Top of the pots as 40 exhibit at York Ceramics Fair

York Ceramics Fair exhibitor Doug Fitch, using a sponge as he makes a pot in his studio. Picture: Kim Ayres

YORK Ceramics Fair is returning for a second year as a “top of the pots” gathering of British ceramicists in The Hospitium on November 23 and 24.

Running alongside will be the newly expanded Days Of Clay, a ceramics discovery programme run by the Centre of Ceramic Art (CoCA) at nearby York Art Gallery

Forty potters from Britain and beyond have been chosen through competitive selection by the fair’s organisers, the Craft Potters Association, to showcase their hand-crafted pieces.

Yellow Wavy Cat, front, and Glorious Cat, back, by Jenny Southam

On display and for sale in the medieval Hospitium, in the Museum Gardens, will be hundreds of pots of all shapes and sizes work ranging from vibrant to serene, minimal to magical, sculptural to utilitarian.

Among those taking part are Jenny Southam, whoseeccentric figures explore her love of gardening, as well as her interest in both Staffordshire mantelpiece figures and Etruscan tomb sculptures. 

Dylan Bowen’s bold expressionistic ceramics capture the spontaneity and energy of how they are made. His work is sought by leading interior designers and his collaborations include the interior lighting specialist Porta Romana for their Bohème collection. 

One of Kerstin Gren’s exhibits at York Ceramics Fair

Lara Scobie’s ceramics balance composition and form with pattern and bright pops of colour; Shipton-by-Beningbrough ceramicist Ruth King, one of the event organisers, specialises in the salt glaze technique and a preoccupation with structure, containment and balance in her luminous pots.
RAMP Ceramics is a partnership between Alice Hartford and Rupert Johnstone, wherein he throws the pots and she decorates them and they share a liking for simple, clean forms.

Anna Lambert, from Crosshills, near Keighley, makes hand-built arthenware ceramics using such techniques as slab-building and painted slips. Her creative ideas reflect an interest in place, exploring narratives relating to farmland, floodwater management, woodlands and the regeneration of orchards. Inspired by new nature writing, she combines drawing with abstract qualities of pots, their spaces, edges and surfaces.

RAMP Ceramics pieces by Alice Hartford and Rupert Johnstone

Over the same weekend, York Art Gallery’s annual Days Of Clay offers the chance to “get your hands dirty” at live demonstrations by makers on the Saturday and to enjoy a series of talks, conversations and demos on the Sunday, showing how raw clay can be pinched, carved, rolled, thrown and transformed through this ancient craft.

Animal sculptor Susan Hall and potters Milena Dragic and Mila Romans are taking part; esteemed ceramicist Alison Britten gives the annual CoCA lecture; David Horbury discusses the memoirs of studio potter and arts and crafts writer Emmanuel Cooper, and the event coincides with the launch of a new exhibition by “the most radical ceramicist of the 20th century”, Gillian Lowndes: At The Edge.

York Ceramics Fair, The Hospitium, Museum Gardens, York, November 23 and 24, 10am to 5pm; entry £5, under 16s, free. For more details, visit yorkceramicsfair.com.

Days Of Clay, York Art Gallery, November 23 and 24. Visit yorkartgallery.org.uk for details and tickets.

Katie Braida at work in her studio

The 40 potters taking part in York Ceramics Fair 2019 are:

Justine Allison; Matthew Blakely;Dylan Bowen; Daniel Boyle; Katie Braida; Ben Brierley; Karen Bunting; Rebecca Callis; Isabel Denyer; Antje Ernestus; Doug Fitch; Hannah McAndrew; David Frith; Kerstin Gren; James Hake; Richard Heeley; RAMP Ceramics; Ruth King; Anna Lambert; Tony Laverick; Wendy Lawrence; Sophie MacCarthy; Sean Miller; Jenny Morten; Stephen Murfitt; Jeremy Nichols; Adela Powell; Michaela Schoop; Lara Scobie; Jill Shaddock; Patricia Shone; Jenny Southam; Ilona Sulikova; Tricia Thom; Keith Varney; John Wheeldon; Emily-Kriste Wilcox; Deiniol Williams; David Wright; Paul Young.