Category: Books

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More Things To Do in York and beyond monsters, ghosts, banjos and bratwurst. Hutch’s List No. 45, from The York Press

Anna Soden: No bum deal, bum steer or bum’s rush, for that would be a bummer at tonight’s hour of comedy, It Comes Out You Bum, at The Old Paint Shop

FROM royal history re-told to Dickens’ ghost stories, magical monsters to banjo brilliance, Charles Hutchinson delights in October’s diversity.

Homecoming of the week: Anna Soden, It Comes Out Your Bum, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm

NOW based in Brighton but very much shaped in York, comedian, actor, writer, TikTok sensation and award-nominated Theatre Royal pantomime cow in Jack And The Beanstalk, Anna Soden delivers her debut hour of madcap comedy, full of brainwaves, songs, revenge and talking out your ass. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Robin Simpson: Monster storyteller and York Theatre Royal pantomime dame, performing at Rise@Bluebird Bakery

Spooky entertainment of the week: Robin Simpson’s Magic, Monsters And Mayhem!, Rise at Bluebird Bakery, Acomb, York, Sunday, doors 4pm

YORK Theatre Royal pantomime dame Robin Simpson – soon to give his Nurse Nellie in Sleeping Beauty this winter – celebrates witches, wizards, ghosts and goblins in his storytelling show.

“The audience is in charge in this interactive performance, ideal for fans of spooky stories and silly songs,” says Robin. “The show is perfect for Years 5 and upwards, but smaller siblings and their grown-ups are very welcome too.” Tickets: bluebirdbakery.co.uk/rise.

Out for revenge: Henry VIII’s wives turn the tables in SIX The Musical, returning to the Grand Opera House, York, from Tuesday. Picture: Pamela Raith

Recommended but sold-out already: SIX The Musical, Grand Opera House, York, October 14 to 18; Tuesday & Thursday, 8pm; Wednesday & Friday, 6pm and 8.30pm; Saturday, 4pm and 8pm

FROM Tudor queens to pop princesses, the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power. Think you know the rhyme? Think again. Divorced. Beheaded. LIVE!

Lucy Moss and Toby Marlow’s hit show is making its third visit to York, but it’s third time unlucky if you haven’t booked yet. Like Anne Boleyn’s head, every seat has gone.

Eddi Reader: Performing with her full band at The Citadel

Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, October 15, 7.30pm

EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.

Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.

Damien O’Kane and Ron Block: Banjovial partnership at the NCEM

Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, October 15, 7.30pm

GROUNDBREAKING  banjo  players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.

O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.

Francis Rossi: Solo show of song and chat at York Barbican. Picture: Jodiphotography

Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, October 16, 7.30pm

IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why they went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.

James Swanton: Halloween beckons, so here comes his double bill of Dickens’ ghost stories at York Medical Society. Picture: Jtu Photography

Ghost stories of the week: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16, 17, 20 to 23, 7pm; October 27 and 28, 5.30pm and 7.30pm

A RED light. A black tunnel. A waving figure. A warning beyond understanding. Here comes the fear that  someone, that something, is drawing closer. Gothic York storyteller James Swanton returns to York Medical Society with The Signal-Man, “one of the most powerful ghost stories of all time and certainly the most frightening ever written by Charles Dickens”.

Swanton pairs it with The Trial For Murder, wherein Dickens treats the supernatural with just as much terrifying gravity. Tickets update: all ten performances bar October 21 have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Natnael Dawitin in Shobana Jeyasingh Dance’s We Caliban, on tour at York Theatre Royal. Picture: Foteini Christofilopoulou

Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, October 17, 7.30pm (with post-show discussion) and October 18, 2pm and 7.30pm

SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.

Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk.

John Bramwell: Playing solo in Pocklington

As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, October 17, 8pm

HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.

His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. . “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Velma Celli: York drag diva lighting up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor

Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, October 18, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm

MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian Bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.

The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.

In Focus: Charlie Higson and Jim Moir: A Very Short But Epic History Of The Monarchy, York Theatre Royal, Oct 13, 7.30pm

In the frame: Author Charlie Higson and artist Jim Moir discuss royalty and comedy at York Theatre Royal on Monday

36 kings. Five queens. Two comedy legends. Join Charlie Higson and Jim Moir (alias Vic Reeves) for the rip-roaring story of every English ruler since Harold was shot in the eye at the Battle of Hastings.

Higson has always been interested in the story of the fabled English monarchy: from the b*stardly to the benevolent,the brilliant to the brutal. “Far from being a nice, colourful pageant of men and women in funny hats waving to adoring crowds, it’s a story of regicide, fratricide, patricide, uxoricide and mariticide (you might have to look those last two up),” he says.

Launched for the coronation of his namesake King Charles III, Charlie’s podcast Willie, Willie, Harry, Stee takes a deep dive into the murky lives of our monarchs. Now, his new book of the show features illustrations by artist Jim Moir, his compadre in comedy.

On Monday, Charlie and Jim will first share stories from their comic collaborations over 30 years, including Shooting Stars, Randell And Hopkirk Deceased and The Smell Of Reeves and Mortimer. Then they will take the plunge into the storied history of this most treasured of institutions. Bloody treachery? Check. Unruly incest? Check. Short parliaments? Check. A couple of Cromwells? Check.

Their rip-roaring journey takes in the Normans, Tudors and Stuarts, not to mention the infamous Blois (how can we forget them?), tin an “utterly engrossing and grossly entertaining primer on who ruled when and why – with never-before-seen illustrations”!

A signed copy of Higson & Moir’s book Willie, Willie, Harry, Stee: An Epically Short History Of Our Kings and Queens (RRP £22) is included when purchasing Band 1 (£55) tickets, available for collection on the night. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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‘No more war,’ pleads York obituary cartoonist Bertt deBaldock as he launches Good Rabbits Gone 4 book at Golden Ball

Good Rabbits Gone 4’s final catwalk for fashion designer Mary Quant, by Bertt deBaldock

TERRY Brett will launch the fourth volume of his cartoon rabbit tributes to celebrities and remarkable individuals at a charity event at the Golden Ball pub, in Cromwell Road, Bishophill Senior, York, on October 15.

Publishing costs are met by Terry’s gallery, Pyramid Gallery, in Stonegate, enabling copies to be given away from there, but “if they enjoy the book”, voluntary donations are encouraged in aid of St Leonard’s Hospice, York, in memory of Terry’s father, who died of prostate cancer.

The same applies at next Wednesday’s 4pm to 7pm event, where Terry/artist alter ego Bertt deBaldock will sign copies. Donations can be made to https://www.justgiving.com/page/terry-brett-8.

Terry Brett/Bertt deBaldock holds a copy of Good Rabbits Gone 4, No More War!, plus drawings of John Lennon and Amy Winehouse that will be for sale at the Golden Ball book launch, along with 15 other original works (£20 each, unframed, for this size)

The 104-page fourth compendium of death notices, entitled Good Rabbits Gone 4, No More War! covers the fallen from the spring of 2023 to the demise of  2024, with Mary Quant, Norman Ackroyd, Hairy Bikers’ Dave Myers, Melanie Safka, Shane MacGowan and Terry’s fellow cartoonist Bill Tidy among his favourite portraits this time.

Entertainers Barry Humphries, Paul O’Grady, Mike Yarwood and Len Goodman feature too. So do writers Benjamin Zephaniah, Martin Amis and Fay Weldon. Actors Dame Maggie Smith, Glenda Jackson and Bernard Hill. Musicians Burt Bacharach, Sinead O’Connor, David Crosby, Jeff Beck and Tina Turner. Footballers Bobby Charlton and Pele. Politicians Jimmy Carter and John Prescott. Artist Frank Auerbach. Even the Slender Billed Curlew, the first mainland bird to become extinct in West Asia, Europe and Northern Africa.

The cartoon drawings by “the Scribbler” Bertt deBaldock, the nom d’art of gallery owner, colour-blind artist, ukulele player and long-ago chartered surveyor Terry are each drawn in response to an individual’s death and then assembled in a book with Terry’s own witty tributes or poignant memories of the person.

Terry Brett/Bertt deBaldock’s first Good Rabbit Gone, David Bowie, January 10 2026

Why use rabbits, Terry? “It started from my two daughters wanting a pet to replace our cat, back in 1995. I became carer for their pet rabbit and drew the cartoon, which then appeared on a Christmas card every year,” he says.

“Upset when David Bowie died in January 2016, I drew the rabbit shape with an Aladdin Sane-style red-and-blue lightning flash. Then Terry Wogan with a ‘Pudsey Bear ‘ bandage. Eventually I had so many scribbles that I put them in a book.

“Though a better answer is: the rabbit is the most peaceful and least destructive creature on the planet, yet also, potentially, one of the most successful. I like it that individuals, when they die, are reduced back to a persona that is not powerful, not celebrated and not destructive. It’s a leveller.”

The Scribbler’s call for No More War! on the inside sleeve of Good Rabbits Gone 4 

Terry introduces the latest volume with the sentiment “The world has gone bonkers”, then adds: “While scribbling this collection of remarkable individuals as rabbits, there has been war in Ukraine; the Hamas attack on Israel and Israel’s retaliatory destruction of Gaza; the Iranian regime has been cruel to Iranian women; Houthis have been bombed by the USA for sinking ships in the Gulf and China are poised to attack Taiwan. Hence the tag line is the cry ‘NO MORE WAR!’.”

Expanding on this thought, Terry says: “It seems to me that the disparity between rich and poor has become wider, nationally and individually. But the rich no longer have all the power and developing nations or marginalised groups are finding ways to steal something back from the powerful nations.

“Leaders of all nations seem to be prepared to risk everything in order to strengthen their own position, even though this will destroy the very thing that has allowed them to have such power.

Good Rabbits Gone 4 raises a last glass to Shane MacGowan, by Bertt de Baldock 

“I do not know what to make of it. It’s nothing new, but we can all see what is happening, thanks to technology!   It just needs one person to make them (leaders of the big nations) and us all see sense: someone like Ghandi or Mother Theresa, or Mikhail Gorbachev – he could sort it.”

Summarising what qualities make someone quality to be a Good Rabbit Gone, Terry suggests: “Some of these ‘rabbits’ have been exceptional at one thing, either through talent or endeavour, and have become famous. But I’m really more interested in the effect that those individuals have had on others. I think ‘good’ means that the person has followed a path which has made a positive impact on others, or on the wider world which we need to conserve.”

Last month at the Stephen Joseph Theatre, Scarborough, Alan Ayckbourn introduced his new play Earth Angel with this thought: “We have to remember there are still good things floating about in the world today, though it’s often hard to see them. But the good is still there if we look for it.”

Russell Richardson’s Gerald Mallett, left, and Iskandar Eaton’s Daniel in the Stephen Joseph Theatre, Scarborough premiere of Alan Ayckbourn’s Earth Angel: “The good is still there if we look for it,” says Sir Alan. Picture: Tony Bartholomew

Asked to refract that philanthropic philosophy through the ethos of Good Rabbits Gone, Terry says: “I am constantly looking for those good things when researching the life stories of the deceased. And there are many good stories to tell.

“Fame or power is not enough for me, I need to find some evidence that the individual has either focused on some endeavour or creative expression, or has acted for the benefit of other people or the environment. If I cannot find some form of selfless intention in their character, then I lose interest.”

Terry highlights the “interesting story” of  Camilla Batmanghelidjh (who died on January 1 2024). “She got into trouble with the media over poor book-keeping and alleged misuse of charity funds. The Kids Company, which had helped thousands of children, was forced to shut down due to false allegations that were dismissed in the high court,” he recalls.

Good Rabbits Gone 4’s exit stage left to Dame Maggie Smith

“But from what I can read about her, she was very successful at assisting 36,000 marginalised children. She is said to have helped 96 per cent of them to return to full-time education and had a massive impact with respect to reduction of crime.

“There are many really good people in the world, devoting their lives to helping others, and their stories need to be celebrated.”

 How would Terry define ‘good’ in 2025? “It’s a bit of a woolly word!” he says. “Some people in this world are so selfishly focused on their ambition, power or money, that they will never be ‘good’ in my eyes. I think ‘good’ means to have acted with the intention of making an improvement to the lives of others, or to the state of the world itself.”

Good Rabbits Gone 4’s hair-flapping farewell to footballer Sir Bobby Charlton, by Bertt deBaldock

One more question…

How long does it take to construct each Rabbit obituary?

“I would say about a day of thinking, three hours’ reading and between 30 minutes and four hours drawing,” says Terry.

Oh, and one more thing…

How does Good Rabbits Gone 4 differ from past Good Rabbits Gone?

“I spent more time on this volume,” says Terry. “I have become fussier about the look of the scribbles and about who goes in. It’s maybe more serious, which sounds ridiculous when I say it!”

Good Rabbits Gone 4’s painterly dark goodnight to School of London artist Frank Auerbach, by Bertt deBaldock

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York supernatural thriller writer C.M. Vassie to launch SCRAVIR III – Possession at Whitby bookshops over Halloween

York author C.M. Vassie in 1820s’ attire at the Whitby launch of his time-travelling book The Whitby TRAP. Now comes his third SCRAVIR thriller, Possession

THE third book in York author C.M. Vassie’s SCRAVIR trilogy of supernatural thrillers, SCRAVIR III – Possession, will be launched in Whitby on Halloween weekend.

Bookshops in Whitby will host book signings with Vassie, not only a writer but also the City of York councillor for Wheldrake and a music composer for the BBC, who also will appear at the Whitby Literary Festival the following week. 

SCRAVIR is a contemporary gothic horror story that serves up a thriller and a police detective story too. Set in Whitby and Romania, its protagonists are a London youth and a Whitby lass who works in a fish-and-chip shop. The nemesis is a Goth music star and the action takes place over Whitby Goth Weekend when emaciated bodies appear on streets in the old town. 

The book cover artwork for C.M. Vassie’s SCRAVIR III – Possession

The original book, SCRAVIR – While Whitby Sleeps appeared in the summer of 2021; the second, SCRAVIR – Lacklight, published in 2023, continued the gothic horror story.  

“While the SCRAVIR books are dark and nasty, they are nowhere as dark or as nasty as local politics,” says Councillor Christian Vassie/author C.M. Vassie.

He also wrote the time-travelling adventure The Whitby TRAP. SCRAVIR III – Possession will retail at £10.99.

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James Swanton is back on track with The Signal-Man for Dickens on the dark side

York ghost storyteller James Swanton: Returning to York Medical Society for a second season of The Signal-Man performances. Picture: Jtu Photography

AFTER a sell-out run last Halloween, gothic York actor James Swanton is reviving his solo production of Charles Dickens’s The Signal-Man from October 16 to 28.

A familiar face from Inside No. 9 and The First Omen, he will give ten performances of his solo show at York Medical Society, Stonegate, York, before transferring to the Charles Dickens Museum in London.

Each performance will incorporate a second Dickens’s ghost story, The Trial For Murder, and the show will run as a partner event with the York Ghost Merchants, in Shambles, whose annual Ghost Week celebrations will take over the city from October 25 to November 2.

“Last year, I was shocked when every performance of The Signal-Man sold out more than a month in advance,” says James. “I think that had a lot to do with the wild popularity of the York Ghost Merchants! I’ve therefore scheduled twice as many performances this Halloween.”

All but one performance – October 21 – has sold out already, matching the popularity of his annual performances of Dickens’s Christmas ghost stories, A Christmas Carol, The Haunted Man and The Chimes since 2018.

“The Signal-Man ranks among the most famous ghost stories of all time – subtle and mysterious, but gradually building to a devastating conclusion,” says James Swanton

Here James discusses Dickens’s storytelling prowess with CharlesHutchPress 

If at first you succeed, do The Signal-Man again, but what might differ from last Halloween?

“This year, I’m relieved to have had first-hand experience of the show actually working in performance! That should make everything more collected and confident, though I hope without losing the quiet mesmeric charge. It’s a strikingly different energy to most Dickens, which is where the M. R. James comparisons come in.”

What makes York Medical Society such an ideal setting?

“I enjoy a black-box theatre space, but it’s difficult to beat the immersive feel of antique wood panelling, latticed windows and an open fireplace. The room in which I’m performing puts me in mind of the tavern in Barnaby Rudge. Perfect for relating ghostly tales!”

What form does the partnership with York Ghost Merchants take?

“It’s mainly about connection and community; the Ghost Merchants are always giving back to York. Those who are in the city for Ghost Week may stumble on my storytelling thanks to the Merchants – and in turn, my shows may tip them off to things going on elsewhere.

“I feel this is one story that works far better when spoken out loud than read in private,” says James Swanton of The Signal-Man

“We’ve been collaborating since early 2020 – pre-pandemic! – when I gave a rendition of M. R. James’s Canon Alberic’s Scrap-Book at their Shambles premises. Each ticket included a tie-in yellow-eyed ghost, patterned after the demon in the story. Highly collectable now, I’d imagine.”

How does The Signal-Man differ from Dickens‘s Christmas ghost stories?

“It’s a rather darker show, ranking among the most famous ghost stories of all time – subtle and mysterious, but gradually building to a devastating conclusion.

“I’ve now performed it everywhere from Gad’s Hill – the country house at which Dickens died in 1870 – to a Category C prison. Everywhere it holds audiences riveted. I first gave The Signal-Man with the York Ghost Merchants as one of their online streams during the pandemic, so it’s fitting to be collaborating with them again.”

Without giving away the ending, what happens in The Signal-Man and why does it suit live performance?

“In short form, a wandering gentleman befriends a lonely signal-man on an isolated stretch of railway. He there hears about the signal-man’s uncanny supernatural experiences.

“I feel this is one story that works far better when spoken out loud than read in private. Simon Callow agreed with me after he recorded it as an audio drama.

“Dickens is essentially the character actor’s Shakespeare,” says James

“Even so, I’d recommend that people familiarise themselves with the text in advance. The final revelation takes some digesting, not unlike the ending of Nicolas Roeg’s Don’t Look Now. But once the core idea sinks in, it’s forever burned into the memory.”

Likewise, what happens in The Trial For Murder and why does it suit live performance?

“A city gentleman does jury service at the Old Bailey and begins to catch sight of an unsettling figure whose face is ‘the colour of impure wax’. People don’t generally know this story – it also goes by the unhelpful title ‘To Be Taken With A Grain Of Salt’ – so there’s a vital element of surprise.

“After all, a courtroom is itself a type of theatre, and this narrative’s structure is deliberate, verging on procedural, which contrasts well with the shocks.

“The Trial For Murder is less well known [than The Signal-Man] – and in my opinion, something of a neglected classic. Like The Signal-Man, it feels imbued with the spirit of M. R. James. So many of Dickens’s ghosts are family-friendly – just think of A Christmas Carol and how well it lends itself to the Muppets! None of that with these tales. Keep your children away.”

The poster for James Swanton’s double bill of ghost stories for Halloween at York Medical Society

How come you performed The Signal-Man at a Category C prison? 

“This came about after an approach from A. G. Smith, who’s highly regarded as a ghostly storyteller through his touring work with Weeping Bank. The prison offered that rare thing: an audience who not only wanted but needed to be told a story.

“They were among the best I’ve ever had; certainly the most attentive. I’m sure they understood the signal-man’s feelings of entrapment in ways I can’t begin to imagine.”

What keeps drawing you back to Dickens?

“His invented people are irresistible; Dickens is essentially the character actor’s Shakespeare. That said, his narration interests me more and more with the passage of time. And there’s rather a lot of that in these two pieces! The eye-catching grotesques melt away and the storyteller takes centre stage.”

James Swanton (in the mirror) and Julia Garner in the film poster for Apartment 7A

What else is coming up for you? Any filming commitments?

“There’s the odd project in the offing, though nothing nailed down. I’ve been continuing my association with Hammer Films this month. They put me back into Christopher Lee’s Creature make-up for last week’s premiere of their restored Curse Of Frankenstein, where I was honoured to shake hands with 90-year-old cast member Melvyn Hayes. Young Frankenstein himself!

“I’ll also be guesting at Manchester’s Festival of Fantastic Films closer to Halloween. But most of the year is now blocked out with stage work, including my return to York Medical Society in the last week of November with A Christmas Carol and The Haunted Man. Tickets are now on sale.”

And finally, James, why should audiences see The Signal-Man?

“Come to The Signal-Man if you want to experience old-fashioned theatrical storytelling in the pricelessly atmospheric setting of York Medical Society. Roger Clarke, esteemed author of A Natural History Of Ghosts, has been good enough to call me ‘the best interpreter of Charles Dickens’s ghost stories alive’. I’ll be doing my chilling best to live up to that praise.”

James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16 to 28, 7pm, except October 27 and 28 at 5.30pm and 7.30pm. Tickets are on sale too for Charles Dickens’s Ghost Stories, The Haunted Man, November 24 and 27, 7pm; A Christmas Carol, November 25 and 28, 7pm; November 30, 2pm and 6pm. Box office: 01904 623568 or yorktheatreroyal.co.uk.

James Swanton in ghost story-telling mode at York Medical Society

James Swanton on York’s history of trains and ghosts and Dickens’s railway links

“YORK is as much a city of trains as ghosts. The National Railway Museum is celebrating its 50th anniversary with the opening of its refurbished Station Hall.

“It’s also been an interesting year for Dickens’s links with the railways. 2025 marks 160 years since the Staplehurst accident – a horrifying train crash from which Dickens was lucky to escape with his life.

“It’s this trauma that inspired him to write The Signal-Man, which might also be considered the last story that Dickens completed. All that followed were collaborative works and an unfinished novel.

“Incredibly, Dickens died on the fifth anniversary of the Staplehurst crash. Given that The Signal-Man is so much about our inability to escape our fates, that feels eerily significant.

“I was pleased when the Charles Dickens Museum commissioned me to create a show based on the incident in June. We gave it a sensational title: Killing Dickens!”

James Swanton working with Mark Gatiss. Picture: Sonchia Lopez

Did you know?

JAMES Swanton often appears on film as all manner of demons and monsters. Last year, he was seen in Apartment 7A, Tarot, The First Omen and the final series of Inside No. 9.

He also has a keen interest in the history of screen horror. “Many people first encounter The Signal-Man through the 1976 Ghost Story For Christmas starring Denholm Elliott,” he says.

“In 2023, I became a part of the BBC’s modern Ghost Stories For Christmas tradition – playing the Mummy in Mark Gatiss’s Lot No. 249, chasing poor Kit Harington down those country roads at night – so I’d like to think I’m well placed to present such terrors on stage.

“Recently, I was reunited with Lot No. 249’s make-up man, the Oscar- winning Dave Elsey, to re-create Christopher Lee’s Creature from The Curse Of Frankenstein, in aid of a documentary on the new Blu-ray release. At last, I can say I’ve been employed by Hammer Films!

“I’d stop short of saying I’m now Christopher Lee’s representative on Earth, but it was certainly a singular honour.”

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Photographers Joe Cornish and Simon Baxter capture trees’ leading role on nature’s theatrical stage at Nunnington Hall 

Great Ayton photographer Joe Cornish, left, and Gisborough counterpart Simon Baxter at last Saturday’s launch of All The Wood’s A Stage at Nunnington Hall. Picture: Celestine Dubruel

NORTH Yorkshire photographers Joe Cornish and Simon Baxter’s exhibition All The Wood’s A Stage takes its inspiration as much from Shakespeare as nature.

The title is a spin on All The World’s A Stage, the opening line of Jacques’ Seven Ages Of Man soliloquy in As You Like It, prompting Joe and Simon to mirror theatre’s format by present their show in four acts, or four ages/stages of trees, in three top-floor rooms and the linking corridor against the backdrop of Nunnington Hall’s gardens and trees in late-summer seasonal change.

“Trees and woodland may seem sedate, but drama unfolds slowly, staged over seasons, years, decades, even centuries,” reads one statement on the exhibition walls, where the photographs are divided into Emergence, Interference, Transience and Performance.

Joe, from Great Ayton, and Simon, from Gisborough, present trees as “actors on the woodland stage”, representing the three forms of Shakespeare’s plays: comedy in their branch formations; history in their rings of life; tragedy in their fate, whether  deforestation, heat stress, climate change, or the crass felling of the Sycamore Tree Gap near Hadrian’s Wall in September 2023 that led to prison sentences for Daniel Graham and Adam Carruthers.

“We must learn to reconnect with nature, and woodland is a good place to start,” say the photographers. “Trees are critical actors in nature whose time on this planet far exceeds our own.” 360 million years, to be precise.

All The Wood’s A Stage, by Simon Baxter

Joe and Simon had first used the term “All The Wood’s A Stage” in their Woodland Sanctuary exhibition at the Moors Centre, Danby, in 2022. This time their focus spreads beyond Yorkshire to take in the South, Snowdonia, the Lake District and Scotland too in “celebration of the beauty and vital significance of trees, woodland and forests across the UK”.

Exhibition curator Laura Kennedy, Visitor Experience and Programming Manager at Nunnington Hall, says: “All The Wood’s A Stage invites us to see trees as silent performers on nature’s stage – inviting us to observe, listen and reflect.

“Trees provide joy, peace, and inspiration; they are the lungs of the Earth, guardians of biodiversity, and a crucial part of our mental and physical well-being. Through changing seasons, they symbolise life, death, and renewal.

This exhibition promises a truly uplifting experience, inviting visitors to fall in love with woodland life all over again.”

Both photographers attended last Saturday’s launch of 65 photographs for sale, complemented by two short films, to the noises-off accompaniment of the day’s incessant downpours. They work on their exhibitions and accompanying books in tandem – they live ten miles from each other – discussing potential themes, selecting each other’s photographs for the shows, printing together, but always photographing separately, even on joint excursions.

Dancing Trees, by Joe Cornish

“We think it’s important to listen to nature, and to express empathy, which comes from knowledge, but to have access to knowledge has to come from experience. For me, being in nature, among trees, has helped with my wellbeing,” says Simon.

“Through my photography, I’m doing justice to the woods, as a celebration of what they’ve done for me through their power to heal. It’s a celebration to say I love this natural world so much, not because it creates a great photograph but because I feel better among trees, and I want to share that wonder – and if nature can revert you to a different state of mind, it’s a very powerful thing.”

Joe and Simon see their work as holistic. “We know of the performative aspect of trees, sometimes as leading characters, sometimes as supporting cast, and if trees are the primary actors, where do we fit in? We are the audience,” says Joe.

He is delighted to be exhibiting at Nunnington Hall. “To have our work on show in this beautiful place, it’s like a sanctuary,” he says. “The National Trust has been very supportive of the arts, and I really hope that the trust can continue to play its leading role in providing spaces for artists to show their work.

“I see photography as a political act, and I slightly bristle at the thought that we just take pretty pictures. What we do is take pictures to offer a sense of hope.”

Woodland wanderers Joe Cornish, left, and Simon Baxter

Joe has experienced has own drama when filming for an exhibition with a theatrical structure. “I broke my neck falling off a mountain at Assynt [north of Ullapool in the Northwest Scottish Highlands],” he says. “I was hit by a gust of wind so hard that, even with my camera equipment on my back, I was knocked off my feet and fell quite a long way,” he recalls. “It was such a dangerous place, I had to walk for a mile but then the pain became unbearable.”

Joe was taken to hospital by mountain rescue helicopter. “Luckily I hadn’t damaged my spinal cord,” he says. “I’ve camped on the top of that mountain since then, which felt like an act of redemption.”

The trees, the woods, their theatre of life, will keep calling him and Simon back again and again.

Joe Cornish and Simon Baxter, All The Wood’s A Stage, on show at Nunnington Hall, Nunnington, near Helmsley, until March 29 2026. Opening hours: 10.30am to 5pm daily; last entry, 4pm; from October 1, closed on Mondays.

Normal admission prices apply, including entry to the exhibition, with free entry for National Trust members and under-fives. To book tickets, go to: www.nationaltrust.org.uk/nunnington-hall.

Cornish and Baxter’s self-published accompanying book, All The Wood’s A Stage, is on sale at £30 at Nunnington Hall, along with copies of Woodland Sanctuary. Visitors can buy prints on display too.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 40, from Gazette & Herald

Rebecca Vaughan’s Lady Susan in Dyad Productions’ Austen’s Women: Lady Susan. Picture: Ben Guest

JANE Austen’s Lady Susan, supreme chamber musicians, nature photography and Inspector Morse’s stage debut keep September busy for Charles Hutchinson.

Magnificently crafted tale of manipulation and manners of the week: Dyad Productions in Austen’s Women: Lady Susan, York Theatre Royal Studio, tomorrow and Friday, 7.45pm, Saturday, 2pm; Helmsley Arts Centre, Sunday, 7.30pm

DYAD Productions return with a new solo comedy show, Jane Austen’s 1794 tale of manipulation and manners. Directed by Andrew Margerison, company regular Rebecca Vaughan plays devil-may-care widow Lady Susan, oppressed, rebellious daughter Frederica, long-suffering sister-in-law Catherine, family matriarch Mrs De Courcy and insouciant best friend Alicia.

At the vanguard of Vaughan’s wickedly humorous adaptation is the charming, scheming and witty Lady Susan, taking on society and making it her own, but has she met her match? Box office: York, 01904 623568 or yorktheatreroyal.co.uk; Helmsley, 01439 771700 or helmsleyarts.co.uk.

Classical festival of the week: York Chamber Music Festival 2025, Friday to Sunday

YORK Chamber Music Festival artistic director Tim Lowe brings the cream of European string playing to York for three days. Taking part in five concerts at the National Centre for Early Music, Unitarian Chapel, St Saviourgate, Sir Jack Lyons Concert Hall, University of York, and St Olave’s Church will be Charlotte Scott and Jonathan Stone, violins; Helene Clement and Gary Pomeroy, violas; Lowe and Jonathan Aasgaard, cello, and Katya Apekisheva, piano. For the full festival programme and tickets, go to: ycmf.co.uk.

Comedy gig of the week: Russell Kane, Hyperactive, York Barbican, Friday, 8pm

WHIRLWIND physical comedian, presenter, actor and author Russell Kane is out on the road again with his latest tour carrying a safety warning: “Wear strong underwear. Pants will be spoiled”. This show will be high-energy, high-octane and hyper-active. Box office: yorkbarbican.co.uk.  

Film event of the week: Mother Vera with Q&A, City Screen Picturehouse, York, Friday, 6pm

IN a hidden Orthodox monastery in Belarus, Mother Vera weaves the inner world of an unorthodox young nun with the community that saved her life. After 20 years as a monastic, Vera faces deep inner conflict. Now, she must confront her past and trust her instincts to find the liberation she desires.

Friday’s screening of Cécile Embleton and Alys Tomlinson’s winner of Best Documentary at the 2024 BFI London Film Festival – shot in black and white – will be accompanied by a question-and-answer session with Tomlinson, conducted by Aesthetica  writer and curator Rachel Pronger. Box office: picturehouses.com/cinema/city-screen-picturehouse.

Americana gig of the week: The Coal Porters, All Saints Church, Pocklington, Friday, 7.30pm

THE Coal Porters, who claim to be the world’s first “alt-bluegrass” act, will be led as ever by Sid Griffin in Pocklington, a day after celebrating his 70th birthday.

Prominent figures in the UK Americana and bluegrass scene for 17 years, Griffin’s band are back in the saddle this autumn for eight dates. Their songs showcase the power of fiddle, mandolin, banjo, acoustic guitar and doghouse bass, all harmonised with four-part vocals and melodies. Box office: sidgriffin.com/tour; ticketsource.co.uk.

Ryedale exhibition launch of the week: All The Wood’s A Stage, Nunnington Hall, near York, from Saturday to March 29 2026

ALL The Wood’s A Stage will continue the 2022 showcase Woodland Sanctuary, exhibited originally at the Moors Centre in Danby. This latest chapter features predominantly new photographs that celebrate the beauty and vital significance of trees, woodlands and forests across the UK.

Photographers Joe Cornish and Simon Baxter depict trees as silent performers on nature’s stage, encouraging us to observe, listen and reflect. Trees provide joy, peace and inspiration, being lungs of the Earth, guardians of biodiversity and a crucial part of our mental and physical well-being. Through changing seasons, they symbolise life, death and renewal. Tickets: nationaltrust.org.uk/visit/yorkshire/nunnington-hall.

Dance show of the week: The Return Of The Legends, starring Brendan, James, Pasha, Vincent and Ian, York Barbican, Saturday, 7.30pm

STRICTLY Come Dancing alumni Brendan Cole, James Jordan, Pasha Kovalev, Vincent Simone and Ian Waite follow up 2024’s  Legends Of The Dancefloor with new Latin, tango, rumba and ballroom routines and more Strictly stories in The Return Of The Legends. Joined by a supporting cast, they deliver a night of dancing, camaraderie, music and laughter. Box office: yorkbarbican.co.uk.  

Murder mystery of the week: Inspector Morse: House Of Ghosts, Grand Opera House, York, September 23 to 27, 7.30pm plus 2.30pm Wednesday and Saturday matinees

BIRMINGHAM Repertory Theatre and Simon Friend Entertainment are touring the Inspector Morse franchise’s debut original stage play, House Of Ghosts, penned by Alma Cullen, directed by Anthony Banks and starring Tom Chambers.

A chilling mystery unfolds when a young actress dies suddenly on stage during a performance, prompting Detective Chief Inspector Morse to embark on a gripping investigation. What begins as a suspicious death inquiry takes a darker turn when the legendary inspector, in tandem with Detective Sergeant Lewis, uncovers a connection to sinister events in his own past, 25 years earlier. Box office: atgtickets.com/york.

Blues gig of the week: Ryedale Blues Club, The Della Grants, Milton Rooms, Malton, September 25, 8pm

LEICESTER band The Della Grants’ songs seamlessly bridge the gaps between blues, rock and Americana. Since their inception in 2014, they have made a name for themselves among industry professionals and fellow musicians for their song-writing ability and performances. Box office: 01653 696240 or themiltonrooms.com.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 39, from Gazette & Herald

Grainne O’Hare: Discussing her debut novel, Thirst Trap, a study of friendship in Belfast, with York theatre-maker and university tutor Bridget Foreman at Helmsley Literature Festival

HELMSLEY’s book festival, musical premieres, Ayckbourn’s 91st comedy and the Yellow Brick Road are beckoning Charles Hutchinson. 

Festival of the week: Helmsley Literature Festival, Helmsley Arts Centre, Friday to Sunday.

HELMSLEY Literature Festival presents an entertaining weekend of writers, theatre and music, opening with Joanne Harris & The Storytime Band’s musical storytelling show on Friday at 7.30pm and concluding with the Studio Bar literary quiz on Sunday at 8.30pm.

Saturday presents retired clinical oncologist Grahame Howard at 2pm; Belfast-born debutant novelist Grainne O’Hare (Thirst Trap), 4.30pm; Debbie Cannon’s play The Remarkable Deliverances Of Alice Thornton, 7pm, and Poets’ Corner, hosted by Steve Harvey in the Studio Bar, 8.30pm. Sunday features Cliff Hague’s Cup Finals: Football Stories Of Great Games, Heroes And Villains, 2pm; northern authors Jenn Ashworth (The Parallel Path: Love, Grit And Walking The North) and Wendy Pratt  (The Ghost Lake), and Saltburn bookshop owner and The Hometown Bookshop novelist Jenna Warren, 7pm. Box office: 01439 771700 or helmsleyarts.co.uk.

Musical world premiere of the week: Military Wives – The Musical, York Theatre Royal, today to September 27, times vary

YORK Theatre Royal stages the world premiere of writer-director Debbie Isitt’s musical based on the 2019 film, rooted in Gareth Malone’s The Choir: Military Wives project.

Faced with husbands and partners being away at war, the women are isolated, bored and desperate to take their minds off feelings of impending doom. Enter Olive to help them form a choir. Cue a joyous celebration of female empowerment and friendship, courage and ‘unsung’ heroes. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Interdimensional journey of the week: Wharfemede Productions in Musicals Across The Multiverse, Theatre@41, Monkgate, York, today to Saturday, 7.30pm and 2.30pm Saturday matinee

DIRECTOR Helen “Bells” Spencer and musical director Matthew Clare follow up 2023’s Musicals In The Multiverse 2023 with another blend of iconic musical theatre hits reconfigured with surprising twists. 

“Think unexpected style swaps, minor to major key switches, gender reversals, era-bending reinterpretations, genre mash-ups and more,” says Bells. Box office: tickets.41monkgate.co.uk.

York premiere of the week: Pick Me Up Theatre in Fun Home, York Medical Society, Stonegate, York, today to September 19, 7.30pm plus 2.30pm Saturday and Sunday matinees

ROBERT Readman directs the York premiere of Jeanine Tesori and Lisa Krow’s five-time Tony Award winner, based on Alison Bechdel’s graphic novel. 

When her volatile father dies unexpectedly, Alison (Claire Morley) recalls how his temperament and secrets defined her family and her life. Moving between past and present, she relives her unique childhood at the family’s Bechdel Funeral Home, her growing understanding of her sexuality and the looming, unanswerable questions of her father’s hidden desires. Box office: ticketsourse.co.uk/pickmeuptheatrecom.

Exhibition of the week: Paint & Print, Beryl Braddock, Judith Ellis & Pauline Brown, Helmsley Arts Centre, until October 31

SINCE gaining a Fine Art degree at Leeds and Goldsmiths as a mature student, Beryl Braddock has enjoyed more than 40 years of drawing and painting, using watercolours, crayon, inks, charcoal and oils in still life, landscape and life drawing works, often in portraits of family and friends.

Judith Ellis’s paintings and prints utilise the process of mark making – colour, shape, form and texture – developed with elements of order and chance. Her work evolves with or without a pre-conceived idea; sometimes fragments of diaries are used to develop texture and form or a poem might provoke a colour. Artist, art therapist and theatre designer Pauline Brown paints and draws mostly outdoors in nature, following the changing seasons, using layers of colour and texture to capture the landscape’s moods and atmosphere.

Brass band gig of the week: Stape Silver Band, Brass Across The World, Kirk Theatre, Pickering, Friday, 7.30pm

STAPE Silver Band takes a musical journey around the world in the company of Pickering Musical Society members, performing works associated with myriad genres of brass band music. Box office: 01751 474833 or kirktheatre.co.uk/events/stape-silver-band/.

Tribute show of the week: Abba Sensation, Kirk Theatre, Pickering, Saturday, 7.30pm

KIRK Theatre “simply had to have them back” after Abba Sensation’s sold-out last visit. Combining costume changes, lighting effects and a faithful account of the Abba sound, the band welcomes audience participation, whether singing, clapping or dancing. Anyone “too posh” to join in can rattle jewellery instead. Box office: 01751 474833 or kirktheatre.co.uk/events/stape-silver-band/.

Ruby slippers of the week: York Stage in The Wizard Of Oz, Grand Opera House, York, Friday to September 20

UNDER Nik Briggs’s direction, York Stage skips down the Yellow Brick Road as Erin Childs’ Dorothy, Toto and her friends, the Scarecrow (Flo Poskitt), Tin Man (Stu Hutchinson), and Cowardly Lion (Finn East), journey to the Emerald City to meet the Wizard (Ian Giles).

In navigating the enchanting landscape of Oz, Dorothy is watched closely by Glinda, the Good Witch (Carly Morton) as the Wicked Witch of the West (Emily Alderson) plots to thwart Dorothy’s quest and reclaim the magical ruby slippers. Box office: atgtickets.com/york.

Theatre event of the week: Alan Ayckbourn’s 91st premiere, Earth Angel, Stephen Joseph Theatre, Scarborough, Saturday to October 11, 7.30pm plus 1.30pm, Wednesday and Thursday, and 2.30pm Saturday matinees

GERALD has lost his wife of many years. Amy was the light of his life, almost heaven-sent. Trying his best to put a brave face on things, he accepts help from fussy neighbours. Then a mysterious stranger turns up at Amy’s wake, washing the dishes and offering to do a shop for Gerald, but is he all that he appears?  

Alan Ayckbourn’s 91st play digs deep into one of life’s greatest mysteries: what makes someone a good person – and in this day and age, can you ever be sure? Box office: 01723 370541 or sjt.uk.com.

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Rural life author Sally Coulthard appointed patron at Ryedale Folk Museum

Author Sally Coulthard

AUTHOR, columnist and rural life enthusiast Sally Coulthard is the newest patron of Ryedale Folk Museum, Hutton-le-Hole.

Sally has been a long-time supporter of the open-air museum, dedicated to sharing the rural life of the region, bringing a deeply held passion for the countryside and the stories it holds.

Museum director Jennifer Smith says: “We couldn’t be more thrilled! Sally’s writing is always so full of warmth and respect for rural life, qualities that we’re always striving to bring to the museum.

“We know Sally’s emboldened involvement with our work will be invaluable over the coming years – and we’re delighted to welcome her into this role.”

Working from her smallholding in Ryedale, Sally is respected for her wide range of meticulously researched and evocatively written non-fiction works.

She often explores vernacular life or the natural world – social history, anthropology, archaeology, design and nature writing – in such books as A Short History Of The World According To Sheep, The Barn and A Brief History Of The Countryside In 100 Objects.

Ryedale Folk Museum, Hutton-le-Hole. Picture: Angela Waites

As a regular columnist, Sally’s range of countryside themes frequently have points of overlap with those explored at the museum, particularly the relationship between people and the land, seasons and rhythms of life.

Sally says: “Ryedale Folk Museum is a place very close to my heart. I’m absolutely delighted to become their newest patron. The museum celebrates the stories, skills and heritage that inspire so much of my writing.

“My books often delve into the traditions of rural life – from artisans to agriculture – the people, plants and creatures who make the countryside tick. There’s a really lovely alignment of my own interests with the values and ethos of Ryedale Folk Museum and I can’t wait to work with the team more closely.”

Jennifer adds: “Sally’s passion for historical insight and countryside stories makes her the perfect ambassador for Ryedale Folk Museum. We know that Sally’s support will help raise awareness of the ways we’re constantly working to preserve and share the rural heritage of the region.”

Ryedale Folk Museum is an independent charity that showcases its collection across 20 heritage buildings. Set in six acres of the North York Moors National Park, visitors can explore everything from an Iron Age roundhouse to a 1950s’ village store. The museum is dog friendly and welcomes picnickers.

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How To Train A Dragon School exhibition opens at DIG in St Saviourgate. Author Cressida Cowell to make visit on August 21

Lady Viking (Lauren Caley) stands beneath the dragon at the new How To Be A Dragon School attraction at DIG, St Saviourgate, York. Picture: David Harrison

HERE be dragons! The How To Train Your Dragon School exhibition has opened at DIG: An Archaeological Adventure, St Saviourgate, York.

Created in partnership with author Cressida Cowell and publishers Hachette Children’s Group, this new visitor attraction is based on Cowell’s book Doom Of The Darkwing, published in May.

Look out for the dragon that soars overhead a replica Viking fishing boat, inspired by The Hopeful Puffin, the boat belonging to the star of the book series, young Viking Hiccup Horrendous Haddock III, whose adventures with his dragon Toothless will continue in a second instalment of the How To Train A Dragon School spin-off series in 2026.

Gareth Henry, director of public engagement for York Archaeology, says: “This is a brilliant new addition to DIG, and we are confident that our young visitors will absolutely love engaging with the fantastical version of the Viking world created by Cressida.

 “There are so many different ways to engage with the content, from QR codes linked to videos where Cressida introduces each of the dragons, to a storytelling tent.  We have some of the original artwork from the books on display, as well as a large, wall-filling, hand-painted map of the Isle of Berk.”

Dragon designer Patrick Beardmore surveys his handiwork at DIG. Picture: David Harrison

In a nod to DIG’s archaeological ‘dig pits’ – always a favourite among visitors – a new pit encourages visitors to grab a trowel and uncover items that feature in the book.

Author Cressida will visit DIG on Thursday, August 21 both to celebrate the exhibition and to participate in an event for fans of her books. To book tickets, go to: https://www.digyork.co.uk/cressida-cowells-dragon-school/events.

Naomi Berwin, Hachette Children’s Group’s marketing director, says: “How To Train Your Dragon is directly inspired by the Vikings in Britain, so DIG’s focus on giving children the opportunity literally to dig into York’s history – which is of course so connected to the Vikings – makes them the perfect partner for the launch year of How To Train Your Dragon School. This is going to be a really special interactive experience for families visiting the attraction.”

Interest in the exhibition is likely to be especially high, fuelled by dragon devotees dashing to bookstores to pick up copies of the whole How to Train Your Dragon series and Universal Pictures’ June 13 release of Dean DeBlois’s live-action film, preceded by DreamWorks’ animated film trilogy.

DIG is open daily from 10am to 4pm. Tickets cost £10.50 for adults, £9.50 for children, £32 for a family of four (two adults, two children) and £37 for five (two adults, three children); admission is free for under-fives. Time slots are expected to book up quickly, so pre-booking is recommended on 01904 615505 or at digyork.co.uk.

York Archaeology’s Passport, covering visits to DIG, Jorvik Viking Centre and Barley Hall, is available too. For more details, visit digyork.co.uk/visit.

Lady Viking (Lauren Caley) and dragon enthusiast Wilf Brook, aged seven, at the How To Be A Dragon School exhibition at DIG. Picture: David Harrison

What is DIG: An Archaeological Adventure?

Hands-on archaeological adventure where young explorers (recommended for ages five to 12) can become archaeologists for the day. Aided by DIG’s friendly team, visitors uncover some of York’s most fascinating stories, buried underground for nearly 2,000 years.

DIG is located in the former St Saviour’s Church, in St Saviourgate, close to Whip-Ma-Whop-Ma-Gate, York’s shorted street, and a five-minute walk from Jorvik Viking Centre.

Cressida Cowell: the back story

Children’s Laureate from 2019 to 2022, Cressida Cowell MBE is the author-illustrator of the How To Train Your Dragon, spin-off series How To Train Your Dragon School, The Wizards Of Once and the Which Way Round The Galaxy series. She has sold more than 16 million books worldwide in 46 languages.

How To Train Your Dragon has been turned into an Academy Award-nominated billion-dollar DreamWorks Animation and Universal film and TV series.

Ambassador for the National Literacy Trust for more than 20 years, she is a patron of Read For Good, the Children’s Media Foundation and the Woodland Trust and serves on the Council of the Society of Authors.

Honorary fellow of Keble College, Oxford, she has an honorary doctorate from the University of Brighton. Her  numerous prizes include the Blue Peter Book Award, Ruth Rendell Award for Championing Literacy and Hay Festival Medal for Fiction.

She grew up in London and on a small, uninhabited island off the west coast of Scotland. Aged 59, she now lives in Hammersmith, London, with husband Simon (no, not the pop music mogul), three children and dogs Zero and Pigeon.

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What’s On in Ryedale, York and beyond. Hutch’s List No. 30 from Gazette & Herald

Christopher Glynn: Directing the 2025 Ryedale Festival, opening on Friday

RYEDALE Festival heads July’s summer delights, taking in the shipping forecast too, in Charles Hutchinson’s leisure list.

Festival of the week; Ryedale Festival 2025, July 11 to 27

ARTISTIC director Christopher Glynn presents a multitude of festival delights, led off by this year’s artists in residence, saxophonist Jess Gillam, soprano Claire Booth and viola player Timothy Ridout, joined by Quatuor Mosaiques, VOCES8 and composer Eric Whitacre.

The festival also welcomes pianists Sir Stephen Hough and Dame Imogen Cooper and organist Thomas Trotter; Arcangelo in Selby; York countertenor Iestyn Davies; the Royal Liverpool Philharmonic’s festival debut; a revival of long-neglected Tippett works and a new Arthur Bliss orchestration. 

Jazz, folk and literature weave into the programme too: reeds player Pete Long and vocalist Sara Oschlag salute Duke Ellington; Barnsley’s Kate Rusby showcases her new album, When They All Looked Up, and Dame Harriet Walter channels Jane Austen’s wit in Pride And Prejudice. Full details and tickets at: ryedalefestival.com. Box office: 01751 475777.

The ELO Experience, led by Andy Louis, at the Grand Opera House, York, tonight

Tribute gig of the week: The ELO Experience, Grand Opera House, York, tonight, 7.30pm

THE ELO Experience have been bringing the music of Jeff Lynne and The Electric Orchestra to the stage since forming in Hull in 2006, performing 10538 Overture, Evil Woman, Living Thing, The Diary Of Horace Wimp, Don’t Bring Me Down, All Over The World, Mr Blue Sky et al.

Andy Louis fronts this tribute to  a songbook spanning more than 45 years, taking in such albums as A New World Record, Discovery and Out Of The Blue and  2016’s Alone In The Universe. Box office: atgtickets.com/york.

Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Blossoms, tomorrow; Rag’n’Bone Man, Friday, and McFly, Saturday. Gates open at 6pm

CHART-TOPPING Stockport indie group Blossoms make their Scarborough OAT debut tomorrow, supported by Inhaler and Leeds band Apollo Junction, promoting their August 22 new album What In The World.

Rag’N’Bone Man, alias blues, soul and hip-hop singer Rory Graham, cherry-picks from his albums Human, Life By Misadventure and What Do You Believe In? on Friday, with support from Elles Bailey and Kerr Mercer. McFly’s Tom Fletcher, Danny Jones, Dougie Poynter and Harry Judd head to the Yorkshire coast on Saturday when Twin Atlantic and Devon complete the bill. Box office: scarboroughopenairtheatre.com.

Vicki Mason’s Margaret Watson, Beaj Johnson’s Tom Musgrave and Becca Magson’s Emma Watson in 1812 Theatre Company’s production of The Watsons

Play of the week times two: The Watsons, 1812 Theatre Company, Helmsley Arts Centre, today to Saturday, 7.30pm; The Watsons, Black Treacle Theatre, Joseph Rowntree Theatre, York, today to Saturday, 7.30pm and 2.30pm Saturday matinee

TWO productions of Laura Wade’s The Watsons open on the same night in Helmsley and York.  What happens when the writer loses the plot? Emma Watson is 19 and new in town. She has been cut off by her rich aunt and dumped back in the family home. Emma and her sisters must marry, fast.

One problem: Jane Austen did not finish this story. Who will write Emma’s happy ending now? Step forward Wade, who looks under Austen’s bonnet to ask: what can characters do when their author abandons them? Bridgerton meets Austentatious, Regency flair meets modern twists, as Pauline Noakes directs in Helmsley; Jim Paterson directs in York. Box office: Helmsley, 01439 771700 or helmsleyarts.co.uk; York, 01904 501935 or josephrowntreetheatre.co.uk.

Second Summer Of Love: Emmy Happisburgh’s coming-of-age and midlife- recovery tale at Theatre@41, Monkgate, York

One for the ravers: Contentment Productions in Second Summer Of Love, Theatre@41, Monkgate, York, tomorrow, 7.30pm

ORIGINAL raver Louise wonders how she went from Ecstasy-taking idealist to respectable, disillusioned, suburban Surrey mum. Triggered  by her daughter’s anti-drugs homework and at peak mid-life crisis, Louise flashes back to the week’s emotional happenings and the early Nineties’ rave scene.

Writer-performer Emmy Happisburgh’s play addresses the universal themes of coming of age and fulfilling potential while offering a new perspective for conversations on recreational drug use, recovery from addiction and embracing mid-life. Box office: tickets.41monkgate.co.uk.

An old story told in a new way: Russell Lucas’s Titanic tale of Edward Dorking in Third Class at Theatre@41, Monkgate. Picture: Steve Ullathorne

Titanic struggle of the week: Russell Lucas in Third Class at Theatre@41, Monkgate, York, July 12, 3pm

EDWARD Dorking was openly gay. On Wednesday, April 10 1912, he set sail for New York on a ticket bought for him by his mother in the hope his American family could put him “right”.

Writer-performer Russell Lucas’s Third Class charts Dorking’s journey from boarding the Titanic to swimming for 30 minutes towards an already full collapsible lifeboat,  and how, on arrival in New York, he toured the vaudeville circuit as an angry campaigner against the injustices of the shipping disaster. Using music, movement, projection and text, Lucas gives a “thrilling new perspective on what feels a familiar tale”, topped off with a Q&A. Box office: tickets.41monkgate.co.uk.

Charlie Connelly: Rain later, talk now, as he celebrates the quirks and joys of the shipping forecast at the Milton Rooms, Malton

From Viking to South East Iceland: Charlie Connelly’s Attention All Shipping, Milton Rooms, Malton, July 16, 7.30pm

AS the shipping forecast embarks on its second century, author and broadcaster Charlie Connelly celebrates what he regards as the greatest invention of the modern age. How did a weather forecast for ships capture the hearts of a nation, from salty old sea dog to insomniac landlubber? How is it possible for “rain later” to be “good”? And where on earth is North Utsire?

Delving into the history of the forecast and the extraordinary people who made it, Connelly explains what those curious phrases really mean, assesses its cultural impact and shares rip-roaring adventures from his own extraordinary journey through the 31 sea areas. Box office: 01653 696240 or themiltonrooms.com.

Drummer Tom Townend: Bandleader for Tommy T’s Blue Note Dance Party at Pocklington Arts Centre

Jazz At PAC Presents: Tommy T’s Blue Note Dance Party, Pocklington Arts Centre, July 17, 8pm

HERE come the hippest tunes in a night of Blue Note Records’ coolest cuts: all killer, no filler, with grooves from Horace Silver, Cannonball Adderley, Art Blakey and more, brought to Pocklington by bandleader Tom Townsend, drums, Paul Baxter, double bass, Andrzej Baranek, piano, Tom Sharpe, trumpet, and Kyran Matthews, saxophone. Box office: 01759 301547 or pocklingtonartscentre.co.uk