Lost in time, mysterious Punch Porteous finds new home at Friargate Theatre

Punch Porteous writer Robert Powell and creative practitioner Ben Pugh

WRITER Robert Powell and creative practitioner Ben Pugh are reviving Punch Porteous – Lost In Time! at Friargate Theatre, York, from tomorrow to Saturday as part of York Literature Festival.

Originally commissioned by All Saints North Street for its October 2023 premiere with support from York Theatre Royal, Powell’s poetic multi-media experience depicts Punch Porteous, a mysterious and ordinary man with an extraordinary predicament, lost in time in York, where he is catapulted unpredictably into different eras from c.70 to c.2025 while the city shape-shifts around him.

“He keeps waking up at various points of the city’s past, dazed and confused, but also with a disturbing knowledge that he’s been there before,” says Canadian-born Robert.

Punch seems to remember Romans, Vikings, Saxons, seeing Henry VIII and meeting Dick Turpin. Now a prophecy says he is to appear at the site of an ancient Friary to find his lost wife Eve – and tell all in Powell and Pugh’s imaginative journey in words, music, film and sound featuring the recorded, “disembodied”  voice of York poet Kitty Greenbrown, as well as Powell as Narrator, Nicholas Naidu as Alistair and Imogen Wood as Beatrice.

Nicholas Naidu, as Alistair, and Imogen Wood, as Beatrice, in Punch Porteous – Lost In Time! Picture: Ben Pugh

Inspired by the history of York, Robert first recounted a story of Punch in his poem Punch Porteous Goes To York Races, with further poetic stories in his 2023 commission for York Civic Trust, Time Town, Some Poems Of York.

“We’re totally delighted to be bringing Punch back,” says Robert. “I thought Punch had some more breath left in him after All Saints and we had the sense that there was more of an audience to see it.

“Friargate Theatre is an artistic asset to York with new management, and what better place could we find to stage it: a theatre space, rather than a church, though it was the church [All Saints North Street] that commissioned it, and the church provided a rich, deeply resonant space.

Kitty Greenbrown: Lending her voice to this week’s performances of Punch Porteous – Lost In Time!

“We’re also delighted to be taking part in York Literature Festival, which I was part of for a long time. We talked to Friargate Theatre first, absolutely the right place for it, and then approached the festival about featuring a piece based on poetry, and they responded very positively, especially when you consider they don’t usually have plays.”

Robert has re-written his drama to take in the history of the Friargate Theatre site as a friary. “We now have Punch ‘predicting’ that it was friarage from the tenth century up until Henry VIII’s boys tore it apart, leaving only the wall along the river. We will now be reopening the Friarage, with Punch determined to get there from Baile Hill.”

How will the audience experience differ from the All Saints premiere? “I think that being in a theatre space, rather than a church, the audience will need to use their imagination more, and we will need to work their imagination more to imagine the historic buildings of York, whereas previously we had the incredible prop of the church building,” says Robert.

Robert Powell in his role as Narrator for Punch Porteous – Lost In Time! Picture: Ben Pugh

“Now we have to use our ‘prop’ box to bring to life this semi-visible everyman who had bumped into some famous people but mainly lived among the ordinary people of York, creating that sense of Punch being grounded and having a working man’s sensibilities.”

Describing Punch’s character, Robert says: “He’s comic but serious; he gets drunk but is very philosophical. He’s seen a lot and suffered a lot, as the people of York have.

“With Dick Turpin, for example, what happens is that he becomes like a fairytale figure, but in Punch Porteous, Punch remembers attending Turpin’s public execution, seeing the horror of his feet turning in the air, so I’ve tried to bring the harsh reality to folk tales. Turpin’s death would have been horrendous.

“In Punch Porteous, I’m conveying the friction between the heritage myth and the darker reality that people have had to live with in York over the centuries.

The poster for Punch Porteous – Lost In Time at Friargate Theatre, York

“It’s a story told in a somewhat different way from the historical, heritage way that the story of the city is so often told. So, in a sense, without being too heavy about it, I wanted to disrupt that norm, to think about history from the ‘ordinary’ perspective that most of us experience it from.

“Writers can bring an understanding of history where I think there’s a role for the imagination that runs parallel with the facts. It’s not enough to have the testimonies and the photographs. You need your imagination to bear witness. Hilary Mantel thought a lot about this, about the role of fiction to engage with people, as opposed to documentary evidence. Where documentary leaves off, the imagination takes over, but rooted in experience.”

Robert loves the experience of walking through York, “passing through veils, where one minute you are in the 21st century, and then in the past”. “As a Canadian boy, from an early age, I had a hunger for what York offered,” he says. “Here I am, this little kid in Ottawa, digging in the fields next door, hoping to find Roman remains, so I had to come to York to do that. It’s been a very personal journey for me, and York gives you that in a very intense way.

“What is a Canadian doing fooling around with York’s precious history? To me, from that perspective, as a writer, it’s a heavenly place to be, and as a writer, I’m fascinated by time. Punch Porteous is a great opportunity to have someone who slips and slides through York and time, and so though I’m not originally from York, I hope it has resonance for true Yorkists.”

The cover to Robert Powell’s latest poetry collection, Time Town, Some Poems of York

Punch Porteous may have further life beyond this week’s performances. “I’ve had this niggling thought that might bring a further bit of spark to the exercise,” says Robert. “Was Punch Porteous a real person?

“Since my tales of Punch were inspired by a story told to me about an actual York man called Punch Porteous in the 1920s, who won a small fortune at York Races, it would be fun to ask The Press readers if they’ve ever heard of such a person. I would love to hear from you and I can be reached at https://www.rjpowell.org/.

“I would love Punch Porteous to become one of the urban myths of York and hopefully we are moving in that direction.”

York Literature Festival presents Punch Porteous – Lost In Time!, Friargate Theatre, Lower Friargate, York, tomorrow until Saturday, 7pm plus 2pm Saturday matinee. Box office: ticketsource.co.uk.

For Ben Pugh’s film trailer of Punch Porteous – Lost In Time!, head to:  https://www.dropbox.com/scl/fi/ky2ym8uovcqisjmyahpjt/Punch-Trailer-1.mov?rlkey=0twzzrbektny13v2tu3oe2hkz&dl=0

Robert Powell: Writer, curator and cultural consultant with background in the arts, place-making, photography and journalism. Picture: Owen Powell

Robert Powell: the back story

WRITER, curator, and cultural consultant with more than 40 years’ experience in the arts, built environment, community engagement and media in England, Scotland and his native Canada.

Director of Stills Gallery of Photography in Edinburgh from 1986 to 1989. Worked for Canada Council for the Arts from 1989 to 1997.

Director of Beam, arts, architecture and education charity in Wakefield, from 1997 to 2015, working with many leading artists, architects, and urban designers.

Established Wakefield Lit Fest, festival of reading & writing, in 2012. Made Honorary
Fellow of RIBA (Royal Institute of British Architects) in 2017.

Robert’s creative writing has been published widely in Canada and UK. Since 2007, produced five poetry collections, plus performances and film-poems inspired by buildings, rivers and other places.

In 2018, artist in residence with Kone Foundation at Saari, Finland. In 2019, undertook community-based artistic project on Irish border during Brexit negotiations.

In 2023-24, writer in residence with York Civic Trust. Wrote and performed in Punch Porteous – Lost In Time!, poetic drama inspired by history of York, at All Saints North Street.

Resident in York for ten years, based in South Bank. Latest publication, Time Town, Some Poems of York, features poetry about a Georgian museum and a man lost in time from his York Civic Trust residency.

The first knock-out Punch poem by Robert Powell: Punch Porteous Goes to York Races

ONE Saturday afternoon, in summer 1930,
at York Races, Punch won a fortune, £17,
tramped back into town, bought a tin hip bath
and took it to the Red Lion, where Uncle John’s wife Rose
was publican and the boatmen-gypsies supped;
required of John to fill it full with drink, then
helped him and two others lurch it, slopping
on cobbles in the early evening light,
to the tram stop, calling on all and sundry
Come take wine with me!
though in truth it was ale;
and cupping its contents for free
to drivers, passengers, passers-by;
and the bath, once emptied,
by a drunken Punch
tossed into the Foss.
Gaze down from the bridge, they say,
in certain light, on certain days,
in the shallows, in the depths,
you can still see it,
among the vagrant
shopping carts,
the swans.

© Robert Powell

What’s On in Ryedale, York and beyond. Hutch’s List No. 10, from Gazette & Herald

The poster for Brain Play, to be staged by 1812 Youth Theatre as part of National Theatre Connections at Helmsley Arts Centre and York Theatre Royal

LIKE Tom Stade’s comedy show, tipping winners is a Risky Business, but Charles Hutchinson is confident his recommendations will be triumphant.

Ryedale play of the week: 1812 Youth Theatre & National Theatre Connections, Brain Play, Helmsley Arts Centre, today to Friday, 7.30pm

UNDER the National Theatre Connections banner, Helmsley company 1812 Youth Theatre presents Chloe Lawrence-Taylor and Paul Sirett’s Brain Play, first in Helmsley and later at York Theatre Royal on March 21 at 7.30pm.

When Mia’s dad suffers a traumatic brain injury and struggles to leave the house, she makes it her mission to find the cure for his symptoms. Delving deeper and deeper into the world of neuroscience, Mia is desperate to make him better, but first she must contend with her own brain. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, 01904 623568 or yorktheatreroyal.co.uk.

John Shuttleworth: 40 years of bonhomie, bon mots and persistently, perkily mundane yet profound songs at Leeds City Varieties Music Hall and Hull Truck Theatre. Picture: Tony Briggs

Comedy positivity of the week: John Shuttleworth, Raise The Oof, Leeds City Varieties Music Hall, tonight and tomorrow, 7.30pm; Hull Truck Theatre, April 2,7.30pm

JOHN Shuttleworth, the good-natured Sheffield sage and perky Yamaha organ purveyor of charmingly mundane songs fashioned by actor Graham Fellows, celebrates his 40th anniversary on his Raise The Oof tour, full of nostalgia and new stories.

Here come tales of his early days with neighbour Ken Worthington, the humorous realities of married life with miserable wife Mary, and John’s hopes for a late-career breakthrough. Box office: Leeds, 0113 243 0808 or leedsheritagetheatres.com; Hull, 01482 323638 or hulltruck.co.uk.

Becca Drake: Guest poet at York Literature Festival’s Howl Owt night at The Blue Boar

York Literature Festival gig of the week: Howl Owt, The Blue Boar, Castlegate, York, tomorrow, 7.30pm

JOIN Chloe Hanks and Stephanie Roberts from Howlers Open Mic and Henry Raby from Say Owt for an evening of performances by York poets and writers, bolstered by a special guest.

This time, their roles will be reversed with the Say Owt crew taking over the open mic and the Howlers welcoming the guest, Becca Drake, York poet, Little Hirundine printmaker and researcher. Performers can sign up for three-minute open-mic spots on arrival. Admission is free.  

Neil Foster’s Cosme McMoon, left, Jackie Cox’s Florence Foster Jenkins and Mike Hickman’s St Clair in Rowntree Players’ Glorious!

York play of the week: Rowntree Players in Glorious!, The True Story Of Florence Foster Jenkins, The Worst Singer In The World, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm plus 2.30pm Saturday matinee

COVER your ears! Here comes Glorious! The True Story Of Florence Foster Jenkins, The Worst Singer In The World, as told by Peter Quilter in his joyous and heart-warming comedy with music, based on the life of an eccentric 1940s’ New York socialite with a passion for singing but a voice for disaster.

Enthusiastic but tonally erratic soprano Florence (played by Jackie Cox) gave private recitals, sang at extravagant balls, made bizarre recordings and revelled in a triumphant sold-out final performance at New York’s Carnegie Hall at 76. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Mike + The Mechanics: Mike Rutherford, centre, re-living 40 years at York Barbican with Andrew Roachford, left, and Tim Howar

40th anniversary celebration of the week: Mike + The Mechanics, Looking Back – The Living Years, York Barbican, Friday, 7.30pm

AFTER opening their Refueled! tour at York Barbican in April 2023, Mike + The Mechanics return next Friday on their Looking Back – Living The Years 40th anniversary travels. Expect the set list to combine Over My Shoulder, The Living Years and All I Need Is A Miracle with selections from their nine albums and a “drift into some of Genesis’s much loved classic tracks”. Box office: yorkbarbican.co.uk.

David John Pike: Baritone soloist for York Musical Society’s concert at York Minster

Classical concert of the week: York Musical Society, Bach Mass in B minor, York Minster, Saturday, 7.30pm

DAVID Pipe conducts York Musical Society’s singers and orchestra in Bach’s epic choral work, replete with magnificent choruses, resplendent fugues, moving arias and soloists Zoe Brookshaw and Philippa Boyle (both soprano), Tom Lilburn (countertenor), Nicholas Watts (tenor) and Canadian/British/Luxembourger David John Pike (baritone), who returned to music after initially training and working as a chartered accountant. Tickets: available from York Minster or on the door.

Tom Stade: Risk-taking comedy at Helmsley Arts Centre

Comedy minefield of the week: Tom Stade: Risky Business, Helmsley Arts Centre, Saturday, 8pm

TOM Stade’s sense of ‘funny’ and today’s ‘funny’ do not always see eye to eye, bur that’s cool; it’s not his way to follow the herd, he says. The Vancouver-born, Scottish-based humorist much prefers to take the path less travelled, a path that brings this independent spirit and irrepressible force of nature to Helmsley to airdrop his unflinching comedy into an ever-changing minefield. Navigating the tightrope of today’s divisive times may be a risky business but Stade reasons that without risk there can be no reward. Box office: 01439 771700 or helmsleyarts.co.uk.

Nicola Mills: Songs and stories at Milton Rooms, Malton

Taking the “posh” out of opera: Nicola Mills, Opera For The People, Milton Rooms, Malton, Saturday, 7.30pm

VICTORIA Woods meets Pavarotti in Nicola Mills’s funny and inspiring show, wherein she combines her down-to- earth Northern roots with operatic singing and telling tales of working-class life, from performing in some of Europe’s finest opera houses to taking opera to the streets.

Expect not only opera on a night when the audience will choose songs from Mills’s Song Menu, spanning Mozart to musicals to Elvis Presley. Box office:  01653 696240 or themiltonrooms.com.

Tayla Kenyon in her solo play Fluff at Theatre@41, Monkgate, York on Sunday. Picture: Patrick Murray

Fringe play of the week: Teepee Productions and Joe Brown present Fluff, Theatre@41, Monkgate, York, Sunday, 7.30pm

NOW is the time for Fluff to do the ultimate puzzle: her life. Fluff hates puzzles, however, especially word searches. She can never find the words, nor understand why there is a half-eaten birthday cake and a woman who keeps visiting her room. As she navigates her way through her most treasured and darkest memories, Fluff desperately needs to piece together her life, story by story, person by person.

Tayla Kenyon performs solo in her darkly comedic 75-minutre play, co written with James Piercy, as she explores memories and the choices we make, using a non-linear plot line to enable the audience to feel, first hand, the devastating effects of dementia. Box office:  tickets.41monkgate.co.uk.

More Things To Do in York and beyond, especially for you, when Jason shines. Hutch’s List No. 10 from The York Press

Jason Donovan: Doin’ fine in 2025 at York Barbican

PAY attention to Charles Hutchinson’s recommendations and, like Jason Donovan, you will be doin’ fine.

Good Neighbour of the week: Jason Donovan: Doin’ Fine 25, York Barbican, tonight, 7.30pm

LAST seen in York in fishnets and face paint as Dr Frank N Further in The Rocky Horror Show at the Grand Opera House last October, Australian singer and actor Jason Donovan now  takes an “incredible ride” through 35 years in music, theatre, film and television.

His long-awaited sequel to Doin’ Fine 90 features Donovan’s most beloved songs from his stage shows, Joseph, Priscilla, Rocky Horror and Grease, alongside nods to his TV times in Neighbours and Strictly Come Dancing and his biggest pop hits, Especially For You, Too Many Broken Hearts, Any Dream Will Do and Sealed With A Kiss. Box office: yorkbarbican.co.uk.

Gary Stewart: Rise and shine at Bluebird Bakery in Acomb

Singer-songwriter gig of the week: Gary Stewart, Rise@Bluebird Bakery, Acomb, York, tonight, doors, 7.30pm for 8pm start

PERTHSHIRE-BORN singer-songwriter Gary Stewart, now living in Easingwold after 15 years on the Leeds music scene, writes songs in the folk/pop vein, influenced by the Sixties and Seventies’ songbooks of Paul Simon, James Taylor, The Eagles, Joni Mitchell and Carole King. 

The left-handed multi-instrumentalist has released four albums, the latest being June 2021’s self-recorded Lost, Now Found, penned in lockdown. Stewart also plays drums for Leeds band Hope & Social, bass for Fleetwood Mac tribute band Weetwood Mac and fronts his seven-piece re-working Paul Simon’s 1986 album Graceland. Box office: bluebirdbakery.co.uk/rise.

Levellers: Performing in Collective acoustic mode at York Barbican

Acoustic re-boot of the week: Levellers Collective, York Barbican, tomorrow, doors, 6.30pm

LEVELLERS firstdecided to “do something a bit different with their extensive back catalogue” in 2018, teaming up with fellow Brighton group The Moulettes to record two albums that radically reworked their folk rock and anarcho-punk songs, first with producer John Leckie on We The Collective, then with Sean Lakeman on 2023’s Together All The Way.

Now, their 17-date 2025 spring tour coincides with this week’s release of their Levellers Collective/Live CD and DVD, recorded in 2023 at London’s Hackney Empire. Tomorrow’s support act at Levellers’ only Yorkshire date will be Amelia Coburn. Box office: yorkbarbican.co.uk.

Jon Culshaw: Out to impress at Grand Opera House

Making a good impression: Jon Culshaw: Imposter Syndrome, Grand Opera House, York, tomorrow, 7.30pm

AFTER more than 30 years on the circuit, impressionist Jon Culshaw, the chameleon  voice of  BBC Radio 4’s Dead Ringers, BBC One’s The Impressions Show and Channel 4’s Partygate, debuted his one-man show, Imposter Syndrome, at the 2023 Edinburgh Fringe, (when he also appeared as Hughie Green in Lena, the year after his solo performance in Les Dawson: Flying High).

Now Culshaw is on a 28-date tour, combining comedy and music as he conjures an array of personalities from the worlds of entertainment, politics and beyond, from Liam Gallagher to a gangster-rapping Gordon Brown. Meanwhile, Candace Bushnell’s True Tales Of Sex, Success And Sex In The City tour date in York on March 11 has been cancelled. Box office: atgtickets.com/york.

John Shuttleworth: 40 years of bonhomie, bon mots and persistently, perkily mundane yet quirkily profound songs at Leeds City Varieties Music Hall. Picture: Tony Briggs

Comedy positivity of the week: John Shuttleworth, Raise The Oof, Leeds City Varieties Music Hall, March 12 and 13, 7.30pm

JOHN Shuttleworth, the good-natured Sheffield sage and perky Yamaha organ purveyor of charmingly mundane songs fashioned by actor Graham Fellows, celebrates his 40th anniversary on his Raise The Oof tour, full of nostalgia and new stories.

Here come tales of his early days with neighbour and clarinettist Ken Worthington, the humorous realities of married life with miserable wife Mary, and John’s relentless determination to mail off his cassette demos to today’s cutting-edge  acts – Chris Rea and the Lighthouse Family, he says – hoping  for a late-career breakthrough. Box office: 0113 243 0808 or leedsheritagetheatres.com.

Becca Drake: Guest poet at York Literature Festival’s Howl Owt night at The Blue Boar

York Literature Festival gig of the week: Howl Owt, The Blue Boar, Castlegate, York, March 13, 7.30pm

FOR the second year running, two forces of the York poetry scene team up for the ultimate spoken-word showcase. Join Chloe Hanks and Stephanie Roberts from Howlers Open Mic and Henry Raby from Say Owt for an evening of performances by York poets and writers, bolstered by a special guest.

This time, their roles will be reversed with the Say Owt crew taking over the open mic and the Howlers welcoming the guest, Becca Drake, York poet, Little Hirundine printmaker and researcher with a PhD in late-medieval English. Performers can sign up for three-minute open-mic spots on arrival. Admission is free.  

Neil Foster’s Cosme McMoon, left, Jackie Cox’s Florence Foster Jenkins and Mike Hickman’s St Clair in Rowntree Players’ Glorious!

Play of the week: Rowntree Players in Glorious!, The True Story Of Florence Foster Jenkins, The Worst Singer In The World, Joseph Rowntree Theatre, York, March 13 to 15, 7.30pm plus 2.30pm Saturday matinee

COVER your ears! Here comes Glorious! The True Story Of Florence Foster Jenkins, The Worst Singer In The World, as told by Peter Quilter in his joyous and heart-warming comedy with music, based on the life of an eccentric 1940s’ New York socialite with a passion for singing but a voice for disaster.

Enthusiastic but tonally erratic soprano Florence (played by Jackie Cox) gave private recitals for charity, sang at extravagant balls, made bizarre recordings and revelled in a triumphant sold-out final performance at New York’s Carnegie Hall at 76. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Mike + The Mechanics: Re-living 40 years at York Barbican on March 14

40th anniversary celebration of the week: Mike + The Mechanics, Looking Back – The Living Years, York Barbican, March 14, 7.30pm

AFTER opening their Refueled! tour at York Barbican in April 2023, Mike + The Mechanics return next Friday on their Looking Back – Living The Years 40th anniversary travels. Expect the set list to combine Over My Shoulder, The Living Years and All I Need Is A Miracle with selections from their nine albums and a“drift into some of Genesis’s much loved classic tracks”.

Guitarist and founder Mike Rutherford will be joined in the band line-up by lead vocalist Andrew Roachford and Canadian-born vocalist Tim Howar. Box office: yorkbarbican.co.uk.

In Focus: Navigators Art, YO Underground, The Basement, City Screen Picturehouse, York, March 15, 7.30pm

Performance artist Carrieanne Vivianette

YORK arts collective Navigators Art hosts a “slightly different forthcoming event”, YO Underground, in The Basement next weekend.

The first in a new series of performance showcases will present Say Owt Slam winner Cooper Robson, performance artist and writer Carrieanne Vivianette, inspiring young poet Oliver Lewis, champion beatboxer Cast, genre-crossing musical duo Gorgo and internationally renowned singer Loré Lixenberg.

Say Owt Slam winner Cooper Robson

“The YO Underground title is apt, not only because our venue is The Basement at City Screen Picturehouse,” says Navigators Art co-founder Richard Kitchen. “The format will be familiar from the group’s popular Basement Sessions but will feature original music, spoken word and comedy with a more experimental edge than usual.

“It will be a platform for local and regional performers whose work may wander off the beaten track but definitely deserves an audience. New and emerging artists will have equal billing with more established names.”

Advance tickets cost £8. For full details and booking, visit TicketSource via https://bit.ly/nav-events.

Mezzo-soprano and physical theatre, comedy and free improv performer Loré Lixenberg

The second in the series is planned for Sunday, April 27 and will showcase Wire Worms, the Leeds Doom Folk five-piece, whose folk-rooted but boundary-stretching debut album, The First To Come In, explores explore weird, supernatural and experimental notions, inspired by the traditions of Mumming and Guising found throughout the British Isles.

“Navigators Art encourages innovation, improvisation and collaboration, as well as excellence, and would like to hear from performers in any medium who might suit future events,” says Richard. Email navigatorsart@gmail.com or follow @navigatorsart on Facebook and Instagram.

Navigators Art’s poster for the inaugural YO Underground event at The Basement, City Screen Picturehouse

More Things To Do in York and beyond from March 23 onwards. What springs up in Hutch’s List No 13, from The Press?

Adam Kay: If laughter is the best medicine, head to the Grand Opera House

SHORT plays, doctor’s tales, pop memories, life 11,000 years ago, women in word and song, egg hunts and a Sondheim celebration put the spring into Charles Hutchinson’s step as a new season arrives.

Doctor in the House: Adam Kay: Undoctored, Grand Opera House, York, March 23, 7.30pm

BILLING himself as “the nation’s twelfth-favourite doctor”, This Is Going To Hurt author Adam Kay follows a record-breaking Edinburgh Fringe run and West End season with a tour of tales from his life on and off the wards.

Expect Kay’s ‘degloving’ story to feature “because people ask for refunds if they don’t hear it”. Post-show, he will be signing books. Last few tickets: atgtickets.com/york.

Navigators Art & Performance’s poster for GUNA: Views and Voices of Women at The Basement

Navigators Art & Performance presents: GUNA: Live!, Views and Voices of Women, The Basement, City Screen Picturehouse, York, March 23, 7pm

TO complement Navigators Art & Performance’s City Screen exhibition for International Women’s Week, the York arts collective hosts an inspiring evening of music, spoken word and comedy that explores, celebrates and promotes the creativity of women and non-binary artists. 

The line-up of mostly York-based performers features poets Danae, Olivia Mulligan and Rose Drew; performance artist Carrieanne Vivianette; global songs and percussion from Soundsphere; original music from Suzy Bradley; comedy from Aimee Moon and a rousing appearance by multi-faceted York musician and artist Heather Findlay. Box office: bit.ly/nav-guna.

Lush stories: Miki Berenyi’s book, Fingers Crossed, under discussion at York Literature Festival

Book of the week: Miki Berenyi In Conversation: Fingers Crossed, York Literature Festival, The Crescent, York, March 24, 3pm

MIKI Berenyi, former lead singer, rhythm guitarist and founder member of London shoegaze/dream pop band Lush discusses her memoir, Fingers Crossed, and her career, recounting her experiences as a trailblazing woman fronting a seminal late-1980s group. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Livy Potter: Performing in Paul Birch’s Running Up That Hill in Yorkshire Trios at York Theatre Royal

York theatre event of the week: Yorkshire Trios, York Theatre Royal Studio, Tuesday and Wednesday, 7.45pm, both sold out

YORK company Next Door But One brings together York actors, writers and directors to produce original, short pieces of theatre, five to 15 minutes in length, on the theme of Top Of The Hill. Cue tales of motherhood, grief, love, war and even Kate Bush.

Badapple Theatre’s Kate Bramley and Connie Peel direct Nicola Holliday in Sarah Rumfitt’s Toast; Livy Potter performs Paul Birch’s Running Up That Hill under Harri Marshall’s direction; Jacob Ward directs Claire Morley in Yixia Jiang’s Outliving and Bailey Dowler appears in Jules Risingham’s Anorak, directed by Tempest Wisdom. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

Curators Andrew Woods, left, Adam Parker and Emily North with Mesolithic remains of a wooden platform and materials used for fire-making in the Yorkshire Museum’s Star Carr exhibition. Picture: Anthony Chappel-Ross

Exhibition opening of the week: Star Carr: Life After The Ice, Yorkshire Museum, York; open Tuesday to Sunday, 10am to 5pm

EXCAVATED in the Vale of Pickering, the Star Carr archaeological site provides the first evidence in Great Britain of the beginnings of home, a place where people settled and built places to live.

The Yorkshire Museum’s interactive exhibition brings together artefacts from “the Mesolithic equivalent of Stonehenge” to give an insight into human life 11,000 years ago, a few hundred years after the last Ice Age, such as how they made fires. On display are objects from the Yorkshire Museum Collection, from antler headdresses and a decorated stone pendant to the world’s oldest complete hunting bow and the earliest evidence of carpentry from Europe. To book tickets, go to: yorkshiremuseum.org.uk.

Sam Hird: Singing Sondheim with Pick Me Up Theatre

Musical revue of the week: Pick Me Up Theatre in Sondheim We Remember, Theatre@41, Monkgate, York, March 27 to 30, 7.30pm plus 2.30pm Saturday matinee

ROYAL College of Music student Sam Hird returns home to York to join his father Mark Hird in the Pick Me Up Theatre company for Sondheim We Remember’s selection of music from Stephen Sondheim’s Broadway shows, film scores and television specials.

Taking part too in this celebration of the New York composer and lyricist will be show director Helen ‘Bells’ Spencer, Susannah Baines, Emma Louise Dickinson, Alexandra Mather, Florence Poskitt, Andrew Roberts, Nick Sephton, Catherine Foster and Matthew Warry. Box office: tickets.41monkgate.co.uk.

The National Trust’s guide to Easter activties, egg hunts et al, at Nunnington Hall

Easter Egg Hunt of the fortnight: Nunnington Hall, Nunnington, near Helmsley, today until April 7, 10.30am to 5pm; last entry, 4.15pm.

FAMILIES can enjoy a fun-packed visit to the National Trust property of Nunnington Hall throughout the Easter school holiday, when children can take part in an Easter egg hunt trail around the freshly mown garden, with activities to be completed such as an egg and spoon race, archery and boules, before receiving their egg.

Children can enjoy drawing and painting in the creative hub; take part in seed planting in the cutting garden; explore the Lion’s Den play area, with its obstacle course, rope bridge and climbing frame; learn about composting and spend time in the bird-watching area. On March 31 and April 1, additional garden activities include races on the main lawn and bird-feeder making. Tickets: nationaltrust.org.uk/nunnington-hall.

Wet Wet Wet and special guest Heather Small: Teaming up at York Barbican in 2025

York gig announcement of the week: Wet Wet Wet & Heather Small, York Barbican, October 13 2025

WHEN Wet Wet Wet headlined a festival in Dubai, who should they bump into but Heather Small, the big voice of M People. She duly accepted their invitation to be the special guest at all dates on their 2025 tour.

Wet Wet Wet will be returning to York Barbican after their January 31 2024 double bill with Go West on the Best Of Both Worlds Tour. In the line-up will be founding member and bassist Graeme Clark, long-standing guitarist Graeme Duffin and singer Kevin Simm, The Voice UK winner and former Liberty X member, who joined the Scottish group in 2018. Tickets: axs.com.york.

In Focus: Children’s show, Millennium Entertainment International in There’s A Monster In Your Show, York Theatre Royal, March 26 to 28, 1.30pm and 4pm

There’s A Monster In Your Show composer Tom Fletcher with his children, Buzz, Buddy and Max, and a monster puppet

THE Easter holiday festivities at York Theatre Royal kick off with Tom Fletcher’s new family musical There’s A Monster In Your Show.

Based on Fletcher and Greg Abbot’s Who’s In Your Book? picture-book series for Puffin, the 50-minute performance for three-year-olds and upwards is billed as an “interactive, high-energy adventure for big imaginations” that leaps from page to stage with the aid of lively original music

Adapted for the stage by Zoe Bourn and directed by Miranda Larson, the show features new music by McFly band member Fletcher and Barry Bignold. Expect playful fun aplenty for your littlest ones as their favourite characters come to life in a performance packed with interactive moments to enjoy together.

In the story, performers are preparing to start their show but quickly discover they are not alone on stage. Little Monster wants to be part of the fun too, promptly extending an invitation to his friends Dragon, Alien and Unicorn to join him. Cue comedy and chaos as they help to create a magical show, learning about the joy of books and friendship along the way.

Fletcher says: “I’m so excited to see There’s A Monster In Your Book come to life on stage. The whole journey is incredibly exciting. Theatre is such an important way to introduce children to the arts and There’s A Monster In Your Show is the perfect first theatre trip for pre-schoolers and their families. I’m so looking forward to seeing their reactions first hand.”

The 1.30pm show on March 28 will be a Relaxed Performance that aims to reduce anxiety around theatre visits to help everyone have an enjoyable time. All are welcome, but especially people with sensory or communication difficulties or a learning disability. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Ben Murrell and Gil Sidaway in There’s A Monster In Your Show. Picture: Pamela Raith

More Things To Do in York and beyond as the time to book up for the literati arrives. Hutch’s List No. 10, from The Press

Tuck into An Audience with Grace Dent, the Guardian food writer, columnist, author and presenter, at the Grand Opera House, York, on March 30 (7pm) as part of York Literature Festival

LITERATURE festivities, psychological bunny puppetry, sci-fi theatre, paranormal investigations and explosive dance promise out-of-this-world cultural experiences, reckons Charles Hutchinson.

Festival of the month: York Literature Festival, ends April 4

YORK Literature Festival is under way with events spread between St Peter’s School; York St John University; York Explore Library; Theatre@41; The Mount School; The Basement at City Screen; York Museum Gardens; York Medical Society, Stonegate; The Crescent; the Grand Opera House and The Blue Boar, Castlegate.

Among the highlights are today’s (2/3/2024) Folk Horror Day; food writers Nina Mingya Powles and Ella Risbridger on Thursday and Grace Dent on March 30; Nicholas Royle David Boiwe, Enid Blyton and The Sun Machine, March 12; journalist and broadcaster Steve Richards on Turning Points in modern Britain, March 16; Lush founder and lead singer Mike Berenyi, discussing her memoir Fingers Crossed, March 24, and poet and broadcaster Lemn Sissay’s morning poems, March 30. For the full programme and bookings, visit yorkliteraturefestival.co.uk.

Lemn Sissay: British-Ethiopian poet will perform morning poems from Let The Light Pour In at York Literature Festival on March 30 (2pm). Picture: Hamish Brown

When Tuesday is on a Saturday: 1812 Youth Theatre in Tuesday, Helmsley Arts Centre, tonight (2/3/2024), 2.30pm, 7.30pm

AN ordinary Tuesday turns really, really weird when the sky over the school playground suddenly rips open in Alison Carr’s funny and playful play Tuesday. Pupils and teachers are sucked up to a parallel universe as a new set of people rain down from above. ‘Us’ and ‘Them’ must come together to work out what is going on and how to return things to how they were.

Carr combines “a little bit of sci-fi and a lot of big themes”: friendship, family, identity, grief, responsibility – and what happens when an unexpected event turns the world upside down. Box office: 01439 771700 or helmsleyarts.co.uk.

Exploring psychological damage: George Green in Foxglove Theatre’s Rabbit at Theatre@41, Monkgate, York

New play of the week: Foxglove Theatre in Rabbit, Theatre@41, Monkgate, York, tonight (2/3/2024), 7.30pm

YORK company Foxglove Theatre identified a need for weirder, more experimental theatre in the city, focusing on “psychological exploration through innovative visual storytelling”. Here comes their debut new work, Rabbit, wherein a brave bunny wakes up lost in a murky forest determined to find her way home to Mumma.

Blending puppetry and visual effects, George Green’s performance explores the psychological damage that develops from even the smallest mishandlings of our childhood selves. Box office: tickets.41monkgate.co.uk.

Back on the Chain Gang: Miles Salter, second left, and his York band make a second visit to Ampleforth Village Hall tonight

Village gig of the week: Miles and The Chain Gang, Ampleforth Village Hall, near Helmsley, tonight (2/3/2024), 7.30pm

YORK band Miles and The Chain Gang return to Ampleforth Village Hall by popular demand after a first outing there last summer. Expect rock’n’roll, acoustic songs, new wave, soul and country, plus Rolling Stones, Joni Mitchell and Johnny Cash covers.

Their latest digital single, the country-tinged Raining Cats And Dogs, is sure to feature in the set by Miles Salter, guitar and vocals, Mat Watt, bass, Steve Purton, drums, and Charlie Daykin, keyboards. Tickets: 07549 775971.

Yvette Fielding: Leading the paranormal investigations at the Grand Opera House, in the haunted city of York, in a Sunday fright night

Paranormal show of the week: Most Haunted: The Stage Show, Grand Opera House, York, Sunday (3/3/2024), 7.30pm

YVETTE Fielding, “the first lady of the paranormal”, joins Karl Beattie, producer and director of the Most Haunted television series, in the investigative team to take Sunday’s audience on “the darkest, most terrifying journey of your life”, followed by a question-and-answer session.

In a city bursting at the seams with ghost stories and walks, Fielding and Beattie present Most Haunted’s All-Time Top Ten Scares, complete with unseen video footage from haunted castles, manor houses, hospitals and prisons. Box office: atgtickets.com/york.

Excellent entertainment? Phil Ellis reckons so at Theatre@41 on Tuesday

Comedy gig of the week: Phil Ellis’s Excellent Comedy Show, Theatre@41, Monkgate, York, Tuesday, 8pm

DO you like comedy? Do you like shows? What are your thoughts on excellence? “If you like all three, then the award-winning Phil Ellis’s Excellent Comedy Show is the excellent comedy show for you,” advises Ellis, who promises an hour of stand-up and fun from “the North West’s most punctual working-class comedian”. Box office: tickets.41monkgate.co.uk.

Diversity: Dancing around the Supernova at the Grand Opera House, York, for two nights. Harrogate and Hull to follow

Dance show of the week: Diversity in Supernova, Grand Opera House, York, March 7 and 8, 7.45pm; Harrogate Convention Centre, March 9, 3.30pm; Hull Connexin Live, April 7, 2.30pm

2009 Britain’s Got Talent winners Diversity return to York on their biggest tour yet to stage Supernova, devised by founder Ashley Banjo. More than 120,000 tickets have sold for more than 90 dates in 40 cities and towns through 2023 and 2024, with both Grand Opera House performances down to the last few tickets.

Diversity will be supporting the Trussell Trust, the anti-poverty charity, inviting audience members to bring food donations to place in collection points. Cash donations in buckets are welcome too. Box office: York, atgtickets.com/york; Harrogate, 01423 502116 or harrogatetheatre.co.uk; Hull, connexinlivehull.com.

Suzi Quatro: Using this iconic image from her first photographic session with Gered Mankowitz in 1973 to promote her 60th anniversary tour. York Barbican awaits

Gig announcement of the week: Suzi Quatro, York Barbican, November 15

SUZI Quatro will mark the 60th year of her reign as “the Queen of Rock’n’Roll” by embarking on a five-date autumn tour, taking in York Barbican as the only Yorkshire venue.

Born in Michigan, Quatro flew to England in 1971 to work with songwriting duo Chinn and Chapman, chalking up chart toppers with Can The Can and Devil Gate Drive and further hits with 48 Crash, Daytona Demon, The Wild One, If You Can’t Give Me Love and She’s In Love With You, as well as co-writing Babbies & Bairns with dame Berwick Kaler in his York Theatre Royal panto pomp. Box office: ticketmaster.co.uk/event/360060579D80156E.

In Focus: Two Houses, One Story: York ‘s Forgotten Women at Bar Convent and Fairfax House

Special collections manager Dr Hannah Thomas studies a reproduction of Lady Hungate’s unofficial will alongside items left to the Bar Convent Living Heritage Centre

TWO Houses, One Story: York’s Forgotten Women, a collaboration between the Bar Convent Living Heritage Centre and Fairfax House, opens today, marking International Women’s Day and Women’s History Month.

Running until April 27, the project explores the long intertwining histories of these illegal Catholic houses with an exhibition at each house that enhances the other.

Two of York’s most iconic historic houses, they share a history of strong Catholic women. One was founded as a secret convent, operating a pioneering school for girls, in Blossom Street; the other was constructed as the winter townhouse of Charles, 9th Viscount Fairfax of Emley, gifted to his daughter, the Hon Anne Fairfax, with its richly decorated interiors and stucco ceilings in a masterpiece of Georgian design and architecture in Castlegate.

Dr Hannah Thomas, the Bar Convent’s special collections manager, says: “The histories of the Bar Convent and Fairfax House are so closely intertwined that a joint exhibition such as this makes perfect sense.

The welcome to the Two Houses, One Story exhibition at Fairfax House

“Not many people are aware of the links between the houses but both Anne and Mary Fairfax attended the school here and Lady Hungate lived here with the sisters for 29 years.

“This exhibition gives us a fantastic opportunity to explore and share this exciting little-known narrative with the public and to work with the incredible team at Fairfax House.”

Sarah Burnage, curator at Fairfax House, says: “We are delighted to be working with our friends at the Bar Convent on this joint venture. The exhibition tells the story of women living in York in the 18th century and offers a fascinating glimpse into the little-known world of Catholicism in York”.

Two Houses: One Story features recently discovered documents, beautiful portraits and intriguing artefacts that give new insight into the day-to-day lives of these exceptional Yorkshire women.

Original 18th century account books referencing Lady Hungate, on display for the first time at the Bar Convent

The exhibitions explore how they navigated their faith during an era of persecution and suspicion, and how some were linked to dangerous underground activity that ultimately aided the survival of the Catholic faith in York and beyond.

At the Bar Convent, discover the early years of the Fairfax daughters who attended the school, how and why their grandmother, Lady Hungate, lived at the house for 29 years and the significance and legacy of this alliance.

At Fairfax House, learn more about the limited life choices that woman, like Anne Fairfax, faced in the 18th century. Also discover more about the Catholic networks in the city and how this clandestine community supported each other.       

Each exhibition complements the other, and visitors to one house receive a 30 per cent discount on admission to the other with proof of receipt. The Bar Convent is open 10am to 5pm (last entry 4pm), Monday to Saturday; Fairfax House, from 10am to 4pm daily (Fridays: guided tours at 10am, 12pm and 3pm). Tickets: Bar Convent, barconvent.co.uk or 01904 643238; Fairfax House, fairfaxhouse.co.uk or 01904 655543.

Discover what Lady Hungate left to the Bar Convent in her unofficial will, on show at the Bar Convent Living Heritage Centre

Rick Broadbent returns home to find the soul of Yorkshire then and now in Now Then

Rick Broadbent: Exiled Yorkshireman, The Times journalist and author

IT began inauspiciously in the library of the old Yorkshire Evening Press building in Coney Street, York.

Rick Broadbent was 16/17, living in Tadcaster, twixt York and Leeds, and was on work experience. His first taste of journalism, in the mid-1980s.

“I certainly made an impression because I remember writing an obituary of someone who hadn’t died. Can’t remember the guy’s name, but relatively obscure. Jeremiah…”

Deep in the labyrinth of cuttings files, he found a Jeremiah, but the wrong one as it turned out. “It was clearly a baptism of ineptitude,” says the award-winning author and journalist for The Times for more than 20 years, recalling his cub reporter howler.

Rick would leave Yorkshire at 18 to study at Reading University – one of three northerners at a southern university, alongside a Scouser and a Geordie – but Yorkshire has never left him. So much so, his latest book is Now Then: A Biography Of Yorkshire, whose publication today is accompanied by a Meet The Author tour that visits St Peter’s School Memorial Hall, York, tomorrow, as well as South Cave, Malton, Ilkley, Sheffield, Farsley and Ripon.

As he writes in the book’s final words: “I live in Dorset, but Yorkshire is where I’m from and, more often than not, where I’m at. It’s a state of its own and a state of mind. That’ll do.”

He depicts a “remarkable county, swathed in world-stopping beauty and practical magic, stunning in positive and negative ways, but it’s like the Hotel California – you can check out, but you can never leave”.

The Leeds-born “exiled Yorkshireman” has written a humorously honest, unsparing, celebratory biographical mosaic, not a hagiography. “I loved the place but had sometimes loathed it too”, writes the outsider with the insider’s knowledge.

Broadbent acknowledges the tropes, the ee bah gums, the Stereotykes, as one chapter is headed – Boycott’s batting, ferret-leggers and folk singers without flat caps on Ilkley Moor – as he seeks the true soul of the Texas of England and ponders whether “Yorkshireness” even matters in a shrinking world.

Social history, memoir and reportage, high hills and flat vowels, are woven into the mosaic of Yorkshire now and Yorkshire then, ordinary Yorkshire and its extraordinary lives. “What I didn’t want to do was do a chronological history,” he says of his task of representing a Yorkshire “so large, multifarious and unmanageable”.

Hence the diversity of interviews, from rock stars (Richard Hawley) to rhubarb growers, ramblers to William Wilberforce’s descendants, William and Dan, the Archbishop of York, the Most Rev Stephen Cottrell, to Barnsley bard Ian McMillan.

“I thought, you have to pool all this information, draw these disparate places and stories into themes and sections.” In a nutshell, Outsiders. Workers. Writers. Miners. Minstrels. Artists. Yorkists. Stereotykes. Champions. Ramblers. Chefs. Pioneers. Legends. Seasiders. Now. Then.

As a starting point, he dug up his own past, before turning to Britain’s largest county at large. Excavating his father’s remains from a Tadcaster graveyard in 2011, gathered in a coffee jar, to be scattered at sea in accordance with his wishes at Lamorna Cove, in Cornwall, where the Broadbents had always holidayed and family members had since gravitated south. “It was not so much scattering ashes as throwing rocks at seagulls,” he recalls with typical Broadbent humour.

Cornwall and Yorkshire share common ground: a belief that devolution and self-sufficiency from such natural riches would suit each county. “From that moment I started to think about the Yorkshire we had known. It felt like a severing of roots, and leaving again made me reconsider,” Rick writes. “Basically, I wanted to know if we had made a mistake by chucking Dad off the Cornish coast.”

Explaining the choice of a Yorkshire greeting with a nod to past and present for the title, he says: “It just seemed a natural title to me. Evocative of Yorkshire. If you live there, you have every right to gripe, but when you move from Yorkshire, your pride grows in exile; like the further away you are, your affection for the Knaresborough Bed Race grows in direct proportion to the likelihood of you never having to attend it.

“One of the key goals of the book is getting away from the stereotypes. Some of it is because of Yorkshire’s size; some of it is down to the stereotype Yorkshire personality. In that chapter, I mention the Four Yorkshiremen sketch, but the best ones are by Harry Enfield and Hale & Pace.”

Stephen Millership’s cover illustration for Rick Broadbent’s Now Then: A Biography Of Yorkshire

That “’ear all, see all, say nowt”, stiff-necked stereotyping means Yorkshire has a defined image like no other county. Hence the tea towels, the Ey Ups, the Nora Battys.

“But when people talk of Yorkshire as ‘God’s Own Country’, they’re not talking about inner-city Sheffield, but the dales and moors and All Creatures Great And Small,” says Rick. “It’s a badge of honour, a badge of pride.”

Stephen Millership’s cover illustration depicts York Minster on fire (“I asked for the fire to be on there,” says Rick); a band stand, but with Jarvis Cocker, arms aloft, rather than a brass band; Kes’s kestrel, but no ferrets; colliery and cricket; White Rose flag and dry stone wall; farmer and sheepdog; viaduct  and verdant pastures. “The ferret is mentioned but only to show how people reduce this huge county to two or three tropes,” says Rick.

Battles of distant days, Towton and Marston Moor, feature as does the battle of Orgreave in the Miners’ Strike.  “I wanted to look at Yorkshire’s industrial heritage: when [Margaret] Thatcher was doing that to the mining communities, wrecking them with no after-plan. Or talking about the Grimethorpe Brass Band story, the Brassed Off story, but also the steel industry and shipbuilding,” says Rick.

“Looking at common themes, one of them is of Yorkshire being abandoned, now with HS2, and that feeds into the desire for devolution. Going back to being victimised in the Harrowing of the North [in William the Conqueror’s reign); the purging of the dales under Elizabeth I.

“These things come down to being abandoned and neglected, and I wanted to reflect that, rather than have some ee-bah-gum fun with the book. Johnny Giles said ‘being Leeds United [the “Dirty Leeds of Don Revie’s 1960s-’70s], we just had to defend ourselves’, and it’s the same with Yorkshire.”

Relegation-bound Leeds United were “a constant drain” on lifelong fan Broadbent’s enthusiasm throughout his writing project and feature as they “disappoint their fans week after week” in “the most controversial poem ever written”, Tony Harrison’s V, a Leeds work full of verses and versus and verbal V signs that strikes a chord with Broadbent’s own sentiments.

“I was a kid when it came out and I remember we giggled at the swear words at school. All those complaints came in when it was on TV. But reading it again, it’s all so relevant, with all that class division.”

You can allus tell a Yorkshireman, but tha’ can’t tell him much, as the saying goes, but Now Then will tell Yorkshiremen and outsiders alike plenty, from stories of industrial neglect and forgotten tragedies to the Bronte Sisters and Marks & Spencer, a lost albatross to a stuffed crocodile.

“I’m fascinated by that phrase, ‘it’s where you’re from and where you’re at’.  For me it means taking your roots with you, though others say it’s where your mind’s at. But I read it differently: you can take Yorkshire with you wherever you are. Doing this book, as the outsider from inside, that feeling is stronger than ever.”

Now Then:  A Biography Of York, by Rick Broadbent, published in hardback by Allen & Unwin/Atlantic Books on October 5.

York Literature Festival presents Rick Broadbent in conversation on Now Then: A Biography Of Yorkshire, St Peter’s School, Clifton, York, tomorrow, 7pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Rick’s Meet The Author tour of Yorkshire also takes in Festival of Words, South Cave Library, near Hull, Saturday, 1.30pm, sold out, with Yorkshire Tea and Cake. St Michael’s Church, Malton, Saturday, 7.30pm, presented by Kemps Books; box office, kempsgeneralstoreco.uk/pages/events.

Ilkley Literature Festival, Ilkley Grammar School, Hall B, Sunday, 3.45pm; ilkleyliteraturefestival-tickets.ticketsolve.com. In Conversation at La Biblioteka, Eyre Lane, Sheffield, Tuesday, 6.30pm; labiblioteka.co.

Farsley Literature Festival, Truman Books, Town Street, Farsley, near Leeds, Wednesday, 6.30pm; trumanbooks.co.uk. An Evening with Rick Broadbent, Ripon Arts Hub, Allhallowgate, Ripon, presented by The Little Ripon Bookshop, Thursday, 7pm; littleriponbookshop.co.uk/events.

Each event will be a talk, followed by a question-and-answer session and a book signing.

Why doesn’t York have a good arts festival, asks Miles Salter. Here comes York Alive, full of music, comedy and the spoken word

Miles Salter: Director of the new York Alive festival

THE inaugural York Alive festival of comedy, spoken word and music will be held in late-September and October in the city’s theatres, music venues and pubs.

Director Miles Salter and his team are working with venues throughout York to deliver an “exciting and dynamic” programme of events this autumn.

Ending a seven-year itch, York Alive marks Miles’s return to co-ordinating festivals in York, where he programmed York Literature Festival from 2008 to 2016.

“I learned a huge amount running York Literature Festival: how to put on engaging events, how to make sure people heard about it, and I’m still driven by the same desire, wanting to see York have an exciting, inspiring, great arts festival,” says the York published poet, storyteller, York Calling podcaster, broadcaster and songwriting frontman of Miles And The Chain Gang.

“We have so much to offer. Badging things together helps to raise awareness of the fantastic arts scene in York.”  

Helen Mort: Poet and novelist, performing at York Alive on October 10 at the Victoria Vaults, York

Under the York Alive banner, the festival acts will perform at venues across York, including York Barbican, the Grand Opera House, National Centre for Early Music and Victoria Vaults pub. 

Among the contributing acts will be musicians Howard Jones, Paul Carrack and Gabrielle; comedian, author and presenter Ruby Wax; poet Helen Mort, spoken word performer Luke Wright and Miles himself in myriad guises.

For blues lovers, York band DC Blues, American guitar wizard Toby Walker and fast-emerging Belfast guitarist Dom Martin will be in action at the Victoria Vaults, in Nunnery Lane, where Miles is the gig programmer. 

“The team behind this new festival live and work in the city,” says Miles. “Friendly and intimate, York is one of the best places to live and work in the UK. Visitors love coming to our historic city, but York is more than Romans and Vikings.

“Today, it’s home to so many talented writers, artists, actors, comedians, filmmakers, musicians and dancers. That’s why we want York Alive to celebrate this talent, as well as our great venues and fantastic city, by showcasing some of the best art and culture that’s happening in York this October.

Paul Winn of York band DC Blues: Booked for York Alive on October 6

“There’ll be a brilliant mixture of music, comedy and spoken word, and we’re delighted to include some events run by other venues and promoters in York.” 

Miles has one regret. “Stopping my involvement in York Literature Festival in 2016 was a mistake really,” he says. “It was a bit like when Berwick Kaler said he was retiring from the Theatre Royal pantomime, but then wanted to go back to playing the dame again.

“I wish I hadn’t made the decision but I was in a bad place at the time, but my ambition was always to broaden it out to include other things: some theatre, comedy and music, some cross-artform combinations, like when we put on folk musician Martin Carthy with crime writer Peter Robinson at the NCEM. Now we can do that with York Alive.”

Miles has not sought any funding. “My passion is just to see a really good arts festival running in York. Why haven’t we got one already?” he says. “I thought what happened when Martin Witts’s Great Yorkshire Fringe came to an end in 2019 was an awful loss to the city.

“I must be crazy to try, but I hope that York Alive can become a regular yearly event.”

Ruby Wax: Opening show under the York Alive banner, presenting I’m Not As Well As I Thought I Was at Grand Opera House, York, on September 28

York Alive: Calendar of Events

September 28, 7.30pm, Ruby Wax: I’m Not As Well As I Thought I Was, Grand Opera House. October 2, 7pm, Toby Walker, guitar virtuoso, Victoria Vaults. October 4, 8pm Luke Wright, spoken word, Victoria Vaults. October 6, 7pm DC Blues, Victoria Vaults. October 8, 7.30pm, neo-classical Gifts From Crows Trio, National Centre for Early Music.

October 10, 8pm, Helen Mort and Miles Salter, poetry, Victoria Vaults. October 11, 7pm, Howard Jones: Celebrating 40 Years 1983 – 2023, York Barbican. October 12, 7.30pm, The Waterboys, York Barbican. October 14, 10.30am, Stories with Miles (Salter), children’s show for ages 6 to 10, The White Horse, The Green, Upper Poppleton, York.

October 15, 4pm, Miles And The Chain Gang, Victoria Vaults, free entry. October 19, 6pm to 7:30pm Dylan Thomas: 70 Years On, York Stanza’s Professor John Goodby in conversation with Miles Salter, Marriott Room. October 19, 7.30pm, Paul Carrack, York Barbican.

October 21, 7pm, Gabrielle: 30 Years Of Dreaming Tour, York Barbican. October 21, 7pm, The Very Grimm Brothers (poet Adrian Mealing and guitarist John Denton), plus Miles Salter, Victoria Vaults. October 24, 7pm, Samantha Fish & Jesse Drayton, American blues and rock, York Barbican. October 27, 8pm, Dom Martin, Buried In The Hail Tour, Victoria Vaults.

Slam champ Hannah Davies launches debut poetry collection Dolls at York Literature Festival event at The Crescent on Saturday

Hannah Davies: York performance poet, playwright, theatre maker, polymath. Picture: Olivia Brabbs

YORK writer, actress, performance poet, slam champion, theatre maker, workshop leader and university lecturer Hannah Davies will launch her debut poetry collection, Dolls, at York Literature Festival on Saturday night (18/3/2023).

The event will be presented in collaboration with her high-energy York spoken-word compadres Say Owt at The Crescent community event, when Hannah’s readings will be complemented by poetry from team Say Owt, Sylvia Marie and Sally Jenkinson, coming all the way from Brighton, plus live music from Pascallion (Jack Woods) and Hull singer-songwriter Ysabelle Wombwell.

Say Owt artistic director Henry Raby says: “Hannah is Say Owt’s associate artist, running open mic nights and workshops and supporting poets across York. We’re delighted to launch Hannah’s first poetry book. Dolls is a fierce and tender collection about womanhood, motherhood, feminism and survival. Hannah is a spellbinding storyteller and her writing is warm, lyrical and bold.”

Hannah enthuses: “I’m thrilled to be launching my poetry collection as part of York Literature Festival. There are poems in here that I’ve been performing for years, and some that haven’t seen the light of day at all.”

Why is the collection entitled Dolls, Hannah? “Dolls was the first poem I ever performed in a slam: the Say Owt slam,” she says. “That poem talks about how a woman is made up of all the dolls she owned in her childhood.

“Each chapter has a different doll as its title. Baby Doll, Russian Doll, Barbie Doll. It’s a good time for me to take stock, creatively, and having all these pieces in one book feels like the end of an era in a way. I’m in a very different place to when I first dared myself to get on a stage and share my poems seven years ago. Who knows what creative writing adventures await next!”

Grand slam: Hannah Davies, slam champ, with Say Owt cohort Stu Freestone

Hannah has edited her “back catalogue” of poems from poetry evenings and slam nights into themes, rather than compiling “just a scattergun collection”.

“The poems are thematically arranged under each doll title,” she says. “There’s a real split between performance poetry and poetry on the page, and all these poems in the collection were written to be performed, with my background in performing and writing for the theatre.

“Part of the editing process has been about making sure they work on the page, seeing how they unfurl in print,  and I feel they work in both senses now, for performance and for reading in a book.

“Probably the book will be bought mostly at gigs when people have heard me perform, though I hope to shift a few copies online as well.”

Most of the poems were written between 2015 and 2022, complemented by a couple of newer pieces and two more that have not been performed but “felt right to fit in”.

“Because of my health, I’ve not been writing much poetry recently, but it was a good time to compile the book. It can be quite difficult to unify them under themes when you’re cutting your teeth with your first poems, spread over time, whereas later collections can be more tightly focused, when you can concentrate on a specific theme, such as ‘skin’,” she says in a reference to her skin condition, as charted in social media posts over the past year and more.

Oxford illustrator Katie Gabriel Allen’s cover artwork for Hannah Davies’s debut poetry collection, Dolls, featuring Hannah’s pink-haired childhood rag doll Polly Dolly. “I still have her, of course,” says Hannah

“There will always be that pressure for all artists to come up with something new, but it’s something I’ve learned in recent years, being ill, that you will have fallow periods where you have to take care of yourself or life takes over.

“I’ve never been a writer who writes every day but I do have periods of doing that. If you sit doing nothing or you say, ‘right, I’m going to write for six hours now’, it’s not going to happen. But if you sit down and write for ten minutes, maybe something will emerge.”

Why write poems, Hannah? “I like how they are short. That’s what drew me to them, having written plays [for Common Ground Theatre] and maybe being frustrated by how long it takes to write a play, whereas you can write a poem and perform it immediately.”

Being a mother (to Max) feeds into her work too. “Motherhood runs throughout the book. Being a mother, having a mother, not having a mother,” says Hannah, whose mother died in a car crash when she was 12. “It all absolutely informs my work.”

As she looks forward to tomorrow’s launch, Hannah admits: “I’m excited, if a little terrified too, but I’ve always wanted a book with my name on it since I was six.”

Say Owt and York Literature Festival present Hannah Davies: Dolls Book Launch, at The Crescent, York, on March 18. Doors open at 7pm for 7.30pm start. Tickets: £10 in advance at thecrescent.com; £15 on the door.

Hannah Davies joins Say Owt’s Henry Raby and North Yorkshire cross-country runner, coffee barista and poet Olivia Mulligan for a Poetry Evening at The Courthouse, Thirsk, presented by Rural Arts on May 26 at 7.30pm. Box office: ruralarts.org.

Hannah Davies

Hannah Davies: The back story

SAY Owt associate artist Hannah is a spoken-word slam winner at Great Northern Slam (2016) and Axis Slam (2017) and Word War 4 Champion, plus a finalist at BBC EdFringe Slam and the Hammer & Tongue Nationals.

She has performed at poetry nights across the country (Find The Right Words, Sonnet Youth, Tongue Fu, Evidently, Inua Ellams Rap Party, She Grrrowls and Women Of Words).

She is an experienced theatre-maker and facilitator (Royal Court, York Theatre Royal, Trestle Theatre Company, Guild Of Misrule, Company Of Angels, Pilot Theatre and Arcade).

She lectures in playwriting at the University of York in the School of Arts and Creative Technologies.

In York International Women’s Week 2023 , she gave a writing workshop at York Explore Library on March 12.

She runs the young women’s creative collective for Arcade, the Scarborough and Bridlington community producing company, working in Bridlington with women making their own performance projects. Last July they took part in Arcade and the Collaborative Touring Network’s project with Zimbabwean musician, actor and artist John Pfumojena at St John’s Burlington Methodist Church, Bridlington.

More Things To Do in York & beyond when time travel and hot dancing counters the chill. Hutch’s List No. 11, from The Press

The future, here they come: Amy Revelle, Dave Hearn, centre, and Michael Dylan in Original Theatre’s The Time Machine. Picture: Manuel Harlan

THE week ahead is so crammed with clashing cultural highlights, Charles Hutchinson wishes you could climb aboard a time machine.

Find time for: Original Theatre in The Time Machine, York Theatre Royal, Tuesday to Saturday, 7.30pm plus 2pm Thursday and 2.30pm Saturday matinees  

DAVE Hearn, a fixture in Mischief Theatre’s calamitous comedies for a decade, takes time out to go time travelling in John Nicholson and Steven Canny’s re-visit of H G Wells’s epic sci-fi story for Original Theatre.

“It’s a play about three actors who run a theatre company and are trying to put on a production of The Time Machine, with fairly limited success,” says Hearn. “But then a big event happens that causes the play to spiral out of control and my character [Dave] discovers actual time travel.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Curtains At Village Gallery, by Suzanne McQuade, marks the final exhibition at Simon and Helen Main’s art space in Colliergate, York

Farewell of the week: The Curtain Descends, Village Gallery, Colliergate, York, until April 15

AS the title indicates, The Curtain Descends will be the last exhibition at Village Gallery after 40 exhibitions showcasing 100-plus Yorkshire artists in five and a half years. “The end of the shop lease and old age creeping up has sadly forced the decision,” says gallery co-owner Simon Main.

Ten artists have returned for the farewell with work reduced specially to sale prices. On show are watercolours by Lynda Heaton, Jean Luce and Suzanne McQuade; oils and acrylics by Paul Blackwell, Julie Lightburn, Malcolm Ludvigsen, Anne Thornhill and Hilary Thorpe; pastels by Allen Humphries and lino and woodcut prints by Michael Atkin. Opening hours are 10am to 4pm, Tuesday to Saturday.

Singer PP Arnold: From The First Cut Is The Deepest to Soul Survivor, her autobiography is under discussion at York Literature Festival

Festival of the week: York Literature Festival, various venues, today until March 27

HIGHLIGHTS aplenty permeate this annual festival, featuring 27 events, bolstered by new sponsorship from York St John University. Among the authors will be broadcasters David Dimbleby and Steve Richards; political journalist and think tank director Sebastian Payne (on The Fall of Boris Johnson); The League Of Gentlemen’s Jeremy Dyson; Juno Dawson, thriller writer Saima Mir and York poet Hannah Davies.

On Music Memoir Day at The Crescent, on March 18, at 1.30pm American singer PP Arnold delves into her autobiography, Soul Survivor, at 1.30pm. At 4pm, writer/broadcaster Lucy O’Brien discusses her new book, Lead Sister: The Story Of Karen Carpenter, and the challenges of writing a biography. Go to yorkliteraturefestival.co.uk for the full programme.

Too hot to handle: Strictly’s Gorka Marquez and Karen Hauer in Firedance at the Grand Opera House, York

Hot moves amid the weekend chill: Gorka Marquez and Karen Hauer in Firedance, Grand Opera House, York, Sunday, 5pm

STRICTLY Come Dancing stars Gorka Marquez and Karen Hauer reignite their chemistry in Firedance, a show full of supercharged choreography, sizzling dancers and mesmerising fire specialists.

Inspired by movie blockbusters Baz Luhrmann’s Romeo & Juliet, Moulin Rouge, Carmen and West Side Story, Marquez and Hauer turn up the heat as they dance to Latin, rock and pop songs by Camilla Cabello, Jason Derulo, Gregory Porter, Gipsy Kings and Jennifer Lopez. Box office: atgtickets.com/york.

Suede: First appearance at York Barbican in a quarter of a century

Gig of the week: Suede, York Barbican, Wednesday, 7.45pm

ELEGANT London rock band Suede play York Barbican for the first time in more than 25 years on the closing night of their 2023 tour. Pretty much sold out, alas, but do check yorkbarbican.co.uk for late availability.

Last appearing there on April 23 1997, Brett Anderson and co return with a set list of Suede classics and selections from last September’s Autofiction, their ninth studio album and first since 2018. “Our punk record,” as Anderson called it. “No whistles and bells. The band exposed in all their primal mess.”

Sloane danger: Ben Weir’s psychopathic Sloane, left, playing siblings Kath (Victoria Delaney) and Ed (Chris Pomfrett) off each other in rehearsal for York Actors Collective’s Entertaining Mr Sloane

Debut of the week: York Actors Collective in Entertaining Mr Sloane, Theatre@41, Monkgate, York, Wednesday to Saturday, 7.30pm plus 2.30pm Saturday matinee

DIRECTOR Angie Millard launches her new company, York Actors Collective, with Joe Orton’s controversial, ribald comedy Entertaining Mr Sloane, the one that shook up English farce with its savage humour in 1964.

Living with her father, Dada Kemp (Mick Liversidge), Kath (Victoria Delaney) brings home a lodger: the amoral and psychopathic Sloane (Ben Weir). When her brother Ed (Chris Monfrett) arrives, the siblings become involved in a sexual struggle for Sloane, who plays one off against the other as their father is caught in the crossfire. Box office: tickets.41monkgate.co.uk.

Classrooom comedy: Sara Howlett, left, Laura Castle and Sophie Bullivant in rehearsal for Rowntree Players’ production of John Godber’s Teechers Leavers ’22

Education, education, education play of the week: Rowntree Players in Teechers, Joseph Rowntree Theatre, York, Thursday to Saturday, 7.30pm plus 2.30pm Saturday matinee

FAMILIAR to York’s streets at night as ghost-walk guide and spookologist Dr Dorian Deathly, actor Jamie McKellar is directing a play for the first time since 2008, at the helm of Rowntree Players’ production of former teacher John Godber’s state-of-the nation, state-of state-education comedy Teechers.

Updated for Hull Truck’s 50th anniversary celebrations as Teechers Leavers ’22, Godber’s class warfare play within a play features a multi role-playing, all-female cast of Laura Castle, Sophie Bullivant and Sarah Howlett as Year 11 school leavers Salty, Hobby and Gail put on a valedictory performance, inspired by their new drama teacher. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

David Ford: Songs and stories at The Crescent

The robots are coming: David Ford, Songs 2023, The Crescent, York, Thursday, 7.30pm

EASTBOURNE singer-songwriter David Ford might play solo stomps with loop machines and effects pedals or backed by a swish jazz trio or with a string quartet attached. Not this time.

For 2023, Ford has taken the rare decision to keep it simple, leave most of the crazy machines at home, play some of his favourite songs and share stories about where they came from. Oh, and he’ll be bringing his new DIY toy, a drum robot. Beat that. Box office: thecrescentyork.com.

Tuesday’s seated Crescent gig by The Go-Betweens’ Robert Forster, promoting his new album The Candle And The Flame, has sold out by the way.

Because he cared: Comedian Bilal Fafar reflects on working in a care home for the very wealthy in Care at Theatre@41, Monkgate

Caring comedian of the week: Burning Duck Comedy Club presents Bilal Zafar in Care, Theatre@41, Monkgate, York, March 19, 8pm

WANSTEAD comedian Bilal Zafar, 31, is on his travels with a new show about how he spent a year working in a care home for very wealthy people while being on the minimum wage.

Fresh out of university with a media degree, Bilal was dropped into the real world, where he was given far too much responsibility for a 21-year-old lad who had just spent three years watching films. Box office: tickets.41monkgate.co.uk; age limit,18 and over.

In Focus: Anders Lustgarten’sThe City And The Town, at Stephen Joseph Theatre, Scarborough, March 15 to 17

Gareth Watkins as Magnus in Anders Lustgarten’s The City And The Town. Picture: Karl Andre

LONDON playwright and political activist Anders Lustgarten’s new play, The City And The Town, heads to the Yorkshire coast next week. 

This funny, eclectic drama brings a fresh perspective to the political divides and problems facing Great Britain and Europe today.

By way of contrast to those schisms, the tour involves a hands-across-the-water partnership: a co-production by Riksteatern, the national touring theatre of Sweden, and Matthew Linley Creative Projects in association with Hull Truck Theatre.

Lustgarten’s play tells the story of brothers Ben and Magnus. Ben, a successful London lawyer, returns home for his father’s funeral after 13 years away, only to be confronted not only by family and old friends, but also by uncomfortable truths about the past, present and future of the provincial community and family he grew up in and left behind for the metroplis.

Lustgarten, by the way, is the son of progressive American academics and read Chinese Studies at Oxford: in other words, he is an internationalist (and an Arsenal supporter to boot).

Directed by Riksteatern artistic director Dritero Kasapi, The City And The Town features Gareth Watkins as Magnus, Amelia Donkor as Lyndsay and Sam Collings as Ben, with set design by Hannah Sibai and lighting design by Matt Haskins.

Amelia Donkor’s Lyndsay in The City And The Town. Picture: Karl Andre

Kasapi is at the helm of his first UK production since Nina – A Story About Me And Nina Simone. “Even from the very first draft Anders sent us, I knew that this was a play I wanted to direct,” he says. “In fact, I’d go as far as saying it’s the play I’ve wanted to direct for a very long time.

“By exploring the rise of the right, Anders is looking at something that is happening all over Europe. But this is not just a political play, it’s also a humane one. It explores the question of if and how we belong to society, what can happen when we lose that connection and how we perceive our common history as a society.”

Kasapi was educated as a stage director at the Faculty of Dramatic Arts in Skopje, Macedonia, but since the early years of his professional life he has been engaged as a cultural organiser.

From 2015 to 2018, he was the deputy artistic director at Kulturhuset Stadstetern in Stockholm. He took up his present post in November 2018. 

The City And The Town follows such Lustgarten plays as Lampedusa (Hightide/Soho Theatre), The Seven Acts Of Mercy (Royal Shakespeare Company), The Secret Theatre(Shakespeare’s Globe) and The Damned United (Red Ladder/West Yorkshire Playhouse, 2016, turning Brian Clough’s 44 days as Leeds United manager in 1974 into a Greek tragedy).

The City And The Town began its UK tour at Hull Truck on February 10 and 11 and has since played Northern Stage, Newcastle, Wilton’s Music Hall, London, Mercury Theatre, Colchester, and Norwich Playhouse before its Scarborough finale. It will then transfer to Sweden for an autumn tour.

The City And The Town, Stephen Joseph Theatre, Scarborough, March 15 to 17, 7.45pm plus 1.45pm Thursday matinee. Box office: 01723 370541 or www.sjt.uk.com

The tour poster for The City And The Town

Pete Bearder speaks truth to power in Homer To Hip Hop lecture for Say Owt and York Literature Festival at The Crescent

Pete Bearder: Speaking the truth to power at The Crescent on June 19

SAY Owt, York’s performance poetry forum, teams up with York Literature Festival to present author and poet Pete “The Temp” Bearder in Homer To Hip Hop at The Crescent, York, on June 19.

Bearder’s 7.30pm performance lecture on a people’s history of spoken word and poetry will be “part gig, part TedTalk, part party” as he speaks truth to power.

Introducing Bearder’s show, Say Owt artistic director Henry Raby says: “As we enter the post-Covid comeback, meet the artistic revivals that have remade the world from the bottom up.

“Find out why wordsmiths have always been vilified, feared and revered, from the ballad singers and Beat poets, to the icons of dub, punk and hip hop. The spoken word has always been the most immediate tool of cultural revival. This show brings a proud history to life and asks what we can do with it next.”

Say Owt artistic director Henry Raby

Former national Poetry Slam champion, spoken word poet, author and comic Bearder brings to life the poetic movements that have shaped history. His work has been featured on BBC Radio 4, BBC World Service and Newsnight and his Homer To Hip Hop show follows the release of his ground-breaking book Stage Invasion: Poetry & The Spoken Word Renaissance.

Support on June 19 comes from Raby, Say Owt’s “token punk poet”, who has appeared at festivals across the UK and on BBC Radio York. “Althea Thall will be bringing her story-telling energy too and, finally, Jonny Crawshaw will be DJing a hip-hop set afterwards,” says Henry.

Tickets cost £10 via www.thecrescentyork.com/events/home-to-hip-hop-a-peoples-history-of-spoken-word/

The poster for Pete “The Temp” Bearder’s Homer To Hip Hop tour show