Tag: Valerie Mather

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What’s On in Ryedale, York and beyond. Hutch’s List No. 5, from Gazette & Herald

Two into one won’t go: Lisa Faulkner’s Allie, left, and Kym Marsh’s Hedy in Single White Female. Picture: Chris Bishop

AN update of a Nineties’ psychological thriller and a panto dame’s transformation into a dog top Charles Hutchinson’s  cultural picks for early February and beyond.

World premiere tour of the week: Single White Female, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm matinees today and Saturday

SCREEN actress, 2010 Celebrity MasterChef winner, TV presenter, chef and cookery book author Lisa Faulkner returns to the stage for the first time in 21 years in Rebecca Reid’s darkly humorous stage adaptation of psychological thriller Single White Female, now updated to the social-media age.

Faulkner’s recently divorced mum Allie is balancing being a single parent with the launch of her tech start-up. When she decides to advertise for a lodger to help make ends meet, Kym Marsh’s Hedy offers her a lifeline, but as their lives intertwine, boundaries blur and a seemingly perfect arrangement begins to unravel with chilling consequences. Box office: atgtickets.com/york.

Viking illumination: Colour & Light celebrates Eric Bloodaxe at York Castle Museum. Picture: David Harrison

Illumination launch of the week: Colour & Light, York Castle Museum and Clifford’s Tower, York, today to February 22, 6pm to 9pm

YORK BID is bringing Colour & Light back for 2026 on its biggest ever canvas. For the first time, two of York’s landmark buildings will be illuminated together when York Castle Museum and Clifford’s Tower become the combined canvas for a fully choreographed projection show, transforming the Eye of York.

Presented in partnership with York Museums Trust and English Heritage, the continuous, looped, ten-minute show will bring York’s historic characters to life in a family-friendly projection open to all for free; no ticket required.

Matt Tapp’s ‘Wild’ Bill Hickok and Helen Gallagher’s ‘Calamity’ Jane in Joseph Rowntree Theatre Company’s Calamity Jane

Musical of the week: Joseph Rowntree Theatre Company in Calamity Jane, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

HELEN Gallagher’s tough talkin’, gun-totin’ heroine ‘Calamity’ Jane and Matt Tapp’s former peace-officer ‘Wild’ Bill Hickok lead director Sophie Cooke’s cast for Sammy Fain and Paul Francis Webster’s musical Calamity James.

Deadwood’s citizens are content with their ways of life: supporting their fort of soldiers and socialising at the beloved Golden Garter saloon. However, when a new face blows in from the Windy City to create a stir, friendships will be formed, long-time loyalties tested and perhaps even secret love revealed. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Alexander Flanagan Wright in Wright & Grainger’s Helios at Theatre@41, Monkgate, York

Ancient & modern drama of the week: Wright & Grainger in Helios, Theatre@41, Monkgate, York, tomorrow, 7.30pm

EASINGWOLD theatre-makers Alexander Flanagan Wright and Phil Grainger begin their new partnership with Theatre@41 by re-visiting Helios, wherein a lad lives half way up a historic hill, a teenager is on a road trip to the city in a stolen car and a boy is driving a chariot, pulling the sun across the sky.

In Wright’s story of the sun god’s son, Helios transplants the Ancient Greek tale into a modern-day myth wound around the winding roads of rural England and into the everyday living of a towering city. “It’s a story about life, the invisible monuments we build to it, and the little things that leave big marks,” he says. Box office: tickets.41monkgate.co.uk.

Robin Simpson in rehearsal for Catherine Dyson’s The Last Picture, premiering at York Theatre Royal Studio

Solo show of the week: The Last Picture, York Theatre Royal Studio, tomorrow to February 14, except February 8, 7.45pm, plus Wednesday and Saturday 2pm matinees

ROBIN Simpson follows up his sixth season as York Theatre Royal’s pantomime dame by playing a dog in York Theatre Royal, ETT and An Tobar and Mull Theatre’s premiere of Catherine Dyson’s The Last Picture, directed by John R Wilkinson.

Imagine yourself in a theatre in 2026. Now picture yourself as a Year 9 student on a school trip, and then as a citizen of Europe in 1939 as history takes its darkest turn. While you imagine, emotional support dog Sam (Simpson’s character) will be by your side in a play about empathy – its power and limits and what it asks of us – built around a story of our shared past, present and the choices we face today. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Simeon Walker: Inviting his audience to gather around the piano at Helmsley Arts Centre

Pianist of the week: Simeon Walker, An Evening Around The Piano, Helmlsey Arts Centre, Friday, 7.30pm

LEEDS modern classical pianist and composer Simeon Walker performs in Great Britain and Europe, while notching 50 million streams across online platforms and having his music played on BBC Radio 3 and Classic FM.

Walker, who has a keen interest in jazz, folk and ambient music too, has collaborated on interdisciplinary work with artist Mary Griffiths, Portuguese choreographer Sara Afonso, writer Emma White and filmmakers Will Killen and Ben Cohen, plus BBC Radio 4 and University of Leeds. His concerts span moments of quiet, gentle solitude to boisterous, flowing exuberance. Box office: 01439 771700 or helmsleyarts.co.uk.

Julie Carter: Addressing themes of feminism, land rights, ageism and ableism, history and literature in The Dreamtime Fellrunner

Wellbeing on the run: Julie Carter, The Dreamtime Fellrunner, Milton Rooms, Malton, February 12, 7.30pm

IN her first theatre show, poetry and creative non-fiction author Julie Carter charts her running exploits on the Lakeland fells in this moving and humorous account of being an athlete with a physical disability in the form of a developmental disease of the spine.

Presenting fell running as a type of land art and spiritual practice, Carter emphasises body-mind-spirit-place connections while addressing themes of feminism, land rights, ageism and ableism, history and literature, in a 60-minute immersive performance supported by original music, topped off by second-half opportunities for discussion and reflections on wellbeing and the ways we inhabit our environments. Box office: 01653 696240 or themiltonrooms.com.

Mark Stafford: Solo performance at the double in The Strange Case Of Dr Jekyll & Mr Hyde at Helmsley Arts Centre

Split personality of the month: Mark Stafford in The Strange Case Of Dr Jekyll & Mr Hyde, Helmsley Arts Centre, February 21, 7.30pm

PUBLISHED in 1886, Robert Louis Stevenson’s gothic mystery tale of the timeless conflict between good and evil is performed by Mark Stafford in his compelling and faithful adaptation.

In fog-bound Victorian London, respectable lawyer Gabriel Utterson is concerned by a strange clause in his friend Henry Jekyll’s will, whereupon he investigates the sinister Edward Hyde, Jekyll’s unlikely protégé. Convinced that Jekyll and Hyde’s relationship is founded on blackmail, Utterson finds the truth to be far worse than he could have ever imagined. Box office: 01439 771700 or helmsleyarts.co.uk.

The poster for Saturday’s EQUUS UK Film & Arts Fest’s day of equine films at Helmsley Arts Centre

In Focus: EQUUS UK Film & Arts Fest, Helmsley Arts Centre, Saturday, Block 1, 12 noon to 2.16pm; Block 2, 3.30pm to 5.07pm; Block 3, 7pm to 9.45pm

HELMSLEY Arts Centre, in collaboration with Ryedale Bridleways Group, presents the first British screening of the EQUUS UK Film & Arts Festival this weekend. 

Founded in 2013 by Illinois equestrian Lisa Diersen, who has spent her life in the company of horses, EQUUS aims to show the world how horses can bring everyone together regardless of race, age, gender, abilities or disabilities. 

Saturday’s event comprises two afternoon blocks of short films, exhibitions from Ryedale artists and an evening showing of the 96-minute feature film Big Star, The Nick Skelton Story.

Showing from 12 noon will be Horse & Human Connection, featuring Wings Of Angels, Healing Horses In Mongolia, Heart Of Compton and My Life Between The Reins.

The Wild Horse Collection, from 3.30pm, presents American Mustang (music video), Wild Heart  Mustang Book Project, Wild Horse Refuge “Dahtetse”, A Mustang Story promo, Okanagan Wild, Hellbent, Evoke and Renegade.

The Big Star Collections opens at 7pm with Healing In The Open, followed by Inside The In Gate and Unstable. After a 15-minute interval, Big Star will close the event.

Tickets for single blocks or the whole day are available on 01439 771700 or at helmsleyarts.co.uk.

An equine photograph from Valerie Mather’s 2025 trip to the USA

AMONG the exhibitors at Saturday’s EQUUS UK Film & Arts Fest event will be Yorkshire lawyer-tuned- portrait, documentary and travel photographer Valerie Mather.

“After a successful career in law, I retired early to pursue a lifelong passion for photography,” she says. “I learned to ride (English style) as a child but was brought up watching Western movies on television and longed to see for myself the real cowboys and cowgirls of the American West.

“That dream came true in 2025 when I visited the United States and spent time at the McCullough Peaks wild horse area and the Shoshone National Forest ranchlands in Wyoming. “

Another of Valerie Mather’s McCullough Peaks photographs on show at Helmsley Arts Centre on Saturday

Did you know?

RYEDALE Bridleways Group (RBG) covers the Ryedale district and North York Moors National Park. Activities include fundraising events, such as equestrian talks and films. RBG works with local authorities to seek to resolve issues on bridleways and Countryside Access Service Unsurfaced Unclassified Roads, as well as carrying out practical work such as bridleway clearances and  surveys.

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Valerie Mather photographs Regia Anglorum for launch of St Aelred’s Pilgrim Trail across North York Moors on Sept 14

Regia Anglorum members Wilfred Somogyi, left, Catherine Stallybrass, Jenny Kell, Michael Stallybrass and Matthew Greatrex on the Saint Aelred’s Pilgrim Trail acros the North York Moors. Picture: Valerie Mather

YORKSHIRE documentary, travel and portrait photographer Valerie Mather will produce a photo essay to mark the September 14 launch of the Saint Aelred’s Pilgrim Trail in the North York Moors.

To promote the launch, Valerie already has photographed the Regia Anglorum mediaeval reenactment group on the new trail in Upper Ryedale and at Rievaulx Abbey in their 12th century medieval costumes.

She has taken on the trail commission after her Fields, Folds and Farming Life exhibition, capturing the heart of farming on isolated Yorkshire moorland in a year in the life of Bransdale, drew 26,000 visitors to Nunnington Hall, the National Trust country house in Ryedale, last year.

“The trail images were taken at Murton Grange, en route to Rievaulx Abbey and at the abbey itself, with the kind permission of English Heritage,” says Valerie, whose photographs can be seen on the Gallery section of the trail website at saintaelredspilgrimtrail.com.

Regia Anglorum’s Jenny Kell, in the guise of an Anglo-Saxon pilgrim, on the Saint Aelred’s Pilgrim Trail. Picture: Valerie Mather

“Regia Anglorum translates as ‘of the English’; their headquarters are in Canterbury, in a nod to Chaucer’s Canterbury Tales, and they have members who gather from all over the country and dress in totally authentic costumes and shoes.”

Taking part in the photoshoot were Regia Anglorum members Jenny Kell, Catherine Stallybrass, Michael Stallybrass, Wilfred Somogyi and Matthew Greatrex; English Heritage volunteer Tony Powell; trail planning group members Kate Senior and Anne Stewart and Rievaulx Abbey visitors Louise Southwell and her children Agnes and Jim.

Starting and ending in Helmsley, the 41-mile trail links all the churches in the Benefice of Helmsley and Upper Ryedale, taking walkers, runners, cyclists and horse riders on a scenic pilgrimage through the southwest of the North York Moors National Park.

“We hope to revitalise interest in our historic rural and hamlet churches and chapels,” says George Gyte, parochial church council secretary of the Parish of Upper Ryedale. “However, the trail is for people of all faiths and none, who love the opportunity that pilgrimage offers for spiritual experience and well-being, meeting fellow pilgrims and enjoying our beautiful countryside.

Regia Anglorum member Catherine Stallybrass, in the guise of a nun, climbs a style on the Saint Aelred’s Pilgrim Trail. Picture: Valerie Mather

“There is something for everyone: those who are up for a challenge, those who seek places of peace, contemplation and prayer, and those want to hike and ‘stand and stare’ whilst absorbing the remarkable sights and sounds of our moors.”

George adds: “We’ve completed this new trail for walkers, runners, horse riders and cyclists, waymarked it and produced a guidebook with a foreword by the Archbishop of York, Stephen Cottrell.

“We’ve also produced a Pilgrim Passport, to be stamped at the end of each stage, and have created a lovely website: https://www.saintaelredspilgrimtrail.com. Our horse riders ‘version was produced for us by Bill Tait – aka ‘the Helmsley Cowboy’ – and the Ryedale Bridleways Group. The one for cyclists is thanks to John Ellison, a local cyclist.”

The trail is named in homage to the celebrated saint, Aelred, Abbot of Rievaulx Abbey from 1147 to 1167. “He was one of the finest of scholars: a writer, spiritual director, poet, preacher, historian, adviser to monarchs, peacemaker and walker,” says George. “His teachings are emblematic of our mission and the renewed interest in pilgrimage.”

Matthew Greatrex’s young pilgrim and Jenny Kell’s Anglo-Saxon pilgrim, from Regia Anglorum, enjoy a rest on the Saint Aelred’s Pilgrim Trail. Picture: Valerie Mather

To launch the trail, a Gathering Walk/Ride will be the focus of the Yorkshire Churches Day’s Ride and Stride and Heritage Open Days 2024 celebrations on September 14 to raise funds for the Yorkshire Churches Historic Trust and the renovation and repair of rural and historic churches in the Benefice of Helmsley and Upper Ryedale.

“Anyone is welcome to participate in this Gathering Walk, but if you can get sponsorship for participating in it, we would really appreciate it,” says George. “We are using the Peoples Fundraising website for our event at: https://www.peoplesfundraising.com/fundraising/saintaelredspilgrimtrail-fundraiseryhct.”

The Gathering Walk will start at 8.30am in the pastoral setting of All Saints Church, Hawnby, picking up striders and riders in the moorland villages of Old Byland, Scawton and Cold Kirby before descending the Cleveland Way to Rievaulx Abbey for a celebration service in the abbey nave with the Bilsdale Silver Band at 4pm, followed by a launch reception of fizz and canapés in the abbey café.

Walkers and riders are invited to walk all or part of the 12-mile route that day. “You can join in at several places and walk 12, seven, five or four miles or just a few hundred metres to end at Rievaulx Abbey for our service and reception,” says George. “Please bear in mind this is the North York Moors and so be prepared for all weathers! Walking boots are recommended.”

Regia Anglorum member Wilfred Somogyi’s young monk crosses the river on the Saint Aelred’s Pilgrim Trail. Picture: Valerie Mather

The Saint Aelred’s Pilgrim Trail has been supported by the North Yorkshire Moors Association, Helmsley Town Council, North Yorkshire Council, North York Moors National Park, Diocese of York, landowners along the trail and the parochial church councils of the parishes of Helmsley and Upper Ryedale.

Exhibitions are to be mounted in churches on the trail route, with more details to be announced, and the trail organisers are looking into the possibility of exhibiting Valerie’s prints from the photo essay at some of the churches for the heritage festival week.

For more information about Valerie Mather’s photography, head to: www.valeriematherphotography.co.uk or valeriematherphotography on Facebook and Instagram.

Approximate timings for the Gathering Walk/Ride Day, September 14

Walking time of approximately 4 hours 45 minutes to 5 hours.
Leave Hawnby at 8.30am.
Arrive at Old Byland by 10am for drinks and cake.
Leave Old Byland, 10.30am.
Arrive at Scawton, 11.40am.
Leave Scawton, 11.45am.
Arrive at Cold Kirby, 12.45pm. Space in village hall for packed lunches and hot drinks.
Leave Cold Kirby, 1.45pm.
Arrive at Rievaulx by 3pm to 3.15pm. Gather at Rievaulx Methodist Church/Church of Saint Mary the Virgin to process to the Abbey

Service in Rievaulx Abbey nave from 4pm.

Regia Anglorum member Catherine Stallybrass’s nun is greeted by English Heritage volunteer Tony Powell’s monk at Rievaulx Abbey. Picture: Victoria Mather
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Photographer Valerie Mather captures the heart of farming on isolated Yorkshire moorland in a year in the life of Bransdale

Lunchbreak at harvest time, by Valerie Mather, from Fields, Folds and Farming Life at Nunnington Hall

FIELDS, Folds and Farming Life, Nunnington Hall’s exhibition by Yorkshire documentary, travel and portrait photographer Valerie Mather, captures candid moments from a year in the lives of upland farmers in Bransdale on the North York Moors.

“Photography has the power to capture a moment in history, and my hope is that these images paint a picture of the spirit, stoicism and joy of these local farming families and communities today,” says Valerie, a former lawyer. “I wish to share some of the joy and inspiration about farming and nature that I discovered from my year in Bransdale.”

Bransdale, one of the North York Moors’ most isolated valleys with high moors on all sides, is cared for by the tenant-custodian farmers, the National Trust and its volunteers alongside the National Park authority.

The combination of Valerie’s work and specially produced films and artwork reveals the hard work and determination of the farming community in navigating the ever-changing agricultural world to achieve a better farming future for people, the environment and wildlife. 

Smiles in the show ring, by Valerie Mather

Here Valerie answers CharlesHutchPress’s questions on photography, farmers and the future of farming

Speaking with the Dowsland family, from Moor Houses, Bransdale, their first concern was whether you would be ‘getting in the way of their daily routines’, but they grew quickly to enjoy your visits. “Oh, Val’s at the breakfast table again”! How do you build up that bond of trust with your subjects, especially when farmers can be taciturn?!

“I think being genuinely interested in the people I photograph goes a long way towards getting people comfortable. Also, helping out where needed. I helped out on a gathering in of some 300 sheep from the moor when one of the families was shorthanded, instructed by Nathan, their young son!”

If the two public views of farmers are that they are either “problematic” or “like on Channel 5” in the Amanda Owen and All Creatures Great And Small series, how have you set about changing those perspectives/misconceptions?

“Documentary photography is, for me, all about genuinely candid unposed moments, as opposed to posed portraits. There is no make-up or dress rehearsal! I am inspired by certain quotes and one of my favourites is by Paul Caponigro: ‘It’s one thing to make a picture of what a person looks like; it’s another thing to make a portrait of who they are’. That is what interests me as a photographer, no matter how much longer it takes in order to capture a genuine moment.”

Curlew on the moors, by Valerie Mather

Where does a traditional Yorkshire moorland farming community fit into increasingly fractured, no-sense-of- community-anymore Britain?

“I was initially drawn to document the farming community in my area when I attended a local agricultural show in the summer of 2019 and witnessed what a strong sense of community there is amongst farmers.

“I think documentary photography plays an important role, telling stories and allowing us an insight into communities other than our own. Through that we can hopefully appreciate how we all have a place in the world and have a greater understanding of other points of view.”

What did you learn from your previous lowland farming photography project that you could put to good effect in this upland series?

“Patience and pacing my energy levels. Farmers work long hours and staying in the moment requires concentration, otherwise something magical happens and you miss it, like the birth of a lamb for example.”

The yearning and the yawning: the joys of showing sheep start young, by Valerie Mather

What are the characteristics of upland farming that struck you the most?

“That the animals live outside most of the year and roam free on the moors but are ‘bound’ to stay in certain areas via ‘invisible boundaries’, which the farmers call ‘hefting’.”

The bond between farmer and stock and farmer and land are both central to your exhibition. Discuss… 

“One young farmer told me that he had spent a year working abroad and then lived for a spell in Kirkbymoorside, but eventually he had to return to the Bransdale valley he was born in. He used the phrase that he was ‘hefted to the land’.

“Whether you are born into it or not, in my experience, farming is a vocation and not simply a job.”

Sheep shearing on a Bransdale farm, by Valerie Mather

What did you discover in your upland farming encounters that most surprised you?

“I was surprised to learn that having a mix of cattle and sheep grazing on fields adjacent to moorland produces an ideal environment for ground-nesting birds by producing both long and short grass. Under-grazing (not enough livestock) or abandonment of pasture (no livestock at all) can lead to dense thatch, which is unsuitable for the endangered Curlew to nest amongst. Which means: no cattle, no Curlew.”

What is the future of upland farming?

“With only three per cent of farmers under the age of 35, our farming future is precarious across the country. Indeed, it was those alarming statistics that made me want to see for myself what life was like for smaller farmers in and around Yorkshire.

The next generation together: Boy and lamb on a Bransdale farm, by Valerie Mather

“Upland farmers have an important role to play in nature-friendly farming and the farmers I spent time with were actively engaged, for example, with breeding conservation initiatives for the endangered ground-nesting birds, such as the Lapwing and the Curlew.”

Do you have a favourite photograph in the exhibition?

“My personal reactions to the images are, of course, coloured by the emotions I felt when pressing the shutter each time and the engagement with my subjects on that particular day. An image that stands out for that reason was made during a lunchbreak from making silage on a scorching hot July day. The farm workers sat in the shade of their giant machines, eating sandwiches and laughing about how it beat sitting in an office.

Ewes’ round-up: Farmer, sheepdog and flock on the move, by Valerie Mather

“As talk turned to the rapidly rising costs of farming, their laughter and smiles gave way to silent contemplation. A reminder for me of the importance of valuing our British farming community and how shopping locally can make a difference.”

What will be your next documentary photography project?

“Too soon to say! I’ve been focused on this project for the past two years, so I need to take some time out, enjoy teaching my workshops, and wait for inspiration to strike. To make anything meaningful, one has to feel passionately about a subject.”

Fields, Folds and Farming Life, Nunnington Hall, Nunnington, near York, on show until December 17; 10.30am to 5pm, last entry at 4.15pm, with reduced winter hours from November 24. No booking is required; exhibition included in admission price at this National Trust property.

Valerie Mather’s notes on an exhibition

Documentary photographer Valerie Mather spent a year with her camera at Bransdale. Picture: Laura Kennedy

HOW DID THIS PROJECT OCCUR? 

“My journey into the world of farming was originally inspired by an article in Country Life back in 2019, which said that only three per cent of UK farmers are under 35 and the average age is 59. 

“These alarming statistics made me want to see for myself what life was like for small farms in Yorkshire, so I set out to build relationships and visit the farmers in my local area.  

“That resulted in a book of black & white photographs in 2021, which led to the National Trust inviting me to spend a year exploring the working lives and environment of their tenant upland farmers in Bransdale, on the North York Moors.” 

INSPIRATIONS 

“I am inspired by the work of James Ravilious (son of the artist Eric) and his important photographic record of rural England in the 1970s.” 

Ewe and lambs in a sunlit pen on a Bransdale farm, by Valerie Mather

PROJECT THEME 

“The importance of balance between nature and farming and land management. Success relies on finding a balance in an ever-changing industry.” 

WHY DID I WANT TO SHARE THIS PROJECT? 

“Photography has the power to capture a moment in history and my hope is that people will enjoy the exhibition at Nunnington Hall and the accompanying book, available from www.valeriematherphotography.co.uk, and will recognise the importance of valuing our British farming community and how shopping locally can make a difference.” 

ADVICE FOR OTHERS 

“Today everyone has a camera in their phone. Digital photography means it doesn’t cost anything when you press the shutter. However, to make an image that another person might feel an emotional response to involves passion and understanding on the part of the photographer about their subject. 

“One of my favourite quotations is: ‘It’s one thing to make a picture of what a person looks like; it’s another thing to make a portrait of who they are’.”

At work in the sheep pens, by Valerie Mather

BENEFITS OF PHOTOGRAPHY AND WORKSHOPS

“Photography can be very beneficial for our mental health and well-being. There is a lot of joy to be found in the world and a camera is a great way to share that joy with others. 

“I love helping people to understand their camera through my workshops. There is a saying that the best camera is the one you have in your hand. I think it’s truer to say that the best camera is the one that you understand how to operate.

“We all know how to work our phones but few of us take the time to learn how to use our camera and get off the Auto settings.” 

AI TECHNOLOGY/ROLE OF DOCUMENTARY PHOTOGRAPHY TODAY 

“The new AI technology may offer a multitude of artistic opportunities, but it does mean more than ever before that documentary photography has an important role to play in capturing our lives today and in asking the complex questions.

“There are no easy answers but if a photograph gets us to consider the questions in the first place it has done its job.”

Animal husbandry: Checking a sheep’s teeth, by Valerie Mather
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More Things To Do in York and beyond when steam rises and a robot falls in love. Hutch’s List No. 36, from The Press, York

Playwright and director Alan Ayckbourn and actress Naomi Petersen in the rehearsal room for the Stephen Joseph Theatre premiere of Constant Companions. Picture: Tony Bartholomew

AYCKBOURN and android love, traction engines and farming photography, comic fantasy and anecdotal Love stories keep Charles Hutchinson busy as summer exits stage left.

Premiere of the week: Alan Ayckbourn’s Constant Companions, Stephen Joseph Theatre, Scarborough, Thursday to October 7

IN Alan Ayckbourn’s 89th play, Lorraine is a fabulously successful lawyer of a certain age. Jan Sixty is the janitor of her building, an android of indeterminate age. In a not-too-distant future, where humans have turned to artificial friends for companionship without compromise, can Lorraine and Jan find true love?

“Reading so much about the inevitable arrival of AI into our society – some would say it’s already here! – I felt a cautious look forward might be in order,” says Alan. Box office: 01723 370541 or sjt.uk.com.

The skill of tractor pulling at the Yorkshire Traction Engine Rally at Scampston Hall. Picture: Outdoor Shows

Full steam ahead: Yorkshire Traction Engine Rally, Scampston Hall, Scampston, near Malton, today and tomorrow, 9am to 5pm

THE Yorkshire Traction Engine Rally, organised by Outdoor Shows, takes over Scampston Hall’s parkland this weekend. Among the steam fair attractions will be tractor pulling, steam engines, classic cars, vintage tractors, classic motorcycles, fairground organs, miniature steam engines, stationary engines and vintage commercials.

In the main arena, Flyin Ryan and his motorcycle stunt team deliver daredevil antics, comedy routines, fire stunts and arena entertainment, while the Scarborough Fair Collection stages two days of music and magic extravaganzas. Box office: scampston.co.uk or outdoorshows.co.uk.

The George Harrison Project: Here come the songs at the Joseph Rowntree Theatre tonight

Recalling the “quiet Beatle”: The George Harrison Project, Joseph Rowntree Theatre, York, tonight, 7.30pm

MARKING the Beatles legend’s 80th anniversary, this tribute show to George Harrison embraces his Fab Four, solo and Traveling Wilburys supergroup years.

Here come Here Comes The Sun, Something, Taxman, While My Guitar Gently Weeps, My Sweet Lord, All Things Must Pass, Got My Mind Set On You, Handle With Care, Give Me Love, What Is Life, If I Needed Someone, Cheer Down and many more. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The 2023 poster for York Unleashed Comic-Con

Geek of the week: York Unleashed Comic-Con, York Racecourse, Knavesmire, York, tomorrow, 11am to 5pm

YORK actor David Bradley, from the Harry Potter films, Game Of Thrones and Doctor Who, leads the guest appearances at this weekend’s “geekiest, nerdiest” gathering. Lee Boardman, Clive Russell, Richard Gibson and Kit Hardman will be there too, along with comic creators and authors Sasha Ray Art, Carolyn Craggs, Lindsey Greyling, KS Marsden, Kelvin VA Allison Paolo Debernardi, Victoria Bates and Ben Sawyer.

Look out too for Geeky Attractions on three sites, including a Back To The Future time machine, a retro gaming area, Star Wars display, children’s activities, art area, stage talks, cosplay masquerade and geeky market selling merchandise and collectables. Tickets update: available on the door from 11am.

The artwork for Don Pears and Singphonia’s concert The Great American Songbook – From A To Z

Fundraiser of the week: Don Pears and Singphonia presents The Great American Songbook – From A To Z Joseph Rowntree Theatre, York, tomorrow, 4pm

DON Pears and Singphonia explore the vast scope of the Great American Songbook from the 1900s to the present, from Al Jolson to Beyoncé, covering spirituals and jazz through rock’n’roll and Rat Pack standards to modern hits, not forgetting musical theatre too.

Musical director Pears and his group of York singers perform solos, duets, and group numbers, taking in Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Judy Garland, Elvis Presley, John Denver and The Carpenters in a fundraiser for the JoRo. Box office: 01904 501395 or josephrowntreetheatre.co.uk.

Don’t Stop Believin’ in Eighties’ hits galore at the Grand Opera House, York

Tribute show of the show: Don’t Stop Believin’, Grand Opera House, York, tomorrow, 7.30pm

JUMP aboard the midnight train, heaven is a place on Earth called York, for this end-of-the-night anthems spectacular, a new feelgood tribute show that promises a crazy, crazy night of non-stop, singalong favourites.

Hits by Blondie, Bryan Adams, Cher, Rainbow, Bon Jovi, Kate Bush, Starship, Europe and Belinda Carlisle feature among the 30 songs in this high-energy theatre production with “a sizzling cast, fantastic costumes and amazing light show”. Box office: atgtickets.com/york.

In the name of Love: Comedian and TV panellist Judi has plenty to say at York Theatre Royal

Anecdotes of the week: The One Like Judi Love, York Theatre Royal,  Thursday, 8pm

EXPECT unrelenting, humorous anecdotes from “the one like Judi Love” on her first official talk tour, full of stories from the Hackney stand-up comedian and presenter’s life.

Regular Loose Women panellist Love, 43, has appeared on Taskmaster, The Jonathan Ross Show, The Graham Norton Show, 8 Out Of 10 Cats Does Countdown and the Royal Variety Performance too. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Alligator Gumbo: foot-stomping rhythms, tap-away tunes and raucous singalongs at Stillington Mill

Getting the swing of things: Alligator Gumbo, At The Mill, Stillington, near York, Friday, 7.30pm

SUMMER At The Mill welcomes Alligator Gumbo for a night of swing/jazz from the New Orleans heyday. In particular, the Leeds seven-piece focuses on the raw music of the roaring 1920s, largely improvised with melodies and solos happening simultaneously.

Performing extensively for more than ten years, Alligator Gumbo have played international jazz festivals and clubs throughout the country with their good-natured mix of foot-stomping rhythms, tap-away tunes and raucous singalongs. Bar At The Mill will be running from 6.30pm, alongside the wood-fired pizzas. Box office: tickettailor.com/events/atthemill/942447.

Ryan Gosling’s Ken and Margot Robbie’s Barbie in the summer’s biggest hit as Barbie heads outdoors into the Museum Gardens for a Movies In The Moonlight screening

Outdoor cinema: City Screen Picturehouse presents Movies In The Moonlight, Museum Gardens, York, Mamma Mia!, September 8,  7.30pm, and Barbie (12A), September 9, 7.30pm

PICTUREHOUSE Outdoor Cinema returns to the York Museum Gardens for open-air screenings of Phyllida Lloyd’s 2008 Abba hit-laden musical rom-com Mamma Mia! (PG) and this summer’s splash-of-pink box-office smash, Greta Gerwig’s Barbie (12A). Free samples of Mochi Balls from ice cream makers Little Moons can be enjoyed on both nights.

Whether on a girls’ night out or a family & friends evening, audience members are encouraged to dress up – and sing along too on the Mamma Mia! Night. Box office: picturehouses.com/outdoor-cinema/venue/york-museum-gardens.

The yearning and the yawning when showing sheep: One of Valerie Mather’s photographs from her Fields, Folds and Farming Life exhibition at Nunnington Hall, opening next Saturday. Picture: Valerie Mather

Exhibition launch of the week: Fields, Folds and Farming Life, Nunnington Hall, Nunnington, near York, September 9 to December 17; 10.30am to 5pm, last entry at 4.15pm, with reduced winter hours from November 24

FIELDS, Folds and Farming Life, an exhibition by Yorkshire documentary, travel and portrait photographer Valerie Mather, captures candid moments from a year in the lives of upland farmers in Bransdale, a valley and surrounding moorland in North Yorkshire.

The combination of Mather’s work and specially produced films and artwork reveals the hard work and determination of the farming community in navigating the ever-changing agricultural world to achieve a better farming future for people, the environment and wildlife. No booking is required; exhibition included in admission price at this National Trust property. More details at nationaltrust.org.uk/visit/yorkshire/nunnington-hall.