Ralf Little and Will Mellor: Two Pints with Will & Ralfpodcasters
PODCASTING actors Will Mellor and Ralf Little will play York Barbican on November 2 as one of 12 dates on the Greater Manchester duo’s November Nonsense: Two Pints Podcast Live tour. Tickets go on sale on Friday at 10am at ticketmaster.co.uk.
Mellor, from Bredbury, Greater Manchester, and Little, from Oldham, shared their comedic adventures in the TV bromance Will And Ralf Should Know Better on U&Dave in 2024, and they continue to present their antics and bantering wit on the weekly Two Pints podcast.
Looking forward to their third tour, Little says: “We absolutely love going on tour. Being on stage is such a buzz and with the crowd we have a right laugh. November can’t come soon enough.”
Mellor says: “Me and Ralf live on stage again, what could possibly go wrong? We absolutely love doing our live show and we just want everyone to come along, get involved and hopefully have a great time. Bring on November!”
For almost all “the Noughties”, Mellor and Little defined the voice of a generation in the BBC show Two Pints Of Lager & A Packet Of Crisps. A decade later, they reunited to launch the Two Pints podcast in May 2020, now into its fifth series of the duo chewing the fat with each other, fellow celebs and guests with fascinating stories to tell…all over two pints or sometimes a cup of tea.
November Nonsense is presented by Formidable and Live Nation promoters Cuffe and Taylor. Further Yorkshire gigs will be at the Victoria Theatre, Halifax, on November 19 (victoriatheatre.co.uk) and Sheffield City Hall on November 20 (sheffieldcityhall.co.uk).
“Me and Ralf live on stage again, what could possibly go wrong?” asks Will Mellor, right
James Iha, left, Jimmy Chamberlin and Billy Corgan of The Smashing Pumpkins: Playing Scarborough Open Air Theatre on August 13
AMERICAN alt. rockers The Smashing Pumpkins will play TK Maxx Presents Scarborough Open Air Theatre on August 13 on their Aghori Tour. Tickets will go on sale at 10am on Friday at ticketmaster.co.uk.
Billy Corgan, James Iha and Jimmy Chamberlin’s multi-platinum-selling band will be supported on the Yorkshire coast by Ealing post-punk revival band White Lies.
Since emerging from Chicago, Illinois, in 1988 with their iconoclastic sound, Smashing Pumpkins have sold more than 30 million albums worldwide and collected two Grammy Awards, seven MTV VMAs and an American Music Award.
Corgan, Iha and Chamberlin continue to fuse rock, pop, shoegaze, metal, goth, psychedelia and electronia into a kaleidoscope of melancholic melodies, fuzzy distortion, bombastic orchestration, incendiary fretwork, eloquent songcraft, and unshakable hooks.
Their back catalogue is highlighted by 1991’s platinum-selling Gish, 1993’s quadruple-platinum Siamese Dream, 1995’s diamond-certified Mellon Collie And The Infinite Sadness, 1996’s platinum Adore (1998) and 2000’s gold-selling Machina/The Machines Of God.
In 2023, The Smashing Pumpkins released ATUM, a rock opera presented in three acts, alongside a sold out North American tour. Only nine months later came Aghori Mhori Mei, their 13th studio album.
London guitar band White Lies topped the charts with their 2009 debut album To Lose My Life, leading to a BRIT Award nomination, a stadium tour with Coldplay, appearances on David Letterman and Later…With Jools Holland, and five further studio albums.
Julian Murray, venue programmer for promoters Cuffe and Taylor, says: “The Smashing Pumpkins have been at the forefront of alternative rock for more than 30 years and remain true standard bearers.
“We have had so many requests down the years from fans to bring them here, so we are delighted to announce this show. It’s going to be another incredible night here, which we know The Smashing Pumpkins’ legions of fans will absolutely love.”
Corgan and co also will perform at TK Maxx presents Live at The Piece Hall, Halifax, on August 12.
The Scarborough Open Air Theatre diary for 2025 now comprises: June 11, The Corrs and Natalie Imbruglia; June 13, Gary Barlow; June 14, Shed Seven plus Jake Bugg and Cast; June 20; Pendulum and their newly confirmed support act, Swedish rockers Normandie, June 21, Basement Jaxx and June 27, Snow Patrol.
Into July, when July 5 features The Script plus Tom Walker; July 6, UB40 featuring Ali Campbell plus Bitty McLean, July 10, Blossoms plus Inhaler and Apollo Junction; July 11, Rag’n’Bone Man plus Elles Bailey and Kerr Mercer; July 12, McFly plus Twin Atlantic and Devon; July 19, Craig David presents TS5; July 23, Judas Priest plus Phil Campbell & The Bastard Sons and July 26, Texas.
Faithless and Orbital are booked in for August 2, with further August additions expected from Cuffe and Taylor. Watch this space. To book tickets for the 2025 season, head to ticketmaster.co.uk.
Charlie Blanshard: Actor, Old York Theatre co-producer and writer of Jorvik. Picture: YellowBelly, London
EAST Yorkshire writer and actor Charlie Blanshard will present his debut full-length play, Jorvik, at Barley Hall, Coffee Yard, York, on February 17 as part of the 2025 Jorvik Viking Festival.
How pleasing to see a theatre show in a festival noted for its living history encampments, workshops, tours, traditional crafts, feasts, family events, boat burning, evening entertainment and dramatic combat performances.
“That’s why I’ve made the show,” says Old York Theatre co-producer Charlie, whose imposing 6ft 2 frame and long hair would have befitted Viking times.
“When I was studying at Rose Bruford College, I made a short Viking film called Snake-In-The-Eye, which we shot in the Allfather Hall in Valhalla, as my final work on my MA in Actor Performer Training course.
“Dr Chris Tuckley [Jorvik’s head of interpretation and learning] gave me historical advice for that project, and I reached out to him again with this play. He put me in touch with Abi at Jorvik; I presented the script and asked if there was any way I could do it at Barley Hall.”
The answer was yes, and now February 17’s 6pm and 7.30pm performances will lead off a northern tour that will take in The Brain Jar cocktail bar in Hull on February 19 and the Monks Walk Inn, where Charlie once worked, in Beverley on February 20, as well as crossing the Pennines to play a Manchester cabaret bar on February 18.
Jorvik, an immersive play set directly in the aftermath of the fall of Eoforwic to the Great Viking Army and its rebirth as Jorvik, will be staged in the Tudor Throne Room, the great hall at Barley Hall.
The company logo for Old York Theatre
What will “immersive” involve, Charlie? “Every audience member will be cast as a member of the Viking Army with plenty of opportunities to get involved if you want to,” he says. “Everyone is part of the moment. It’s not a play to be sat at the back with popcorn!”
Directed by co-producer Jack Chamberlain, Charlie takes the role of Ubbe, son of Ragnar and leader of the Viking army, playing opposite Oliver Strong’s Odin in the two-hander.
“The play leans heavily on the Viking mythos, rejoices in the fantastical and is delivered with the spirit of larger-than-life storytelling. We follow our protagonist, Ubbe, soaked in the blood of battle as he finds himself at a great banquet in his honour,” says Charlie.
“But in this mysterious throne room, not all is as it seems! Jorvik is a play about loss, faith, glory, family, love and celebrating life while we are still around to enjoy it. Expect big characters, song, fights and plenty of table banging.”
Defining Old York Theatre’s theatre style, Charlie says: “It’s theatre of myths and legends, legacy and mortality. We’re not focused on history; it’s storytelling about larger-than-life heroes and gods and focusing on their stories. Ultimately, we want people to come and have a good time and leave with a smile on their face.
“We tell the story in a mixture of styles, with moments of mythological verse and also modern language. It’s a mash-up to match the clash of two worlds, and every show will be different because each audience will add a unique element with their own story.
Oliver Strong: Welsh-born actor/co-producer and fight choreographer. Picture:YellowBelly, London
“It’s a performance that’s rooted in history and myth but lives and breathes today – and York is the perfect place for its debut because this is a city where history does live and breathe and you can experience the legends of times before.”
Born in Londesborough, in the Yorkshire Wolds, and raised in Hull, Charlie has been drawn to York since regular weekend family trips in his childhood. “It really does feel like home every time I come to the city,” he says.
“Even as a young child, it captured my imagination. From the city walls to historic pubs, you think, ‘who has walked these streets before me?’. ‘Who has sat before in these pubs?’ ‘If the walls had ears, what would they have heard? What victories were toasted here? What losses were mourned?” It’s a city that cannot deny its history.”
Old York Theatre’s motto is “Theatre company rooted in Yorkshire, for the world. Anywhere, anytime, any place”. Hence this month’s mini-tour heading to a great hall, a cabaret bar, a cocktail bar and a pub. “We hope to expand on that,” says Charlie.
“We also want to appeal both to people who’ve been to a theatre a thousand times and those who’ve never been. So we want to break down barriers for people to go to a theatre show, as well as those who go to see Chekhov and Shakespeare, which is why we’re doing the play in cocktail and cabaret bars.”
Living in Hull on his return from London, Charlie has worked with Middle Child theatre company, based in Hull Old Town, and now with Old York Theatre. “I want to make work for the North,” he says. “The northern theatre scene called me back to make new theatre, bringing northern stories to northern audiences and breaking down that barrier of theatre being London-centric.”
Old York Theatre in Jorvik, Barley Hall, Coffee Yard, York, Jorvik Viking Festival, February 17, 6pm and 7.30pm. Box office: https://jorvikvikingfestival.co.uk/events/jorvik-immersive-theatre/
Charlie Blanshard: the back story
Charlie Blanshard in his film Snake-In-The-Eye, shot in the Allfather Hall in Valhalla. Picture: Oli Towse
EAST Riding-born actor and writer, loud and proud of his Yorkshire roots. His passion for performance is lit by his desire to tell northern stories on screen and stage and shine a light on the many talented artists that call the North home.
Graduated from Rose Bruford College with MA in Actor Performer Training. Has since toured Europe with English Theatre Company, performed Shakespeare in Dubai on the QE2 and worked with many companies and individuals on his door step in Hull, including Middle Child.
His childhood visits to York awoke his love of history, with a particular fondness for the Vikings, Romans and Greeks, fuelling his drive to one day tell those stories.
“I could see the influence – the legacy – that these histories have left on this city. From street names to days of the week – undeniable heritage that has stood the test of time,” he says.
The myths and legends that still survive today captured his imagination. “The stories of epic quests and heroes spoke to the storyteller in me,” he says. “Over many years, I realised there was something deeper, beyond the stories. Really, at the root of it all is human connection and human struggle.
“We aren’t as different as we think to our ancestors. For example, our desires, while modern at a glance, are deeply rooted in that same human condition: The need to be remembered.
The tour itinerary for Old York Theatre’s Jorvik
” Instead of pursuing fame, success or social media status, the Vikings wanted infamy, songs, sagas and poems. A totally different era, but a comparable obsession with legacy. Jorvik is an exploration of this idea, a celebration of life, of family and the love we leave behind.”
He relishes the challenge presents for him as a writer, producer and actor by this project. Pushing himself into multiple different disciplines. Expanding his tool box to allow him to champion working in the arts in a northern city.
Training at a London drama school opened his eyes to the “disparity between the theatre industry in the North and the South”. “It is my firmly held belief that new, exciting and dynamic theatre should have a greater representation and be produced in the North,” he says. “Why must people have to travel far to see new, innovative and great theatre? Why don’t we bring it to them?”
Especially excited to be exploring the use of non-traditional theatre spaces. From Tudor halls to pubs. Anywhere, anytime. “I believe bringing live performance and theatre to these venues is really important,” he says.
“It opens up the world of performance to people not from a theatre background. It breaks boundaries and perceptions of what people think theatre is and removes barriers that prevent them seeing it.”
Did you know?
CHARLIE Blanshard is the narrator for Channel 5’s four-part documentary Bomb Squad: Trigger Point.
Freida Nipples: Hosting a cabaret night of burlesque exhibitionism in The Old Paint Shop at York Theatre Royal Studio
FROM exhibitionist burlesque to imaginative dance moments, wildlife illuminations to bend-and- snap musical empowerment, Charles Hutchinson finds February fulfilment.
Cabaret night of the week: Freida Nipples Presents…The Exhibitionists, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm
YORK’S very own internationally award-winning burlesque artiste Freida Nipples welcomes some of her favourite and most fabulous performance artists from across Great Britain and beyond to The Old Paint Shop’s flesh-flashing cabaret night.
“Get ready to be dazzled, shocked and in awe,” says Freida. “Only a few things are guaranteed: glamour, gags and giggles.” Box office: 01904 623568 or yorktheatreroyal.co.uk, for returned tickets only.
Chris Newman and Maire Ni Chathasaigh: Heading to Helmsley Arts Centre
Folk gig of the week: Maire Ni Chathasaigh and Chris Newman, Helmsley Arts Centre, tonight, 7.30pm
MULTIPLE award-winning, internationally renowned virtuoso harp and guitar duo Maire Ni Chathasaigh and Chris Newman return to Helmsley after playing to a full house there in December 2023.
County Cork harpist Chathasaigh and flat-picking guitarist, improviser, composer and record producer Newman have toured to 24 countries on five continents, playing venues ranging from village halls and town halls to palaces in Kyoto and Istanbul, from London’s Barbican to Cologne’s Philharmonia. Expect a fusion of traditional Irish music, hot jazz, bluegrass and baroque, spiced with new compositions and Newman’s subversive wit. Box office: 01439 771700 or helmsleyarts.co.uk.
Unstoppable! Evie Hart, Sean Moss, Hobie Schouppe, Juliette Tellier, Donny Beau Ferris, Risa Maki and Oliver Rumaizen in Jasmin Vardimon Company’s Now. Picture: Tristram Kenton
Dance show of the week: Jasmin Vardimon Company, York Theatre Royal, today, 2.30pm with post-show discussion and 7.30pm
NOW, a new creation by choreographer Jasmin Vardimon MBE, celebrates her company’s 25th anniversary in a work that reflects the current moment, the present, and the continuous movement of time in a terpsichorean toast to the beauty of imagination and art.
Rooted in her interest in contemporary lives, the structures of society and the ever-changing socio-political dynamics, Vardimon uses her distinctive dance theatre style to tell a story of our time with an international cast of performers and relevant and iconic moments from the Ashford, Kent company’s repertoire. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Jamie Walton: Cello soloist at York Guildhall Orchestra’s concert tonight at York Barbican. Picture: Matthew Johnson
Classical concerts of the week: Yorkshire Bach Choir, Bach To The Future, St Lawrence Parish Church, York, tonight, 7.30pm; York Guildhall Orchestra: Sibelius, Bloch, Tchaikovsky & Shostakovich, York Barbican, tomorrow, 3pm
PETER Seymour conducts Yorkshire Bach Choir on a choral journey through German polyphony, including music by Schutz, Johann Bach, JS Bach, Mendelssohn, Brahms and Rheinberger tonight. Professor Thomas Schmidt gives a pre-concert talk at 6.45pm. Box office: 01904 658338 or ncem.co.uk.
Jamie Walton, cellist and North York Moors Chamber Music Festival artistic director, will be the soloist for Ernst Bloch’s “rarely played, but utterly beautiful” Shelomo in tomorrow afternoon’s concert by the York Guildhall Orchestra. Sibelius’s Karelia Suite, Tchaikovsky’s Romeo And Juliet and Shostakovic’s Symphony No. 9 in Eb feature too in conductor Simon Wright’s programme. Box office: yorkbarbican.co.uk.
Dominic Halpin & The Hurricanes: Turning the Grand Opera House into a honky-tonk in downtown Nashville
Country gig of the week: A Country Night In Nashville, Grand Opera House, York, tomorrow, 7.30pm
DOMINIC Halpin & The Hurricanes re-create a buzzing honky-tonk in downtown Nashville, capturing the energy and atmosphere of an evening in the home of country music, featuring songs from its biggest stars both past and present: Johnny Cash to Alan Jackson, Dolly Parton to The Chicks, Willie Nelson to Kacey Musgraves. Box office: atgtickets.com/york.
Colour & Light: Illuminating York Minster with wildlife imagery
Illumination of the week: Colour & Light, York Minster South Transept, February 12 to March 2
THIS free outdoor event promises a “mesmerising projection” of famous and lesser-known stories of York’s animal world, from the peregrine falcons that call the Minster home and the foxes that roam the city after dark, to the horses on which the Romans rode into Eboracum and the legendary dragons carved into York’s history.
Colour & Light will run nightly from 6pm to 9pm with projections on a ten-minute loop. The final hour each evening will feature a designated quiet hour with reduced noise and crowd levels, ensuring everyone can enjoy the event. No tickets are required.
Pop Princesses : A fairytale epic adventure of pop hits and show favourites at the Grand Opera House
Children’s pop concert of the week: Pop Princesses World Tour, Grand Opera House, York, February 13, 6pm
IN a magical show where four fabulous fairytale princesses become pop stars on an epic adventure, they just love to sing the hits of Taylor Swift, Meghan Trainor, Miley Cyrus, Dua Lipa and Lizzo, complemented by a few of the best songs from all your favourite films and musicals. Box office: atgtickets.com/york.
Drag bingo agogo: Velma Celli’s Dragamama Bingo, Wagamama, Goodramgate, York, February 13, doors 6.30pm
YORK international vocal drag diva Velma Celli, alias West End musical star Ian Stroughair, has won the Best Cabaret prize at Perth Fringeworld 2024 – again! – Down Under. Next Thursday, Velma turns bingo caller for an evening of camp comedy drag bingo fun and games in Dragamama Bingo at Japanese restaurant Wagamama. Eyes down for a full house and a feast of Velma cabaret from 7pm to 9pm. Box office: https://tinyurl.com/4hmukk69.
Emma Swainston’s Elle Woods in York Light Opera Company’s Legally Blonde The Musical. Picture: Matthew Kitchen Photography
Musical of the week: York Light Opera Company in Legally Blonde The Musical, York Theatre Royal, February 13 to 22, 7.30pm nightly (except February 16) plus 2.30pm matinees on February 15, 20 and 22
JOIN Elle Woods, a seemingly ditzy sorority girl with a heart of gold, as she tackles Harvard Law School to win back her man. Along the way, Elle discovers her own strength and intelligence, “proving that you can be both a beautiful blonde and brilliant”.
Emma Swainston’s Elle Woods leads Martyn Knight’s 35-strong cast in this feel-good, sassy and stylish show with a powerful message about staying true to yourself, booted with music and lyrics by Laurence O’Keefe and Nell Benjamin and book by Heather Hach. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Festival of the week: National Parks Dark Skies Festival, North York Moors, February 14 to March 2
THIS year is the tenth anniversary of the Dark Skies Festival and where better to celebrate than on the North York Moors, one of only 21 locations in the world to be recognised for pristine, dark skies as an International Dark Sky Reserve.
Look out for Stargazing Experiences in Dalby Forest; Stargazing at Ampleforth Abbey; the Robin Hood’s Bay Dark Skies Ghost Walks; Evening Adventure Walks with River Mountain Rescue; a Night Navigation Experience with Large Outdoors; Dancing with The Long Dead Stars on a walk to Boggle Hole and plenty more. For full details, visit: darkskiesnationalparks.org.uk/north-york-moors-events.
Lu Mason’s rag rug Agitate Educate Organise, her spin on the “Educate, agitate, organise” slogan first coined by by the Social Democratic Federation, a British socialist organisation whose members included artist William Morris, in a 1883 pamphlet
CURATED by Bluebird Bakery, in Acomb, York, The Other Collective brings together the work of Lu Mason, Ric Liptrot, Rob Burton, Liz Foster and Jill Tattersall until March 13.
“These wonderful artists were all missed off the billing for York Open Studios 2025 and we felt that was a real shame,” says Bluebird boss Nicky Kippax. “So The Other Collective was born and we hope the work will get a lot of interest from our customers.”
Self-taught artist and retro DJ Lu Mason started making rugs in the early 1980s but stopped for nearly 25 years when she worked as an occupational therapist. She took up rug making again during the pandemic lockdown and has not looked back since. “I love using recycled materials and hessian and the simplicity of the materials and process,” she says.
“As an occupational therapist, some of the ‘just do it’ approach to creative activities – i.e. use what you’ve got, even if it isn’t perfect – has definitely crossed over to my own practice at home and in my studio.”
Lu applies her distinctive figurative shapes in her rag rugs, created with wool she has gathered together, and uses unusual media, from cut paper and recycled wool to Perspex and spray paint, in her towering mobiles, dramatic murals and installations and bold jewellery too.
“Be true to yourself, not what other people expect of you,” she says. “It takes time to find your own individual ‘style’, but actually every single thing you do will have your identity all over it.”
Lu made Royal Academy of Arts history in 2021 when her Magician work was the first rag rug to be displayed in the RA’s Summer Exhibition.
“I am a great believer in supporting the high street,” says artist Ric Liptrot
Ric Liptrot, whose parents ran a newsagents in Runcorn, has drawn buildings in York since moving here 15 years ago, now with a particular focus on shops, pubs and cafes in the city, not least on independent businesses on the eve of closure.
“I am a great believer in supporting the high street,” says Ric, whose original artwork is created using collage, acrylic paint, stencils and dip pen. “Limited-edition prints are available as well as greetings cards and calendars.”
Ric has just completed a residency at York Conservation Trust, where he was commissioned to paint five large plywood panels. Each panel focused on a quarter of central York with the fifth illustrating the “cultural” quarter. These panels now hang at De Grey House, in St Leonard’s Place, York.
Rob Burton: Celebrating colour, texture, fabric in layers of imagery
Rob Burton is a researcher, Teesside University academic and “critical artist”, working in textile art, whose research explores themes of memory, post-memory, hauntology*, identity and space, loss and transformation.
“My textile and fibre art practice textuality develops a conceptual dialogue between the innovative use of analogue, traditional approaches to making, and contemporary, emerging techniques and digital technologies,” says Rob.
He creates colourful printed textile, fabric and mixed-media artworks that represent the stories we tell. “Inspired by literature, iconography and personal stories, my latest works celebrate colour, texture, fabric in layers of imagery,” he says.
“In symbols, colours, shapes and digitally printed photographs, the unexpected often arises and visual tales arise.”
Liz Foster: Her work centres around ideas of memory and the passing of time
Born in Leeds in 1971 and now based near York, Liz Foster studied Fine Art (Drawing and Painting) at the Glasgow School of Art, later undertaking an MA at the University of Hull, where she researched visual perception theory in relation to contemporary painting practice.
“My work centres around ideas of memory and the passing of time, which I explore through the application of abstract imagery, repetition and animated mark-making,” says Liz, who uses colour with a playful and intuitive approach.
“My paintings are abstract, reflecting my thoughts, feelings and memories but not illustrating them. The material quality of the paint is equally as important as the theme and colour is always central to what I do.
“Painting is a fundamental expression of who I am, it is my language. I find joy in the materials and each work is a new adventure, posing questions and challenges that are limitless and fascinating.”
Liz has exhibited widely, including at the Royal Academy Summer Exhibition, London Art Fair, Royal Scottish Academy, Mercer Art Gallery, Harrogate, Ferens Gallery , Hull, and York Art Gallery. She has work in both public and private collections, selling within Great Britain and abroad, and she has been long-listed for the John Moores Prize twice.
The Shipping Forecast, Weather map, hand-made paper on marouflaged board, by Jill Tattersall
Jill Tattersall works from a studio just off The Mount, in York, that she calls The Wolf at the Door. “There is a Wolf, a large one,” she says.
She has done many exhibitions, projects and commissions. “My work’s all over the place, from Peru to Tasmania, even the official residence in Rwanda,” says Jill, who lived in Brighton before moving to York.
She has been part of open studio networks in various places, helping to run them too, and she will be taking part in North Yorkshire Open Studios for the first time in June, as well as holding a solo show at Bluebird Bakery, Acomb, from May 5 to the end of June.
“My main obsession is with patterns,” says Jill. “They’re all around us; we’re made up of them ourselves. Force meets counter-force and patterns emerge: coasts and weather systems, stars and galaxies, trees and blood vessels, maps and mazes. It’s where science and art intersect!
“I constantly experiment with materials and techniques, often using my own hand-made paper and water-based paints, inks, dyes and pigments to build up intense and glowing colour. Throwaway or reclaimed elements often sit side by side with gold and silver leaf. Value, price, worth…who decides.”
The Other Collective exhibition is on show at Bluebird Bakery, Acomb Road, Acomb, York, until March 13.
Exhibitions coming up at Bluebird Bakery in 2025, curated by Rogues Atelier artist, upholsterer and interior designer Jo Walton:
Printmakers, from March 13; Jill Tattersall, from May 8; Clare M Wood, from July 3; Mandi Grant, from August 28; Di Gomery, from October 23 and Donna Taylor, from December 18.
*What is hauntology?
IN the words of Wikipedia: “Hauntology is a range of ideas referring to the return or persistence of elements from the social or cultural past, as in the manner of a ghost.
“The term is a neologism, fusing ‘haunting’ and ‘ontology’, introduced by French philosopher Jacques Derrida in his 1930 book Spectres Of Marx.”
Robert Hayward as The Dutchman in Opera North’s The Flying Dutchman. Picture: James Glossop
LIKE a red rag to a bull, Wagner’s nautical traveller has provoked many concepts from opera directors. It was not an urge that Annabel Arden was able to resist, closely partnered by her designer Joanna Parker, in this new production.
Although sung in German, Act 1 opens in The Home Office, the government department responsible for processing those seeking asylum. Ocean views on a video during the overture have already conjured thoughts of desperate voyagers in tiny dinghies trying to cross the English Channel, so when we see a crowd of identically-suited bureaucrats, red-ribboned identity tags around their necks, buzzing busily against a backdrop of rapid-fire digital gobbledygook, it is all of a piece.
Myth and legend appear to have gone out of the window. Where is Daland’s boat, or the Dutchman’s for that matter? They never appear. Daland is the smug minister weathering the storms thrown into the path of the ship of state.
Layla Claire’s Senta, centre, with the ladies of the Chorus of Opera North in The Flying Dutchman. Picture: James Glossop
It is true that when the Dutchman’s vessel should be putting into port, a crane-load of nautical gear is lowered onto the central table, as if it were the dockside. Above this are two thin metal curtains, cut on an angle, which could well be interpreted as sails.
In truth, there has been some inkling of this twin-layered approach: before the overture, and at the start of the other two acts, the recorded voices of actual refugees speak in broken English of the trials they have endured on their way to this country.
These two strands, myth and modernity, are uneasy bedfellows throughout the evening. Alarm bells always ring when it takes several well-reasoned essays and interviews in a 50-page programme-book (not read by many of the punters, certainly not in advance) to explain and justify any departure from what the composer envisaged.
Robert Hayward as the Dutchman and Layla Claire as Senta in The Flying Dutchman. Picture: James Glossop
It is entirely possible that first-timers at Holländer find it all convincing or are simply not bothered; more experienced listeners will be at the very least bewildered. But that’s all part of the fun.
There are multiple compensations in the music. Music director Garry Walker seems to have stepped straight into the Wagnerian mantle he inherited from Richard Farnes. His strings are immediately on fire – one rapid run is positively spine-tingling – and there is steely determination in the brass calls.
But he also allows the score to breathe, which suits his principals admirably. Robert Hayward’s Dutchman cuts an androgynous figure on first appearance, long straggly hair, a necklace and seemingly a dress under his long cloak – until he opens his mouth and the full world-weariness flows such as no other baritone can match. His career in Leeds alone stretches back well over 30 years. He is still in imperious voice at the finish.
Layla Claire’s Senta and Edgaras Montvidas’s Erik/Steersman in The Flying Dutchman. Picture: James Glossop
Clive Bayley, another familiar face in these parts, revels in taking off his ministerial role as Daland, injecting humour with subtle inflexions. Edgaras Montvidas doubles excellently as Erik and the Steersman, finding a Lied-style Sehnsucht in Erik’s Act 2 aria but a biting vitriol at Senta’s rejection.
Layla Claire was unable to sing on this opening night but acted an emotionally immature Senta prostrated by her infatuation with immense conviction. Mari Wyn Williams sang the role from the side with considerable charm, reserving extra heft for the dénouement. Molly Barker, stepping up from the chorus, makes her mark as Mary.
The final showdown between the two crews takes place at a civil-service shindig with the Dutchman behind the bar at first, before he climbs onto it for his peroration. But the chorus is so thrilling there is no need to reason why.
Review by Martin Dreyer, 1/2/2025
Further performances in Leeds until February 21, then on tour until March 28, full details at www.operanorth.co.uk. Leeds box office: 0113 243 0808 or leedsheritagetheatres.com.
The Chorus in Opera North’s The Flying Dutchman at Leeds Grand Theatre. Picture: James Glossop
Untitled 7, by Neil Bunting, from the Outsider Inside York exhibition at the Art Of Protest Gallery in York
OUTSIDER Inside York, an exhibition of words and pictures at the Art Of Protest Gallery, York, celebrates the diverse voices of five artists who have used creativity to reshape their lives.
Challenging the status quo, this month’s show at the Walmgate art space reveals art’s transformative power in overcoming adversity
Taking part are Boxxhead, alias York mixed-media artist Kevin McNulty; former British Army soldier and PTSD sufferer Kevin Devenport, who began painting as a form of self-expression while in prison for drug offences, and Peter Stapleton, who discovered a gift for painting in oils after 22 years behind bars.
On show too is work by the late neurodivergent artist and musician Neil Bunting, who died last year, having struggled with mental health issues and personal loss throughout his life and never exhibited in his lifetime.
Their works are complemented by poems by Geoff Beacon, whose latest collection, Foreboding, engages with activism and politics in York.
Gallery founder and curator Craig Humble says: “We are excited to present Outsider Inside York, a dynamic new group exhibition that examines the power of art as catharsis and resistance. The show features a selection of artists whose works defy mainstream artistic conventions and explore the role of visual art and written words in activism.
“Outsider Inside York celebrates individuals whose unique personal experience – ranging from life in prison and military service to neurodivergence – have shaped their creativity.”
The concept of “Outsider Art” traces its roots to French artist Jean Dubuffet, who in 1945 coined the term “Art Brut” to describe art produced outside the boundaries of traditional culture. “Today, Outsider Art remains a vital form of expression for those challenging societal norms,” says Craig.
“Outsider Inside York is a platform for UK-based artists whose diverse stories offer new perspectives and reveal art’s transformative power in overcoming adversity. We invite viewers to engage with a range of art that is both deeply personal and universally resonant.”
Featured artists
Kevin McNulty aka Boxxhead
Aura2, by Boxxhead, from Outsiders Inside York exhibition at Art Of Protest Gallery
BOXXHEAD, the pseudonym of York mixed-media artist Kevin McNulty, is known for his expressive works that combine screen prints, large-scale original pieces on canvas and paper. His Aura collection, showcased in 2023 at Art Of Protest, reflected his personal experiences living with epilepsy, capturing the challenges of navigating the modern world with a neurological condition.
Drawing influence from Neo-Expressionism, Surrealism and figures such as Einstein, Boxxhead’s art blends stencilled layers, automatic mark-making and hand-drawn images. His child-like approach to complex social and political issues presents unfiltered narratives that speak to a 21st-century audience, fusing words and images with raw emotion and provocative insight.
Kevin Devenport
“Through The Barricades is our Valentine’s release by ex-soldier and PTSD sufferer Kevin Devenport, who served in Northern Ireland in the latter stages of the conflict,” says Art Of Protest curator Craig Humble. “The experience was formative for him and had a great effect on his life after he left the army. The narrative of love conquers all is often at the heart of Kevin’s work. There will only be 20 of these pieces available for £75 unframed or £175 framed to conservation standards”
KEVIN Devenport’s gateway into the art world began while serving a prison sentence for drug offences. After years in the British Army, including active tours in Northern Ireland, Kevin was diagnosed with PTSD, which led him to prison and, ultimately, to painting as a form of self-expression.
Despite lacking formal artistic qualifications, Kevin’s work has received national acclaim, including the Koestler Award for painting and prestigious recognition such as the Leonardo de Vinci International Artist Award and the Olympic Art Prize.
Property of HMP, by Peter Stapleton
Peter Stapleton
PETER Stapleton’s creativity began unexpectedly behind prison walls. After spending 22 years incarcerated, including at HMP Full Sutton, near York, Peter discovered a previously unknown ability for painting during a prison art class on the day of a visit by Home Secretary Michael Howard.
Given a canvas and paints, because the tutor had run out of pencils, Peter’s first-ever painting was recognised instantly as a skilled reproduction of an image in a magazine.
During the latter part of his latest sentence after a long record for armed robbery, Peter, from Manchester, completed a Fine Art Degree focusing on oil painting. His art practice has developed ideas and questions of masking and the role of institutions in forming the type of people we are believed to be.
“He had never painted or drawn in his life, where, in the circumstances he had grown up in, he knew only crime, but he turned out to be a natural,” says Craig Humble. “Now he paints photo-realistic corridors, almost abstract in style, striking a balance between prisons’ obsession with polishing floors while the structures of these institutions are falling all around them.”
Neil Bunting
NEIL Bunting, who passed away in 2024, left behind a creative echo of his life through art and music. Having struggled with mental health issues and personal loss throughout his life, Neil found solace in creating intricate visual art and composing music. His works offer insight into his internal world and how he used his creativity to balance challenges he faced living in this world.
His music compositions aired on BBC Radio 6 Music and although his unique artwork inspired those who saw it, none of the work was ever exhibited in his lifetime.
“Last year, not long before his death, I was approached by a retired social worker who had worked with Neil and had collected some of his pieces,” says Craig Humble. “She wanted to share his work with the public and she thought that out of all the galleries in York, we might be interested.
“We first met in May – I never met Neil, who passed way last summer – and I felt his work would be perfect for this show at the beginning of 2025.”
A proportion of sale proceeds will be donated to the I Am Reusable community food bank in York, with plans being put in place to also donate to a drug and alcohol services charity in Scarborough, where Neil’s sister, Christine Tipple, lives.
Geoff Beacon
The cover artwork for the paperback edition of Geoff Beacon’s Foreboding: Poems 1992 To 2024
GEOFF Beacon’s poetry journey began in 1992 with a friendly competition with his daughter, later leading him to write for Longman’s Mapping Awareness magazine.
Geoff’s work is engaged deeply with activism and local politics, particularly in York, where he has become a well-known figure. His latest poetry collection, Foreboding, brings together his poems from 1992 to the present day, offering a voice for social change and reflecting the ongoing human experience through powerful, politically charged language.
“Geoff has been a friend of the gallery by way of a witty quip and friendly face since we relocated to Walmgate five years ago,” says Craig Humble. “Geoff is an activist who uses many avenues to advance progressive conversations.
“As well as the traditional avenues around politics, Geoff also write polemic poetry. The sort of poetry that sits well with our gallery. Like our visual arts, Geoff writing can’t be ignored.
“Whether the reader agrees with the sentiment or goals isn’t so important, rather than it inspires thought, investigation and conversation.”
Outsider Inside York – An Exhibition of Words and Pictures, Art Of Protest Gallery, Walmgate, York, on show until February 16. Opening hours: Monday to Friday, 11am to 6pm; Saturday and Sunday, 10am to 5pm.
Untitled 7, by Neil Bunting, from Art Of Protest’s Outsider Inside York exhibition
A DANDY giant, outsider art, drag bingo and Cuban rhythms light up Charles Hutchinson’s early February diary.
Exhibition of the week: Outsider Inside York – An Exhibition of Words and Pictures, Art of Protest Gallery, Walmgate, York, on show until February 16
OUTSIDER Inside York celebrates the diverse voices of five artists who have used creativity to reshape their lives and challenge the status quo, revealing art’s transformative power in overcoming adversity.
Taking part will be Boxxhead, alias York mixed-media artist Kevin McNulty; former British Army soldier and PTSD sufferer Kevin Devenport, who began painting as a form of self-expression while in prison for drug offences; Peter Stapleton, who discovered a gift for painting in oils after 22 years behind bars, and late neurodivergent artist and musician Neil Bunting, who died last year, having struggled with mental health issues and personal loss throughout his life and never exhibiting his work in his lifetime. Their works are complemented by poems by Geoff Beacon, whose latest collection, Foreboding, engages with activism and politics in York.
Jennifer Jones’s Belle in Joseph Rowntree Theatre Company’s Beauty And The Beast at the Joseph Rowntree Theatre
Fairytale of the week: Joseph Rowntree Theatre Company in Disney’s Beauty And The Beast, Joseph Rowntree Theatre, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee
THE Joseph Rowntree Theatre Company presents the timeless tale of Belle (Jennifer Jones), a young woman in a small provincial town, and the Beast (Adam Gill), a prince trapped under the spell of an enchantress. The Beast must learn to love and be loved in order to break the spell, but time is running out in this Disney musical adventure.
Further principal roles in Kathryn Lay’s cast go to Jim Paterson as Gaston; Tom Mennary, Lumiere; Paul Blenkiron, Maurice; Helen Barugh, Madame de la Grande Bouche; Heather Stead, Babette, and Anthony Gardner, Cogsworth. Box office: 01904 501935 or josephrowntreetheatre.co.uk.
Meet The Smartest Giant In Town in Little Angel Theatre’s show at the Grand Opera House, York
Children’s show of the week: Little Angel Theatre in The Smartest Giant In Town, Grand Opera House, York, today, 10am and 1pm
GEORGE wishes he were not the scruffiest giant in town. When he sees a new shop selling giant-sized clothes, he adopts a new look: smart trousers, smart shirt, stripy tie, shiny shoes. Now he is the smartest giant in town…until he bumps into some animals that desperately need his help – and his clothes!
So runs Little Angel Theatre’s latest puppet-filled stage adaptation of a typically heart-warming Julia Donaldson and Axel Scheffler picture-book tale of friendship and helping those in need. Box office: atgtickets.com/york.
The poster artwork for Just Us & A Piano at Helmsley Arts Centre
Fundraiser of the week: Just Us & A Piano, Songs From Musical Theatre Broadway and the West End, Helmsley Arts Centre, tonight and Friday, 7.30pm
JULIE Lomas and pianist Neil Bell bring together a grand piano and an ensemble of 1812 Theatre Company singers to celebrate the world of musical theatre to raise much-needed funds for Helmsley Arts Centre.
Songs from the Broadway classics of George Gershwin, Cole Porter, Jerome Kern and Richard Rodgers through to Cabaret, Wicked, My Fair Lady, Les Miserables, Hamilton and Andrew Lloyd Webber will be performed by Amy Gregory, Esme Schofield, Joe Gregory, Julie Lomas, Kristian Gregory, Natasha Jones, Oliver Clive and Phye Bell. Box office: 01439 771700 or helmsleyarts.co.uk.
Beverley Beirne: Fronting her trio at The Old Paint Shop on Friday
Jazz gig of the week: The Beverley Beirne Trio, The Old Paint Shop, York Theatre Royal Studio, Friday, 8pm
BEVERLEY Beirne sings songs of hope, passion, of living life to the full, of day dreaming, regret, love lost and love found and ultimately of dancing through the game and rhythm of life from Dream Dancer, long-listed for a Grammy Best Jazz Vocal Album.
Listen out for interpretations of David Bowie’s Let’s Dance, Let’s Face The Music And Dance and a bluesy take on The Clash’s Should I Stay Or Should I Go. Box office: 01904 623568 or yorktheatreroyal.co.uk.
Drag diva deluxe at the double: The Velma Celli Show, Impossible York Wonderbar, St Helen’s Square, York, Friday, doors 7pm, show time 8pm to 10pm; Dragamama Bingo, Wagamama, Goodramgate, York, February 13, doors 6.30pm
YORK international vocal drag diva Velma Celli, alias West End musical star Ian Stroughair, has won the Best Cabaret prize at Perth Fringeworld 2024 – again! – in Australia. On Friday, Velma returns to her regular York joint for a night of sassy song and saucy badinage. Box office: https://tinyurl.com/24s4yyjt.
Next Thursday, Velma turns bingo caller for an evening of camp comedy drag bingo fun and games in Dragamama Bingo at Japanese restaurant Wagamama. Eyes down for a full house and a feast of Velma cabaret from 7pm to 9pm. Box office: https://tinyurl.com/4hmukk69.
York Latinos: Celebrating Cuban music and culture at The Milton Rooms, Malton
Cuban celebration of the week: York Latinos, A Night of Latin Music and Dance, Milton Rooms, Malton, Saturday, 8pm
YORK Latinos pay homage to the traditional rhythms of their homelands while infusing them with contemporary flair in a celebration of Cuban music and culture featuring a dancer from Havana.
Specialising in a variety of Latin genres, they blend the vibrant beats of salsa and the soulful melodies of Cuban Son, complemented by Merengue, Bachata and Cumbia. Box office: 01653 696240 or themiltonrooms.com.
Chris Newman andMaire Ni Chathasaigh
Folk gig of the week:Maire Ni Chathasaigh and Chris Newman, Helmsley Arts Centre, Saturday, 7.30pm
MULTIPLE award-winning, internationally renowned virtuoso harp and guitar duo Maire Ni Chathasaigh and Chris Newman return to Helmsley after playing to a full house there in December 2023.
County Cork harpist Chathasaigh and flat-picking guitarist, improviser, composer and record producer Newman have toured to 24 countries on five continents, playing venues ranging from village halls and town halls to palaces in Kyoto and Istanbul, from London’s Barbican to Cologne’s Philharmonia. Expect a fusion of traditional Irish music, hot jazz, bluegrass and baroque, spiced with new compositions and Newman’s subversive wit. Box office: 01439 771700 or helmsleyarts.co.uk.
PAUL Hendy, award-winning Evolution Productions writer and director, is a familiar name in York from his five pantomime collaborations with the Theatre Royal.
Now, his new play The Last Laugh, premiered at last summer’s Edinburgh Fringe, will play the Grand Opera House from June 10 to 14 after a West End run in London.
Penned and directed by Hendy, the play re-imagines the lives of three of Great Britain’s greatest comedy heroes, Tommy Cooper, Eric Morecambe and Bob Monkhouse, in a nostalgic show replete with gags, badinage and poignant stories.
The tour is being mounted by Evolution Productions in tandem with producer Jamie Wilson, the impresario behind tours of Sister Act The Musical and The Devil Wears Prada. “Jamie flew up on the last day of our sold-out Edinburgh Fringe run at the Assembly Rooms and nudged me to say ‘we’re taking this to the West End’,” recalls Paul. “I knew I had something that people were responding to. The reaction was overwhelming.”
Jamie says: “The young team here at JWP were bowled over by the relevance of their timeless comedy and after seeing it myself in Edinburgh, I just knew it had to have a further life so many more people could experience it.
“What is so brilliant about this play is the audiences who love and remember Eric, Tommy and Bob will be able to relive their comedy greatness, and those that don’t will be introduced to the genius of these national treasures. I’m so pleased these icons will be back on stage for audiences to enjoy.”
The Last Laugh will run at the Noel Coward Theatre, London, from February 25 to March 22 before heading out on tour in June.
In the cast will be Bob Golding as Eric Morecambe, after his Olivier Award-nominated portrayal of Eric in the West End hit Morecambe at the Duchess Theatre; Sheffield Lyceum pantomime dame Damian Williams as Tommy Cooper, after starring in the tour of Being Tommy Cooper, and actor and impressionist Simon Cartwright as Bob Monkhouse, fresh from appearing as York-born Frankie Howerd in the UK tour of Howerd’s End.
Why feature Monkhouse, rather than Howerd as the third comedy legend in The Last Laugh, Paul? “When you see it, it will make sense. Ultimately it’s a show about comedy, but more than that, the life and death of three contrasting comedians, gathered in a dressing room to talk about life, death and comedy, with their three differing approaches to comedy” he says.
“Tommy Cooper was a natural comedian. That was almost a curse as people would just laugh in his presence. He was an innate comedian: whatever he did was funny.
Damian Williams’s Tommy Cooper, left, Bob Golding’s Eric Morecambe and Simon Cartwright’s Bob Monkhouse in The Last Laugh. Picture: Pamela Raith
“Eric was born funny but he needed writers, whereas Tommy didn’t: even a rubbish Tommy joke would get a laugh!
“Bob Monkhouse – who I met, what a lovely man – was not a naturally funny man but he really understood comedy and was a scholar of comedy, working a joke down to the minimum number of words, and polishing it, to make it work.
“Bob was fascinated by how Tommy Cooper was naturally funny; he would say, how do you do it?’, and Tommy would say, ‘I just do’. Eric was in the middle, so funny but requiring material.”
The Last Laugh lets them have fun together. “It was interesting to see how the three of them would work off each other,” says Paul. “I’d already done a 20-minute film version, which did really well on the film circuit in 2017, winning a Best Film award in Manchester and at the Los Angeles Independent Film Festival, and I’d always thought there was more to be mined, more to be explored.
“I analyse how comedy works for my play and panto scripts – I’m a massive Eric and Tommy fan, but I’m more like Bob in working out how comedy works, and that’s what they’re talking about in this play. What do they do when they get a laugh and then chase the next one and why do they do that?
“They were three people at the top of their game undoubtedly, which is why there’s still a lot of love for them. Tommy and Eric died within six weeks of each other 40 years ago and yet here we are, still discussing them. Is there anyone today who will have that lasting impact? Maybe Peter Kay.”
Paul wrote The Last Laugh expressly for Golding, Williams and Cartwright. “Damian is a great friend who I direct each year in the Sheffield Lyceum pantomime, where he’s been the dame for 17 years,” he says.
“Bob plays panto dame too in St Albans, and they both have as much passion for these comedians and the world they’re in as I do. We’ve all read the books, so this show is done with love. Simon was incredible in Howerd’s End, and he’s wonderful in this show too.”
The Last Laugh will be bound for the Brits Off Broadway season in New York, but as for old York, why is Paul’s play playing the Grand Opera House, not the Theatre Royal? “It came down to availability when Jamie Wilson was putting the tour together,” he says.
Last question, Paul: who has the last laugh in The Last Laugh? “I don’t want to give it away,” he says. “You’ll have to see it to find out! But it’s a good expression for what they do, with three comedians each trying to top each other as they always do.”
Jamie Wilson Productions and Emily Wood for Evolution Productions present TheLastLaugh, Grand Opera House, York, June 10 to 14, 7.30pm plus 2.30pm Wednesday, Thursday and Saturday matinees. Box office: atgtickets.com/york.
Just like that….and that…and that in Paul Hendy’s The Last Laugh
BRITISH electronic music pioneers Faithless and Orbital will unite for a night on the Yorkshire coast on August 2 at TK Maxx presents Scarborough Open Air Theatre.Tickets go on sale at 10am on Friday at scarboroughopenairtheatre.com.
Orbital – aka brothers Phil and Paul Hartnoll, from Otford, Kent – will open the double bill before headliners Faithless take to the stage at Great Britain’s biggest outdoor concert arena.
Almost 30 years since releasing 1996 debut album Reverence, Faithless continue to deliver boundary-breaking dance music. Rollo Armstrong, Sister Bliss and Maxi Jazz’s London band have sold more than 20 million albums, including 17 Top 40 singles and six top ten albums (three peaking at number one), while amassing more than a billion streams.
Among their UK top ten singles are Salva Mea, We Come 1, One Step Too Far, Mass Destruction, Insomnia and God Is A DJ.
Last year, Faithless returned to the live arena after an eight-year hiatus to play sold-out shows across Europe.
At the seaside: Orbital’s Phil and Paul Hartnoll
In the mid-1990s, Orbital reinvented the notion of what a dance act could do live, turning multitudes of rock fans on to the limitless pleasures of electronic music.
They have crafted a catalogue of ambitious yet accessible music, informed by a wide range of genres from ambient and electro to punk and film scores.
Since breaking through with their landmark 1990 Top 20 hit Chime, Orbital have released ten studio albums, including 1993’sOrbital 2 and 1996’s In Sides. Their most recent release, 2023’s Optical Delusion, included furious lead single Dirty Rat, a collaboration with Sleaford Mods.
Faithless and Orbital join Basement Jaxx, Pendulum, Craig David, Rag’n’Bone Man, Snow Patrol, Judas Priest, Blossoms, Shed Seven, Texas, UB40 featuring Ali Campbell, The Corrs, Gary Barlow and The Script among the artists confirmed for the summer ahead at Scarborough OAT.
