Category: Breaking News

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No Horizon looks for a new horizon after tour postponed in Coronavirus shutdown

Adam Martyn: partially sighted actor playing the blind scientist Nicholas Saunderson in No Horizon, pictured in rehearsal

RIGHT Hand Theatre’s No Horizon, a musical celebrating a blind Yorkshire science and maths genius, is no longer on the horizon at York Theatre Royal. Exit stage left the April 9 and 11 performances under the Coronavirus shutdown.

However, the No Horizon team say: “Sadly, though we will be pausing our adventure for now, our No Horizon journey is far from over. When we are back – and we truly mean when, not if – we will be bigger and better than ever.

“This has been an amazing rehearsal process and although this [situation] is a hurdle, we will overcome this. Here’s to the future of the show and we are sure that the best is yet to come.”

No Horizon’s 2020 tour was to have opened at The Civic, Barnsley, on March 20. Now, the progress towards a new horizon can be followed at nohorizonthemusical.com and on social media.

The musical tells the life story of Nicholas Saunderson, a blind scientist and mathematician from Thurlstone, West Riding, who overcame impossible odds to become a Cambridge professor and friend of royalty.

Often described as an 18th century Stephen Hawking, Saunderson was born on January 20 1682, losing his sight through smallpox when around a year old. This did not prevent him, however, from acquiring a knowledge of Latin and Greek and studying mathematics.

As a child, he learnt to read by tracing the engravings on tombstones around St John the Baptist Church in Penistone, near Barnsley, with his fingers.

No Horizon premiered at the 2016 Edinburgh Fringe, going on to draw an enthusiastic response from BBC Radio 2 presenter Chris Evans, who called it a “Yorkshire Les Mis”.

Next month’s York Theatre Royal shows would have been part of a now stalled northern tour of a 2020 adaptation “with a fresh look” by Right Hand Theatre, a company passionate about diversity and inclusivity within theatre.

Consequently, the 2020 cast has a 50/50 male/female balance, with the credo of delivering the show in a gender-blind way with a female Isaac Newton, for example. Both the director and lead actor are visually impaired.

Leading the company in rehearsals, in the role of Saunderson, has been the partially sighted Adam Martyn, from Doncaster, who trained at Liverpool Institute of Performing Arts (LIPA).

Alongside him have been Yorkshire born-and-bred, Rose Bruford College-trained Larissa Teale in the female lead role of Abigail; Tom Vercnocke as Joshua Dunn; Louise Willoughby as Anne Saunderson; Matthew Bugg as John Saunderson; Ruarí Kelsey as Reverend Fox; Katie Donoghue and Olivia Smith as Company.

In the production team are director Andrew Loretto; vocal coach Sally Egan; movement directors Lucy Cullingford and Maria Clarke; costume designer Lydia Denno; costume maker Sophie Roberts; lighting designer David Phillips and tour musical director David Osmond.

No Horizon’s 2020 northern tour has been co-commissioned by Cast, Doncaster and The Civic, Barnsley and supported by Sheffield Royal Society for the Blind, with funding from Arts Council England and Foyle Foundation.

York Theatre Royal box office will contact ticket holders for refunds.

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Remember Alan Bennett’s The Habit Of Art at York Theatre Royal? Now it’s online

Matthew Kelly as York-born poet W H Auden when Alan Bennett’s The Habit Of Art was rehearsed and staged at York Theatre Royal in August and September 2018. Picture: James Findlay

YORK Theatre Royal’s 2018 co-production of Alan Bennett’s The Habit Of Art has been made available to stream by OriginalTheatre Online.

Directed by Philip Franks, a second British tour was due to start this month with Matthew Kelly and David Yelland reprising their roles of poet W H Auden and composer Benjamin Britten.

However, both the tour and a trip to New York for the Brits Off Broadway have been scrapped after the Coronavirus pandemic lockdown.

In turn, this has prompted The Original Theatre Company, the Theatre Royal’s co-producers, to release the production online.

Matthew Kelly as W H Auden and David Yelland as Benjamin Britten in The Habit Of Art, now available to stream through Original Theatre Online

Leeds playwright Bennett’s The Habit Of Art imagines a 1972 meeting between friends and collaborators Auden and Britten – their first in 30 years – where they mull over life, art, sexuality and death.

What drew Matthew Kelly to playing York-born Auden? “He has a razor-sharp wit and we have a very similar outlook about work which is the habit of art. I am the same,” he says.

“I have to keep working – I’m nearly 70 [his birthday falls on May 9] – not  because I need the money, but because the theory comes into play that the longer you hang on, the longer you will hang on. Otherwise you fall off the perch.”

The Habit Of Art requires Kelly to play an actor playing an actor playing a real-life person. If this sounds confusing, “No, it actually clarifies things,” says Kelly, clarifying things.

Philip Franks, director of The Habit Of Art, who also directed Shakespeare’s Rose Theatre in The Tempest in York last summer

“It’s a very clever device because it means you can be funny about what you do, you can comment on it and you can explain stuff. You can come out of the play Caliban’s Day, which the actors are rehearsing, and then it’s a play about the fictional meeting of Auden and Britten. 

“What’s wonderful about Bennett’s play is, not only have you got the finest composer of our time and the finest poet of our time, but you also, in my opinion, have the greatest playwright of our time.” 

Kelly continues: “So, you’ve got all those words being sewn together by our greatest playwright, who’s kind, accessible, very erudite and talks about sex in a very earthy way.

“He also gives a voice to the unregarded, who don’t usually have a voice. Generally, the great people, the stars of our time, get the final word and the people who look after them, what are commonly called ‘the little people’, really don’t get any say at all. They are the forgotten heroes who nurtured these stars.”

“He’s terribly kind and encouraging, which I love,” says Matthew Kelly of The Habit Of Art playwright Alan Bennett

Former Stars In Their Eyes presenter Kelly completed a hattrick of Bennett roles with The Habit Of Art, having appeared as unconventional teacher Hector in The History Boys in 2013 and Czech author Franz Kafka in Kafka’s Dick, opposite his son Matthew Rixon, as a younger Kafka, at York Theatre Royal in March 2001.

“We were hoping Alan Bennett would come to York because he lives in Leeds and it’s only a hop and a skip away, but he didn’t come,” recalls Kelly.

“A couple of years later, I met him at Heathrow and he came up to me and apologised for not coming to the York production. He was terribly kind about it. “Years later, I did The History Boys in Sheffield, then Kafka’s Dick again in Bath. On both those shows he sent champagne and a Good Luck postcard.

“He always knows what’s going on and he’s terribly kind and encouraging, which I love. The great thing about Alan is he’s very supportive of all productions, although he doesn’t go and see them.”

Original Theatre Online is streaming a second touring production too: Ali Milles’s The Croft, starring Gwen Taylor and again directed by Franks. Both that show and The Habit Of Art can be streamed any time until June.

“We are thrilled to be able to share these brilliant shows digitally: our own theatre without walls,” says The Original Theatre Company director Alastair Whatley.

Alastair Whatley, artistic director of The Original Theatre Company, says: “We know how disappointing it has been to our audiences, cast, creatives and Original Theatre to have to close our shows. We are thrilled to be able to share these brilliant shows digitally: our own theatre without walls. 

“However, the Original Theatre Company operates with no Arts Council support and relies almost solely on the box-office takings. With our two productions of The Habit Of Art and The Croft both out on national tours, the immediate cancellations are financially devastating for us.

“But we are determined, wherever possible, to meet our financial commitments made to our actors, stage managers and suppliers, who are all dependent on us to survive the coming months.  

“Every penny we make through this online release will go to the people who helped make this show, who now find themselves in a hugely precarious financial position.”

Both plays are free to watch although The Original Theatre suggests a minimum donation of £2.50. 

For full streaming details, visit originaltheatreonline.com.

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Elvis show The King Is Back will be back in the building in April 2021 at York Barbican

“The show I do is pretty much all of Elvis’s eras,” says The King Is Back tribute act Ben Portsmouth

ELVIS is making another comeback…in 2021.

The King Is Back, Ben Portsmouth’s tribute show, will be back at York Barbican on April 9 next year.

Berkshire singer Portsmouth was last in the building with his Elvis Presley act on December 20 2019. Tickets for his return are on sale at yorkbarbican.co.uk or on 0203 356 5441.

Portsmouth and his band Taking Care Of Elvis have been taking care of Elvis tribute business for a dozen years in a show built around “a little less conversation, a lot more action, please”.

“The show I do is pretty much all of Elvis’s eras,” he says. “So, from the Sun Studio to his movie years. Then I’ll do the 1968 comeback with the leather outfit.

Portsmouth to York: Ben Portsmouth confirms York Barbican concert next spring

“The first half is more like a story of Elvis’s life and what he was doing in his career at the time. The second half is just like an Elvis Seventies’ concert.”

In pursuit of authenticity to the maximum, all of Portsmouth’s Elvis outfits are flown over from the United States, with the peacock jumpsuit being his favourite.

In August 2012, Portsmouth made Elvis history when he became the first act from outside the United States to win the annual Elvis Presley Enterprises “Worldwide Ultimate Elvis Tribute Artist”, held in Memphis, Tennessee.

Portsmouth loves the Elvis voice, the look, the stage charisma, his humour, but more than that. “He was just a people person,” he says. “He was just a simple country boy who liked his cars, his food and all the rest of it.”

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On World Theatre Day, York Theatre Royal looks outwards to say We Pull Together

Marketing officer Olivia Potter’s We Pull Together poster at York Theatre Royal,, pictured by events producer Zach Pierce when he left the theatre for the last time before the Coronavirus-enforced closure.

TODAY is World Theatre Day, but a day when the world of live theatre and its eye on the world are shut down by the Coronavirus pandemic.

Nevertheless, theatres are still marking the occasion, be it York Theatre Royal executive director Tom Bird’s Tweets throughout the day on his favourite theatres around the world, or reflections elsewhere on why theatre, in its myriad forms, is so important to British life.

At the Theatre Royal, show posters have been replaced by one message to the city of York, a rallying call reminiscent of wartime posters, designed in the Theatre Royal livery by marketing officer Olivia (Livy) Potter from an initial idea by development officer Maisie Pearson. 

In bold print, it reads: We Are Creative. We Are Sturdy. We Are Ambitious. We Are York. We Pull Together.

Bird’s eye view on World Theatre Day: York Theatre Royal executive director Tom Bird is marking the day with Tweets highlighting his favourite theatres in the world

Here, Olivia answers Charles Hutchinson’s questions on how the poster came to be printed.

Why and how did you choose the wording of your poster, Olivia?

“The wording was inspired by York Theatre Royal’s values:

“We are ambitious
We are sturdy
We are welcoming
We are ambassadors for York
We celebrate the city’s true diversity; it makes us bloom
We are creative in every context
We pull together
We excel in every area”.

“The idea to take some of these values and work them into a message came from our development officer, Maisie Pearson, and it was a brilliant one.” 

Dumb question, but what prompted you to do it?

“We had to take the show posters down outside the theatre as they were promoting productions that had been cancelled, such as Alone In Berlin mid-run.

“The empty poster sites looked very forlorn and that got us thinking about putting up a poster with a message of support and solidarity for the city to see instead – something that could stay up for however long it needed to.”

Run halted: Alone In Berlin fell silent when York Theatre Royal closed in response to the Coronavirus pandemic

What is the overall message you are seeking to put across? Is it about theatre and the arts at large being woven so vitally into the fabric of York, or is it more about that wider message of the importance of all pulling together?

“I think it’s both these messages. It’s a very uncertain time for all industries right now, but particularly the arts and entertainment industry.

“We wanted to find some way of reassuring the people of the city that the curtain will rise again and we want everyone to be there when it does.

“Also, the narrative of the nation ‘pulling together’ by staying at home to save lives has really come into force, particularly over the last few days. The wording we’ve chosen for the poster seems to be quite vital now and in keeping with this narrative.”

Where are the posters on show at York Theatre Royal?

“One can be found by our Stage Door on Duncombe Place, next to Red House Antiques. Another can be found next to our patio area to the left of the theatre building on St Leonard’s Place.”

York Theatre Royal’s logo: colour palette is replicated in the new poster

Why are posters such a powerful medium in tumultuous times?

“Poster art and design is a really interesting medium, and very difficult to get right. I suppose the key is to keep it simple, find your message and present it in a way that is striking.”

How did you choose the charcoal and old-gold colour scheme for the poster?  Echoes of wartime posters, perhaps?

“The colours are actually the brand colours of York Theatre Royal, which unintentionally seem to have connotations of those famous wartime-era posters.”

Will there be more posters to come?

“We hope that won’t be necessary and that we can replace them with show posters soon.”

How are you spending your days during the theatre shutdown?

“I’m finding ways to engage with our audiences online; yoga; a bit of dancing; chatting to family and friends online; making fancy meals and drinking a fair bit of gin.”

Livy Potter in the role of Nina in York Settlement Community Players’ production of Anton Chekhov’s The Seagull at York Theatre Royal Studio, February 26 to March 7

On World Theatre Day, why does theatre and the arts matter so much to you, both in your work at the Theatre Royal and as an actor?

“There’s nothing quite like the arts as a means of bringing people together, not just physically but emotionally too.

“I love being part of an audience who are engaged, laughing as one and sometimes even crying together, too.

“One of the biggest joys in my life is being part of a group who come together with the purpose of creating something as one – a shared aim of telling a story for others to listen to and enjoy.

“In this difficult time, I think people are going to find really ingenious ways of achieving this and when this all does finally end, I can’t wait for us all to come together once more to experience the joys of theatre afresh.” 

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Doors shut, stage silent, but the Grand Opera House has a habit of bouncing back

The Grand Opera House sign for these Coronavirus lockdown days

TODAY is World Theatre Day, although the day-to-day world of theatre has ground to a shuddering halt, its stages silenced by the Coronavirus pandemic.

Nevertheless, today is still the chance to celebrate Shakespeare’s sentiment in As You Like It that “All the world’s a stage”.

Shakespeare’s Melancholy Jaques went on to mull over exits and entrances, how one man in his time plays many parts, his acts being seven ages. Let’s turn that life model to theatre itself, and none more so than the Grand Opera House in York, a theatre, a building, a site, that has been through so many ages, so many stages, that seven would be an underestimate.

Stan Laurel and Oliver Hardy, who appeared at the Empire Theatre, York, on March 22 1954

Its life before theatre can be traced back to 71AD as part of the Roman Quayside; 450AD, a nunnery; and Victorian days as a “sink or stew”, brothels, crowded slum housing, until the area was cleaned.

The Grand Opera House building in Cumberland Street began life as a Corn Exchange, designed in 1868 by architect G A Dean to double as a concert room, hence an ornate blue/vermillion/ gold gilding colour scheme.

Conversion to a 1,540-capacity theatre followed in 1901, undertaken by theatrical manager William Peacock, who presented the first performance at the Grand Theatre and Opera House, as it was first named, on January 20 1902 when Australian music hall entertainer Florrie Forde starred in Little Red Riding Hood.

The SS Empire, pictured in the 1970s. Note the Roller Skating sign

The 1916 introduction of the Amusement Tax was not amusing, putting all theatres at risk, but The Empire, as it was now known, survived. Charlie Chaplin, Gracie Fields, Lillie Langtry and Marie Lloyd played there; so too, later, did Vera Lynn, Laurel and Hardy, on their last tour, and Morecambe and Wise.

A huge rates increase in 1945 ruined the theatre, forcing Marie Blanche, Peacock’s daughter, to end 44 years of family ownership by selling it to F.J. Butterworth. Audiences declined against the competition of television, to the point where the theatre closed in 1956, blaming the “crippling entertainment tax, when TV pays no tax”.

Ernest Shepherd of Shambles acquired the theatre in 1958, duly adding the ‘S’ and ‘S’ to the Empire name, removing the stage and levelling the stalls floor for roller-skating, wrestling and bingo.

Special knight, special night: Sir Ian McKellen in Ian McKellen On Stage With Tolkien, Shakespeare, Others…And You! at the Grand Opera House, York, last June

The end of Empire days came in 1985, but after the India Pru Company acquired the building in 1987,   Henley-on-Thames architect Gordon J Claridge was given the brief to restore it to its 1909 glory. The Art Nouveau wallpaper was copied; the chandelier duplicated; the carpets rewoven from the original pattern with the Grand Opera House motif added to the design.

Stalls boxes were restored and a new stage built; the Clifford Street entrance was turned into a box office; Cumberland Street became the main entrance. The £4 million renovation complete, the theatre re-opened on September 26 1989 as the Grand Opera House, but tempted fate by presenting Macbeth – traditionally a harbinger of bad luck in the theatre world – as the first production, 33 years since the last professional stage performance.

Only two years later, the theatre closed suddenly, staff arriving to find the doors locked, as the curse of Macbeth did indeed strike.

E&B Productions brought to an end two and a half years of darkness after acquiring the premises for a nominal sum, re-opening the theatre on February 26 1993, since when the Grand Opera House has remained open, hindered only occasionally by the River Ouse in flood.

From Strictly Come Dancing to Strictly Ballroom: Kevin Clifton is to star in his dream role of Scott Hastings at the Grand Opera House, York, in November 2020

The theatre’s ownership passed from E&B Productions to Apollo Leisure in 1995 and American company SFX in 1999. After SFX merged with Clear Channel in 2000, and later set up a new company, Live Nation, to focus on live entertainment, in 2006, the latest change of hands came in 2010 when Britain’s largest owner/operator of theatres, the Ambassador Theatre Group added the York theatre to their roster.

The ownership baton may be passed on, but each has favoured a programme of lavish musicals, often straight from the West End; stand-up comedy; opera; ballet; dance; concerts; tribute acts; celebrity talks; classic theatre; new plays; in-house youth theatre summer projects; myriad shows by York stage companies and a star-studded commercial pantomime each Christmas.

Priscilla Queen Of The Desert, Cabaret, Chicago, Jesus Christ Superstar, The Rocky Horror Show, Blood Brothers, Legally Blonde and Once The Musical; the Royal Shakespeare Company in The Winter’s Tale; the National Theatre’s The Curious Incident Of The Dog In The Night-Time, Hedda Gabler and Jane Eyre; The Waterboys, Antony & The Johnsons, Adele at 19, Echo & The Bunnymen; Ken Dodd so many times, Danny La Rue, Ross Noble, Jimmy Carr, Paul Merton, Julian Clary; Sir Ian McKellen, on his 80th birthday solo tour. The list goes on…

Dame Berwick Kaler with his pantomime co-stars AJ Powell, left, Suzy Cooper, David Leonard and Martin Barrass at the launch of Dick Turpin Rides Again at the Grand Opera House, York, on February 14. Picture: David Harrison

In the deepening shadow of Coronavirus, we await to discover when that list will start up again, but let us hope that once more we can gather for such upcoming shows as The Commitments, from October 26 to 31 and Strictly Ballroom, with Strictly Come Dancing’s Kevin Clifton, from November 23 to 28.

Come the winter, all eyes will be on Berwick Kaler as the grand old dame of York becomes the Grand’s new dame after his crosstown transfer, with villain David Leonard, perennial principal girl Suzy Cooper, comic stooge Martin Barrass and luverly Brummie A J Powell in tow, for Dick Turpin Rides Again from December 12 to January 10.

There to greet them and you, unmoved by the tide of theatre history, will be the Grand Opera House ghost: a nun in the Dress Circle.

Happy World Theatre Day, but happier still when theatre days and nights can return.

Charles Hutchinson

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Thought for the day on World Theatre Day

Sign of the times: The frontage of the Stephen Joseph Theatre, at the former Odeon cinema, in Scarborough

TODAY is World Theatre Day. Stages may be silent, but creativity never sleeps. It adapts. No matter what the circumstances.

Keep watching this space. CharlesHutchPress will continue to bring you stories of how the arts world is reacting, responding, re-engaging, under the Coronavirus lockdown.

Yes, we miss the sound of applause bursting through our theatre walls, but for now, for the unforeseeable future, save your hand-clapping for showing support every Thursday at 8pm for our NHS doctors, hospital staff, carers and rising tide of volunteers. God bless them all.

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Red Hot Chilli Pipers rearrange postponed Harrogate Royal Hall concert for next April

Pipe down: Red Hot Chilli Pipers are postponing their 2020 spring tour

BAGPIPE band Red Hot Chilli Pipers are postponing their April and May tour under the Coronavirus shutdown, but don’t be too deflated. The Celtic rock band’s dates are being rearranged for next spring.

The 2020 tour would have opened at the Royal Hall, Harrogate, on April 24, a show now re-scheduled for April 10 2021.

Tickets remain valid for the new date, but anyone unable to attend the revised gig – although who can predict anything in their diary for a year’s time?! – should claim a refund from the original point of purchase by Friday, April 10.

Piping up again: Red Hot Chllli Pipers, re-booked to play Harrogate in spring 2021

Formed in Scotland in 2002, Red Hot Chilli Pipers made a cameo appearance at the T In The Park festival with The Darkness in 2004 and won the BBC talent show When Will I Be Famous? in 2007.

Bringing together musicians, dancers and singers from Scotland and further afield, many holding world championship titles, they specialise in “Bagrock”, a groundbreaking fusion of traditional Scottish music and rock/pop anthems.

In 2014, the Pipers released the Live At The Lake DVD and CD, recorded at the Milwaukee Irish Fest, their American spiritual home by the shores of Lake Michigan, when they brought 16 musicians and dancers across the Atlantic.

The set that night took in Insomnia, Gimme All Your Lovin’, Thunderstruck, Everybody Dance Now, Amazing Grace, Fix You, Chasing Cars, Wake Me Up, Don’t Stop Believin’ and We Will Rock You.

Pipe dream team : Tom Walker linking up with Red Hot Chilli Pipers for Leave A Light On

In February 2019, the Pipers and Tom Walker released a new version of his 2018 hit Leave A Light On in aid of Nordoff Robbins, the music therapy charity. Earlier Walker and the band performed at Murrayfield before the Scotland versus Italy Six Nations rugby match.

In a new departure for the Pipers, last June’s studio album of new songs and covers, Fresh Air, featured lead vocals on many tracks, such as Walker on Leave The Light On and Chris Judge on the American band Walk The Moon’s Shut Up And Dance and Leonard Cohen’s Hallelujah.

Next on the horizon in Yorkshire for Red Hot Chilli Pipers is a July 11 appearance at Pocklington Arts Centre’s Platform Festival at the Old Station, Pocklington. Watch this space for news of whether the festival will go ahead or not as the Coronavirus pandemic’s progress unfurls.

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Strictly’s Aljaž and Janette move Barbican show to 2021 and invite NHS heroes

Aljaž Škorjanec and Janette Manrara: Remembering The Oscars tour moves to Spring 2021

REMEMBER the new York Barbican date for Remembering The Oscars. Strictly Come Dancing couple Aljaž Škorjanec and Janette Manrara are rescheduling their postponed April 10 show for April 21 next year.

In keeping with all 38 dates, ten free VIP tickets will be made available to NHS staff “as a way of the producers and Aljaž and Janette showing their gratitude to these front-line heroes” caught in the eye of the Coronavirus pandemic storm.

This will include a meet & greet with the Strictly duo, and information on how to claim these tickets will be announced very soon “once normal services resume”. 

Aljaž and Janette say: “We know what we are offering is a relatively small gesture, but we want to acknowledge the amazing effort of the NHS staff who are facing unimaginable pressure on a daily basis as they treat patients across the UK affected by Coronavirus.

“We’ll be rolling out the proverbial red carpet for these heroes and we look forward to thanking them in person throughout the tour.”

The 2020 tour of Škorjanec and Manrara’s new dance spectacular had been due to start earlier this month, but was postponed after theatres closed nationwide in response to the Covid-19 pandemic.

The tour now will run from March 20 to May 4 2021 and all tickets will remain valid for the rearranged dates of Remembering The Oscars, wherein Aljaž and Janette will give the red-carpet treatment to Oscar-winning songs, dances, movies and stars. 

Janette says: “We are so thrilled to have the opportunity to put on this magnificent show, which we are so proud of, in 2021. We hope that when these difficult times pass, we can bring joy and smiles to everyone’s hearts; nothing would make us happier.” 

Aljaž added: “It was heart-breaking to not be able to open with our show this year, but we are now so thrilled that our beautiful show will still be seen by the UK audiences next year. We cannot wait to be back on stage and perform for you all.”

York Barbican is the only Yorkshire date on the tour. Ticket holders unable to attend the April 21 2021 show should contact the Barbican box office, 0203 356 5441. 

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Lockdown makes Jessa determined to stay on song with online singing sessions for all

Jessa Liversidge: still on song, online

AFTER her Singing For All choir had everyone singing I’d Like To Teach The World To Sing at A Night To Remember at York Barbican, now Jessa Liversidge wants to reach the world to sing online.

The York singer, entertainer and singing group tutor, leader and inspiration is going virtual in response to these Coronavirus lockdown days.

“Going from running seven different singing groups a week, plus other sporadic ones, to having to cancel them all, I was faced with a big challenge,” says Jessa. “But I’ve been buzzing with ideas to keep people singing and to keep their spirits up in these strange times and I have a lot planned.”

Not only planned but coming to fruition already too. “I held my first virtual choir session on March 18, mainly Easingwold folks but some extras, including some singing leaders from all over, who came along to check out a session from a singer’s perspective,” says Jessa.

“We did it again last night, building an online community choir with people from Easingwold, Helmsley, York, and even other parts of the country – people who knew me from elsewhere.”

Jessa Liversidge leading her Singing For All choir at Big Ian’s A Night To Remember charity concert at York Barbican on February 29. Picture: David Harrison.

How does it feel, performing together across the ether in our new social-distancing, stay-at-home world? “It is, of course, very different to a real in-person choir, but very uplifting and great fun,” says Jessa. “The good news is that everything is on screen, so you don’t need to provide the lyrics!

“I’ve had some fantastic feedback from people too; the best quotes being ‘A wonderfully positive hour’ and ‘On a challenging day, when it felt hard to be bright and cheerful, this was just a perfect end to the day. It was great to let someone with a really joyful personality take you on a different type of musical journey, a real sharing of community spirit’”

Jessa intends to run these sessions weekly on Wednesday evenings at 7pm. “People will need to contact me on 07740 596869 or email me at jessaliversidge@googlemail.com to find out how to join,” she advises.

She has started up York Military Wives Choir sessions too online, the first one being held on March 19 for one of 70 such choirs across the country.

“I’m also setting up some free open-to-anyone sessions, starting with a live stream Singing For All session on YouTube that I held on Monday morning this week at 11am: the time the Easingwold Singing For All usually meets,” Jessa says.

“It was great to let someone with a really joyful personality take you on a different type of musical journey,” said one participant in response to joining Jessa Liversidge’s virtual choir session

“I’m so worried about some of the group as Singing For All has been a lifeline to so many, and lots of them are now isolated in more than one way, so this is important for them.”

Not only Easingwold Singing For All took part this Monday morning. “We had people joining in from their living rooms, again from across the country, and that singing session is now available on You Tube,” says Jessa. “Hundreds of people have watched it already, and we had people joining in as families and even with three generations. Hopefully these sessions will now happen every Monday morning.”

A further Singing For All virtual session will be running on Tuesday mornings at 11am, this one on Zoom, set in motion last Tuesday. To take part in these interactive  sessions, you will need to ring or email Jessa.

She hatched one other project, abruptly halted by the Covid-19 lockdown’s dictum on social distancing, banning gatherings of more than two people. “I was going to try out some very spread-out, non-contact park sings,” says Jessa.

“Inspired by the Italians singing from their balconies, I thought this was the nearest we could get to it, but that has had to fall by the wayside. Instead I’m going to record myself singing outdoors, put that on social media and then people can sing along to that.”

Anything else still to come, Jessa? “Yes, youth choirs.” Watch this space…and keep watching your space too, two metres apart; you know the drill by now.

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Nothing happening in these long lock-down days. Everything off. Here are 10 Things To Do on the home front, courtesy of The Press, York. Week two.

Nothing happening full stop. Now, with time on your frequently washed hands, home is where the art is and plenty else besides

EXIT 10 Things To See Next Week in York and beyond for the unforeseeable future. Enter home entertainment, wherever you may be, whether still together or in isolation, in the shadow of the Coronavirus pandemic. From behind his closed door, CHARLES HUTCHINSON makes these further suggestions.

Compiling lists of best songs by favourite artists

THE Beatles, The Rolling Stones, solo Beatles, Van Morrison, Velvet Underground, solo Velvets, Bob Dylan, Dusty Springfield, Aretha Franklin, The Smiths, The Fall, whoever. Make a Top Ten or even Top 20, then send to friends to ask for their suggestions for the list and why they disagree with you.

You could also set up arguments: Kylie’s Top Ten versus Madonna; The Specials versus Madness; Holland Dozier Holland versus Bacharach and David; Rod Stewart versus Elton John; Abba versus Queen; U2 versus Coldplay. Any others?

Madness: More special than The Specials or is that utter madness?

Desert Island Slipped Discs

IF past editions of the BBC Radio 4 Sunday morning staple have slipped your attention, it is never too late to discover the back catalogue at the Beeb online. You could pick a running theme, such as artists, musicians, poets, scientists, entrepreneurs, comedians, sportsmen, film stars, pioneers and church leaders.

Or, given the very necessary daily Covid-19 briefings from Number 10, how about politicians? Margaret Thatcher (1978); Edward Heath (1988); Enoch Powell (1989); Alan Clark (1995); Tony Blair (1996); Gordon Brown (1996); David Cameron (2006)…or, for a satirical variation, Spitting Image’s Peter Fluck and Roger Law (1987)?  

Follow the advice of Stephen Fry

FOLLOWING up last Thursday’s 10 Things advice to make a timetable for the day, Andrew Marr’s Sunday morning interview on the Beeb with national treasure and former Cundall Manor prep school teacher Stephen Fry elicited one gem of a suggestion. Take time, take longer, to do things, whether cooking a dish from a recipe book, or even when brushing your teeth.

Fry, the president of MIND, also advocated taking up a new hobby, or re-discovering a craft, in his case, calligraphy. Further suggestions: learn a language; learn sign language; test yourself on road signs (when did you last do that?).

Meanwhile, Fry’s partner in comedy since Cambridge Footlights days, House doctor Hugh Laurie, says of Coronavirus: “We solve it together by staying apart.”  Couldn’t have put it better.

Time to take time: Stephen Fry’s philosophy for these Coronavirus clampdown days

Administer a spring clean

STUCK at home, as you really should be by now, key workers excepted, this is the chance to gut rooms; to go through files, drawers, cupboards; to work out what clothes to keep and which to donate to charity shops. Likewise, games; books; kitchen utensils. Update Christmas card lists and address books.

Make time for nostalgia

DIG out old scrapbooks (Leeds United, League Champions, 1973-1974; the Cardiff Candlewits revue show, The Rantings Of A Raw Prawn, at the 1982 Edinburgh Fringe; cookery crush Nigella Lawson’s recipes – more pictures than recipes, to be truthful – to give three Hutch examples). Ah, those were the days.

Likewise, take a look through old photo albums, sure to trigger memories and promote family discussions… and maybe even lead you to research your family ancestry in the manner of BBC One’s Who Do You Think You Are?.

Scrapbook memories: Leeds United, champions, 1973-1974

Try to find good news

GREAT Yorkshire Show off. Ryedale Festival off. York Pride off. The Olympic Games off. The list of cancellations keeps growing. Against that backdrop, however, theatres, music venues and festivals are busy re-booking acts and shows for later in the year or next year.

Keep visiting websites for updates, whether York Barbican, York Theatre Royal, the Grand Opera House, wherever.

Look out too for the streaming of past shows. More and more theatres and arts companies are doing this.

Pyramid Gallery owner Terry Brett, on Stonegate, York, with a Piers Browne painting, before the Coronavirus shutdown

Online exhibitions

GALLERIES in York are going online to keep the art (and hopefully sales) going. Step forward Pyramid Gallery, in Stonegate, where owner Terry Brett has launched Strange Days.

This service is not only a website portal for works from this season’s Full Sunlight show, featuring Askrigg artist Piers Browne and Holtby sculptor Hannah Arnup, but Terry also is inviting the 144 artists from next month’s cancelled York Open Studios to show their work on there too.

One of Tom Wood’s paintings from The Abstract Crow, Lotte Inch Gallery’s first online-only exhibition

Anywhere else?

LOTTE Inch Gallery, at Fourteen Bootham, will host its first online-only exhibition, Yorkshire artist Tom Wood’s The Abstract Crow, from April 17 to May 16.

“Known for his imaginative and allusive abstract approach to painting, Tom will pay homage to his love for the natural world in his new paintings,” says Lotte.

Venturing outdoors 

AMID the stricter Government strictures, aside from walking the dog and one burst of exercise a day, gardening looks the most fruitful way to spend time outdoors. The first mow of the season; buds coming through; plants to plant; garden furniture to varnish: ready, steady, grow. 

One to follow on Twitter: Reasons To Stay Alive author Matt Haig. Picture: MIke Tipping

And what about…

Podcasts. Books. More podcasts. More books. Season two of Liar on Monday nights on ITV. Noughts + Crosses on BBC One on Thursdays. Writing a 10 Things like this one. Reading the regular Tweets from Matt Haig, the Reasons To Stay Alive author with the York past. Drinking hot drinks, gargling regularly, and building up your zinc levels, as well as all that hand-washing.

See you later, self-isolator.

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