Who was Mary Bateman? Find out at Colour & Light 2026 at York Castle Museum and Clifford’s Tower
THOUSANDS of visitors have already enjoyed Colour & Light 2026 as the dual-façade projection show continues to light up York Castle Museum and Clifford’s Tower.
Now into its final week, the family-friendly free event has turned the Eye of York into a gathering point each evening, when audiences can watch a fully choreographed ten-minute projection on rotation.
Delivered by York BID in partnership with Edinburgh installation designers Double Take Projections, as well as York Museums Trust and English Heritage, this winter’s show brings York’s rogues and rebels, scoundrels and legends to life in a projected experience that draws on the city’s rich and sometimes surprising history.
Despite the incessant rain, an estimated 24,000 people watched Colour & Light 2026 in its first week when, at its peak, more than 1,200 people gathered to watch a single showing on the first Saturday evening, as York & Light seeks to surpass the 100,000 viewing figures for last year’s 18 shows per night across 20 nights.
Backed by £46,914 funding from the York and North Yorkshire Combined Authority, Colour & Light has drawn large and varied crowds into the city centre during February’s coldest and darkest weeks, supporting York’s evening economy at a quieter time of year.
Carl Alsop, operations manager at York BID, says: “Seeing over 1,200 people gathered together for one show on that first Saturday really highlighted what Colour & Light has become: a moment people experience together in the city centre.
“Despite the very wet weather we’re experiencing at the moment, the atmosphere has been strong each night, with people meeting up, bringing family and enjoying York after dark. There’s still time to see it, and we hope many more people will take the opportunity.”
Siona Mackelworth, Head of Audience and Programme at York Museums Trust, says: “York Castle Museum is pleased to be supporting York BID on Colour & Light for 2026. York Museums Trust last participated in 2024, when the projections of our incredible collections lit up the front of York Art Gallery.
“The 2026 show brings something different as it explores some of York’s potentially lesser-known history and, for the first time, will be projected across multiple buildings. Working in conjunction with York BID and English Heritage at Clifford’s Tower has been an exciting venture in bringing two iconic York locations together.”
David Skaith, Mayor of York & North Yorkshire, says: “High streets are constantly changing, but they have, and always will be, hubs for our communities. That’s why I’m backing community-led projects across York and North Yorkshire.
“Like Colour & Light in York, which brings people into the city centre with a light show projected onto some of York’s best-known buildings. It’s a simple but creative way to attract visitors and give everyone something special to enjoy.
“Residents and businesses understand most what is needed in their communities, and I am proud to be backing their plans with my £10m Vibrant and Sustainable High Street Fund.”
Among those rebellious and legendary figures featured in Colour & Light 2026 are Dick Turpin and Guy (or “Guido”) Fawkes, Mary Bateman, Swift Nick, Eric Bloodaxe, Moonlight Maggie, the Filey Brigg Dragon, the Roman Soldiers at Treasurer’s House and the Barghest, a legendary monstrous black dog that haunts the snickelways and streets of York.
“We’re so lucky to be from a city that is so rich in heritage,” says Carl. “Everyone loves a villain: someone with an edge and whose backstory is as intriguing as it is alarming.
“They’ve got questionable morals and they’ve got complexities, complexities that keep appearing in fictional characters. This is what draws us in and is what we have in abundance in this city.”
The continuous, looped Colour & Light show runs every evening until Sunday (22/2/2026), with projections starting at 6pm and running every ten minutes until 9pm. Admission is free; no tickets are required; the best viewing point is the Eye of York.
Luxmuralis’s Echoes Of Yorkshire installation on the St Mary’s Abbey ruins in the York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust
LET light, colour and music surround you at the Echoes Of Yorkshire light and sound installation conjured by Luxmuralis, who bring alive the culturally rich story of the Yorkshire Museum and York Museum Gardens from 1,000 images.
Visitors are invited to “immerse yourself in the story of the historic site with contemporary light and music showcasing its age-defining artefacts and extraordinary exhibits. Join us to celebrate all that the museum and its gardens bring to our city and the wider north of England”.
In the 30-year collaboration of Staffordshire bronze sculptor, fine artist and immersive installation artist Peter Walker and composer David Harper, Luxmuralis travels the world to create stories in light and sound for audiences at locations ranging from the Tower of London and St Paul’s Cathedral, London, to city-wide open-air projections in places such as Oxford and Limburg in the Netherlands.
Through combining fine art, light and sound, Luxmuralis reflects closely on the history and heritage of places by weaving together the contemporary and the ancient.
The Viking Helmet on the Yorkshire Museum frontage in Luxmuralis’s Echoes Of Yorkshire. Picture: Duncan Savage, Ravage Productions, for York Museums Trust
Now, for the first time, Luxmuralis is transforming the walls of York in Echoes Of Yorkshire in York Museum Gardens for ten evenings filled with six looping art installations and landscape lighting by Steve Rainsford.
Ticketed entry time slots are given every 20 minutes, but once in the gardens visitors can journey through the experience at their own pace with a recommended walking time of one hour. Refreshments will be available to buy on the night, including from Thor’s tipi.
Echoes Of Yorkshire is suitable for all ages. Audiences will experience the gardens’ history from the Roman period to its time as an abbey (St Mary’s Abbey) in tandem with Luxmuralis’s showcase of the Yorkshire Museum’s collections that span 200 million years from the Jurassic and the Mesolithic, through to the Romans, Viking, Anglo Saxon and Medieval.
Welcoming Luxmuralis to York Museum Gardens, Siona Mackelworth, head of audience and programme for York Museums Trust, says: “We are delighted that Luxmuralis agreed to produce a very special and bespoke show for us here in York.
Luxmuralis’s arch installation in York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust
“This is a celebration of all that the Yorkshire Museum brings to the city, its history and the location as the repository of great discoveries and stories. With this amount of content, the Luxmuralis light and sound show looks amazing.”
Luxmuralis artistic director Peter Walker says: “We’re thrilled to be collaborating with the team at Yorkshire Museum to deliver a truly distinctive experience set within the stunning and historically rich Museum Gardens.
“By drawing inspiration from the museum’s collections, this light installation re-imagines the architecture and landscape in an entirely new and transformative way.”
Peter drew on myriad resources in the York Museum Trust’s collection: the Roman occupation; the Vikings; the Medieval; geology; paleontology; fine art et al. “My job was then to create a ‘portrait’ of the city of York from that collection,” he says.
St Mary’s Abbey ruins bathed in the art and light of Luxmuralis’s Echoes Of Yorkshire. Picture: Duncan Savage, Ravage Productions, for York Museums Trust
“Where we are quite different from illumination shows is that my fine art background means we use projection in a different way. It can be done in many ways, but we’re unique in that it’s not the projection that drives what we do but the other way round; the art drives it.
“To me, as a fine artist, the excitement lies in the gardens and what you bring into the public realm: the excitement of the audience seeing the installations and taking what they want from them, because it’s not prescriptive.
“In fact we tell our audiences to forget the technology because it’s the least important part. We use it as a medium to celebrate moments, so the technology is like a canvas to paint pictures.”
As part of his research, Peter visited the Museum Gardens several times. “Just by walking through them, it allows you to understand the gardens’ character and the visitor experience, and these gardens are such a fitting place to be doing Echoes Of Yorkshire. The audience can really enjoy the experiential moments we have created.”
The writing is on the wall for Luxmuralis’s Echoes Of Yorkshire in the York Museum Gardens. Picture: Created by Luxmuralis
Tickets cost £13.50 per adult; £9.50 for children aged five to 16; free admission for under-fives. Box office: yorkshiremuseum.org.uk. Echoes Of Yorkshire is on a constant loop from 6pm to 8.20pm each night. Please note, only assistance dogs will be allowed into the gardens during the event.
Luxmuralis: back story
LUXMURALIS is the name given to the artistic collaboration of sculptor and fine artist Peter Walker and composer David Harper, who specialise in immersive fine art, light and sound installations around the UK and abroad, creating works across multiple media and presentation formats.
Core to their work is the exploration and development of the fine art tradition through new media, placing contemporary fine art, light and sound production in an art historical context.
Luxmuralis takes art onto the streets and provides access to visual artworks in public as well as unexpected places.
Dr Adam Parker, curator of Archaeology at York Museums Trust, handling an object in the Melsonby Hoard collection. Picture: Gareth Buddo for York Museums Trust
THE Yorkshire Museum, in York, has received £192,096 from the National Heritage Memorial Fund alongside public fundraising to acquire the Melsonby Hoard for future generations.
Discovered by a metal detectorist in 2021, near the village of Melsonby, North Yorkshire, the collection of more than 800 Iron Age artefacts dates back 2,000 years.
The hoard is a groundbreaking discovery for Iron Age research, featuring objects such as chariot wheels, cauldrons, horse bridles and ceremonial spears.
The quantity and variety of objects are unusual and have important implications for reassessing our understanding of Iron Age life in the north of England.
The hoard was excavated by a team of archaeologists from Durham University who stabilised and began researching this extraordinary find with financial support of more than £120,000 from Historic England and expert advice from the British Museum.
The find was reported under the Treasure Act 1996, administered by the Treasure Registry at the British Museum on behalf of the Department for Culture Media and Sport, and recorded with the Portable Antiquities Scheme.
Dr Andrew Woods, left, and Dr Adam Parker
Thanks to the collective hard work of these organisations, alongside support from the National Heritage Memorial Fund, £54,000 in donations from the public, via the online crowdfunder, and a further £20,000 in other donations, the purchase of the hoard has been secured for the Yorkshire Museum.
Here, further research, conservation and analytical work will be carried out to learn more about its contents and ensure its long-term preservation. It will also become an important part of the Yorkshire Museum’s public programme, sharing the discovery with the museum’s visitors.
The Yorkshire Museum will be continuing its fundraising work to support the next steps for the hoard: conservation, display and research. Conservation will be undertaken to stabilise objects and prepare them for display.
The museum will work in partnership to undertake detailed research into the objects, their context and their significance for understanding life in the Iron Age.
The National Heritage Memorial Fund exists as a fund of last resort to support the acquisition, preservation and maintenance of the UK’s most outstanding heritage to create a publicly accessible and timeless collection as a memorial for those who have given their lives for the UK.
Kathryn Blacker, chief executive of York Museums Trust, said: “The Melsonby Hoard is a significant piece of Yorkshire’s history and York Museums Trust is delighted to have secured the funding to acquire the hoard for the nation.
Objects from the Melsonby Hoard, secured for the Yorkshire Museum. Picture: Gareth Buddo for York Museums Trust
“Thanks to the incredible support of the National Heritage Memorial Fund, as well as generous donations from members of the public, the hoard will remain here in Yorkshire, to be made available for everyone to see and to enjoy.
“We remain committed to researching and conserving these unprecedented finds to improve our understanding of our shared past and securing them for future generations.”
Simon Thurley, chair of the National Heritage Memorial Fund, said: “The Melsonby Hoard throws bright new light on Iron Age life in Yorkshire and beyond. We are pleased to support this acquisition, which will keep the hoard intact, in the county in which it was buried and enable research to take place to gain a deeper insight into its origin and history.
“We are delighted to count the Melsonby Hoard as part of the growing and timeless collection of UK heritage that belongs to all of us forever.”
Dr Andrew Woods, head of research and collections at York Museums Trust, said: “The support from the public, other heritage organisations and the National Heritage Memorial Fund means the Melsonby Hoard remains in Yorkshire for the public.
“This is only the beginning of the story. Next the Yorkshire Museum will work in partnership to undertake a careful programme of conservation to reveal more of the hoard’s beauty and to keep it protected for future generations.
Handle with care: A close-up of an object from the Melsonby Hoard. Picture: Gareth Buddo for York Museums Trust
“There will also be a research project to understand the stories of creation and deposition. Over the coming years the hoard will be put on display, and we cannot wait to share it with our visitors.”
Deputy leader of City of York Council and executive member for economy and culture, Councillor Pete Kilbane, said: “The huge level of public interest in the Melsonby Hoard, and support for keeping it in York, shows just how much people value our city’s role in showcasing the heritage of Yorkshire and these islands that we call home. It’s a major addition to a fantastic collection in the heart of York.
“Thanks to all the organisations and public who have supported the project so far. It feels like we are writing the next chapter in understanding our shared history, and York is at the centre of that story.”
The Yorkshire Museum, Museum Gardens, Museum Street, York, is open Tuesday to Sunday, 10am to 5pm.
The Melsonby Hoard: the back story
IN 2021, a metal detectorist unearthed a vast array of Iron Age metalwork in Melsonby, North Yorkshire. More than 800 items were uncovered, including parts of vehicles such as chariots, weapons and cauldrons, as well as hundreds of individual items, in the largest hoard of Iron Age metalwork found in the UK.
The site is located next to the hillfort at Stanwick, the royal capital of Cartimandua, queen of the Brigantes tribe, and less than 50 miles from the Yorkshire Museum.
This hugely significant discovery is an archaeological time capsule from 2,000 years ago, buried in the first century around the time of the Roman conquest of southern Britain. The quantity and variety of objects found together are highly unusual for the Iron Age.
The hoard includes partial remains of more than seven wagons and chariots, elaborate harnesses for at least 14 horses, three ceremonial spears, two ornate cauldrons, and an iron mirror. Similarities to objects found in France and Denmark and coral imported from the Mediterranean reveal a community with international connections.
A large amount of the material within the hoard was either burnt or broken at the time of burial, suggesting a symbolic process of people showing their wealth and power by destroying the objects.
The fundraising campaign
THE Melsonby Hoard is a game-changing discovery, shedding new light on Iron Age Britain’s technological skill, artistry, trading links and society. Without urgent action, however, this treasure could have been lost to private collections or dispersed beyond the UK.
The value of the hoard was assessed at £254,000. Raising this amount was sufficient to save the hoard from private sale, keeping it in a public museum where it will be available for research and public display.
The objects are all 2,000 years old and require professional conservation to prevent deterioration of the fragile metalwork, enamel and coral. To protect the hoard into the future, additional funds for conservation are needed, so the fundraising continues.
Stag burning at the Jorvik Viking Festival. More fun and games next week. Picture: Charlotte Graham
THE boat-burning Vikings are back as Charles Hutchinson looks forward to an action-packed February half-term.
Festival of the week: 40th anniversary Jorvik Viking Festival, York, February 17 to 23
A NEW Viking longship, a sword that never misses its target and recreations of the world’s largest fossilised poo take centre stage at Europe’s largest Viking Festival over half-term. Five days of Norse fun, living history, hands-on combat and lectures culminate in a parade of more than 200 Vikings through the historic streets on February 22 and two dramatic evening son-et-lumière shows.
A free living history encampment takes over Parliament Street with an array of tents featuring craftsmen and traders, with the opportunity to handle replica armour and weapons. For the full programme and to book tickets, go to jorvikvikingfestival.co.uk.
Emma Swainston’s Elle Woods, seated, with Bruiser, the Chihuahua (played by Lily), in York Light Opera Company’s Legally Blonde The Musical. Picture: Matthew Kitchen Photography
The power of pink musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, until February 22, 7.30pm nightly (except February 16) plus 2.30pm matinees today, February 20 and 22
JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way, Elle discovers her own strength and intelligence, “proving that you can be both blonde and brilliant”.
Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with its powerful message of staying true to yourself, booted with music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.
David O’Doherty: Irish humour and song at Grand Opera House, York
Comedy show of the week: David O’Doherty, Tiny Piano Man, Grand Opera House, York, tonight, 8pm
THE dishevelled prince of €10 eBay keyboards tries to make you feel alive with a pageant of Irish humour, song and occasionally getting up from a chair. “It’s gonna be a big one,” says Dublin comedian, author, musician, actor and playwright David O’Doherty, star of The Great Celebrity Bake Off 2024 and Along For The Ride With David O’Doherty. Box office: atgtickets.com/york.
Chloe Petts: Getting personal in How You See Me, How You Don’t at Theatre@41, Monkgate
Alternative comedy gig of the week: Chloe Petts, How You See Me, How You Don’t, Theatre@41, Monkgate, York, tonight, 8pm
CHLOE Petts returns with a new show and this time she’s getting personal. Between her newly found trolls, ‘oldly’ found school bullies and an excellent relationship with her food tech teacher, she brings her trademark ‘laddishness’ to tell you who she really is, all while her Head Girl badge glistens on her chest. Box office for returns only: tickets.41monkgate.co.uk.
Gareth Gates: Turning romantic crooner in a Valentine mood at York Barbican
Romantic concert of the week: Gareth Gates Sings Love Songs From The Movies – A Valentine Special, York Barbican, Sunday, 7.30pm
EXTENDING the St Valentine’s Day vibes to the weekend, Bradford singer Gareth Gates combines beloved ballads from classic films with the electrifying energy of up-tempo hits, from Unchained Melody to Dirty Dancing, in a celebration of love stories that have graced the silver screen.
Joining the 2002 Pop Idol alumnus and musical star will be Wicked actress Maggie Lynne, Dutch singer Britt Lenting, Performers College graduate Dan Herrington and a four-piece band. Box office: yorkbarbican.co.uk.
Abbie Budden’s Annette Hargrove in Bill Kenwright Ltd’s production of Cruel Intentions: The’90s Musical, on tour at Grand Opera House, York, from Tuesday. Picture: Pamela Raith
Dangerous liaison of the week: Cruel Intentions: The ’90s Musical, Grand Opera House, York, February 18 to 22, Tuesday to Thursday, 7.30pm; Wednesday, 2.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm
CREATED by Jordan Ross, Lindsey Rosin and Roger Kumble from Kumble’s 1999 film spin on Les Liaisons Dangereuses, this American musical is powered by the 1990s’ pop gold dust of Britney Spears, Boyz II Men, Christina Aguilera, TLC, R.E.M., Ace Of Base, Natalie Imbruglia and The Verve.
Step siblings Sebastian Valmont (Will Callan) and Kathryn Merteuil (Nic Myers) engage in a cruel bet, where Kathryn goads Sebastian into attempting to seduce Annette Hargrove (Abbie Budden), the headmaster’s virtuous daughter. Weaving a web of secrets and temptation, their crusade wreaks havoc on the students at their exclusive Manhattan high school. Soon the dastardly plotters become entangled in their own web of deception and unexpected romance, with explosive results. Box office: atgtickets.com/york.
Stuart Green’s police inspector, Truscott, left, and Miles John’s thief, Dennis, in rehearsal for York Settlement Community Players’ production of Loot
Scandalous play of the week: York Settlement Community Players in Loot, York Theatre Royal Studio, February 18 to 27, 7.45pm except February 23; 2pm, February 22
KATIE Leckey directs the Settlement Players in agent provocateur Joe Orton’s scabrous 1965 farce, the one with two thieves, dodgy police officers, adult themes, offensive language, sexism and xenophobia, references to sexual assault, including rape and necrophilia, a live actor playing a dead body in a coffin and digs at the Roman Catholic Church.
Don’t let that put you off! Yes, it still carries a content warning and age recommendation of 16 upwards, but it remains outrageously funny. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Wharfemede Productions director Helen Spencer, centre, rehearsing her role as Marmee in Little Women with Connie Howcroft’s Jo, left, Catherine Foster’s Meg, Rachel Higgs’s Beth and Tess Ellis’s Amy. Picture: Matthew Warry
Marching on together: Wharfemede Productions: Little Women – The Broadway Musical, Theatre@41, Monkgate, York, February 18 to 22, 7.30pm plus 2.30pm Saturday matinee
HELEN Spencer directs York company Wharfemede Productions in their first solo show, playing Marmee too in Allan Knee, Jason Howland and Mindi Dickstein’s musical account of Louisa May Alcott’s story of the March sister – traditional Meg, wild, aspiring writer Jo, timid Beth and romantic Amy – growing up in Concord, Massachusetts, while their chaplain father is away serving during the American Civil War. Box office: tickets.41monkgate.co.uk.
Ugg’n’Ogg tell the story of The World’s First Dogg at Milton Rooms, Malton
Children’s play of the week: Rural Arts presents Fideri Fidera in Ugg’n’Ogg & The World’s First Dogg, Milton Rooms, Malton, February 20, 2pm
IN the fresh sparkling world just after the last Ice Age, there were no dogs. How, then, did we attain our best friend and the world’s number one pet? Luckily for us, along came young hunter gatherers Ugg‘n’Ogg to pal up with the wolves, Tooth’n’Claw, to defy flying meat bones, raging forest infernos and even a time-travelling stick to invent the dog.
This original play for pooch lovers aged three upwards highlights the evolutionary transition from lupine to canine in a show full of physical comedy, puppets, music and song. Box office: 01653 696240 or themiltonrooms.com.
In Focus:Exhibition refresh: Secrets Of Dress, Yorkshire Castle Museum, Fashion Gallery, Eye of York, York, from February 15
Fashion exhibits in the Secrets Of Dress exhibition at York Castle Museum. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust
YORK Castle Museum’s Fashion Gallery has been refreshed, remodelled and enhanced for 2025 with new items and fresh interpretations to show Secrets Of Dress from the Middle Ages to the opening decades of the 21st century.
Not merely a fashion exhibition, this re-boot is an opportunity to look at dress and textiles from the perspective of social history, exploring what clothes and accessories can reveal about our lives and experiences.
Every object has a secret to tell, hence Secrets Of Dress provides insights into ways of life that are very different to today and yet relatable. From 400-year-old sequins to Second World War utility shoes, from the cottage industry of old Yorkshire to the factory-produced fashions of the industrial age, this is social history brought alive by the story of dress.
Dr Faye M Prior, Curator of Social History, with a 1970s’ outfit designed by Angela Holmes for her York-based fashion brand Droopy & Browns. The outfit was kindly donated by Angela’s sister, Leone Cockburn, and her niece, Clare Cockburn. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust
This bespoke exhibition has been updated for the 21st century with a new section focusing on the City of York: York Makers. Thanks to the diligent research of York Castle Museum volunteers, York Makers presents York-made clothing, textiles and textile-working tools from the Middle Ages to the present day, alongside the stories of the people who made and used them.
York Makers celebrates creative people who lived and worked in York, some of whom contributed nationally as well as regionally to fashion.
On display are outfits by York-based designers Angela Holmes, founder of Droopy & Browns, and Vivien Smith, founder of Vivien Smith Simply Clothes. These two entrepreneurs created iconic fashion brands that offered distinctive styles on the high street from the 1960s to the early 2000s.
Gloves made of straw from the Secrets Of Dress exhibition at York Castle Museum. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust
Other York Makers include Victorian shirtmaker Herbert Morris Crouch, who ran his own shop on Coney Street, and Mrs Maria Cook, the dressmaker whose ‘Made In York’ label sparked the volunteer research project.
Secrets Of Dress showcases 500 years of clothing, accessories and textiles, including items never displayed until now. Every object has something to tell, and many show repairs and adaptations, revealing how practices thought to be modern, such as ‘upcycling’ and ‘remaking’, have a long tradition.
Displayed in an accessible and fun way, iconic items and textiles from the 1960s and 1970s will be recognisable immediately. Visitors can touch, feel and try on costumes re-created by costume designer Naomi Pugh – aka ‘Nomes’ – of Textiles by Gnomes, and enjoy family trails with Little Spotters Trails, including a colouring page for creative little ones.
York Castle Museum is open Monday, 11am to 5pm; Tuesday to Sunday, 10am to 5pm. Tickets: adult £17; child £10.20; concessions available. Tickets are valid for 12 months. Children of York residents enter for free.
Visitors taking a close look at clothing and shoes in the Secrets Of Dress exhibition at York Castle Museum. Picture: Duncan Lomax, Ravage Productions, for York Museums Trust
After playing Forest Live at Dalby Forest last June, Nile Rodgers will return to the great Yorkshire outdoors to headline Live At York Museum Gardens in July
NILE Rodgers & CHIC is the second headliner to be confirmed for Futuresound’s summer concert series Live At York Museum Gardens.
The trail-blazing New York-born disco musician, songwriter, guitarist and record producer, 72, will be joined on the July 4 bill by special guest Jalen Ngonda, the American soul, hip hop and jazz singer and songwriter who found his voice in Liverpool.
As a founding member of CHIC, Rodgers is responsible for such hits as Everybody Dance, I Want Your Love and Good Times and as a producer he has collaborated with David Bowie, Madonna, Coldplay, Beyoncé and Daft Punk.
Elbow: Live At York Museum Gardens concert on July 3 has sold out
Futuresound Group’s first show confirmed for 2025, featuring Mercury Prize winners Elbow on July 3, has sold out already and further shows are set to be announced imminently for July 5 and 6.
Presented in tandem with York Museums Trust, the Leeds-based promoter’s inaugural July 2024 weekend drew 12,000 music fans to a brace of 30th anniversary home-city gigs by Shed Seven, with special guest Peter Doherty, preceded by Anglo-Italian singer-songwriter Jack Savoretti the previous night.
Rachel Hill, Futuresound Group’s project manager, says: “We’re incredibly excited to be working with York Museums Trust for our second year on Live at York Museums Gardens. Announcing the one and only Nile Rodgers and CHIC performing in the gardens is just surreal, especially off the back of Elbow selling out! 2025’s Live at York Museum Gardens series is shaping up to be an unmissable addition to the city’s summer calendar.”
Richard Saward, head of operations at York Museums Trust, says: “We are beyond delighted to welcome Nile Rogers and CHIC to York Museum Gardens this summer. With the band’s unbelievable repertoire and legendary live reputation, we’re already looking forward to a fantastic evening with everyone in full boogie mode.”
Founded in the 1830s, York Museum Gardens comprise ten acres of botanic gardens set against the backdrop of the ruins of St Mary’s Abbey and are the home to the Yorkshire Museum too. The gardens welcome around 1.3 million visitors a year.
Shed Seven’s Paul Banks, left, and Rick Witter performing at Live At York Museum Gardens last July. Picture: David Harrison
Ghosts After Dark: Lighting up York Museum Gardens for four nights
EXPERIENCE Ghosts in the Garden like never before! So reads the York BID and York Museums Trust invitation to the first ever Ghosts After Dark at York Museum Gardens,
Showcasing York’s rich tapestry of historical figures with light, sound and storytellers for four nights only, this exclusive event runs from today (7/11/2024) to Sunday from 6.30pm to 9.30pm nightly with last entry at 8.30pm.
Tickets are selling out fast, so prompt booking is advised. Once booked, ticket holders will receive an information pack with a map to help them to plan their night.
Ghost garden visitors can choose their own path to explore the ghostly sculptures, hidden around the gardens, each lit dynamically against an atmospheric background of smoke and sound.
Ghosts After Dark will feature an exclusive new ghost sculpture, a medieval pig, “celebrating the city’s history that can still be felt today”. The sculpture is an homage to Finkle Street, once known colloquially as Mucky Pig Lane, on account of being used as a through passage to move pigs to the Thursday Market, held in St Sampson’s Square, and the Swinegate Markets.
Mad Alice: Telling gruesome tales by the St Mary’s Abbey ruins in York Museum Gardens
York storytellers and ghost walkers will share a mix of much-loved classics and previously unheard stories every 15 minutes. For lovers of all things gruesome, Mad Alice, of the Bloody Tour of York, will share the grisly truth about the Archbishop, Executioner, Bear and Stone Mason at the Ruins.
Lady Brigante, of the Polite Tourist, will uncover the criminal past of the hidden stories of the Victorian Lady and Gentleman, Artist and Merchant at the Hideaway. The Wild Man of the Woods will explore the lore around the Cat, Fox, Pig and Falcon in the Woodland Clearing.
The York Dungeon’s Dick Turpin will recount how he met his infamous end at Palmer’s Corner while the Dungeon’s Guy Fawkes will share his ill-fated past at the Plot.
For those brave enough, Dr Dorian Deathly, of the Deathly Dark Tours, will lead visitors on a lantern-lit tour of St Olave’s Church, sharing a story made exclusively for Ghosts After Dark. “You will have to wear Bluetooth headphones for this one, with atmospheric music as he walks you through the churchyard with his spooky stories of monks and nuns,” says Carl.
Ghosts After Dark is the new companion piece to Ghosts In The Garden, which began four years ago with ten ghosts installations in York Museum Gardens. “It started as a spooky offering for Halloween but we quickly decided it wasn’t really about that,” says York BID operations manager Carl Alsop. “Year two and three we spread our wings and now it gets more exciting and challenging each year, with 45 sculptures this year.
“Like acknowledging Yorkshire’s oldest working observatory being in the Museum Gardens. We thought, ’let’s put a Georgian astrologer in there’. Or the Bear, because there was a menagerie here in the late 1800s that used to escape and chase the gardener around. Or the Mill, which now stands outside the Castle Museum, that used to be a working mill on the Moors.
Dr Dorian Deathly: Leading visitors on a lantern-lit tour of St Olave’s Church
“There’s a ‘long duck’ too because we do have ducks in the Museum Gardens but people can interpret it as attribute to a certain Long Boi at the University of York.”
The wire mesh sculptures are created by York company Unconventional Designs. “We have used them since the start,” says Carl. “We give them a character and an idea about the character and they come back with the design.
“The low aperture wire mesh is the gift that keeps on giving after I had this crazy idea! People might say why would you use chicken wire but the way you look at each sculpture changes depending on the time of day. Some of them appear, some of them disappear, in the changing light, because of the way they are set up!”
The York Bid and York Museums Trust has been keen to “keep growing this event, not just increasing the number of sculptures and locations, from the rail signaller at the railway station to a female stonemason at Holy Trinity Church, a taylor at Merchant Taylors Hall to a beekeeper in St Olave’s Grove,” says Carl.
“Now we’ve added this ticketed event, Ghosts After Dark, for the first time as we want to bring business into the city in what can be a quieter time of the year, coming to the city not only for the ghost sculptures but also to enjoy York’s evening economy. The ghosts will be lit up with different colours after we did a dress rehearsal to trial colours with fog and background music.”
Ghosts After Dark, York Museum Gardens, Museum Street, York, tonight to Sunday. Box office: yorkmuseumstrust.org.uk. Tickets cost £7.50 for adults and just £1 for under-16s.
Elbow: July 3 headliners for next summer’s Live At York Museum Gardens concert series
GUY Garvey’s Mercury Prize-winning Bury band Elbow are confirmed as the first headliner for Futuresound’s second Live At York Museum Gardens concert weekend, after the sold-out success of Shed Seven’s 30th anniversary shows and Jack Savoretti this summer.
Elbow will be supported by Ripon-born, London-based singer-songwriter Billie Marten and Robin Hood’s Bay folk luminary Eliza Carthy & The Restitution.
The York exclusive postcode presale (for YO1, YO24, YO30, YO31 and YO32) goes on sale tomorrow at 10am at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333?pre=postcode. General sales open at 10am on Friday at https://futuresound.seetickets.com/event/elbow/york-museum-gardens/3195333.
Rachel Hill, project manager for Futuresound Group, said: “We are absolutely thrilled to be working with the York Museum Gardens team once more for another great event. This year was such a proud moment for all involved.
“Witnessing how incredibly important it is to the people of York, their support and how it was received is so heart-warming. Seeing the city come to light and witnessing the benefits of the economic impact was a wonderful thing.”
Richard Saward, head of operations at fellow event promoters, York Museums Trust, said: “We are excited to welcome the concerts back to York Museum Gardens in 2025. The events last year brought in new audiences to the city and the gardens, with the income we raised invested back into our museums, galleries and collections.”
Watch this space for further news of next summer’s Live At York Museums Gardens programme.
Specialist builder Leo Wolterbeek within the Mesolithic build at York Museum Gardens. Picture: Gareth Buddo
IT took four days for two Dutchmen to build “Britain’s oldest house” in York Museum Gardens, where the Mesolithic Hut will stand until September 1.
Made of reeds, matting and twine, the house design dates from 11,000 years ago, transporting visitors back to life in North Yorkshire in the Mesolithic age, the Middle Stone Age, between the Palaeolithic and the Neolithic.
Teams from York Museums Trust and the University of York have combined with experts in ancient technology and archaeology to build the replica house in front of the Yorkshire Museum, using evidence, techniques and materials, such as stone tools and plant materials, gleaned from the prehistoric archaeological site at Star Carr, five miles south of Scarborough, where the oldest known house in Britain was discovered.
University of York head of archaeology Professor Nicky Milner and postdoctoral research fellow Dr Jess Bates are spearheading the project with specialist craftsman Diederik Pomstra and builder Leo Wolterbeek and support from Dr Adam Parker, curator of archaeology at York Museums Trust, in a project made possible by £10,000 funding from the National Heritage Lottery Fund.
“Being an archaeologist is like being a detective, using clues to build the picture,” says Professor Nicky Milner, head of archaeology at the University of York. Picture: Gareth Buddo
Dr Parker says: “This is an extraordinary opportunity to experience a Mesolithic build, using evidence-based information such as the tools and the resources, much of which we are showing in the Yorkshire Museum.
“Taking our lead from Star Carr, we are able to harness and harvest materials from the environment that will be similar to the components these people utilised all those years ago.
“Displays at the museum includes the original implements and items left behind from the lives that unfolded there. It’s a chance to get to know and understand a relatively unknown period of history in a fun and open way for all ages. Come and see for yourself.”
Professor Milner says: “We invited Diederik and Leo from the Netherlands, who come over once a year to do experimental archaeological work, because they’re really skilled at prehistoric archaeological buildings.
“For example, they know what materials to use to make the twine for fastening. It’s about understanding the natural world and how to make things out of materials and how to make tools out of flint.”
Specialist craftsman Diederik Pomstra with Professor Nicky Milner and Dr Adam Parker. Picture: Gareth Buddo
The use of reed for the replica house is derived from the research at Star Carr. “We found post holes and a hollow that signified the oldest house in Britain. The soil there was darker and we can look at that soil with its high organic content, in particular the silica cells from different plants, and some of those looked like reeds,” says Prof Milner. “Star Carr was by the river, so there would have been reeds there.
“Jess [Dr Bates] spent three years doing a PhD looking at the flint finds at Star Carr under a microscope, and from that you can tell what the flint was used for: cutting up meat, processing fish; working with hides, bones, antlers and wood. So we begin to understand the activities in the house.
“We can use science to bring alive evidence. In terms of materials, there was a lot of organic material because the preservation was so good, and from the research we can put together a picture of what life was like; what their skills were.”
Prof Milner continues: “Being an archaeologist is like being a detective, using clues to build the picture, working in our experimental centre, where research gives you more questions to be answered.
Diederik Pomstra, left, Leo Wolterbeek, Professor Nicky Milner, of University of York, and Dr Adam Parker, of York Museums Trust, at the Mesolithic Hut build in York Museum Gardens. Picture: Gareth Buddo
“We have to be honest and say there’s an element of speculation, so we think they used reed to build the house as it was by the river, though we can’t confirm that. They may have used animal skins.”
Prof Milner stresses the importance of the partnership with York Museums Trust, whose Star Carr exhibition, Life After The Ice, at the Yorkshire Museum offers visitors the chance to learn more about the site and see tools, objects and ritual artefacts found there.
“We both want people to know about Star Carr, the house, and how we got to where we are now. I don’t mind if we are speculating because it gives everyone a chance to ask questions about the past,” she says.
“Star Carr was first excavated in the 1940s and became very famous in the archaeological world because of the incredible preservation of the site, but locally people didn’t know about it. I didn’t until I went to university and couldn’t believe it was on my doorstep, where I grew up!
Dr Jess Bates, from the University of York, with Elizabeth, left, and Eleanor Grahame-Clarke at the Mesolithic build. Picture: Gareth Buddo
“Since then, it’s been a passion of mine for everyone to learn about it as Star Carr is as important as Stonehenge.”
Dr Parker concurs: “Life After The Ice is our first exhibition after two years of having the Star Carr collection, and this is a Yorkshire collection on display in Yorkshire, informed by research happening in York, telling a story that’s important for us to tell, displaying an archive of international significance, presented in a way that maybe the university couldn’t do.
“This is a project that serves both research and public engagement, and the benefit of what we’re doing this month is that it brings the museum outside, and we hope that by people seeing one, they want to see the other.”
Free activities, such as storytelling with Hoglets Theatre Company and Into Wilderness Bushcraft Adventures, are running in a marquee next to the Mesolithic Hut until September 1, open daily from 10am to 4pm. Participating children must be accompanied by an adult at all times; full details can be found yorkshiremuseum.org.uk.
Access to the Museum Gardens and the Mesolithic build is free; there is a charge for entry to the museum, open 10am to 5pm.
Activities in marquee next to Mesolithic Hut, in front of Yorkshire Museum, Museum Gardens, Museum Street, York
Eleanor Grahame-Clarke learning skills from specialist builder Leo Wolterbeek in York Museum Gardens. Picture: Gareth Buddo
Creative Family Wednesdays: Star Carr Special, August 28, 10.30am to 3.30pm
DROP in anytime – no booking required – for artist-run creative workshops inspired by the Star Carr exhibition, delivered outdoors.
Star Carr Storytelling: August 29, 10.30am to 11.15am; 11.30am to 12.15pm; 2pm to 2.45pm and 3pm to 3.45pm. No need to book.
JOIN Hoglets Theatre, Gemma Curry’s York company, for an adventure into the prehistoric world of Star Carr in these immersive, outdoor story-telling sessions suitable for all the family.
Into Wilderness Bushcraft Adventures, August 30 to September 1,10.30am to 4pm drop-in sessions throughout the day. No booking required.
EXPERIENCE wild Britain from an Aboriginal bushcraft perspective and immerse yourself in the Mesolithic in these hands-on workshops led by the team at Into Wilderness.
In addition, a Star Carr Skills Weekend was held on August 17 and 18, when expert Chris Woodland’s drop-in sessions highlighted Mesolithic craftsmanship, using natural materials, and offered the chance to learn skills needed for everyday life at Star Carr, demonstrating how to turn nettles into twine and shale into decorative pendants.
Leading lights: Riding Lights’ new executive director Oliver Brown, left, and artistic director Paul Birch outside Friargate Theatre in York
RIDING Lights Theatre Company today announces the appointment of its new artistic director, Paul Birch, and executive director, Oliver Brown.
They will serve as joint chief executive officer of the national touring theatre company, based at Friargate Theatre, Lower Friargate, York.
Playwright, sketch writer, improv comedy trailblazer and theatre director Paul Birchrejoins the company as artistic director after holding early roles as its youth theatre director and associate director of education and community.
He succeeds Paul Burbridge, co-founder of the Christian theatre company and artistic director since its foundation in 1977, who died after a short illness in April 2023.
As a freelance writer-director, his work has been produced in many theatres nationwide, expanding into audio dramas and a practice focused on improvisation, collaborating with improvisers from all over the world.
Paul has developed a track record of applied theatre-making and was artistic director of Out Of Character, a York company comprising artists with lived experience of mental illness, for eight years.
“I’ve had the privilege of working with Riding Lights for over 20 years. Paul Burbridge was a great mentor to me and offered me many early opportunities in acting, writing and directing,” he says. His influence and inspirational teaching in theatre-making has had a profound and lasting impact on my work.
“The creativity of Riding Lights has always been about making work with and for all kinds of people in all kinds of places; often those hardest to reach. I’m looking forward to finding new artistic ways to create powerful and joyful theatre in that spirit.”
Riding Lights’ new executive director, Oliver Brown, left, and artistic director Paul Birch in the black-box studio theatre at Friargate Theatre, York
Oliver Brown FRSA, at present associate director at Riding Lights,takes up the post of executive director after holding senior leadership roles in production and operations at venues including Hull Truck Theatre and CAST in Doncaster. He is the elected vice-chair and trustee director of the Association of British Theatre Technicians.
His first encounter with Riding Lights was in 1999, when the teenage Oliver knocked on the door of Friargate Theatre, soon after it opened, asking for a technical work placement. Over the subsequent decades, he has worked as a freelance technical and stage manager for the company on many occasions.
“After being a part of Riding Lights for nearly 25 years, I am delighted to be joining the company once again as executive director, having spent my summers at its annual residential summer school, my early years up a ladder amongst the lights in Friargate Theatre, and out on national tours,” he says.
“Along with Paul, I am looking forward to Riding Lights’ 50th anniversary in 2027 and planning for the future.
“I am passionate about communicating faith and social justice issues through theatre and community work – a tradition in which Riding Lights is a leader, and one in which I will be honoured to play a part as we develop the evolving vision of Riding Lights.”
Riding LightsTheatre Companyhas been making and touring theatre informed by a Christian faith for 47 years, making it one of Great Britain’s most productive and long-serving independent theatre companies. Its productions have been seen across the world, from the United States of America, through Europe, to Israel and Palestine.
John Emmett, chair of the board of directors, says: “I am delighted that Paul and Ollie have agreed to join Riding Lights. Both of them have a long association with the company and understand well Paul Burbridge’s remarkable legacy. I am confident that they will build on this in fresh and exciting ways to create theatre which entertains, challenges and inspires.”
Friargate Theatre has announced an autumn season of theatre, stand-up and improv comedy, storytelling, music, film and family shows that opens on September 5. For full details and bookings, head to: friargatetheatre.co.uk. Box office: 01904 613000.
Riding Lights is in rehearsal for Cups On A String, a new play by York playwright Bridget Foreman, directed by David Gilbert for an eight-week autumn tour across the UK, to be staged in partnership with Transforming Lives for Good, a charity that brings hope and a future to struggling children.
The brochure cover artwork for Friargate Theatre’s autumn return
Riding Lights: the back story
RIDING Lights Theatre Company was founded in 1977 by Paul Burbridge, Murray Watts and Nigel Forde and has been based in York ever since.
Riding Lights opened Friargate Theatre, in Lower Friargate, York, in 1999. It has since operated as the company’s office and rehearsal space and has two performance spaces: one a ground-floor cabaret-style space seating around 60 people; the other an upstairs black-box studio theatre seating 100.
World premieres in recent years have includedAfrican Snow, a co-production with York Theatre Royal (York Theatre Royal, West End transfer and national tour); Augustus Carp Esq. by Himself (Friargate Theatre); Dick Turpin (Friargate Theatre) and an adaptation of Jerome K Jerome’s Three Men In A Boat (national tour, co-produced with Northcott Theatre, Exeter).
In Summer 2012, Riding Lights, in tandem with York Theatre Royal and York Museums Trust, produced the epic-scale, outdoor production of the York Mystery Plays in York Museum Gardens.
Frequently characterised by quirky satire, Riding Lights’ productions challenge audiences to engage with topical themes and issues, often examining the reverberations of historical events in today’s society.
Classic plays such as Shakespeare’s The Winter’s Tale (two national tours), Ben Jonson’s The Alchemist (the inaugural production at Friargate Theatre), Dario Fo’s Mistero Buffo (Friargate Theatre and national tour) and Max Frisch’s The Fire Raisers (Bridewell Theatre, London) have found fresh and arresting relevance in Riding Lights productions.
70 Objeks & Tings: 75 years of Caribbean culture on show at York Castle Museum
70 OBJEKS & Tings, a celebration of 75 years of Caribbean culture, will showcase 70 items that connect us to the Windrush Generation at York Castle Museum from June 19 to November 1.
Billed as an “extraordinary exhibition of the ordinary”, it will feature objects that combine familiarity and practicality and have been passed down the generations.
The “small but powerful” show is being brought to York by Museumand, the National Caribbean Heritage Museum, founded by mother-and-daughter team Catherine Ross and Lynda Burrell.
Lynda Burrell, left, and Catherine Ross, founders of Museumand
These inspiring women have created this unique travelling exhibition as a fun and informative way to share more about the Windrush Generation and their descendants.
70 Objeks & Tings will be a chance to explore their experiences and lives through cooking and household goods, food packaging and beauty supplies, funeral items, music, games, books, newspapers and more.
The exhibition will be accompanied by a hardback book by Catherine and Lynda, available in the York Castle Museum shop, and a podcast too.
“Objeks and tings” from the Museumand exhibition, going on show at York Castle Mueum from June 19
Catherine Ross, Museumand’s founder director, says: “We are so elated to bring 70 Objeks & Tings to York. As aspects of Caribbean culture are so entwined with British culture and Yorkshire’s cultural traditions especially, this leg of our tour across the UK is particularly exciting for us.
“We hope to eke out more stories from people of the Caribbean diaspora and others that know about the islands and their peoples. Together, with York Museums Trust, we hope from our time in York, we will be able to add new stories and information from people of the Caribbean diaspora in York and the surrounding areas to the growing archive of the Caribbean presence and contribution to British life.”
Philip Newton, community participation manager at York Museums Trust, says: “What an insight into the lives of this generation this exhibition gives us. Little pieces of the Caribbean, which arrived on the landing of SS Empire Windrush at Tilbury Docks on June 22 1948, carrying passengers from the Caribbean who had been invited by Britain to help with post-war construction.
York Castle Museum’s exterior
“These items continued to play a part in the new lives that this generation embarked upon, passing them down to their children and incorporating into British identity too. The title, and interpretation, has a nod to patois, a traditional form of language for many Caribbeans, with ‘objeks and tings’ referring to the things that Caribbeans, especially those of the Windrush Generation, hold dear and are important to them.
“We are really proud to collaborate with Museumand and delighted to bring this gem of an exhibition to York Castle Museum, where its ethos and inspiration fits well within our displays.”
70 Objeks & Tings will run at York Castle Museum, Eye of York, York, from June 19 to November 4. Opening hours: Monday, 11am to 5pm; Tuesday to Sunday, 10am to 5pm. Tickets: yorkcastlemuseum.org.uk
