The art beat of YORKshire
NO Stone unturned as Two Big Egos In A Small Car podcasters Chalmers and Hutch hit Episode 40 with thoughts on Harrogate Film Festival, Oliver Stone & JFK; Jagger & Grohl’s Slade-meets-Sham 69 lockdown knockdown single Eazy Sleazy; bye-bye Bay City Roller Les McKeown & Jim Steinman RIP; jazz & happiness; no Covid insurance government support, no Deer Shed Festival in 2021 & what next for the summer festival season? Oh, and the return of pub theatre…outdoors in York.
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THE cinema at Scarborough’s Stephen Joseph Theatre reopens next month with a fortnight of Oscar-nominated films.
Films will be screened in the McCarthy auditorium from Tuesday, May 25, starting with Stanley Kramer’s comedy classic It’s A Mad, Mad, Mad, Mad World, nominated for six Oscars in 1963, followed by 2021 nominees Mank, Nomadland, Wolfwalkers and The Trial Of The Chicago 7.
SJT film programmer Steve Carley says of the first film choice: “When it was re-issued in the 1970s, the publicity said, ‘If ever this mad, mad, mad, mad world needed It’s A Mad, Mad, Mad, Mad World, it’s now!’.
“That seemed particularly appropriate at the moment. I’m hoping this joyous comedy will be the perfect ‘welcome-back’ film.”
In Kramer’s film, an unconnected group of motorists stops to help a driver after a crash, only to discover he is a recently released convict who knows the whereabouts of a stolen $350,000, sparking a madcap car chase to recover the cash.
The all-star cast includes Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney, Phil Silvers, Terry-Thomas and…Buster Keaton. From half a dozen Oscar nominations, the only win, alas, was for Best Sound Editing. What a mad, mad world indeed, as you can re-discover on May 25 at 2pm and 7pm.
David Fincher’s Mank, the most nominated film at this year’s Academy Awards, will be shown on May 26 at 7pm; May 27 at 2pm and 7pm and May 28 at 2pm.
Best Actor nominee Gary Oldman plays the title role in this black-and-white biopic about screenwriter Herman J Mankiewicz and the development of his most famous script, Citizen Kane.
From ten nominations, not least for Best Picture and Best Director, Mank won two Oscars: Erik Messerschmidt for Best Cinematography and Donald Graham Burt for Best Production Design.
Nomadland, the big prize winner as Best Picture at the 93rd Academy Awards last Sunday at Union Station, Los Angeles, is booked in for May 28 at 7pm, May 29 at 2pm and 7pm and June 1 and 2 at 7pm.
Chinese-born director Chloe Zhao won the Best Director gong, also being nominated for Best Adapted Screenplay and Best Film Editing.
Third-time Best Actress winner Frances McDormand plays Fern, who embarks on a new life as a van-dwelling modern-day nomad after losing both her job and her husband.
Best Animated Feature Film nominee Wolfwalkers has screenings on June 1 and 2 at 2pm and June 3 at 2pm and 7pm.
The third and final film in director Tomm Moore’s fantasy-adventure Irish folklore trilogy, after The Secret Of Kells and Song Of The Sea, it features the voices of Honor Kneafsey, Sean Bean, Simon McBurney, Maria Doyle Kennedy and Tommy Tiernan.
Nominated without ultimate success for five Oscars, topped off by Best Picture, Aaron Sorkin’s The Trial Of The Chicago 7, will be shown on June 4 and 5 at 2pm and 7pm.
Eddie Redmayne and Best Supporting Actor nominee Sacha Baron Cohen play political activists Tom Hayden and Abbie Hoffman in Sorkin’s dramatization of the real-life 1968 trial of a group of anti-Vietnam War protestors.
Where possible, the SJT is recommending customers should book online at sjt.uk.com. The box-office phone line is open Mondays to Saturdays, 12 noon to 2pm on 01723 370541.
The box office will re-open for in-person bookings from Monday, May 17; noon to 5pm on non-show days; noon to 7.30pm on days with an evening show; 11am to 7.30pm on matinee days.
MUCH ado about nothing but love is promised when York Theatre Royal reopens with two nights of letters from the heart from May 17.
Love Bites will turn the spotlight on the creativity of artists from in and around York, whether poets, performers, singers, dancers or digital artists, who have been commissioned to write love letters celebrating the return to live performances after the easing of the Government’s pandemic restrictions.
More names will be announced nearer the time for the 8pm performances on May 17 and 18, but confirmed already from 200 proposals are Alice Boddy and Leanne Hope’s piece, A Love Letter To Female Friendship, and Japanese-English actor Erika Noda’s semi-autobiographical account of growing up dual heritage, entitled Ai.
Contributing too will be the Magic combination of illustrator and papercut artist Elena Skoreyko Wagner, composer and York Minster choir member James Cave and writer and editor Bethan Ellis, finding magic and meaning in the mundane, and York-based Zimbabwean playwright Butshilo Nleya, who combines words, music and dance in works centred on place, home and the multiplicity of cultures, this time presenting Ekhaya, Love Them Both?.
Juliet Forster, the Theatre Royal’s creative director, says: “Love Bites is really a love letter to live performance, put together by York artists. It’s a celebration of what we have been missing for over a year now: the chance to come together under one roof and share our stories and experiences. There was no one single theatre production that felt enough to mark the reopening of theatres, the lifting of restrictions, so we decided that we needed multiple ones.”
Selecting 20 commissions from more than 200 proposals was “extremely difficult, but really inspiring too,” she reveals. “There are so many talented, inventive, creative people in York – we could have filled the night several times over. The selection of short pieces that you will see on our stage represent a wide range of voices, artforms and approaches to the theme of love, created by both well-established artists and those who are newer to the scene,” she says.
“Love Bites will explore the idea of love letters, dedicated to people, places, things, actions, occupations and much, much more in a multitude of ways, all presented in five-minute specially commissioned bite-sized chunks. We hope Love Bites will turn out to be ‘a many-splendored thing’”.
After these two nights introduced by Look North alumnus Harry Gration with a Pay What You Feel ticket policy, The Love Season’s focus on human connection, the live experience and a sense of togetherness will embrace solo shows by stage and screen luminary Ralph Fiennes [Four Quartets} and Coronation Street star Julie Hesmondhalgh [The Greatest Play In The History Of The World…]; a new Ben Brown political drama about writer Graham Greene and spy Kim Philby, A Splinter Of Ice, and Swedish playwright August Strindberg’s Miss Julie, transposed to 1940s’ Hong Kong by writer Amy Ng and director Dadiow Lin.
Performances will be presented to socially distanced audiences, adhering to the latest Government and industry Covid-19 guidelines to ensure the safety of staff and audiences with a reduced capacity of 344, but should Step 4 of the roadmap roll-out go ahead as planned on June 21, there is scope for more seats to go on sale for shows later in the season. Over to you, Mr Johnson.
Theatre Royal chief executive Tom Bird says: “The last thing we want to do, given our mission and the trouble in keeping theatre alive, is to put up more barriers to people coming, but we have to be Covid-safe, and that’s the bottom line. We did it for the Travelling Pantomime we took around York wards, and we will do it again from May 17.’”
The number one talking point is Ralph Fiennes’s Theatre Royal debut, in six performances from July 26 to 31, directing himself in the world-premiere tour of T S Eliot’s Four Quartets: a solo theatre adaptation of Burnt Norton, East Coker, The Dry Salvages and Little Giddings, a set of poems first published together in 1943 on the themes of time, nature and the elements, faith and spirituality, war and mortality.
Tom says: “The link to bring the show here is James Dacre, artistic director of Northampton’s Royal & Derngate Theatres, who co-produced A View From The Bridge with the Theatre Royal in 2019.
“He’s co-producing this tour, helping Ralph put the show together. Ralph is rehearsing in London, opening at the Theatre Royal, Bath, from May 25 and then touring. We’re so chuffed to have Ralph coming to York. We can’t believe it!
“We’re thrilled that Ralph’s show became a possibility for us, and it’s a huge credit to him to recognise the need to support theatre around the country at this time.
“Let’s say it, it’s rare for an actor of his profile and standing to do a regional tour, but he’s seen that he can help to save some incredibly important producing houses, like this one, by doing a tour – and it’s not an act of charity; it’s an important and really exciting piece of work.”
Tom is delighted by Fiennes’s choice of material too. “There’s a massive tradition of actors doing Eliot poems, like Fiona Shaw doing The Waste Land,” he says. “They lend themselves to performance, and it’s really telling that Ralph has chosen to take Four Quartets on tour at this moment because they’re rooted in life and death; the past and the future; human relationships and a love of place.
“For that reason, it fits into our programme for a season built around love, connection and being rooted in a place. As an American coming to England, Eliot was trying to root himself here by looking for his ancestors in Somerset.”
For full details of The Love Season, go to: yorktheatreroyal.co.uk. Tickets can be booked at yorktheatreroyal.co.uk; on 01904 623568, Monday to Saturday, 12 noon to 3pm, and in person, Thursday to Saturday, 12 noon to 3pm.
Copyright of The Press, York
SIMPLY Red’s UK and Ireland tour, first planned for 2020, is moving to February 2022 with three Yorkshire gigs among the 17 dates.
Mick Hucknall’s Manchester soul band will play Hull Bonus Arena on February 4 and 5 and Leeds First Direct Arena on February 9.
Hucknall, 60, longs for a return to the stage after the pandemic-enforced hiatus. “I’ve spent most of my life going out and singing for people, so it feels strange not to have that,” he says. “I miss being able to express myself. It’s going to be wonderfully inspiring when people can go and see bands again. I can’t wait.”
Simply Red, whose last album release was Blue Eyed Soul in November 2019, are sure to revisit such hits as Money’s Too Tight To Mention, Holding Back The Years, Stars and Fairground.
Hucknall has been Simply Red’s songwriter and bandleader since their formation in 1985, aided by long-serving saxophonist Ian Kirkham since 1986. The present line-up has remained consistent since 2003, and the new tour will play to their core strengths.
“I want them to enjoy playing, for crowds to get up and move around, and everybody to put their heart into it. It’s all about capturing the groove,” says Hucknall.
South London soul singer and actress Mica Paris will be the special guest on all dates. Tickets are on sale at myticket.co.uk/artists/simply-red
THE Joseph Rowntree Theatre, in York, will be reopening its doors on May 21 with Covid-secure measures and a socially distanced seating plan.
That night at 7.30pm and the next day at 2.30pm and 7.30pm, the Bev Jones Music Company will present Strictly Cabaret in this safe, regulated setting.
Claire Pulpher, Chris Hagyard, Terry Ford and Larry Gibson will don their finest to entertain with a glittering cabaret evening of their favourites.
“Rat Pack, swing style, top musicals, film favourites, you name it, they will sing it,” says producer Lesley Jones. “Just sit back, reflect upon the year, clear your minds and be thoroughly entertained in the manner befitting the Bev Jones Music Company.”
Strictly Cabaret will lead off a line-up of nine shows at the JoRo between May 21 and August 28.
In a fundraiser for the Jo Ro on June 13, music director Jon Atkin will be joined by singers Emma Dickinson, Alexa Chaplin, Richard Bayton and Rob Davies at 7.30pm for An Evening Of Musical Comedy Highlights: a cabaret selection of solos, duets and quartets from musical comedies aplenty with a few popular songs added to the mix.
Poignant after the death of composer Jim Steinman on April 19, Meat Loud – The Duo will perform those very familiar rock operatic songs from Bat Out Of Hell and other Meat Loaf albums, penned by the New Yorker, plus equally grandiose classics he wrote for Bonnie Tyler, Celine Dion and Cher, on June 19 at 7.30pm.
Meat Loud – The Duo was founded in 2018 by Meat Loud, alias Andy Plimmer, and British session singer and vocal coach Sally Rivers, who has worked with Cher, Annie Lennox and Mick Hucknall. “So buckle up and get ready for a ride into hell,” say the duo.
The York String Quartet will play a fundraiser for the Rowntree theatre on June 20, performing a broad repertoire of classical, pop, jazz, television and film music at 7.30pm.
Between them, quartet members Vince Parsonage, violin and viola, Nicola Rainger, violin, Sara Gilford, cello, and Maggy Lamb, viola, have played across Europe with the BBC Symphony Orchestra, Royal Liverpool Philharmonic Orchestra and English National Opera.
Some Might Say will re-create the look, swagger and trademark wall of sound in a supersonic tribute show to Oasis on June 26 at 7.30pm.
Selections from all seven albums will feature in a set full of Manchester anthems, from hit singles to fans’ concert favourites and Noel Gallagher’s acoustic numbers. Expect Supersonic, Rock’n’Roll Star, Wonderwall, Don’t Look Back In Anger, Cigarettes And Alcohol and many more.
Black Sheep Theatre Productions will present For The Love Of Musicals in aid of the JoRo in matinee and evening performances on July 10.
Join musical director Matthew Clare, his merry band and a host of singers for a concert of delights as they prove “There’s No Business Like Show Business” with songs from Annie Get Your Gun, classics galore and more recent shows such as Dear Evan Hansen.
The Joseph Rowntree Theatre Company Does Gilbert And Sullivan will feature HMS Pinafore on July 29 at 7.30pm and July 31 at 2.30pm and The Mikado on July 30 and 31 at 7.30pm.
The JoRo’s in-house performing team will produce semi-staged performances of G&S’s biggest hits, brimming with popular tunes and brilliant characters. “Come along and enjoy the topsy-turvy musical madness, with all profits going straight back to the theatre,” reads their invitation.
Billed as “the UK’s leading Carpenters’ show”, The Carpenters Experience brings together vocalist Maggie Nestor and eight musicians to capture yesterday once more in the form of Karen and Richard Carpenter’s Close To You, We’ve Only Just Begun, Top Of The World, Rainy Days And Mondays, Solitaire, Goodbye To Love, Please Mr Postman, For All We Know and Only Yesterday on August 28 at 7.30pm.
Dan Shrimpton, chair of the theatre trustees, says: “We’re thrilled to be staging live shows once again and welcoming audiences back through our theatre doors. We’ve missed the buzz of putting on a show and can’t wait for opening night.
“We’ve worked hard to make sure our theatre is Covid-safe. The new procedures and processes we’ve put in place have all been tried and tested. Our priority is to make sure your theatre experience is a safe one.”
For more information on the shows, booking tickets and the new safety procedures, go to the website, josephowntreetheatre.co.uk, email publicity@jrtheatre.co.uk or ring 01904 501935.
THE JoRo has launched its latest fundraising campaign, Buy A Tile, as part of its wider Raise The Roof appeal set in motion last year.
Shrimpton says: “We’ve been staging shows and entertaining local communities in York for more than 85 years. The roof repairs are essential for safeguarding the future of our theatre, so we can continue entertaining communities in York for years and years to come.”
The JoRo needs to raise £45,000 urgently to replace its leaking roofs: still made up of the original tiles laid in place when the Haxby Road theatre was built in 1935. Without repairs to the broken tiles, the Grade II-listed theatre risks damage to the building’s Art Deco fabric.
LOOKING ahead, musical actress, radio presenter, choreographer, director, writer, teacher and model Claire Pulpher will direct the Bev Jones Music Company in Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar at Rowntree Park, York, on July 12 at 3pm and July 13 at 2pm and 5pm.
Claire also will play Mary Magdalene in the York company’s first full-scale musical production post-pandemic lockdown, in a safe outdoor setting in the park’s secluded amphitheatre, where audience members can sit in bubbles of up to six people, allocated on the day. Bring picnic chairs, rugs and possibly umbrellas too.
Joining her in the principal roles will be fellow Strictly Cabaret performers Chris Hagyard, Terry Ford and Larry Gibson.
Jesus Christ Superstar tells the story of the last seven days of Jesus’s life, leading to his crucifixion. Pulpher will use the natural setting to maximum effect to bring a unique vision to the 1973 rock opera, complemented by musical director James Rodgers’ band.
“James’s brilliant rock band will have you clapping and joining in with this rousing show, featuring the company’s very best performers, plus new names for you to enjoy in a production set to lift your spirits after such a difficult year,” says producer Lesley Jones .
“Suitable for all ages, with parental guidance, there’ll be singing and dancing to please everyone, in a suitably distanced manner.”
BEDERN Hall, in York, will reopen on May 19 with a new heritage interpretation programme.
Visitors will see how the historic hall, in Bartle Garth, St Andrewgate, was restored and how it operated as the refectory for the Vicars Choral of York Minster, learning about their lifestyle and how they built the hall and discovering some of the things they left behind.
The hall’s later periods, and its many different uses over the centuries as tenemented accommodation, a bakery and a pork-pie maker’s curing hall, will be featured too.
Located a two-minute walk from York Minster, Bedern Hall has been seeking ways to open to new users and has received a Culture Recovery Fund grant to support its development plans.
The grant has begun to assist a new volunteer programme too that will bring additional opportunities for people to take part in the new opening arrangements.
Roger Lee, of the Bedern Hall Company, says: “Bedern Hall is one of York’s small but important historic venues and as we seek new ways for visitors to experience and learn about the hall, this is a timely change of direction for the business as we emerge from Covid-19 restrictions.
“It’s also a new opportunity for people to volunteer to help us with this vision to retell the Vicars Choral Story and the hall’s restoration.”
Bedern Hall will be open to visitors four days a week, from Wednesday to Saturday, 10.30am to 4.30pm. New signs, interpretation information boards, a children’s trail and tours of the Bedern area are planned with guides.
A new Bedern Hall Tour App that visitors can access via QR codes on their smartphone or tablet device will provide information in text, audio, and video in up to ten languages and will doubles as a self-guide tour.
The hall will continue to offer facilities for wedding ceremonies and receptions, craft events, social events, community groups and business meetings. Its clientele include corporate organisations, private companies, social services and community groups.
“The aim is to bring the history of hall to the attention of visitors and local people and its continuing benefit to the city as one of York’s most important medieval meeting halls that’s often overlooked due to its location,” says Roger, who operates Bedern Hall, runs Time and Place Caterers from there and is a Freeman of the City.
Anyone interested in volunteering opportunities should contact Roger on 01904 646030 or by emailing roger@bedernhall.co.uk.
The Bedern Hall heritage interpretation project is funded by the Culture Recovery Fund for Heritage. The Culture Recovery Fund is being delivered by the National Lottery Heritage Fund and Historic England, using funds provided by the Department for Digital, Culture, Media, and Sport.
SIR Tom Jones is to play Leeds hipster locale, the Brudenell Social Club in Hyde Park, on August 31 in a special launch show for his new album, Surrounded By Time.
And, why, why, why, didn’t you move more quickly to snap tickets for probably his most intimate Yorkshire show since his Batley Variety Club days well over half a century ago , because the 400-capacity gig has sold out already on the day of ticket release.
The concert coup to sign up 80-year-old Sir Tom has been pulled off by Crash Records, the Leeds independent record shop in The Headrow, whose owner, Ian De-Whytell, came up with a one-off deal whereby tickets could be ordered from Crash as part of a bundle with a copy of the new album.
This will be one of only two such album launch shows by Welshman Sir Tom. Please be aware, the gig going ahead without social distancing and Covid precautions will still be subject to the Government rolling out Step 4 of the roadmap as planned from June 21 this summer.
“This date is very much TBC until we have more info from the Government that shows are safe to take place,” says Crash Records’ website.
Doors will open at 7pm; Sir Tom will be on stage soon afterwards.
Track listing for Surrounded By Time, released on April 23:
I Won’t Crumble With You If You Fall (Bernice Johnson Reagon); The Windmills Of Your Mind (Michel Legrand/Alan & Marilyn Bergman); Popstar (Cat Stevens/Yusuf Islam); No Hole In My Head (Malvina Reynolds); Talking Reality Television Blues (Todd Snider); I Won’t Lie (Michael Kiwanuka & Paul Butler); This Is The Sea (Michael Scott); One More Cup Of Coffee (Bob Dylan); Samson And Delilah (Tom Jones, Ethan Johns, Mark Woodward); Mother Earth (Tony Jo White); I’m Growing Old (Bobby Cole) and Lazurus Man (Terry Callier).
Co-produced by Ethan Johns and Mark Woodward.
ANIMAL Hauntings will take over Scarborough Art Gallery from May 18 to September 22, led by a tunny fish.
The exhibition combines film and objects from the Scarborough Museums Trust collection to ask what, in times of environmental uncertainty, we can learn from the ghosts of animals past in order to create more solid future relationships with the natural world.
Among those objects will be a tunny fish that was a favourite exhibit for many in a former life when the gallery’s neighbour, Woodend, was a natural history museum, together with examples of taxidermy, such as a pair of the now-extinct passenger pigeon, and equipment used by the “climmers” that once abseiled down Yorkshire’s East Coast cliffs in search of seabird eggs.
Tunny fishing and climming are the subject of two films from the Yorkshire Film Archive that form part of the exhibition, alongside moving images by artist Fiona Tan and exhibition curator and artist Martha Cattell.
Martha says: “The exhibition is inspired by Woodend’s past as a natural history museum, and by the book Arts Of Living On a Damaged Planet: Ghosts And Monsters Of The Anthropocene, an anthology of work by 20 eminent writers.
“Humans have long been fascinated with and reliant on non-human animals for food, transport, clothing and as pets. We are haunted by past connections to animals and many of the objects within the collection reflect this.
“With more than 35,500 species threatened with extinction, this exhibition uses objects and moving image to highlight the entangled relationships between animals and humans, and offers ways of looking with animals, and not just at them.”
Scarborough Museums Trust will run a series of events inspired by the exhibition, to be announced on its website and social media channels in the coming weeks.
Animal Hauntings will run alongside two more exhibitions at Scarborough Art Gallery over the same dates: Scarborough: Our Seaside Town and Laughton’s Legacies.
The venue has been awarded VisitEngland ‘s We’re Good To Go industry standard mark, signifying adherence to government and public health guidance on Covid-19. All three exhibitions are on the ground floor and are fully wheelchair-accessible.
Entry to Scarborough Art Gallery is by annual pass, whose £3 cost gives unlimited entry to both the gallery and the Rotunda Museum for a year.
Opening hours at Scarborough Art Gallery are 10am to 5pm, Tuesday to Sundays, plus Bank Holidays.
EXCITEMENT is on the rise at the Milton Rooms, Malton, as the prospect of reopening under the Government’s lockdown-loosening roadmap moves closer to fruition.
A varied programme will be on offer for the second half of next month, should all go to plan for the lights to go up once more with Covid-secure measures in place from May 17. Tickets for four events are on sale now at the miltonrooms.com.
In the diary are gigs for fans of rock, pop and indie, plus a healthy dollop of the blues, a talk on the secret messages hidden in flowers in Victorian times and even a magic-meets-comedy show by a Britain’s Got Talent star.
Starting the ball rolling on May 21 will be Martin Gough’s One Man Rock concert, showcasing rock, pop and indie music by artists from the Sixties to the present day.
On May 23, the Dickens Society will take a light-hearted look at the meaning of flowers and how the Victorians loved sending secret messages in a well-chosen bouquet – and how certain flower messages applied to some of author Charles Dickens’s favourite characters.
Another change of pace will follow on May 27 with the return of the Ryedale Blues Club, presenting Dr Bob & The Bluesmakers.
Mandy Muden Magic will roll into town on May 29, when the 2018 Britain’s Got Talent contestant will stage a new show full of wit, magic tricks and mind-reading.
Onwards into the next month, Fifi La Mer will present A Journey Into French Music from Offenbach to Gainsbourg on June 2. Acoustic covers band Taphouse Burnout are booked for June 5; the Hilarity Bites Comedy Club, with Nick Doody and Karen Bayley, June 11; Kick In The Head’s “Downton Abbey with gardening tips” show, Old Herbaceous, on June 20, and Ryedale Blues Club, hosting the James Oliver Band, June 24.
Venue manager Lisa Rich says: “We’ve been working hard behind the scenes renovating the Milton Rooms and there are exciting plans for the future. We have had our Covid-safe certificate extended by Visit England and we’re really looking forward to welcoming audiences both old and new.
‘’Initially, ticket sales for our diverse programme of events will be restricted because of Covid regulations, so people are advised to book early to avoid disappointment.’’
RYEDALE Festival’s 40th anniversary celebrations will burst into life with the online Spring Festival from May 2 to 8.
Scottish-Italian violinist Nicola Benedetti and her trio then will launch Ryedale’s 40th Anniversary: Live and In Person series in Pickering on June 4.
Ryedale’s Summer Festival, from July 16 to August 1 will present such artists as Jess Gillam, Isata Kanneh-Mason, 2019 BBC Young Musician Coco Tomita, Abel Selacoe and the BBC Big Band, with many more names to be announced soon.
Solace, escape and hope will be at the heart of Ryedale Festival’s online-only Spring Festival, available on RyeStream, the festival’s streaming platform at ryedalefestival.com/ryestream/.
Seven inspiring performances, each lasting approximately 50 minutes, will be filmed and shared over a week early next month, in collaboration with Castle Howard, the Yorkshire Arboretum and North East naturalist and filmmaker Cain Scrimgeour, whose camerawork will capture spring’s arrival in Yorkshire.
The Spring Festival will kick off a 40th anniversary year wherein Ryedale Festival will reveal 40 headline events in “one-off, late-announced, open-ended, can-do bursts” that will enable the festival to remain responsive to the unique circumstances of Covid-clouded 2021 and still be as creative and flexible as possible.
Clarinet and piano duo Michael Collins and Michael McHale will open the online festival on May 2 at 3pm with Beethoven’s Spring Sonata, a virtuoso showpiece by Widor and the spellbinding sonata that Poulenc composed for Benny Goodman.
On May 3, from the Long Gallery at Castle Howard, two of the brightest stars on the British piano scene, Pavel Kolesnikov and Samson Tsoy, will perform Schubert’s gypsy-inspired piano duet, Divertissement à la Hongroise at 8pm.
The next day, soprano vocal duo Fair Oriana will mix renaissance and baroque with flavours of folk, medieval and contemporary music from the Great Hall, Castle Howard, in an 11am concert of imagination, innovation and intimacy entitled Now Is The Month Of Maying.
Rising York mezzo-soprano Helen Charlston and festival director Christopher Glynn, on piano, will take over the Long Gallery for Nature Is Returning on May 5 at 8pm. Spring- inspired songs by Schumann, Brahms, Copland and Finzi will be complemented by extracts from Charlston’s Isolation Songbook, her 2020 commission to reflect lockdown lives in music.
On May 6, in The Beauty Of The North at 1pm,the trademark joie de vivre of the Maxwell Quartet will illuminate St Mary’s Church, Ebberston, with one of Haydn’s most sparkling quartets (Opus74, No.1), alongside Scottish folk music and Anna Meredith’s tribute Teenage Fanclub, the Scottish grungy power-pop band that she loved as a teenager.
Friday night, May 7, will see the fast-rising combo The Immy Churchill Trio toast the arrival of spring with a late-night session of jazz standards from the Great American Songbook at Helmsley Arts Centre. Vocalist Immy Churchill will be joined by Toby Yapp, on bass, and Scottie Thompson, on piano, for this Spring Will Be A Little Late This Year programme at 9pm.
Finishing the online spring celebrations back at Castle Howard with The Lark Ascending on May 8 at 3pm, the virtuosic London Mozart Players and violinist Ruth Rogers will perform an irresistible chamber programme of Grieg’s Holberg Suite, Vaughan Williams’s The Lark Ascending and Vivaldi’s Springfrom The Four Seasons.
The Spring Festival season will be available to view on RyeStream until the end of May. Each concert is free-to-view but with the request of a donation to support the festival.
Director Christopher Glynn says: “We are delighted with our Spring Festival, which promises to be a wonderful mix of great music in beautiful places. I asked our fantastic line-up of performers to reflect a hopeful, springtime theme in their programmes, which we’ll interweave with footage specially created by the superb wildlife filmmaker, Cain Scrimgeour, who is spending several days capturing spring’s arrival in and around the Yorkshire Arboretum.
“I’ve asked Cain simply to capture what we might have seen – if we were lucky – on a country walk to attend the concerts in person, and to reflect the importance of nature as a place of solace, escape and regeneration during lockdown days.”
On Friday, June 4 ,in-person music making returns to Ryedale Festival at Pickering Parish Church at 4pm and 8pm, when Nicola Benedetti will open her festival residency by launching the Live and In Person series, joining her regular chamber music partners, cellist Leonard Elschenbroich and pianist Alexei Grynyuk, to perform one of Beethoven’s wittiest and most loveable works and an inspired piano trio by Brahms.
Glynn adds: “There will be no brochure and no ‘big-reveal’ of the programme this year. Instead, our 40th anniversary will be a ‘build-as-we-go’ festival, where the full 40-piece jigsaw gradually comes into view.
“We will still concentrate wonderful performances in July, but we will also remain as creative and flexible as possible to make the very best of this different landscape for both artists and audiences.”
Planned in a spirit of optimism and renewal, and bringing some of the most exciting artists of the moment to North Yorkshire, the programme for Ryedale’s Summer Festival will consist of 40 headline events, some that may be repeated or shared on RyeStream.
