‘Tis Halloween, the season for Elizabeth Godber’s werewolf comedy-drama Wolf Country at Beverley’s East Riding Theatre

Nell Baker’s Eddy, left, Jo Patmore’s Alice and Tom Gallagher’s Connor in the John Godber Company’s premiere of Elizabeth Godber’s Wolf Country at East Riding Theatre

FOR Halloween, the John Godber Company unleashes Elizabeth Godber’s country music-dusted werewolf comedy-drama Wolf Country at the East Riding Theatre, Beverley.

Country music mega-fan Alice (played by Jo Patmore) and no-nonsense nurse Eddy (Nell Baker) are best friends who would be happy for things to stay exactly as they are. Unfortunately, a potential werewolf is running rampant around Beverley, and so nothing looks like it will stay the same for long.

Eddy cares not a jot for all the rumours and conspiracies, but Alice is straight down the rabbit hole, especially after meeting self-proclaimed werewolf expert Connor (Tom Gallagher).

As the hot breath of Halloween looms ever closer, the full moon is out and matters are starting to spiral. Surely they know East Yorkshire is Wolf Country – and don’t you?

From the co-writer of the UK Theatre Award-nominated Stephen Joseph Theatre hit The Comedy of Errors (More Or Less) and writer of the ERT premiere of The Remarkable Tale Of Dorothy Mackaill comes a lupine comedy of friendship, ambition and what drives our fears amid the wildness that lurks beneath the surface of modern life in East Yorkshire – all underscored by a Country Western soundtrack.

Nell Baker, left, Jo Patmore and Tom Gallagher in an uplifting scene in Elizabeth Godber’s play about anxiety, East Yorkshire and werewolf folklore

“I first came across the legend of ‘Old Stinker’, Beverley’s very own werewolf, while looking into local folklore and history when studying at the University of Hull,” says Elizabeth.

“I’ve always loved anything a bit whimsical and magical, and the idea really stuck with me. Werewolf legends are very rare in the UK; most come out of Germany, Eastern Europe or the USA, so the concept of a werewolf on Beverley Lock was just too good an idea to put to one side.

“Especially as East Yorkshire was the last place in the UK to have wild wolves, who were said to have died out in the 18th century, so it’s all just a brilliant story that almost wrote itself.”

When Elizabeth looked further into the legend, she was excited to learn there had been a flurry of sightings of the beast in 2015 and 2016. “Even the rock musician Alice Cooper had got involved, posting on social media about it,” she says. “This is where I really started to link the wolf to music and Americana, and I’ve always been a massive country music fan, so including that all made sense to me.”

A real hunt for the beast was conducted by the werewolf hunters of East Yorkshire in 2016. “In researching for this play, I was excited to be able to talk to some of the people who went on it, although they didn’t find anything,” says Elizabeth.

Cue her tale of werewolves, anxiety and growing up in Beverley, accompanied by a country music sound track, whose flavour can be savoured on the East Riding Theatre website with a link to Spotify. Dolly Parton, Tim McGraw, Garth Brooks, Johnny Cash, Shania Twain et al, y’all.

Wolf Country playwright Elizabeth Godber

“From all those East Riding folklores came the idea of this play – though it’s not really about werewolves,” says Elizabeth. “It’s about three friends in their late 20s, living in Beverley, finding themselves at that time in life when they’re discussing adulthood and the move away from being a teenager to that person with a job.

“There’s also romance going on, but all this is happening when there’s a werewolf on the loose in Beverley, creating fear and paranoia, which is reflected in their own lives.

“Learning about the werewolf hunts in 2015 and 2015, I liked the idea of writing about our paranoia that there is something out there in the dark playing on our phobias.”

At 30, “for sure I felt I was ready to write something of my own experience of being a young person growing up in a more rural place,” says Elizabeth. “I live in Beverley, and I see a lot of plays set in London and Manchester, but there are a lot of people like me who grew up and live in the countryside, and I want to tell that story.

“It was really important to me too to have a local cast. Jo Patmore, from The Highwayman last year, and Nell Baker are both from Beverley and Tom Gallagher is from Hull. I wanted to have that authenticity of growing up in East Yorkshire. That’s important when you’re premiering plays to an East Yorkshire audience, who will tell you exactly what they think!”

Mental wellbeing plays its part in Elizabeth’s play. “The lead character that Jo plays, Alice, is overtaken by anxiety about the werewolf legend, to the extent that the hunt takes her over, so it’s also a play about mental health,” she says.

Wolf/Alice: Jo Patmore’s Alice experiences anxiety over the East Yorkshire werewolf stories in Elizabeth Godber’s Wolf Country

“There’s a balance between ‘oh my god, what’s going on?’ and all the laughter, which is reflective of life, so it’s uplifting and positive overall, but there will be highs and lows on the way.

“I hope that the story is both interesting and funny as well – being my father, John Godber’s daughter, I write plays that are comedic too.”

As for the inclusion of country music, “Alice has an obsession with country music. That’s how she deals with her anxiety,” says Elizabeth. “I’ve always been drawn to folklore element of country music, with all that ‘ruralness’ to it, which I wanted to bring from America to East Yorkshire, but also because it has an ‘otherness’ to it that I wanted to bring to the story.”

One final thought from Elizabeth: “Be careful on your travels on your way home as you never know what might be out there!” she says, in the finale to her programme note.

Elizabeth Godber’s Wolf Country, East Riding Theatre, Beverley, until November 1, 7.30pm plus 2.30pm Thursday and Saturday matinees. Age recommendation: 16 plus for strong language and sexual references. Box office: eastridingtheatre.co.uk/wolf-country/

The John Godber Company’s poster for the Halloween premiere of Wolf Country

Irish comic Paddy Lennox to headline Laugh Out Loud Comedy Club at The Basement, City Screen Picturehouse

Paddy Lennox: Topping bill at Laugh Out Loud Comedy Club on Saturday

THIS Saturday offers a rare chance to see Irish comedian Paddy Lennox outside his national tour, headlining the Laugh Out Loud Comedy Club bill at The Basement, City Screen Picturehouse, York.

Promoter Damion Larkin says: “Paddy has that rare Irish quality of being instantly likeable in every respect. He’s the kind of comedian you could take home to meet your parents or your kids, or down the pub to meet your mates – and he’d have everyone smiling within minutes.

“Both riotously funny and a complete gentleman, this is a comedian who’s universally well loved and not to be missed.  An engaging performer with a mischievous streak, Paddy’s charm lies in his effortless ability to turn the everyday into something delightfully absurd.”

Performing since 2001, Lennox’s career has taken him beyond the comedy circuit to theatre, television and radio, making appearances on Holby City, Doctors, CBeebies, BBC Radio 4, TalkSport and Sky Living.

He has supported such major names as Micky Flanagan and played gigs in Dubai, Singapore, Romania and Croatia as well as in the UK.

Joining Lennox on the 8pm bill will be Liverpudlian-in-exile Silky, Benny Shakes and master of ceremonies Kieran Lawless.

Liverpudlian-in-exile Silky

In only his fourth gig, Silky competed in the 1995 BBC New Comedy Awards final against Lee Mack (Mock The Week, Not Going Out) and Leeds comedian Julian Barratt (The Mighty Boosh).

As well as making TV appearances on The Stand-Up Show (BBC), The World Stands Up (Paramount) and the Comics Lounge (AUS), Silky has performed in China, the Philippines, the Gulf, Singapore, the USA, all over Europe and at the Melbourne Comedy Festival and Glastonbury Festival. 

He headlined the inaugural Frampton Mansell Comedy Festival (the world’s smallest) and does warm-up work for BBC1’s Strictly Come Dancing.

Benny Shakes’s jokes take in his daily struggles of living with a disability and observations on red-neck life. Host Kieran Lawless, an Irish comedian based in Manchester, has worked in comedy clubs across Ireland and the UK, including supporting Patrick Kielty in Dublin’s Olympia Theatre.

Tickets are on sale at https://lolcomedyclubs.co.uk or on the door from 7.30pm. Further Laugh Out Loud Comedy Club gigs will follow on December 6, New Year’s Eve and January 3 2026.  

In Focus: Luxmuralis, Echoes Of Yorkshire: The Museum Illuminated, York Museum Gardens, until Sunday, 6pm to 8.20pm

Luxmuralis’s Echoes Of Yorkshire installation on the St Mary’s Abbey ruins in the York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

LET light, colour and music surround you at the Echoes Of Yorkshire light and sound installation conjured by Luxmuralis, who bring alive the culturally rich story of the Yorkshire Museum and York Museum Gardens from 1,000 images.

Visitors are invited to “immerse yourself in the story of the historic site with contemporary light and music showcasing its age-defining artefacts and extraordinary exhibits. Join us to celebrate all that the museum and its gardens bring to our city and the wider north of England”.

In the 30-year collaboration of Staffordshire bronze sculptor, fine artist and immersive installation artist Peter Walker and composer David Harper, Luxmuralis travels the world to create stories in light and sound for audiences at locations ranging from the Tower of London and St Paul’s Cathedral, London, to city-wide open-air projections in places such as Oxford and Limburg in the Netherlands.

Through combining fine art, light and sound, Luxmuralis reflects closely on the history and heritage of places by weaving together the contemporary and the ancient.

The Viking Helmet on the Yorkshire Museum frontage in Luxmuralis’s Echoes Of Yorkshire. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

Now, for the first time, Luxmuralis is transforming the walls of York in Echoes Of Yorkshire in York Museum Gardens for ten evenings filled with six looping art installations and landscape lighting by Steve Rainsford.

Ticketed entry time slots are given every 20 minutes, but once in the gardens visitors can journey through the experience at their own pace with a recommended walking time of one hour. Refreshments will be available to buy on the night, including from Thor’s tipi.

Echoes Of Yorkshire is suitable for all ages. Audiences will experience the gardens’ history from the Roman period to its time as an abbey (St Mary’s Abbey) in tandem with Luxmuralis’s showcase of the Yorkshire Museum’s collections that span 200 million years from the Jurassic and the Mesolithic, through to the Romans, Viking, Anglo Saxon and Medieval.

Welcoming Luxmuralis to York Museum Gardens, Siona Mackelworth, head of audience and programme for York Museums Trust, says: “We are delighted that Luxmuralis agreed to produce a very special and bespoke show for us here in York.

Luxmuralis’s arch installation in York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

“This is a celebration of all that the Yorkshire Museum brings to the city, its history and the location as the repository of great discoveries and stories. With this amount of content, the Luxmuralis light and sound show looks amazing.”

Luxmuralis artistic director Peter Walker says: “We’re thrilled to be collaborating with the team at Yorkshire Museum to deliver a truly distinctive experience set within the stunning and historically rich Museum Gardens.

“By drawing inspiration from the museum’s collections, this light installation re-imagines the architecture and landscape in an entirely new and transformative way.”

Peter drew on myriad resources in the York Museum Trust’s collection: the Roman occupation; the Vikings; the Medieval; geology; paleontology; fine art et al.  “My job was then to create a ‘portrait’ of the city of York from that collection,” he says.

St Mary’s Abbey ruins bathed in the art and light of Luxmuralis’s Echoes Of Yorkshire. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

“Where we are quite different from illumination shows is that my fine art background means we use projection in a different way. It can be done in many ways, but we’re unique in that it’s not the projection that drives what we do but the other way round; the art drives it.

“To me, as a fine artist, the excitement lies in the gardens and what you bring into the public realm: the excitement of the audience seeing the installations and taking what they want from them, because it’s not prescriptive.

“In fact we tell our audiences to forget the technology because it’s the least important part. We use it as a medium to celebrate moments, so the technology is like a canvas to paint pictures.”

As part of his research, Peter visited the Museum Gardens several times. “Just by walking through them, it allows you to understand the gardens’ character and the visitor experience, and these gardens are such a fitting place to be doing Echoes Of Yorkshire. The audience can really enjoy the experiential moments we have created.”

The writing is on the wall for Luxmuralis’s Echoes Of Yorkshire in the York Museum Gardens. Picture: Created by Luxmuralis

Tickets cost £13.50 per adult; £9.50 for children aged five to 16; free admission for under-fives. Box office: yorkshiremuseum.org.uk. Echoes Of Yorkshire is on a constant loop from 6pm to 8.20pm each night. Please note, only assistance dogs will be allowed into the gardens during the event.

Luxmuralis: back story

LUXMURALIS is the name given to the artistic collaboration of sculptor and fine artist Peter Walker and composer David Harper, who specialise in immersive fine art, light and sound installations around the UK and abroad, creating works across multiple media and presentation formats.

Core to their work is the exploration and development of the fine art tradition through new media, placing contemporary fine art, light and sound production in an art historical context.

Luxmuralis takes art onto the streets and provides access to visual artworks in public as well as unexpected places.

What’s On in Ryedale, York and beyond. Hutch’s List No. 47, from Gazette & Herald

Luxmuralis’s Echoes Of Yorkshire: Art, light and sound in harmony in York Museum Gardens. Picture: Duncan Savage, Ravage Productions, for York Museums Trust

GARDEN art & light installations, wartime memories and Dracula and Cinderella retellings spark Charles Hutchinson’s interest.

Installation of the week: Echoes Of Yorkshire, York Museum Gardens, until Sunday, 6pm to 8.20pm

LET light, colour and music surround you at Luxmuralis’s light and sound installation as artist Peter Walker, composer David Harper and lighting designer Steve Rainsford bring the story alive of the Yorkshire Museum and York Museum Gardens from 1,000 images. 

Immerse yourself in the story of the historic site with contemporary light and music showcasing York Museum Trust’s age-defining artefacts and extraordinary exhibits. Tickets: yorkshiremuseum.org.uk.

David Barrott, Catherine Edge and Adam Marsdin in rehearsal for Settlement Players’ production of Party Piece

Calamitous comedy misadventure of the week: York Settlement Community Players in Party Piece, Theatre@41, Monkgate, York, until Saturday, 7.30pm and 2.30pm Saturday matinee

AMERICAN director, writer, producer, historian and stuntman Martin T Brooks directs Settlement Players for the first time in Richard Harris’s calamitous 1992 comedy Party Piece.

Michael and Roma Smethurst are preparing meticulously for their fancy-dress housewarming party as Mrs Hinson, not the biggest fan of her upper-class new neighbours, keeps a criticising eye on the attendees. Then disasters strike: an embarrassing lack of guests, a burning barbeque, a marauding Zimmer frame and a corpse showing up at the front door. Cue chaos. Box office: tickets.41monkgate.co.uk.

Cassie Vallance, left, and Jane Bruce in Story Craft Theatre’s Bat, Cackle And Pop! at York Theatre Royal

Children’s Halloween show of the week: Story Craft Theatre in Bat, Cackle And Pop!, York Theatre Royal Studio, today until Friday, 10.30am and 1pm

WINIFRED the Witch thinks everyone has forgotten her birthday. Not so. There will be a big surprise party, but first, a special birthday cake must be made.

“We just need the last three rather spooky ingredients,” say York company Story Craft Theatre’s Cassie Vallance and Jane Bruce. “Our show is bubbling with all sorts of ghosts and ghouls – more silly than scary – and there’s plenty of opportunities to dabble in some spell making, as well as flying with luxury BAT Airways.” Box office: 01904 623568 or yorktheatreroyal.co.uk.

Jimmy Regal & The Royals: Playing Ryedale Blues Club at Milton Rooms, Malton

Blues gig of the week: Ryedale Blues Club presents Jimmy Regal & The Royals, Milton Rooms, Malton, tomorrow, 8pm

JIMMY Regal & The Royals are a tough and howlin’ harmonica-led three piece from South London, brandishing a sound from Mississippi to New Orleans, Mali to Canvey Island. Signed to Lunaria Records, they are touring to promote latest album Well Boss, a live set recorded at the Temperance in Leamington Spa. Box office: 01653 696240 or themiltonrooms.com.

Stage Hammer: Revamping Bram Stoker’s Dracula

High stakes of the week: Stage Hammer in Bram Stoker’s Dracula, Joseph Rowntree Theatre, York, tomorrow and Friday, 7.30pm; Kirk Theatre, Pickering, Saturday, 7.30pm

WOLVES howl in the forests of Transylvania. Waves crash violently against the cliffs below Whitby Abbey. The infection is spreading. Count Dracula (Stuart Sellens) walks among us. Yorkshire solicitor Jonathan Harker (Callum Mathers) travels to a castle in the Carpathian Mountains to finalise the sale of property for a reclusive nobleman.

When he seemingly vanishes, fiancée Mina (Jennifer Jones) and her closest friend Lucy (Kathryn Lay) fall into the grip of a sinister force. Their only hope for survival is the mysterious vampire slayer Professor Van Helsing (Christopher C Corbett) in East Yorkshire troupe Stage Hammer’s new account of Bram Stoker’s vampire story, adapted by Corbett and directed by Lydia Baldwin. Box office: York, 01904 658338 or josephrowntreetheatre.co.uk; Pickering, 01751 474833 or kirktheatre.co.uk. 

Fizzy with the singers in Pick Me Up Theatre’s Bugsy Malone: Theo Rae, Isla Lightfoot, Olivia Swales and Beau Lettin

Musical of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, October 31 to November 8, 7.30pm, except Sunday and Monday; 2.30pm, both Saturdays and Sunday

LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of 40 young performers in  Alan Parker and Paul Williams’s musical, replete with the film songs You Give A Little Love,  My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand SlamandBugsy Malone.

In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.

Little Seeds Music: Refreshing the fairytale world in Cinderella Ice Cream Seller

Fairytale retelling of the week: Little Seeds Music in Cinderella Ice Cream Seller, Helmsley Arts Centre, Saturday, 2.30pm

OVER the past four decades, Cinderella’s has become the kingdom’s most beloved ice cream company, with a parlour on every street corner, but how did this humble maker become a multimillionaire business woman with her own empire?

Prepare your dessert spoons for a tale of perseverance, princes, palace balls, glass slippers and, yes, ice cream in writer-composer David Gibb’s hour-long family musical, wherein loyal Cinderella’s employees Talvi and Caldwell share her rags-to-riches tale and confront their own desires, hopes and the magic that lies within each scoop. Suitable for age five upwards. Box office: 01439 771700 or helmsleyarts.co.uk.

Bomb Happy: Film and live performance double bill for VE Day at Milton Rooms, Malton

Theatre memorial of the week: Everwitch Theatre in Bomb Happy VE Day double bill, Milton Rooms, Malton, Sunday, 3pm

PRESENTED in the lead-up to Remembrance Sunday, whose focus this year falls on 80th anniversary of VE Day, Bomb Happy has been created by writer-performer Helena Fox and actor-vocalist Natasha Jones, of Everwitch Theatre.

From D-Day to VE Day, this powerful one-hour double bill of live performance (30 minutes) and short film (30 minutes) brings to life the verbatim accounts of two working-class Yorkshire Normandy veterans, highlighting the lifelong impact of post-traumatic stress disorder and sleep trauma, not only on war veterans but on their families too. Box office: 01653 696240 or themiltonrooms.com.

Chris Smither: Playing All Saints Church, Pocklington tonight

In Focus: Chris Smither, All Saints Church, Pocklington, tonight, 7.30pm

CHRIS Smither, truly an American original, returns to the UK to perform songs from his vast catalogue on his 2025 UK and Irish tour as he approaches his 81st birthday on November 11.

Honing his synthesis of folk and blues for more than 50 years, this profound songwriter and captivating performer, from Miamai, Florida, melds the styles of his two major influences, Lightnin’ Hopkins and Mississippi John Hurt, into his own signature guitar sound.

His music draws deeply from the blues, American folk music, modern poets and humanist philosophers. His songs have featured in films and TV shows and been covered by John Mayall, Emmylou Harris,  Bonnie Raitt and Diana Krall, among others.

Smither continues to tour festivals, music clubs and concerts halls all over the world. Now he showcases his 20th studio album, 2024’s All About The Bones, produced by long-time friend and producer David Goodrich, which complements eight new compositions with Smither’s renditions of Eliza Gilkyson’s Calm Before The Storm and Tom Petty’s Time To Move On.

The recording sessions took place at Sonelab Studios in Easthampton, Massachusetts, where Smither was joined by Goodrich, Zak Trojano, BettySoo and Chris Cheek.

The New York Times said of All About The Bones: “With a weary, well-travelled voice and a serenely intricate finger-picking style, Mr Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate.”

Singer-songwriter BettySoo is Smither’s guest on the tour. Tickets for tonight cost £21.50 at www.smither.com.

REVIEW: Martin Dreyer’s verdict on York Opera in The Beggar’s Opera, The Citadel, York, October 23 to 25

Adrian Cook’s Peachum and Cathy Atkin’s Mrs Peachum in York Opera’s The Beggar’s Opera. All pictures: David Kessel

YORK Opera is back with a spring in its step. John Gay’s ballad opera of 1728, now nearing its 300th anniversary, was given lively and sometimes sparkling treatment by its director, Chris Charlton-Matthews, offering the company an opportunity to show its strength in depth.

The choice of venue, The Citadel in Gillygate, York was not an easy option. With the audience seated on three sides, mostly at tables in cabaret style, the performance was virtually in the round. This meant that much of the dialogue came and went, depending on where the performers were facing and, as so often with singers of all shades, words were clearer in song than in speech.

The production firmly reminded us of the wealth of our musical heritage, thanks to the composer Johann Pepusch – Berlin-born but London-based for more than 50 years – who gathered together its 69 songs mainly from British ballads, alongside several by living composers including Purcell.

This production gained immensely from its string quartet, oboe (Alex Nightingale) and harpsichord (Tim Tozer), conducted by John Atkin, who delivered a consistently vivid underlay.

Mark Simmonds’s Macheath: “Every inch the dashing womaniser” in York Opera’s The Beggar’s Opera

At the head of proceedings was Adrian Cook’s determined, ruthless Peachum, who was the undoubted mayor of this unruly parish, gamely supported by Cathy Atkin’s Mrs Peachum and Hamish Brown’s Filch.

Alexandra Mather as their faux-naive daughter Polly and Sophie Horrocks as the more streetwise Lucy Lockit – rivals for the love of highwayman Macheath – were well contrasted, while Mark Simmonds was every inch the dashing womaniser they pursued.

There was a notable contribution, too, from Anthony Gardner’s gaoler Lockit – a David Jason look-alike – whose dialogues with Peachum were outstanding. The chorus was full-throated rather than subtle, but cameos from chorus members added considerable colour and kept up momentum.

Alexandra Mather’s faux-naive Polly Peachum

Even so, the performance lasted three hours and would have been punchier with half an hour excised.

The props by Teresa Carr and Jane Carr – a bar for the tavern, a desk for Peachum’s ‘office’ and a high trellis for the bars of Newgate prison – were more than enough to set the scenes, and Jane Woolgar’s choreography was consistently appealing.

The decision to dress the cast in costumes of every era (by the ever-imaginative Maggie Soper), to illustrate the maxim that the poor are always with us, was understandable but confusing.

The jollity of the proceedings was anyway inevitably at odds with the poverty-riddled story. The prologue and epilogue by the Beggar himself, Ian Thomson Smith, ensured a firm start and a happy ending.

Review by Martin Dreyer

Sir Gary Oldman to revive York Theatre Royal solo turn in Krapp’s Last Tape at London’s Royal Court next May

Gary Oldman (now Sir Gary Oldman) in Krapp’s Last Tape at York Theatre Royal this spring. Picture: Gisele Schmidt

SIR Gary Oldman is to revive his York Theatre Royal production of Samuel Beckett’s Krapp’s Last Tape as part of Royal Court Theatre’s 70th anniversary season in London.

Beckett’s melancholic monodrama received its British premiere as the aperitif in a double bill with the Irish playwright’s Endgame at the Royal Court, and today’s announcement falls on the 67th anniversary of the opening night on October 28 1958.

Krapp’s Last Tape will run at the London theatre from May 8 to 30 2026, following its sold-out run in York from April 14 to May 17 this spring, when Academy Award, BAFTA, SAG, BIFA and Golden Globe winner Gary Oldman made his return to the York Theatre Royal stage after a 45-year hiatus.

Knighted by Prince William at Windsor Castle in September 2025 for his services to drama, Sir Gary, 67, made his professional debut in the repertory ranks at York Theatre Royal in 1979 after winning a scholarship to Rose Bruford College of Speech and Drama, from where he graduated with a BA in acting that year.

That first season took in She Stoops To Conquer, Thark, Privates On Parade and Romeo And Juliet, topped off by  playing the Cat in furry suit, mittens and nylon whiskers in Berwick Kaler’s third York pantomime, Dick Whittington And His Wonderful Cat, that Christmas.

This spring, at the height of the popularity of his Apple TV+ role as unkempt, flatulent, rude, caustic Jackson Lamb in misfit spy thriller Slow Horses, Sir Gary  headed north to show support for regional theatre, directing himself in the 50-minute Krapp’s Last Tape in his first theatre appearance in 38 years, back in York for his “completion of a cycle”.

Gary Oldman (now Sir Gary Oldman) and York Theatre Royal chief executive officer Paul Crewes surveying the Theatre Royal auditorium. Picture: Gisele Schmidt

“After all, it is the where it all began,” he said in his programme note. “York, in a very real sense, for me, is coming home. I met with YTR’s chief executive, Paul Crewes, and the play, the how and the when , were mapped out.”

Welcoming the transfer to London, York Theatre Royal chief executive Paul Crewe says: “Working with Gary on our production of Krapp’s Last Tape was remarkable and we are delighted that even more people will get the opportunity to see his extraordinary performance in this landmark play. It was first performed at the Royal Court 67 years ago and it’s so wonderfully fitting that it makes a return as part of their 70th anniversary celebrations.”

Krapp’s Last Tape will be performed by Sir Gary in the Royal Court’s Jerwood Theatre Downstairs, preceded  every night by Godot’s To-Do List, a new Beckett-inspired short play by Jerwood New Playwright Leo Simpe-Asante, directed by Aneesha Srinivasan.

Winner of the 2025 inaugural Royal Court Young Playwrights Award, this curtain-raising comedy follows seven decades on from Krapp’s Last Tape’s own debut as a curtain-raiser on the Royal Court’s stage.

Quick refresher course, Krapp’s Last Tape is the one where Oldman’s disenchanted Krapp coughs and chomps his way through three bananas on his 69th birthday, as he sits alone in his cluttered attic and listens to the echoes of his younger self, spinning the spools of his reel-to-reel recorder before recording his latest birthday reflection.   

“Perhaps my best years are gone,” bemoans Krapp. “When there was a chance of happiness. But I wouldn’t want them back. Not with the fire in me now.”

Meanwhile, Sir Gary can be seen in the on-going fifth series of Slow Horses, being released – frustratingly! – in weekly episodes on Apple TV+ from September 24.

Di Gomery’s uplifting Floresce artworks on show at Rise@Bluebird Bakery in Acomb

Di Gomery in her South Bank Studios studio in York

YORK artist Di Gomery’s Floresce exhibition will be on show at Rise@Bluebird Bakery, Acomb Road, Acomb, York, until December18.

In the wake of Di’s springtime display of paintings at York Hospital, she has created a series of colourful and uplifting artworks informed by her sketchbook drawings.

“I really hope these paintings will once again be a wall of flowing, joyful energy that sits alongside viewers as they enjoy a Rise event or visit Bluebird Bakery,” she says.

“It’s a terrific venue to show large-scale paintings and it’s been a delight to work with bakery co-owner and poet Nicky Kippax and Bluebird’s creative curator and artist Jo Walton to bring together this display of predominantly new work.”

Di Gomery’s poster for her Floresce exhibition at Rise@Bluebird Bakery, Acomb

Co-owner Nicky says: “Our evening venue, Rise, has just celebrated its second birthday and art exhibitions are a really important element of what we offer there. It’s fantastic to work with York artists.

“The art they display is inspiring and stimulating for everyone: our customers, our team and the artists who take part.”

In recognition of the work undertaken by Médecins Sans Frontières, Di plans to donate 25 per cent of painting sales to the international organisation.

Di Gomery at the National Coal Mining Museum for England at Overton in December 2024

Di Gomery: back story

STUDIED Art and Design at Manchester Polytechnic, followed by an MA at Birmingham Polytechnic. Gained her Doctorate from UCL Institute of Education, London.

She has taught at Bretton Hall College, Batley School of Art, Huddersfield University and Loughborough University.

Now lives in York, dedicating herself full time to oil painting in her South Bank Studios studio at Southlands Methodist Church, Bishopthorpe Road, York.

Last year, she took part in the Gomery & Braganza joint exhibition with ceramicist Loretta Braganza at Pyramid Gallery, York, from January 27 to March 10. She also exhibited at Hartlaw Solicitors,  St James’s Street, Wetherby, from October 7 2024 to October 1 2025.

Last December, Di had her work chosen for display at the National Coal Mining Museum for England (NCMME) at Caphouse Colliery, Overton, Wakefield, West Yorkshire, until March 2025.

Naming The Creation, by Di Gomery, on show at the National Coal Mining Museum for England

While on a visit there earlier in 2024, she was reminded of the textile artwork she had created in 1988 while living in Edinburgh, when she researched ideas of female identity and received a Scottish Arts Council Award and an exhibition.

On seeing her work Naming the Creation, the NCMME invited Di to display the artwork there and to reflect on her upbringing in a Yorkshire pit village in the museum’s general exhibition during the 40th year since the Miners’ Strike of 1984.

To her surprise, coal once again inspired her, this time to write her first-ever poem. “My inspiration for this artwork was to express the changes taking place for women at that time (1980s) as their self-confidence grew and their empowerment expanded,” she says.

For Di, coal had to be included in the journey that she and many young women like her were taking. “Coal formed me into the person I am today and was central to my upbringing,” she says.

Di’s relationship with coal goes back to her birth in a National Coal Board house in South Kirkby. As a pit deputy, her father was entitled to a substantial delivery of coal that was proudly dropped at the top of their garden for her and her sister to “get in” by shovelling it first into the wheelbarrow, then down the garden path, and then shovel by shovel into the coal house at the back of the house.

Di Gomery pictured on March 26 2025 with two of her artworks on display in a York Hospital corridor

It was this fuel that provided warmth, hot water for washing and a source of heat to cook on a coal-burning stove. “Throughout my childhood coal was everything,” says Di. “It sustained us.

“While climate change may have altered our perception of coal, and coal is not often thought of as a thing of beauty, to me, those black, blue-back, dark green and purple, irregularly shape and dusty-to-the-touch lumps were ‘jewels of fuel’.”

From April to June 2025, she exhibited a series of paintings on a main corridor at York Hospital, including some of the largest paintings by a York artist ever to be displayed there.

While on a visit to the hospital in 2024 to determine the theme, scale and range of the paintings she would create specifically for this space, Di was reminded of how important it would be to bring a boost of energy to what is essentially a thoroughfare.

Di says: “It was a delight working with the Arts Team, supported by York & Scarborough Hospitals Charity, whose mission it is to improve the experience of their hospitals for patients, visitors and staff through a programme of music and art workshops, inspiring exhibitions and artwork within wards and departments.”

A montage of Di Gomery’s paintings on display at York Hospital earlier this year

The inspiration for these paintings was gleaned from Di’s sketchbooks, including one that was created daily between December 2024 and February 2025 to celebrate the life of a dear friend who had passed away.

“Hospital staff are very busy moving from one station to the next, and therefore I decided to employ the use of vibrant colour, create a sense of growth and renewal through the subject matter, and celebrate the gestures and mark-making that oil paint makes possible,” says Di.

“Hopefully those paintings were a wall of flowing, joyful energy that metaphorically walked alongside the viewer for a short while.”

Di opened her South Bank Studios studio for North Yorkshire Open Studios on June 7, 8, 14 and 15. She will do so again for the NYOS Winter show on November 1 and 2, 11am to 4pm.

You can view her paintings at www.digomery.com and @digomery.

Orchestral Manoeuvres In The Dark to headline Futuresound’s first Live At York Museum Gardens concert next summer. Heaven 17 & China Crisis on bill too

ELECTRONIC new wave trailblazers Orchestral Manoeuvres In The Dark are the first headliners to be confirmed for Futuresound’s third summer of Live At York Museum Gardens concerts.

The Wirral synth-pop duo of Andy McCluskey and Paul Humphreys will be joined on OMD’s Summer Of Hits bill on July 9 bill by two fellow Eighties’ synth-pop luminaries, Sheffield’s Heaven 17 and Kirkby’s China Crisis.

Rising Newcastle-upon-Tyne singer-songwriter Andrew Cushin will open the show, on the back of supporting such acts as Noel Gallagher and Louis Tomlinson.

The York exclusive postcode presale (for postcode prefixes starting with YO1, YO10, YO19, YO23, YO24, YO26, YO30, YO31 and YO32) will go on sale from 10am tomorrow (29/10/2025). General sales will open at 10am on Friday (31/10/2025).

Formed in Meols, Merseyside in 1978 by McCluskey (vocals, bass guitar) and Humphreys (keyboards, vocals), Orchestra Manoeuvres in The Dark (aka OMD) combined chart success with electronic experimentation on albums such as February 1980 debut Orchestral Manoeuvres In The Dark, October 1980’s Organisation, 1981’s Architecture & Morality, 1983’s Dazzle Ships and 1984’s Junk Culture.

China Crisis in concert at The Crescent, York, in 2024

OMD have since released 1985’s Crush; 1986’s The Pacific Age; 1991’s Sugar Tax; 1993’s Liberator; 1996’s Universal; 2010’s History Of Modern; 2013’s English Electronic; 2017’s The Punishment Of Luxury and 2023’s Bauhaus Staircase.

Pioneering 1979 singles Electricity and Red Frame/White Light paved the way for 1980 chart breakthrough Messages, triggering a flow of synth-pop hits with Enola Gay; Souvenir; Joan Of Arc; Maid Of Orleans (The Waltz Of Joan Of Arc); Genetic Engineering; Locomotion; Talking Loud And Clear; Tesla Girls; So In Love; (Forever) Live And Die; Sailing On The Seven Seas; Pandora’s Box; Stand Above Me and Walking On The Milky Way, their last Top 20 entry in 1996.

In 1986, OMD conquered the United States when If You Leave led off the soundtrack to the hit rom-com film Pretty In Pink.

Orchestral Manoeuvres In The Dark last played York on October 27 2019 at York Barbican on their extended 40th anniversary world tour. That anniversary was marked by the reissue of their first four albums on 180g vinyl, housed in their original sleeve designs by Peter Saville.

Summing up five decades of OMD, McCluskey says: “Electronic music is our language. It’s how we talk.”

Children’s Halloween show of the week: Story Craft Theatre in Bat, Cackle And Pop!, York Theatre Royal Studio, October 29 to 31, 10.30am and 1pm

Story Craft Theatre’s Cassie Vallance, left, and Jane Bruce in Bat, Cackle And Pop!

WINIFRED the Witch thinks everyone has forgotten her birthday. Not so. There is, in fact, going to be one big surprise party, but first, a special birthday cake must be made.

“We just need the last three rather spooky ingredients,” say York company Story Craft Theatre’s Cassie Vallance and Jane Bruce. “Our 50-minute show is bubbling with all sorts of ghosts and ghouls – more silly than scary – and there’s plenty of opportunities to dabble in some spell making, as well as flying with luxury BAT Airways.

“This show always puts a smile on our face. We’ve had such amazing responses from both younger audiences, as well as their accompanying adults. It’s fun and engaging and reminds us that Halloween can be silly for everyone.” Suitable for ages three to eight. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Spooky! Cassie Vallance in Bat, Cackle And Pop!

Look at that birthday cake! Jane Bruce in Bat, Cackle And Pop!

Becky Hill to play Summer Music Saturday at York Racecourse on June 27 2026

The poster for Becky Hill’s Summer Music Saturday concert at York Racecourse next summer

BECKY Hill will perform at York Racecourse on Summer Music Saturday, June 27, in the second musical signing for the 2026 racing season. Tickets go on sale from today at www.yorkracecourse.co.uk.

The two-time BRIT Award winner for Best Dance Act, from Bewdley in the Severn Valley, rose to fame after reaching the semi-finals in the first series of  The Voice UK in 2012.

Singer and songwriter Hill, 31, topped the UK charts with debut single Gecko (Overdrive, with Oliver Heldens) and has since posted Top 20 hits with Back & Forth (with MK and Jonas Blue); Wish You Well (with Sigala); Lose Control (with Meduza and Goodboys); Better Off Without You (featuring Shift K3Y); Heaven On My Mind (with Sigala).

The hits continued with Remember (with David Guetta); My Heart Goes (La Di Da, featuring Topic); Run (with Galantis); Crazy What Love Can Do (with David Guetta and Ella Henderson); History (with Joe Corry) and Disconnect (featuring Chase & Status).

Hill has released two studio albums, 2021’s Only Honest On The Weekend (peaking at number seven) and 2024’s Believe Me Now? (reaching number three), preceded by her 2019 compilation Get To Know.

Racegoers can expect a high-energy performance on the “Glastonbury-style stage”, after seven races earlier in the afternoon, as part of Hill’s busy tour schedule for 2026.

James Brennan, head of marketing and sponsorship, says: “It is great news that Becky Hill is debuting on the Knavesmire: a performer who knows how to entertain. It will herald a month for music and racing fans to remember.”

Racing and music fans can take advantage of a price freeze on adult general admission on the racecourse website, meaning that entrance to the main Grandstand and Paddock enclosure starts at £40 per person for a group of six. As well as free car parking, no booking fees apply on this route to purchase.

The racing action will feature seven thoroughbred contests with combined prize money approaching £300,000. The Group Three feature race over seven furlongs will be the Al Basti Equiworld Dubai Criterion Stakes.

Tom Grennan is confirmed already for the York Racecourse Music Showcase Saturday on July 25, performing after that Saturday’s race card. Tickets are on sale.

For the announcement of July 24’s Music Showcase act, keep checking the racecourse website and CharlesHutchPress.