Tag: York Museums Trust

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Ghosts After Dark takes over York Museum Gardens for five nights of spectral sculptures, storytellers and pop-up stalls

Norman Carpenter Up Ladder, one of 70 wire-mesh ghost sculptures featured in Ghosts After Dark in York Museum Gardens. Picture: Celestine Dubruel

YORK’s ghosts are gathering in York Museum Gardens this week for five nights of captivating storytelling and after-dark adventure, orchestrated by York BID and York Museums Trust.

Running from last night to Sunday, Ghosts After Dark sees all 70 wire-mesh sculptures from York BID’s city-wide 2026 Ghosts In The Gardens trail being assembled in one setting, giving visitors the chance to see the ghosts and the gardens in a “completely different light”.

Ghosts After Dark first came to York Museum Gardens in 2024, bringing together 46 sculptures. Two years on, the event has expanded beyond the main Museum Gardens into historic spaces, not only King’s Manor courtyard and Library Lawn, but also taking in the Anglian Tower, Edible Wood, Artists’ Garden, St Olave’s Churchyard and the area beside York Art Gallery.

Lit atmospherically among the trees, ruins and hidden corners of the gardens, more ghost sculptures than ever are being joined by as many as eight live storytellers, telling stories every 15 minutes to the accompaniment of sound and smoke.

Victorian Penny Farthing Rider in Ghosts After Dark. Picture: Celestine Dubruel

Among them are Mad Alice, from the Bloody Tour of York, with her stories of the Executioner, Judge, Tudor Lady and Saxon Monk at the Abbot’s House, King’s Manor, and Dr Dorian and Davina Deathly, from Deathly Dark Tours, uncovering the haunted history behind the Stone Mason, Saxon Monk, Nun and Butcher in front of St Mary’s Abbey ruins.

Meet Guy Fawkes, from York Dungeon, on his trailer at The Plot; the Doomsayer, from York Dungeon too, with her tales of the plague-infested streets of 1551 York, in the Undercroft, and the Wild Man of The Woods, exploring the lore of the Fox, Falcon, Cat and Bear in Beast’s Corner.

Step into Viking York for Norse storytellers from Jorvik Viking Centre to share sagas of fearless warriors, mighty gods and epic voyages in the Gloomy Woods setting.

In addition to 24 ghost sculptures new to Ghosts After Dark (including ten new to this year’s Ghosts In The Gardens) and two gardens new to the event, an immersive Witch Encounter has been introduced too that “may include jump scares”.

Bear in the wood at Ghosts After Dark. Picture: Celestine Dubruel

In The Cell, you will find the restless Isabella Billington, York’s most infamous Witch, from York Dungeon, on her last night before her execution for murder. Official records state that she and her husband crucified her mother in Pocklington, duly offering a calf and cockerel as a burnt sacrifice.

The event brochure forewarns: “Please be aware: all the stories you will hear tonight are based on real history. Some may be exaggerated, embellished, or quite gruesome. Not all talks are suitable for young children – if in doubt, please ask the storyteller.”

Look out too for the event’s first night market, featuring suitably themed pop-up stalls around the gardens and outside  the Yorkshire Museum, including Isla Coole‘s Horrifically Good Books (newly opened in Goodramgate) and, more tenuously, Socktopus’s sock store (which seemed to be stretching things a tad)!

The Potions Cauldron, Villains Rum, Poetry Pharmacy and Braithwaite Gallery are taking part too, along with Ye Olde York Dungeon Spook Shop at The Cell, Mad Alice’s Curiosity Shop at King’s Manor and the Jorvik stall at Midgard. Oh, and what’s that queue at the Observatory? Ah, yes, the ever-busy York Ghost Merchants are selling exclusive ghosts anew.

Edwardian Builder With Lunch at Ghosts After Dark. Picture: Celestine Dubruel

York BID’s operations manager, Carl Alsop, says:“There’s something really special about experiencing York Museum Gardens after dark and this year, visitors will have more to discover than ever.

“We’ve taken everything people loved about the first Ghosts After Dark and made it bigger. All 70 ghosts will be gathered together across an expanded route, with atmospheric lighting, fog, live storytelling, interactive artwork and plenty of surprises hiding in the darkness.

“The event brings this year’s free Ghosts In The Gardens trail to a brilliant crescendo, giving people the chance to see the sculptures all together in some of York’s most historic spaces. We want people to make an evening of it: explore the ghosts, visit the night market and enjoy the city’s shops, restaurants, cafés and bars while they’re here.”

Jocelyn Palmer, senior events manager at York Museums Trust, says: “We are delighted to be working with York BID to bring back Ghosts After Dark to York Museums Gardens. The ghosts are a well-loved part of the city’s autumnal calendar, and we’re delighted to be hosting them all together again for this series of evening events.

“It is wonderful to have a rich seasonal programme across York, and particularly in the Museum Gardens, to bring a little light, and perhaps some spooky sights, to the autumn evenings.” 

Elizabethan School Boy With Catapult at Ghosts After Dark. Picture: Celestine Dubruel

Ghosts After Dark runs from 5.30pm to 9.30pm each evening, with timed entry slots available for every 20 minutes until last admission at 8pm. Visitors should allow approximately 90 minutes to uncover the full experience.

Tickets are on sale £10 for adults and £2 for children at www.theyorkbid.com/ghosts-after-dark/. Timed admission must be booked in advance.

AMONG the 70 sculptures are: Edwardian Rail Signaller; Norman Carpenter Up Ladder; Victorian Lamplighter; Bear; Long Duck; Musician With Fiddle; Victorian Newsboy With Newspaper; Stuart Nurse With Syringe; Mouse; Cat Sleeping; Bat Sleeping; Victorian Beekeeper;  Tudor Executioner; Victorian Penny Farthing Rider; Edwardian Builder With Lunch; Georgian Butcher Emptying Slop Bucket; Fox; Squirrel and Saxon Monk Praying.

Did you know?

THE translucent, narrow-gauge wire-mesh ghost sculptures for Ghosts In The Gardens and Ghosts After Dark are crafted by York creative agency Unconventional Design.

St Mary’s Abbey ruins bathed in light for Ghosts After Dark. In the foreground is one of the robin bird boxes on show in York Museum Gardens. Picture: Celestine Dubruel

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More Things To Do in York and beyond as Aesthetica Film Festival expands again. Hutch’s List No. 44, from The York Press

Fladam Theatre’s Florence Poskitt and Adam Sowter cooking up the York musical comedy duo’s Halloween show in Hallowbean

FROM the 16th Aesthetica Film Festival to a nocturnal ghost sculpture trail, Strictly stars after hours in Vegas to punk poet Dr John Cooper Clarke, Charles Hutchinson says yes to November events.

Children’s Halloween show of the week: Fladam Theatre in Hallowbean, Helmsley Arts Centre, Saturday, 2.30pm

FLADAM Theatre, the madcap York musical comedy duo of Florence Poskitt and Adam Sowter, head to Helmsley this afternoon with their spooktastic musical comedy Hallowbean. In the town of Ghooul, Dr Frankenheinz is rustling up his Hallowbean for the annual Halloween cooking competition, hoping his tomatoey terror will dazzle Scary Berry, the most frightful food critic of them all.

Rather than scary, however, Hallowbean is downright lovable. Problem! “Will Halloween have to be cancelled? Or can the Hallowbean find her scare in time?” ask Fladam. Find out in this hour-long, pun and puppet-packed Halloween treat for three to ten years olds. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk.

Seann Walsh: Putting himself through an anxiety filled-hour at York Theatre Royal on November 6

Comedy gigs of the week: Russell Howard, Don’t Tell The Algorithm, York Barbican, today, 3.30pm & 7.30pm, and Sunday, 7.30pm;  Seann Walsh, This Is Torture, York Theatre Royal, November 6, 8pm

POLITICAL comedian and Five Brilliant Things podcaster Russell Howard returns with a new stand-up show for 2026, where he invites you back into the room: no phones, no distractions, only humans and jokes, but don’t tell the algorithm. Box office: yorkbarbican.co.uk; best availability on Sunday night.

I’m A Celebrity… Get Me Out of Here! 2022 series survivor Seann Walsh has decided to name his latest stand-up tour show after the phrase he says the most: “This Is Torture”.  The dishevelled Camden comedian brings his signature blend of chaos and charm to York to put himself through an anxiety filled-hour. Box office: 01904 623568 or yorktheatreroyal.co.uk

James Swanton: Back on track with The Signal-Man’s return to York Medical Society

Recommended but sold out already: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, November 2 to 8, 7pm, Monday, Tuesday, Thursday and Sunday; 5.30pm & 7.30pm, Saturday

A RED light. A black tunnel. A waving figure. A warning beyond understanding. And the fear that someone – that something – is drawing closer in The Signal-Man, Charles Dickens’s most frightening ghost story, here paired with the supernatural terrors of The Trial For Murder in York storyteller and actor James Swanton’s delightfully macabre double bill. Box office for returns only: 01904 623568 or yorktheatreroyal.co.uk.

Isabel Azar’s Clare in rehearsal for Black Treacle Theatre’s Poor Clare at Theatre@41, Monkgate

Life-changing story of the week: Black Treacle Theatre in Poor Clare, Theatre@41, Monkgate, York, November 3 to 7, 7.30pm plus 2.30pm Saturday matinee

THE lives of the young St Clare and St Francis of Assisi are the subject of American playwright Chiara Atik’s comedy Poor Clare, presented in York for the first time by Black Treacle Theatre, directed by Jim Paterson.

Noblewoman Clare (Isabel Azar) is set for marriage to a rich aristocrat and a life of wealth and privilege in 13th century Assisi, but then she meets Francis (PJ Gregan), whose strong faith and commitment to rejecting the established order and serving the poor makes her look at her life in a new way. Box office: https://tickets.41monkgate.co.uk.

Ghosts After Dark: Taking over York Museum Gardens for five nights from November 4

Sculpture trail of the week: York BID and York Museums Trust present Ghosts After Dark, York Museum Gardens, November 4 to 8, 5.30pm to 9.30pm; timed entry slots until 8pm

AFTER the Ghosts In The Gardens free public art trail of 70 wire-mesh sculptures – including ten new ones – across 32 city-centre locations concludes on Sunday, Ghosts After Dark takes over for five atmospheric nights of nights of live storytelling, light, smoke and sound next week in the Museum Gardens, plus King’s Manor courtyard and Library Lawn, the Anglian Tower, Edible Wood, Artists’ Garden, St Olave’s churchyard and the area beside York Art Gallery.

Representing a fascinating person, creature or story connected to York’s history, each sculpture was made by York creative agency Unconventional Design. A new interactive experience and the inaugural night market will be further highlights of the 90-minute trail. Bookings: www.theyorkbid.com/ghosts-after-dark/.

All heading to the Aesthetica Film Festival 2026 as York awaits five days of film and much more

Festival of the week: Aesthetica Film Festival 2026, York, November 4 to 8

IN its 16th year under the artistic directorship of Cherie Federico, Aesthetica Film Festival welcomes filmmakers, games developers and virtual reality experts from around the world. The five-day programme comprises  screenings, VR & games labs, a podcasting lounge, industry masterclasses and workshops, networking sessions, live performances, pitching opportunities, the New Music Stage and much more. For the full programme and tickets, go to asff.co.uk.

Strictly Come Dancing stars Pasha Kovalev, Brendan Cole, Vincent Simone, Ian Waite and James Jordan head to York Barbican in Legends in Vegas: After Hours. Picture: Ryan Howard

From Strictly to Sin City dance show of the week: The Legends in Vegas: After Hours, York Barbican, November 4, 7.30pm

THE Legends, alias Strictly alumnae Brendan Cole, James Jordan, Pasha Kovalev, Vincent Simone and Ian Waite, reunite for a third tour, Vegas: After Hours, where the dance floor never sleeps as they bring the spirit of Sin City to life through breathtaking routines and nonstop entertainment, set to a soundtrack inspired by the greatest Las Vegas performers of all time. 

Think neon lights and electric nights, roulette tables spinning, glamorous showgirls, dazzling casinos, desert sunsets, lavish pool parties, whirlwind weddings, iconic hotels and world-class entertainment, captured in dance. Box office: yorkbarbican.co.uk.

Julie Russell Wilson’s Miss Marple, front, leading the Joseph Rowntree Theatre Company cast in Agatha Christie’s A Murder Is Announced

Murder mystery of the week: Joseph Rowntree Theatre Company in Agatha Christie’s A Murder Is Announced, Joseph Rowntree Theatre, York, November 4 to 7, 7.30pm plus 2.30pm Saturday matinee

WHEN a mysterious announcement appears in the local newspaper, stating the date and time a murder will take place in a quiet village home, curiosity and disbelief turn quickly to alarm: it is chillingly clear that the threat is all too real. 

What follows is a classic Agatha Christie puzzle of mixed motives, concealed identities and long-held secrets for the sharp-witted Miss Marple (Julie Russell Wilson) to unravel in Alex Schofield’s fundraising production in aid of the JoRo.

“Christie was a master of surprise who understood that audiences love being challenged,” says Schofield. “Then there’s the incredible premise. Someone reveals that a murder is going to take place, but not who the victim will be.

“From that moment on, anyone could be the victim and anyone could be the killer. There’s also something wonderful about hearing a collective gasp from the audience when their expectations have been turned upside down.”Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Dr John Cooper Clarke: Showcasing new poetry collection Have It at the Grand Opera House, York

Punk poet of the week: Dr John Cooper Clarke, Grand Opera House, York, November 6, doors 7pm

SALFORD sage Dr John Cooper Clarke’s anarchic punk poetry and no-nonsense approach to his work has led to a career spanning cultures, art forms and continents, drawing audiences from clubs to arenas. On his 20-date tour, Cooper Clarke, 77, promotes his new collection, Have It, the follow-up to 2024’s What, as well as performing fan favourites with his trademark machine-gun delivery. Box office: atgtickets.com/york.

The Shires: Lighting up Bonfire at York Barbican the day after Bonfire Night

Country gig of the week: The Shires, York Barbican, November 6, 7.30pm

BRITISH country duo The Shires – Ben Earle and Crissie Rhodes – promote their sixth studio album, July 3’s Bonfire, on their 12-date UK tour, their first with a full band in four years. Expect new songs celebrating togetherness, escapism and positivity, complemented by fan favourites. Kaylee Bell supports. Box office: yorkbarbican.co.uk.

Karl Bushby: The Man Who Walked The World

In Focus: Norwell Lapley Productions present Karl Busby: The Man Who Walked The World, York Theatre Royal, November 22, 6.30pm

KARL Bushby, the Yorkshireman who walked the world, will set out to York Theatre Royal from his Hull home on November 22 to tell his extraordinary story.

Adventurer Karl, now 57, set off from Punta Arenas, Chile, in 1998 with the almost unimaginable ambition of walking all the way home to East Yorkshire.

He made himself two promises:  he would use no transport to advance his journey and he would not return home until he had completed the entire expedition on foot. After 28 years, he will be welcomed home to Hull on November 2.

Along the way, Karl has crossed some of the world’s most hostile landscapes, faced life-threatening dangers and endured immense physical and psychological challenges, pushing himself to limits few could comprehend.

From navigating the perilous Darién Gap between Panama and Colombia, to tackling the frozen expanse of the Bering Strait, between Russian and Alaska, his journey is a remarkable testament to courage, resilience and the indomitable human spirit.

Now, York audiences are invited to step inside an adventure spanning continents, cultures and generations. Through first-hand storytelling, Karl will reveal the experiences behind the headlines:  the moments when survival hung in the balance, the obstacles that threatened to derail his mission, the sacrifices demanded by a life on the move and the extraordinary determination that kept him heading towards home. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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York Museum Gardens to open for evenings of cocktails, live music and street food on August 14 and 28 from 6.30pm to 9.30pm

York Museum Gardens. Picture: York Museums Trust

VISITORS are invited to experience York Museum Gardens “like never before” as the botanical gardens open after hours for exclusive Friday evening events on August 14 and 28.

Guests can enjoy Evening In The Gardens, a relaxed adults-only experience offering rare access to one of York’s most beautiful green spaces after the gardens have closed to the public at 6pm.

York Museum Gardens will reopen exclusively for ticket holders from 6.30pm to 9.30pm, giving visitors the chance to be in the gardens at this peaceful time of day.

Against the backdrop of the ruins of St Mary’s Abbey, guests can unwind with a cocktail, listen to live music, sample street food and soak up the atmosphere as the sun sets over the historic gardens, whether you are on a date night, linking up with friends for the evening or simply wanting to experience this iconic spaces in a completely different way.,

Run by York Museums Trust, the event is suitable for age 18 upwards. Tickets cost £7.50 and include a cocktail on arrival. Additional drinks and street food will be available to buy throughout each evening. To book, go to: yorkmuseumgardens.co.uk.

York Museum Gardens, leading to the rear of York Art Gallery. Picture: York Museums Trust

York Museum Gardens: back story

ESTABLISHED in the 1830s by Yorkshire Philosophical Society (YPS). Noted for collection of trees, shrubs, perennials and bulbs.

The land was granted to YPS  under the condition that botanical gardens would be established on the site. These were created Sir John Murray Naysmith and originally contained a conservatory, pond and menagerie.

In 1960, the gardens and Yorkshire Museum were given in trust to the City of York Council. Since 2002, they have been managed by York Museums Trust.

Opening hours: 9am to 6pm, daily. For more information, head to yorkmuseumgardens.org.uk.

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REVIEW: Super Furry Animals, Live At York Museum Gardens, July 11 ****

Super Furry Animals’ Gruff Rhys in Power Rangers-style helmet and high-viz jacket at Live At York Museum Gardens on Saturday. Picture: Devon Chambers

REASONS to be cheerful, one, two, three, as the summer sounds of the city changed from John Smith’s race day on Knavesmire to Live At York Museum Gardens and onwards to the pubs of York once Saturday night turned into Sunday morning’s Hey Jude.

Kick-off time for day three of Live At York Museum Gardens had been moved forward by 30 minutes to accommodate England’s 10pm quarter-final clash with Leeds-born Erling Harland’s Norway.

They may be Dai-hard Welshmen, but headliners Super Furry Animals didn’t share the attitude of set-closing anthem The Man Don’t Give A **** in switching their exit time to 9.55pm, rather than 10.30pm.

Saturday’s bill boasted five acts, one more than for Orchestral Manoeuvres In The Dark and Self Esteem’s equally diverse evening line-ups on Thursday and Friday. Three bands from the Land of Song, the Super Furries, fellow seasoned Cardiff combo Los Campesinos! and Pys Melyn, from Pen Llŷn, North Wales, were joined by Nottingham’s Divorce and Buckinghamshire/West London-raised Baxter Dury.

Pys Melyn opening Saturday’s bill at Live At York Museum Gardens. Picture: Devon Chambers

Wistful, harmonious, hazy indie psych-pop five-piece Pys Melyn, whose name translates as ‘Yellow Peas’, took to the stage at 3.55pm, when the day’s temperatures were at their height: weather to turn stressed-out pea pods from green to yellow as the chlorophyll breaks down, as botany boffins would know.

Your reviewer arrived midway through Divorce’s set of confessional indie-folk rock and alt-country songs reminiscent of Mojave 3 and The Broken Family Band, drawn to the fiddle-playing as much as to the double-barrelled duo of bassist Tiger Cohen-Towell and Felix Mackenzie-Barrow alternating lead vocals.

Divorce, by the way, have been living up to their name. On May 12, it was announced that fellow founder members Adam Peter-Smith and Kasper Sandstrom would be leaving the band to “prioritise their personal lives”. Two months later, Saturday’s line-up, showcasing 2025’s debut album Drive To Goldenhammer, looked and sounded happily settled into its new groove.

“Enjoy the rest of the day. Keep drinking water,” advised Mackenzie-Barrow. Messages on the screens to either side of the stage urged the same action: Stay Hydrated, it counselled, highlighting the availability of free water points for re-filling and also of free sun cream in the First Aid tent.

Divorce’s Tiger Cohen-Towell at Live At York Museum Gardens. Picture: Devon Chambers

Such was the roving medical staff’s concern for care in the broiling heat that the sight of your reviewer sitting head bowed, writing notes on a ledge by the Yorkshire Museum walls, attracted the attention of two medics. “Are you OK,” they asked. It spoke volumes of everything about Futuresound and York Museum Trust’s event management being spot-on.

The crowd was yet to peak: the perfect time to take a walk around the site, with its bars and food vendors, First Aid and Wellbeing facilities, multitude of posters for upcoming Futuresound promotions and merchandise stall, offering all manner of Super Furry Animals T-shirts and a lonely brag in the corner, I’m The Sausage Man (which would later form a sizzling high in Baxter Dury’s set).

“Welcome to the rock concert,” announced Los Campesinos! lead singer Gareth David Paisley, drawing attention back to the stage. Billed as “the UK’s first and only emo band”, they specialise in “sleeper hits for weeping dips**ts since 2001”; sleeper hits” in truth that did not awaken memorable hooks on contact with the York air.

Los Campesinos! frontman Gareth David Paisey looks to the skies in his Music Is A Natural High T-shirt at Live At York Museum Gardens. Picture: Devon Chambers

Still favouring emo black attire, albeit in T-shirt and shorts form, they were hard working, earnest, political too in “standing up against the creeping fascism we see around as every day” and Freedom For Palestine banner.

The “Heart Swells” message on their stage backdrop was as much an invocation as the name of their record label, but the songs tended to be laborious, typified by 2008’s We Are Beautiful, We Are  Doomed failing to match the epic promise of its none-more-emo title.

“This is a rare away gig for us,” said Paisley, to the somewhat isolated cheers of Los Campesinos! aficionados, determined to make their presence heard on their big day out, like a non-league club playing at a Premier League big six ground  in the FA Cup third round.

Baxter Dury was in the mood to crack on, his three-piece band taking to the stage two minutes early, to be joined by the front man in yellow shirt and dark suit, strutting like a bull-baiting toreador. Behind him, keyboard player and vocalist Madelaine Hart did much of the melodic heavy-lifting, contrasting with his braggadocio spoken-word outbursts, as he hit you with his rhythm schtick.

Baxter Dury striking a pose in his humorously provocative set at Live At York Museum Gardens. Picture: Devon Chambers

Part-toaster, part-rapper, part jousting court jester, full of jabs and gibes, he was an agent provocateur, like Mark E Smith leading The Fall, or Keith Allen fronting Fat Les’s 1998 World Cup football anthem Vindaloo.

No room for between-song niceties, he built momentum the more his coruscating songs leered and jeered, from Return Of The Sharp Heads, through Allbamone, to the stand-out Baxter (these are my friends). Changing a lyric from “Hotel In Brixton” to “Hotel In York” was a typically sharp touch too.

Super Furry Animals had never played York in 33 years together, but on this year’s return to the concert platform after a ten-year hiatus, what better setting could there be to revive Hello Sunshine (Come Into My Life) than in the botanical York Museum Gardens.

The day’s sunshine had mellowed by the time the Cardiff art-rockers opened with the embracing hug of (Drawing) Rings Around The World at 8.25pm, but their songs are marked as much by an orb of warmth as occasional weird edges, the musical style duly altering as often as frontman Gruff Rhys changed guitars.

Super Furry Animals’ Gruff Rhys chewing celery in Receptacle For the Respectable at Live At York Museum Gardens. Picture: Devon Chambers

As with OMD’s set on Thursday, fast-moving video projections accompanied each number, mixing with live footage of Gruff in shades and peaked cap and linear stage lighting in colours to complement each song’s mood and the imagery on screen.

This was an exemplary outdoor gig, stuffed with SFA highs such as Juxtaposed With U, Northern Lites and God! Show Me Magic, and the Welsh-language wonder of Ymaelodi â’r Ymylon.

Then add the humorously quirky visual flourishes, as impactful as in David Byrne’s shows, such as Rhys’s sign board switching from Applause to Louder And Ape Sh*t! or suddenly sporting a high-viz jacket and Power Rangers-style helmet or chewing on a celery in Receptacle For the Respectable in an homage to Paul McCartney’s “vegetable percussion on The Beach Boys’ 1967 curio Vegetables.

How else could they finish than with the magnificent mayhem of The Man Don’t Give A ***, climaxing with a fantastical return to the stage in long-haired furry animal costumes. Something spectacularly blissful for 4 the weekend indeed.

The Man Don’t Give A **** finale to Super Furry Animals’s set at York Museum Gardens, ending at 9.53pm, well in time for England v Norway’s kick-off. Picture: Devon Chambers

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REVIEW: Orchestral Manoeuvres In The Dark, Summer Of Hits, Live At York Museum Gardens, July 9 ****

Andy McCluskey leading Orchestral Manoeuvres In The Dark on the first night of Live At York Museum Gardens. All pictures: Devon Chambers

ORCHESTRAL Manoeuvres In The Dark’s Summer Of Hits opened this Summer of Hot’s trio of concerts in Futuresound’s third Live At York Museum Gardens season.

Oh yes, it was hot, absurdly hot, hot enough to bake a pizza on the Yorkshire Museum walls, if you could cook a pizza sideways, as if in a Salvador Dali painting.

There will be no respite for Self Esteem’s Friday bill or today for Super Furry Animals (not a state of fur coverage any would want right now), so come prepared. Spray on Factor 50 sun cream, advises Futuresound project manager Rachel Hill. Look out for the water stations too to top up bottles.

The site lay-out changed from the first festival to the second, when the stage switched architectural backdrop from the Yorkshire Museum to the St Mary’s Abbey ruins, and further changes have come into play for 2026:  a sure sign that Futuresound and York Museums Trust respond positively to suggestions.

Andrew Cushin, in retro football shirt, kicking off day one of Live At York Museum Gardens

Large screens have been placed to either side to enhance the viewing experience (last year, standing at the back, your reviewer struggled to see a head let alone Elbow, before being accommodated most kindly in the Ambulant seated area for Richard Hawley).

The Premium ticket experience has improved vastly too:  separate entry via Exhibition Square; commodious bar (well stocked but no gin, presumably deemed too depressive for a festival) ; Indian and bao bun food vendors; seats and bean bags dotted around the gardens, away from the stage but within hearing range.

The Premium viewing area has expanded too, still by the Yorkshire Museum, still with reserved Ambulant seating, but now with a steeped bank of terracing, like the most spacious football Kop  ever. Out-standing improvement, indeed.

Futuresound make good decisions: first in setting up Live At York Museum Gardens, then adding a Sunday comedy festival, then bettering the festivalgoer’s experience. The Leeds event promoters also pick the headline acts really well, whether home-crowd favourites Shed Seven’s 30th anniversary celebrations and Jack Savoretti in 2024 or Elbow, Hawley and Nile Rodgers & Chic last summer.

China Crisis frontman Gary Daly, dressed for the beach, at Live At York Museum Gardens

In 2026, headliners OMD, Self Esteem and Super Furry Animals each will appeal to a different pop/ rock demographic – Eighties, Gen Z and Nineties respectively – and the supporting bills offer enticement aplenty to arrive well before the 8.30pm last entry.

Andrew Cushin, Newcastle’s latest singer-songwriter protégé, came and went before your reviewer  settled in by the museum wall to see China Crisis lead singer Gary Daly dressed appropriately for the weather: white T-shirt and green shorts (the de rigueur dress code for the men in the crowd too).

The Kirkby synth-poppers would be playing for only 30 minutes, so he would cut “the chat”, said the normally notoriously loquacious Daly after only two songs in the opening ten. Christian, “Jeremy Vine favourite” Arizona Sky, Black Man Ray, Wishful Thinking and King In A Catholic Sky were all reminders of how the Liverpool School of Melody DNA passed through them so delightfully.

We Don’t Need This Fascist Groove Thang T-shirts (without the brackets of the song title) heralded the presence of Heaven 17 devotees in the sold-out crowd. One, called Sumo, had been to 217 gigs (one more than lead singer Glenn Gregory, Glenn revealed, after Sumo turned up for a show in Canada but illness had put paid to the Sheffield electronic pioneers’ appearance).

Heaven 17 fans wearing We Don’t Need This Fascist Groove Thang T-shirts at the front of Friday’s sold-out crowd

Like Daly, Gregory likes to talk, to tell stories, as sharp of tongue as his tailoring in white suit, blue shirt and shades. Keyboardist Martyn Ware favoured sparkling hat and jacket, joined on stage by a drummer and Carrie, Rachel and Florence (keyboards and backing vocals).

We Don’t Need This Fascist Groove Thang, the first song Heaven 17 wrote after Ware and Ian Craig Marsh split from Heaven 17 in 1981, was given a 2026 re-boot, with ‘Trump’ replacing ‘Reagan’ in the lyrics. “We don’t need this Farage groove thang,” Gregory said afterwards, urging support for Count Binface in the Clacton by-election.

Introduced as “Kim Wilde walked down the aisle to this one”, Come Love With Me Come was a particular joy, while the “Giorgio Moroder tribute”,  I’m Your Money, was segued with Donna Summer’s I Feel Love. Gregory and co then went the full cover-version hog on David  Bowie’s Let Dance, rivalled only by the climactic Temptation for impact.

“Enjoy Orchestral Manoeuvres, I know I will,” enthused Gregory, later to be spotted in the crowd doing exactly that. It still wasn’t dark when OMD emerged on stage after a futuristic film projection, and nor would there be any “orchestral manoeuvres”, but all dressed in black (ah, there’s the dark), frontman Andy McCluskey  and keyboardist Paul Humphreys (in specs) were joined by Martin Cooper on keys and saxophone and Stuart Kershaw on drums.

Martyn Ware and Glenn Gregory of Heaven 17: Still playing to win after 45 years together at Live At York Museum Gardens

In this digital age, OMD can replicate their recorded electronic sound to perfection, says McCluskey, although there was still room for him to forget the same words twice in one song, met with an invitation to the audience to jump.

Imagery ran throughout their set on a screen that spanned the whole of the stage, changing for each song, switching between colour and black and white, much in the manner of Public Service Broadcasting’s concerts.

True to their billing, the Summer Of Hits meant playing all, not some of their hits, with the oh-so-familiar standouts of the brace of Joan Of Arcs, Souvenir, Forever Live And Die and Sailing On The Seven Seas,  plenty of peaks, the occasional trough, and a magnificent version of Enola Gay, to the haunting accompaniment of atomic bomb footage.

Walking On The Milky Way was ruefully reflective, if defiant, of the passage of time and what else but Electricity could crackle through the night sky to meet the 10.30pm curfew bang on.

The crowd watching the climax to Orchestral Manoeuvres In The Dark’s set as darkness descends on Live At York Museum Gardens

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Why 300 years of Japanese woodblock prints are Making Waves at York Art Gallery

Waves in motion: Making Waves at York Art Gallery. Picture: Lee McLean

MAKING Waves: The Art of Japanese Woodblock Print has taken a year of preparation at York Art Gallery.

On show until August 30, the display of Japanese art and culture brings together more than 100 striking and iconic works from renowned artists such as Katsushika Hokusai, Utagawa Hiroshige and Kitagawa Utamaro, amongst many others, complemented by armoury from the Royal Armoury In Leeds and kimonos from Durham Oriental Museum at Durham University.

To provide an insight into the history and development of Japanese woodblock printing, the exhibition brings together exhibits from York Art Gallery’s extensive collection of Japanese prints, some never exhibited previously, together with prints loaned from Maidstone Museum, Ashmolean Museum and the British Museum and early printed books from the British Library.

Covering more than 300 years of printing history, from the 17th to 21st centuries, Making Waves places particular emphasis on the heyday of Japanese woodblock printing in the 18th and 19th centuries.

At its epicentre is the chance to see Katsushika Hokusai’s The Great Wave off Kanagawa, one of the most recognisable and celebrated artworks in the world. This original print has been lent to York Art Gallery by Maidstone Museum, and like encountering Leonardo da Vinci’s 16th century portrait of the Mona Lisa at the Musée u de Louvre, the work is smaller than you might expect but just as impactful.

Spread across three rooms, Making Waves invites visitors on a journey that begins with a guide to the origins and techniques of early printmaking, before looking at major themes, including the “floating world” of urban entertainments, the beauty of Japanese landscapes, legendary heroes and adventurers from fantastical tales and historical epics, actors and Samurai warriors (representing martial prowess, courage, loyalty and honour). Festivals and seasonal celebrations feature too.

Finally, the exhibition explores how print artists responded to major changes in Japanese society, from Japan’s development into a modern industrial nation in the late 19th century through to the present day.

Utagawa Hiroshige’s Asakusa Rice-fields and Torinomachi Festival, from the series One Hundred Famous Views of Edo, part 4 Winter, 1857, York Art Gallery collection. Picture courtesy of York Museums Trust

Contemporary Japanese woodblock prints feature too in the third room, including several works by Royal Academy of Arts president Rebecca Salter, created in collaboration with Sato Woodblock Workshop, Kyoto, plus Japanese woodblock prints depicting the North York Moors by Scottish artist Laura Boswell, such as Rhubarb Sky.

Look out too for works by London-based artist Nana Shiomi, whose 2001 print, Hokusai’s Wave – Happy Carp is displayed alongside the very woodblocks Shiomi used to produce it, enabling visitors to gain an understanding of the technical process of printing.

Entertainment and festivals, folklore and seasons and travel and adventure all play a major role in these vibrant images, whose dynamic designs remain popular centuries later.

 Making Waves marks the debut of Eleanor Jackson as curator of fine art at York Art Gallery. “I started here in January last year and was given this exhibition to curate straight away. To hit the ground running and to turn it round in a year has been challenging but it’s worked out well,” she says.

“Arranging the loans is by far the most time-consuming part of organising the exhibition, so that was the first task I did, researching potential loans and contacting leading institutions.”

Eleanor continues: “Ever since Japan was opened to Western trade in the 1850s, Japanese art has become increasingly popular in the West and Europe, causing a sensation when first exhibited in Paris, introducing audiences to the woodblock print, and now there are so many fantastic collections in the UK.”

One key curatorial decision was to address the need to add contrast to “the prints being mostly 2D and small”. “It was important to bring in bigger items, such as the armour and kimonos, to provide dramatic sightlines, and to give a fuller flavour of Japanese culture in that period,” says Eleanor. “We also asked our exhibition designers, Journal, from Leeds, to provide a sense of scale.”

The Great Wave off Kanagawa, by Katsushika Hokusai, circa 1829-32. Image courtesy of Maidstone Museum, on loan at York Art Gallery

In addition, the exhibition focus on woodblock print techniques is intended to be of interest to artists, while visitors can “have a go” at woodblock printing”. “It’s important to understand the art of woodblock and the huge amount of work and skill that goes into each one. Even though they are prints, they are unique because they all have imperfections,” says Eleanor.

Summing up the significance of Making Waves, she enthuses: “To bring these works together in this way has been a privilege, and we are so excited to unveil the exhibition.

“The support of national and regional museums, as well as contemporary artists, has been instrumental in allowing us to tell the story of this gorgeous art form. We are grateful to them for lending their precious works to York Art Gallery for this exhibition.”

Making Waves will extend into York Museum Gardens, where a new Japanese- style garden is being installed, ready for the spring and summer months. A Japanese dry garden, or “karesansui”, created in the space behind the gallery, takes inspiration from traditional Japanese gardens with a contemporary interpretation linked to the history of the site.

Often called a “zen”’ garden, the Japanese dry garden is constructed simply using wood, stone and bamboo to create a space for calm contemplation and meditation, inviting people to take time out from their day.

Steve Williams, garden manager at York Museums Trust, says: “Four blossom trees will be a key feature in the garden as we head into spring 2026:  three cherry trees and an apricot tree. Blossom trees hold a cultural significance in Japan, symbolising beauty, impermanence and renewal, which reflect the transient nature of life.

“All the materials included in the Japanese-style garden have been sourced with the intention of longer-term use, and they will be repurposed elsewhere in Museum Gardens following the exhibition.”

Japanese woodblock prints depicting the North York Moors by Scottish-based artist Laura Boswell from Making waves at York Art Gallery. Picture: Lee McLean

Making Waves is accompanied by interactive programme of activities and events, including specialist talks from artists, makers and curators throughout the exhibition run. Interactive guided workshops for over-16s will enable participants to “get to grips” with printing techniques, bookbinding and Ikebana flower arranging throughout the summer months and to create bespoke art to take home.

Siona Mackelworth, head of audience and programme at York Museums Trust, says: “The associated programme and events are designed for all ages to make connections to Japanese art and get involved with the gallery.

“We’re delighted to play host to more internationally important art, building on the success of our Claude Monet and William Morris exhibitions last year, and to share the stories and processes behind Japanese printing by showcasing technically complex and visually impactful artworks.”

Making Waves: The Art of Japanese Woodblock Print, York Arts Gallery, on show until August 30. Entry is included in general admission to York Art Gallery. Tickets: yorkartgallery.co.uk.

Did you know?

THE Japanese art aesthetic of Making Waves extends into York Art Gallery’s two shops, where prints, souvenirs and kimono jackets are on sale. For the creative,  Kintsugi kits and sketchbooks are stocked, as well as themed gifts such as fun socks, chopsticks and lucky welcome soaps.

Many products  display art from the gallery collection or are sourced directly from Japan. In addition, a new print inspired by Japan and York Art Gallery has been created by York artist Lincoln Lightfoot. 

The balcony ceramics shop offers tea bowls and other handcrafted ceramics inspired by Japanese Pottery.  

Exhibition designers Journal bringing “a sense of scale” to Making Waves at York Art Gallery. Picture: Lee McLean

Did you know too?

PRUSSIAN Blue, the world’s first synthetic pigment, was available widely in Japan from 1

Utagawa Kunisada (1786-1864): back story

THE most prolific, popular and commercially successful print artist of his time, Kunisada designed at least 20,00 prints during his 50-year career, where he was assisted by dozens of students employed in his studio.

While Kunisada tried his hand at a wide range of genres, theatre prints made up around 60 per cent of his output. Usually published to coincide with particular performances, theatre prints became outdated quickly. Kunisada’s rapid production and commercial acumen, however, enabled him to keep up with public demand for up-to-the-minute prints.

Kunisada excelled at conveying drama, expressions and gorgeous costumes of the theatre. His prints are typically beautifully detailed, busy in composition and intense in emotion.

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Colour & Light 2026 turns spotlight on York’s rogues & rebels at York Castle Museum and Clifford’s Tower until Sunday

Who was Mary Bateman? Find out at Colour & Light 2026 at York Castle Museum and Clifford’s Tower

THOUSANDS of visitors have already enjoyed Colour & Light 2026 as the dual-façade projection show continues to light up York Castle Museum and Clifford’s Tower.

Now into its final week, the family-friendly free event has turned the Eye of York into a gathering point each evening, when audiences can watch a fully choreographed ten-minute projection on rotation.

Delivered by York BID in partnership with Edinburgh installation designers Double Take Projections, as well as York Museums Trust and English Heritage, this winter’s show brings York’s rogues and rebels, scoundrels and legends to life in a projected experience that draws on the city’s rich and sometimes surprising history.

Despite the incessant rain, an estimated 24,000 people watched Colour & Light 2026 in its first week when, at its peak, more than 1,200 people gathered to watch a single showing on the first Saturday evening, as York & Light seeks to surpass the 100,000 viewing figures for last year’s 18 shows per night across 20 nights.

Backed by £46,914 funding from the York and North Yorkshire Combined Authority, Colour & Light has drawn large and varied crowds into the city centre during February’s coldest and darkest weeks, supporting York’s evening economy at a quieter time of year.

Carl Alsop, operations manager at York BID, says: “Seeing over 1,200 people gathered together for one show on that first Saturday really highlighted what Colour & Light has become:  a moment people experience together in the city centre.

“Despite the very wet weather we’re experiencing at the moment, the atmosphere has been strong each night, with people meeting up, bringing family and enjoying York after dark. There’s still time to see it, and we hope many more people will take the opportunity.”

Siona Mackelworth, Head of Audience and Programme at York Museums Trust, says: “York Castle Museum is pleased to be supporting York BID on Colour & Light for 2026. York Museums Trust last participated in 2024, when the projections of our incredible collections lit up the front of York Art Gallery.

“The 2026 show brings something different as it explores some of York’s potentially lesser-known history and, for the first time, will be projected across multiple buildings. Working in conjunction with York BID and English Heritage at Clifford’s Tower has been an exciting venture in bringing two iconic York locations together.”

David Skaith, Mayor of York & North Yorkshire, says: “High streets are constantly changing, but they have, and always will be, hubs for our communities. That’s why I’m backing community-led projects across York and North Yorkshire.

“Like Colour & Light in York, which brings people into the city centre with a light show projected onto some of York’s best-known buildings. It’s a simple but creative way to attract visitors and give everyone something special to enjoy.

“Residents and businesses understand most what is needed in their communities, and I am proud to be backing their plans with my £10m Vibrant and Sustainable High Street Fund.”

Among those rebellious and legendary figures featured in Colour & Light 2026 are Dick Turpin and Guy (or “Guido”) Fawkes, Mary Bateman, Swift Nick, Eric Bloodaxe, Moonlight Maggie, the Filey Brigg Dragon, the Roman Soldiers at Treasurer’s House and the Barghest, a legendary monstrous black dog that haunts the snickelways and streets of York.

“We’re so lucky to be from a city that is so rich in heritage,” says Carl. “Everyone loves a villain: someone with an edge and whose backstory is as intriguing as it is alarming.

“They’ve got questionable morals and they’ve got complexities, complexities that keep appearing in fictional characters. This is what draws us in and is what we have in abundance in this city.”

The continuous, looped Colour & Light show runs every evening until Sunday (22/2/2026), with projections starting at 6pm and running every ten minutes until 9pm. Admission is free; no tickets are required; the best viewing point is the Eye of York.

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In Focus: Luxmuralis, Echoes Of Yorkshire: The Museum Illuminated, York Museum Gardens, until Sunday, 6pm to 8.20pm

Luxmuralis’s Echoes Of Yorkshire installation on the St Mary’s Abbey ruins in the York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

LET light, colour and music surround you at the Echoes Of Yorkshire light and sound installation conjured by Luxmuralis, who bring alive the culturally rich story of the Yorkshire Museum and York Museum Gardens from 1,000 images.

Visitors are invited to “immerse yourself in the story of the historic site with contemporary light and music showcasing its age-defining artefacts and extraordinary exhibits. Join us to celebrate all that the museum and its gardens bring to our city and the wider north of England”.

In the 30-year collaboration of Staffordshire bronze sculptor, fine artist and immersive installation artist Peter Walker and composer David Harper, Luxmuralis travels the world to create stories in light and sound for audiences at locations ranging from the Tower of London and St Paul’s Cathedral, London, to city-wide open-air projections in places such as Oxford and Limburg in the Netherlands.

Through combining fine art, light and sound, Luxmuralis reflects closely on the history and heritage of places by weaving together the contemporary and the ancient.

The Viking Helmet on the Yorkshire Museum frontage in Luxmuralis’s Echoes Of Yorkshire. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

Now, for the first time, Luxmuralis is transforming the walls of York in Echoes Of Yorkshire in York Museum Gardens for ten evenings filled with six looping art installations and landscape lighting by Steve Rainsford.

Ticketed entry time slots are given every 20 minutes, but once in the gardens visitors can journey through the experience at their own pace with a recommended walking time of one hour. Refreshments will be available to buy on the night, including from Thor’s tipi.

Echoes Of Yorkshire is suitable for all ages. Audiences will experience the gardens’ history from the Roman period to its time as an abbey (St Mary’s Abbey) in tandem with Luxmuralis’s showcase of the Yorkshire Museum’s collections that span 200 million years from the Jurassic and the Mesolithic, through to the Romans, Viking, Anglo Saxon and Medieval.

Welcoming Luxmuralis to York Museum Gardens, Siona Mackelworth, head of audience and programme for York Museums Trust, says: “We are delighted that Luxmuralis agreed to produce a very special and bespoke show for us here in York.

Luxmuralis’s arch installation in York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

“This is a celebration of all that the Yorkshire Museum brings to the city, its history and the location as the repository of great discoveries and stories. With this amount of content, the Luxmuralis light and sound show looks amazing.”

Luxmuralis artistic director Peter Walker says: “We’re thrilled to be collaborating with the team at Yorkshire Museum to deliver a truly distinctive experience set within the stunning and historically rich Museum Gardens.

“By drawing inspiration from the museum’s collections, this light installation re-imagines the architecture and landscape in an entirely new and transformative way.”

Peter drew on myriad resources in the York Museum Trust’s collection: the Roman occupation; the Vikings; the Medieval; geology; paleontology; fine art et al.  “My job was then to create a ‘portrait’ of the city of York from that collection,” he says.

St Mary’s Abbey ruins bathed in the art and light of Luxmuralis’s Echoes Of Yorkshire. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

“Where we are quite different from illumination shows is that my fine art background means we use projection in a different way. It can be done in many ways, but we’re unique in that it’s not the projection that drives what we do but the other way round; the art drives it.

“To me, as a fine artist, the excitement lies in the gardens and what you bring into the public realm: the excitement of the audience seeing the installations and taking what they want from them, because it’s not prescriptive.

“In fact we tell our audiences to forget the technology because it’s the least important part. We use it as a medium to celebrate moments, so the technology is like a canvas to paint pictures.”

As part of his research, Peter visited the Museum Gardens several times. “Just by walking through them, it allows you to understand the gardens’ character and the visitor experience, and these gardens are such a fitting place to be doing Echoes Of Yorkshire. The audience can really enjoy the experiential moments we have created.”

The writing is on the wall for Luxmuralis’s Echoes Of Yorkshire in the York Museum Gardens. Picture: Created by Luxmuralis

Tickets cost £13.50 per adult; £9.50 for children aged five to 16; free admission for under-fives. Box office: yorkshiremuseum.org.uk. Echoes Of Yorkshire is on a constant loop from 6pm to 8.20pm each night. Please note, only assistance dogs will be allowed into the gardens during the event.

Luxmuralis: back story

LUXMURALIS is the name given to the artistic collaboration of sculptor and fine artist Peter Walker and composer David Harper, who specialise in immersive fine art, light and sound installations around the UK and abroad, creating works across multiple media and presentation formats.

Core to their work is the exploration and development of the fine art tradition through new media, placing contemporary fine art, light and sound production in an art historical context.

Luxmuralis takes art onto the streets and provides access to visual artworks in public as well as unexpected places.

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York Museums Trust receives £192,096 from National Heritage Memorial Fund to save Melsonby Hoard for the nation

Dr Adam Parker, curator of Archaeology at York Museums Trust, handling an object in the Melsonby Hoard collection. Picture: Gareth Buddo for York Museums Trust

THE Yorkshire Museum, in York, has received £192,096 from the National Heritage Memorial Fund alongside public fundraising to acquire the Melsonby Hoard for future generations.

Discovered by a metal detectorist in 2021, near the village of Melsonby, North Yorkshire, the collection of more than 800 Iron Age artefacts dates back 2,000 years.

The hoard is a groundbreaking discovery for Iron Age research, featuring objects such as chariot wheels, cauldrons, horse bridles and ceremonial spears.

The quantity and variety of objects are unusual and have important implications for reassessing our understanding of Iron Age life in the north of England.

The hoard was excavated by a team of archaeologists from Durham University who stabilised and began researching this extraordinary find with financial support of more than £120,000 from Historic England and expert advice from the British Museum.

The find was reported under the Treasure Act 1996, administered by the Treasure Registry at the British Museum on behalf of the Department for Culture Media and Sport, and recorded with the Portable Antiquities Scheme.

Dr Andrew Woods, left, and Dr Adam Parker

Thanks to the collective hard work of these organisations, alongside support from the National Heritage Memorial Fund, £54,000 in donations from the public, via the online crowdfunder, and a further £20,000 in other donations, the purchase of the hoard has been secured for the Yorkshire Museum.

Here, further research, conservation and analytical work will be carried out to learn more about its contents and ensure its long-term preservation. It will also become an important part of the Yorkshire Museum’s public programme, sharing the discovery with the museum’s visitors.

The Yorkshire Museum will be continuing its fundraising work to support the next steps for the hoard: conservation, display and research. Conservation will be undertaken to stabilise objects and prepare them for display.

The museum will work in partnership to undertake detailed research into the objects, their context and their significance for understanding life in the Iron Age.

The National Heritage Memorial Fund exists as a fund of last resort to support the acquisition, preservation and maintenance of the UK’s most outstanding heritage to create a publicly accessible and timeless collection as a memorial for those who have given their lives for the UK.

Kathryn Blacker, chief executive of York Museums Trust, said: “The Melsonby Hoard is a significant piece of Yorkshire’s history and York Museums Trust is delighted to have secured the funding to acquire the hoard for the nation.

Objects from the Melsonby Hoard, secured for the Yorkshire Museum. Picture: Gareth Buddo for York Museums Trust

“Thanks to the incredible support of the National Heritage Memorial Fund, as well as generous donations from members of the public, the hoard will remain here in Yorkshire, to be made available for everyone to see and to enjoy.

“We remain committed to researching and conserving these unprecedented finds to improve our understanding of our shared past and securing them for future generations.”

Simon Thurley, chair of the National Heritage Memorial Fund, said: “The Melsonby Hoard throws bright new light on Iron Age life in Yorkshire and beyond. We are pleased to support this acquisition, which will keep the hoard intact, in the county in which it was buried and enable research to take place to gain a deeper insight into its origin and history.

“We are delighted to count the Melsonby Hoard as part of the growing and timeless collection of UK heritage that belongs to all of us forever.”

Dr Andrew Woods, head of research and collections at York Museums Trust, said: “The support from the public, other heritage organisations and the National Heritage Memorial Fund means the Melsonby Hoard remains in Yorkshire for the public.

“This is only the beginning of the story. Next the Yorkshire Museum will work in partnership to undertake a careful programme of conservation to reveal more of the hoard’s beauty and to keep it protected for future generations.

Handle with care: A close-up of an object from the Melsonby Hoard. Picture: Gareth Buddo for York Museums Trust

“There will also be a research project to understand the stories of creation and deposition. Over the coming years the hoard will be put on display, and we cannot wait to share it with our visitors.”

Deputy leader of City of York Council and executive member for economy and culture, Councillor Pete Kilbane, said: “The huge level of public interest in the Melsonby Hoard, and support for keeping it in York, shows just how much people value our city’s role in showcasing the heritage of Yorkshire and these islands that we call home.  It’s a major addition to a fantastic collection in the heart of York. 

“Thanks to all the organisations and public who have supported the project so far.  It feels like we are writing the next chapter in understanding our shared history, and York is at the centre of that story.”

The Yorkshire Museum, Museum Gardens, Museum Street, York, is open Tuesday to Sunday, 10am to 5pm.

The Melsonby Hoard: the back story

IN 2021, a metal detectorist unearthed a vast array of Iron Age metalwork in Melsonby, North Yorkshire. More than 800 items were uncovered, including parts of vehicles such as chariots, weapons and cauldrons, as well as hundreds of individual items, in the largest hoard of Iron Age metalwork found in the UK.

The site is located next to the hillfort at Stanwick, the royal capital of Cartimandua, queen of the Brigantes tribe, and less than 50 miles from the Yorkshire Museum.

This hugely significant discovery is an archaeological time capsule from 2,000 years ago, buried in the first century around the time of the Roman conquest of southern Britain. The quantity and variety of objects found together are highly unusual for the Iron Age.

The hoard includes partial remains of more than seven wagons and chariots, elaborate harnesses for at least 14 horses, three ceremonial spears, two ornate cauldrons, and an iron mirror. Similarities to objects found in France and Denmark and coral imported from the Mediterranean reveal a community with international connections.

A large amount of the material within the hoard was either burnt or broken at the time of burial, suggesting a symbolic process of people showing their wealth and power by destroying the objects.

The fundraising campaign

THE Melsonby Hoard is a game-changing discovery, shedding new light on Iron Age Britain’s technological skill, artistry, trading links and society. Without urgent action, however, this treasure could have been lost to private collections or dispersed beyond the UK.

The value of the hoard was assessed at £254,000. Raising this amount was sufficient to save the hoard from private sale, keeping it in a public museum where it will be available for research and public display.

The objects are all 2,000 years old and require professional conservation to prevent deterioration of the fragile metalwork, enamel and coral. To protect the hoard into the future, additional funds for conservation are needed, so the fundraising continues.

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More Things To Do in York and beyond when Viking beards roam the streets. Hutch’s List No. 7, from The York Press

Stag burning at the Jorvik Viking Festival. More fun and games next week. Picture: Charlotte Graham

THE boat-burning Vikings are back as Charles Hutchinson looks forward to an action-packed February half-term.

Festival of the week: 40th anniversary Jorvik Viking Festival, York, February 17 to 23

A NEW Viking longship, a sword that never misses its target and recreations of the world’s largest fossilised poo take centre stage at Europe’s largest Viking Festival over half-term. Five days of Norse fun, living history, hands-on combat and lectures culminate in a parade of more than 200 Vikings through the historic streets on February 22 and two dramatic evening son-et-lumière shows. 

A free living history encampment takes over Parliament Street with an array of tents featuring craftsmen and traders, with the opportunity to handle replica armour and weapons. For the full programme and to book tickets, go to jorvikvikingfestival.co.uk.

Emma Swainston’s Elle Woods, seated, with Bruiser, the Chihuahua (played by Lily), in York Light Opera Company’s Legally Blonde The Musical. Picture: Matthew Kitchen Photography

The power of pink musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, until February 22, 7.30pm nightly (except February 16) plus 2.30pm matinees today, February 20 and 22

JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way, Elle discovers her own strength and intelligence, “proving that you can be both blonde and brilliant”.

Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with its powerful message of staying true to yourself, booted with music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.

David O’Doherty: Irish humour and song at Grand Opera House, York

Comedy show of the week: David O’Doherty, Tiny Piano Man, Grand Opera House, York, tonight, 8pm

THE dishevelled prince of €10 eBay keyboards tries to make you feel alive with a pageant of Irish humour, song and occasionally getting up from a chair. “It’s gonna be a big one,” says Dublin comedian, author, musician, actor and playwright David O’Doherty, star of The Great Celebrity Bake Off 2024 and Along For The Ride With David O’Doherty. Box office: atgtickets.com/york.

Chloe Petts: Getting personal in How You See Me, How You Don’t at Theatre@41, Monkgate

Alternative comedy gig of the week: Chloe Petts, How You See Me, How You Don’t, Theatre@41, Monkgate, York, tonight, 8pm

CHLOE Petts returns with a new show and this time she’s getting personal. Between her newly found trolls, ‘oldly’ found school bullies and an excellent relationship with her food tech teacher, she brings her trademark ‘laddishness’ to tell you who she really is, all while her Head Girl badge glistens on her chest. Box office for returns only: tickets.41monkgate.co.uk.

Gareth Gates: Turning romantic crooner in a Valentine mood at York Barbican

Romantic concert of the week: Gareth Gates Sings Love Songs From The Movies – A Valentine Special, York Barbican, Sunday, 7.30pm

EXTENDING the St Valentine’s Day vibes to the weekend, Bradford singer Gareth Gates combines beloved ballads from classic films with the electrifying energy of up-tempo hits, from Unchained Melody to Dirty Dancing, in a celebration of love stories that have graced the silver screen.

Joining the 2002 Pop Idol alumnus and musical star will be Wicked actress Maggie Lynne, Dutch singer Britt Lenting, Performers College graduate Dan Herrington and a four-piece band. Box office: yorkbarbican.co.uk.

Abbie Budden’s Annette Hargrove in Bill Kenwright Ltd’s production of Cruel Intentions: The’90s Musical, on tour at Grand Opera House, York, from Tuesday. Picture: Pamela Raith

Dangerous liaison of the week: Cruel Intentions: The ’90s Musical, Grand Opera House, York, February 18 to 22, Tuesday to Thursday, 7.30pm; Wednesday, 2.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm

CREATED by Jordan Ross, Lindsey Rosin and Roger Kumble from Kumble’s 1999 film spin on Les Liaisons Dangereuses, this American musical is powered by the 1990s’ pop gold dust of Britney Spears, Boyz II Men, Christina Aguilera, TLC, R.E.M., Ace Of Base, Natalie Imbruglia and The Verve.

Step siblings Sebastian Valmont (Will Callan) and Kathryn Merteuil (Nic Myers) engage in a cruel bet, where Kathryn goads Sebastian into attempting to seduce Annette Hargrove (Abbie Budden), the headmaster’s virtuous daughter. Weaving a web of secrets and temptation, their crusade wreaks havoc on the students at their exclusive Manhattan high school. Soon the dastardly plotters become entangled in their own web of deception and unexpected romance, with explosive results. Box office: atgtickets.com/york.

Stuart Green’s police inspector, Truscott, left, and Miles John’s thief, Dennis, in rehearsal for York Settlement Community Players’ production of Loot

Scandalous play of the week: York Settlement Community Players in Loot, York Theatre Royal Studio, February 18 to 27, 7.45pm except February 23; 2pm, February 22

KATIE Leckey directs the Settlement Players in agent provocateur Joe Orton’s scabrous 1965 farce, the one with two thieves, dodgy police officers, adult themes, offensive language, sexism and xenophobia, references to sexual assault, including rape and necrophilia, a live actor playing a dead body in a coffin and digs at the Roman Catholic Church.

Don’t let that put you off! Yes, it still carries a content warning and age recommendation of 16 upwards, but it remains outrageously funny. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Wharfemede Productions director Helen Spencer, centre, rehearsing her role as Marmee in Little Women with Connie Howcroft’s Jo, left, Catherine Foster’s Meg, Rachel Higgs’s Beth and Tess Ellis’s Amy. Picture: Matthew Warry

Marching on together: Wharfemede Productions: Little Women – The Broadway Musical, Theatre@41, Monkgate, York, February 18 to 22, 7.30pm plus 2.30pm Saturday matinee

HELEN Spencer directs York company Wharfemede Productions in their first solo show, playing Marmee too in Allan Knee, Jason Howland and Mindi Dickstein’s musical account of Louisa May Alcott’s story of the March sister – traditional Meg, wild, aspiring writer Jo, timid Beth and romantic Amy – growing up in Concord, Massachusetts, while their chaplain father is away serving during the American Civil War. Box office: tickets.41monkgate.co.uk.

Ugg’n’Ogg tell the story of The World’s First Dogg at Milton Rooms, Malton

Children’s play of the week: Rural Arts presents Fideri Fidera in Ugg’n’Ogg & The World’s First Dogg, Milton Rooms, Malton, February 20, 2pm

IN the fresh sparkling world just after the last Ice Age, there were no dogs. How, then, did we attain our best friend and the world’s number one pet? Luckily for us, along came young hunter gatherers Ugg‘n’Ogg to pal up with the wolves, Tooth’n’Claw, to defy flying meat bones, raging forest infernos and even a time-travelling stick to invent the dog.

This original play for pooch lovers aged three upwards highlights the evolutionary transition from lupine to canine in a show full of physical comedy, puppets, music and song. Box office: 01653 696240 or themiltonrooms.com.

In Focus: Exhibition refresh: Secrets Of Dress, Yorkshire Castle Museum, Fashion Gallery, Eye of York, York, from February 15

Fashion exhibits in the Secrets Of Dress exhibition at York Castle Museum. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust

YORK Castle Museum’s Fashion Gallery has been refreshed, remodelled and enhanced for 2025 with new items and fresh interpretations to show Secrets Of Dress from the Middle Ages to the opening decades of the 21st century.

Not merely a fashion exhibition,  this re-boot is an opportunity to look at dress and textiles from the perspective of social history, exploring what clothes and accessories can reveal about our lives and experiences.

Every object has a secret to tell, hence Secrets Of Dress provides insights into ways of life that are very different to today and yet relatable. From 400-year-old sequins to Second World War utility shoes, from the cottage industry of old Yorkshire to the factory-produced fashions of the industrial age, this is social history brought alive by the story of dress.

Dr Faye M Prior, Curator of Social History, with a 1970s’ outfit designed by Angela Holmes for her York-based fashion brand Droopy & Browns. The outfit was kindly donated by Angela’s sister, Leone Cockburn, and her niece, Clare Cockburn. Picture:  Duncan Lomax, Ravage Productions, for York Museums Trust

This bespoke exhibition has been updated for the 21st century with a new section focusing on the City of York: York Makers. Thanks to the diligent research of York Castle Museum volunteers, York Makers presents York-made clothing, textiles and textile-working tools from the Middle Ages to the present day, alongside the stories of the people who made and used them.

York Makers celebrates creative people who lived and worked in York, some of whom contributed nationally as well as regionally to fashion.

On display are outfits by York-based designers Angela Holmes, founder of Droopy & Browns, and Vivien Smith, founder of Vivien Smith Simply Clothes. These two entrepreneurs created iconic fashion brands that offered distinctive styles on the high street from the 1960s to the early 2000s.

Gloves made of straw from the Secrets Of Dress exhibition at York Castle Museum. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust

Other York Makers include Victorian shirtmaker Herbert Morris Crouch, who ran his own shop on Coney Street, and Mrs Maria Cook, the dressmaker whose ‘Made In York’ label sparked the volunteer research project.

Secrets Of Dress showcases 500 years of clothing, accessories and textiles, including items never displayed until now. Every object has something to tell, and many show repairs and adaptations, revealing how practices thought to be modern, such as ‘upcycling’ and ‘remaking’, have a long tradition.

Displayed in an accessible and fun way, iconic items and textiles from the 1960s and 1970s will be recognisable immediately. Visitors can touch, feel and try on costumes re-created by costume designer Naomi Pugh – aka ‘Nomes’ – of Textiles by Gnomes, and enjoy family trails with Little Spotters Trails, including a colouring page for creative little ones.

York Castle Museum is open Monday, 11am to 5pm; Tuesday to Sunday, 10am to 5pm. Tickets: adult £17; child £10.20; concessions available. Tickets are valid for 12 months. Children of York residents enter for free.

Visitors taking a close look at clothing and shoes in the Secrets Of Dress exhibition at York Castle Museum. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust

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