs that explore and celebrate who they are, to push some of the traditional musical theatre boundaries and ultimately honour some of the best musical songs ever written.
“What’s been really lovely, working with Matthew, is how we can not only swap the gender in a song but also the feel of a song or the genre to match the gender swap. There isn’t a single song in this show that’s in its original format, which is an amazing challenge, but Matthew is such a genius in doing the musical arrangements.
“Santa Fe, from Disney’s Newsies, for example, was made famous by Jeremy Jordan in the Broadway musical, but is now being sung by Kirsty Barnes, who has just starred as Sister Mary Robert, the postulant in Sister Act, with LIDOS at The Carriageworks Theatre in Leeds.
“Matthew describes the arrangement as ‘written in the style of Chopin’s Preludes’, so it’s much more lyrical with piano and cello that really changes the song.”
Reflecting on lessons learnt from the first iteration of the musical multiverse, Bells says: “The changes made to songs really excited everyone, and we’re always looking to push things further, like in the mash-ups, where we’ll have A Million Dreams, from The Greatest Showman, pared with How Far I’ll Go, from Disney’s Moana, and Defying Gravity, from Wicked, with Go The Distance, from Hercules.
Hands across the multiverse in the Long Marston Village Hub rehearsal room
“We got really good feedback on the close-harmony singing last time, singing that’s challenging but really lovely to do, so we’ll be doing more of that , and we’ll also have maybe four more solos than before as we had so many people auditioning and the standard was so high.
“I’m also really excited about using British Sign Language again, as we did last time with Jack Fry for Cell Block Tango, from Chicago. Now we’ll be using it from Listen from Dreamgirls.
“Another highlight will be Zander Fick singing Sally Bowles’s Cabaret in a darker, more modern male version, where there will be no jazz hands to be seen.”
Among further “very different” interpretations will be Connie Howcroft’s rendition of the Genie’s Friend Like Me from Disney’s Aladdin. “It’s very clearly not a cartoon and not male!” says Bells.
“We also have a couple of major-to-minor key swaps that turn positive songs into ‘villain’ songs. Don’t Rain On My Parade is so well known that changing the key makes it so different and so challenging to sing – and it’s not only a genre swap but a gender swap too. It’s now more of an aggressive, very funky song, performed by Ben Holeyman.
The Wharfemede Productions cast for Musicals Across The Multiverse
“Emma Burke, who played Cosette in Les Miserables this summer, will do a very moving version of Anthem from Chess, in a gender and genre swap, highlighting the role of the Women Land’s Army in the Second World War.”
Look out too for three sets of mothers and children – Bells and Laertes Singhateh, Rosy and Jai Rowley and Emilia and Lauren Charlton-Mathews – singing Slipping Through My Fingers from Mamma Mia!
“It”s lovely for us to sing such a gorgeous song together,” says Bells. “Every mother feels that sense of pride yet loss at their children growing up.”
Matthew Warry will join Laertes, Jai and Lauren in The Place Where The Lost Things Go – “the Emily Blunt one” – from Mary Poppins Returns. “It’s a switch from Mary Poppins singing it, so now we have children singing an adult’s song,” says Bells.
As rehearsals take shape at Long Marston Village Hub, Bells concludes: “We can’t wait to share this unique, genre-bending show with you. Come and see what happens when musical theatre gets turned on its head – and support community theatre at its most daring, dynamic and joy-filled.”
Wharfemede Productions present Musicals Across The Multiverse, Theatre@41, Monkgate, York, September 10 to 13, 7.30pm and 2.30pm Saturday matinee. Box office: tickets.41monkgate.co.uk.
Out of this universe: Wharfemede Productions’ poster for Musicals Across The Multiverse
Dr Adam Parker, curator of archaeology at York Museums Trust, holding the Thor’s Hammer Pendant at the Viking North exhibition at the Yorkshire Museum, York
VIKING treasures, street art indoors, Fringe comedy previews and Ryedale Festival’s Austen celebration bring out the summer smiles in Charles Hutchinson.
Museum launch of the week: Viking North, Yorkshire Museum, York
VIKING North is filled with magnificent objects, many unseen for generations and others that have never been on public display, adding up to “the best collection of Viking finds to be shown outside London” as these Viking treasures reveal the North’s power base, wealth and skills.
Telling the story of the Viking Age in the North of England from AD866 to 1066, the exhibition is underpinned by new archaeological research and cutting-edge technology and features objects from Yorkshire Museum’s own collection, the Vale of York hoard, co-owned with the British Museum, and specially loaned national and regional items, including from the Viking Army Camp at Aldwark, North Yorkshire.
Sea, Swell, Scribe: Jo Walton, Ruth King and Nicky Kippax combine in Pyramid Gallery’s exhibition of paintings, pottery and poetry
Exhibition of the week: Sea, Swell, Scribe, Jo Walton, Ruth King and Nicky Kippax, Pyramid Gallery, Stonegate, York, until August 31, open 10am to 5pm, Monday to Saturday
WHAT happens when you let a poet loose in an art gallery with a piece of charcoal? If the juxtaposition of sumptuous curvy and pointy pots against a backdrop of textured metallic atmospheric paintings is inspiring her, then she will scribble words and phrases all over the plinths
York artist Jo Walton, from Rogues Atelier, potter Ruth King, from the Craft Potters Association, and poet Nicky Kippax, from Bluebird Bakery, combine in a show planned and organised by Pyramid gallery manager Fiona Macfarlane and curated by Walton. Kippax has written Eksphratic verse in response to the paintings and pots.
Street artist Al Murphy in his Naughty Corner at VandalFest at 2, Low Ousegate, York
Street art takeover of the summer: Vandals At Work present VandalFest, 2, Low Ousegate, York, Friday to Sunday, then July 25 to 27, 11am to 6pm
VANDALS At Work reunite with youth homelessness charity Safe and Sound Homes (SASH) for VandalFest, the immersive street art takeover of a disused office block at 2 Low Ousegate, York, with a 2025 theme of the playful, cheeky, witty and mischievous.
The stripped-out interior provides four floors of blank canvas for bold, site-specific “intervention” that cover walls, floors and ceilings, complemented by live DJ sets. Among more than 30 artists from the UK and beyond are Bristol graffiti pioneer Inkie, subversive stencilist Dotmasters, inflatable prankster Filthy Luker, master of optical illusions Chu, rooftop renegade Rowdy and York’s own Sharon McDonagh, Lincoln Lightfoot and Boxxhead. Entry is free, with a suggested £3 donation to SASH.
Dame Harriet Walter: Pride And Prejudice celebration at Wesley Centre, Malton
Ryedale Festival theatre event of the week: Pride And Prejudice, Dame Harriet Walter, Melvyn Tan and Madeleine Easton, Wesley Centre, Malton, Sunday, 7pm
THIS theatrical retelling of Pride And Prejudice by novelist and Austen biographer Gill Hornby marks the 250th anniversary of Jane Austen’s birth. Star of stage and screen Dame Harriet Walter brings the romance of Elizabeth Bennet and Mr Darcy to life in an intimate drawing-room setting, in much the same way that Jane herself first read the story aloud to family and friends.
Carl David’s score for the 1995 BBC television adaptation will be performed by pianist Melvyn Tan and violinist Madeleine Easton. The festival runs until July 27; full details and tickets at ryedalefestival.com. Box office: 01751 475777.
Rob Auton: Barmby Moor comedian previews his Edinburgh Fringe show, CAN: The Story Of A Man Called CAN, at Theatre@41, Monkgate, York
Comedy event of the week: Halfway To Edinburgh, Theatre@41, Monkgate, York, until Saturday
IN a week of Edinburgh Fringe previews and comedy nights, Nina Gilligan discusses memory loss, health anxiety and goldfish-related trauma in Goldfish tonight (8pm) and Hayley Ellis navigates middle age in Silly Mare (Work in Progress) tomorrow (8pm).
Susan Riddell and Kate Dolan, on Friday (7.30pm), and Barmby Moor surrealist Rob Auton and Chloe Petts, on Saturday (7.30pm), round off the festival tasters. Box office: tickets.41monkgate.co.uk.
Georgi Mottram: Classical BRIT Award nominee performing at Voices United concert in aid of St Leonard’s Hospice
Charity event of the week: Ian Stroughair presents Voices United: Rubies For Our Angel, Grand Opera House, York, Friday, 7.30pm
YORK cabaret artiste and West End musical actor Ian Stroughair co-hosts this fundraiser to mark St Leonard’s Hospice’s 40th anniversary with radio presenters Joanita Musisi and Laura Castle, introducing a night of musical theatre and rock and pop classics.
On the bill will be Stroughair in Velma Celli drag diva regalia; York singer Jessica Steel and guitarist Stuart Allan; York musical theatre actress Joanne Theaker; retro party band Jonny And The Dunebugs; The Voice UK 2024 semi-finalist Lois Morgan Gay and West End classical singer Georgi Mottram. Box office: https://shorturl.at/G3qhV or atgtickets.com/york.
Strictly between us: Anton du Beke and Giovanni Pernice team up for Together Again at York Barbican
Dance show of the week: Anton Du Beke and Giovanni Pernice in Together Again, York Barbican, Friday, 7.30pm
STRICTLY Come Dancing alumni Anton Du Beke and Giovanni Pernice promise “more fun, more dance, more song and even more entertainment than ever before” in the terpsichorean double act’s new show Together Again, full of breathtaking routines, stunning choreography and a seamless blend of Ballroom, Latin and musical theatre. Box office: yorkbarbican.co.uk.
Craig David: In party mood at Scarborough Open Air Theatre this weekend
Coastal gig of the week: Craig David TS5 Show, Scarborough Open Air Theatre, Saturday; gates open at 6pm
SOUTHAMPTON rhythm & blues musician Craig David parades his triple threat as singer, MC and DJ at his TS5 party night, patented at his Miami penthouse. On the 25th anniversary of debut album Born To Do It, expect a set combining old-skool anthems from R&B to Swing Beat, Garage to Bashment, while merging chart-topping House hits too. Box office: scarboroughopenairtheatre.com.
Amelia Donkor and Antony Jardine: Playing Gulie Harlock and Seebohm Rowntree respectively alongside 100-strong community ensemble in His Last Report at York Theatre Royal. Picture: Millie Stephens
Community play of the week: His Last Report, York Theatre Royal, Saturday to August 3
FOCUSING on pioneering York social reformer Seebohm Rowntree and his groundbreaking investigation into the harsh realities of poverty, Misha Duncan-Barry and Bridget Foreman’s play will be told through the voices of York’s residents, past and present.
Seebohm’s findings illuminate the struggles of the working class, laying the foundation for the welfare state and sparking a movement that will redefine life as we know it. However, when fast forwarding to present-day York, what is Seebohm’s real legacy as the Ministry begins to dismantle the very structures he championed in His Last Report’s York story with a national impact? Box office: 01904 623568 or yorktheatreroyal.co.uk.
In Focus: Clap Trap Theatre in Pennyroyal, Helmsley Arts Centre, July 19 & 20, 7.30pm
Florrie Stockbridge’s Daphne, left, and Natasha Jones’s Christine in Clap Trap Theatre’s Pennyroyal
HELMSLEY Arts Centre artistic director Natasha Jones and musical partner Florrie Stockbridge take to the stage this weekend in Clap Trap Theatre’s production of Lucy Roslyn’s Pennyroyal.
Premiered in 2022 at the Finborough Theatre, London, this heartrending play about sisterhood and motherhood, enduring love and regrets many years in the making explores the things expected of women and what happens if life does not go to plan.
When Daphne (played by Stockbridge) is diagnosed with Premature Ovarian Insufficiency at 19, her sister Christine (Jones) steps in to help in the only way she knows how: by donating her eggs. For a while, the world seems corrected. However, as the years go by – and Daphne sets out on the long road of IVF – the sisters’ relationship begins to twist.
“I think of my body sometimes like it’s stubborn,” says Daphne. “We’re not good friends. Like it’s a spooky hotel, and I’m just a ghost haunting it. ’Cause you don’t live in a hotel, you just pass through.”
Pennyroyal is inspired by Edith Wharton’s 1922 novella The Old Maid, a 1922 novella adapted ten years later into a Pulitzer Prize-winning play by Zoe Akins. One hundred years on, the story is re-imagined by Roslyn, an award-winning Camden Town performer and writer.
Her most recent work includes Orlando, a previous collaboration with director Josh Roche and Jessie Anand Productions that won the Origins Award at VAULT Festival before transferring to the Pleasance, Edinburgh.
Other work includes Showmanship (Theatre503) and Goody (Pleasance, Edinburgh and Greenwich Theatre – Les Enfants Terribles’ Greenwich Partnership Award 2017). Her debut, The State vs. John Hayes, started life at the Edinburgh Fringe, before touring to Theatre Royal Bath, The Lowry, Salford, the King’s Head Theatre, London, and OSH Brooklyn, New York.
Jones and Stockbridge have received directing and production support from Libby Pearson. Roslyn’s 80-minute play contains strong language and discussion of infertility and domestic violence. Box office: 01439 771700or helmsleyarts.co.uk.
