Tag: York Barbican

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More Things To Do in and around York as creative night market launched. List No. 49, courtesy of The Press, York

Big news! York artist Freya Horsley, right, and gallery co-director Ails McGee with Freya’s paintings Turning Tide and Liquid Light at According To McGee, York

BIG paintings, a night market, thrillers at the double, cookery chat, an anniversary celebration, a long-awaited Scottish return and a brace of comedians are the diverse focus of Charles Hutchinson’s attention.

Exhibition of the week: Freya Horsley, Contemporary Seascapes, According To McGee, York, running until October 11

ACCORDING To McGee is playing host to the biggest paintings the Tower Street gallery has ever exhibited: Liquid Light and Turning Tide, two mixed-media works on canvas by Freya Horsley.

The York artist is displaying a new series of seascape paintings depicting the Cornish, Scottish and north east coastlines.

“Her art makes you look twice because it has a calming quality and, like a good sunrise, it makes you go ‘wow!’,” says co-director Greg McGee.

York Creatives Night Market: Debut night of arts, crafts, music, food and drink at Shambles Market tomorrow

York Creatives Night Market, Shambles Market, York, tomorrow, 7pm to 10.30pm

POSTPONED at short notice on August 20, the debut York Creatives Night Market goes ahead tomorrow in a chance to browse art and products by independent traders.

Street food, drinks and music all evening are on the menu too for this free event, open to all.

The Rusty Pegs: Tenth anniversary concert at Theatre@41, Monkgate, York

Celebrating ten years on: The Rusty Pegs, Theatre@41, Monkgate, York, Saturday, 8pm

TEN years ago, York country band The Rusty Pegs formed, drawn from volunteers at the Monkgate theatre, who were asked to perform their debut gig there at a Raising The Roof fundraiser.

To mark a decade of making music together, the Pegs have decided to come full circle by performing an anniversary gig in the same place where it all started, this time launching the autumn season. Box office: tickets.41monkgate.co.uk.

No mistaking Justin Currie: Del Amitri return with Fatal Mistakes album for first York gig since 2002

Long time coming: Del Amitri, York Barbican, Saturday, 7.45pm

DEL Amitri follow up the May 28 release of their seventh studio album, Fatal Mistakes, with a return to York Barbican after a 19-year hiatus.

Justin Currie’s Glaswegian band last played there in May 2002, the year they released their last album, Can You Do Me Good?.

“It’s been nearly 20 years since we toured with a new album, lord knows what took us so long,” says Currie. “The prospect of sprinkling our set with a few choices from Fatal Mistakes fills us with the sort of excitement that, for some men of our age, might call for light medication. We think the adrenaline will see us through.” Box office: yorkbarbican.co.uk.

No smoke without ire: Scottish comedian Daniel Sloss blows his top at York Barbican

Comedy gig of the week: Daniel Sloss: Hubris, York Barbican, Sunday, 7.30pm

SUNDAY’S gig is third time lucky for Scotsman Daniel Sloss, whose October 3 2020 and May 8 2021 visits were ruled out by the accursed Covid.

Sloss, 30, has sold out six New York solo off-Broadway seasons, appeared on American television’s Conan show ten times and toured to more than 50 countries. Now, at last, comes his new show, with special guest Kai Humphries.

Look out for Sloss’s book, Everyone You Hate Is Going To Die (And Other Comforting Thoughts On Family, Friends, Sex, Love, And More Things That Ruin Your Life), from October 12. For tickets for Sunday, go to: yorkbarbican.co.uk.

What’s cooking? Cookbook writer Yotam Ottolenghi finds flavour at York Theatre Royal on Tuesday

Flavour of the month: Yotam Ottolenghi, A Life In Flavour, York Theatre Royal, Tuesday, 7.30pm

CHEF, restaurateur and food writer Yotam Ottolenghi reflects on A Life In Flavour, provides cooking inspiration and signs copies of his “flavour-forward, vegetable-based” cookbook, Ottolenghi Flavour, after the show on Tuesday.

West Jerusalem-born Ottolenghi will be discussing the tastes, ingredients and flavours that excite him and how he has created a career from cooking.

Expect “unique insights into how flavour is dialled up and why it works, from basic pairings fundamental to taste, to cooking methods that elevate ingredients to great heights”. Box office: 01904 623568 or at yorktheatreroyal.co.uk.

Dane Baptiste: Comedian with a chip on his shoulder at Burning Duck Comedy Club

The other comedy gig of the week: Burning Duck Comedy Club presents Dane Baptiste: The Chocolate Chip, The Crescent, York, September 23, 7.30pm

IN his own words, Dane Baptiste is now a “grown ass black man, too old to be concerned with chicken or trainers, too young to be considered a peer of Trevor McDonald”.

Has he got a chip on his shoulder? “Yes. A chocolate one,” says Baptiste, a south east London stand-up who once worked in media sales.

Noted for his boldly provocative material, he hosts the podcasts Dane Baptiste Questions Everything and Quotas Full. Box office: thecrescentyork.com/events.

The Rowntree Players’ poster for next week’s production of Agatha Christie’s Spider’s Web

Web of the week: Rowntree Players in Agatha Christie’s Spider’s Web, Joseph Rowntree Theatre, York, September 23 to 25, 7.30pm and 2.30pm Saturday matinee

DIPLOMAT’S wife Clarissa is adept at spinning tales of adventure, but when a murder takes place in her drawing room, she finds live drama much harder to cope with in Rowntree Players’ autumn return, directed by Howard Ella.

Desperate to dispose of the body before her husband arrives with an important politician, she enlists the help of her guests. 

In a conscious parody of the detective thriller, Christie’s Spider’s Web delivers suspense and humour in equal measure in an intricate plot of murder, police detection, hidden doorways and secret drawers. Box office: 01904 501935 or at josephrowntreetheatre.co.uk.

In the chair: Just Some Theatre in rehearsal for The Killer Question, heading to Theatre@41, Monkgate, York

Mystery of the week ahead: Just Some Theatre in The Killer Question, Theatre@41 Monkgate, York, September 25, 7.30pm

THE Silence Of The Lambs meets Last Of The Summer Wine in Dave Payne’s dark comedy thriller The Killer Question, marking the York debut of Manchester company Just Some Theatre.

Did The Chair game show champion Walter Crump’s obsession with death ultimately lead to his own? Inspector Black believes so, and now Crump’s dopey widow, Margaret, finds herself accused of her husband’s murder. 

Faced by more than one deadly twist in the tale, can Inspector Black solve the mystery? Will Margaret be home in time for Countryfile? Just as important, which actor – Peter Stone, Jake Urry or Jordan Moore – will play which character? The audience decides. Box office: tickets.41monkgate.co.uk.

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Foy Vance comes to terms with demons on fourth album ahead of York Barbican gig

Foy Vance: Storytelling singer-songwriter from Bangor, Northern Ireland, now living in the Scottish Highlands

NORTHERN Irish singer-songwriter Foy Vance will play York Barbican on March 25 on next year’s British tour in support of his fourth studio album, Signs Of Life.

His second release on Ed Sheeran’s Gingerbread Man Records label arrives today on CD, vinyl and digital formats as his follow-up to 2016’s The Wild Swan.

Signs Of Life finds Bangor-born Vance – husband, father, hipster, sinner, drinker – belatedly coming to terms with his demons at 47. Driven by percussion, lead single Time Stand Still features a soaring, emotive vocal from Vance, who was struggling with an addiction to alcohol and painkillers at the time of writing.

Likewise, Vance tackles the subject head on in Hair Of The Dog, listing his self-medicating crutches while confessing, “You no longer make me happy/You no longer make me smile/You take everything that’s good within me.”

“I had my first extended period off the road after 20 years of constant touring,” says the moustachioed storytelling bluesman, survivor, rocker and folk hero. “I realised: wow, I drink two bottles of wine and at least a half bottle of vodka a day. I’d start the day with codeine to get myself sorted, and I’d smoke joints throughout the day.

“So, I realised: I have so many incredibly bad habits here. I’m showing all the signs of death, getting ashen, grey, smoking more, drinking more, smoking more…I hit a wall.”

“Signs of Life is about re-emergence: me in my own soft revolution, the world re-emerging in what we’re about to see as we hopefully go back to some semblance of normality,” says Foy Vance

His manager urged him to seek help. “And in those moments, you do wish time would stand still,” says Vance. “Can’t I just stop here and sit in this moment before I have to take up that mantle?”

Alternative/indie vocalist, guitarist and piano player Vance released his debut album, Hope, independently in 2007 before signing to Glassnote Records for his second full-length album, 2013’s Joy Of Nothing, winner of the inaugural Northern Ireland Music Prize. He has since toured the globe with Ed Sheeran, Bonnie Raitt, Marcus Foster, Snow Patrol and Sir Elton John, as well as on his solo headline tours.

In 2015, Vance became the second signing to Gingerbread Man Records, Sheeran’s label division within Atlantic Records. The Wild Swan surfaced in 2016, executive-produced by Sir Elton John, with the singles Coco, Upbeat Feelgood and Noam Chomsky Is A Soft Revolution all being playlisted on BBC Radio 2. That year too, Vance performed on NBC’s Today and CBS’s The Late Late Show with James Corden. 

Now comes Signs Of Life. “As always, Foy has knocked it out of the park,” says Sheeran. “I love giving him the creative freedom to do what he wants as I’m at the end of the day just a huge fan of his work. It’s such a joy to be able to put out such great bodies of work from him, I hope everyone enjoys it as much as me.”

“As always, Foy has knocked it out of the park,” says Ed Sheeran of Foy Vance’s second album for his Gingerbread Man Records label

“I feel like I’ve got a confidante in Ed, a real ally,” responds Vance. “In many ways he has found a way to afford me the ability to keep on making art the way I want to make it. It’s comforting to know that no matter what I wanted to do, he would fight for it.”

This week, Vance is playing six intimate sold-out shows on his An Evening With Foy Vance Tour 2021, taking in Leeds Brudenell Social Club on Tuesday, and tonight’s London gig at St Pancras Old Church will be livestreamed globally from 9pm BST with multiple broadcasts to follow. Tickets are available at: dice.fm/artist/foy-vance.

Signs Of Life was recorded in three locations: Vance’s Pilgrim studio at home on the shores of Loch Tay in Highland Perthshire, another recording set-up in nearby Dunvarlich House and at Plan B’s Kings X studio in London.

The album was written and played more or less entirely by Vance, with assistance from young Northern Irish producer Gareth Dunlop. 

Among the first tracks Vance wrote was the mea-culpa album opener Sapling – now rapidly approaching two million streams on Spotify –and it showed him the path forward.

“I once built a bower, I could build you a home,” he sings in his promise to his new wife, after her move from London to join Vance in his adopted Highland home, that he would do more than simply offer a new domestic setting. Or, as he puts it in his inimitable style: “Let me go further and do the actual right thing instead of being a drunken ballbag.”

Fashioned out of the grimness of 2020, Signs Of Life is an album of dawn after darkness, hope after despair, engagement after isolation, uplift after lockdown. It comes encased in bold sleeve artwork that reflects Vance’s desire to embrace all sides of everything, all humanity’s textures.

The “mad, striking image” for the album cover for Foy Vance’s Signs Of Life

Shot on a 160-year-old camera that “does arresting things with colours and shading”, the front image depicts him in a dress, blond wig and theatrical make-up back; on the back, he becomes a bare-chested, bare-knuckle boxer.

“They’re just mad, striking images, and I loved the fact that it was male and female,” explains Vance. “You know, life’s extreme, life’s volatile, life explodes into reality sometimes, and stops just as quick. So, to be struck by images on the cover made sense.”

A new collection of Foy Vance songs would be a tonic at any time, not only for devotee Ed Sheeran. Right now, in pandemic times, they cannot arrive a moment too soon. “That’s a huge part of it,” says Vance.

“Signs of Life is about re-emergence: me in my own soft revolution, the world re-emerging in what we’re about to see as we hopefully go back to some semblance of normality. But just life in general – flowers growing through the cracks in Chernobyl. Life finds a way, doesn’t it?”

The full track listing is: Sapling; We Can’t Be Tamed; Signs Of Life; Roman Attack; People Are Pills; Time Stand Still; If Christopher Calls; System; Hair Of The Dog; Resplendence; Republic Of Eden; It Ain’t Over and Percolate.

Tickets for Vance’s March 25 2022 gig – his first in York since playing Fibbers in June 2008 – go on sale at 10am on September 17 at yorkbarbican.co.uk.

Knockout punch: Foy Vance in boxer mode on the back sleeve of Signs Of Life
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More Things To Do in and around York with fishermen, Irishmen and a Scotsman. List No. 48, courtesy of The Press, York

Getting Away With Murder(s) documentary filmmaker David Wilkinson at the gate of Auschwitz 1

AS the Grand Opera House reopens, diaries are starting to fill to pre-pandemic levels, much to the delight of a post self-isolating Charles Hutchinson.

Film world premiere of the week: Getting Away With Murder(s); Everyman York, Blossom Street, York, tonight, 6.30pm to 10.30pm

IT has taken 18 years for Yorkshire filmmaker David Wilkinson to bring his documentary, Getting Away With Murder(s), to the big screen.

Exploring an overlooked aspect of the Holocaust, he reveals that “almost one million people in 22 countries willingly carried out the unprovoked murder of 11 million innocent men, women and children but 99 per cent of those responsible were never prosecuted”.

Wilkinson, who examines the reasons behind the disregard for justice, will take part in a post-screening Q&A. Box office: everymancinema.com.

Fisherman’s Friends: Hooked on sea songs at York Barbican

They inspired a film and now they are back: Fisherman’s Friends: Unlocked & Unleashed, York Barbican, tomorrow, 7pm

CORNISH “buoy band” Fisherman’s Friends – combined aged 401 – re-emerge from lockdown for their Unlocked & Unleashed tour.

As celebrated in the film that shares their name, for 40 years they have met on the Platt of Port Isaac’s harbour to sing the songs of the sea.

In the line-up are lobster fisherman Jeremy Brown; writer, shopkeeper and master of ceremonies Jon Cleave; smallholder and engineer John ‘Lefty’ Lethbridge; Yorkshire-born builder John McDonnell; Padstow fisherman Jason Nicholas; filmmaker Toby Lobb and the new boy, former ambulance driver Pete Hicks. Box office: yorkbarbican.co.uk.

One Night In Dublin: One night in York for Irish songs aplenty at the Joseph Rowntree Theatre

Irish gig/jig of the week: One Night In Dublin, Joseph Rowntree Theatre, York, Saturday, 7.30pm

SATURDAY night is the chance to spend One Night In Dublin – in York – when “Murphy’s Irish Pub” opens its doors at the Joseph Rowntree Theatre.

Join in the craic as the lively Irish tribute band covers such Irish staples as Galway Girl, Tell Me Ma, Dirty Old Town, Irish Rover, Seven Drunken Nights and Whiskey In The Jar. Box office: josephrowntreetheatre.co.uk.

Gary Meikle: Scottish comedian in Surreal mode at York Barbican

This experience really is “Surreal”: Gary Meikle: Surreal, York Barbican, Sunday, 8pm

DELAYED from April 8 to this weekend, playfully dark cheeky-chappie Scottish comedian and “viral sensation” Gary Meikel presents his second tour show in York.

Looking to “get away with talking about anything that will have you laughing at things you probably shouldn’t be”, punchy storyteller Meikle draws material from his own experiences, not least his unique family dynamic.

New show Surreal covers such topics as evolution, social media, how to deal with burglars, single mums, bee sex and small-man syndrome. Box office: yorkbarbican.co.uk.

Exploration of family, myth and memory loss: Second Body’s Max Barton and Jethro Cooke in Styx at Theatre At The Mill

Residency of the week: Second Body in Styx, Theatre At The Mill, Stillington, near York, Sunday and Tuesday, 8pm

SECOND Body duo Max Barton and Jethro Cooke present their theatre-concert exploration of family, myth, memory loss and Max’s grandma, now with remixed music and bearing wounds wrought by 18 months of disrupted human connectivity.

“What does it mean to lose the memories that make us who we are?” they ask. “How can we continue to be ourselves when we are separated from our loved ones.” Box office: tickettailor.com/events/atthemill.

Back in Black: Robert Goodale and Antony Eden in the ghost story The Woman In Black, haunting the Grand Opera House, York, from Monday. Picture: Tristram Kenton

Re-opening of the week: Grand Opera House, York, for The Woman In Black, Monday to Saturday

AFTER 547 days, the Grand Opera House, York, steps out of the darkness and into The Woman In Black from Monday.

In PW Productions’ latest tour of Stephen Mallatratt’s adaptation of Susan Hill’s ghost story, Robert Goodale plays Arthur Kipps, an elderly lawyer obsessed with a curse that he believes has been cast over his family by the spectre of a “Woman in Black” for 50 years now.

Antony Eden is the young Actor he engages to help him tell that story and exorcise his fears, but soon reality begins to blur and the flesh begins to creep. Box office: atgtickets.com/york

Bird song: Henry Bird, pictured in his Vampires Rock days, will be the special guest for You Can’t Stop The Beat

Community concert of the week: You Can’t Stop The Beat, Joseph Rowntree Theatre, York, Tuesday, 7.30pm

GENERATION Groove and Community Chorus are joined by special guest Henry Bird, the well-travelled York singer and guitarist for Tuesday’s fundraiser.

“Concerts and performances have been on hold for well over a year and we’re all delighted to be back getting you singing and even dancing and raising money to help the wonderful Joseph Rowntree Theatre go from strength to strength,” say the organisers. Box office: josephrowntreetheatre.co.uk.

Waitress: Serving up a slice of musical pie at Leeds Grand Theatre from Tuesday

Musical of the week outside York: Waitress, Leeds Grand Theatre, September 14 to 18

MEET Jenna, a waitress and expert pie-maker who dreams of some joy in her life. When a hot new doctor arrives in town, life turns more complicated and challenging, but with the support of her workmates Becky and Dawn, she finds that laughter, love and friendship can provide the perfect recipe for happiness.

Sara Bareilles and Jessie Nelson’s comedy musical stars Lucie Jones as Jenna, Emmerdale’s Sandra Marvin as Becky, Evelyn Hoskins  as Dawn and Busted’s Matt Willis as Dr Pomatter. For tickets:  0113 243 0808 or at leedsheritagetheatres.com.

Destiny calling: Kirk Brandon’s Spear Of Destiny are heading to The Crescent in York

Cult band you really should see: Spear Of Destiny, The Crescent, York, September 19

LEADING Spear Of Destiny for 38 years now, Kirk Brandon heads out on their Worldservice@35 tour on the back of releasing last November’s lockdown album.

Brandon’s post-punk band – featuring Adrian Portas (New Model Army/Sex Gang Children), Craig Adams (Sisters Of Mercy/The Cult /The Mission), Phil Martini (Jim Jones And The Righteous Mind) and saxophonist Clive Osborne – re-recorded 1985’s WorldService album during 2020.

The WorldService@35 tour features the album and B-sides in full plus an extended career-spanning encore at three Yorkshire shows: York, then Leeds Brudenell Social Club on September 21 and The Welly, Hull, September 25.

Pie thrower: Jonathan Pie will vent his anger at the truth vacuum at the Grand Opera House, York

Angriest man of the month award: Jonathan Pie, Fake News (The Corona Remix), Grand Opera House, York, September 19, 7.30pm

JONATHAN Pie, the no-holds-barred fictitious political broadcaster alter-ego of Tom Walker, is resuming his Fake News tour that began in 2019 and had to twiddle its agitated thumbs through lockdown.

In that hiatus, Walker continued to post Jonathan Pie content to his social-media channels, whether commenting on the global reaction to the 2020 pandemic, the Black Lives Matter movement or woke culture.

Now he unleashes his righteous rage once more on stage. Tickets for the York slice of Pie are on sale at atgtickets.com/york.

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Forty years on, Kevin Rowland revamps “fraudulent” Too-Rye-Ay for 2022 Dexys album and tour. York Barbican awaits

Dexys’ Kevin Rowland, second left, announces the second coming of Too-Rye-Ay, “as it could have sounded”

COME again, Eileen. Dexys, now shorn of the Midnight Runners appendage, are reworking their 1982 album, Too-Rye-Ay, for a 40th anniversary release and accompanying tour.

Led as ever by Kevin Rowland, Dexys will play York Barbican on September 30 2022 on their Too-Rye-Ay, As It Could Have Sounded Tour, in what may well be the veteran Birmingham band’s first ever York appearance, unless you know otherwise.

Released in July 1982, the one with strings, brass and dungarees attached reached number two, Dexys’ highest ever album chart position, buoyed by the top-spot success of ubiquitous wedding-party staple Come On Eileen.

The Van Morrison cover, Jackie Wilson Said (I’m In Heaven When You Smile), went top five too and Let’s Get This Straight (From The Start) peaked at number 17, but the notoriously perfectionist, restless Rowland says: “For many years, I’ve struggled with Too-Rye-Ay.

“I was never happy with many of the mixes on the record. Tracks like ‘Eileen’ and one or two others were really good, but with most others, while I felt the performances were really good, that didn’t come over properly in the mixes.”

The iconic 1982 album artwork for Kevin Rowland & Dexys Midnight Runners’ Too-Rye-Ay

The strongly devoted, long hooked on such exquisite highs as The Celtic Soul Brothers, Let’s Make This Precious, All In All (This One Last Wild Waltz), Old and Until I Believe In My Soul, may raise an eyebrow at Rowland’s assertion, but nevertheless he says: “I even felt fraudulent promoting the album, because I knew it didn’t sound as good as it should have.

“And of course, the irony was, it was by far our most successful Dexys album, because of the worldwide success of Come On Eileen. I knew there were other songs on there just as good as ‘Eileen’, but they hadn’t been realised properly.

“So, I was absolutely delighted to get this opportunity to remix the album with the masterful Pete Schwier, who has worked with Dexys since 1985, and Helen O’ Hara [violinist on the original album] is also helping.”

Too-Rye-Ay, As It Could Have Sounded will be released in this “brand new way and sound” next year via Universal on various formats, whereupon Rowland’s band will head out on the road to perform the album in full, complemented by soulful Dexys’ gems such as their first number one, Geno.

“I’m so into doing this album, that we are doing shows to promote it next year, where we will play the whole of the album from start to finish, as well as other Dexys’ favourites,” says Rowland, who turned 68 on August 17.

“There is no way on Earth I would be doing this tour, or even promoting a normal 40th anniversary re-issue, if it wasn’t for the opportunity to remix it and present it how it could have sounded.

“This is like a new album for me. It is an absolute labour of love. I want people to hear the album as it was meant to sound.”

York will be the only Yorkshire location on next year’s 11-date tour taking in The Forum, Bath, on September 17; New Theatre, Oxford, September 18; Brighton Dome, September 19; Albert Hall, Manchester, September 21; Royal Concert Hall, Glasgow, September 22; Symphony Hall, Birmingham, September 26; Cambridge Corn Exchange, September 27; St David’s Hall, Cardiff, September 29; York Barbican, September 30, and London Palladium, October 2.

York tickets go on sale on Friday (10/9/2021) at 10am at yorkbarbican.co.uk. Let’s make this precious all over again.

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The Divine Comedy’s Neil Hannon to play York Barbican on next spring’s hits tour

The Divine Comedy’s Neil Hannon: Compilation album and greatest hits tour in 2022. Picture: Kevin Westerberg

THE Divine Comedy’s Neil Hannon will play York Barbican on April 30 next spring in his first York concert since May 2011.

That bygone night, the Irish chamber-pop leprechaun performed at York Minster, but the “divine” in The Divine Comedy was not the reason he could be found in northern Europe’s largest Gothic cathedral.

The Dean and Chapter had agreed to allow Tribeca Arts impresario Ben Pugh to run a series of rock/world concerts in the Minster, and if Hannon let slip a couple of X-rated words – one to describe Minster arsonist Jonathan Martin, the other in a lyric – the wrath from above did not befall him. He looked up heavenwards only when sipping red wine from a glass, mouthing “sorry” playfully.

His return to York next spring will follow the February 4 2022 release of Charmed Life – The Best Of The Divine Comedy, marking the completion of the Northern Irish singer, songwriter, musical score composer and cricket enthusiast’s third decade as a recording artist.

This 24-track, career-spanning compilation of hit singles and fan favourites, compiled by Hannon and remastered at Abbey Road Studios, London, takes in such eloquent, often mischievously humoured landmarks as National Express, Something For The Weekend, Songs Of Love, Our Mutual Friend, A Lady Of A Certain Age, To The Rescue and Norman And Norma, complemented by the new composition The Best Mistakes.

“I’ve been luckier than most,” reflects 50-year-old Hannon. “I get to sing songs to people for a living and they almost always applaud. So, when asked what to call this collection I thought of Charmed Life. I like the song and it rather sums up how I feel about my life.”

The career retrospective will be available as a 24-track standard double CD; on double heavyweight black vinyl in a gatefold sleeve; on limited-edition double heavyweight colour vinyl in a gatefold sleeve and as a limited-edition triple CD edition, bolstered a “Super Extra Bonus Album” of new and unreleased recordings.

Discussing the bonus disc, Hannon says: “It felt right to celebrate 30 of The Divine Comedy. I can’t give you an overview of these songs. They’re a crazy mixed-up bunch. Some are strangely seasonal, some relate to what we’ve all been going through recently, some are just nuts. Enjoy!”

The poster for The Divine Comedy’s April and May 2022 tour

Hannon signed his first record deal at 20 in1990, subsequently releasing 12 albums and performing hundreds of shows. He will add to that tally with 19 British and Irish dates next April and May, when he will play a second Yorkshire show at the Victoria Theatre, Halifax, on May 13.

 “I am so looking forward to playing live again,” says Hannon. “The last couple of years have been a reminder of how much it means to me personally. It really is my favourite thing. And it seems fitting that we’ll be coming back with a greatest hits set. You know, in case everyone’s forgotten who I am and what we do!”

 Tickets go on sale at 10am on Friday (10/9/2021) at yorkbarbican.co.uk and victoriatheatre.co.uk.

Track listing for Charmed Life:

Charmed Life; National Express; Norman And Norma; Something For The Weekend; Songs Of Love; The Best Mistakes; At The Indie Disco; Bad Ambassador; A Lady Of A Certain Age; Becoming More Like Alfie; Come Home Billy Bird; Have You Ever Been In Love; Our Mutual Friend; Generation Sex; How Can You Leave Me On My Own; Perfect Lovesong; Your Daddy’s Car; You’ll Never Work In This Town Again; Absent Friends; Everybody Knows (Except You); The Certainty Of Chance; Sunrise; To The Rescue; Tonight We Fly.

Track listing for Bonus deluxe 3CD/deluxe digital disc:

I’ll Take What I Can Get; Don’t Make Me Go Outside; Who Do You Think You Are; The Adventurous Type; When When When; Home For The Holidays; Te Amo España; Perfect Lovesong 2021; Simple Pleasures; Those Pesky Kids.

Did you know?

THE last time Neil Hannon’s compositions were heard on a York stage was in the Theatre Royal’s August 2019 production of Swallows And Amazons, a play with music that affirmed Hannon as a songwriter always ripe for musical theatre in the Flanders & Swann and Stiles & Drewe mode, with even a pinch of Sondheim salt and Randy Newman pepper.

Alex Wingfield (front) with Hanna Khogali, Laura Soper and William Pennington in Swallows And Amazons, featuring music by Neil Hannon, at York Theatre Royal in August 2019. Picture: Anthony Robling
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More Things To Do in and around York for Grayson Perry’s ‘normal people’. List No. 47, courtesy of The Press, York

What’s up Duck? The Dead Ducks sketch comedy troupe head for Theatre@41 Monkgate, York

CLOWNS, ominous things, Grayson, James, tango, chamber music, horrible British history and watercolours in teamwork add up to shows aplenty for Charles Hutchinson and normal people alike to check out.

Sketch comedy show of the week: The Dead Ducks: Ducks Out Of Water, Theatre@41 Monkgate, York, tomorrow (3/9/2021), 8pm

UNIVERSITY of York Comedy Society sketch troupe The Dead Ducks make their Theatre@41 debut with Ducks Out Of Water as a cast of five serves up fun scenes that range from the relatable to the ridiculous.

Be prepared for completely original content in a humorous mix of parody and farce with a delectable side order of top-notch acting.

Look out for pirates, cowboys, clowns and assorted animals, alongside Winnie the Pooh, Sherlock Holmes and Mickey Mouse “like you have never seen them before”. Box office: tickets.41monkgate.co.uk/events/.

Sunset Gazing, by Suzanne McQuade, on show at Village Gallery, Colliergate, York

Exhibition of the week: Suzanne McQuade, Touch Of Tranquillity, Village Gallery, Colliergate, York, until Octoger 23; open Tuesday to Saturday, 10am to 4pm

LEEDS watercolourist Suzanne McQuade quit her long-standing customer service job five years ago to take the plunge and become a full-time artist.

“Using watercolours is like teamwork; I have to allow the watercolour to move and merge, and utilise the patterns it creates,” says Suzanne, who loves how this medium’s translucency enables light to flood into her landscapes and seascapes.

Drawing inspiration from the British countryside and coastline, she paints what she finds captivating, from a dramatic sky to underwater rocks. “I try to make the scene in front of me to be as beautiful as possible,” she says.

Alexander Wright: Performing Small, Small Ominous Things with Megan Drury at Theatre At The Mill, Stillington

Open-air theatre show of the week: Small Small Ominous Things, Theatre At The Mill, Stillington Mill, near York, Saturday, 8pm

LOOK out for a tiny red gun hidden in the grass; a picture of a puppy eating a toy dinosaur; a dull feeling in the pit of your stomach; a bug burrowing into your skin.

Welcome to a late-night mix of stories, tales and unsettling considerations from partners Megan Drury and Alexander Wright, Australian actor, writer and creative artist and North Yorkshire writer, theatre-maker and visionary facilitator respectively.

Gather around the fire as they collaborate for the first time live At The Mill, bringing small, small ominous things out into late-summer’s fading light. Box office: tickettailor.com/events/atthemill/

Making a splash: The new Normal for artist Grayson Perry, performing on tour at York Barbican

Who-knows-what-to-expect gig of the week: Grayson Perry: A Show For Normal People, York Barbican, Monday, 7.30pm

IN his own words, despite being an award-winning artist, Bafta-winning TV presenter, Reith lecturer and best-selling author, Grayson Perry is a normal person – and just like other normal people, he is “marginally aware that we’re all going to die”.

Cue Grayson Perry: A Show For Normal People, where Grayson takes you through an enlightening, eye-watering evening wherein this kind of existentialism descends from worthiness to silliness. “You’ll leave safe and warm in the knowledge that nothing really matters anyway,” his show patter promises.

Grayson asks, and possibly answers, these big questions in a show “sure to distract you from the very meaninglessness of life in the way only a man in a dress can.” Box office: yorkbarbican.co.uk.

Home, James? Briefly, yes, when rehearsing at Broughton Hall, near Skipton. Scarborough Open Air Theatre awaits. Picture: Lewis Knaggs

Gig of the week outside York: James, Scarborough Open Air Theatre, September 9, gates open at 6pm

WHERE better for James to play a summer show in the wake of releasing their 2021 single Beautiful Beaches than at Scarborough Open Air Theatre.

The Manchester legends will be combining myriad anthemic favourites with selections from their “sweet 16th” album, All The Colours Of You, released in June.

Fronted by Clifford-born Tim Booth, James are completing a hattrick of Scarborough OAT visits after shows in May 2015 and August 18. Box office: scarboroughopenairtheatre.com

Prima Vocal Ensemble artistic director Ewa Salecka with Misatango composer Martin Palmeri

Well worth the wait: Misatango: Prima’s Tenth Anniversary Celebration, Temple Hall, York St John University, Lord Mayor’s Walk, York, September 11, 7.30pm

AFTER a year’s delay, Prima Vocal Ensemble director Ewa Salecka is thrilled to be holding the York choir’s tenth anniversary concert at last at a socially distanced Temple Hall.

At the concert’s core will be “the fabulous Misa a Buenos Aires, Misatango, an exhilarating fusion of Tango and Latin Mass”, by Argentinian composer Martín Palmeri, performed with the Mowbray Orchestra string quartet, bandoneon virtuoso Julian Rowlands, pianist Greg Birch and mezzo-soprano soloist Lucy Jubb. Box office: primavocalensemble.com.

Tim Lowe: York Chamber Music Festival director and cellist

Festival of the month: York Chamber Music Festival, September 16 to 18

CANADIAN pianist Angela Hewitt plays YCMF’s opening recital on September 16 and joins fellow festival artists Anthony Marwood and Pablo Hernan, violins, Lilli Maijala, viola, and Tim Lowe, cellist, for the closing gala concert on September 18, both at the Sir Jack Lyons Concert Hall, University of York.

Marwood, Hernan, Maijala and Lowe play string quartets by Haydn, Mendelssohn and Schumann at the NCEM on September 17.

Festival director Lowe joins pianist John Paul Ekins for the first 1pm concert at the Unitarian Chapel, St Saviourgate, on September 17; on the next lunchtime, Ekins plays works that connect Beethoven and Liszt. Box office: tickets@ncem.co.uk.

The Horrible Histories poke fun at Barmy Britain at the Grand Opera House, York, in October

History in the re-making: The Horrible Histories in Barmy Britain, Grand Opera House, York, October 21 to 24

CAN you beat battling Boudicca? What if a Viking moved in next door? Would you lose your heart or head to horrible Henry VIII? Can evil Elizabeth entertain England?

Will Parliament survive gunpowder Guy? Dare you stand and deliver to dastardly Dick Turpin? Escape the clutches of Burke and Hare and move to the groove with party Queen Victoria?

So many questions for The Horrible Histories’ Live On Stage team to answer with the aid of the 3D illusions of Bogglevision as skulls hover, dams burst and missiles fly into the family audience. For tickets for Birmingham Stage Company’s eye-popping, gruesome, scary and unbelievable trip through British history, go to atgtickets.com/york.

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Putting the sole into soul, Paul Carrack takes on lockdown isolation in a One On One situation for September’s DIY album

“The sound of the record is warm, I think, and engaging, and nourishing,” says Paul Carrack of his new album, One On One. Picture: Nico Wills Cornbury

SHEFFIELD voice of soul Paul Carrack will play York Barbican on February 17 on next year’s Good & Ready tour on the back of releasing his 18th solo studio album next month.

Created in his home studio base “when lockdown cast its unwelcome shadow on the music business”, One On One will be out on September 17 on his own label, Carrack-UK.

This will be his first album since These Days in 2018, a year when he performed at York Barbican on February 16.

Singer, songwriter, keyboard player and guitarist Carrack, 70, has run his record label and touring operation for more than 20 years, equipping him with a do-it-yourself mentality to cope with the need to adapt to pandemic restrictions.

Paul Carrack playing York Barbican in the pre-Covid live years in February 2018. Picture: Simon Bartle

He not only wrote, played and recorded the album, but this time, answering to his muse and trusting his instincts, he even mixed it too. From the voice of Mike + The Mechanics’ The Living Years, you could almost call One On One the result of his live-in years.

Aside from cameos from the likes of a long-time friend and collaborator, ex-Pretenders guitarist Robbie McIntosh, and former James Brown sideman Alfred ‘Pee Wee’ Ellis, he often worked on his own, effectively a one-man band on a defiantly live-sounding album, where only one song existed in demo form beforehand. Carrack conjured the rest during lockdown, the mood set by the opening track, the tour title-inspiring Good & Ready.

“The sound of the record is warm, I think, and engaging, and nourishing,” he says. “There’s two ballads on there, but the rest of it is surprisingly upbeat. I think that’s maybe because we were mid-tour when the touring was shut down, but I was still in a kind of ‘live’ mode.”

The “decidedly funky” A Long Way To Go is boosted by a stellar horn section, arranged by Carrack’s long-time neighbour, but new friend, Dave Arch.

The album artwork for One On One, out on September 17

“I gave Dave the midi part that I’d written, and he transcribed it, and voiced it properly,” says Carrack. “You can’t beat real horns. So, we had Steve Beighton, of course, who’s been in my band for 20 years and tours with me all the time.

“We got the legendary ‘Pee Wee’ Ellis, of James Brown and Van Morrison fame, Dennis Rollins on trombone, and Andy Greenwood on trumpet. So, we recorded the horns in [the studio] here, and they sound great. And backing vocals by Michelle John, who I met working in Eric Clapton’s band. She’s absolutely unbelievable.”

Moments from Carrack’s personal life inform One On One. I Miss You So, for example, emerged from not being able to visit his daughter, after she gave birth to his new granddaughter early in 2020.

It is never a case, however, of Carrack capitalising on a situation for a tune. “I hardly ever have a plan about writing a song,” he says. “I come in here, I sit at the keyboard, or the guitar, get something going, start some lines off the top of my head. And without trying to sound too pretentious, things come out.”

Paul Carrack playing at the Underneath The Stars Festival at Cinderhill Farm, Barnsley, last Friday

The ballad You’re Not Alone was released in February as the first single from the album, subsequently being picked as a BBC Radio 2 Record of The Week. “I think I was listening to a conversation on the radio, or something, and somebody said, ‘Well, if you think the world’s going mad, you’re not alone’. And I thought, ‘Yeah’,” recalls Carrack. “The sentiment is one of support really, for someone very close who was struggling with the anxiety of lockdown.”

The swinging Lighten Up Your Mood has another ‘Pee Wee’ horn arrangement and the slinky When Love Is Blind features Carrack’s son, Jack, on drums. Normally, he would have played on the whole album, had he not been living on the other side of town.

Shame On You, Shame On Me has shades of Carrack’s original 1960s’ heroes such as Ray Charles, while Set Me Free carries a simple message for our times. “Not trying to be political or anything, more a cry from the heart to get back to some kind of normal,” he says. “I’m lucky, I live in a nice place, I’ve got a great family, but we definitely miss being out on the road.”

One On One closes with Carrack’s latest re-make of a time-worn favourite, in the wake of The Young Rascals’ Groovin’, Jackie DeShannon’s When You Walk In The Room and Goffin & King’s When My Little Girl Is Smiling. This time, he enriches Charlie Rich’s country crossover hit of 1973, Behind Closed Doors.

Paul Carrack will play 27 dates on next year’s tour

The full track listing is: Good & Ready; A Long Way To Go; I Miss You So; You’re Not Alone; Lighten Up Your Mood; Precious Time; When Love Is Blind; Shame On You, Shame On Me; Set Me Free and Behind Closed Doors.

Now that doors are open once more for gigging, Carrack will play Rye Jazz Festival, Bexhill on Sea, on August 26, followed by three autumn shows that will kick off at Hull Bonus Arena on October 19.

Next year’s 27-date Good & Ready tour will feature three Yorkshire gigs: Hull City Hall on January 22, York Barbican on February 17 and a homecoming finale at Sheffield City Hall on March 19.

York tickets for the soulful vocal sound of Ace’s How Long, Squeeze’s Tempted and Mike + The Mechanics’ Over My Shoulder, Silent Running and The Living Years are on sale at yorkbarbican.co.uk. For Hull Bonus Arena, premier.ticketek.co.uk; Hull City Hall, hulltheatres.co.uk; Sheffield, sheffieldcityhall.co.uk.

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More Things To Do in and around York as deathly silence is broken at libraries. List No. 43, courtesy of The Press, York

James Lewis Knight, left, as Jimmy and Matt Stradling as James in Next Door But One’s library tour of Operation Hummingbird in York

GO forth and multiply the chance to see the summer spurt of theatre, musicals and outdoor shows, urges Charles Hutchinson, who also highlights big gig news for autumn and March 2022.

Breaking the library hush: Next Door But One in Operation Hummingbird, in York, today and August 12

YORK community arts collective Next Door But One are teaming up with Explore York for a library tour of Matt Harper-Harcastle’s 45-minute play Operation Hummingbird.

James Lewis Knight plays Jimmy and Matt Stradling, James, in a one-act two-hander that takes the form of a conversation across the decades about a sudden family death, realising an opportunity that we all wish we could do at some point in our life: to go back and talk to our younger self.

Today’s Covid-safe performances are at 3.30pm at New Earswick Folk Hall and 7pm, Dringhouses Library; August 12, York Explore, 2pm, and Hungate Reading Café, 7pm. Box office: nextdoorbutone.co.uk.

Exit-kitchen-sink drama: Ashley Hope Allan as bored Liverpool housewife Shirley, planning a holiday to Greece in Esk Valley Theatre’s production of Shirley Valentine. Picture: Tony Bartholomew

Play launch of the week outside York: Esk Valley Theatre in Shirley Valentine, Robinson Institute, Glaisdale, near Whitby, tonight until August 28

ESK Valley Theatre complete a hattrick of Willy Russell plays with Shirley Valentine from tonight, under the direction of artistic director Mark Stratton as usual.

In Russell’s one-woman show, Coronation Street star Ashley Hope Allan plays middle-aged, bored Liverpool housewife Shirley in a story of self-discovery as she takes a holiday to Greece with a friend, who promptly abandons her for a holiday romance. Left alone, Shirley meets charming taverna owner Costas. Box office: 01947 897587 or at eskvalleytheatre.co.uk.

It’s here at last! Heathers The Musical opens its delayed tour at Leeds Grand Theatre tonight. Picture: Pamela Raith

Musical of the week outside Leeds, Heathers The Musical, Leeds Grand Theatre, tonight until August 14

HEATHERS The Musical launches its touring production in Leeds from tonight with choreography by Gary Lloyd, who choreographed the debut York Stage pantomime last Christmas.

Produced by Bill Kenwright and Paul Taylor-Mills and directed by American screen and stage director Andy Fickman, this high-octane, dark-humoured rock musical is based on the Winona Ryder and Christian Slater cult teen movie.

The premise: Westerberg High pupil Veronica Sawyer (Rebecca Wickes) is just another nobody dreaming of a better day, until she joins the impossibly cruel Heathers, whereupon mysterious teen rebel JD (Simon Gordon) teaches her that it might kill to be a nobody, but it is murder being a somebody. Box office: 0113 243 0808 or at leedsheritagetheatres.co.uk.

Round To Low Horcum, by Sue Slack, one of the 33 artists and makers taking part in Ryedale Open Studios

Art event of the week: Ryedale Open Studios, Saturday and Sunday and next weekend, 10am to 5pm each day

THE newly formed Vault Arts Centre community interest company, in Kirkbymoorside, is coordinating this inaugural Ryedale Open Studios event, celebrating the creativity and artistic talent of Ryedale and the North York Moors.

Artists, makers and creators will be offering both an exclusive glimpse into their workplaces and the opportunity to buy art works directly. Full details of all 33 artists can be found at ryedaleopenstudios.com; a downloadable map at ryedaleopenstudios.com/map.

Serena Manteghi: Performing in Eurydice at Theatre At The Mill this weekend

Hit and myth show of the week: Eurydice, Theatre At The Mill, Stillington Mill, near York, Saturday and Sunday, 7.30pm

THIS weekend, Serena Manteghi returns to the play she helped to create with writer Alexander Wright, composer Phil Grainger and fellow performer Casey Jane Andrews with Fringe award-winning success in Australia in 2019.

Manteghi, a tour de force in the Stephen Joseph Theatre’s Build A Rocket, will be joined by Grainger for the tale about being a daily superhero and not giving in to the stories we tell ourselves.

Woven from spoken word and soaring live music, Eurydice is the stand-alone sister show to Orpheus; her untold story imagined and reimagined for the modern-day and told from her perspective. Box office: tickettailor.com/events/atthemill/.

Kaiser Chiefs: Yorkshire anthems galore at Scarborough Open Air Theatre on Sunday

Yorkshire gig of the week outside York: Kaiser Chiefs, Scarborough Open Air Theatre, Sunday, gates open at 6pm

LEEDS lads Kaiser Chiefs promise a “no-holds-barred rock’n’roll celebration” on their much-requested return to Scarborough OAT after their May 27 2017 debut.

“We cannot wait to get back to playing live shows again and it will be great to return to this stunning Yorkshire venue,” says frontman Ricky Wilson. “We had a cracking night there in 2017, so roll on August 8!”

Expect a Sunday night of such Yorkshire anthems as Oh My God, I Predict A Riot, Everyday I Love You Less And Less, Ruby, Never Miss A Beat and Hole In My Soul. Box office: scarboroughopenairtheatre.com.

Simon Amstell’s hippy-chic poster for his autumn tour show, Spirit Hole, visiting York, Sheffield and Leeds in the autumn

Comedy gig announcement of the week: Simon Amstell, Spirit Hole, Grand Opera House, York, September 25, 8pm

INTROSPECTIVE, abjectly honest comedian Simon Amstell will play the Grand Opera House, York, for the first time since 2012 on his 38-date Spirit Hole autumn tour.

Agent provocateur Amstell, 41, will deliver a “blissful, spiritual, sensational exploration of love, sex, shame mushrooms and more” on a tour with further Yorkshire gigs at The Leadmill, Sheffield, on September 12 and Leeds Town Hall on October 1.

York tickets are on sale at atgtickets.com/venues/grand-opera-house-york/; York, Sheffield and Leeds at ticketmaster.com.

Look sharp! Tickets are on sale for Joe Jackson’s second-ever York concert…next March

York gig announcement of the week: Joe Jackson, York Barbican, March 17 2022

JOE Jackson will play York for only the second time in his 43-year career on his Sing, You Sinners! tour next year.

Jackson, who turns 67 on August 11, will perform both solo and with a band at York Barbican in the only Yorkshire show of his 29-date British and European tour, promising hits and new material.

“We’ve been dealing with two viruses over the past two years, and the worst – the one we really need to put behind us – is Fear,” he says. “Love is the opposite of fear, so if you love live music, come out and support it!” Box office: yorkbarbican.co.uk.

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‘We really need to put fear behind us,’ says Joe Jackson as he books York Barbican gig

“Sing, You Sinners,” urges Joe Jackson as he announces York Barbican gig for March 17 next year

JOE Jackson will play York for only the second time in his 43-year career on his Sing, You Sinners! tour next year.

Jackson, who turns 67 on August 11, will perform at York Barbican on March 17 2022 in the only Yorkshire show of his 29-date British and European tour. Tickets go on sale today at yorkbarbican.co.uk.

To find out when singer, multi-instrumentalist, songwriter, composer and bandleader Jackson last played York, head to the fact file below.

He will be touring with the same band that accompanied him on his Four Decade Tour in 2019 and that year’s studio album, Fool: Graham Maby, ever present since Joe Jackson Band days, on bass; Teddy Kumpel, on guitar, and Doug Yowell, on drums and electronics, all contributing backing vocals too.

Sing, You Sinners will feature both the full band and a “mini-set” of Jackson solo, the set list being drawn from his whole career, including some songs not aired live in many years. Watch out for surprises too, he forewarns, not least the promise of “completely new material”.

The 2022 tour will take Jackson to cities he has never played (Saarbrücken, Valencia) or not toured for a long time (Bordeaux, Lisbon, Oporto), as well as seven UK shows and new venues in Berlin, Paris and elsewhere.

Ahead of his travels, Jackson says: “We’ve been dealing with two viruses over the past two years, and the worst – the one we really need to put behind us – is Fear. Love is the opposite of fear, so if you love live music, come out and support it!”

Say it ain’t so, Joe. He was once in a band called Edward Bear, you know….

Joe Jackson Fact File

Full name: David Ian “Joe” Jackson.

Why “Joe”? Acquired nickname based on perceived resemblance to British television puppet character Joe 90.

Born: August 11 1954, Burton upon Trent, Staffordshire.

Raised: Swadlincote, Derbyshire (briefly); Portsmouth, Gosport, Hampshire.

Education: After playing piano in bars from 16, won scholarship to study musical composition at Royal Academy of Music, London.

First band: Edward Bear, later renamed Arms And Legs. Broke up in 1976 after two unsuccessful singles. Still known as David Jackson when he joined Arms and Legs, legally changing name to Joe at 20.

Occupation: Singer, musician, songwriter, bandleader, producer, author, campaigner.

Instruments: Piano, keyboards, guitar, saxophone.

Genres: New Wave rock, reggae, jive, minimalist jazz funk, piano ballads, instrumentals, classical, film soundtracks. “People have made too much” of his reputation for often changing tack, he says. “That reputation reduces me to a cartoon, and I certainly don’t change for change’s sake”.

Debut hit: Re-released first single Is She Really Going Out With Him reached number 13 in August 1979.

At his peppery sharpest: the artwork to Joe Jackson’s debut album

Debut album: Look Sharp!, March 5 1979. Named at number 98 in Rolling Stone magazine’s list of 100 best debuts of all time in 2013. Initially recorded demo tape in Portsmouth (1977-78) with tour money from cabaret gigs with Koffee’n’Kream; re-recorded after signing to A&M.

Latest album: Fool, 2019.

Studio albums: 21.

Best-known songs: Is She Really Going Out With Him?; It’s Different For Girls; Sunday Papers; I’m The Man; Beat Crazy; One To One; Jumpin’ Jive; Steppin’ Out; Breaking Us In Two; A Slow Song; Be My Number Two; You Can’t Get What You Want (Till You Know What You Want).

Quirk of fate: 1991 single Hit Single, from Laughter & Lust, wasn’t a hit.

Grammy history: Five nominations, one win, for Best Pop Instrumental Album for Symphony No. 1 at 43rd awards in 2000.

Out-of-this-world collaboration: Featured on Star Trek icon William Shatner’s cover of Pulp’s Common People on William Shatner Has Been album in 2004.

More contributions to “covers albums”: That’s The Way I Feel Now: A Tribute To Thelonious Monk, 1986; Statue Of Liberty on A Testimonial Dinner: The Songs Of XTC, 1995.

Not forgetting: His own “covers” album, Jumpin’ Jive, June 1981 “musical vacation” in Forties’ swing and jump blues of Louis Jordan and Cab Calloway.

Other collaborations: Left Of Centre, with Suzanne Vega, charting at number 32, 1985, from Pretty In Pink soundtrack. Performed on Show Biz Kids, For No One and One Hand, One Heart on Rickie Lee Jones’s 2000 album, It’s Like This.

Motion picture soundtrack: Featured on Angel and 1913 pub song Hello, Hello, Who’s Your Lady Friend? on The Greatest Game Ever Played, 2005. Made cameo appearance as dapper gent in bowler hat in East End boozer tinkling the ivories.

Autobiography: A Cure For Gravity, 1999. Billed as “book about music, thinly disguised as a memoir”, Jackson charted musical life from working-class, council-house childhood to 24th birthday, deeming pop-star years “hardly worth writing about”.

Campaigner, you say? Yes, against smoking bans in USA and UK. Published 2005 pamphlet The Smoking Issue and 2007 essay Smoke, Lies And The Nanny State and recorded satirical song In 20-0-3.

Gone with the wind: Jackson was among hundreds of artists whose recordings were destroyed reportedly in 2008 Universal vaults fire.

Has Joe ever performed in York? Only once, in June 2005, sharing Grand Opera House bill with Todd Rundgren and improvisational string quartet Ethel.

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After 496 days of darkness, York Barbican to reopen with Van Morrison at the double

Freedom fighter Van Morrison marks liberation from Covid restrictions with full-capacity, sold-out gigs at York Barbican tomorrow night and on Wednesday.

YORK Barbican will reopen tomorrow when outspoken pandemic libertarian Van Morrison plays the first of two concerts this week, 496 days since the last show by jazz pianist Jamie Cullum.

Today’s Step 4 of lockdown easement facilitates the Northern Irish veteran performing Tuesday and Wednesday’s 8pm gigs to sold-out, full-capacity audiences.

The shows had to be moved from May 25 and 26 under prevailing Covid restrictions, when social distancing was still in place, and by happenstance the dates of July 20 and 21 were chosen, well before the “Freedom Day” delay from June 21 to July 19 was announced.

In May, Morrison, 75, released his 42nd studio album, Latest Record Project: Volume 1, a 28-track delve into his ongoing love of blues, R&B, jazz and soul, on Exile/BMG.

Born in Pottinger, Belfast, on August 31 1945, Van Morrison – or Sir George Ivan Morrison OBE, as a formal envelope would now read – was inspired early in life by his shipyard worker father’s collection of blues, country and gospel records.

Feeding off Hank Williams, Jimmie Rodgers and Muddy Waters in particular, Morrison became a travelling musician at 13, performing in several bands before forming Them in 1964.

Making their name at Belfast’s Maritime Club, Them soon established Morrison as a major force in the British R&B scene, initially with Here Comes The Night and Gloria, still his staple concert-closing number.

Brown Eyed Girl and the November 1968 album Astral Weeks announced a solo song-writing spirit still going strong, as affirmed latterly by a burst of five albums in three years. In 2017, he released Roll With The Punches and Versatile; in 2018, You’re Driving Me Crazy, with Joey DeFrancesco, and The Prophet Speaks; in 2019, Three Chords & The Truth.

Over the years, Morrison has accumulated a knighthood; a BRIT; an OBE; an Ivor Novello award; six Grammys; honorary doctorates from Queen’s University, Belfast, and the University of Ulster; entry into the Rock & Roll Hall of Fame and the French Ordres Des Artes Et Des Lettres…and a number 20 hit duet with Cliff Richard in 1989, Whenever God Shines His Light.

Sceptic Morrison has said – and sung – his two penneth on Coronavirus, decrying what he calls the “crooked facts” and “pseudo-science”. Last August, he called for “fellow singers, musicians, writers, producers, promoters and others in the industry to fight with me on this. Come forward, stand up, fight the pseudo-science and speak up”.

Ironically, a quick-thinking company promptly launched a set of face masks of iconic Morrison album covers.

From September 25, Morrison launched a series of three protest songs, one every two weeks, railing against safety measures to prevent the spread of Covid-19: Born To Be Free, As I Walked Out and No More Lockdown.

“No more lockdown / No more government overreach / No more fascist bullies / Disturbing our peace …,” he urged on the latter.

“No more taking of our freedom / And our God-given rights / Pretending it’s for our safety / When it’s really to enslave …”

Not without irony, that song condemned “celebrities telling us what we’re supposed to feel”. Issuing an explanatory statement amid condemnation from voices in Irish authority, he said: “I’m not telling people what to do or think. The government is doing a great job of that already. It’s about freedom of choice. I believe people should have the right to think for themselves.”

Last September too, he announced a series of socially distanced concerts, again with a covering note: “This is not a sign of compliance or acceptance of the current state of affairs,” it read. “This is to get my band up and running and out of the doldrums.”

Now, here come the nights at York Barbican: an umpteenth return to a venue where Van The Man has performed in his predictably unpredictable, sometimes gruff, sometimes prickly, yet oft-times sublimely soulful manner on myriad mystical nights.

Alas, CharlesHutchPress will not be reviewing York Barbican’s reopening night as no press tickets have been made available for Van Morrison’s brace of shows.