Category: Festivals

Posted on

More Things To Do in York and beyond. Hutch’s List No. 32, from The York Press

Donna Maria Taylor in her South Bank Studios studio

GEORGIAN celebrations, a brace of art fairs, Shakespeare sonnets on the tennis court and The Magpies’ folk festival should outshine Wednesday’s solar eclipse, reckons Charles Hutchinson.

Artists in situ: South Bank Studios’ Summer Artists Open Doors, Southlands Methodist Church, Bishopthorpe Road, York, today, 10am to 4pm

MEET the South Bank artists and makers who work in a broad range of disciplines, from textile art, painting, drawing and photography, to mixed media, letterpress and linocut printmaking.

Visit their studios to see their creative processes in a day of art to buy, art demonstrations and activities, including the loft studios, not usually on view to the public. The cafe will be open for refreshments. Entry is free; all welcome.  

Masquerade Ball at the 2026 York Georgian Festival tonight

York festival of the week: York Georgian Festival, until August 10

HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House and beyond plays host to the fourth York Georgian Festival in a festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms tonight. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.

Carlton Main Colliery Band: Brass At The Proms at Selby Abbey

Rousing concert of the week: Brass At The Proms, Carlton Main Colliery Band, Selby Abbey, tonight, 7pm

JOIN Carlton Main Frickley Colliery Band on its return to the former coalfield town of Selby for a Last Night of the Proms brass concert featuring a vibrant mix of rousing favourites. Seating in the Main Nave will be allocated, with seat and row numbers; Rear Nave seating will be filled on a first-come, first-served basis. Box office: selbytownhall.co.uk.

Futureproof’s logo for a night of poetry, drag, monologues and comedy

Art and science bonding exercise of the week: Futureproof presents Opposites Attract Scratch Night, York Theatre Royal Studio, tonight, 7.30pm

EIGHT acts perform a mixture of poetry, drag, monologues and comedy. Expect biochemistry, molecular biology, sewing, chalk stream-inspired dance and more tonight.

The theme, Opposites Attract, derives from the idea that many things will give people joy, purpose, belonging and entertainment — such as maths and science — that seem to be mutually exclusive to theatre. Futureproof invites creatives to consider these ostensible contrasts, alongside the concept that theatre is meant to reflect our world and/or be a tool to create new ones. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Comedy event of the week: Kevin Bridges: Warm Up, Grand Opera House, York, today and tomorrow, 8pm

CLYDEBANK comedian Kevin Bridges performs two warm-up shows in York ahead of his UK stand-up tour Here If You Need Me. Tonight’s gig has sold out but tickets are still available for tomorrow, as well as for his Leeds First Direct Bank Arena tour show on November 19. Box office: York, atgtickets.com/york; Leeds, axs.com/uk/events/1240964/kevin-bridges-tickets?skin=leeds.

On the stretch: Jamie McKeller’s Lionel, left, and Stuart Lindsay’s Charles limbering up for the doubles in York Shakespeare Project’s Summer Sonnets: What the Deuce? Picture: John Saunders

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, until August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: tickets.41monkgate.co.uk.

The poster fort York River Art Market 2026. Illustration by Elliot Harrison (@York360)

Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, today and tomorrow, then August 15 & 16, 10am to 5.30pm

YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

York River Art Market 2026 organiser Caroline Turner with artist Lincoln Lightfoot on the Dame Judi Dench Walk pathway

Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, today, 8pm

PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.

Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.

Scissor Sisters: Heading to the Scarborough coast tonight

Coastal gigs of the week: Scarborough Open Air Theatre presents Scissor Sisters, today; Holly Johnson, ABC and Heaven 17, August 14,  gates 6pm

AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.

Holly Johnson: Frankie says Relax in Scarborough

Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of  Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.

The Magpies: Hosting their folk festival at Sutton Park

Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents next Friday’s Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).

Next Saturday’s line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.

Composer Thomas Adès: Presenting new composition at Creation-themed North York Moors Chamber Music Festival. Picture: Marco Borggreve

In Focus: North York Moors Chamber Music Festival, August 8 to 22

THE North York Moors Chamber Music Festival celebrates its 18th consecutive year with the premieres of six works by contemporary British composers.

Aptly named Creation, the 2026 festival will run from August 8 to 22, featuring new compositions by Thomas Adès, Huw Watkins (both of whom will perform at the festival), Charlotte Bray, Tom Coult, Isabella Gellis and Helen Grime.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation, woven through the festival theme, by six of our country’s very finest composers,” says festival director and cellist Jamie Walton.

Charlotte Bray: Premiering That Which You Wove Of Lightest Thread, I Wear To Honour Stone at North York Moors Chamber Music Festival. Picture: David Beecroft

“As part of this narrative, the Sabbath (Sunday) remains a day of rest – and each concert includes works that were themselves groundbreaking or innovative in their time, reflecting music’s timeless power to create, to renew, and to tell a universal story through sound.”

Jamie continues: “Thomas Adès is widely regarded as one of the world’s greatest living composers, so it’s a real coup to have him both write for us and come to premiere the piece, Flower Variations [in the Landspeak concert on August 14 at 7pm at Welburn Manor].

“We’re really proud of the fact that, alongside these six outstanding composers, we have such a stellar line-up of international artists.

Helen Grime: Premiering Time Be Brief. Picture: Benjamin Ealovega

“We’re also continuing to champion visual artists from the moors in the brochure, pairing their work with concert titles. We’ve done this for the past two years and it’s a wonderful way to cross-pollinate and collaborate with more artists.”

Charlotte Bray’s piece for horn and string quartet, That Which You Wove Of Lightest Thread, I Wear To Honour Stone,  will be accompanied by a collaborative artwork by Caroline Burraway, exhibited on stage at St Hedda’s, Egton Bridge during The Dividing Line performance on August 13 at 2pm.

Isabella Gellis’s Creation will be premiered in August 11’s Dialogue concert at St Hilda’s, Danby, at 2pm; Helen Grime’s Time Be Brief, at Metamorphoses concert, Welburn Abbey, August 15, 7pm; Huw Watkins’s Oboe Quartet, The Architect’s Hand concert, St Mary’s, Lastingham, August  18, 2pm, and Tom Coult’s Two Nocturnes and A Maze, in its UK premiere, Nightfall concert, Welburn Abbey, August 20, 7pm.

Huw Watkins: Premiering his Oboe Quartet in festival appearance. Picture: Benjamin Ealovega

The festival will take place in four historic moorland churches – St Hilda’s, Danby, St Hedda’s, Egton Bridge, St Michael’s, Coxwold, and St Mary’s, Lastingham – along with the majority of concerts being staged in the grounds of Welburn Manor, near Kirkbymoorside, where the acoustically-treated venue has been enlarged this year to reflect the festival’s increasing popularity.  

The festival was named a Best of British Fund Winner 2026 by Airbnb, representing Yorkshire as part of the North York Moors Beacon for the Arts.

Jamie says: “Our festival celebrates the art of collaboration in an awe-inspiring setting, taking our audience on a musical quest each year through interwoven themes within a central storyline.

Isabella Gellis: Premiering Creation in August 11’s Dialogue concert at St Hilda’s, Danby. Picture: Ella Pavlides

“Over 18 years, we have built a reputation for breaking down barriers to make exceptional music accessible to all, fostering community and cultural connection through friendship and trust. Uncompromising even amid pandemic challenges, our festival was one of the few to present full, live performances in 2020 and 2021.

“August, when the heather is in full bloom, brings the North York Moors to life. Artists are immersed in the National Park, rehearsing and living in a deeply holistic environment, while audiences are welcome to enjoy picnics on the grounds of Welburn Manor, attend concerts, and explore the region’s historic churches and priories.”

The event continues to attract international artists, 28 this year, many of them committing to the entire fortnight by taking up residencies in a festival of 13 concerts featuring 58 chamber works from 32 composers spanning 300 years to the present day. 

Tom Coult: Premiering Two Nocturnes and A Maze on August 20. Picture: Matthew Johnson

This year, these include Alena Baeva, Benjamin Baker, Oliver Cave, Oliver Heath, Alessandro Ruisi and Charlotte Scott (violin); Sascha Bota, Meghan Cassidy,  Emma Wernig and Simone van der Giessen (viola); Rebecca Gilliver, Tim Posner and Jamie Walton (cello) and Will Duerden (double bass).

Taking part too are: Thomas Adès, Katya Apekisheva, Joseph Havlat, Roman Kosyakov, Daniel Lebhardt and Huw Watkins (piano); Ben Goldscheider (French horn); Nicholas Daniel (oboe); Matthew Hunt (clarinet); Jonathan Davies (bassoon) and James Gilchrist (tenor). Completing the line-up will be the festival’s award-winning Young Artists ensemble, The Davidoff Trio.

Tickets for individual concerts are £18; a season ticket for all 13 costs £190. As ever, under-30s gain free entry to any of the concerts. To book, email [email protected], call 07722 038990 or visit www.northyorkmoorsfestival.com. The full programme can be downloaded via https://www.northyorkmoorsfestival.com/.

“Our 2026 festival celebrates the wonder of beginnings and features six newly commissioned premieres that evoke the six days of the universe’s creation,” says North York Moors Chamber Music Festival director Jamie Walton. Picture: Matthew Johnson

Posted on

REVIEW: Martin Dreyer’s verdict on York Early Music Festival, International Young Artists Competition 2026, National Centre for Early Music, York, July 11

The Lyons Mouth: Winners of the Main Prize and Friends of York Early Music Festival Prize at York Early Music Festival’s International Young Artists Competition. Picture: Charlie Kirkpatrick

THIS biennial competition, for ensembles of at least three members with an average age no more than 35, attracted 56 entries this year. Nine of these reached the final, three each from the Netherlands and Switzerland and one each from France, Israel and the United Kingdom.

Two featured a solo soprano and one consisted of six unaccompanied singers. The remaining six were purely instrumental. There were three trios, four quartets and two sextets.

So much for statistics. However, they suggest, quite accurately, that there was variety aplenty. Technical standards were extremely high, reflecting the professionalism of early music teaching across European conservatories these days. ’Twas not always so.

Ossian’s Dream: Joint winners of European Union Baroque Orchestra (EUBO) Development Trust Prize. Picture: Shelagh Bourke

Eleven criteria were listed as assessable by the international jury. Only one, however, touched on that indefinable X-factor that marks out a performer as destined for a serious career: presentation. It involves the kind of charisma that conveys a good deal more than merely the music itself and is intertwined with a performer’s personality. Inevitably this was much rarer here.

Each group was allotted 20 minutes to display its wares. The sextet Ossian’s Dream was distinctive in sticking largely to the 19th century, with the historical clarinet of Claudia Reyes Segovia at its centre. After a crisp, not to say dramatic, account of Mendelssohn’s First Walpurgisnacht overture, there was strong contrast in the slow movement of Weber’s Clarinet Quintet, whose jovial centre was much enhanced by the clarinet. The finale of Mendelssohn’s C minor Piano Trio was truly effervescent.

The stand-out player of the quartet I Mastricelli was Bianca Cucini, whose soprano gamba dominated their set. With her colleagues confined to bass gamba, cello and organ, colours were otherwise regularly dark. A Tobias Hume almain and a lively, cross-accented Recercada by Diego Ortíz were but warm-up acts for the increasingly vivid variations in the Diferencias on ‘La dama le demanda’, by Antonio de Cabezón, which featured riffs from all four players.

I Mastricelli, featuring jury prize for the most promising young artist winner Bianca Cucini. Picture: Charlie Kirkpatrick

Recorder, harpsichord and cello provided the underlay for soprano Liron Givona in the Nari Baroque Ensemble. She was fuller voiced than one might have expected in this repertory, but her tone was flexible even when slightly diffuse.

She trilled neatly alongside a sopranino recorder nightingale. The cellist was underpowered more than once here, but delivered some very rapid obbligato in a forceful little melodrama from a Pepusch cantata, ‘When Love’s Soft Passion’.

The French quartet La Mandorle – oboe, violin, cello and theorbo – focused on native composers from the generation just before Bach, all played without scores. Victoire Delnatte’s oboe was engagingly clean and full-bodied and Elodie Brzustowsk’s theorbo proved fluent.

Lagrime: Winners of the Cambridge Early Music Prize. Picture: Charlie Kirkpatrick

The ensemble was rhythmically alive in Clérambault’s La Félicité suite and equally idiomatic in a Robert de Visée suite, in whose Gigue the oboist briefly slapped rhythm on the cello. This group was unlucky not to be among the prizewinners. We shall certainly hear from them again.

Bianca Cucini reappeared in the Swiss trio Tra Noi, playing bass gamba and quinton (a descant viol) alongside recorder and harpsichord. A rather pallid Passacaglia by Andrea Falconieri nearly let them down, but ensemble remained taut in the same composer’s Ciaccona at a rapid tempo.

However it was Nicola Matteis’ Diverse Bizzarrie that showed how technically dazzling a chaconne can be in the right hands. Spearheaded by Silvia Berchtold’s recorder, Tra Noi took all its hurdles in their stride.

Tra Noi: Joint winner of the European Union Baroque Orchestra (EUBO) Development Trust Prize. Picture: Charlie Kirkpatrick

Handel and his Italian rivals, Porpora and Geminiani, all born within two years of each other, were the targets of Dutch quartet Il Parrasio, with a standard line-up of two violins, cello and harpsichord or organ. It was all very stylish but lacking in daring.

There was clarity and balance in a Sinfonia da Camera by Porpora, and a delicately phrased Allegro in Handel’s Op 5 No 1 trio sonata. Geminiani’s Andante affettuoso (The Enchanted Forest) lacked emotion. It was a case of nearly there, but not quite.

Another Dutch quartet, Quarterino, with Tomasso Simonetta Sandri’s flute replacing one of the violins, took a similar tack, this time with Charles Avison heard between Geminiani and Vivaldi. Avison’s two allegros in a G minor trio sonata were impressive, one a snappy fugue, the other with tight-knit accents. But Vivaldi’s trio sonata, RV84 in D, fell down on two counts, a garbled opening Allegro, taken too fast, and an oddly chromatic ending that failed to convince.

Bianca Cucini: Winner of the jury prize for the most promising young artist, who played with both I Mastricelli and Tra Noi at the International Young Artists Competition. Picture: Charlie Kirkpatrick

The Swiss trio Lagrime boasted the unusual line-up of soprano, Baroque trombone and theorbo, neither of the latter two using scores. All five of their pieces were settings of texts from the Song of Songs and some introduced a modicum of stage movement.

Franziska Blömer’s straight-toned soprano was ideally suited to music of the early Baroque, and Maximilien Brisson’s quietly velvety trombone was superbly controlled. The two duetted beautifully, conversing in Claudia Rusca’s Ego dormio and harnessed movingly in Vulnerasti cor meum by Giovanni Sances.

Finally, we had the British vocal sextet The Lyons Mouth, three female voices, three male, whose name derives from their shared background at the University of York. They appeared barefooted, without scores.

Bianca Cucini receiving her prize from Philip Hobbs. Picture: Charlie Kirkpatrick

Alongside two madrigals from Monteverdi’s Fourth Book, they offered three motets, one of them by the nun Raffaella Aleotti, thought to have been the earliest woman to have sacred music published. The group was remarkable for its ability to maintain a tight blend despite relatively full- throated delivery.

There was nothing precious about Monteverdi’s chromatic Sì, ch’io vorrie morire, nor were they afraid of the scrunchy discords in Sigismondo d’India’s Dispietata pietate. But there was more variation, even tenderness, in Victoria’s Vadam et circuibo civitatem from the Song of Songs.

Perhaps with the advantage of performing last and certainly through their assured ensemble, The Lyons Mouth carried off the overall First Prize, as well as the Friends of York Early Music Festival Prize.

The Lyons Mouth’s profile for the International Young Artists Competition

The European Union Baroque Orchestra (EUBO) Development Trust Prize was shared between Ossian’s Dream and Tra Noi. The jury prize for the most promising young artist was awarded to Bianca Cucini.

The Cambridge Early Music Prize went to the trombone-based Lagrime. As noted above, La Mandorle was unlucky to lose out, but there can be no argument that the rest of the prizes were thoroughly well deserved.

Review by Martin Dreyer

HIGHLIGHTS of the competition will be broadcast on BBC Radio 3’s Early Music Show on August 30 at 5pm and will be available thereafter on BBC Sounds.

Posted on

What’s On in Ryedale, York & beyond. Hutch’s List No. 32, from Gazette & Herald

York Georgian Festival, promenading through the streets and taking over York Mansion House

YORK River Art Market’s return, Georgian festivities, Shakespeare sonnets on the tennis court and Britpop tribute acts R catch Charles Hutchinson’s eye as August arrives.

York festival of the week: York Georgian Festival, tomorrow to August 10

HIGHLIGHTING the sights and sounds of 18th century life, York Mansion House plays host to the fourth York Georgian Festival in a five-day festival programme that ranges from free displays of dancing and military drills in St Helen’s Square to the York Georgian Masquerade Ball at the Grand Assembly Rooms on Saturday. Talk, tours, performances and workshops feature too. For full listings and booking details, go to: yorkgeorgianfestival.co.uk.

Oscar Langford, left, and James Robert Ball in rehearsal for York Shakespeare Project’s Summer Sonnets: What The Deuce? at Holy Trinity Churchyard, Goodramgate, York. Picture: John Saunders

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, Friday to August 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: https://tickets.41monkgate.co.uk/

New York Brass Band line up with Hyde Family Jam members Tom Gill (accordion), back row, third from left, and Will Dreyfus (vocals and guitar), front row, left, ahead of Friday’s York Barbican gig

Mash-up of the week: The Crescent presents New York Brass Band & Hyde Family Jam, York Barbican, Friday, 8pm

TWO of York’s biggest, bounciest musical party troupes collide at York Barbican for a co-headline show with a difference. Promoter Joe Coates has decided the four-piece Hyde Family Jam will be on stage first, followed by an eight-piece line up of New York Brass Band, each playing a 40-minute set before rampant folk-rock meets New Orleans brass head on in a collaborative finale of these high-energy street urchins’ biggest hits. Box office: yorkbarbican.co.uk.

York Stage’s poster for Raise Your Voice: MTI Broadway Junior Revue at Joseph Rowntree Theatre, York

Musical theatre celebration of the week: York Stage presents brings Raise Your Voice: MTI Broadway Junior Revue, Joseph Rowntree Theatre, York, Friday, 7.30pm, and Saturday, 2pm and 4pm

THIS uplifting showcase by the next generation of performers features iconic songs from Broadway Junior favourites, showcased by a talented young York Stage cast ready to sing out and shine as they take centre stage with confidence, courage and nascent star quality. Cue big numbers, heartfelt moments and personality aplenty. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

The poster for this summer’s York River Art Market. Illustration by Elliot Harrison (@York 360)

Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, August 8 & 9 and August 15 & 16, 10am to 5.30pm

YORK River Art Market returns for its 11th year, bringing more than 30 artists from multiple disciplines to the Ouse riverside each day, this year presenting art and design market stalls on both sides of the pathway.

Described as York’s answer to the Left Bank in Paris, the event is being run for the first time this summer by Caroline Turner, a professional potter and ceramics teacher at Clay Space York. Admission is free.

Scissor Sisters: Heading for Scarborough Open Air Theatre on Saturday

Coastal gigs of the week: TK Maxx presents Scarborough Open Air Theatre, Scissor Sisters, Saturday; Holly Johnson, ABC and Heaven 17, August 14,  gates 6pm

AFTER their 2025 UK arena reunion tour and that summer’s Saturday night Glastonbury set, Scissor Sisters bring their trademark blend of glam, grit and glorious to Scarborough Open Air Theatre this weekend. Jake Shears, Babydaddy, Del Marquis and co will be rolling out such favourites as Take Your Mama, Laura, I Don’t Feel Like Dancin, Let’s Have A Kiki, Only The Horses and Filthy/Gorgeous.

Flamboyant, unapologetically bold Frankie Goes To Hollywood lead vocalist and lyricist Holly Johnson tops the 1980s’ triple bill next Friday, when he performs the chart-topping trio of  Relax, Two Tribes and The Power Of Love, further Frankie smashes Welcome To The Pleasure Dome and Rage Hard and solo hits Love Train, Americanos and Atomic City. Sheffield bands ABC and Heaven 17 support. Box office: scarboroughopenairtheatre.com.

Holly Johnson: Frankie says Relax in Scarborough next Friday

Tribute gig of the week: SWT presents Pulp’d vs Blur 2, Milton Rooms, Malton, Saturday, 8pm

PULP’D and Blur2 team up for a double-header of Britpop royalty tonight. Born and raised in Sheffield, passionate Pulp fans Pulp’d came together to re-create the hits, passion and Jarvis Cocker moves.

Blur2 bring the very best of Blur to every show: the energy, the fun, the sound, the looks and the musicianship of Damon Albarn, Graham Coxon, Alex James and co. Box office: 01653 696240 or themiltonrooms.com.

The Magpies: Hosting their folk festival weekend at Sutton Park, Sutton-on-the-Forest

Folk festival of the month: The Magpies Festival, Sutton Park, near York, August 14 and 15

RUN by the folk trio of Bella Gaffney, Holly Brandon and Ellie Gowers, The Magpies Festival presents a Friday Main Stage bill of Daraa Tribes (6pm), The Magpies (8pm) and headliners Manran (10pm) and Brass Castle Stage bill of True Foxes (5pm), Elizabeth Davidson-Blythe & Daniel Quayle (7pm), SupaLung (9pm) and New York Brass Band (11pm).

The Saturday line-up on the Main Stage comprises Steady Habits (12 noon), Alex Hart (2pm), Blair Dunlop (4pm), Katherine Priddy (6pm), Gnoss (8pm) and headliners Cut Capers (10pm). The Brass Castle Stage plays host to Songs In The Round, with Katherine Priddy, Blair Dunlop and Chloe Foy (1pm), Tarren (3pm), Ophelia’s Beard (5pm), Around About Dusk (7pm) and Suntou Susso & The Gambian Superstars (9pm). Box office: themagpiesfestival.co.uk/tickets.

Katherine Priddy: Saturday set at The Magpies Festival

Posted on

What’s in store at 2026 York Georgian Festival? Here are Aug 6 to 10’s highlights

York Georgian Ball: Festival highlight on Saturday at Grand Assembly Rooms

YORK Georgian Festival returns for its fourth year, filling the city with the sights and sounds of 18th century life from August 6 to 10.

Hosted by York Mansion House, the five-day festival programme ranges from free displays of dancing and military drills in St Helen’s Square to the splendour of the York Georgian Ball at the Grand Assembly Rooms, in Blake Street, and includes talks, tours, performances and workshops too at a variety of venues.

York Mansion House manager and curator Richard Pollitt says: “We’re looking forward to another fabulous festival, with a busy programme lined up exploring the fascinating history of this era. We’d like to thank all our partner attractions for supporting the festival once again.

“The popularity of the Georgian and Regency period shows no sign of slowing down with people finding so much joy in recreating the fashions and social occasions of the time, and we aim to bring some of that joy to the streets of York.

Author Terry Deary: Talk on Murder in the Georgian Theatre at York Mansion House on Thursday

“We’re hoping to see the city centre full of Georgian splendour over the weekend with so many people coming to York for the festival.”

The festival promenade will return for a second year on Saturday, starting from Clifford’s Tower at 11am and making its way through the city, via Coppergate and Parliament Street, to York Mansion House at 11.20am, led by red-coated members of Pulteney’s 13th Regiment of Foot, a group of military re-enactors. Anyone interested in dressing up in Georgian and Regency dress to join the promenade is invited to book a free place.

The Pulteney’s regiment will be demonstrating its drills on Saturday and Sunday at 12.15pm and 3.45pm in St Helen’s Square, complemented by displays of Georgian dancing by the Galliard Folk Dancers at 11.30am, 1.30pm and 3pm.

The regiment has stepped in to help the festival at the 11th hour, after the previously booked military group, His Majesty’s 33rd Regiment of Foot, cancelled through unforeseen circumstances.

Promenade through York: Passing through Coppergate en route from Clifford’s Tower to York Mansion House on Saturday morning

Visitors to the Mansion House can find out more about the uniform and kit of soldiers of the time in afternoon talks by the visiting redcoats on Saturday and Sunday at 2.30pm.

Richard says: “We’re very grateful to Pulteney’s for helping us out at such short notice and are looking forward to seeing them in action, leading our promenade and recreating military drills in front of the house in St Helen’s Square.”

Saturday’s evening highlight will be the Masquerade Ball, from 7pm to 11pm, traditionally an extravagant occasion when guests would wear elaborate fancy dress and masks to disguise their true identities. Live music will be provided by Eboracum Baroque with guidance from dance mistress Lottie from Dance The Past, all with the support of ASK Italian and York Gin.

The poster for No Priest But Love, the Church Conservation Trust’s fundraising event featuring Helena Whitbread and Angela Clare’s play about Anne Lister

Anyone wanting to prepare for the Masquerade Ball can take dancing lessons at The Guildhall on Friday and there will be free fan language workshops at York Mansion House, where you can learn how to send secret messages across the dance floor.

Talks and tours include the return of Horrible Histories author Terry Deary, who will explore Murder in the Georgian Theatre, at York Mansion House on Thursday from 6pm to 7pm; self-led and bookable festival tours of the Bar Convent; curators’ talks on fashion and dress at Fairfax House and York Castle Museum and an examination of how women were treated by the Georgian justice system in PhD researcher Tom Ellis’s talk Convict Women in York and Beyond at Barley Hall on Friday from 6.30pm to 8.30pm.

One of York’s most famous Georgian visitors, “Gentleman Jack” Anne Lister, will be the subject of Helena Whitbread and Angela Clare’s new play, No Priest But Love, at Merchant Taylors’ Hall, on Sunday at 4.30pm, preceded by a 2pm look around Holy Trinity Church, Goodramgate, where Anne Lister and Ann Walker celebrated their commitment made to each other on March 30 1834; a 2.30pm to 3.30pm talk by Angela Clare and a guided walk to Merchant Taylors’ from 3.30pm to 4pm.

On the concluding day, Monday, a series of talks at York Mansion House will include York St John University students launching a new edition of correspondence exchanged between writers Charles Ignatius Sancho, one of the first Black Britons known to have voted in a parliamentary election, and Laurence Sterne, vicar of St Michael’s, Coxwold, and author of Tristram Shandy, at 3.30pm. Further topics will be Georgian men’s shoes at 1.30pm and the campaign to abolish the slave trade at 5.30pm.

Find full listings and booking details at: www.yorkgeorgianfestival.co.uk.

Eboracum Baroque: Playing at Saturday’s Georgian Masquerade Ball at the Grand Assembly Rooms

Posted on

More Things To Do in York and beyond. Hutch’s List No. 31, from The York Press

The poster for York River Art Market’s 11th summer season. Illustration: Elliot Harrison (@York360)

YORK River Art Market’s return, Shakespeare sonnets on the tennis court, party bands at the double and a very happy comedian catch Charles Hutchinson’s eye as August arrives.

Open-air art event of the month: York River Art Market, Dame Judi Dench Walk, York, August 1 & 2, August 8 & 9 and August 15 & 16, 10am to 5.30pm

YORK River Art Market returns for its 11th year from today, bringing more than 30 artists from multiple disciplines each day to the Ouse riverside over three August weekends of free art and design market stalls.

Described as York’s answer to the Left Bank in Paris, the event is now run by Caroline Turner, a professional potter and ceramics teacher at Clay Space York, in Walmgate, after founder and director Charlotte Dawson stepped down to focus on her teaching role as award leader for York College’s BA (Hons) 3D creative practice course.

Liz Garland, left, and Meriel Scholfield in rehearsal for the Stephen Joseph Theatre production of Handbagged. Picture: Tony Bartholomew

Political drama of the week: Handbagged, Stephen Joseph Theatre, Scarborough, until August 29

MOIRA Buffini’s 2014 Olivier Award-winning play imagines what happened behind closed palace doors when two of the 20th century’s most powerful women, Queen Elizabeth II and Prime Minister Margaret Thatcher, locked handbags. Meeting once a week for 11 years, one believed there was no such thing as society; the other committed her life to serving it.

Spanning 1979 to 1990, Handbagged asks if The Queen and the Iron Lady ever found common ground or did their stiff upper lips reign supreme? Hannah Tyrrell-Pinder directs the SJT cast of Pandora Clifford, Liz Garland, Alexandra Mathie, Deven Modha, Simon Darwen and Meriel Scholfield. Box office: 01723 370541 or sjt.uk.com.

Mike Skinner of The Streets: Performing A Grand Don’t Come For Free in full at Scarborough Open Air Theatre tonight

Coastal gigs of the week: Scarborough Open Air Theatre presents The Streets, A Grand Don’t Come For Free, today; Sex Pistols featuring Frank Carter, Sunday, gates 6pm

FOR the first time, The Streets’ Mike Skinner is performing his landmark 2004 album A Grand Don’t Come For Free in full on tour. One of the most influential British records of the 21st century, the multi-platinum-selling chart topper delivered era-defining singles Dry Your Eyes, Fit But You Know It and Blinded By The Lights while taking a cinematic journey through the love, loss, chaos, heartbreak, hope and raw emotion of everyday life with poetic wit and honesty.

Original Sex Pistols members Steve Jones, Paul Cook and Glen Matlock are joined by vocalist Frank Turner on Sunday to mark “50 years of chaos and celebration” since the punk iconoclasts’ brace of Summer 1976 gigs at Manchester’s Lesser Free Trade Hall. The Stranglers and The Undertones are special guests. Box office: scarboroughopenairtheatre.com.

Maggie Wakeling: Singing ABBA hits aplenty at York Minster tonight

Candlelit concert of the week: Ignite Concerts presents The Music of ABBA, York Minster, tonight, 7.30pm

VOCALIST Maggie Wakeling, from Channel 4’s Your Song and last summer’s Greatest Shows at York Minster, unites with a band and The Ebor Quartet string ensemble to perform the Seventies and Eighties’ hits of  ABBA.

Host Alistair Griffin will be inviting the audience to sing along to Dancing Queen, Waterloo, Mamma Mia, The Winner Takes It All et al at this concert by candlelight. Box office: 07966 959427 or https://igniteconcertsyork.com/events/the-music-of-abba-at-york-minster/.

Paul Smith: Radiating comic warmth twice in a week at York Barbican

York comedy gigs of the week: Hot Water Comedy Club presents Paul Smith, Happy, York Barbican, today and August 5, 7.30pm

PAUL Smith, resident MC and compere of Liverpool’s Hot Water Comedy Club, is heading to York for two nights in his biggest, boldest tour show, Happy: fearless stand-up at full throttle, brimful of observations, true stories and audience interaction. Pulling tales from  real life, Smith finds joy in the chaos, laughter in the everyday and comedy in absolutely everything. Box office: yorkbarbican.co.uk.

Oscar Langford, left, and James Robert Ball in rehearsal for York Shakespeare Project’s Summer Sonnets: What The Deuce? at Holy Trinity Churchyard. Picture: John Saunders

New balls please: York Shakespeare Project presents 2026 Summer Sonnets: What The Deuce?, Holy Trinity Churchyard, Goodramgate, York, August 7 to 15, except August 11, 6pm & 7.30pm, plus 4.30pm Saturday shows

SUMMER at the Goodramgate Lawn Tennis Club finds four doubles teams competing for the chance to play in a Wimbledon amateur tournament, whereupon partnerships and rivalries lead to sabotage and break point. Who has the advantage? Who is at fault? Will the score be love?

Expect further tennis puns aplenty as Rosy Rowley directs Stuart Green’s script that asks a new collection of ten characters to play out this new sporting and unsporting situation where each finds a way to share a Shakespeare sonnet. Taking part will be James Robert Ball, Oscar Langford, Helen Clarke, Sarah McKeagney, Stuart Lindsay, Alexa Williams, Jamie McKeller, Alan Sharp, Christine Bramwell and Effie Warboys. Box office: https://tickets.41monkgate.co.uk/

New York Brass Band’s James Lancaster: Knees-up with Hyde Family Jam at York Barbican

Mash-up of the week: The Crescent presents New York Brass Band & Hyde Family Jam, York Barbican, August 7, 8pm

TWO of York’s biggest, bounciest musical party troupes collide at York Barbican for a co-headline show with a difference. Promoter Joe Coates has decided the four-piece Hyde Family Jam will be on stage first, followed by an eight-piece line up of New York Brass Band, each playing a 40-minute set before rampant folk-rock meets New Orleans brass head on in a collaborative finale of these street urchins’ biggest hits. Box office: yorkbarbican.co.uk.

A wedding dress on display at St Helen’s Church

Wonderful wedding dress exhibition of the week: St Helen’s Church, Sheriff Hutton, near York, August 8 and 9, 11am to 3pm

STEP back in time for a spectacular display of wedding dresses from every decade since the 1920s at St Helen’s Church. Stroll through a century of wedding style with elegant “going away” outfits,mother-of-the-bride ensembles and men’s morning suits, as well as shoes, hats, bouquets and treasured keepsakes.

“Last year’s exhibition was atremendous success,” says Jill Donaldson Hodges. “Visitors were captivated by the changing styles, the intricate design and the delicate fabrics that have shaped wedding fashion for over a century. So why not come along and take a trip down memory lane, or get some ideas for an upcoming event?” Admission is free. The Bluebell Cafe will be open on both days, serving homemade cakes and refreshments.

York Stage’s poster for Raise Your Voice: MTI Broadway Junior Revue at the JoRo

Musical theatre celebration of the week: York Stage presents brings Raise Your Voice: MTI Broadway Junior Revue, Joseph Rowntree Theatre, York, August 7, 7.30pm, and August 8, 2pm and 4pm

THIS uplifting showcase by the next generation of performers features iconic songs from Broadway Junior favourites, showcased by a talented young York Stage cast ready to sing out and shine as they take centre stage with confidence, courage and nascent star quality. Cue big numbers, heartfelt moments and personality aplenty. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Posted on

REVIEW: Martin Dreyer’s verdict on Dowland’s Foundry/Lukas Sternath & Aris Quartet at Ryedale Festival, All Saints Church, Northallerton and  St John the Baptist, Easingwold, July 20

Dowland’s Foundry. Picture: Ryedale Festival

OUR first great songwriter, John Dowland, is normally experienced today with a single voice singing to lute or viol accompaniment, but this is not necessarily how his contemporaries heard him.

The secret lies in the subtitle of his First Book of Songs (1597), “or Airs of Four Parts” (in modernised spelling). This simple revelation lies behind what Dowland’s Foundry does with his music. As a vocal quartet, accompanied by the lute of Sam Brown, they tend to sing all four parts, thereby obviating the need for viols.

The songs in this book are all strophic (with tunes repeated for each verse), so variety depends on performers enlivening the texts. This ensemble was also adept at adjusting to Dowland’s many moods, by no means all of them as melancholic as his reputation.

At times we heard only two voices, or conversational-style exchanges, rather than straight four-part delivery. Dowland’s songs are an amalgam of madrigals, consort songs, broadside ballads and even dance music, which largely accounts for their enduring popularity. Dowland’s Foundry were attuned to these styles and able to draw in their audience very quickly through the enthusiasm of their approach. Brown’s eloquent lute added further colour.

Pianist Lukas Sternath performing at St John The Baptist, Easingwold, at Ryedale Festival. Picture: Jonas Cradock

That evening, five players from among the current BBC Radio 3 New Generation Artists brought Schubert and Dvořák to the generous acoustic of Easingwold parish church. The pianist Lukas Sternath is an accomplished technician who was unashamedly forthright in his approach to Schubert’s Sonata in G major, D.894 (‘Fantasie’), which dates from October 1826.

All but one of its four movements begins either piano or pianissimo; only the minuet (effectively a scherzo) starts forte, but its trio sets out pianissimo and quickly moves into triple piano.

You would rightly surmise that Schubert had in mind an intimate work. Sadly Sternath had other ideas. He played as if in a hall ten times the size. He used every excuse to move directly from relative quietness to fortissimo, hammering out accents at every opportunity.

He was not oblivious to Schubert’s melodic possibilities and spiced his phrases with rubato, robbing the tempo in the name of musicality. But such a move has to be compensated. He rarely moved back into his original tempo, so that the overall effect was that he couldn’t see the wood for the trees.

Aris Quartet playing at St John The Baptist, Easingwold, at Ryedale Festival. Picture: Jonas Cradock

Perhaps he was misled by the work’s nickname, ‘Fantasie’, which would possibly allow some latitude in interpretation, but this was a publisher’s idea, not Schubert’s. What we lacked was serenity. Nevertheless the closing rondo was exciting, if rather more rumbustious than the composer intended.

An entirely different side to Sternath’s musical personality emerged when he returned to collaborate with the Aris Quartet in Dvořák’s Second Piano Quintet. Where some pianists are inclined to treat the work as a piano concerto, leaving the strings trailing in their wake, Sternath was a model of restraint throughout. The work is very much built around dance rhythms and the pianistic underlay here was at the heart of all these.

The Aris are a beautifully balanced group. There was a strong contrast between the two themes of the opening Allegro, and the eloquent viola of Caspar Vinzens was positively soulful in the slow movement’s Dumka.

The lively Furiant in the scherzo was partnered by a much more intimate trio, while the polka-based finale was again bursting with high spirits, but even here Sternath was relatively subdued. The overall ensemble, however, was never less than engaging.

Review by Martin Dreyer

Posted on

REVIEW: Martin Dreyer’s verdict on Royal Liverpool Philharmonic Orchestra/Corderoy at Ryedale Festival, St Peter’s Church, Norton, July 18

Conductor Charlotte Corderoy. Picture: Ryedale Festival

THE oldest professional orchestra in Britain in the world premiere of a flugelhorn concerto, alongside two classical symphonies, together constituted a mouth-watering opportunity. It offered precisely the kind of adventure for which Ryedale Festival has become renowned.

Although still in her 20s, Charlotte Corderoy is a conductor of considerable promise. All sides of her musical personality were on view here. At first, she took a cautious approach to Weber’s Second Symphony, meticulously strong on detail. The tension in her body language, however, did not always reflect the moods she was attempting to capture.

By the second slow movement, she had shaped some fine ensemble in the woodwinds, allowing the solo bassoon to shine. The busy final Scherzo was neatly clipped, with important attention to the composer’s telling rests – and his throwaway ending.

Gabriel Jackson built his new Flugelhorn Concerto, with accompaniment for strings, harp and percussion, around the numerical positions in the alphabet of the letters in ‘Roy Anthony Hargrove’, a trumpeter and flugelhornist in whose memory it was written.

The result, as he freely admits, is a pastoral reminiscence, but his method came across as something of a straitjacket, allowing very little room for any type of virtuoso display from the soloist, Imogen Whitehead.

Trumpet and flugelhorn soloist Imogen Whitehead. Picture: Matthew Johnson

It got off to a strong start, with some leaping string figures that recalled Britten, but these were barely recalled later. He soon toned things down by muting his soloist, in company with long, elegiac phrases to which Whitehead brought a lovely legato.

It is true that there were some fanfare-like moments and even string syncopation, but these soon dissipated into a duet between flugelhorn and vibraphone in full warble mode.

Much of what followed was similarly dream-centred, built around a dominant pedal, with only fleeting moments of activity in the strings. There was full-blown trumpeting at the very end. Whitehead had added some tightly decorative little roulades to her otherwise slow lines and was in admirable control throughout, but the piece as a whole never quite caught fire.

In Beethoven’s Fourth Symphony, Corderoy was right in her element and altogether more relaxed. After a suitably weird opening Adagio, the entry into the Allegro was truly exciting, with syncopation taut and accents fierce. Some of the fortes in the slow movement were a touch forceful for the context, but the succeeding Scherzo was light and airy by contrast.

Excitement returned in the finale, where the composer’s ma non troppo was effectively ignored and Corderoy chose a cracking pace. The orchestra stayed right with her and the return of the main theme was absolutely gripping.

Review by Martin Dreyer

Posted on

What’s On in Ryedale, York and beyond. Hutch’s List No. 30, from Gazette & Herald

Stephen Webb’s Dr Frank N Furter in The Rocky Horror Show, doing the Time Warp again at the Grand Opera House, York

TOM Jones on the coast, Knavesmire’s music showcase weekend, a not-so-sweet Transylvanian transvestite and a French farce promise variety aplenty in Charles Hutchinson’s week ahead.

Musical of the week: The Rocky Horror Picture Show, Grand Opera House, York, until Saturday, tonight and tomorrow, 8pm; Friday & Saturday, 5pm and 8.30pm

STEPHEN Webb leads the cast as Dr Frank N Furter in The Rocky Horror Show’s latest return to the Grand Opera House, joined by comedian Jackie Clune as the Narrator. Directed by Christopher Luscombe, Richard O’Brien’s outré musical tells the story of squeaky-clean American college sweethearts Brad and his fiancée Janet’s very frank encounters at the freaky doctor’s Transylvanian castle after their car breaks down.

Cue an adventure full of fun, frolics, frocks and frivolity, bursting with timeless songs and outrageous outfits as O’Brien combines science-fiction, horror, comedy and music while encouraging audience participation. Those audiences are sure to dress up in the most outrageous fancy dress. Box office: atgtickets.com/york.

Lou Bass’s artworks for Bring Me Sunshine at Helmsley Arts Centre

Exhibition of the week: Bring Me Sunshine, Paintings by Lou Bass and Adam King, Helmsley Arts Centre, until September 4

SCARBOROUGH artists Lou Bass and Adam King have teamed up for a joint exhibition, Bring Me Sunshine. A regular North Yorkshire Open Studios participant at Beeforth’s Hive, Lou’s vibrant paintings are brought to life with help from playful and poignant characters, such as Donkey, Crow, Angry Man, Bandit Cat, Dog and Fox, as she explores emotions and situations through simple narratives.

Painter and printmaker Adam has been painting for more than 35 years, holding exhibitions and doing residencies throughout Yorkshire. Educated at Leeds Met, York St John and Huddersfield, he led the Foundation Art and Fine Art degree courses when lecturing at Harrogate College before painting full time. His work is marked by a fresh approach to image making, combining simplicity with sophistication and a sureness of composition.

Andrew O’Neill: Looking to Escape at Theatre@41, Monkgate, York, on Friday. Picture: Andrew O’Neill

Fringe shows of the week: Halfway To Edinburgh at Theatre@41, Monkgate, York, presents Dylan Howells in Forget About Me (Work In Progress), tonight, 7.30pm; Joe Sellman-Leava in Copycat (Work In Progress), tomorrow, 7.30pm; Andrew O’Neill: Escape, Friday, 8pm

IN a remote, northeast village, something lurks in the bathroom: something Dylan struggles to remember, which even his dad’s deadly DIY skills can’t fix, as designer-performer Dylan Howells weaves psychological illusions and fragmented memories into a magical, chilling tale of a home that won’t stay still.

Part magic show, part ghost story, tonight’s show Forget About Me isn’t your typical conjuring act: mind-bending mentalism and spine-tingling effects blur the line between reality and fiction in a twisted tale designed to get under your skin.

DOES AI spell the end of humanity, or the dawn of a new utopia, ponders Fringe First winner Joe Sellman-Leava tomorrow. He might be a technophobe, but he is determined to find out by using innovative design and a whirlwind of uncanny impressions to tell the story of a teacher, a student and a copycat dictator to examine the links between art, fascism and rapid technological change. 

HOW do we get out of this mess, asks cult comedian Andrew O’Neill on Friday in his surreal, political show, Escape, about the ways in which we disagree with each other, while suggesting some ways we can find our way out. Box office: tickets.41monkgate.co.uk.

Jorja Cartwright’s German flight attendant Gretchen in rehearsal for Rowntree Players’ Boeing Boeing

Farce of the week: Rowntree Players in Boeing Boeing, Joseph Rowntree Theatre, York, tomorrow to Saturday, 7.30pm

MARC Camoletti’s high-flying 1960s’ French farce Boeing Boeing is cleared for take-off in Hannah Shaw’s English-language production for Rowntree Players. Meet self-styled Parisian lothario Bernard, who has Italian, German and American fiancées, each one a beautiful airline hostess with frequent “layovers.”

He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and to Bernard’s apartment, at the same time. Shaw’s cast features Max Palmer as Bernard, Lizzie Lawton as Robert, Rebecca Thomson as Berthe, Jorja Cartwright as Gretchen, Bethan Olliver as Gloria and Val Debenedetti as Gabriella. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Welsh pop legend Tom Jones: Returning to Scarborough Open Air Theatre on Sunday

Coastal concerts of the week: Scarborough Open Air Theatre, An Evening with James Taylor and His All-Star Band, Saturday; Tom Jones, with Stone Foundation, Sunday; gates open at 6pm

MASSACHUSETTS singer, songwriter and guitarist, Laurel Canyon folk luminary, six-time Grammy winner and Rock and Roll and Songwriters Halls of Fame inductee James Taylor, 78, draws on six decades of songs, from his self-titled 1968 debut to 2021’s 19th studio album, American Standard, on Saturday night.

Tom Jones, or Sir Tom Jones since 2006, to be more formal, returns to Scarborough this weekend at 85 to perform such favourites as It’s Not Unusual, What’s New Pussycat?, Delilah, Green, Green Grass Of Home, A Boy From Nowhere, Kiss, Mama Told Me Not To Come and Sex Bomb. Joining Sir Tom will be the eight-piece soul collective Stone Foundation. Box office: scarboroughopenairtheatre.com.

Holly Taymar: Performing Eva Cassidy’s songbook at Helmsley Arts Centre

Tribute show of the week: Holly Taymar Sings Eva Cassidy, Helmsley Arts Centre, Friday, 7.30pm

YORK singer-songwriter Holly Taymar delivers a warm, authentic performance that blends Eva Cassidy’s folk, jazz and blues material in renditions of Fields Of Gold, Songbird, Over The Rainbow and Autumn Leaves.

In a show of appreciation for Eva’s life and career, rather than imitation, Taymar combines intimate guitar accompaniment, mesmerising stage presence, melody and emotional truth. Singer-songwriter David Swann supports. Box office: 01439 771700 or helmsleyarts.co.uk.

Craig David: TS5 DJ set after Friday evening’s race card at York Racecourse

Race day concerts of the week: York Racecourse Music Showcase Weekend, Knavesmire, York, Craig David presents TS5, Friday, and Tom Grennan, Saturday

SOUTHAMPTON singer-songwriter and DJ Craig David presents his TS5 DJ set on Music Showcase Friday’s double bill of racing and old-skool anthems, from R&B to Swing Beat, Garage to Bashment, plus current House hits, when he combines his song and MC skills.

Tom Grennan: Saturday live set at York Racecourse

BEDFORD singer-songwriter Tom Grennan is Saturday’s post-racing performer, drawing on such hits as Little Bit Of Love, Let’s Go Home Together, Remind Me, Here and How Does It Feel, plus songs from his number one albums Evering Road, What Ifs & Maybes and Everywhere I Went Led Me To Where I Didn’t Want To Be and top-five debut Lighting Matches. Tickets: yorkracecourse.co.uk; no booking fees; free parking on race day.

York tenor Ashley Stillburn: Making his York Proms debut on Sunday

Picnic concert of the week: York Proms, York Museum Gardens, Sunday 5.30pm

RUN by classical chart-topping York soprano Rebecca Newman and now in its ninth year, York Proms features music from the world of classical and opera, film soundtracks and show songs. Increasing the orchestra size this summer will enable the inclusion of iconic John Williams cinema compositions.

The soloists are York-born tenor and West End musical actor Ashley Stillburn in his York Proms debut and British/Irish soprano Jennifer Coleman, making her third appearance. Tickets update: Still available at yorkproms.com/collections/tickets-2026.

Posted on

REVIEW: Wright & Grainger in SELENE, Halfway To Edinburgh Season, Theatre@41, Monkgate, York****

Megan Drury in SELENE

IN a new creative partnership with Theatre@41, Monkgate, Easingwold duo Wright & Grainger workshopped and rehearsed SELENE at the York theatre before actor Megan Drury headed off to Australia and New Zealand for a Bob Dylanesque never-ending tour that stretched eventually to more than 70 performances.

SELENE is a solo show for Drury, such an electric force on stage, who was so vital to the spoken-word gig theatre chemistry of Edinburgh and Australian Fringe hit THE GODS THE GODS THE GODS, but the imprint of partner Alexander Flanagan Wright’s rhythmic wordplay, cultural nous and philosophical insights and Phil Grainger’s lambent compositions is as deep as ever.

Wright & Grainger specialise in breathing new life into ancient myths, refracting the tales of Orpheus, Euridyce and Helios through the prism of the troubled modern world, often a rural Yorkshire one to boot yet universal too.

SELENE is the latest such venture, billed as a “radical explosion” of the ancient Greek tale of the goddess of the Moon and its dark side that once fixated Pink Floyd.

Dressed all in black with glittering trainers and ear rings, Drury immediately establishes that SELENE – pronounced Sel-ee-nay, not Celine, as in Dion, she clarifies – will not be the fulcrum of the story.

Instead, the focus falls on Selene’s already assertive 12-year-old daughter, Pandia (or ‘Panda’ as everyone calls her), whose fascination with the Moon will be followed at four-yearly intervals.

Drury’s Panda/Pandia will introduce each scene with an update of her/their list of All The Things I Am Not, always kick-started by her frustration at not being weightless, ever since she started watching Apollo 11’s landing on repeat.

She is fearless, frank, bloody-minded even, likes the F word and considers the chalk horse at Kilburn, not far from her home, to be “stupid”. She finds pretty much everything and everyone irritating, especially that horse and Benzo, who is always trying to outdo her with his knowledge of the Moon and its cycles.

In Wright & Grainger house style, the performance is conversational, knocking down theatre’s fourth wall from the off, and immersive too, all the more so for being staged in the round to match the shape of a full moon. Assorted moons will decorate Theatre@41’s black box theatre in differing forms and sizes, each switched on and off by Drury, depending on a scene’s requirement and focus.

Pages from the script, again placed in a circle at the audience’s feet, are a familiar W&G sign of imminent involvement for all those who volunteer to take on roles, in this case playing wild card Panda’s friends/classroom colleagues from schooldays onwards, through various party initiations, lunar experiences, first drinks, skinny dips, first encounters with Fleetwood Mac’s Landslide and morning-after breakfasts with mum Selene.

Another mythical world will stir too, the one where dogs become werewolves at twilight, and again two volunteers take on howling duty, later joined by the entire audience.

As Panda turns into a young adult, discovering who and why they are, Wright & Grainger’s SELENE becomes an ever more humorous, intellectually smart and typically unconventional study of “the light sides of us, the dark sides of us, the things orbiting around us as we grow up and especially the wild stuff inside us”.

Not only is SELENE a joyously wild ride through a rites of passage, but it also rivals Sir Patrick Moore for interesting observations and facts on the Moon, gives belated attention to Michael Collins’s lonely role on that 1969 lunar trip and points out Apollo was a misnomer for a space ship to the Moon, given that Apollo was the sun god.

By now, Drury’s relentless, questing Panda/Pandia/whatever they want to call themself next finally lists All The Things I Am. “The truth,” she says. Oh for such certainty in our world of half truths, alternative truths and Truth Social.

Posted on

AcombFest street art festival drew 12,000 over three days. Next year’s plans to be announced at PaintJam art sale on Sept 12

Curtis Hylton’s Owl mural on the Acomb Post Office wall, created at AcombFest

ACOMBFEST, York’s first International street art festival, attracted 12,000 people to Acomb as art and community bonded from July 3 to 5. 

Record numbers were drawn to churches, food vendors, bars and in particular to the four new street murals by Australian photorealist SMUG, Reading wildlife artist Curtis Hylton, Sheffield’s Peachzz and Bristol-based, Acomb-raised SledOne, commissioned by event curators Art Of Protest on the festival theme of Return To Nature.

A PaintJam, curated by RARE Collective’s Sharon McDonagh and Sola at The Carlton Tavern in support of charity partner SASH, York (Safe and Sound Homes), hosted nine live paintings by York and international artists Boxxhead, HazardOne, Lady Mkei, Lincoln Lightfoot, Liskbot, Nicolas Dixon, Sola, spAm (Sharon McDonagh) and VYZ. Hundreds bought artwork and prints created by the artists to raise vital funds for SASH. 

Acomb business owner Simon Taylor, of the Post Office/Taylors of Acomb, hosted Reading wildlife muralist Curtis Hylton’s spray-painting of his new owl mural, now resplendent on an external wall.

“We’ve seen a boost in business already, with people coming into the shop to ask about the artwork and in turn buying products from us,” said Simon. “The response from the public has been amazing; we have people gathering outside and sharing their positive views. I can’t wait to see what the future holds for Acomb and I hope more events like this can return.” 

Fishponds Wood’s moth “reveal” on the Sunday morning when hundreds of people gathered in the woods to release moths to the accompaniment of a five-piece band. A record-breaking 750 people visited Holgate Mill to view Jim Grant and Ben Grant’s light installation Rock Soil Sky on July 4 and 5: the highest number of visitors at the windmill over a weekend. 

St Stephen’s church turned into a gallery over the weekend, hosting original works by Damien Hirst and Tracey Emin, complemented by work by Acomb artists.

The Reverend Matt Woodcock said: “People were streaming into church, queuing to get into church. The art exhibition has been a smash hit. I never thought I’d see the day!” 

Creative events and activities were centred on Front Street with free street art workshops. Venues included Bluebird Bakery, The Hand, SoJo, The Crooked Tap, The Sun Inn and The Fox.Each venue had its own bespoke offer: from bush craft and nature art to water art and artist talks. 

Jimmy Hebbron, owner of The Crooked Tap, said: “This weekend has brought local businesses together, world-class art to our walls and put plenty of money behind the bar. Our food vendors on Friday night sold out at record time!

“Hosting workshops made our venue packed out from 11.30 am and the music took us until close. Please leave feedback on the event so that we can secure funding for AcombFest next year!” 

Community activities include a community cinema at Acomb Explore library and spoken word at Books & Bevs. Acomb Methodist Church was packed all weekend with an artist market by That Acomb Arty Thing and activities that kept hundreds of families busy.

On September 12, artworks created at the RARE Collective PaintJam will be auctioned off at an event hosted at the Carlton Tavern in aid of SASH. Plans for next year’s follow-up festival will be revealed. 

The festival was shaped by speaking to more than 1,100 residents that co-produced the important theme around returning to nature. Funding was all provided by York and North Yorkshire Combined Authority Vibrant and Sustainable High Street Fund, Great Acomb Community Forum, City of York Council, York St John University, business and the community.

“The Art Of Protest and AcombFest team would like to say a huge thank-you to all involved,” says Jeff Clark. “No matter how big or small, the support and love for the festival has been truly mind blowing. Thank you from the bottom of our hearts.“ 

Secret Link