Adrian Lillie and Charlotte Lloyd Webber, of CWL Design, standing by the 28ftChristmas tree in the Great Hall at Castle Howard, where their Wonderful Wizard Of Oz immersive experience enchants until January 4. Picture: Tom Arber
SNOW storms with clowns, Castle Howard’s immersive Wonderful Wizard Of Oz and Count Arthur Strong and Adam Z Robinson’s solo takes on A Christmas Carol put the ‘yes’ into November for Charles Hutchinson.
Christmas transformation of the week: The Wonderful Wizard Of Oz, Castle Howard, near York, until January 4
CASTLE Howard becomes an immersive Christmas experience, dressed in set pieces, decorations, floristry, projections, lighting and sound for The Wonderful Wizard Of Oz, set to delight as many as 100,000 visitors over a seven-week period.
Created by CLW Event Design, headed up by Charlotte Lloyd Webber and Adrian Lillie, the show-stopping Emerald City High Street in the Long Gallery is a highlight of this winter’s transformation, with life-size fabricated shop fronts inspired by York’s Shambles, while the 28ft Christmas tree sparkles in the Great Hall. Leeds theatre company Imitating The Dog has provided the projections and soundscapes. Tickets: castlehoward.co.uk.
Slava’s SnowShow: Arrival in York coincides with forecasts of snow across the North
Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, 7.30pm, today to Saturday; 2.30pm, tomorrow and Saturday; Sunday, 2pm and 6pm
ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.
Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw
Straight-talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, tonight, 7.30pm
WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth for any of this.
Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.
York artist Lesley Birch at work in her studio for her Flower Power exhibition at Pyramid Gallery, York. Picture: Esme Mai Photography
Blooms of the week: Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm
LESLEY Birch is showing 22 paintings from her Flower Power series in an exhibition that coincides with the publication of her small artbook of the same title by independent York publisher Overt Books, also featuring Esme Mai’s photographs of Lesley’s home studio and the York artist’s free-verse musings. On show too are Pottery Showdown potter Jacqui Atkin’s ceramics.
Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, tomorrow, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm
IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.
Gerard Hobson: Cut out for three days of Christmas art
Christmas exhibition of the week: Gerard Hobson, 51, Water Lane, Clifton, York, Friday and Saturday, 10am to 4pm; Sunday, 12 noon to 4pm
YORK printmaker Geard Hobson’s artwork comprises hand-coloured, limited-edition linocut prints and cut-outs focused on nature and wildlife, inspired by the countryside around where he lives in York.
As well as prints and bird, animal, tree and mushroom cut-outs, he creates anything from cards, mugs, cushions and coasters to chopping boards, lampshades, tea towels, notepads and wrapping paper. This week’s festive exhibition focuses on Christmas gifts, cards, prints and cut-outs.
Mexborough poet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light. The Basement at City Screen Picturehouse awaits on Friday
Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, Friday, 7.30pm
YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.
Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.
Rant: Scottish quartet of fiddle players heads for Helmsley Arts Centre
Fiddlers of the week: Rant, Helmsley Arts Centre, Friday, 7.30pm
SCOTTISH chamber-folk fiddlers Rant return to the road after releasing third album Spin last year, featuring their ambitious, bold and reflective reinterpretation of influential tracks by bands and players from across the globe from their formative years.
In the line-up are Bethany Reid, from Shetland, Anna Massie and Lauren MacColl from the Highland peninsula of the Black Isle, and Gillian Frame, from Arran, whose live set reflects years of honing their sound together and their love for the music of each home region through their writing, repertoire and stories. Box office: 01439 771700 or helmsleyarts.co.uk.
Adam Z Robinson: Playing Scrooge and 27 more characters in A Christmas Carol at Helmsley Arts Centre
Ryedale solo show of the week:The Book of Darkness & Light Theatre Company in A Christmas Carol, Helmsley Arts Centre, Saturday, 7.30pm
MARLEY was dead.. to begin with. So starts The Book of Darkness & Light Theatre Company’s ghostly staging of Charles Dickens’s festive tale, performed by Adam Z Robinson, whose solo adaptation “teases out the gothic aspects” and requires him to play 28 characters.
Join miserly misery Ebenezer Scrooge on a supernatural journey into the past, present and yet-to-come. The chilly atmosphere of Victorian London is brought to life and the spirits of Christmas return from the dead, all through the spellbinding art of storytelling that combines gripping narration with eerie recorded voices and an immersive soundscape. Box office: 01439 771700 or helmsleyarts.co.uk.
The show poster for The Sounds Of Simon at the Kirk Theatre, Pickering
Tribute show of the week: The Sounds Of Simon, The Music of Paul Simon and Art Garfunkel, Old Friends, Kirk Theatre, Pickering, Saturday, 7.30pm
THE Sounds Of Simon, the UK’s longest-running tribute to Paul Simon and Art Garfunkel, takes a musical journey from their years as Simon and Garfunkel to the successes of their solo careers, as they explore the friendship that led to songs such as Mrs Robinson, The Sound Of Silence and Bridge Over Troubled Water, onwards to You Can Call Me Al, Graceland and Garfunkel’s Bright Eyes.
The show incorporates elements of the duo’s famously fractious relationship, as well as replicating their beautiful harmonies, complemented by video clips, stories and memories from more than 50 years. Box office: 01751 474833 or kirktheatre.co.uk.
Poet Ian Parks with his new collection The Sons Of Darkness And The Sons Of Light
YORK arts collective Navigators Art plays host to An Evening With Ian Parks and Friends on November 21 at The Basement, City Screen Picturehouse, York, presented in tandem with Crooked Spire Press.
“This is one for lovers of poetry and folk music,” says organiser Richard Kitchen. “Ian is a widely published and much admired poet from Mexborough, described as ‘the finest love poet of his generation’, although his work vigorously addresses the political as well as the personal.”
Parks will be reading from his new collection, The Sons Of Darkness And The Sons Of Light, published in October. In addition, he will be in conversation with Crooked Spire Press publisher Tim Fellows.
Joining Parks will be his chosen guests, award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail.
Navigators Art’s poster for An Evening with Ian Parks and Friends
Parks is the author of Selected Poems 1983-2023 and the editor of Versions Of The North: Contemporary Yorkshire Poetry. He has run the Read To Write Project in Doncaster for a decade.
His translations of the modern Greek poet Constantine Cavafy were a Poetry Book Society Choice.He has been a Hawthornden Fellow since 1991 and has held residencies at Gladstone’s Library, De Montfort Leicester and Hawkwood College, Stroud.
His poems have appeared in The Times, Poetry Review, the Independent On Sunday, Morning Star and Poetry (Chicago) and have been broadcast on BBC Radio 3.
Poet and novelist Janet Dean/Janet Dean Knight explores contemporary themes through the prism of history. She is widely published in anthologies and magazines in print and online.
Poet and critic Matthew Paul
Poet and critic Matthew Paul, originally from South London, now lives in South Yorkshire. His second poetry collection, The Last Corinthians, was published by Crooked Spire Press this year, following The Evening Entertainment (Eyewear Publishing) in 2017.
Paul is the author of two haiku collections, The Regulars (2006) and The Lammas Lands (2015) , and co-writer/editor (with John Barlow) of Wing Beats: British Birds In Haiku (2008) a Guardian book of the year, all published by Snapshot Press.
He co-edited Presence haiku journal, has contributed to the Guardian’s Country Diary column and posts blogs at www.matthewpaulpoetry.blog.
Singer-songwriter and poet Jane Stockdale is a skilled multi-instrumentalist who loves performing a cappella too.
Crooked Spire Press is a new independent publisher based in Chesterfield. Edited by Tim Fellows, it focuses on poetry pamphlets, collections and anthologies.
York singer-songwriter and poet Jane Stockdale
In 2025, it has published an anthology of poems from The Fig Tree as well as Matthew Paul’s The Last Corinthians and Ian Parks’s The Sons Of Darkness And The Sons Of Light, and will publish a further anthology of poems, based around coal mining.
Published every two months in the north, The Fig Tree is a vibrant online poetry magazine that reflects the diversity of modern life while looking back on childhood memories, working life, the natural world and family history.
The Fig Tree encourages poems in all forms that explore the relationship between poetry and the visual arts, poems that explore the tensions inherent in politics and the nature of the human condition.
“The bar will be open on Friday night and we hope to adjourn for a chat after the show with anyone who’d like to join us,” says Richard. Books will be available to buy. Tickets for this 7.30pm event cost £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.
Navigators Art’s Folk & Words at The Artful Dodger, Micklegate, York, November 20
Navigators Art’s poster for this autumn’s series of Folk & Word events
ON Thursday (20/11/2025) – and on the third Thursday of each month – Navigators Art play host to Folk & Word in The Artful Dodger’s function room, in Micklegate, York, at 7.30pm.
“This is a low-key and warmly welcoming open-mic night where writers and acoustic folk musicians can present new and original work,” says Richard Kitchen. “Each month we invite a poet and a musician to co-host the evening and bring a guest performer; then the floor is open to the audience.
“Come and enjoy the safe, calm, friendly vibes of this unique monthly event. Entry is free with a purchase from the bar. Sign up from 7pm if you’d like to speak or play. Access is by the stairs only as it’s a listed building.”
Explaining the modus operandi of Folk & Word, Richard says: “Time and ethos-wise, it fits somewhere between the long-running York Spoken Word, held monthly at The Exhibition, in Bootham, and the bi-monthly Howlers sessions at the Blue Boar, in Castlegate, with the bonus of a musical element.
“Although open-mic events are everywhere these days, not many highlight poetry and acoustic sounds, so we’re focusing on people with words to perform, whether spoken or sung – and spoken word can include stand-up comedy as well as poems!
“It’s developing into a small cosy club. Everyone is supportive of each other and it feels good for one’s mental health. People leave feeling at peace, even if they move on to the bigger, noisier Thursday events elsewhere!”
Navigators Art co-founder Richard Kitchen
Navigators Art: back story
LOOSE collective of York creatives that embraces visual art, spoken and written word, live music and community projects.
“We’re passionate about giving emerging artists and performers the opportunity to shine alongside more established names,” says co-founder Richard Kitchen.
“We oppose bigotry in any form and strive to achieve gender balance and across-the-board inclusivity in all our events and activities. Since 2020, we’ve worked with more than 200 individuals and organisations.
“We welcome commissions and new collaborations with artists, writers, musicians and performers of all genres.
York Waits, by John Scarland, one of the Christmas cards on sale at Kentmere House Gallery, York
KENTMERE House, Ann Petherick’s gallery in Scarcroft Hill, York, will be open every weekend in December until December 21, from 11am to 5pm each day, then on January 3 and 4, 11am to 5pm.
The gallery also will welcome visitors every Thursday evening through to December 18, 6pm to 9pm, and at other time by arrangement on 01904 656507 or 07801 810825.
Work by more than 70 artists is on show and for sale. “Those who have everything may be the bane of your Christmas list, but you can be absolutely certain that what they don’t have is any of the paintings available from Kentmere House Gallery – because all are originals,” says Ann.
“The Aladdin’s cave that is Kentmere House Gallery has paintings by gallery favourites such as Susan Bower, Jack Hellewell and John Thornton, along with work from nationally known printmakers, including Lisa Hooper and John Brunsdon.
“Look out too for more of David Greenwood’s pastels of familiar York buildings and work by an amazingly talented new artist from South Yorkshire, William Sculthorpe.”
Kentmere House Gallery’s poster for December’s opening hours
Prints are for sale at £50 upwards, paintings from £200, plus lavishly illustrated art books unique to the gallery from £10. “That means there is a wide range of gifts both affordable and truly original,” says Ann. “Please note these prints are genuine and handmade, not the mass-produced ‘limited-edition’ prints you might find on the high street.
“If it’s still all too difficult, the gallery has a gift voucher service, allowing the recipients themselves to make the choice. A voucher can be issued for any amount from £10 and the gallery will add five per cent to the value of any voucher.
“Alternatively, if you buy a painting as a gift and the recipient would prefer another, return it by the end of January & a full credit will be given against another painting.”
Ann has a further suggestion: “For something really special, why not commission a painting? Maybe a portrait, a house portrait, a favourite pet or a landscape that has a special meaning? The possibilities are endless; you can choose from more than 70 artists, and the gallery is happy to advise.”
Kentmere House Gallery favourite Susan Bower picked for Actors’ Benevolent Fund charity Christmas card. On sale soon
Susan Bower’s Taking Five: the Actors’ Benevolent Fund’s selection for its 2025 Christmas card
THE Actors’ Benevolent Fund has selected Kentmere House Gallery regular artist Susan Bower’s painting Taking Five for its 2025 fundraising Christmas card.
Born in 1953, Susan graduated with degrees in Biology and Psychology but pursued an artistic career on returning her Yorkshire birthplace. Exploring her life-long love for painting, she creates pieces that explore various facets of the human condition.
Susan’s work is on permanent display at Kentmere House, where the Christmas card will be on sale soon.
Did you know?
KENTMERE House Gallery is York’s original “gallery-at-home”, housed in the relaxed setting of a large Victorian house on Scarcroft Hill.
It sells work by some of the finest artists working in Britain and has a reputation for showing nationally known names alongside promising newcomers.
The featured artist changes each month and, in addition, there is always a rolling exhibition of work by 50 other artists.
Slava’s SnowShow: Bringing joy to children and drawing out the inner child in adults at Grand Opera House, York
SNOW storms and Count Arthur Strong’s Scrooge; dancing full of Momentum and Jon Ronson’s latest psychopath tests put the ‘yes’ into November for Charles Hutchinson.
Weather forecast of the week: Slava’s SnowShow, Grand Opera House, York, November 19 to 23, 7.30pm, Wednesday to Saturday; 2.30pm, Thursday and Saturday; Sunday, 2pm and 6pm
ENTER an absurd and surrealistic world of “fools on the loose” in Slava Polunin’s work of clown art, wherein each scene paints a picture: an unlikely shark swimming in a misty sea; clowns and the audience tangled up in a gigantic spider’s web; heart-breaking goodbyes with a coat rack on a railway platform, and audience members being hypnotised by giant balloons. The finale is an “out-of-this-world snowstorm”. Box office: atgtickets.com/york.
London City Ballet in Alexei Ratmansky’s Pictures At An Exhibition at York Theatre Royal
Dance show of the week: London City Ballet: Momentum, York Theatre Royal, today, 2.30pm and 7.30pm
LONDON City Ballet, former resident company of Sadler’s Wells, returns to York Theatre Royal with Momentum, a new repertoire that showcases artists and works rarely seen in the UK.
Here come George Balanchine’s Haieff Divertimento; New York City Ballets artist-in-residence Alexei Ratmansky’s Pictures At An Exhibition; Liam Scarlett’s Consolations & Liebestraum and Paris Opera Ballet premier danseur and emerging choreographer Florent Melac’s new work. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Jason Manford’s show poster for A Manford All Seasons, returning to York Theatre Royal this weekend
Comedy gig of the week:Jason Manford in A Manford All Seasons, York Barbican, tonight, 7.30pm
SALFORD comedian, writer, actor, singer and radio and television presenter Jason Manford makes his second York in his 2025 stand-up show. He cites Billy Connolly as his first inspiration and he cherishes such family-friendly entertainers as Eric Morecambe, Tommy Cooper and Les Dawson. Box office: yorkbarbican.co.uk.
Pictish Trail: Expect psychedelic goo at Rise@Bluebird Bakery on Monday
Rising to the occasion: Blair Dunlop, Rise@Bluebird Bakery, Acomb, York, tonight, 7.30pm; Pictish Trail, Rise@Bluebird Bakery, November 17, 7pm
CHESTERFIELD folk musician, singer, songwriter, storyteller and actor Blair Dunlop performs traditional and contemporary songs from his five albums, released between 2012 and 2024, this weekend.
Known for his wildly inventive electro-acoustic pysch-pop, crafted on the Isle of Eigg in the Scottish Hebrides, Pictish Trail, alias Johnny Lynch, has completed work on his new album, a sticky, shimmering swirl of sound and slime. To celebrate, he previews songs at Monday’s intimate show, performing in raw, exploratory mode, armed with acoustic guitar, sampler and his warped imagination. Expect tenderness, weirdness and generous dollops of goo. Box office: bluebirdbakery.co.uk/rise.
Chris Wood: Seeking the truth in song at the NCEM
Folk gig of the week: Chris Wood, National Centre for Early Music, York, Sunday, 6.30pm
REFLECTIONS on minor league football, empty nest syndrome, learning to swim and the Gecko as a metaphor for contemporary society add up to a typically wise and soulful Chris Wood set. Tom Robinson and Squeeze’s Chris Difford are fans, while The Unthanks look to him as an influence, and he has played with the Royal Shakespeare Company and in The Imagined Village project with Billy Bragg and Eliza Carthy.
In a world of soundbites and distractions, six-time BBC Folk Awards winner Wood is a truth seeker, whose uplifting and challenging writing is permeated with love and wry intelligence as he celebrates “the sheer one-thing-after-anotherness of life”. Box office: 01904 658338 or ncem.co.uk.
King For A Day: Paying tribute to Nat King Cole at York Theatre Royal
Nostalgia of the week: King For A Day: The Nat King Cole Story, York Theatre Royal, November 17, 7.30pm
VOCALIST Atila and world-class musicians take a fresh, thoughtful and entertaining look at the life and work of Alabama pianist, singer and actor Nat King Cole, whose jazz and pop vocal styling in songs such as Nature Boy, Unforgettable and When I Fall In Love define a golden era of 20th century American music.
Cole’s most celebrated songs and stylish re-workings of his lesser-known gems are complemented by projections of rare archive images and footage, weaved together by narration. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Kerry Godliman: Welcome to the life of a middle-aged woman who has outsourced her memory to her phone in Bandwidth. Picture: Aemen Sukka, of Jiksaw
Straight talker of the week: Kerry Godliman: Bandwidth, York Theatre Royal, November 19, 7.30pm
WHILE parenting teenagers, bogged down with knicker admin and considering dealing HRT on the black market, Kerry Godliman can’t remember what was in her lost mum bag after outsourcing her memory to her phone. Welcome to the life of a middle-aged woman who lacks the bandwidth for any of this.
Godliman, comedian, actor, writer, podcaster and broadcaster, from Afterlife, Taskmaster and Trigger Point, builds her new stand-up show on straight-talking charm and quick wit. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Jon Ronson: Hosting Psychopath Night at York Barbican, where he will welcome questions from the audience
Mind-bending insights of the week: Jon Ronson: Psychopath Night, York Barbican, November 18, 7.30pm
WHAT happens when a psychopath is in power? Could you learn to spot a psychopath? Are you working for a psychopath? Is there a little bit of psychopath in all of us? Sixteen years since journalist, filmmaker and author Jon Ronson embarked on The Psychopath Test, he reopens the case.
Expect exclusive anecdotes and fresh reflections in Ronson’s exploration of madness and the elusive psychopathic mind, re-booted with mystery special guests whose tales were not in the original book. Box office: yorkbarbican.co.uk.
Recommended but sold out already at York Barbican: Adam Ant in Ant Music, November 19, doors 7pm.
Count Arthur Strong: Telling Ebenezer Scrooge’s tale in Charles Dickens guise at York Barbican
Dickens of a good show: Count Arthur Strong Is Charles Dickens in A Christmas Carol, York Barbican, November 20, 8pm; Whitby Pavilion Theatre, November 23, 7.30pm; Scarborough Spa Theatre, November 27, 8pm
IN response to public pressure, doyen of light entertainment and raconteur Count Arthur Strong is extending his fond farewell with new dates aplenty for his one-man interpretation of A Christmas Carol, performing his own festive adaptation in the guise of literary great and travelling showman performer Charles Dickens. Box office: York, yorkbarbican.co.uk; Whitby, whitbypavilion.co.uk; Scarborough, scarboroughspa.co.uk.
Mexboroughpoet Ian Parks holding a copy of his new book The Sons Of Darkness And The Sons Of Light
Word-and-song gathering of the week: Navigators Art presents An Evening with Ian Parks and Friends, The Basement, City Screen Picturehouse, York, November 21, 7.30pm
YORK arts collective Navigators Art plays host to An Evening with Ian Parks and Friends, where Parks reads from his new collection, The Sons Of Darkness And The Sons Of Light, and will be in conversation with Crooked Spire Press publisher Tim Fellows.
Joining Parks will be award-winning York novelist and poet Janet Dean, poet and critic Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail. Tickets: £5 in advance at bit.ly/nav-events or £8 on the door from 7pm.
In Focus:Lesley Birch: Flower Power and Jacqui Atkin: Ceramics, Pyramid Gallery, Stonegate, York, until mid-January 2026, Monday to Saturday, 10am to 5pm
Lesley Birch at her Flower Power exhibition opening with Pyramid Gallery owner and curator Terry Brett
YORK artist Lesley Birch is showing 22 paintings from her Flower Power series in an exhibition at Pyramid Gallery that coincides with the blooming of her small art book of the same title.
The book is published by Overt Books, the independent York publisher set up by York Creatives creator Ben Porter.
“I’ve always meant to publish an art book and never quite got around to it, but with Ben’s help, I was able to pull together this small volume,” says Lesley. “There are beautiful photographs of my home studio from Esme Mai Photography, more photos by Eloise Ross, and some of my free verse musings to accompany photographs of the paintings.
Lesley Birch in her studio. Picture: Esme Mai Photography
“There are only 50 copies available at this time. I’m thrilled to say that there is a foreword from my generous PICA Studios studio mate Mark Hearld
Lesley is sharing space at Pyramid Gallery with ceramicist Jacqui Atkin, who works with The Pottery Showdown programme. “I love the combination of my flower paintings with Jacqui’s ceramics,” she says. “They sit beautifully together and it was lovely to hear her details about making these exquisite pieces.”
Lesley’s Flower Power paintings were painted in response to abundant summer blooms in her garden and from Shambles Market in York.
Lesley Birch’s book cover for Flower Power
Sunflowers, from Lesley Birch’s Sunflower series
“I’m often keen on certain pots and vases too and I like to set up lots of bouquets here and there, playing with colour, texture and shape,” she says.
“I find myself immersed in a world of pure discovery and concentration. These works I’ve been developing for the past ten months and they’re now finally ready to go out on show.”
The Flower Power book is priced at £12 plus £3 postage and packaging. Contact Lesley via lesleybirch@icloud.com for a copy.
Aesthetica Short Film Festival 2025 Best Documentary and Best of Fest winner: JD Donnelly’s The Hold
YORK’S Aesthetica Short Film Festival has concluded its landmark 15th anniversary edition by announcing 2025’s award-winning filmmakers: a new generation of talent poised to shape the future of screen culture.
For 15 years, Aesthetica has been the home of new voices in film, where tomorrow’s BAFTA and Oscar nominees and winners are first discovered.
Across five transformative days, fromNovember 5 to 9, York welcomed filmmakers, delegates and industry professionals from more than 60 countries worldwide, underscoring the BAFTA-qualifying festival’s significance as an international platform for storytelling and creative exchange.
This year’s winners, selected from more than 300 films spanning 15 categories, represent the best in innovation, creativity and emotional storytelling. Audiences were reminded that the filmmakers, writers and artists celebrated here are the stars of tomorrow, destined to become household names on the international stage.
Aesthetica Short Film Festival 2025 Best Director: Reiff Gaskell for Cuerpos
2025 Award Winners
Genre awards:
Best Advertising: Swimming With Butterflies – Karl Stelter
Best Animation: Wild Animal – Tianyun Lyu
Best Artists’ Film: Mother Company – Alexandros Raptotasios; Konstantinos Thomaidis
Best Comedy: Dating In Your 20s – Lily Rutterford; Lucy Minderides
Best Dance: Spoken Movement Family Honour – Daniel Gurton
Best Documentary: The Hold – JD Donnelly
Best Drama: El Corazón – Oscar Simmons
Best Experimental: We Will Be Who We Are – Priscillia Kounkou Hoveyda
Best Fashion: Fugue – Nastassia Nikè Swan Yin Winge
Best Family Friendly: Girls Together – Christie Arnold
Best Music Video: Tank – Garath Whyte
Best Thriller: Scope – Emma Moffat
Best VR & Immersive: Xian’er (Chinese Immortals) – Fang Zhou
Best Game: Blue Prince – Dogubomb
Best Feature (Documentary): Torn – Kullar Viimne
Best Feature (Narrative): Disremember – Matthew Simpson
Best Podcast: Reality Looks Back – Anne Jeppesen
Craft & special awards:
Best Director: Cuerpos – Reiff Gaskell
Best Cinematography: Baby – Simisolaoluwa Akande
Best Editing: No One Really Knows Me Well – Gaia
Best Screenplay: Giants – Alex Oates, Andy Berriman
Best of Fest: The Hold – JD Donnelly
Mark Kermode: Busy festival, playing with his band The Dodge Brothers twice, first at Silent Cinema with Live Score screening of 1928’s Beggars Of Life, starring Louise Brooks, at York Theatre Royal on November 6, then at The Basement, City Screen Picturehouse, on November 7, after his In Conversation with Mark Kermode book discussion with Surround Sound co-author Jenny Nelson at York Theatre Royal. Picture: Julie Edwards
Festival Highlights: Five days of creativity, performance and innovation
A Global Programme of Film
Aesthetica 2025 screened more than 300 films across multiple venues, representing genres from drama and documentary to experimental work and immersive VR projects. Filmmakers from around the world attended in person, sparking conversations and collaborations that extended beyond the cinemas into York’s streets and cafés. The festival’s international scale reinforces its role as a launchpad for talent on a global stage.
Masterclasses and industry insight
THE festival’s Masterclass series offered audiences unparalleled access to industry leaders, including:
Peter Straughan (Tinker, Tailor, Soldier, Spy)
Jasmin John(Adolescence, Boiling Point)
Mick Audsley (Harry Potter And The Goblet Of Fire)
Industry organisations such as Aardman, BBC, Film4, Framestore, The New York Times, ITV, Industrial Light & Magic and Ridley Scott Associates shared insights into directing, screenwriting, post-production and the creative use of emerging technologies.
Beyond the Frame: Live performance, comedy & music
York Theatre Royal played host to live events and performances:
Comedy Night with Sophie Duker & Friends, featuring Eleanor Tiernan and Bella Hull.
Silent Cinema with Live Score, featuring Louise Brooks in 1928’s Beggars Of Life accompanied by bass player Mark Kermode’s band The Dodge Brothers and Neil Brand.
Mark Kermode in Conversation with Surround Sound co-author Jenny Nelson, exploring the role of music in film storytelling.
The New Music Stage, showcasing ten emerging acts, with Universal Music A&R and singer-songwriter Jack Savoretti attending.
The poster for Aesthetica Short Film Festival 2025
Immersive & Interactive: The EXPO, VR & Games Lab
THE VR & Games Lab pushed the boundaries of storytelling through interactive and immersive media. The Podcasting Lounge celebrated excellence in audio storytelling, while the York UNESCO City of Media Arts EXPO highlighted cutting-edge innovation across digital media, visual effects and design. Workshops for children and teens in filmmaking, animation, and coding nurtured the next generation of creative talent.
UK Film Production Summit
THE UK Film Production Summit, held at The Grand, York, brought together more than 150 leading production companies, development executives and commissioners. Chaired by Ridley Scott Associates, discussions explored The Future of Production: Scripted, Unscripted, Film, TV & Streaming, with sessions on AI, virtual production, global streaming and investment models.
Mark Herbert, CEO of Warp Films, delivered a keynote speech on independent storytelling and the future of British production, joined by representatives from BBC Films, Film4, Working Title, Paramount, Clerkenwell (Baby Reindeer), Scott Free and many more.
Festival director Cherie Federicosaid: “Aesthetica is about discovery, ambition, and possibility. Over five days, York becomes a place where the next generation of talent is seen first, where ideas collide, and where creativity thrives across every discipline – from film and music to VR, games and podcasts.
“This festival is the beating heartbeat of the UK’s creative sector, a space where innovation, culture and storytelling converge, shaping the future of our industry.”
Continuing online
AESTHETICA 2025 continues online until November 30, offering audiences the chance to catch up on all the films, see the winners and discover the brightest and boldest talent in screen from around the world. This digital extension ensures the festival’s creativity, innovation and international spirit can reach audiences across the UK and globally. Visit: www.asff.co.uk.
York actress Constance Peel in Service Please at Micklegate Social on November 9
IN its 15th year, York’s Aesthetica Short Film Festival introduces its debut Aesthetica Fringe in a celebration of emerging talent across music, comedy, exhibitions, installations, and performance.
These artist-led events are part of a citywide cultural programme, transforming York into a creative playground throughout November.
“York is a UNESCO City of Media Arts, and our Fringe embodies this status by activating galleries, venues and public spaces with diverse work,” says festival director Cherie Federico. “Together, we bring art, performance and audiences into a shared, inspiring moment.”
Pilot Theatre presents A Guide To Now For Those In The Future, York Explore, Library Square, York, November 5 to 9
YORK company Pilot Theatre’s unique installation, A Guide To Now For Those In The Future, is a bold and immersive experience remixing interviews and footage into a vibrant explosion of sight and sound. Capturing the emotions, dreams and perspectives of young people, it acts as a digital time capsule, reflecting life, culture, and concerns in 2025. Supported by Portakabin Community Support Fund and York Common Good Trust.Age rating: PG.
Wonkystuff and The Sounen Project’s Change Of Phase
Change Of Phase, National Centre for Early Music, Walmgate, York, November 5 to 9, 6-8pm
ICE into water, liquid into solid, sound into light, noise into music, soundscapes into stories, digital into analogue: Change Of Phase is a series of sound and light installations with performances, all set around a single, illuminated table. Wonkystuff and The Sounen Project provide the experimental audio landscape guiding the audience through moods. Age rating: PG.
Celebrating Creativity in Creative Ways, York Explore, November 5 to 9
CREATIVE Ways showcases powerful artworks inspired by York’s rich stained-glass heritage. Created by participants exploring creativity for both wellbeing and belonging, the exhibition celebrates connection, confidence and community and reflects the impact of art in a testament to how art can illuminate lives, provide hope and foster inclusion. Age rating: PG.
Bard At The Bar, Cat In The Wall, The Stonebow, York, November 5, 7.30pm
HAVE you always fancied yourself taking to the stage to try out one of Shakespeare’s great soliloquies? Bard At The Bar is a raucous, no-holds-barred night of “karaoke” Shakespeare. This is your opportunity to grab a drink, take a script and climb onto the stage to perform your favourite scenes. No experience necessary, just bring passion. Age rating: 18+.
Erler and Pilot in Crossroads, York Explore, Library Lawn, York, November 5, 5pm and 6pm; November 6, 6pm and 7pm; November 7,12 noon, 1pm, 4pm and 5pm
STEP inside and take the journey to the crossroads in a spooky immersive experience for teenagers and the young-at-heart by Erler and Pilot on Library Lawn, where you will meet your guide beside her trailer of truth. There she will drive you to the place where dreams come true. Age rating: 12+.
Griffonage Theatre’s poster for Kafka By Candlelight at The House of Trembling Madness
Griffonage Theatre presents Kafka By Candlelight, The House Of Trembling Madness, Lendal, York, November 5 to 7, 6.30pm & 8.30pm
DEEP in the cavernous belly of The House Of Trembling Madness, Griffonage Theatre, York purveyors of the madcap and the macabre, present Kafka By Candlelight, an unsettling adaptation of five of Franz Kafka’s strangest short stories, told in the dark, where each piece invites you to confront the bizarre with no guarantee of resolution or escape. Will you be able to stomach it? Audiences will be invited to wear theatrical masks (optional). Age rating: 18+.
Letterpress and Film, Thin Ice Press, York Centre for Print, A Celebration of Silence, Peasholme Green, York, November 5, 2pm to 5pm
EXPLORE the intersection of film and print in hands-on workshops that invite you to experiment with letterpress printing and create title cards inspired by the artistry of silent film. Bring your phone or camera to capture the process and discover the tactile beauty of print while celebrating the visual language of cinema. Age Rating: 12+.
Letterpress Film Night: Helvetica Screening, Thin Ice Press, York Centre for Print, Peasholme Green, York November 5, 7pm to 9pm
ENJOY a screening of Helvetica, a celebration of silent film, and the chance to try letterpress printing. Design and print title cards with the team, capture the process and explore the endangered craft of letterpress printing while embracing the timeless aesthetics of ink. This experience is a chance to explore how film and print intersect. Age rating: 13+.
Black Sheep Theatre Productions in The Inner Selves, The White Horse, Bootham, York, November 5 to 8, 10:30am, 1pm, 3pm
A VIEW into a dying marriage, wherein Henry and Nora represent the end of a marriage torn apart by the loss of their child, alcoholism and depression. They are joined by their Inner Selves (Henry’s Self and Nora’s Self) who torment them about what their lives could have been. Every interaction is heavy with the things left unsaid. Age Rating: 16+.
Dan Poppitt in Black Sheep Theatre Productions’ Inner Selves
The Bluffs present Unwritten, Rise@Bluebird Bakery, Acomb Road, Acomb, York, November 5, 8pm
IMPROV based on your literary suggestion, wherein York group The Bluffs take classic short-form improv games and infuse them with storytelling flair. Every show is unique, shaped by audience suggestions and spontaneous creativity. “Who knows where this evening will take us but it will be entertaining, inventive, and entirely in the moment,” they promise. Age rating: 12+.
York Fire Walk, York Minster, November 5, 2pm to 3pm; November 9, 12.30pm to 1.30pm
JOIN York Fire Walk to embark on a journey through the city’s fiery history, meeting by the Roman Column in Minster Yard, and finishing at City Screen Picturehouse. In the company of expert guides, discover how York Minster popped up in the Land of Fire – and then there’s some guy called Fawkes. There’s bound to be fireworks! Age rating: 8+.
Compulsive Light Art Show, Fabrication Store, Stonegate, York, November 6 to 8, 6pm to 8pm
THE inside of the Fabrication shop front is transformed into a living light installation in an exploration of the coexistence between art and inspiration. The window becomes a canvas where the very act of making becomes a performance of dancing light. Passers-by are invited to pause, watch and reflect on the journey from idea to creation. Age rating: PG.
Alice May in Sweet Pea & The Beech Tree, Patch@Bonding Warehouse, Terry Avenue, York, November 6, 7pm to 9pm
JOIN York actress Alice May for a script-in-hand performance of a new one-woman play, then offer feedback to help develop it for stage and screen. Sweet Pea & The Beech Tree is a comic tale of a granddaughter caring for her terminally ill grandmother that asks what caring for someone facing death can teach us. This opportunity invites you to engage with the work in progress. Age rating: 14+.
The Compulsive Light Art Show asks “Why Make Art?”
City Folk & York Creatives, Patch@Bonding Warehouse, Terry Avenue, York, November 7, 6.30pm
DROP into Patch for an all-vinyl DJ set by Mat Lazenby and Jono spinning a curated mix. Meet York creatives. Grab a drink, discuss ideas, find out how to be involved with City Folk magazine, a new publication made in the heart of the city, and be in with a chance to win a print by illustrator Tony Allen. This event is the perfect way to connect. Age rating: 14+.
Kids Just Wanna Fly, Ben Porter photobook launch, Patch@Bonding Warehouse, Terry Avenue, York, November 7, 6pm to 7pm |
LEAP into the unknown, through disposable cameras, polaroids and early iPhones. This is a tale of youthful ambition and the quest to craft an identity through the tumultuous years of young adulthood, comprising an exhibition, a photobook launch and short performances. Audiences are invited to reflect on who they are amidst their youth. Age rating: 16+.
Lara McClure in Oral Tradition, Amnesty Bookshop, Micklegate, York, November 7, 7pm
IN Iron Age Ulster, stories travelled from the mouths of bards into the ears of everyone else, with nothing written down. Storyteller, hypnotherapist and medieval historian Dr Lara McClure’s Edinburgh Fringe show offers a gnarly earful of ancient Ulsterwomen who used sex as a weapon – or, at least, so said the bards. The performance unpacks these bold yet provocative tales. Age rating: 16+.
Transmute- Live, Micklegate Social, Micklegate York, November 7, 8pm to 9.30pm
A SEMI-GENERATIVE particle system moves to an evocative mix of electronica, ambient, orchestral and techno sound. Immersive visuals and rich soundscapes merge, creating a mesmerising, cinematic experience that seamlessly blurs the boundaries between sight, sound and emotion in this exploration of movement, transformation, and connectivity. Agerating: PG.
Dr Lara McClure: Presenting Oral Tradition at Amnesty Bookshop
Rock Soil Scrape, West Park Bowling Club, November 8, 1.30pm to 4pm
AN installation inspired by the earth’s sediments, bringing together interviews with York workers and video projections, as well as food and drink to connect us to our physical environment, cultural histories and deep time. Presented in what was once a bakery, then a bottle shop and bar, the installation highlights the change of the site. Age rating: 12+.
In Limbo, De Grey Rooms, York, November 8, 4pm to 6.30pm
SOPHIE is dead. Probably. She thinks. Maybe. How could the happiest time of her life turn to this? Welcome to a rehearsed reading of In Limbo, Judi Amato’s new play about the realities of early parenthood and postpartum depression. A feedback session will follow the performance to help shape and deepen the development of the show. Age rating: 12+.
Constance Peel in Service Please, Micklegate Social, Micklegate, York, November 9, 2pm & 8pm
ALL Lara wanted was an easy job as she started to write her novel, but she is confronted with the sexist, stressful and chaotic reality of the service industry. This one-woman show by York-born, University of York-educated actress, writer, director (and waitress) Constance Peel plays the Aesthetica Fringe after a four-star debut run at this summer’s Edinburgh Fringe, and is marked by bright humour, artistic ambition and raw honesty. Age rating: 16+.
More, Spark:York, Piccadilly,York, November 9, 6.30pm to 7.30pm
MORE is a raw performance blending dance, visuals and music to explore the restless pulse of addiction – the craving for sensation, escape and wholeness. Through movement and image, it unravels cycles of desire and release in an intimate, sensory journey through the body’s aching longing to feel more and be enough.
The Storytelling Ensemble, Patch@Bonding Warehouse, Terry Avenue, York, November 9, 7.30pm
JOIN The Storytelling Ensemble for tales brought vividly to life with improvised music and original composition. Led by storyteller and composer Joe Allen, the ensemble breathes new life into fascinating fables and yearnful yarns, contributing to the magic of stories told aloud, inviting listeners to lose themselves in worlds ancient and new. Age rating: 12+.
For tickets, go to: asff.co.uk/fringe.
Aesthetica Short Film Festival 2025: Filmmaking In Schools
AESTHETICA Short Film Festival is putting young people at the heart of the festival run from November 5 to 9.
More than 150 students from seven York high schools – Huntington, Joseph Rowntree, Milthorpe, York High, All Saints, Fulford and Archbishop Holgate – will take part in the Filmmaking in Schools initiative, now in its second year.
The programme gives students the chance to develop practical filmmaking skills across storytelling, directing, writing, cinematography, editing and technical production, while also nurturing teamwork, creative collaboration and problem- solving. These skills are highly transferable, helping young people build confidence and abilities that extend far beyond the classroom.
York’s status as a UNESCO City of Media Arts provides a unique backdrop for creativity and innovation. In a city celebrated for its thriving digital media and creative industries, it is vital that students are offered hands-on, practical opportunities to bring their ideas to life.
Councillor Pete Kilbane, deputy leader of City of York Council and executive member for Economy and Culture, says: “It’s fantastic to see so many York youngsters getting hands-on experience in filmmaking. Through initiatives like this, students discover their creativity, learn new skills and get to see the wide range of exciting job opportunities that the film industry has to offer.
The Filmmaking in Schools programme puts this philosophy into practice, enabling students to write, direct and produce their own short films, while applying problem-solving and technical skills in a real-world environment.
Festival director Cherie Federico adds: “Our aim is to give young people a real chance to explore their creativity and find their voice. Filmmaking is a powerful tool for learning, teamwork, and self-expression – and by putting it in the hands of students, we are investing in the next generation of storytellers and innovators.”
Through mentorship, collaboration and the festival environment, students gain practical skills and inspiration that link directly to potential careers in media arts.
Stuart Campbell, head of communications at LNER, highlights the impact of industry partnerships: “The Railway 200 programme is all about supporting and fostering new talent,” he says. “It starts with young people, and here in York, we have the chance to do something truly different, giving students real-world opportunities to explore creativity and storytelling through film.”
The Filmmaking in Schools initiative sits within the context of the BAFTA-Qualifying Aesthetica Short Film Festival, giving students exposure to the professional world of film and insight into the wider creative industries. By combining mentorship, hands-on experience and festival immersion, the programme nurtures the next generation of screen innovators.
While young people are at the centre of this initiative, Aesthetica 2025 also provides opportunities for families to engage with creativity. From specially curated U and PG film screenings to VR and games workshops, interactive art, live music and city-wide Fringe events, the festival offers experiences that encourage children and adults to explore, learn and play together.
By blending professional insight, imaginative activities, and cultural exploration, Aesthetica ensures that creativity is accessible to all ages, inspiring the next generation while bringing the wider York community together.
Aesthetica Short Film Festival 2025: Launching Beyond the Frame programme at York Theatre Royal, November 5 to 8
Comedian Sophie Duker
Sophie Duker & Friends, Wednesday, 7.30m
TASKMASTER champion Sophie Duker, from Mock The Week and Frankie Boyle’s New World Order, tops the bill featuring Eleanor Tiernan and Bella Hull.
Silent Cinema & Live Score with The Dodge Brothers, Thursday, 7.30pm
IN a dazzling collision of classic cinema and live music, The Dodge Brothers bring their live score to Beggars Of Life, the 1928 landmark American silent film starring Louise Brooks.
The Dodge Brothers
Film critic and BBC presenter Mark Kermode, on double bass and harmonica, is joined Neil Brand, celebrated silent film accompanist and star of BBC Four’s Sound Of Cinema, on piano, as this electrifying ensemble transforms a black-and-white masterpiece into a full-blooded cinematic event.
Mark Kermode: In Conversation with Jenny Nelson, Friday, 7pm
HEAR from the co-authors of Mark Kermode’s Surround Sound about the magic of film music. Join film critic Mark Kermode and award-winning radio producer Jenny Nelson for an evening of cinematic insight, sharp wit and passionate debate.
Together, they explore the power of film music, inspired by their new book. From cult classics to blockbuster scores, expect passionate discussion, revealing stories and plenty of chances to ask questions and join the debate. Expect honest, humorous and informed film talk.
Mark Kermode: Discussing his new book, Mark Kermode’s Surround Sound, with co-author Jenny Nelson at York Theatre Royal. Picture: Julie Edwards Visuals
Aesthetica New Music Stage, Saturday, 2pm to 11pm
IN the UK’s first national New Music Stage, BLANID, Jemma Johnson, Crazy Mark, Kengo, Ewan Sim, Daisy Gill, Dilettante, Tarian, Isabel Maria and North Yorkshire band Pleasure Centre will compete in a showcase supported by Universal Music A&R, Imagesound and Caffe Nero. Anglo-Italian singer-songwriter Jack Savoretti will be on the judging panel.
Tickets (and New Stage Passes for the New Music Stage) are available from the York Theatre Royal box office, 01904 623568, or online at yorktheatreroyal.co.uk.
York Theatre Royal is a venue for the ASFF 2025 line-up of film screenings and masterclasses too. More details on booking festival passes can be found at asff.co.uk/tickets/.
Daisy Gill: Taking part in the Aesthetica New Music Stage event
SCRAVIR author C.M. Vassie, pictured in Whitby, where his gothic horror trilogy is set. Costume courtesy of York Theatre Royal costume hire department
YORK author C.M. Vassie will hold a book signing and meet & greet session for the third instalment of his supernatural thriller trilogy, SCRAVIR III – Possession, at Holman’s bookshop, on Skinner Street, Whitby, on Saturday.
This 2pm to 4pm event forms part of the first Whitby Literature Festival Fringe and concludes Vassie’s promotional travels to the East Coast after book signings at the Whitby Shop and Whitby Bookshop over Whitby Goth Weekend.
Vassie is not only a gothic horror author but also the City of York councillor for Wheldrake with a long back story as film and TV music composer Xian Vassie for the BBC and others too from 1992 to 2012.
“While the SCRAVIR books are dark and nasty, they are nowhere as dark or as nasty as local politics,” says Liberal Democrats Councillor Christian Vassie/author C.M. Vassie.
SCRAVIR – a word made up by the author – is a contemporary gothic horror story that serves up a thriller and a police detective story too. Set in Whitby and Romania, its protagonists are a London youth, Daniel, and a Whitby lass, Tiffany, who works in a fish-and-chip shop. The nemesis is a Goth music star and the action takes place over Whitby Goth Weekend when emaciated bodies appear on streets in the old town.
The original book, SCRAVIR – While Whitby Sleeps appeared in the summer of 2021; the second, SCRAVIR II – Lacklight, followed in 2023. Now Vassie completes the trilogy for Injini Press with Possession, whose plot finds Thor Lupei dead and the pandemic shrinking in the rear mirror, as Daniel and Tiffany make a life together in Whitby, thinking they are safe.
Daniel’s past, however, looms over everything, and when a Goth Weekend gig at the Pavilion goes awry, they decide a holiday in Romania – to discover his mother’s Transylvanian origins – would be a grand idea.
“What could possibly go wrong?” teases the back cover taster. Go wrong? Not so for Christian Vassie, for whom everything has gone right since he ventured on his SCRAVIR journey (also writing the time-travelling adventure The Whitby Trap, set in the 1820s, en route).
Ahead of last weekend’s SCRAVIR III launch, he said: “The last book signing I did there had 65 costumed goths queuing for a chat and copies of the SCRAVIR books. Which is nice, though quite daunting as some of the fans know the stories better than I do!”
Whether composing music or writing books, Christian “finds things I want to do, and I don’t make a fortune but I’m able to make a living, like everyone else, and that’s fine,” he says. “When artists start off they have wild dreams of kidney-shaped swimming pools and five houses, but actually, if you can live a good life, that’s fine.
“I produced music for over 80 productions, but over those 20 years, downloading music has become so easy. You used to have to go to Denmark Street [in London]; now you have access to millions of pieces of music on your computer.
Author C.M. Vassie meets SCRAVIR book fans at launch events at Whitby Goth Weekend. “One even came as a deathly bride, one of the characters in the first book,” says Vassie
“I did the music for a series about the Medici in 2003 that you can find on YouTube and has had a million views, but I’ve never earned a penny from that. So you can either feel sorry for yourself or you adapt.”
Adapt he did, a decision brought on partly because he was going deaf. “I could trust my musicality, but I couldn’t trust my hearing,” says Christian. “I no longer had the confidence I needed – but I went out with a bang with Bishaash, a 12-part sci-fi series where Scooby Doo meets Star Trek meets Doctor Who, produced by BBC Worldwide and Bangladesh TV. That had 17 million views! What a wonderful way to go out. I could feel fulfilled.”
Christian had been the head chorister at York Minster in his Archbishop Holgate schooldays, going on to study African Languages and World Music at the School of Oriental and African Studies in London from 1979 to 1982. “I didn’t come from a musical family, but from the age of 11 or 12, I understood the meaning and value of excellence.”
That drive has never left him. “It has to be part of creativity,” he says. “When I worked on compositions for films, often the director would be satisfied before I was, and I would keep looking to improve. We’re driven to be artists because that is who we are – we just want to explore creative things.”
Hence the move into writing books, already armed with a grasp of how scenes are written how characters develop, from working on films. “It started off with writing a couple of thrillers that did nothing, printing 100 copies and selling 30,” he says.
“Then I wrote a children’s environmental book, a picture book, The Three Little Pigs And The Straw Stick House, when I was also instrumental in the eco-depot being built in James Street with straw bale cladding. That book sold in its thousands.”
Christian was off and running. “Careers in the arts are partly about learning a craft, but also about how you position yourself to make something that appeals to people, to find your audience, and these SCRAVIR books have been transformational for me,” he says.
“People ask me why I don’t set stories in York, but I went to Whitby as a child and loved it, and it’s been in my heart ever since, as it is for many York people. Whitby is so condensed and it’s on the edge of the unknown.
“That romanticism, being at the top of the cliff, looking out at what might be. Like Captain Cook, at a time when things were bl**dy hard, you could just pack your bags and leave. In reverse, it’s where Dracula arrives, so you can go out into the unknown or the unknown can come to you. That’s what makes Whitby so special; what makes it different from York. It’s like a door that’s permanently ajar.”
A door ajar for C.M. Vassie to explore his creativity in three SCRAVIR books. “It’s great to play a small part in shaping how our collective sense of place,” he says. “Yorkshire came close to losing Whitby old town altogether in the 1920s and 1930s as plans were advanced to bulldoze the entire area and replace the yards with modern housing.
“We are all lucky that didn’t happen. I like to imagine that the stories authors create in those ginnels and old buildings help to protect it from developers and give us a clearer view of our history. The armies of goths help too.”
Councillor Christian Vassie’s political thought for the day
“Councillors should be the conscience of the city.”
The Great Plague: Cutting provided by Christian Vassie
The Great Plague: Xian Vassie’s back story
CHRISTIAN Vassie composed the score for Chanel 4’s The Great Plague in 2001. “Samir Shah, now chairman of the BBC, told me it was the film of which he was most proud,” he says.
“It won the Best History award at the Royal Television Society awards in 2001 or 2002. It was a groundbreaking story because it told the story of the lives of a group of Londoners during the Great Plague, not from the recollections of Samuel Pepys or other lofty fellows but from the simple records of a churchwarden.
“He had recorded in absolute detail the tragedy that befell the inhabitants of an alley in London: who he had money to feed when they were locked in their homes to stop the spread of the disease; who he paid to bury their neighbours; how families were torn apart. Real peopl with real names.
“My contribution was to write a score that wasn’t period music to tell you how long ago the events took place; the music blended bluegrass and folk music. Drama documentaries at the period only had a silent cast, over which historians would be the human voices. My score gave the inhabitants of the alley back their voices, using songs without words to draw us into their world.”
Christian used a similar approach for their next joint film project, 2003’s Invitation To A Hanging, winner of the RTS Best History award the following year.
“That told the story of Jack Shepherd, a young man who arguably became the first working- class hero in England because his brief life, and escapes for Newgate Prison, coincided with the birth of newspapers,” he says.
“The score for that film, set in the 1720s, was a mixture of jazz, reggae, and soundscapes. Again the point was to avoid using music to tell the audience when the story was set, but rather to communicate that they were watching the original ‘Jack the Lad’, the hero of The Beggar’s Opera, the inspiration for the song Mack The Knife.
“Jack didn’t see himself as a historical figure but as a man about town, a celebrity. Until he was caught a fifth time and hanged…”
Poet Ian Parks with his new collection The Sons Of Darkness And The Sons Of Light
YORK arts collective Navigators Art plays host to An Evening With Ian Parks and Friends on November 21 at The Basement, City Screen Picturehouse, York.
“This is one for lovers of poetry and folk music,” says organiser Richard Kitchen. “Ian is a widely published and much admired poet from Mexborough, described as ‘the finest love poet of his generation’, although his work vigorously addresses the political as well as the personal.”
Parks will be reading from his new collection, The Sons Of Darkness And The Sons Of Light. Joining him will be York novelist and poet Janet Dean, critic and poet Matthew Paul and singer-songwriter Jane Stockdale, from York alt-folk trio White Sail.
In addition, Parks will be in conversation with publisher Tim Fellows, of Crooked Spire Press. Tickets for this 7.30pm event cost £5 in advance at bit.ly/nav-events or £8 on the door from 7pm. “We hope to adjourn for a chat after the show with anyone who’d like to join us,” says Richard.
The poster for Navigators Art’s November 21 bill at The Basement, City Screen Picturehouse, York
David Walliams: Frank chat at York Barbican. Picture: Charlie Clift
CANDID conversation, outrageous anecdotes, storytelling and surprises combine in An Evening With David Walliams, actor, writer, sketch comedian and talent show judge, at York Barbican on November 4.
Everything, from his breakthrough with Matt Lucas on Little Britain, Come Fly With Me and judging duty on Britain’s Got Talent to his prolific book writing for young readers, will be on the table, opening in Little Britain attire and topped off with the chance to put questions to “one of Britain’s most beloved entertainers” in the second-half Q&A.
“I was last in York for a book signing about a year ago. I love the city,” he says. “Went to the Minster, bought some old-fashioned sweets. I like cities and towns where you can walk around, not too big. That’s why I like Edinburgh, Bath and York.
“I love the National Railway Museum too. I’ve been there a few times. I went there as a kid, when the Mallard was my favourite. I had a Horny train set too. I like a train journey, so I’ve always wanted to write a book based around trains but I haven’t had the right idea yet.”
When does he know that moment has arrived? “I think it’s when…I make a lot of notes…and it’s normally when you have a number of ideas coming out of you at once. What will make it different from other books?” says David, whose books have been translated into 55 languages.
“I read a brilliant book by Stephen King about writing where he said, ‘a good book has to have two ideas’, and it just stuck with me. With kids’ books, you write in a world halfway between imagination and reality, Like, if there was an empty house on my street as a child, I would say it was haunted.
“With each book now, it’s very much a case of having to top the last book, having started by drawing on my childhood experiences, like The Boy In The Dress, writing stories very much grounded in our world, even though fantastical things might be happening.
“But as I went on, I had to invent more, or I would have written the same book again, and indeed I’ve had to let my imagination run riot. What is popular with kids is writing a series of books, like The World’s Worst Children, but most of the time with my books I have to start with a new character, maybe a new setting.”
Writing a book can be a slog, but that slog is worthwhile. “It’s not something I can speed up. It’s not something you can dash off,” says David, who puts plenty of planning into his writing. “Some things get cancelled because they’re just not working.”
Has the prolific David Walliams ever experienced writer’s block? “Sometimes I don’t know what to write, but I then just get up and do something else. There is always tomorrow,” he says. “Sometimes maybe you need to go for a walk, or weirdly, when you’re not thinking about it, your brain goes into problem-solving mode and comes up with the solution.
“I’m constantly alive to ideas, wherever they come from, like reading an article in the newspaper and thinking, ‘this is a great story’. The other day I was reading about an archaeologist and then flipped it on its head for an [Egyptian] mummy to travel to the modern world.
“It’s stuff like that which makes you constantly open to new ideas – and I’ve had many more ideas than I’ve used. Just like with Little Britain, where we had so many characters that never saw the light of day, maybe two thirds of the things we came up with.”
The three series of Walliams & Lucas’s satirical sketch show Little Britain aired from 2003 and 2005 and, such is the nature of comedy, they were very much of their time whereas books tend to transcend time – or so I suggested to David.
“My son is 12 and we watch comedy movies together, and he’s drawn to the ones from 20 years ago, like Borat [from 2006] and the Austin Powers films [from 1997 to 2002]. You might think, ‘you couldn’t do that now’, but I think, ‘what’s the point of this debate?’. They’re still really funny. Sometimes it’s context.
“If you don’t like Borat, which I think is the funniest film ever made, what are you going to do to complain about it?”
David continues: “Interestingly, people are still finding Little Britain funny and teenagers are sharing it on social media, which is pleasing because it means they’re enjoying it. You can remember bad reviews and negative voices, which are always loud. People can always turn off the TV if they don’t like it.
“You have to remember that there’s a spread of opinions, and just because there are negative opinions, it doesn’t mean they are more important.
“At the end of the day, there were moments of satire, but it was silly as well, and entertaining people, if you’re successful, is a fantastic feeling, because it can be life-changing when people say ‘I was going through difficult times and thank you for helping me to get through that’.”
Humour, by its nature, will either be found funny or not, and that may change with changing tastes too. “Come Fly With Me, which came out in 2011 [first episode, December 25 2010], the kids are really into it now, partly because it’s edgy,” says David. “We’re watching things thinking ‘you couldn’t make that now’, but Mitchell & Webb have just done a new sketch show [Mitchell And Webb Are Not Helping, Channel 4] that I loved.
“It’s just that people are much more able to articulate their response now. You can be on your phone at the same time [as you are watching], saying you find something offensive, whereas before you had to call the BBC and wait in a queue, when 100 complaints would be a big deal.”
Was he tempted to call his tour show ‘A Night With’ rather than ‘An Evening With’? “No. I think if you said ‘Night’, you would think you’d be up all night on a crawl of kebab shops!” he reasons. “I was first asked to go to Australia and New Zealand with ‘An Evening With’ and had a brilliant time there as they’re very aware of what shows I’ve done.
“We put together this show with all my funny stories and favourite characters, talking about my career and where ideas came from, showing clips of the best bits, then inviting audience questions.”
What is the most unusual question he has been asked? “In Australia, an 11-year-old girl said her mum had given her her ticket because she wasn’t well…‘My question is, who are you?’! The audience love it when they put you down.”
He is enjoying the format, with more shows planned for next year after this autumn’s dates in York, Hull and Derby. “It’s like a stand-up show with a stool for me to sit on,” says David. “I’m at that age [54] where you make noises when you get up!”
An Evening With David Walliams, York Barbican, November 4, 7.30pm. Box office: yorkbarbican.co.uk.Also Hull Connexin Live, November 5, 7.30pm. Box office: https://connexinlivehull.com/
The poster for York supernatural thriller author C.M. Vassie’s book launch of SCRAVIR III – Possession at the Whitby Shop this evening
THE third book in York author C.M. Vassie’s SCRAVIR trilogy of Whitby supernatural thrillers will be launched at a 5pm to 7pm signing session this evening at the Whitby Shop, on Church Street, amid the buzz of Whitby Goth Weekend.
Further book signings for SCRAVIR III – Possession will follow at the same shop tomorrow at 2pm to 4pm and Whitby Bookshop, on Church Street, on Sunday from 12 noon to 2pm.
Then, as part of the first Whitby Literature Festival Fringe, Vassie will hold a book signing/meet & greet session at Holman’s bookshop, on Skinner Street, on November 8 from 2pm to 4pm.
He is not only an author but also the City of York councillor for Wheldrake with a long back story as a music composer for the BBC too.
“While the SCRAVIR books are dark and nasty, they are nowhere as dark or as nasty as local politics,” says Liberal Democrats Councillor Christian Vassie/author C.M. Vassie.
York author C.M. Vassie in 1820s’ attire at the Whitby launch of his time-travelling book The Whitby Trap. Now comes his third SCRAVIR thriller, Possession
SCRAVIR is a contemporary gothic horror story that serves up a thriller and a police detective story too. Set in Whitby and Romania, its protagonists are a London youth and a Whitby lass who works in a fish-and-chip shop. The nemesis is a Goth music star and the action takes place over Whitby Goth Weekend when emaciated bodies appear on streets in the old town.
The original book, SCRAVIR – While Whitby Sleeps appeared in the summer of 2021; the second, SCRAVIR II – Lacklight, published in 2023, continued the gothic horror story.
Vassie also wrote the time-travelling adventure The Whitby Trap. SCRAVIR III – Possession will retail at £10.99.
The book cover to C.M. Vassie’s SCRAVIR III – Possession
Did you know?
HOLMAN’S bookshop is celebrating its 105th anniversary over Whitby Goth Weekend, an occasion marked by the launch of owner Angela O’Connor’s commemorative book, Holman’s, Whitby’s Time Travelling Bookshop, charting the bookshop’s history.
“Angela spent a great deal of time researching at the Whitby Museum, talking with relatives and other shop keepers along the street,” says C.M. Vassie.
“Having spent days in the Whitby Museum researching for my time-travelling story The Whitby Trap, I know how difficult it can be extracting stuff from the archives!
“Interestingly, three members of staff have covered the entire 105 years of Holman’s existence, the last lady retiring earlier this year after nearly half a century at the shop.”
