REVIEW: Kate Rusby At Christmas, Harrogate Royal Hall, December 12

COVID crocked Barnsley skylark Kate Rusby’s 2020 carol concerts, replaced by the digital makeshift of a Happy Holly Day livestream from CAST, Doncaster.

Roll on a year, and relentless Scrooge Covid scuppered the first six shows of Kate Rusby At Christmas 2021, Kate herself having caught the lurgy.

Recovered, but still fighting off the last residue of a cough between songs, she was delighted to open the revised tour dates on Yorkshire soil at Harrogate Royal Hall, that icing cake of a beautiful concert hall, on Sunday night.

Christmas decorations interwoven with fairy lights framed the stage apron; Ruby, the decorated nodding reindeer, was in situ to Kate’s right, and everything else familiar to these shows in their 14th year was in place too: Kate’s sparkling party dress; her regular folk band and traditional partners in South Yorkshire Christmas sound, the Brass Boys, their instruments shining oh so brightly, Brass Boy Chris on crutches after a fall.  

Anything missing? Ah yes, the handmade garland normally wrapped around Kate’s microphone stand, ever since being thrown on stage by an enthusiastic woman in Sheffield one Christmas , but suddenly gone AWOL when Kate went looking for the Christmas stage decorations.

New for this year were the lighting projections, mirroring the snowy star design on the “unique” tour T-shirt: “unique”, said Kate, because the dates included the “ghost” shows never to be played (although the Sage show in Gateshead has been moved to from December 9 to 17). Depending on a song’s mood, the backdrop switched from warming red to moody blue to frosty white.

Where better to start than at the very beginning: the chipper opening to the first of five Rusby Christmas albums, Here We Come A-Wassailing, from 2008’s Sweet Bells: the perfect herald to Christmas celebrations, no matter the shroud of uncertainty now descending.

Kate would go on, as always, to explain the roots of these concerts, first prompted by the 200-year tradition of lusty Sunday lunchtime singing in South Yorkshire and North Derbyshire pubs of carols banned in Victorian churches for being too jolly, 30 versions of While Shepherds Watched among them!

Through 14 years – or is it 15, as Kate and husband-musician Damien O’Kane debated? – her Christmas repertoire has expanded and broadened. Now it takes in her own winter compositions; carols and wassailing songs from Cornwall, where her cousin lives; festive favourites from the American songbook (Winter Wonderland) and curios (David Myles’s Santa Never Brings Me A Banjo and John Fox’s Hippo For Christmas), while Josh Clark’s percussion has added another dimension.

The diversity is well represented over the two sets, peppered with a costume change to full-length hippo for a Brass Boy; three variations on While Shepherds Watched; joyful carols aplenty; a set of “manly” reels and Christmas tunes with dazzling interplay between brass and folk players, led by O’Kane, and a smattering of Kate’s own “girly” songs.

Duncan Lyall has introduced the Moog – surely the sound of the moon if it made a sound – to Kate’s winter landscapes, wherein the traditional Paradise and Kate’s The Holly King resounded with mystery and magic as the hall seemed to ice over.

Let The Bells Ring, written by Kate after seeing in the New Year and the rise of dawn on a Cornish beach, had our thoughts turning to wishes for a better year ahead, her midnight voice so clear and solitary, mournful yet hopeful too.

Rusby At Christmas has built up its own traditions, topped off by the fancy-dress encore, initially inspired by Nativity plays. In 2019, the theme was the Christmas feast, Kate dressing as a Christmas pudding, the Brass Boys as Brussels sprouts. This time, for Sweet Bells and Yorkshire Merry Christmas, it was films watched every Christmas.

York Barbican awaits on Monday, so let’s keep those films and costumes hush-hush for now. Suffice to say, your reviewer is still smiling at the sight of Kate.

Kate Rusby At Christmas, York Barbican, December 20, 7.30pm. Box office: yorkbarbican.co.uk.

Review by Charles Hutchinson

REVIEW: Paul Rhodes’s verdict on The Magical Music Of Harry Potter, York Barbican, December 13

London Philharmonic & Symphonic Film Orchestra members performing the magical music of Harry Potter. All pictures: Paul Rhodes

The Magical Music Of Harry Potter, Live In Concert, with a Weasley and the London Philharmonic & Symphonic Film Orchestra, York Barbican

A STELLAR concert to light up the dreariest of winter nights. Despite the new restrictions, we gathered to enjoy the music of Harry Potter, young and less young alike.

This was not a Bach crowd, and the performance was well adapted to make the experience accessible to newcomers. This will likely have been the first experience for many, at least since Covid, to appreciate the majesty of an orchestra in full swing.

The depth of the sound was awesome, from the airy massed violins to the double basses and cellos, via the trombones to the deft percussionists.

Chris Rankin (Percy Weasley in the Harry Potter film series) hosting Monday’s concert at York Barbican

Likewise, the synchronicity of the playing was a marvel. It was fun to watch how the London Philharmonic & Symphonic Film Orchestra members watched one another – with each of the instruments coming to the fore over the course of the two-hour performance.

The icing on the cake was master of ceremonies and narrator Chris Rankin, who played the irksome but ultimately decent Percy Weasley – “everyone’s seventh favourite Weasley,” he quipped – in the film franchise.

On stage, he was a superb host, boyishly enthusiastic about the music and sharing wonderful insider stories of how they made the films (filming started in 2000). One example, did you know that every seven seconds of the Quidditch game on film took one day to film? Well ,there you go. My daughter has been telling anyone who will listen that and the others ever since.

The opening notes of John Williams’ Hedwig’s Theme is so indelibly associated with the story that his successors, all soundtrack luminaries, Patrick Doyle, Nicholas Hooper and Alexandre Desplat, chose to incorporate it within their own scores.

London Philharmonic & Symphonic Film Orchestra musicians in a magical musical moment on Monday

These different composers brought welcome variation, from the pastoral Harry In Winter to the drama of Buckbeak’s Flight. Christmas At Hogwarts was in stark contrast to a typical York yuletide with its snow and twinkle. Even that looked positively bashful alongside the zaniness of the Knight Bus, which the orchestra clearly enjoyed playing up to.

There were darker sections, and the musicians changed the atmosphere with aplomb. Less enchanting were the visual effects, which were at best passable, but this did at least serve to accentuate rather than distract from the music.

Passable could also sum up Rankin’s singing voice, although he was in full flight for the closing Do The Hippogriff, a welcome chance to rock. The ‘embedded’ band who had been the epitome of restraint were unleashed.

The young ‘witch’ to our right was clearly having the time of her life – and it will be an experience many will remember. Memorable in other ways too. To cap the last night of this European tour (shortened by tightening Covid restrictions), the viola player (Cosma) successfully proposed to the 2nd violin (Danila), bringing the house to its feet. It was a fitting moment of joy that summed up the night.

Review by Paul Rhodes

Calling all ‘Holly Heads’! Hark, hark, here comes Barnsley skylark Kate Rusby’s Christmas concert at York Barbican

So, this is Christmas for Kate Rusby, South Yorkshire pub carol enthusiast and self-proclaimed Holly Head

KATE Rusby At Christmas is by now as much a winter tradition as mulled wine, mince pies and LadBaby at number one.

In its 14th year, or maybe 15th as Kate and husband musician Damien O’Kane debated at Harrogate Royal Hall on the opening night last Sunday, this celebration of carols banished from Victorian church services for being too jolly returns to York Barbican on Monday night.

Those carols – among them 30 versions of While Shepherds Watched Their Flocks By Night – have been sung lustily for 200 years at Sunday lunchtimes from late-November to New Year’s Day in the pubs of South Yorkshire and North Derbyshire, and have made their way on to five Rusby Christmas folk albums, complemented by Kate’s own winter songs, Cornish carols, Christmas curios and festive favourites.

The tour’s first week was scuppered by Kate’s bout of Covid, but she recovered in time to pick up the sleigh-ride reins at Harrogate last weekend in the company of her regular band and the “Brass Boys”.

Mindful of saving Kate’s voice, Charles Hutchinson sent his questions by email.

How will the set list differ from your last live Christmas shows in 2019, Kate? Have you come across more old pub carols demanding inclusion?! 

“It’ll be quite similar actually, as my current Christmas album is Holly Head, which I released in 2019. So, the set is based around that album and we’ve rejigged the rest of the set list as there are now five Christmas albums, so quite a lot of older songs to go at!

“There’s always more pub carols reminding you to be included next time and another album is planned!”

Have you written any new winter songs since your Holly Head album? 

“I’ve been messing about with new songs, but nothing complete as yet. We’ve been concentrating on my new album to celebrate 30 years touring, so that’s taken most of our time over the last few months.”

Starry, starry night: Kate Rusby in a sparkly party dress at one of her Christmas concerts. Mike Ainscoe

What’s the set design for the 2021 Christmas show?

“We have a lot of twinkle and sparkle; we have the return of our giant crocheted snowflakes, which I adore. We haven’t used them in a few years, so I’m delighted to have them back on tour again.

“Oh, and our Ruby Reindeer will be joining us on stage of course! She deserves her own horse box as she’s toured with us for so long now.” 

Would you agree that Christmas concerts are needed more than ever after the silent darkness of last winter and beyond?

“Yes, completely! Any concerts, all the concerts!! We are social creatures; humans have been singing together since time began. It’s proven to release happy hormones in the brain when we sing, and even more so when we sing with others. It’s so lovely to hear people singing away with us.”

Monday at York Barbican closes the live tour. Will there be anything extra that night to mark the finale?

“Ooooh, who knows?! Things like that are a bit on the hoof with me. Depending on occurrences on tour…I’ll keep you posted!”

Where and when will your Jolly Holly Wrap livestream show be held?

“It will be live on the night from a secret location in South Yorkshire on Tuesday! It will be myself and the lads in the band. We wanted to do something for the people who are quite rightly still nervous about coming out to actual gigs, people who struggle to get out to gigs in normal times and people overseas who physically can’t join us.

“It’s such a strange time to tour and I want to include as many people as we can so no-one feels left out. We’ll be performing the songs live with fun and banter from 7pm. You can find the ticket info on my website, katerusby.com.

“We finish the gigs in York on December 20th, so I decided to add another show and we can have a wrap party whilst playing all the songs we love.” 

Kate Rusby, deep in the midwinter greenery for her Holly Head album artwork in 2019

You mention that you have been working on your new album. How is it progressing and when might it be released? 

“Yes, the aforementioned 30th anniversay album, called 30: Happy Returns. It’ll be released in April, just ahead of our 30 tour. Can’t wait! So excited about it all.

“We did an album at 10 years [called 10, naturally], 20 years [20], and 30 has come along all of a sudden! Each of those albums, we looked back at songs I’ve previously recorded and reimagined and re-recorded them, some with special guests.

“We’re doing the same with 30 and I have to say I’m bursting with excitement about the guests on 30; I can’t wait to reveal all.” 

You have adapted so well to lockdown times with concert livestreams and home recordings from “the front room”. Do you envisage this becoming a regular format as part of an artist’s repertoire?

“I’m guessing yes. I really loved the connection with our audience through lockdown; it seemed to bring us closer rather than apart.

“We did a series of little performances from our sitting room; I called them the ‘Singy Songy Sessions’, performing a different song each time. It was lovely hearing the stories from the people who saw them and what the songs meant to them. We plan to do more of them – and to keep streaming a Christmas gig of course.”  

And finally, Kate, are any of this year’s Christmas singles to your liking? Elton John and Ed Sheeran? Maybe Gary Barlow & Sheridan Smith? Or Abba? 

“Hmmmmmmm………”

Kate Rusby At Christmas, York Barbican, December 20, 7.30pm. Please note, tickets bought for Kate’s postponed December 20 2020 concert remain valid. Box office: yorkbarbican.co.uk.

Copyright of The Press, York

Tony Burgess to top Wednesday’s Barbican bill for Laugh Out Loud Comedy Club

Headliner: Tony Burgess

LAUGH Out Loud Comedy Club hosts its final comedy night of 2021 at York Barbican on Wednesday, presenting Tony Burgess, Mike Newall and Sam Serrano, hosted by Damion Larkin.

Burgess has a starring role in BBC3 cult-comedy Ideal and pens jokes for fellow comedians Steve Coogan, Johnny Vegas and John Bishop.

He co-wrote the Sony Award-winning BBC Radio 4 comedy The Nightclass and featured among the writers for Wallace & Gromit: The Curse Of The Were-Rabbit.

“The real Magic Mike”: comedian Mike Newall

Mike Newall’s Nineties’ Britpop haircut gained him the nickname “the Real Magic Mike”, and when he appeared on Britain’s Got Talent, he impressed the judges so much that Simon Cowell said, “It was like an Oasis concert where the music ran out and Liam decides to tell a few jokes”.

Gender-fluid, dyspraxic comic Sam Serrano has been taking the comedy circuit by storm, not least in five shows at the online Hot Water Comedy Club. In 2018, Sam finished second in the Great Yorkshire Fringe Comedian of the Year Competition in York.

Host-promoter Damion Larkin likes to improvise his performance. Doors open at 7pm for the 8pm start in the Fishergate Bar. Tickets are on sale at yorkbarbican.co.uk.

Sam Serrano: First caught the eye in York at the 2018 Great Yorkshire Fringe

More Things To Do in York and beyond as Plan B doesn’t stop the Christmas buzz. List No. 60, courtesy of The Press, York

CHRISTMAS shows, Christmas concerts, Christmas plays, ‘tis the season for Charles Hutchinson’s diary to be jolly full.  

Jason Manford: “Exercising the old chuckle muscle”

Busy week for comedy: Jason Manford: Like Me, York Barbican, Thursday and Friday, 7.30pm.

SALFORD’S Jason Manford revives his funny-bloke-next-door schtick for Like Me, his follow-up to “the fun we had on my last tour”, Muddle Class, a show about turning from working class to middle class that played York Barbican in February and October 2018.

“In these trying times, it’s always important to be able to get away for a couple of hours and exercise the old chuckle muscle,” reckons Manford, 40, who has tickets available for both nights at yorkbarbican.co.uk.

Meanwhile, Jack Dee’s Off The Telly gig, moved from April 25 2020 to tomorrow night, has sold out. So too have Alan Carr’s Regional Trinket shows on December 18 and 19.

Filey Brigg, seascape, by Rosie Dean at Village Gallery, York

Exhibition of the week: Rosie Dean, Seascapes, Village Gallery, Castlegate, York, until January 22, open 10am to 4pm, Tuesday to Saturday.

SEASCAPE artist Rosie Dean has taken part in York Open Studios for the past ten years. Now she is exhibiting at Simon Main’s Village Gallery through the winter months.

“I feel total peace breathing the ozone, staring out to sea and focusing on the horizon line, sensing all around me and feeling the elements around me, the sights and sounds, the salt in the air. Pure contentment,” says Rosie.

Levellers: Part of York Barbican’s busy week for concerts. Picture: Steve Gullick

Curiosity concert of the week: The Magical Music Of Harry Potter Live In Concert With The Weasleys, York Barbican, Monday 8pm.

POTTY about Potter? Then exit those Shambles shops and head to York Barbican for a night of music from Harry’s films and the West End musical, performed by the London Symphonic & Philharmonic Film Orchestra with the Weasley brothers in tow.

Original actors, magic, star soloists, a choir and the orchestra combine in the debut European tour’s programme of John Williams, Patrick Doyle, Nicolas Hooper and Alexander Desplat’s soundtrack magical moments, plus selections from the Harry Potter And The Cursed Child score. 

More music in York Barbican’s crammed pre-Christmas diary comes from Levellers, Brighton’s folk-rock stalwarts, tonight and Steve Steinman’s tribute show, Anything For Love: The Meat Loaf Story, on Wednesday, both at 7.30pm. Box office: yorkbarbican.co.uk.

Steve Mason: Solo gig at Stockton on the Forest Village Hall

If you seek out one gig, make it: Steve Mason, Stockton on the Forest Village Hall, near York, Tuesday, doors, 8pm; start, 8.30pm.

STEVE Mason was the frontman of The Beta Band, cult Scottish exponents of folktronica, a blend of folk, psychedelia, electronica, experimental rock and trip hop.

He first dipped his toe into solo work on Black Gold, his mournful 2006 album under the guise of the short-lived King Biscuit Time and has since released Boys Outside in 2010, Ghosts Outside with Dennis Bovell in 2011, Monkey Minds In The Devil’s Time in 2013, Meet The Humans in 2016 and About The Light in 2019.

Presented by All Off The Beaten Track, Mason will play solo on Tuesday. Box office: seetickets.com/event/steve-mason/stockton-on-the-forest-village-hall.

The poster for The Arts Barge Christmas Party! at The Crescent, York

Christmas jamboree of the week: The Arts Barge Christmas Party!, The Crescent, York, Tuesday, 7.30pm.

THREE York community musical groups, Bargestra, The Stonegate Singers and The Blind Tiger Dance Band, unite for the Arts Barge Christmas bash.

Bargestra, the 20-piece Arts Barge band skippered by Christian Topman, play jazz, swing, Beatles, ska and more. The Stonegate Singers, a community choir open to anyone, is directed by Jon Hughes, who teaches the music by ear, one part at a time, so that anyone can do it.

The Blind Tiger Dance Band, Arts Barge’s 16-piece Lindy Hop swing band with Rinkadon Dukeboy up front, brings together seasoned professionals and rising young instrumentalists. All three groups will join together to make a 50-piece ensemble for the festive finale.

Recommended but alas sold out already at The Crescent are Christmas shows by Mostly Autumn on Sunday and fellow York band The Howl & The Hum on Wednesday, both at 7.30pm.

Chapter House Choir at the double: Carols by Candlelight, York Minster, Wednesday; Festival of Carols, St Michael-le-Belfrey, York, December 18, both at 7.30pm.

THE Chapter House Choir’s Carols by Candlelight at York Minster has sold out, but a second chance to hear the York choir and its bell ringers comes at St Michael-le-Belfrey.

Tickets for a Festival of Carols are available via Eventbrite,  but do hurry because they are limited in number and selling fast.

Danny Mellor and Meg Matthews in Badapple Theatre Company’s The Snow Dancer. Picture: Karl Andre Photography

Global warming alert of the week: Badapple Theatre Company in The Snow Dancer, Joseph Rowntree Theatre, York, Thursday, 7pm; Green Hammerton Village Hall, December 20, 2pm

GREEN Hammerton’s Badapple Theatre Company has revived artistic director Kate Bramley’s magical eco-fable, The Snow Dancer, for its latest rural tour.

Bramley’s original story blends festive family entertainment with an important eco-message and an original score by Jez Lowe, as actors Meg Matthews and Danny Mellor tell the story of the animals of The Great Wood, who are desperate for a long sleep, but find it too warm because something is awry.

The intrepid heroes in this fairy tale with a furry tail must search for the mysterious Snow Dancer to make it snow if they are ever to sleep. Box office: York, 01904 501935 or at josephrowntreetheatre.co.uk; Green Hammerton, 01423 339168.

York Mystery Plays Supporters Trust’s artwork for A Nativity For York…Out Of The Darkness

Christmas plays of the week: York Mystery Plays Supporters Trust in A Nativity For York…Out Of The Darkness, Spurriergate Centre, Spurriergate, York, December 17, 7pm; December 18, 2pm, 4pm, 6.30pm. A Christmas Carol, Mansion House, York, December 17 to 19, 7pm.

TERRY Ram directs the second York Mystery Plays Supporters Trust community production for Christmas, drawn from the York Cycle of Mystery Plays in the old church atmosphere of the Spurriergate Centre. Box office: ticketsource.co.uk/york-mystery-plays-supporters-trust.

The Penny Magpie Theatre Company, from York, have sold out all three Mansion House performances of director Samantha Hindman’s adaptation of Dickens’s A Christmas Carol, a version seen through the eyes of modern-day schoolboy Jon, who is gradually welcomed into Scrooge’s redemptive tale. Carols, mince pies, mulled wine and a house tour complete the festive experience.

Freedom is…Johannes Radebe’s debut tour show at at the Grand Opera House, York, next spring

Leaping into 2022: Johannes Radebe, Freedom, Grand Opera House, York, April 12, 7.30pm.

MAKING swish waves with baker John Whaite in Strictly Come Dancing’s first all-male coupling, South African dancer Johannes Radebe has announced his debut tour, Freedom.

Radebe will lead a company of dancers in classic Ballroom and Latin arrangements, scorching South African rhythms and huge party anthems, as he takes you on his journey from growing up in Zamdela, to travelling the world, winning competitions and becoming a Strictly professional.

Leave your inhibitions at the door and get ready for a night of energy, passion and freedom,” he says. Box office: 0844 871 7615 or at atgtickets.com/York.

More Things To Do in York and beyond as the grand old dame is ready to frock’n’roll. List No 59, courtesy of The Pess, York

The boys and gal are back in town: AJ Powell, left, Suzy Cooper, Berwick Kaler, David Leonard and Martin Barrass return to the pantomime stage in Dick Turpin Rides Again at their new home of the Grand Opera House, York. Picture by David Harrison

DAME Berwick rides again, Adrian Mole surfaces, carol concerts abound and contrasting comedy cracks on, all demanding a place in Charles Hutchinson’s diary

Comeback of the week: Berwick Kaler and co in Dick Turpin Rides Again, Grand Opera House, York, December 11 to January 9

DAME Berwick Kaler last took to the pantomime stage in his 40th anniversary show, The Grand Old Dame Of York, on February 2 2019, having announced his retirement. Subsequently, he decided it was the “worst decision he had ever made”, a feeling only compounded by writing and co-directing Sleeping Beauty.

In the tradition of Clive Sullivan and Denis Law, he then switched to the other side in the same city, leaving York Theatre Royal to sign up with the Grand Opera House, along with panto teammates Martin Barrass, David Leonard, Suzy Cooper and AJ Powell.

Delayed by a year, Dame Berwick now resumes panto business at 75, writing, directing and starring in Dick Turpin Rides Again. Box office: 0844 871 7615 or at atgtickets.com/York.

Hannah King’s Dick Whittington is ready to stride out from York to London in Rowntree Players’ pantomime, Dick Whittington, from today

Community pantomime of the week: Rowntree Players in Dick Whittington, Joseph Rowntree Theatre, York, today until December 11

ROWNTREE Players should have presented Dick Whittington last year, but director Howard Ella and co-writer Andy Welch have now dusted off their script written by satellite in lockdown, freshening it up for 2021.

Martyn Hunter returns to the Players’ panto ranks as King Rat, as does Bernie Calpin as Kit The Cat, joining Hannah King’s Dick Whittington, Graham Smith’s Dame Dora, Gemma McDonald’s Duncan, Marie-Louise Surgenor’s Ratatouille, Geoff Walker’s Alderman Fitzwarren and Ellie Watson’s Alice Fitzwarren. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.

Native Harrow’s Stephen Harms and Devin Tuel will be airing songs from their fourth album, Closeness, at the Fulford Arms

American gig of the week in York: Native Harrow, Fulford Arms, York, Tuesday, 8pm 

PENNSYLVANIAN folk/rock duo Native Harrow are on the final leg of their tour travels showcasing their beautiful fourth album, Closeness.

Now re-located to Brighton, guitarist-singer Devin Tuel and multi-instrumentalist Stephen Harms have a new single too, Do It Again, one of six songs recorded when they elected to return to the studio where they had made Closeness to continue living in that world, if only for a few more days. Box office: seetickets.com/event/native-harrow/the-fulford-arms/1471604.

The secret is out: Jack Hambleton will be one of two Adrian Moles in Pick Me Up Theatre’s musical premiere. Picture: Matthew Kitchen Photography

Musical premiere of the week in York: Pick Me Up Theatre in The Secret Diary Of Adrian Mole Aged 13¾, The Musical, Theatre@41, Monkgate, York, Wednesday to December 18

PICK Me Up Theatre are returning to the Theatre@41 Monkgate stage for the first time since Covid’s first lockdown curtailed Tom’s Midnight Garden in March 2020.

In a change from the initially announced SpongeBob The Musical, director Robert Readman has jumped at the chance to present the British amateur premiere of Jake Brunger and Pippa Cleary’s musical version of Sue Townsend’s 1982 story of teenage diarist Adrian Mole. Ignore the official poster, there will be a 2pm Sunday matinee. Box office: tickets.41monkgate.co.uk.  

Ryan’s laughter: Canada’s dry-humoured comic, Katherine Ryan, discusses life as a Missus at York Barbican

Comedy gig of the week: Katherine Ryan, Missus, York Barbican, Thursday, 8pm

CANADIAN comedian, writer, presenter and actress Katherine Ryan, 38, previously denounced partnerships but has since married her first love, accidentally.

A lot has changed for everyone, and now the London-based creator and star of Netflix series The Duchess and host of All That Glitters will be offering new perspectives on life, love and what it means to be Missus. Box office: yorkbarbicancentre.co.uk.

Ewa Salecka: Directing Prima Vocal Ensemble at Selby Abbey

Reunion of the week: Prima Vocal Ensemble and York Railway Institute Brass Band, Christmas Classics for Voices and Brass, Selby Abbey, December 11, 7.30pm

YORK choir Prima Vocal Ensemble and York Railway Institute Brass Band are uniting for a Christmas concert at Selby Abbey for the first time since 2018.

The choir will sing classical pieces by Morten Lauridsen, Gabriel Faure and John Rutter, while the band’s festive music will include Shepherd’s Song and Eric Bell’s Kingdom Triumphant.

Choir and band will join together for a finale of Gordon Langford’s joyous Christmas Fantasy. Tickets: on 07921 568826, from Selby Abbey or at primachoralartists.com.

York singer Steve Cassidy: Performing at the York Community Carol Concert at York Barbican

Welcome back: York Community Carol Concert, York Barbican, December 12, 2pm

YORK’S Community Carol Concert returns after last year’s Covid-enforced cancellation, with all the participants who missed out in 2020 taking up the invitation to take part in 2021.

In the Sunday afternoon line-up will be the Shepherd Group Concert Brass Band, Dringhouses Primary School Choir, Clifton Green Primary School Choir, Stamford Bridge Community Choir and York singer Steve Cassidy, hosted by the Reverend Andrew Foster and BBC Radio York presenter Adam Tomlinson. Plenty of tickets are still available but online only at yorkbarbican.co.uk.

Holly head: Kate Rusby, who coined that term for a Christmas tradition enthusiast, will be in festive mood in both Harrogate and York. Picture: David Lindsay

Carol concert with a difference: Kate Rusby At Christmas, Harrogate Royal Hall, December 12, and York Barbican, December 20, 7.30pm

BARNSLEY folk singer Kate Rusby, her regular band and “the brass boys” have created a Christmas tradition of their own, celebrating South Yorkshire and North Derbyshire pub carols, punctuated by her own winter songs.

For more than 200 years, from late-November to New Year’s Day, these carols have been sung on Sunday lunchtimes in pubs, having been frowned on in Victorian times for being too happy. Not for the first time, the Victorians were wrong. Box office: Harrogate, 01423 502116 or at harrogatetheatre.co.uk; York, yorkbarbican.co.uk.

Nothing to smile about? Jimmy Carr takes a Terribly Funny turn for a third time in York

Looking ahead to a “terrible” 2022: Jimmy Carr, Terribly Funny, York Barbican, April 15, doors, 7pm

CYNICAL comedian Jimmy Carr will complete a hattrick of York performances of his Terribly Funny tour show next spring.

After playing sold-out gigs at York Barbican on November 4 and the Grand Opera House five nights later, he will return to the Barbican on April 15 with the promise of “all-new material for 2022”.

Carr will be discussing terrible things that might have affected you or people you know and love. “But they’re just jokes,” he says. “Political correctness at a comedy show is like having health and safety at a rodeo.” Box office: yorkbarbican.co.uk

Jimmy Carr’s Terribly Funny show chalks up a treble in York with Barbican trip next April

New date, new material, new tour poster, for a more serious-faced Jimmy Carr’s April 2022 return to York with his Terribly Funny show

JIMMY Carr will complete a hattrick of York performances of his Terribly Funny tour show next spring.

After playing sold-out gigs at York Barbican on November 4 and the Grand Opera House five nights later, he will return to the Barbican on April 15, with the promise of “all-new material for 2022”.

The 49-year-old host of Channel 4’s The Friday Night Project, 8 Out Of 10 Cats and 8 Out Of 10 Cats Does Countdown will be discussing terrible things that might have affected you or people you know and love. “But they’re just jokes,” Carr says. “They are not the terrible things.” 

Jimmy Carr’s poster for his November 2021 performances of Terribly Funny at York Barbican and the Grand Opera House

Having political correctness at a comedy show is like having health and safety at a rodeo, he asserts. 

After recording Funny Business at the Hammersmith Apollo in 2015 andThe Best Of Ultimate Gold Greatest Hits in 2019, Carr’s third Netflix stand-up special, His Dark Material, will premiere on the streaming platform on Christmas Day.

Tickets for Terribly Funny’s third York outing are on sale at yorkbarbican.co.uk.

York’s Community Carol Concert returns for 2021 at York Barbican on December 12

Steve Cassidy: Performing at York’s Community Carol Concert at York Barbican

TICKETS are still available for York’s annual Community Carol Concert at York Barbican on December 12.

The ever-popular festive event is making its Sunday afternoon return after last year’s Covid-enforced cancellation.

All the participants who missed out in 2020 have taken up the invitation to take part in 2021:  Shepherd Group Concert Brass Band, Dringhouses Primary School Choir, Clifton Green Primary School Choir, Stamford Bridge Community Choir and York singer Steve Cassidy.

The community carols will be conducted by musical director Mike Pratt and the 2pm concert will be co-hosted by the Reverend Andrew Foster and BBC Radio York presenter Adam Tomlinson.

Concert proceeds will be shared by the Lord Mayor and Sheriff of York’s Christmas Cheer Fund, along with St Leonard’s Hospice, the charity nominated by The Press, York.

Organising secretary Graham Bradbury says: “We’ve worked very closely with York Barbican and all the performers to make sure everyone is agreeable, working to strict guidelines, and to ensure the audience will feel comfortable and safe in the auditorium to enable them to enjoy a much-needed festive fillip.”

Around 800 tickets have sold so far, meaning that plenty are still on sale at £8, adults; £6, seniors and under 14s; £24, family (two adults, two children).  The box office is online only at yorkbarbican.co.uk.

John Barrowman celebrates his musical theatre journey from West End to Broadway at York Barbican next May

“I’ve lived my dreams,” says John Barrowman. “My new show is a celebration of that wonderful journey”

MUSICAL theatre star John Barrowman will bring his new show I Am What I Am – West End To Broadway to York Barbican on May 20 2022.

Tickets go on sale on Friday, December 3 at 10am at yorkbarbican.co.uk for Barrowman’s return to the Barbican for the first time since May 2015.

“From the West End to Broadway, this has been the amazing journey of my musical theatre career,” says Barrowman. “I’ve worked with Andrew Lloyd Webber, Stephen Sondheim, Cameron Mackintosh, to name a few.

“I’ve performed at the National Theatre and on Broadway. I’ve lived my dreams. My new show is a celebration of that wonderful journey. I’ll perform songs from the biggest musicals I’ve starred in and perhaps one or two that I haven’t.

“Mix in a couple of duets. Sprinkle in a few surprises. This will be a show to remember. This has been a difficult time for many, so join me for a night of laughter and love and the best of musical theatre.”

John Barrowman is “the ultimate crossover artist”: he can sing, dance, act, present and on occasion he judges too.

The poster for John Barrowman’s I Am What I Am 2022 Tour

His journey to success on both sides of the Atlantic began in 1989 in musical theatre, making his West End debut as Billy Cocker opposite Elaine Paige in Cole Porter’s musical Anything Goes.

Leading West End roles ensued in Matador, Miss Saigon, The Phantom Of  The Opera and Sunset Boulevard, one he reprised in New York.

His other musical theatre credits include Putting It Together on Broadway and The Fix at London’s Donmar Warehouse, bringing him an Olivier nomination for Best Actor in a Musical.

The National Theatre revival of Anything Goes transferred to the Theatre Royal, Drury Lane, but better still his performance – one of his favourites – as Albin in La Cage Aux Folles won him the What’s On Stage Best Takeover Role Award.

From that show, I Am What I Am has become his signature tune, always his choice to close his concert shows.

The Proclaimers love playing York Barbican in October. First 2015, then 2018, now 2022

The Proclaimers’ tour poster for their 2022 travels

SCOTTISH twin brothers The Proclaimers will return to York Barbican on October 19 on their 35-date British and Irish tour next autumn.

In doing so, Craig and Charlie Reid, 59, will complete a hattrick of October gigs at the Barbican after shows there on October 25 2015 and October 17 2018 – their last York gig – on their Angry Cyclist Tour.

The 2022 itinerary will take in further Yorkshire concerts at Bradford S George’s Hall on October 13 and Sheffield City Hall on October 20.

Next year will see The Proclaimers heading into the recording studio to record their 12th studio album, followed by festival appearances in the summer and an opening spot at Paul Heaton and Jacqui Abbott’s outdoor concert at Doncaster Keepmoat Stadium on July 23.

The bespectacled Reid brothers emerged 35 years ago with their debut album This Is The Story and top three single Letter From America, since when their songs of poignancy, emotional honesty, political fire and wit have become staples at weddings, funerals and everything in between.

Carving out a niche in the netherworld where pop, folk, new wave and punk collide, The Proclaimers have enjoyed gold and platinum singles and albums in Britain, the United States, Canada, Australia and New Zealand.

When David Tennant picked The Proclaimers for his opening song on BBC Radio 4’s Desert Island Discs in 2009, the Reids’ fellow Scotsman said: “I could have chosen any and every track from this band, probably my favourite band of all time. They write the most spectacular songs, big hearted, uncynical passionate songs.” He selected Over And Done With, from This Is The Story, should you be wondering.

York tickets go on sale on Friday (26/11/2021) at 10am at yorkbarbican.co.uk; Doncaster, Friday, 9.30am, at gigsandtours.com and ticketmaster.co.uk.