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REVIEW: Next Door But One in How To Be A Kid, next stop Friargate Theatre, York ****

Tucking into cake: Becky Heslop’s Molly, left, and Charlie Blanshard’s Joe with George Green’s Mum in Next Door But One’s How To Be A Kid. All pictures: James Drury

YORK community arts collective Next Door But One has been touring How To Be A Kid to primary schools and Out Of Character at York St John University this week, bookended by public performances at York Explore and Friargate Theatre.

CharlesHutchPress was among the audience of adults and children at the first of two shows in the Marriott Room, a regular, wood-panelled location at York Explore for NDB1’s work.

Sarah MCDonald-Hughes’s hour-long play for seven to 11-year-olds and their grown-ups has its roots in a Paines Plough premiere in London, but as ever with NDB1, associate director Kate Veysey’s production has been informed, indeed influenced and rubber-stamped by working with communities with lived experience of the subject. In this case, young carers, young people in care and the Out Of Character theatre group, whose members have experience of mental health issues.

Hence NDB1 has teamed up with Our Time Charity to raise awareness of mental health, young carers and those in care. A play can go only so far. Our Time Charity can go further.

Dinosaur roar: Charlie Blanshard’s Joe in How To Be A Kid

McDonald-Hughes’s story of family, friends and fitting in certainly plays its part in highlighting the work of a group that often goes unspoken, maybe even unknown: young carers. Young carers such as Molly (played by Becky Heslop).

She is 12 years old; her dinosaur-fixated dreamer of a kid brother, Joe (Charlie Blanshard), is six. When, spoiler alert, Nan (George Green) dies, Mum (Green again) is so grief stricken, she becomes house-bound, even bed-bound. 

Molly must cook, do the dishes, make sure Joe brushes his teeth, get him ready for school, find time for homework and look after Mum. How can she still be a child under such duress?

At one point, Joe is packed off to live with his dad; Molly, meanwhile, is placed in a care home for six weeks, where she befriends Taylor, soon her bestie with a mutual love of dancing.

Best of friends: Becky Heslop’s Molly and George Green’s Abby in the care home in How To Be A Kid

Scenes are short, likewise sentences are snappy, to make revelations even more startling. Character changes are no less swift, with the impressively diverse George Green being the quintessence of multi-role-playing: at the last count, nine!

Namely, Taylor/Abby/Mum/Nan/bus driver/social worker Michelle/teacher Miss Johnson/monosyllabic McDonalds  worker/swimming pool cleaner. Everything’s gone Green, to borrow a 1981 New Order song title.

And yes, you read that right: swimming pool cleaner. Under Kate Veysey’s enriching direction, How To Be A Kid enters a world of magic realism where Molly is at the wheel of a car, Joe beside her, in his dinosaur top, as they head off to the baths, closed at night to the public, yet magically open to them.

Veysey, whether working with Youth Theatre Royal Youth Theatre or now with NDB1 and Out Of Character, has a way of making theatre work for young and older alike, and here she elicits delightful performances from the chameleon Green, Heslop’s resourceful Molly and Blanshard’s ever-imaginative Joe, as full of wonder and humour as pathos and bewilderment.

Why should we see How To Be A Kid, CharlesHutchPress asked the cast. “Because it’s a beautifully epic, hilarious adventure rooted in reality,” said Blanshard.

How To Be A Kid: “It’s fun, it’s honest and it’s playful,” says Becky Heslop

“It’s fun, it’s honest and it’s playful. They are the three words to describe it – and there’s lots of cake and dinosaurs and dancing,” said Heslop. “It turns a light on grief, mental health and carers in a positive way.“

“I think it’s fun that means something, an hour of escapism, where you learn something, but not in a preachy way,” said Green.

Your reviewer couldn’t have put it better, so take their word for it. Like the set, How To Be A Kid is child’s play with superheroes and a serious message, one that states how everything can be changed by communication. In this case by talking with mum, not staying mum.

Make that two messages, because McDonald-Hughes places great store in the power of imagination and creativity in pursuit of joy and hope. In a nutshell, the tools of theatre.

Next Door But One presents How To Be A Kid, Friargate Theatre, York, May 17, 12 noon and 3pm. Box office: ticketsource.co.uk/whats-on/york/friargate-theatre/how-to-be-a-kid/.

Next Door But One’s tour poster for How To Be A Kid

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Mikron Theatre Company must go down to the sea in Operation Beach Hut…at the Scarcroft Allotments on Sunday afternoon

Mikron Theatre Company actor-musicians Catherine Warnock, left, Georgina Liley, James McLean and Robert Took in Harvey Badger’s debut play Operation Beach Hut. Picture: Robling Photography

MIKRON Theatre Company will tour to 138 venues by van and narrowboat in 2025, none more outdoor than Scarcroft Allotments, their regular fertile ground for quirky comedy, song and enlightenment in York.

The travelling players from the Pennine village of Marsden, West Yorkshire, are on the canal, river and road for a 53rd year from April 4 to October 18 with the world premiere of Mikron acting alumnus Harvey Badger’s debut play, Operation Beach Hut, setting up base camp amid the Scarcroft Road  flowers and vegetable plots on Sunday afternoon.

As is their custom on their pop-up theatre travels to halls, community centres, pubs and village greens , Mikron will pop back to York in the autumn to present a second world premiere, Hush Hush!, wherein Lucie Raine infiltrates the clandestine world of wartime code-breaking to expose the vital contributions of the unsung heroes of Bletchley Park, whose ingenuity and unwavering resolve helped secure victory. More on that world of secrets, cyphers and song later.

First, let’s dig into Operation Beach Hut at the allotments. Badger’s musical will whisk Sunday’s inland audience off to the golden sands of Fiddling-On-Sea for the annual Best Beach Hut competition when stressed-out city dweller Holly seeks solace by the sea.

As the competition draws closer, the history of the seaside floats to the surface, washing up a host of characters and stories from centuries gone by, delivered by Marianne McNamara’s quartet of actor-musicians:  Georgina Liley, Robert Took, Catherine Warnock and familiar face James McLean.

Robert Took and Catherine Warnock in a scene from Operation Beach Hut. Picture: Robing Photography

Soon Holly realises far more is at stake than merely a prize for best beach hut in a play that combines Mikron’s signature bright and brisk storytelling with original songs  (composed by musical director Amal El-Sawad with lyrics by Badger).

Guaranteeing you will have a “whale of a time” in Badger’s slice of seaside nostalgia, Marianne says: “This production is a celebration of British seaside culture, filled with heart-warming stories, catchy tunes and plenty of laughter. We’re excited that we have integrated audio description at every performance too.”

Harvey Badger is delighted to be making his Mikron bow as a playwright after touring on board  Mikron’s narrowboat Tyseley as part of the cast for the 2023 productions of Poppy Hollman’s Twitchers and Amanda Whittington’s A Force To Be Reckoned With.

“I was at the opening night, packed out with Mikronites in Marsden, and it’s been lovely to hear how well the play’s going down,” he says.

“This is my first experience of opening a play where I’ve been the one working on it and then handing it over to the director and actors. That was a lovely moment.”

Harvey Badger, back row, middle, in Mikron Theatre Company’s 2023 production of Twitchers with Hannah Baker, left, Eddie Ahrens and Rachel Hammond. Picture: Anthony Robling

Harvey had studied on the actor musicianship course at Rose Bruford College, in London.“They really push you to try our your own work there,” he recalls. “I wrote music, did little play projects, bits and bobs, nothing that you would call professional, but enjoyable to do.

“Then while I was on tour in 2023, Mikron did a call-out for new writers, and I felt I had the gist of what they’d be looking  for. I submitted an initial application with an idea for a potential show and a sample of the first ten pages  – and it’s pretty much ended up as that play!”

His submission involved two rounds: those opening pages to show his writing style, the patter between characters, the dialogue. “But I still had to show I could handle three acts. So the second round  was more of the structural side, showing how I would develop the character arcs,” says Harvey.

Mikron has a structured way of commissioning plays, where the first two months are given over to research. “I knew the play was always going to be about an out-of-towner, from London, but I’m from Brighton originally, which is where the drive to write this play came from,” says Harvey.

“Having lived in London for eight years now, it’s been lovely to revisit Brighton  – I’m getting married this year and we went to The Lanes in Brighton to get our rings.

Mikron Theatre Company’s poster artwork for Harvey Badger’s Operation Beach Hut

“My parents now live in St Leonards on Sea, my grandparents live In Brighton, and I think the love of the sea is embedded in all of us because we’re a small island, where the sounds of the sea and our beaches are inherently part of our culture. It’s a big part of who we are.

“I grew up on the sea front, looking out of the window, seeing the sea every day, so  I find a big sense of calm standing by the sea, feeling very grounded there.”

 Harvey decided it would be important in Operation Beach Hut to represent both those who live all year round by the sea and those who visit. “They are two different communities, and I’m aware of the gentrification of some places that has led almost to ghost towns being created, when people only come for three months of the year when the weather’s good.

“I wanted to show the difficulties but also that if the two communities could support each other, they can create the magic that these places can be. There are no perfect answers, and I don’t think plays are meant to provide answers but to ask lots of questions.”

Mikron Theatre Company in Operation Beach Hut, Scarcroft Allotments, Scarcroft Road, York, Sunday (18/5/2025), 2pm to 4pm. No tickets required; a pay-what–you-feel collection will be taken post-show.

Mikron Theatre Company in Lucie Raine’s Hush Hush!, Clements Hall, Nunthorpe Road, York, September 21, 4pm to 6pm.

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Jessa Liversidge to perform A Tapestry Of Life concert for Mental Health Awareness Week at The Courthouse, Thirsk, today

Easingwold singer and workshop leader Jessa Liversidge, left, with her poet sister Andrea Brown

EASINGWOLD singer, songwriter and community singing workshop champion Jessa Liversidge will perform A Tapestry Of Life today (16/5/2025) as part of Rural Arts’ Mental Health Awareness Week at The Courthouse, Thirsk, at 6.30pm.

Jessa’s 60-minute, one-woman musical performance, inspired by Carole King’s  album Tapestry, features such much-loved songs as You’ve Got A Friend, Will You Love Me  Tomorrow?, It’s Too Late, So Far Away, I Feel The Earth Move and Natural Woman, interspersed with original songs, rooted in the powerful poetry of Jessa’s sister, Andrea Brown, from her Life, Love, Loss collection.

“With titles such as Unrequited Love, The Girl Who Wasn’t Enough, If Only, Crazy, Sorry and Beautiful Day, these new pieces reflect on life’s big themes of love and friendship and loss, situations and journeys, that every human can identify with and all go through, just as Carole King’s timeless songs on Tapestry do,” says Jessa.

In addition to her debut Courthouse concert, she will be running a Friday Feelgood Singing Session earlier in the day, with a discount available if booking for both the workshop and performance at ruralarts.org. Tickets are on sale at ruralarts.org/whats-on/performances/jessa-liversidge/.

Further performances of A Tapestry Of Life will follow in Dundee-born Jessa’s Scottish homeland, at Leslie Town Hall, Fife, on May 31 at 7.30pm; Theatre@41, Monkgate, York, on June 15 at 6pm (tickets, tickets.41monkgate.co.uk), and her Husthwaite Village Hall debut on July 18 at 7.30pm (tickets, 07836 721775 or at sheila_mowatt@btinternet.com). She

Jessa and Andrea in 1970s’ childhood days in Dundee

In 1971 Carole King released her award-winning album, Tapestry, whose  themes of love and friendship are still so relevant more than 50 years later. Thousands of miles away, two sisters were born in Dundee that year.

Jessa moved to Yorkshire at 18, Andrea stayed in Dundee, and although they followed very different pathways, their bond grew stronger as they followed their dreams and went through difficult times, such as losing their parents.

In 2022, Andrea published a first book of poetry, Life, Love, Loss, inspired by her experiences.  “I wrote this show during 2024, sparked by my sister’s poetry book,” says Jessa. “As a family, we hadn’t realised she wrote poems until she said she wanted to read at our mother’s funeral, and and then at our father’s too.

“Andrea works as a medical practice manager and wrote the poem Three Sides To Every Story during Covid, written from the doctor’s side, the patient’s side and Reception’s side. She then came up with the idea of a self-challenge to write a poem a day, and a lot of them were quite personal and emotional.”

Jessa “thought it would be lovely to set them to music”. “Andrea wrote about struggles that people go through, and I, as a sister, felt bad that I hadn’t realised it. Her revelations drew us closer,” she says.

The cover artwork for Jessa’s album recording of A Tapestry Of Life

“I’d never really written my own music, so I started writing songs using my looping skills, layering up harmonies, and it felt very therapeutic to work on them.”

A photograph that Jessa found of Andrea and herself in their childhood days reminded her of the cover to Carole King’s Tapestry, and the seed for A Tapestry Of Life was sown. “I’d sung Carole King’s songs through the years but had never focused on the album,” says Jessa. “Almost any of them could have featured in the show, but I picked out nine in the end to go with nine of my compositions.

“Hopefully I’ve created a journey through the show that’s not seamless but certainly is a journey, and I talk a little between songs about the stories behind them. Like Ripples In The Water, which reflects on four of us going our different ways but having strong roots that hold us together, and not realising how lucky we were as children but appreciating how close we are as adults, having gone through so much separately.”

Jessa first pieced together A Tapestry Of Life for a performance at the Durham Fringe last year. “It was a chance to try out material, as well as play Carole King songs, and I got good feedback from that, so it was a really positive experience and a very emotional one too, because people remembered when they first heard Carole’s songs; the feelings that the songs triggered in them.

“It was the same with Andrea’s poems set to music, with people identifying with those experiences. The way I perform it, just me and the piano, and the style I perform the show in, a heartfelt style where I just tell the story with my voice, and just a little piano assistance underneath, means the audience can really feel the emotions.”

“People have said the music has helped them connect with Andrea’s poetry,” says Jessa Liversidge

Creating the song settings of Andrea’s poetry came naturally to Jessa. “I struggle to call some of them songs as it’s me singing the poems, but some have more layers of harmonies; on others, it’s me playing one or two chords, almost improvising as I go along.

“Hopefully the music complements the poems and it’s more than just me reciting them. People have said the music has helped them connect with the poetry.”

The choice of intimate performance spaces has a further benefit. “Performing in a small space makes people think more about the possible meaning behind Carole King’s lyrics too,” says Jessa.

She has made an album version of A Tapestry Of Life, recorded live over a day at Beck View Studios in Scarborough, where she was joined by Malcolm Maddock, who played the piano parts on Carole King’s songs. The album is available at Jessa’s concerts, as well as on YouTube, Spotify, Apple Music and Amazon Music.

As well as performing, Jessa spends her week leading choirs, singing groups and workshops, as well as one-to-one singing teaching. Her regular groups include York Military Wives Choir, Easingwold Community Singers, children’s choir Wigginton Singstars  and her dementia-friendly group Singing For All.

Jessa Liversidge’s poster artwork for A Tapestry Of Life, her show combining Carole King songs from Tapestry with Jessa’s musical settings of her sister Andrea’s poetry

As a certified vocal health first aider, Jessa knows how to bring the best out of voices safely and will happily share plenty of healthy voice tips through her singing sessions.


Today’s workshop participants will take part in useful vocal warm-ups, then work with Jessa on songs linked to the A Tapestry Of Life show, both King and Liversidge compositions.

There is no need to be able to read music; all parts will be taught by ear and the songs will be tailored to whoever takes part. Jessa is known for her encouraging and positive leading style and is experienced at bringing diverse groups of people together to sing, so the workshop will be suitable for all abilities and levels of experience. Younger singers will be welcomed if accompanied by an adult, who would be responsible for them at all times.

Workshop singers will be able to take a break at teatime, then return in the evening to enjoy the show, with an opportunity for those who wish to perform the songs they have learned in the afternoon as part of the performance. 

More information on Jessa and her singing leadership can be found at jessaliversidge.com or JessaLiversidgeSinger on Facebook.

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Strictly star Nikita Kuzmin rides into Grand Opera House in modern fairytale of star-crossed lovers Midnight Dancer

Nikita Kuzmin in his debut solo dance spectacular, Midnight Dancer, on tour at the Grand Opera House, York

STRICTLY Come Dancing’s Ukrainian star dancer and choreographer Nikita Kuzmin leaps into the Grand Opera House, York, on May 20 in Midnight Dancer, his debut British and Irish solo tour.

The Kyiv-born holder of six Italian Championship Latin and Ballroom titles invites you to “a fairytale ball like no other and a night full of music, sequins and world-class dancing” in the company of fellow dancers Sophie Baker, Thomas Charles, Lowri Hamilton, Samuel Lake, Charlotte Lee, Zara Liu, Seamus Mcintosh, Daniel Rae and Andreea Toma.

Joining 27-year-old Kuzmin too will be singer Rebecca Lisewski, who has appeared in Mamma Mia! and Cabaret in the West End and the UK tour of The Spongebob Musical.

Follow the highs and lows of a classic romance story as two star-crossed lovers meet only to be torn apart. Will they reunite at the masked ball or will real life put an end to their fairytale fantasy?

Presenting 2024 Celebrity Big Brother runner-up Kuzmin “like you’ve never seen him before”, Midnight Dancer promises a modern-day Cinderella story with “all of your favourite dancefloor anthems, dazzling costumes and explosive dancing”.

“Whenever I create my shows, I want them to be different, so every detail matters about the narrative,” says Nikita. “I need a narrative, as a dancer, as a creative person, otherwise, I don’t see the point if they don’t have a story.

“When I see other shows without a narrative, I feel they get lost. A show can only resonate with me if it has meaning.”

Explaining the roots of his debut solo show, Nikita says: “It was always quite clear to me, I knew where I wanted to go with it, after many years of prepping it, making the show with creative director Tom Jackson Greaves, who I’m working with for the first time.

Nikita Kuzmin in Midnight Dancer, “a classic romance story where two star-crossed lovers meet only to be torn apart”

“We started at the beginning of last year’s Strictly season, and I’ve spent every single day for the last eight months working on it. It’s been a lot of work.”

In putting the show together, “being in my position, you do have the final say, but I do like to listen to other opinions, and we chose what we’re doing as a collective of me, the [creative] director and the company – though I always have quite a say!” says Nikita.

When picking the company of dancers, “I look for characters; I look for different movement, distinguishing one from the other; I look for the sparkle in the eye; the intensity inside the body,” he says.

“It needs technique but I love individuality and to see people move in a way that I wouldn’t necessarily do. To find people who embrace that quality, it’s fantastic.

“I think my job and Tom’s job is to ask ‘when do we want to see the individual, when do we want to see the collective?’, and it should be like ocean waves that have their individual course but are also collective – and I think we’ve done a pretty good job of doing that.”

The tour opened on March 8 in Bromley. “It’s gone so much better than I expected. It’s a dream come true,” says Nikita. “I think it’s surprising the audience in how we’ve created something that is very different from other Strictly [off-shoot] shows, by not following the usual course but going our own way and exploring feelings in a deep way, like a movie that starts well, then goes badly and then all is well again at the end.”

Selecting one word to describe Midnight Dancer, Nikita chooses “drama”. “That’s my favourite word,” he says. “It’s a very dramatic show, but you know what, I love how deep, how fast paced, it is,” he says of a show with 53 songs and 120 costumes.

Nikita Kuzmin in the poster artwork for Midnight Dancer, heading for York on May 20

“The most important thing is to have fun. I think audiences are in for the best night ever. If not, let’s make them feel better, with plenty of banter from me as well. I always try my best.

“I think we’ve done the show in such a way that it’s very clear when we’re doing the story and when we’re breaking off from that to have a chat, and I’m really proud of that.”

Nikita’s own performance draws on “a combination of things”. “I have a certain character on Strictly, and I do play to that, but I also like to be honest on stage. I’ll discuss my feelings in a very honest way, being funny or talking of sometimes feeling a bit scared performing on my own,” he says.

“Being honest makes the audience feel we’re all together in this show because I can be honest with them, they can be honest with me.”

Midnight Dancer will be on the road until May 24. Looking ahead, Nikita’s return is confirmed already for his fifth season as a Strictly professional. “I’m so excited. I can’t wait. You never know how it will go,” he says.

“I would say the year I reached the final [with Layton Williams in 2023] was my favourite, but I would take every year I’ve done it because I love to be partnered with different personalities. You always try to make sure they have the best time ever and enjoy every bit of it.”

Before then, “I’m looking to have a little vacation, a little break, before Strictly,” says Nikita. “Exciting projects” are in the pipeline too. Watch this space.

Nikita Kuzmin in Midnight Dancer, Grand Opera House, York, May 20, 7.30pm. Box office: atgtickets.com/york.

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REVIEW: Cruel Intentions: The ’90s Musical, Grand Opera House, York, until Saturday ****

Top of the plots: Nic Myers’ Kathryn Merteuil in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

AFTER New York and London runs, Jordan Ross, Lindsey Rosin and Roger Kumble’s jukebox musical spin on Kumble’s too-cool-for-school 1999 movie Cruel Intentions arrives in York in only the second week of its debut UK tour.

Tickets are selling well, albeit with surprising availability for Saturday night, with audience members spread across age groups, from the film’s devotees to lovers of Nineties pop and outré musicals.

Bill Kenwright Ltd is mounting the tour, a rubber stamp that guarantees a high-quality production with hi-tech lighting by Nick Richings,  pin-sharp sound design by Chris Whybrow and, above all, a luxuriant set and especially costume design by Polly Sullivan to evoke the wealth of New York’s Upper East Side in the 1990s.

Jonathan O’Boyle’s cast for the 2025 tour of Cruel Intentions: The ’90s Musical, heading to York, Leeds and Hull. Picture: Pamela Raith Photography

Cruel Intentions was the romance/thriller one with the budding Sarah Michelle Gellar, Ryan Phillippe, Reese Witherspoon and Selma Blair, re-setting Pierre Choderlos de Laclos’s French novel Les Liaisons Dangereuses in the summer recess before the new term at the exclusive Manchester High School in Manhattan, 1999.

‘Tis the mischief-making season where high society does what it always does in thumb-twiddling lulls: match-making, love-making, plotting and counter-plotting, amid the loss of innocence and the need for inner sense.

Oh, and just like in Sex Education, what all the young seem to have on their mind is sex rather more than education. And like in Sex Education too, a soundtrack to die for. We’ll get to that.

The plotting thickens: Will Callan’s Sebastian Valmont and Nik Myers’ Kathryn Merteuil lay their wager in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

The show opens with a voiceover from Nic Myers’ Kathryn Merteuil, waspish and haughtily dismissive, potty-mouthed too, as New York calls on old York to turn off its mobile devices.

Sharp of dress, dark of glass and countenance, Myers’ Kathryn and her step brother Sebastian Valmont (Will Callan) are the “trust fund casualties of absentee parents”, toying with their prey as they place their “cruel” wager. She wins his 1950s’ roadster if he fails to seduce Annette Hargrove (Abbie Budden), virtuous daughter of the incoming new headmaster; he wins next-level sex with Kathryn if he does.

In a new opening song, Livin’ La Vida Loca, director Jonathan O’Boyle introduces all the principals, while Gary Lloyd establishes his choreography will be every bit as snappy, snazzy, fiery, fun and sexy as it was in Heathers.

Abbie Budden’s Annette Hargrove , the new headmaster’s virtuous daughter. Picture: Pamela Raith Photography

In her interview with CharlesHutchPress, Abbie Budden, the only returnee from the London cast, said Cruel Intentions differed from other jukebox musicals in not taking itself too seriously. There was still the darkness of Kumble’s film, she added, but now a playful energy too.

In that way, it might remind you of how The Rocky Horror Show, down the years, has turned camper than the original Rocky Horror Picture Show. Especially here in the entanglements of Luke Conner Hall’s bleach-blond, mullet haired Blaine Tuttle and Joe Simmons’ sports jock Greg McConnell, expressing what they want, what they really, really want in The Spice Girls’ Wannabe.

You want it darker, as Leonard Cohen enquired in his last masterpiece? Well, Kumble and his co-conspirators don’t kill the flame but the darkness comes tongue in cheek, with knowing winks in the dialogue.

Head over heels: Luke Conner Hall’s Blaine Tuttle and Joe Simmons’ Greg McConnell performing Wannabe in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

The callous cruelty brought on by privilege stripping perpetrators of moral responsibility should not be this much fun, but as we know, the devil’s disciples always have the best lines. Witness Callan’s Sebastian, irresistible devourer of “insipid Manhattan dilettantes”.

They don’t always have the best tunes: these are splendidly spread out, from Budden’s Just A Girl and Foolish Games to Gabriella Williams’s No Scrubs in the guise of bigoted snob Mrs Bunny Caldwell (the Lady Bracknell of Upper East Side).

Lucy Carter is a scream as daughter Cecile Caldwell, blossoming in her sexual awakening and funnier scene by scene, whether with scandalous Sebastian, Kathryn or cello tutor Ronald Clifford (Kevin Yates), while Myers is spectacularly, seductively splenetic as the viperous Kathryn, her singing of Bitch  being the show’s high point.

Kiss Me: Nic Myers’ Kathryn Merteuil, left, initiates Lucy Carter’s Cecile Caldwell in the art of kissing in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

You will love Lloyd’s choreography in raincoats for the railway station scene; cheer the inner strength of Budden’s Annette, and enjoy how the show uses Nineties’ pop gems Lovefool, Kiss Me and Breakfast At Tiffany’s, alongside the rock stealth of Counting Crows’ Colorblind and R.E.M.’s Losing My Religion.

What better way to finish than with Bitter Sweet Symphony, as impactful as it was in the movie, in summing up the overriding theme, whether “Tryna make ends meet, you’re a slave to money then you die” or “Tryna find somebody then you die”.

Will Joy’s musical direction and Zach Spound’s orchestrations peak in this ensemble finale, the band fading away in climax of a cappella singing and orchestrated clapping. Earlier, familiar Nineties nuggets break out in new directions, new interpretations, whether in solos, duets, triplets of duets in a song, even bravura mash-ups as top of the plots meets top of the pops.

Bill Kenwright Ltd presents Cruel Intentions: The ’90s Musical, Grand Opera House, York, today, 2.30pm and 7.30pm; tomorrow, 7.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm. Age guidance: 15 plus. Box office: atgtickets.com/york. Also playing: Leeds Grand Theatre, May 6 to 10, 0113 243 0808 or leedsheritagetheatres.com; Hull New Theatre, May 13 to 17, 01482 300306 or hulltheatres.co.uk.

Dismissive: Mrs Bunny Caldwell (Gabriella Williams) serves notice on cello tutor Ronald Clifford (Kevin Yates) in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith Photography

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What’s On in Ryedale, York & beyond. Hutch’s List No. 7, from Gazette & Herald

Banff Mountain Film Festival, on tour from the Canadian Rocky Mountains to York Barbican tonight. Picture: Jordan Manoukian

FROM dangerous liaisons to messy science experiments, Charles Hutchinson looks forward to an action-packed February half-term.

Nail-biting film adventure of the week: Banff Mountain Film Festival Tour, York Barbican, tonight, 7.30pm

HERE comes a new collection of short films packed with extreme expeditions, intrepid characters and stunning cinematography. “Join the world’s top outdoor filmmakers and adventurers as they climb, ski, paddle, run and ride through the wildest corners of the planet,” says tour director Neil Teasdale. “We guarantee you’ll leave inspired to have an adventure of your own.”

Tonight’s highlights include A Team Sport, featuring ultra-runner Courtney Dauwalter; Of A Lifetime’s account of three extreme skiers and snowboarders sailing across the notorious Drake Passage to ride the steep, icy lines of Antarctica and Soul Flyers – The Longest Line, where Fred Fugen, Vincent Cotte and Aurélien Chatard achieve the longest terrain-flying wingsuit line in history. Box office: yorkbarbican.co.uk.

Abbie Budden’s Annette Hargrove in Cruel Intentions: The ’90s Musical at Grand Opera House, York. Picture: Pamela Raith

Dangerous liaison of the week: Cruel Intentions: The ’90s Musical, Grand Opera House, York, today, 2.30pm and 7.30pm; tomorrow, 7.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm

CREATED by Jordan Ross, Lindsey Rosin and Roger Kumble from Kumble’s 1999 film spin on Les Liaisons Dangereuses, this American musical is powered by the 1990s’ pop gold dust of Britney Spears, Boyz II Men, Christina Aguilera, TLC, R.E.M., Ace Of Base, Natalie Imbruglia and The Verve.

Step siblings Sebastian Valmont (Will Callan) and Kathryn Merteuil (Nic Myers) engage in a cruel bet, where Kathryn goads Sebastian into attempting to seduce Annette Hargrove (Abbie Budden), the headmaster’s virtuous daughter. Weaving a web of secrets and temptation, their crusade wreaks havoc on the students at their exclusive Manhattan high school. Soon the dastardly plotters become entangled in their own web of deception and unexpected romance with explosive results. Box office: atgtickets.com/york.

Stuart Green’s inspector, Truscott, and Miles John’s thief, Dennis, in York Settlement Community Players’ Loot at York Theatre Royal Studio

Scandalous play of the week: York Settlement Community Players in Loot, York Theatre Royal Studio, until February  27, 7.45pm except February 23; 2pm matinee, February 22

KATIE Leckey directs the Settlement Players in agent provocateur Joe Orton’s scabrous 1965 farce, the one with two thieves, dodgy police officers, adult themes, offensive language, sexism and xenophobia, references to sexual assault, including rape and necrophilia, a live actor playing a dead body in a coffin and digs at the Roman Catholic Church.

Don’t let that put you off! Yes, it still carries a content warning and age recommendation of 16 upwards, but it remains outrageously funny. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Connie Howcroft in rehearsal for her role as Jo March in Wharfemede Productions’ Little Women – The Broadway Musical

Marching on together: Wharfemede Productions: Little Women – The Broadway Musical, Theatre@41, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

HELEN Spencer directs York company Wharfemede Productions in their first solo show, playing Marmee too in Allan Knee, Jason Howland and Mindi Dickstein’s musical account of Louisa May Alcott’s story of the March sister – traditional Meg, wild, aspiring writer Jo, timid Beth and romantic Amy – growing up in Concord, Massachusetts, while their chaplain father is away serving in the American Civil War. Box office: tickets.41monkgate.co.uk.

Top Secret: Demonstrating the magic of science at Pocklington Arts Centre on Friday

Experimental show of the week: Top Secret: The Magic Of Science, Pocklington Arts Centre, Friday, 2pm

IS it magic… or is it science? Fusing the mystery of magic with wondrous and miraculous feats of science, Top Secret go on a high voltage adventure in a fast-moving, colourful, interactive show filled with mystery, suspense and loads of mess in experiments to capture the imagination. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Julia Titus celebrating the blues of Bessie Smith in Ma Bessie’s Prohibition Party at Milton Rooms, Malton

Blues night of the week: Rural Arts On Tour presents Julia Titus in Ma Bessie’s Prohibition Party, Milton Rooms, Malton, Friday, 7.30pm

BUILDING on her passion for the Empress of the Blues, Julia Titus started to perform as Ma Bessie in 2015 to share the music of Bessie Smith and her contemporaries with a new generation. Julia’s rich, warm vocals combine with dynamic guitar and saxophone musicians who look as well as sound the part.

Ma Bessie features classic blues and jazz tunes from the inter-war years, along with original songs and handpicked covers from the past 50 years of popular music: Careless Love, Nobody Knows When You’re Down And Out, Gimme A Pig Foot et al. Box office: 01653 696240 or themiltonrooms.com.  

Jenny Lockyer as Amy Johnson in Last Flight Out, on tour at Helmsley Arts Centre, where she will hold an afternoon workshop too

Ryedale play of the week: Jenny Lockyer in Amy Johnson: Last Flight Out, Helmsley Arts Centre, Saturday, 7.30pm

BORN in the year the Wright Brothers made their first flight and into an age where the romantic heights of flying captured her heart, Amy Johnson lived her life for adventure and the future of aviation. In January 1941, aged 37, she was killed while serving her country on a routine flight for the Air Transport Auxiliary.

Written and performed by Jenny Lockyer, Last Flight Out charts how the “lone girl flier” achieved so much while faced with challenges of all kinds. We meet Amy in a world of memories, desires, wishes and ambitions, where we see how the pieces fit together and learn of the tools she used to bring her dreams to reality. Box office: 01439 771700 or helmsleyarts.co.uk.

James Oliver, top, Mark Kemlo, bottom left, and Norman Watt-Roy: Playing Shire Hall, Howden, on Saturday

The other blues night of the week: Howden Live presents James Oliver with Norman Watt-Roy, Shire Hall, Howden, Saturday, doors 7.30pm for 8pm

IRREPRESSIBLE Welsh blues guitar talent and vocalist James Oliver will be joined in Howden by bass stalwart Norman Watt-Roy, from Ian Dury & The Blockheads, Wilko Johnson’s band and Wreckless Eric’s Captains Of Industry, plus drummer Mark Kemlo.

“James is a passionate roots rocker loaded with guitar firepower,” says guitar legend Bill Kirchen. “I am not easily impressed by guitarists, but this guy is definitely a comer,” adds Captain Beefheart drummer John Drumbo. Box office: 01430 432510 (Shire Hall), 01430 431660 (Dove House shop) or howden-live.com. 

In Focus: 1812 Theatre Company in Art, Helmsley Arts Centre, February 26 to March 1, 7.30pm

1812 Theatre Company’s poster for Art at Helmsley Arts Centre

THE 1812 Theatre Company, resident troupe at Helmsley Arts Centre, will stage Yasmina Reza’s dazzling comedy Art in Joanne Lister’s directorial debut.

Art made its debut in Paris in 1994, followed by Christopher Hampton’s translation being premiered at London’s Wyndham’s Theatre in 1996. Among its many international awards were the Molière Awards for best play, production and author in 1994 and the Evening
Standard Award for Best Comedy in 1996.

Reza’s play asks: Can a friendship between three close friends – Marc, Serge and Yvan – survive when one of them does something completely unexpected? Classical art enthusiast Marc considers Serge to be his protégé, buy when Serge suddenly spends a fortune on a piece of modern art, sparks fly.

Yvan tries to keep the peace but he has his own problems. According to Marc, poor Yvan is “about to marry a gorgon”!

In the British debut, Marc, Serge and Yvan were played by Albert Finney, Tom Courtenay and Ken Stott respectively, so the 1812 cast will have their work cut out to fill their shoes!

John Lister and Mike Martin are cast as Marc and Yvan. They last took to the stage together in 2011 in Martin Vander Weyer’s adaptation of Around the World In 80 Days in the roles of Phileas Fogg and Passepartout respectively.

Ivan Limon will complete the company as Serge, bringing a wealth of experience with him. He never stops performing, either for 1812 Theatre Company or for three drama groups in Teesside.

Joanne Lister is making her full directing debut after helping her husband John to direct 1812’s production of John Godber’s Scary Bikers last year.

Box office: 01439 771700 or helmsleyarts.co.uk.

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Abbie Budden dives into the dangerous liaisons of Cruel Intentions in her debut tour at Grand Opera House from tonight

Abbie Budden as Annette Hargrove in Cruel Intentions: The ’90s Musical. Picture: Pamela Raith

ABBIE Budden is surrounded by an entirely new cast as she reprises her role of Annette Hargrove in the 2025 tour of Cruel Intentions: The ’90s Musical, playing the Grand Opera House, York, from tonight to Saturday.

Last year, Abbie made her professional bow aged 20  in the London premiere of Jordan Ross, Lindsey Rosin and Roger Kumble’s New York musical, based on Kumble’s too-cool-for-school  1999 film.

“I’m the only returning cast member from that show at The Other Palace Theatre in Victoria, and it’s been really lovely to revisit it, bringing new elements to it,” says Abbie, who is working again with director Jonathan O’Boyle and choreographer Gary Lloyd.

“The London run flew by and I just didn’t feel I’d finished with it after those five months, so it’s been liberating to come back for three weeks of rehearsals before we opened at Windsor Theatre Royal last Thursday. “

Why was it ‘unfinished business’, Abbie? “It’s always on reflection that you think ‘there is so much more I could have done’, and I’m now finding so many new moments for Annette, bouncing off new members of the cast. 

“But I had an amazing time in London, and as last year was my professional debut, it felt so special to me, and I now come back to the show having had more experiences since then. I did Title Of Show, at Phoenix Arts Theatre and Southwark Playhouse, which was a very different show: a musical about two people writing a musical.

“It was a very meta piece of theatre with a cast of four, the writers and two friends, based on a real story. That was a lot of fun to do, as was playing Jill in my first pantomime  in Jack And The Beanstalk at Ipswich Regent Theatre, and now Cruel Intentions feels like a new challenge again.”

Inspired by Pierre Choderlos de Laclos’s French novel Les Liaisons Dangereuses, Cruel Intentions is rooted in a cruel bet where Kathryn Merteuil (Nic Myers) goads step-brother Sebastian Valmont (Will Callan) into attempting to seduce Annette Hargrove, the headmaster’s virtuous daughter at their exclusive Manhattan high school. 

Weaving a web of secrets and temptation, their crusade wreaks havoc but soon the co-conspirators become entangled in their own web of deception and unexpected romance with explosive results. 

Abbie Budden in her debut professional role as Annette Hargrove in last year’s London production of Cruel Intentions: The ’90s Musical. Picture: Pamela Raith

What a debut role and debut show for Abbie. “I didn’t train at drama college,” she reveals. “I jumped straight into the industry last year at the age of 20. Now I’m 21, and I feel they have really nurtured me. It was exciting but terrifying last year, but now I can be playful with the role with full confidence.

“Last year I learnt so much about myself, just how capable I am – and eight shows a week is tough for anyone.”

After landing such a role on the London stage when so young, Abbie found imposter syndrome kicking in. “But I think that is something that never goes away in this industry: that constant need to prove yourself,” she says. “It’s a feeling that you really have to try to switch off.  Be confident that you’re meant to be here. You just have to remind yourself that you were chosen for a reason.”

Although Abbie has not studied for a drama degree, “as soon as I could, I was wearing dancing shows, from the age of three, growing up in Horsham in West Sussex” she says. “I loved the drama department at my school, Tanbridge House School, and did sessions twice a week and lots of productions at Showdown Theatre Arts, where I found my passion for the arts.

“I did an exchange programme to Baltimore, going to New York too, and that felt like a step into performing that couldn’t have come at a better time before jumping into professional theatre last year.”

Abbie confesses that she had not seen the film until the audition. “The moment I watched it, I loved it. I remember gasping and squealing at how outrageous it was – and chaotic too! The plot really keeps you guessing and Roger Kumble’s script is so cutting. I instantly connected with Annette, knowing it was so right for me as a role,” she says

“Though it’s strongly a 1990s’ film – and placing it in Upper East Side, New York, makes it even more iconic – its themes are still almost painfully relevant.

“Our version plays it slightly different to the film, still taking inspiration from those iconic characters, but I’ve really found my own Annette, where she matches Sebastian at his game. There’s no time where she’s weak or is a victim of Sebastian.

“The Gwen Stefani song that Annette sings, Just A Girl, is telling the world that she yearns to be more than innocent, to be rebellious. She definitely does have a lot of control throughout, and doesn’t lose that; it’s her self-control that she struggles with, showing vulnerability with that.”

The show poster for Cruel Intentions: The ’90s Musical, playing Grand Opera House, York, Leeds Grand Theatre and Hull New Theatre

As the show title indicates, Cruel Intentions is  packed with 1990s’ pop gold dust, from Stefani, Britney Spears, Boyz II Men and Christina Aguilera to TLC, R.E.M., Ace Of Base, Natalie Imbruglia and The Verve.

“I almost wish all the songs were in the film because they suit the story so well, and what separates this show from other jukebox musicals is that it doesn’t take itself too seriously,” says Abbie.

What is her favourite number? “Torn. The Natalie Imbruglia song. It’s an absolute banger. If I ever went out to a karaoke night, that would be my number one choice – and it’s a real turning point in the show, where she doesn’t know where she will go from there,” she says.

Abbie also sings Lovefool, the one from the swimming pool scene; Counting Crows’ Colorblind – “a gorgeous moment in the film that’s so honest and sincere on stage that you  really feel the audience go quiet” – and Foolish Games.

“That’s my big ‘belty’ solo in the show, where I do songs that give me lots of contrast, from ‘thrashy’ to beautiful, so Annette really gets to go on an emotional rollercoaster.”

What is the ultimate moral of Cruel Intentions, Abbie? “It’s weird because the characters are pretty devious and do some devious things, but because they’re teenagers and playing games, audiences fall in love with them,” she says.

“But the moral behind it is that there’s a dark side behind privilege, where they’re able to brush everything off with their wealth, which doesn’t just apply to the 1990s. A lot of people will connect with that thing of making questionable decisions as a teenager, but there’s a playful energy to the show as well darkness.”

On the road until the end of June, Abbie is visiting York for the first time this week. “I’ve never been there, so it’ll be lovely to see places on this tour that I’ve never been before,” she says. The further Yorkshire delights of Leeds and Hull await in May.  

Bill Kenwright Ltd presents Cruel Intentions: The ’90s Musical, Grand Opera House, York, tonight, 7.30pm; tomorrow, 2.30pm and 7.30pm; Thursday, 7.30pm; Friday, 5pm and 8.30pm; Saturday, 2.30pm and 7.30pm. Age guidance: 15 plus. Box office: atgtickets.com/york.

Also playing: Leeds Grand Theatre, May 6 to 10, 0113 243 0808 or leedsheritagetheatres.com; Hull New Theatre, May 13 to 17, 01482 300306 or hulltheatres.co.uk.

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Review: York Light Opera Company, Legally Blonde The Musical, York Theatre Royal, until Saturday ****

Emma Swainston’s Elle Woods with her Chihuahua Bruiser (Lily-Rose) in York Light Opera Company’s Legally Blonde The Musical. Picture: Matthew Kitchen Photography

MARTIN Knight is directing the 2011 Olivier Awards Best New Musical winner for the third time.

In other words, he knows this sugar-coated, bubblegum-pink American show well and duly delivers on his promise to “celebrate Legally Blonde’s joy and energy while highlighting its important message of self-discovery and female empowerment”.

Laurence O’Keefe, Nell Benjamin and Heather Hach’s musical spin on the 2001 Reese Witherspoon film charts the path of jilted Malibu fashion merchandising student Elle Woods (Emma Swainston) as she follows ex-lover Warner (Kit Stroud) to Harvard law school with her cute Chihuahua Bruiser (Lily-Rose).

Staying true to herself, her Californian sunshine rubs up against New York cynicism and Ivy League snobbery as she defeats all preconceptions to cut the legal mustard.

Emma Swainston, a regular on the York am-dram stage, was picked by Knight for her “star quality”, and she is utterly swell in her “dream role” as Elle:  perky in pink, fun and funny, full of vulnerability yet vitality, singing splendidly, whether solo, in duets or with the ensemble, and capturing how Elle’s burgeoning legal nous is founded in instinct over conventional intellect.

Not a case of being a law unto herself so much as Elle thinking outside the box, allied to an indefatigable spirit that overcomes obstacles and stereotypical “blonde” pigeonholing with a steely resolve to bring about female empowerment. Even sourpuss love rival Vivienne Kensington (Emily Rockliff) comes round to her side eventually.

Swainston’s Elle bonds especially well with Emily Hardy’s Boston trailer-trash hairdresser Paulette Bonafonte, Hardy being in outstanding voice in her big number, Ireland.  

The musical’s primary innovation, a Greek chorus to represent Elle’s inner thoughts in the style of American sports’ cheerleaders, works a treat, boosted further by Knight’s hot choreography with its snazzy and snappy mix of fabulous glamour, high energy and camp swagger.

Pippa  Elmes’s exercise-video guru Brooke Wyndham, standing trial for murder, gives Act Two a cracking start in the skipping song,  Whipped Into Shape, in a performance packed with hard-ball panache.

Stroud has something of a thankless task as rotten egg Warner but he is as good as ever, while Zander Fick continues his run of impressive performances as Elle’s thoroughly principled, quietly driven, corduroy-clad fellow Harvard interloper Emmett Forrest.

Neil Wood is in stage-commanding form as Professor Callahan, the cynical, predatory Harvard lawyer, his rendition of Blood In The Water full of dark power.

Amid the serious undercurrents of Legally Blonde is a double blast of delightfully daft, tongue-in-cheek but sassy comedy rooted in contrasting men’s tropes in the far superior Act Two’s burst of fresh characters: the UPS delivery stud muffin Kyle (Jonny Holbek in strutting scene-stealing mode), contrasted with the flamboyant camping of Stephen Wright’s Nikos and Martin Lay’s Carlos in the courtroom number Gay Or European?

That comedic high point is preceded by another much-loved routine, the irresistible Bend And Snap, played with just the right combination of earnest expression yet a playful relish.

Throughout, Paul Laidlaw leads his orchestra meticulously, another pleasure in a fast-moving, fabulous show that has a reputation for being a girls’ night out, but seriously, men, you may be outnumbered, but how can you resist the power of pink?  

 York Light Opera Company presents Legally Blonde The Musical, York Theatre Royal, until Saturday, 7.30pm nightly  plus 2.30pm matinees on February 20 and 22. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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Festival of the week: 40th anniversary Jorvik Viking Festival, York, Feb 17 to 23

Stag burning at Jorvik Viking Festival. More fun and games this week. Picture: Charlotte Graham

A NEW Viking longship, a sword that never misses its target and recreations of the world’s largest fossilised poo take centre stage at Europe’s largest Viking Festival over half-term.

Five days of Norse fun, living history, hands-on combat and lectures culminate in a parade through the historic streets and two dramatic evening son-et-lumière shows. 

“This is our 40th anniversary year of Jorvik Viking Festival, and we’re determined that those who follow in the footsteps of our Norse ancestors will not be disappointed when they get here,” says programmer Gareth Henry, of York Archaeology, the charity that organises and funds the festival. 

“As usual, we are celebrating the end of winter in true Nordic style – so whether you want to learn to fight like a Berserker, make your own authentic pair of Viking socks, or just stand back and watch an army of warriors take to the streets, we’ve got something for you.”

A free living history encampment will form the heart of the festival, taking over Parliament Street with an array of tents featuring craftsmen and traders and the opportunity to handle replica armour and weapons. 

“In the medieval period, the Vikings were known as fierce warriors; in our living history encampment, they are brilliant explainers and interpreters who love to talk about their specialist areas of expertise,” says Gareth. 

“We encourage all of our visitors not to simply walk through and observe, but to stop and talk to the re-enactors. It is easy to spend an hour or more just chatting about what life would have been like in 10th century York.”

Festival highlights include the March to Coppergate on February 22, when more than 200 Vikings muster in Dean’s Park, next to York Minster, before making their way through the city streets to Coppergate in an event free to watch from many vantage points along the route. 

The parading Vikings then join the Viking Games at the Eye of York, next to Clifford’s Tower, when tempers are likely to fray, leading to an epic battle between rival factions!

On February 21 and 22, the Eye of York hosts the Evening Spectacular, a dramatic retelling of a Norse legend featuring a sword that can never miss its target – the ultimate warrior’s weapon. Actors and re-enactors perform this piece of open-air theatre with a thrilling soundtrack, culminating in a fiery finale.

DIG, the sister attraction to the Jorvik Viking Centre, will play host to Poo Week, inspired by one of Jorvik’s most infamous exhibits, the Lloyds Bank Coprolite, the world’s largest fossilised Viking poo. Children can re-create poo, discovering how the composition of human excrement reveals so much about the person who passed it!  Undigested seeds, bits of bone and revolting worms all feature in the re-creations.

The festival will be the first opportunity to play the newest addition to the Top Trumps portfolio of card games.  Jorvik Viking Centre’s Top Trumps will be highlighted in a fun, free city-wide trail with packs of the new game available to purchase throughout the event. Budding teen artists can meet the card designer, Katie Smith, at an illustration workshop.

Jorvik Viking Festival week is the last chance to experience A Winter Adventure at Jorvik Viking Centre.  A ride through Viking-age York is the centrepiece of this Norse winter wonderland, where the centre’s interactive Vikings tell stories of how their ancestors would have fared against a harsh winter. Be aware, tickets are likely to sell out in advance.

For more information on the 2025 festival and to book tickets, go to: jorvikvikingfestival.co.uk.  Early booking is recommended as a number of events have sold out already.

The 2025 Jorvik Viking Festival programme

Monday, February 17
Adult Crafting, Barley Hall Cafe, 10am to 1pm
ENJOY a taste of Viking life with this hands-on leather-working workshop. Using traditional Viking tools, you will craft your very own leather bracers and perhaps discover a new hobby along the way. Suited for adults, these beginner-friendly sessions offer a glimpse into Viking life. With limited spots available, advance booking is recommended. Tickets: £40 per person Age restrictions: 16+ only. Workshop is aimed at beginners.

   
Encampment, Parliament Street, 10.30am to 4.30pm
THE Vikings have taken over York city centre. Snap some selfies as you watch them in action, from woodworking to making stunning jewellery. Try your hand at Viking games through lively demonstrations, and even have your face painted to look like a true Norse warrior. Visit Parliament Street or St Sampson’s Square to experience the excitement up close and catch a glimpse of Viking life right in the heart of the city. Tickets: Free of charge. Age restrictions: None.    

Kids Crafting, Barley Hall, 10am to 4pm
LET your little Vikings unleash their creativity with these crafting activities! They can make Buzz Bones — just like Viking children did — to create a fun buzzing sound (some things never change). From crafting their own shields and weaving braids to painting pottery, there is plenty to keep them busy. They can even create their own Viking beard! Why not enter their masterpiece in our Best Beard Competition for a chance to win? Tickets: Free with Barley Hall admission. Age restrictions: No, but most suited to children aged four to 12.    

Berserker Boot Camp, Midgard Marquee, Parliament Street, 10.30am to 4.30pm
PREPARE your little Vikings ready for battle at the Berserker Bootcamp! Led by Jorvik’s seasoned warriors, children will learn the art of combat with wooden swords, by axe-throwing, and will finish by training in the fearsome shield wall. Don’t worry, Norse health and safety keeps it all safe and fun. This activity is a great way to let young warriors experience the thrill of Viking battle training. This is a drop-in activity, so no need to pre-book for this ideal preparation for the Kids Barbaric Battle event on Saturday. Tickets: £10 per person. Age restrictions: Suitable for ages five to 12 only.    

Tryggvi Treehammer’s Top Trumps Trail Across the city centre, 10.30am to 4.30pm
TRYGGVI Treehammer has set up a Viking Trail, across the city of York. Follow in his footsteps by visiting the Jorvik Viking Centre, Barley Hall, DIG, the Midgard Marquee and festival information point on St Sampson’s Square. Collect special stamps along the wayto earn an exclusive Top Trumps card that’s a perfect addition to the new Jorvk Top Trumps set, making its debut at the festival. And the best part? Gathering stamps and completing the trail is completely free! Tickets: Free. Age restrictions: None.    

Poo Week DIG Lunch Room, 11am to 4pm
IT’S smelly, it’s squelchy, and it’s a highlight of the festival calendar! Believe it or not, poo can reveal plenty about our past! Bring the children to DIG to discover why archaeologists are fascinated by this unexpected treasure. Children will have the chance to create their own replica fossilized poo, inspired by the famous Lloyds Bank Turd at Jorvik Viking Centre. Tickets: Free with a DIG tour ticket. Age restrictions: No, but most suited to children aged four.

Adult Crafting Barley Hall Cafe, 2pm to 5pm
SEE details above. Tickets: £40 per person. Age restrictions: 16+ only. Workshop is aimed at beginners.

Jorvik, Immersive Theatre, Old York Theatre, Barley Hall Great Hall, 6pm to 7pm and 7:30pm to 8:30pm
“Eoforwic has fallen. Today is the day that will impact this city for the rest of time. We may not be here for long, but our legacy will stand.” Jorvik is an immersive play set directly in the aftermath of the fall of Eoforwic to the Great Viking Army and its rebirth as Jorvik.
Old York Theatre lean heavily on the Viking mythos, rejoicing in the fantastical, delivered with the spirit of larger-than-life storytelling as Ubbe, soaked in the blood of battle, finds himself at a great banquet in his honour. However, in this mysterious throne room,not all is as it seems.
Jorvik is a play about loss, glory, family and celebrating life while we are still around to enjoy it. Expect big characters, song, fights and plenty of table banging. Tickets: £20 per person. Age restrictions: 16+

Tuesday, February 18
Adult Crafting Barley Hall Cafe 10am to 1pm
Step into the world of Viking craftsmanship with these hands-on Nalebinding sessions. Make your own Viking hats and socks with this historical technique, one that uses the Norse method of knitting with one needle. Suitable for adults, these beginner-friendly sessions offer a glimpse into Viking life. With limited spots available, booking in advance is advised to secure your place. Tickets: £40 per person. Age restrictions: 16+ only. Workshop is aimed at beginners.

Poo Week DIG Lunch Room 11am to 4pm
SEE details on February 17.

Encampment Parliament Street 10.30am to 4.30pm.- 16:30pm
SEE details on February 17.

Kids Crafting Barley Hall, 10am to 4pm
SEE details on February 17.

Berserker Boot Camp Midgard Marquee, Parliament Street, 10.30am to 4.30pm
SEE details on February 17.

Tryggvi Treehammer’s Top Trumps Trail Across the city centre 10:30am -16:30pm
SEE details on February 17.

Adult Crafting Barley Hall Cafe, 2pm to 5pm
SEE details above.

Rum Tasting with Villains Rum at Barley Hall Barley Hall Great Hall, 7.30pm to 8.30pm/9pm
JOIN Villains Rum of York for an unforgettable evening in the historic setting of Barley Hall, for the launch of the new seasonal Queen Gunnhildr Honey Rum. This exclusive tasting event features five signature villain-inspired rums, alongside an introduction to the legend of Queen Gunnhildr with expert Alex Ibbott on hand to answer questions to those intrigued to know more.
Adding to the atmosphere, a Villains Rum tour guide will deliver captivating stories of the infamous figures behind each rum from Erik Bloodaxe to Guy Fawkes. The evening includes: a welcome drink to start your villainous journey; tasting experience of five Villains Rums, including the new Queen Gunnhildr Honey Rum; a 50ml miniature of Queen Gunnhildr Honey Rum — Limited Edition miniature, not available for general sale. Tickets: £35 per person. Age restrictions: 18+.

   
Jorvik Viking Festival Feast Merchant Adventurers’ Hall, 7pm to 11pm
CELEBRATE the end of a long winter with an unforgettable candlelit dining experience at the historic Merchant Adventurers’ Hall. Gather for a three-course feast inspired by traditional Viking fare, with live entertainment and epic tales from the past that will transport you to another era. For the first time, the Festival Feast will feature both the Best Dressed Viking and Best Beard Contest. All are welcome to enter: attire can be authentic or a new twist and beards can be natural or proudly homemade. Prizes for both competitions will be awarded on the night. Tickets: £95 per person Age restrictions: 18+.

Wednesday, February 19
Adult Crafting Barley Hall Cafe, 10am to 1pm
DIVE into the past at hands-on Viking pottery workshops. This beginner-friendly workshop uses hand-building techniques (not the wheel-thrown pottery you may have tried before) to create your own unique piece to take home – a treasure worthy of any Viking hoard. With limited spots available, booking in advance s advised.Tickets: £40 per person. Age restrictions: 16+ only. Workshop is aimed at beginners    

Poo Week DIG Lunch Room, 11am to 4pm.
SEE February 17 for details.

:The Haunting Of Fortune Farm with Sophie Kirtley York Explore Library (Mariott Room), Library Square, York, 1.30pm to 3pm
AFTER releasing her new Viking-themed novel, Sophie Kirtley, best-selling children’s author of The Wild Way Home and The Way To Impossible Island, discusses the inspiration for Edie’s mysterious adventure and what it’s like to write stories for a living. You can ask Sophie your questions, buy her new book and have it signed,Tickets: £5 for children (with a free accompanying adult), £5 extra adults,  under-fives free.  Pre-booking is essential. Age restrictions: Recommended for ages seven to 11.  

 Encampment Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

Kids Crafting Barley Hall, 10am to 4pm
SEE February 17 for details.

Berserker Boot Camp Midgard Marquee, Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

Tryggvi Treehammer’s Top Trumps Trail Across the city centre, 10.30am to 4.30pm
SEE February 17 for details.

Adult Crafting Barley Hall Cafe, 2pm to 5pm
SEE above for details.

Mead Tasting Barley Hall Great Hall, 7pm to 9pm
DISCOVER Discover your new favourite drink! Join the award-winning Lancashire Mead Company as they introduce you to the Vikings’ drink of choice: mead. Learn about the cultural and historical significance of this honey-based beverage, cherished not only by the Vikings but throughout the Middle Ages and into the 21st century! Sample a variety of delicious meads, paired with tasty nibbles, and soak up the atmosphere in the Great Hall. Skål! Tickets: £35 per person. Age restrictions: 18+.

Thursday, February 20

Poo Week DIG Lunch Room, 11am to 4pm
SEE February 17 for details.

Encampment Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

Kids Crafting Barley Hall, 10am to 4pm
SEE February 17 for details.

Berserker Boot Camp Midgard Marquee, Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

The Art of Illustration Workshop Barley Hall cafe, 11am and 2pm
JOIN illustrator Katie Smith for an exclusive event where she will share insights into her creative process, discussing how she designed the artwork for the new Vikings Top Trumps cards. The event will begin with an introductory talk, followed by a 45-minute drawing workshop, where Katie will guide participants in creating their own Top Trumps character using simple drawing techniques. Whether you are an aspiring illustrator or a Top Trumps fan, Katie’s expert tips will help you draw a character to take home with you. Additionally, attendees will be gifted a limited-edition Viking Top Trumps card, designed by Katie for the workshop, which the artist will sign. This event is designed for teenagers interested in illustration, drawing or pursuing a career in the creative arts. Tickets: £10 per person, £5 concession. Age restrictions: Suitable for age 15 to 19.

Tryggvi Treehammer’s Top Trumps Trail
SEE February 17 for details.

Helen Thirza Addyman Lecture: JORVIK Viking Centre At 40 National Centre for Early Music, Walmgate, York, 8pm to 9.45pm
JORVIK first opened its doors to the public on Saturday, April 14 1984. Join Chris Tuckley, head of interpretation & learning at York Archaeology, for an entertaining look back at how this museum and tourist attraction came to be. The lecture incorporates a screening of Jorvik Viking Centre At 40, a new documentary film that combines interviews with the original Jorvik project team and archival footage to explore the extraordinary circumstances of Jorvik’s creation. Tickets: £12, £10 concession/Friends of YAT. Age restrictions: None.

Unfeasibly Large DnD with Johnny Chiodini Barley Hall, 7pm to 9pm
STEP into an epic adventure with Dungeon Master Johnny Chiodini for a Viking-inspired game of Dungeons & Dragons like no other! With 34 players, six characters and one wild, unpredictable story, anything can happen. What’s in store? Who knows – so why not roll the dice and find out! This new addition to the festival promises chaotic fun, whether you are a seasoned D&D player or starting out. Is D&D designed for this many players? Probably not, but that will be all part of the excitement! Ready to roll a Nat 20? Book your place today! Tickets: £25 per person. Age restrictions: 18+.

Friday, February 21
Poo Week DIG Lunch Room, 11am to 4pm
SEE February 17 for details.

10th Century Traders Merchant Adventurers’ Hall, 10am to 4.30pm
STEP into 10th century York as it takes over the Merchant Adventurers’ Hall. Meet traders from across the Viking world and explore a vibrant market filled with treasures. Discover hand-crafted weaponry, authentic jewellery, drinking horns and much more. Tickets: adults £5.50; concessions £4.50; family of four £15; re-enactors £3 (with valid reenactment group card). Age restrictions:  None.

Encampment Parliament Street. 10.30am to 4.30pm
SEE February 17 for details.

Kids Crafting Barley Hall, 10am to 4pm
SEE February 17 for details.

Berserker Boot Camp Midgard Marquee, Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

Tryggvi Treehammer’s Top Trumps Trail Across the city centre, 10:30am to 4.30pm
SEE February 17 for details.

Go on an adventure with Johnny Chiodini Travelling Man, 11am to 12 noon; 12.12pm to 1.15pm; 2pm to 3pm; 3.15pm to 4.15pm
JOHNNY Chiodini, Dungeon Master of the Oxventure Dungeons & Dragons series on YouTube, guides you through the mysterious Mythic North. In this thrilling one-shot, you will face strange beings and twisted creatures that dwell in the shadows. Inspired by Nordic folklore, Vaesen is an award-winning tabletop RPG that brings dark legends to life. Tickets: £10 per person. Age restrictions: None.

Mead Cocktails and Sagas Barley Hall Great Hall, 7pm to 9pm
RAISE a horn with Nidhogger Mead Company for an evening of cocktails and Viking sagas. You may know a Mojito or an Old Fashioned, but have you ever tasted a mead cocktail? Each drink is inspired by a Viking saga, brought to life by the festival’s talented Skald. Be warned: if the mead makes you too merry, you might just become part of the story! Skål! Tickets: £35 per person. Age restrictions: 18+.

Evening Spectacular: Tyrfing. The Cursed Sword, Eye Of York, 7.30pm to 8.30pm
BE guided into a world with a chance encounter between a king and two dwarves that leads to the forging of a magical sword – but not all is at it seems. The sword is named Tyrfing and it possesses formidable powers. It can cut through rock and iron as easily as cloth or flesh. The bearer of the sword will always defeat his opponent. However, this mighty blade also carries a terrible curse. Each time it is drawn, it must taste blood. Someone must die, and it will cause three evil deeds to be done. It will destroy those who wield it and cause great suffering! Join Time Will Tell Theatre to journey into the heart of a Viking myth with trickery, beauty, death and curses. This event sells out every year, so second performance is being added to enable more people to experience this show- stopping spectacular to finish their festival week. Tickets:  adults £20; concessions (senior 60+/child aged three to 16) £15; under threes free. Age restrictions: None.    

Saturday, February 22
Archaeology On Prescription Pop-up Exhibition DIG Classroom, 10am to 5pm
CELEBRATE the achievements of the Archaeology On Prescription programme in a showcase of fascinating discoveries from the winter programme. Be hands-on with artefacts and finds unearthed during the excavation at Willow House and delve into the secrets of the post-excavation process. Hear captivating stories from project participants and uncover the rich history of the people who once called this area home. Tickets: N/A. Age restrictions: None.

10th Century Traders Merchant Adventurers’ Hall, 10am to 4.30pm
SEE February 21 for details.

Encampment Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

Kids Crafting Barley Hall, 10am to 4pm
SEE February 17 for details.

Berserker Boot Camp Midgard Marquee, Parliament Street, 10.30am to 4.30pm
SEE February 17 for details.

Tryggvi Treehammer’s Top Trumps Trail Across the city centre, 10.30am to 4.30pm
SEE February 17 for details.

Kids Barbaric Battle Eye of York, 10.30am to 11am and 11.30am to 12 noon
EVERY Viking remembers their first battle. Now comes the turn of your little warrior in the new Kids Barbaric Battle. Up to 100 young fighters will step into the Eye of York to prove themselves worthy of Valhalla . This is a practice battle, so safety comes first: foam weapons, shields and equipment are all provided. Little Vikings aged under five will need an adult by their side on the battlefield. If you want to prepare children for combat, check out the Berserker Bootcamp workshops for the ultimate Viking training. Tickets: £5 per child (accompanying adults free). Age restrictions: Accompanying adult required for under fives; optional for under sevens.

Viking Games Eye of York, 1.3pm to 2.30pm
BACK by popular demand for 2025, two teams face off in the family-friendly Viking Games. Contestants battle it out in a test of strength, skill, cunning and wisdom with Odin as the referee. Expect combat, feats of endurance and laughs aplenty along the way. Please note, if you wish to participate in the March To Coppergate, you will not be able to join the Viking Games as it will already be under way. Tickets:  adults £10 adults; concessions (Senior 60+/ children aged three to 16) £5; under threes free. Low income tickets: adults £5; concessions £2.50; under threes free. Age restrictions: None.    

March To Coppergate York Minster to  Coppergate, 1.30pm to 2pm
THE Viking March is a festival tradition like no other as Viking warriors parade through the city. Don’t miss your chance to experience their thunderous war cries echoing through the streets of York. Tickets: Free. Age restrictions:  None.    

Evening Spectacular: Tyrfing. The Cursed Sword, Eye Of York, 7.30pm to 8.30pm
SEE February 21 for details.
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Who is taking part in York Community Choir Festival 2025 and what will they sing?

York Wellbeing Choir members singing at York Community Choir Festival in 2024. Picture: Jenny Jones

YORK Community Choir Festival 2025 will run from March 2 to 8 when more than 1,250 voices will grace the Joseph Rowntree Theatre stage in York.

A festival that began in 2016 with 11 choirs taking part in three concerts will comprise eight concerts in 2025, each featuring up to five choirs, drawn fromHarrogate, Easingwold, Malton, Fairburn, Selby and Pocklington, as well as York.

Choirs of all sizes and types take the stage – all ladies, all men and mixed voices – covering everything from pop classics and show tunes to blues, jazz, folk, world, classical and religious music.

The smallest choir has ten members; Huntington School has 75 representatives and 50 will be participating from schools across the Excel Learning Trust Academy.

Some choirs will give a nod to the JoRo’s 90th birthday celebrations by performing a song from the 1935 “hit parade” in their set.

Festival chair Graham Mitchell says: “I moved to York in 2012, joined the theatre board in 2013 and was immediately struck by the number of choirs in York and the surrounding area, compared with where I had been living previously.

“I asked a colleague where they all sang and was told church halls, community centres and occasionally civic buildings or major halls.

Fairburn Singers on song at the 2024 festival. Picture: Jenny Jones

“It was a no-brainer as far as I was concerned that the theatre needed to give all these people a place to sing that was a real theatrical experience. Now, in the festival’s tenth year, the theatre’s decision to reach out and welcome all forms of performance has been fully justified.”

“In addition to choirs telling us how much they love the experience of being part of a major York event in lovely and welcoming surroundings, the festival ticket sales contribute to the theatre’s “Heart For The Arts Appeal”, raising funds for the improvement of theatre facilities that will benefit all theatre goers”.

March 2’s choirs will be: Selby Youth Choir; The Stray Notes (Harrogate); Aviva Vivace!; Singing Communities: Poppleton and  Easingwold Community Singers. March 3, Euphonics Ladies Choir; The Pocklington Singers; Track 29 Ladies Close Harmony Chorus;
Cantar Community Choir and Community Chorus.  March 4: Jubilate; York City Harmonisers; Ryedale Voices; Supersingers and The Rolling Tones.

March 5: Stagecoach Performing Arts Choir; The Sounds Fun Singers; The Garrowby Singers; In Harmony Ladies Choir and  Stamford Bridge Community Choir. March 6: Huntington Schools’ Choirs; York Military Wives Choir and Heworth Community Choir. March 7, York Theatre Royal Choir; Eboraca; Some Voices York; Bishopthorpe Community Choir and Harmonia.

March 8 matinee: Excel Learning Trust Schools’ Choir; The Rhythm Of Life Singers; The Fairburn Singers and The York Celebration Singers. March 8, evening: York Philharmonic Male Voice Choir; Chechelele, York Sing Space (Musical Theatre Choir); The Wellbeing Choir and Main Street Sound Ladies Barbershop Chorus.

Graham adds: “In addition to choirs telling us how much they love the experience of being part of a major York event in lovely and welcoming surroundings, the festival ticket sales contribute to the Rowntree Theatre’s Heart For The Arts Appeal, raising funds for the improvement of theatre facilities that will benefit all theatre-goers”.

Tickets are on sale on 01904 501935 or at josephrowntreetheatre.co.uk. Evening concerts start at 7.30pm except March 2 at 6pm; March 8 matinee, 2.30pm.

Stagecoach Junior Choir taking part in last year’s festival. Picture: Murray Swain

York Community Choir Festival 2025 programme of songs

March 2, 6pm

Selby Youth Choir will sing: Raising My Voice; This Little Light Of Mine; Dreamer; Count On Me, Pure Imagination and I’m A Believer.

The Stray Notes: Let The River Run; A Thousand Years;  I Still Haven’t Found What I’m Looking For; Who But The Lord and The Scientist.

Aviva Vivace!: Ain’t No Sunshine, 80s’ Medley and Cheek To Cheek.

Singing Communities: Poppleton: Ticket To Ride; City Of Stars; Moor River; True Colours and Cantar.

Easingwold Community Singers: Go Down Deep; Ezatale; I Wish I Knew How It Would Feel To Be Free; Shanty Medley; Spring Comes In; Dream A Little Dream and Life Is A Song.

March 3, 7.30pm

Euphonics: Flying Free, The Lady Is A Tramp; Colours Of The Wind; Song Sung Blue and California Dreamin’.

The Easingwold Singers: The Lord Is My Shepherd; Why Do The Roses, Magic Moments; Cantique de Jean Racine and The Seal Lullaby.

Track 29 Ladies Close Harmony Chorus: Ascot Gavotte; Chatanooga Choo Choo; Blue Moon; The Gospel Train; De Battle Of Jericho; Steel Away To Jesus; Only You and Goodnight Sweetheart.

Cantar Community Choir: Harbour; TaReKita; Sure On This Shining Night; Follow The Heron and Be The Change.

Community Chorus: Top Hat And Tails; Don’t Sit Under The Apple Tree; King Of The Road; Breakout and You Can’t Stop The Beat.

March 4, 7.30pm

Jubilate: Autumn Leaves; Frankie And Johnny; Blue Skies; Cross The Wide Missouri and House Of The Raising Sun.

York City Harmonisers: Overture; Songbird; More I Cannot Wish You; Dancing In The Dark; Music Of The Night and New York, New York.

Ryedale Voices: Mack The Knife; Pokarekare Ana; Ain’t Gonna Let Nobody Turn Me Around; Ramblin’ Sailor and Come What May.

SuperSingers: What A Wonderful World; With A Little Help From My Friends; Blue Moon; Defying Gravity; Never Enough and Waterloo.

The Rolling Tones: Rolling In The Deep; Shenandoah; Disney Movie Showstoppers; All Night, All Day and Crazy Little Thing Called Love.

March 5, 7.30pm

Stagecoach York Junior Choir: I’m A Believer; Please Can I Have A C?; Stars Mash Up and Aladdin Medley.

Sounds Fun Singers: Downtown; There Will Come Soft Rains; Smoke Gets In Your Eyes; Popular (from Wicked) and You Can’t Stop The Beat.

The Garrowby Singers: Lullaby Of Broadway; The Stars Are With The Voyager; Let The Praise Go Round; Wild Horses and River In Judea.

In Harmony Ladies Choir: The Lord Is My Shepherd; Sumer Is Icumen In; The Sound Of Silence; Summertime and Zadok The Priest.

Stamford Bridge Community Choir: Wellerman; California Dreamin’; Run; I Will Follow Him and Sing, Sing, Sing.

Easingwold Community Singers performing at the York Community Choir Festival in 2024. Picture: Murray Swain

March 6, 7.30pm

Huntington School Choirs: Apple Tree; Closer To Fine; Hakuna Mungu Kama Wewe; Fire And Rain; And So It Goes; Hide And Seek; Ubi Caritas; Wonderwall; Jolly Roving Tar; Break My Stride and Keep Your Head Up.

York Military Wives Choir: November Sunday; For Good; When Will I See You Again; Make You Feel My Love; Carry Me and Home Thoughts From Abroad.

Heworth Community Choir: Ticket To Ride; The Ground; Little Blue; Pokarekare Ana and I’ll Be On My Way.

March 7, 7.30pm

York Theatre Royal Choir: It’s Grand Night For Singing; The Lord Is My Shepherd; Let The River Run; I Wish I Knew How It Would Feel To Be Free; Anthem and Exultate Deo.

Eboraca: Cum Decore; Blue Moon; A Nightingale Sung In Berkeley Square; I Want It That Way and Walking On Sunshine.

Some Voices: I Wanna Dance With Somebody; Freed From Desire; Crazy In Love and Pink Pony Club.

Bishopthorpe Community Choir: Yundah; Run: Kiss From A Rose; Will You Still Love Me Tomorrow and It Must Be Love.

Harmonia: Get Happy; Ca’ The Yowes; Sing A Song Of Sixpence; Embraceable You and Dubula.

March 8, 2.30pm

Excel Learning Trust Choir: Our Time; Song Of The Sea; Viva La Vida and Glorious.

The Rhythm Of Life Singers: If I Had A Hammer; Three Song Medley; Three Little Birds; Edelweiss and Sing.

Fairburn Singers: One Voice; I Am A Small Part Of The World; Why We Sing; Come Follow The Band and When The Saints Go Marching In.

York Celebration Singers: One (from A Chorus Line); 1935 Mash Up; Java Jive; Tell Me It’s Not True; Abba Medley and One Day More.

March 8, 7.30pm

York Philharmonic Male Voice Choir: Tydi a Roddaist; Run; Down By The Riverside; What Shall We Do With The Drunken Sailor; He Ain’t Heavy, He’s My Brother and Alexander’s Ragtime Band.

Chechelele: Akanamandia; Ngothando; E Malama; Hope Lingers On; Ke Dau Bibi and Ladum Izulu.

York Sing Space Musical Theatre Choir: Welcome To The 60s; Come From Away Medley; Wicked Medley and A Million Dreams.

York Wellbeing Choir: Oklahoma; Hallelujah Get Happy; From A Distance; Tomorrow and A Little Peace.

Main Street Sound: White Winter Hymnal; Shenandoah; That Man; Girl On Fire and This Is Me.