Category: Festivals

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What’s On in Ryedale, York and beyond. Hutch’s List No. 48, from Gazette & Herald

Mark Kermode Taking part in Aesthetica Short Film Festival’s Beyond the Frame strand at York Theatre Royal. Picture: Julie Edwards Visuals

THE 15th Aesthetica Short Film Festival tops the bill in a week when hauntings and musical buns rise to the occasion, as Charles Hutchinson highlights.

Festival of the week: Aesthetica Short Film Festival, all over York, today to Sunday

NOT so much a film festival as a “screen and media event”, in its 15th year, York’s Aesthetica Short Film Festival is bigger and broader than ever. Not only more than 300 shorts, features, documentaries, animations and experimental films, but also the VR & Games Lab; masterclasses and panels; workshops and roundtables; networking and pitching; Listening Pitch premieres; the inaugural New Music Stage and Aesthetica Fringe shows; Beyond the Frame events at York Theatre Royal; the UNESCO City of Media Arts EXPO and the Podcasting strand. For the full programme and tickets, go to: asff.co.uk.

Mary Gauthier: Playing Pocklington Arts Centre tonight

Troubadour of the week: Mary Gauthier, Pocklington Arts Centre, tonight, 7pm

MARY Gauthier hung up her chef’s coat to move to Nashville at 40 to start a troubadour career, going from open-mic gigs to playing Newport Folk Festival a year later. Twenty-five years ago, this courageous lesbian songwriter’s groundbreaking debut album Drag Queens In Limousines announced: “Drag queens in limousines, nuns in blue jeans, dreamers with big dreams, they all took me in.”

The song has become an anthem for anyone who has ever felt like an outsider: as it turns out, all of us. It is typical of her deeply personal, yet paradoxically universal work, written in reaction to what matters most to her, as Gauthier expresses boldly what is often too hard for us to say. Box office:  01759 301547 or pocklingtonartscentre.co.uk.

Bugsy at the double: Zachary Stoney, from Team Malone, left, and Dan Tomlin, from Team Bugsy, in Pick Me Up Theatre’s Bugsy Malone

Young performers of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of more than 40 young performers in Alan Parker and Paul Williams’s musical, replete with the film songs You Give A Little Love,  My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand Slam and Bugsy Malone.

In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.

David Sturzaker’s Gareth Southgate giving a team talk in James Graham’s Dear England, on tour at Leeds Grand Theatre

Sporting drama of the week: National Theatre in Dear England, Leeds Grand Theatre, until Saturday, kick-off at 7.30pm plus 2pm Wednesday, Thursday and Saturday matinees

JAMES Graham’s Olivier Award-winning play (and forthcoming television drama) takes its name from revolutionary England football  manager Gareth Southgate’s open letter during the Covid-19 pandemic.

David Sturzaker plays Southgate, Samantha Womack, team psychologist Pippa Grange, in this “inspiring, at times heart-breaking and ultimately uplifting story” of England, penalties, lost finals and a new-found national identity. Box office: 0113 243 0808 or leedsheritagetheatres.com.

Ben Rosenfield and Laura McKeller in Neon Crypt and The Deathly Dark Tours’ The Wetwang Hauntings – Live!

Halloween horrors and jump scares of the week: Neon Crypt and The Deathly Dark Tours in The Wetwang Hauntings – Live!, Theatre@41, Monkgate, York, Monkgate, York, until Saturday, 7.30pm plus 2.30pm Saturday matinee

BETWEEN 1986 and 1993, a series of often violent hauntings rocked the small Yorkshire town of Wetwang. The cases went cold and all the records were lost…until now! Join York ghost walk guide Dr Dorian Deathly and his team as they dig into the history and horrors of these cases. “This show is not for the faint of heart,” he forewarns. Suitable for age 13 upwards. Box office: tickets.41monkgate.co.uk.

Jessica Shaw’s Forms Of Water, on show at Pocklington Arts Centre

Ryedale exhibition of the week: Jessica Shaw, Forms Of Water, Helmsley Arts Centre, until February 27 2026

BASED on the edge of the North York Moors, printmaker Jessica Shaw explores the impact of water and ice on landscape, inspired by Leonardo da Vinci’s assertion that “in time and with water, everything changes”. 

Combining screenprint, woodcut, monoprint and etching with diverse media such as gouache and acrylic ink, her work draws from organic patterns and shapes made by water and ice, detailing their effect on the North York Moors National Park’s topography by highlighting the shapes of its high ground and the curls of its rivers, to the ephemeral ice patterns found in puddles and windows in winter.  

Katie Leckey: Directing Griffonage Theatre in Kafka By Candlelight

Deliciously disturbing stories of the week: Griffonage Theatre, Kafka By Candlelight, The House Of Trembling Madness, Lendal, York, tonight to Friday, 6.30pm and 8.30pm  

“NO rest for the week,” say Griffonage Theatre, York’s purveyors of the madcap and the macabre, who are performing Kafka By Candlelight in the cavernous belly of the House Of Trembling Madness cellar as part of Aesthetica Short Film Festival’s debut  Aesthetica Fringe, featuring 25 shows across the city.

This one showcases five of Franz Kafka’s strangest short stories, told disturbingly in the darkness with the audience in masks (optional). “Dare to join us?” they tease. Box office: eventbrite.com/e/kafka-by-candlelight-tickets-1815618316259.

Entwined: Nik Briggs’s cooking copper, Ben, and Harriet Yorke’s carer, Gemma, in York Stage’s York premiere of The Great British Bake Off Musical

York musical premiere of the week: York Stage in The Great British Bake Off Musical, Joseph Rowntree Theatre, York, tonight to Saturday, 7.30pm plus 2.30pm Saturday matinee

BAKING battles, singing sponges and a sprinkling of hilarity is the recipe for York Stage’s York premiere of The Great British Bake Off Musical, rising to the occasion under the direction of Nik Briggs, who also makes a rare stage appearance as one of the Bake Off contestants.

Expect a sweet and savoury symphony of British wit and oven mitts, propelled by a menu of  jazz hands and jubilant original songs that capture the essence of the Bake Off tent, from nerve-wracking technical challenges to triumphant showstoppers. Be prepared for an emotional rollercoaster ride, where cakes crumble, friendships form and dreams become fruitful reality. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Understaffed and overworked: The hotel workforce on clean-up duty in John Godber Company’s Black Tie Ball. Picture: John Godber Company

One helluva party of the week: John Godber’s Black Tie Ball, Pocklington Arts Centre, Thursday to Saturday, 7.30pm plus 2.30pm Saturday matinee

ON the glitziest East Yorkshire fundraising night of the year, everyone wants to be there. The Bentleys are parked, the jazz band has arrived, the magician will be magic, but behind the bow ties, fake tans and equally fake booming laughter lie jealousies and avarice, divorces and affairs, as overdressed upstairs meets understaffed downstairs through a drunken gaze. 

The raffle is ridiculously competitive, the coffee, cold, the service, awful, the guest speaker, drunk, and the hard -pressed caterers just want to go home. Welcome to the Brechtian hotel hell of John Godber’s satirical, visceral comedy drama, as told by the exasperated hotel staff, recounting the night’s mishaps at breakneck speed in the manner of Godber’s fellow wearers of tuxedos, Bouncers. Box office:  01759 301547 or pocklingtonartscentre.co.uk.

Offcut Theatre’s poster for Libby Pearson’s Four By Three

Uplifting mini-dramas of the week: Offcut Theatre in Libby Pearson’s Four by Three, Milton Rooms, Malton, Thursday, 7.30pm

PAULINE, Bill and Martin invite you into parts of their lives through three separate monologues before coming together in a short play in Libby Pearson’s hopeful, uplifting, light-hearted look at the need for human contact.

In The Woman Next Door, is Pauline a lonely, nosey neighbour or a woman full of unfulfilled longing? In Silk FM, Bill runs a very local radio station; catch it on Thursdays, 1pm to 3pm, term-time only. In The Picker, Martin is desperate to be acknowledged for his innovative litter-picking ideas. In Shelved, Pauline, Bill and Martin run a volunteer-led library, where the council may have plans for it, but so do they. Box office: 01653 696240 or themiltonrooms.com.

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More Things To Do in York and beyond the Halloween spooks and ghost train rides. Hutch’s List No. 48, from The York Press

Film critic Mark Kermode: Book talk and gig with his band Dodge Brothers at York Theatre Royal in the Beyond the Frame strand of Aesthetica Short Film Festival 2025. Picture: Julie Edwards Visuals

THE 15th Aesthetica Short Film Festival tops the bill in a week when Sir Gareth Southgate and David Walliams are keen to talk too,  as Charles Hutchinson highlights.

Festival of the week: Aesthetica Short Film Festival, all over York, November 5 to 9

NOT so much a film festival as a “screen and media event”, in its 15th year, York’s Aesthetica Short Film Festival is bigger and broader than ever. Not only more than 300 shorts, features, documentaries, animations and experimental films, but also the VR & Games Lab; masterclasses and panels; workshops and roundtables; networking and pitching; Listening Pitch premieres; the inaugural New Music Stage and Aesthetica Fringe shows; Beyond the Frame events at York Theatre Royal; the UNESCO City of Media Arts EXPO and the Podcasting strand. For the full programme and tickets, go to: asff.co.uk.

Joseph Egan’s club boss Fat Sam from the Team Bugsy cast for Pick Me Up Theatre’s Bugsy Malone

Young swells of the week: Pick Me Up Theatre in Bugsy Malone, Grand Opera House, York, until November 8, 7.30pm, except Sunday and Monday; 2.30pm, both Saturdays and Sunday

LESLEY Hill directs and choreographs York company Pick Me Up Theatre’s cast of more than 40 young performers in Alan Parker and Paul Williams’s Jazz Age musical, replete with the film songs You Give A Little Love,  My Name Is Tallulah, So You Wanna Be A Boxer?, Fat Sam’s Grand Slam and Bugsy Malone.

In Prohibition-era New York, rival gangsters Fat Sam and Dandy Dan are at loggerheads. As custard pies fly and Dan’s splurge guns wreak havoc, penniless ex-boxer and all-round nice guy Bugsy Malone falls for aspiring singer Blousey Brown. Can Bugsy resist seductive songstress Tallulah, Fat Sam’s moll and Bugsy’s old flame, and stay out of trouble while helping Fat Sam to defend his business? Box office: atgtickets.com/york.

Mark Steel: Addressing the leopard in his house at York Theatre Royal tonight

“Leftie, working-class, BBC Radio 4 favourite” comedy gig of the week: Mark Steel: The Leopard In My House, York Theatre Royal, tonight, 7.30pm

COMEDIAN, nation-travelling radio presenter and writer Mark Steel has not so much an elephant in the room as The Leopard In My House. Under discussion is his battle with throat cancer, one that he is winning (thankfully) and that has spawned his new comedy tour show. Cancer, by the way, has done nothing to dull the edge of Steel’s trademark acute political and cultural observations.

“This show is the story of my year, of wonderful characters and often tricky but bafflingly positive experiences,” says Steel. “Doing the show doesn’t quite make me glad that it happened, but it definitely makes up for it quite a bit”. Box office: 01904 623568 or yorktheatreroyal.co.uk.

The Magpies: Launching new EP at the NCEM

Folk gig of the week: The Magpies, National Centre for Early Music, York, tonight, 7.30pm

THE Magpies, the folk trio that hosts The Magpies Festival at Sutton House, near York, every summer, combine rich harmonies with fiddle-led fire and lyrical storytelling, wherein Bella Gaffney (banjo, vocals), Holly Brandon (fiddle, vocals) and Ellie Gowers (guitar, vocals) meld Anglo and American traditions.

Tonight’s intimate gig marks the launch of this autumn’s EP, The One Thing That I Know. Lead single Painted Pony is a stirring tribute to the St John and St Lawrence rivers of Canada: a song that flows with memory, movement and the quiet majesty of nature’s imprint. Box office for returns only: 01904 658338 or ncem.co.uk.

George Stagnell in the short film Bomb Happy, part of an Everwitch Theatre double bill

Theatre and film memorial of the week: Everwitch Theatre in Bomb Happy VE Day double bill, Milton Rooms, Malton, Sunday, 3pm

PRESENTED in the lead-up to Remembrance Sunday, whose focus this year falls on 80th anniversary of VE Day, Bomb Happy has been created by writer-performer Helena Fox and actor-vocalist Natasha Jones, of Everwitch Theatre.

From D-Day to VE Day, this powerful one-hour double bill of live performance (30 minutes) and short film (30 minutes) brings to life the verbatim accounts of two working-class Yorkshire Normandy veterans, highlighting the lifelong impact of post-traumatic stress disorder and sleep trauma, not only on war veterans but on their families too. Box office: 01653 696240 or themiltonrooms.com.

Leading light Mad Alice: Welcoming passengers to her Ghost Train on the North Yorkshire Moors Railway

Train ride of the week: Mad Alice’s Ghost Train, North Yorkshire Moors Railway, Pickering Station, Sunday, 6.15pm and 8pm

JOIN York ghost walk hostess Mad Alice as she takes a spine-tingling ghost-train ride through the haunted heart of the North York Moors from Pickering to Levisham and back again in an hour-long eerie adventure. “I’ll be joined by Jonny Holbek, from York Light Opera Company, and professional actor Joe Standerline to help me tell stories in the carriage,” says Mad Alice. “Plus a few extra ‘ghosts’, who are actually either NYMR volunteers or York Light members – and even my own niece!”

All on board to learn of the mysterious ghosts that still haunt the carriages and stations; hear of supernatural tales and folklore of the land, and enjoy a special retelling of Charles Dickens’s ghost story, The Signal Man, all while sipping Mini Mad Alice’s Bloody Orange Gin & Tonic from York Gin (age 18 upwards). Box office for waiting list only: nymr.co.uk/Event/ghosttrain.

Sir Gareth Southgate: Discussing his new book Dear England at York Barbican…and the subject of James Graham’s play of that title at Leeds Grand Theatre

Ex-England manager at the double: In Conversation with Gareth Southgate, Lessons In Leadership, York Barbican, November 3, 7.30pm;  National Theatre in Dear England, Leeds Grand Theatre, November 4 to 8, kick-off at 7.30pm plus 2pm Wednesday, Thursday and Saturday matinees

SIR Gareth Southgate, of Swinsty Hall, Fewston, Harrogate, makes the comparatively short trip to York Barbican to discuss his eight years of leading England’s footballers on the world stage with a revolutionary management style that combined calm empathy with mental resilience, courageous integrity with strong accountability.

David Sturzaker’s Gareth Southgate, in trademark waistcoat, in James Graham’s play Dear England, on tour at Leeds Grand Theatre. Picture: Mark Brenner

He will discuss his new book Dear England: Lessons In Leadership, a title shared with James Graham’s Olivier Award-winning play (and forthcoming television drama) that takes its name from Southgate’s open letter during the Covid-19 pandemic.

David Sturzaker plays Southgate, Samantha Womack, team psychologist Pippa Grange, in this “inspiring, at times heart-breaking and ultimately uplifting story” of England, penalties, lost finals and a new-found national identity. Box office: York, yorkbarbican.co.uk; Leeds, 0113 243 0808 or leedsheritagetheatres.com.

David Walliams: An evening of frank chat and outrageous anecdotes at York Barbican. Picture: Charlie Clift

Candid comedic conversation of the week: An Evening With David Walliams, York Barbican, November 4, 7.30pm

SKETCH comedian, prolific author, talent show judge and English Channel swimmer David Walliams presents an evening of laughter, storytelling and surprises, discussing his Little Britain breakthrough,  Come Fly With Me and his days on Britain’s Got Talent.

Expect the stories behind legendary TV sketches and reflections on his myriad books and the highs and lows of a career. Prepare for candid conversation and outrageous anecdotes, topped off with the chance to put questions to Walliams in the Q&A. Box office: yorkbarbican.co.uk.

Ben Rosenfield and Laura McKeller in The Wetwang Hauntings – Live. Picture: Emma Warley

Halloween horrors and jump scares of the week: Neon Crypt & The Deathly Dark Tours present The Wetwang Hauntings – Live!, Theatre@41, Monkgate, York, November 4 to 8, 7.30pm plus 2.30pm Saturday matinee

BETWEEN 1986 and 1993, a series of often violent hauntings rocked the small Yorkshire town of Wetwang. The cases went cold and all the records were lost…until now! Join York ghost walk guide Dr Dorian Deathly as the Neon Crypt and The Deathly Dark Tours team digs into the history and horrors of these cases. “This show is not for the faint of heart,” he forewarns. Suitable for age 13 upwards. Box office: tickets.41monkgate.co.uk.

Nik Briggs: York Stage director back on stage to play a contestant in The Great British Bake Off Musical

York musical premiere of the week: York Stage in The Great British Bake Off Musical, Joseph Rowntree Theatre, York, November 5 to 8, 7.30pm plus 2.30pm Saturday matinee

BAKING battles, singing sponges and a sprinkling of hilarity is the recipe for York Stage’s York premiere of The Great British Bake Off Musical, rising to the occasion under the direction of Nik Briggs, who also makes a rare stage appearance as one of the Bake Off contestants.

Expect a sweet and savoury symphony of British wit and oven mitts, propelled by a menu of  jazz hands and jubilant original songs that capture the essence of the Bake Off tent, from nerve-wracking technical challenges to triumphant showstoppers. Be prepared for an emotional rollercoaster ride, where cakes crumble, friendships form and dreams become fruitful reality. Box office: 01904 501935 or josephrowntreetheatre.co.uk.

Katie Leckey: Directing Griffonage Theatre’s three nights of Kafka’ strangest short stories in the House of Trembling Madness cellar in Lendal

Deliciously disturbing stories of the week: Griffonage Theatre, Kafka By Candlelight, The House Of Trembling Madness, Lendal, York, November 5 to 7. 6.30pm and 8.30pm  

“NO rest for the week,” say Griffonage Theatre, York’s purveyors of the madcap and the macabre, who are performing Kafka By Candlelight in the cavernous belly of the House Of Trembling Madness cellar as part of Aesthetica Short Film Festival’s debut  Aesthetica Fringe, featuring 25 shows across the city.

This one showcases five of Franz Kafka’s strangest short stories, told disturbingly in the darkness with the audience in masks (optional). “Dare to join us?” they tease. Box office: eventbrite.com/e/kafka-by-candlelight-tickets-1815618316259.

York actor, writer and director Constance Peel: Presenting Service Please at Aesthetica Fringe 2025

In Focus: Introducing Constance Peel, Service Please, Aesthetica Fringe, Rise@Bluebird Bakery, Acomb Road, Acomb, York, November 4 and 7, 8.30pm; Micklegate Social, Micklegate, York, November 9, 2pm and 8pm

CONSTANCE (Connie) Peel, York-born director, producer, writer and performer, will present her debut one-woman show Service Please as part of the inaugural Aesthetica Fringe.

“I’ve been working as an assistant director and performer in theatre professionally for the past two years, since graduating from the University of York,” says Connie, 24. “This show explores the reality of working in hospitality, including the harassment and sexism you can face as a young woman.”

Service Please is billed as “a relatable and comedic monologue that follows Lara, a creative writing graduate, who hopes to write the next best-selling fantasy romance novel. There’s only one thing standing in her way, her casual waitressing job that keeps the money coming in.”

“We’ve all been there, but Lara wasn’t ready for the stressful and chaotic reality of working in the service industry,” says Connie, introducing her monodrama. “Can Lara keep her sanity and get her big writing break or will she crumble under the pressure of understaffed shifts, creepy comments and customers who say their only food allergies are ‘women’?”

Hospitality is the fastest-growing economic sector, worth £93 billion to the UK economy. “But it’s under severe pressure with more than 100,000 job losses predicted by the time of this month’s Budget, due to National Insurance rises (according to UK Hospitality),” says Connie.

“It’s evident working in the sector that to continue profits and keep up with the cost of living, food prices and discounts both need to increase while labour hours decrease. Being a server has never been more stressful and unpredictable and this experience (as other working-class experiences) is so often overlooked by theatre.” 

Sexual harassment is an epidemic in the hospitality industry too, says Connie. “As many as 47 per cent of workers having experienced it – and 69 per cent witnessed it in 2021 (Culture Shift).

“These statistics, though informative, mask the personal cost to the individuals harassed and abused. My play presents interpretations of my own personal experiences, including those with harassment, and they’re an unfortunate part of the job when working as a waitress.

“They shouldn’t be, and awareness of this experience even in Fringe-scale theatre is always beneficial to the cause.” 

Lastly, says Connie, Service Please tells the story of an artist with no clear way into her industry. “This is the most personally accurate part of my script. I wrote and performed the 50-minute monologue while producing and marketing it alone for its six-day debut run at the world-famous Edinburgh Fringe, where it won plaudits from critics and top reviews.

“Though this is hopeful for creatives, both in the execution of the play and my own story behind it, I wanted to show the emotional toll of struggling as an artist, especially as in the past five years there has been one third fewer art jobs (directly impacting my career).

“It was important that I brought this show back to where my career started, in York where I graduated from the University of York and where I’ve been working for the past three years between York and Leeds. I hope this production and my story makes people see the importance of a small-scale play like this in today’s society.” 

For tickets, go to: ticketsource.co.uk.

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Why York’s Aesthetica Short Film Festival is now a five-day screen and media event

Aesthetica Short Film Festival director Cherie Federico

THE 15th Aesthetica Short Film Festival, York’s festival of storytelling, creativity and culture, will run from November 5 to 9 in a celebration of film, art and innovation.

The festival has become a transformative force for the creative industries in York, the UNESCO City of Media Arts. Over its 15-year history, the festival has grown from a niche celebration of short films into an internationally recognised event that drives economic, cultural and social impact across York, the North and the UK.

“Beyond screenings, Aesthetica shows us what we can achieve as a city and region, opening doors and creating opportunities for emerging and established creatives alike,” says festival founder and artistic director Cherie Federico. “It brings fresh perspectives, proving that world-class creative innovation does not have to be London-centric.

“By attracting filmmakers, musicians, media artists and industry professionals from around the globe, the festival creates a platform for collaboration, professional development and experimentation.

“It positions York as a hub for cutting-edge media arts, immersive experiences and industry-leading conversations, while championing the UK’s creative industries and nurturing bold new voices.”

Reflecting on 15 years of Aesthetica Short Film Festival, Cherie says: “The festival started 15 years ago as an idea to screen amazing talent in a city that had never had a film festival before. It was an incredible opportunity to break new ground.

“Over the years, it has grown into a globally recognised platform, attracting submissions from more than 80 countries and programming across film, animation, VR, games, podcasts and media arts.

“York itself has grown alongside the festival, evolving into an internationally visible hub for creativity. The festival now bridges traditional cinema with innovative storytelling, offering audiences and industry professionals alike a space to discover, collaborate and experiment.”

Picking the festival’s greatest achievement, Cherie says: “We’ve proved that something of this scale and ambition can thrive outside London. From York, a city traditionally celebrated for its heritage, rather than contemporary creative industries, Aesthetica has built a platform with real global reach.

“For 22 years, it has published and supported independent art and film through the Aesthetica Art Prize, curated programmes and festival screenings, connecting creators from around the world with audiences, industry and media.

“It opens doors to new perspectives and possibilities, showing the city – and the wider UK – what can be achieved with ambition, creativity and vision.”

Mark Kermode: Participating in Aesthetica Short Film Festival 2025 with a talk and a concert by his band Dodge Brothers. Picture: Julie Edwards Visuals

Cherie continues: “Launching initiatives such as the UK Film Production Summit, immersive media labs and national education strands demonstrates how Aesthetica embraces York as a place of innovation, bringing the world to the city, rather than expecting everyone to come to traditional hubs.

“The festival consistently champions bold, original voices, elevates independent arts and merges cultural, social, and economic impact, while showing that excellence in creative industries is not limited to London.”

Beyond being a film festival, the annual event continues to evolve its identity. “The festival has grown beyond a traditional film festival to celebrate all forms of screen and media arts,” highlights Cherie.

“With strands covering VR [virtual reality], gaming, podcasts, music and interactive media, the festival reflects the evolving landscape of storytelling. While a name change could emphasise this broader remit, the festival’s established brand carries heritage, international recognition and prestige. The programming itself now embodies the expansion, giving audiences a rich, multidisciplinary experience.”

Among the initiatives for 2025 is the Beyond The Frame strand of wider programming. “Our Fringe programme’s expansion into Beyond The Frame reflects the festival’s commitment to experimental, cross-disciplinary and interactive media,” says Cherie.

“Partnering with York Theatre Royal, it offers audiences immersive live experiences, combining performance, film and storytelling in innovative ways. Highlights include comedy from Sophie Duker, screenings from Silent Cinema, and special industry talks with Mark Kermode, among others.”

“Beyond The Frame demonstrates the festival’s ambition to push creative boundaries, attract diverse audiences, and provide a platform for both emerging talent and established international artists. It shows York what is possible creatively, blending heritage venues with cutting-edge programming and reinforcing the festival’s role in opening doors and offering new perspectives beyond London.”

This festival may have an international reach but it celebrates York’s identity too, being as much a festival for York and about York as it is a magnet for overseas talent and visitors.

“While the Aesthetica Film Festival has grown into a truly international platform – attracting submissions and participants from more than 60 countries – it remains deeply rooted in York,” says Cherie.

“Local schools, creative hubs and venues are central to the festival experience, ensuring it celebrates the city’s culture alongside global talent. Aesthetica shows York what it can achieve, opening doors to new opportunities and perspectives that are not London-centric.

“By connecting York-based creatives with international filmmakers, musicians, media artists and industry professionals, it provides exposure, networks, and inspiration that would otherwise be less accessible outside traditional industry hubs.”

Cherie continues: “Our initiatives such as Filmmaking in Schools, the New Music Stage, VR and Games Lab and the UNESCO City of Media Arts EXPO at the Guildhall ensure that local talent benefits from international engagement.

Aesthetica Short Film Festival: A hub of creative activity in York for five days each November. Picture: Jim Poyner Photography

“This dual identity strengthens community engagement, supports careers and demonstrates that world-class creative innovation can flourish anywhere in the UK, not just in London.”

Launching the UK Film Production Summit positions the festival at the heart of the British screen industry, says Cherie. “More than 100 production companies, commissioners and development executives – including BBC Films, Film4, Working Title, Warp Films, Paramount, Scott Free, and BFI – converge to tackle pressing industry questions, from AI and virtual production to the rise of streaming platforms.

Mark Herbert, CEO of Warp Films, will headline the summit, bringing with him the weight of critically acclaimed productions such as This Is England, Four Lions, and Adolescence.

“Landmark sessions such as The Future of Production: Scripted, Unscripted, Film, TV & Streaming demonstrate the festival’s strategic influence,” says Cherie. “Hosting the summit in York shows that the festival is no longer just a showcase for films. It’s a national platform shaping the future of UK production.”

Looking forward to Aesthetica 2025, Cherie says: “What I’m most excited to see is the seamless integration of new and traditional media across the programme, which reflects the festival’s forward-thinking approach to storytelling.

“The VR and Games Lab pushes the boundaries of immersive and interactive experiences, while the Podcasting strand embraces innovative audio narratives, and the New Music Stage highlights emerging talent and the crossover between sound, performance and media arts.

“Meanwhile, the expansion of Filmmaking in Schools demonstrates the festival’s ongoing commitment to nurturing the next generation, equipping young people with the skills, confidence and opportunities to shape the future of creative industries.

“The UK Film Production Summit is another standout moment. Bringing together the country’s leading producers, commissioners and creative decision-makers in York is both inspiring and transformative.

“These conversations don’t just define what gets made; they influence how stories are told, who gets to tell them, and where creative opportunities can flourish.”

Summing up the ever-growing impact of the Aesthetica Film Festival, Cherie concludes: “The festival offers a dynamic, multi-dimensional experience that celebrates innovation, champions new voices and showcases the full scale, ambition and influence of Aesthetica, positioning York as a hub for creativity and a centre for the future of storytelling in the UK.”

Aesthetica Short Film Festival runs from November 5 to 9 and in a digital extension to November 30. For full details and tickets, go to: asff.co.uk. Find the festival trailer at https://drive.google.com/drive/folders/1Z2zT1QRL9We3cyR5H1tdB0nyy6nmb-DE

The poster for Aesthetica Short Film Festival 2025

More questions for Cherie

What will happen on the New Music Stage?

“DUBBED by many as the UK’s version of SXSW (South By Southwest in Austin, Texas), the New Music Stage is a major innovation for the Aesthetica Film Festival, celebrating emerging musical talent while driving economic, cultural, and social impact for York, the North,and the UK,” says Cherie.

“The stage brings together acts championed by major tastemakers such as BBC Radio 1, BBC 6 Music, RTÉ Radio 1, MOJO and Rolling Stone, offering national and international exposure to artists across genres.

Highlights include Irish singer-songwriter BLÁNID, who has graced RTÉ 1’s The Late Late Show and surpassed one million Spotify streams; Crazy James, celebrated by BBC Introducing; Daisy Gill, who followed her The Voice UK exposure with performances at Glastonbury and the Royal Albert Hall; Dilettante, praised by MOJO and featured at SXSW and The Great Escape, and Ewan Sim, showcased at SXSW London and featured on Spotify Fresh Finds.

Taking part too are Isabel Maria, BBC Introducing One-to-Watch and North East Culture Award winner; Jemma Johnson, whose alt-pop has featured on BBC Radio 1 and Radio X; Kengo, who has earned BBC Introducing support for her introspective hip-hop; Scarborough’s Pleasure Centre, celebrated for their immersive art-rock sound; and Tarian, praised by BBC Radio Wales with millions of listeners.

“By combining live performance with media innovation, the New Music Stage exemplifies the festival’s commitment to championing new voices, supporting creative industries, and positioning York as a vibrant hub for contemporary culture,” says Cherie.

The VR Lab: very much a reality at Aesthetica Short Film Festival

Why has the VR & Games Lab become so integral to ASFF’s expansion?

“Aesthetica is the only festival in the UK to include gaming as part of its public programme, making us a pioneer in showcasing interactive and immersive storytelling to general audiences,” says Cherie.

“As early adopters of VR technology, the festival has championed virtual reality and gaming as vital mediums for the future of storytelling, long before they became mainstream.”

In 2025, the Lab features more than 50 stations for immersive experiences, giving audiences hands-on opportunities to explore narrative innovation, interactive gameplay, and experimental media.

“It provides a space for collaboration, experimentation and learning, enabling developers, artists and audiences to engage directly with cutting-edge technology,” says Cherie.

“This strand reinforces the festival’s reputation as a thought-leader in creative innovation, demonstrating how film, VR and games intersect to push storytelling into bold new territories while engaging the public with emerging media in an accessible and inspiring way.”

Why has Aesthetica introduced the Podcasting strand for the 2025 festival?

“THE introduction of a Podcasting strand reflects the festival’s commitment to embracing different ways of telling stories, responding to the evolving landscape of narrative and media,” says Cherie.

“Aesthetica was the first UK film festival to include this dedicated strand, recognising that podcasts have become a major platform for storytelling, investigative journalism, audio drama and experimental sound art.

“By incorporating this medium, the festival supports creators in developing, showcasing and networking around audio storytelling, providing practical insight into production, distribution and audience engagement.

“This strand not only expands the festival’s creative scope beyond visual media but also celebrates the diversity of contemporary narrative forms, encouraging innovation and experimentation while offering audiences a rich, multi-sensory experience.”

You champion York’s status as a UNESCO City of Media Arts at every opportunity, hence its prominent involvement in the 2025 festival with the UNESCO City of Media Arts EXPO. Discuss…

“Running at the Guildhall from November 6 to 8, it brings together more than 40 creative businesses from film, TV, gaming, VR, design, publishing and interactive media, the EXPO showcases York and North Yorkshire’s role at the forefront of the UK’s creative industries.

“It highlights the economic, cultural, and social impact of the sector, while providing meaningful opportunities for young people and emerging talent.”

The EXPO features such innovative companies as York’s Viridian FX (visual effects for House Of The Dragon), Revolution Games (Broken Sword series), Orillo Productions (Netflix and Amazon Prime collaborations) and Beckview Studios (state-of-the-art recording studio).

Complementing the EXPO are Media Arts exhibitions at York Art Gallery and a vibrant Festival Fringe, turning the city into a living showcase of creativity and innovation.

How important is the Filmmaking in Schools strand?

“The Filmmaking in Schools programme has expanded significantly in 2025, offering workshops, mentorship and screenings for students across York and the wider region,” says Cherie.

“It introduces young people to technical skills, creative storytelling and professional pathways in film and media. This strand demonstrates the festival’s broader commitment to the next generation, ensuring that York’s designation as a UNESCO City of Media Arts is meaningful in practice, not just in title.

“By providing hands-on learning, professional mentorship and exposure to international standards, the programme helps students develop real-world skills, creative confidence and industry awareness.

“It opens doors to future careers in the creative industries, fostering the talent pipeline that underpins the UK’s cultural and economic growth. Through this initiative, Aesthetica not only inspires young people but also showcases how a city can leverage its creative credentials to deliver demonstrable opportunities, nurturing the next generation of filmmakers, media artists and storytellers.”

York Theatre Royal audience on day three of the Aesthetica Short Film Festival 2024
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Top Ten Things To Do at Aesthetica Short Film Festival in York from November 5 to 9

The Aesthetica Short Film Festival 2025 poster

CELEBRATING its 15th anniversary, the Aesthetica Short Film Festival (ASFF) transforms York each November into a vibrant hub of culture and creativity next week.

Over five days, from November 5 to 9, and in a digital extension, from November 5 to 30, the city becomes a global meeting point for filmmakers, musicians, technologists and audiences.

Presenting more than 300 films screening across the city, including many Oscar and BAFTA-qualifying titles, the festival champions bold storytelling and new voices from around the world.

Yet Aesthetica’s reach extends far beyond cinema. Its VR & Games Lab, Podcasting Lounge, Aesthetica Fringe and Beyond the Frame events merge film, music, art, comedy and digital culture into one seamless celebration of creativity.

This year, audiences can expect Sophie Duker’s comedy night, film critic Mark Kermode in conversation, a silent cinema live-score performance and the debut of the New Music Stage: a full music festival within the festival, spotlighting ten breakthrough UK artists in partnership with Universal Music and Caffè Nero.

For York and the wider UK, Aesthetica is a cultural catalyst, connecting York venues, supporting artists, boosting tourism and shining a global light on Yorkshire’s thriving creative economy. Driven by the Aesthetica motto that “it’s only an idea away”, ASFF is proof of what culture and creativity do, opening doors, building communities and expanding how we see the world.

Dodge Brothers, featuring film critic Mark Kermode, second from right: Playing at Aesthetica Short Film Festival

Top Ten  Things To Do

1. Film screenings

EXPERIENCE more than 300 shorts, features, documentaries, animations and experimental films from across the globe. Many of these titles are Oscar and BAFTA-qualifying, giving audiences a first look at the filmmakers of the future.

Attend the Makers’ Forum to hear from directors and producers, discover new cinematic voices and celebrate bold, thought-provoking storytelling that pushes boundaries and challenges perspectives.

2. VR & Games Lab

STEP into the future of storytelling. The VR & Games Lab invites audiences to explore cutting-edge works in virtual, augmented and mixed reality, plus innovative indie games. Engage with immersive environments, interactive narratives and demonstrations from the frontier of creative technology. Learn how artists are merging code, design and emotion to reinvent what it means to experience a story.

3. Masterclasses & Panels

AESTHETICA’S  industry sessions feature icons and innovators from Ridley Scott Associates, Aardman, BBC, Film4 and Framestore. Gain insight into the craft and business of filmmaking, from production design and cinematography to pitching, funding and post-production.

Highlights include Behind the Scenes of Gladiator, Napoleon and Alien and Film4’s From Shorts to Features. Ideal for anyone serious about their creative career.

4. Workshops & Roundtables

GET hands-on with practical sessions designed for filmmakers, producers and writers. From screenwriting labs and pitching clinics to discussions on funding, diversity and distribution, these workshops provide actionable advice from professionals. The roundtable format encourages open dialogue and peer learning: the right space to test ideas, ask questions and gain valuable mentorship.

The Games Lab at the Aesthetica Short Film Festival 2025

5. Networking & Pitching

MEET producers, commissioners and collaborators at Aesthetica’s networking events and UK Film Production Summit, featuring more than 150 companies. Speed-pitching sessions and informal meet-ups give you a chance to share your ideas, find partners and make connections that could propel your next project forward. This is where creative relationships and future deals are born.

6. Parties & Socials

WHEN the lights go down, the city comes alive. Aesthetica’s parties are legendary: relaxed, welcoming spaces where creatives from film, music, gaming and art collide.

Whether you are winding down after a screening or celebrating a new collaboration, the festival’s social scene is where friendships form, ideas spark and stories continue long into the night.

7. Listening Pitch premieres

NOW in its fifth year, the Listening Pitch shines a spotlight on the future of audio documentary. Aesthetica has commissioned ten original documentaries through this pioneering programme, and this year marks the premiere of three new projects.

Previous commissions have gone on to screen at SXSW and Sundance and been acquired by The Guardian. This is the place to discover bold new documentary talent, with live presentations, audience Q&As and an atmosphere that celebrates the art of sound and story.

Comedian Sophie Duker: Celebrating female voices in the festival’s Beyond the Frame strand at York Theatre Royal

8. New Music Stage

FEATURING a line-up of some of the UK and Ireland’s most exciting emerging artists, the New Music Stage blends film and sound in thrilling ways. This year’s acts include BLÁNID, Crazy James, Daisy Gill, Dilettante, Ewan Sim, Isabel Maria, Jemma Johnson, Kengo, Pleasure Centre and Tarian: artists championed by BBC Radio 1, BBC 6 Music, RTÉ Radio 1, MOJO and Rolling Stone.

With performances spanning Glastonbury, The Late Late Show, SXSW and The Great Escape, this new stage celebrates the shared rhythm of cinema and song.

9. Beyond the Frame

STEP beyond the screen and into live performance. Highlights include Sophie Duker & Friends, a comedy night celebrating female voices; Mark Kermode in conversation with Jenny Nelson on film music, and a Silent Cinema & Live Score by The Dodge Brothers with Neil Brand and Mark Kermode. These events blur the lines between film, performance and criticism – cinematic storytelling at its most alive.

10. Aesthetica Fringe

RUNNING city-wide, the Fringe transforms York into an open-air gallery. Expect art installations, theatre, DJ sets, exhibitions and surprise pop-ups across independent venues. The Fringe brings York and international artists together, inviting audiences to see the city through a creative lens in a celebration of community, experimentation and the energy that fuels York’s cultural heartbeat.

Aesthetica Short Film Festival invites you to “be part of the story”. “Whether you’re a filmmaker, musician, gamer or culture-lover, our 2025 festival is your invitation to experience creativity without limits,” says festival director Cherie Federico. “Join us in York and be part of a global conversation about the future of storytelling.”

For the full festival programme and tickets, go to: www.asff.co.uk.

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York supernatural thriller writer C.M. Vassie to launch SCRAVIR III – Possession at bookshops over Whitby Goth Weekend

The poster for York supernatural thriller author C.M. Vassie’s book launch of SCRAVIR III – Possession at the Whitby Shop this evening

THE third book in York author C.M. Vassie’s SCRAVIR trilogy of Whitby supernatural thrillers will be launched at  a 5pm to 7pm signing session this evening at the Whitby Shop, on Church Street, amid the buzz of Whitby Goth Weekend.

Further book signings for SCRAVIR III – Possession will follow at the same shop tomorrow at 2pm to 4pm and Whitby Bookshop, on Church Street, on Sunday from 12 noon to 2pm.

Then, as part of the first Whitby Literature Festival Fringe, Vassie will hold a book signing/meet & greet session at Holman’s bookshop, on Skinner Street, on November 8 from 2pm to 4pm.

He is not only an author but also the City of York councillor for Wheldrake with a long back story as a music composer for the BBC too. 

“While the SCRAVIR books are dark and nasty, they are nowhere as dark or as nasty as local politics,” says Liberal Democrats Councillor Christian Vassie/author C.M. Vassie.

York author C.M. Vassie in 1820s’ attire at the Whitby launch of his time-travelling book The Whitby Trap. Now comes his third SCRAVIR thriller, Possession

SCRAVIR is a contemporary gothic horror story that serves up a thriller and a police detective story too. Set in Whitby and Romania, its protagonists are a London youth and a Whitby lass who works in a fish-and-chip shop. The nemesis is a Goth music star and the action takes place over Whitby Goth Weekend when emaciated bodies appear on streets in the old town. 

The original book, SCRAVIR – While Whitby Sleeps appeared in the summer of 2021; the second, SCRAVIR II – Lacklight, published in 2023, continued the gothic horror story.  

Vassie also wrote the time-travelling adventure The Whitby Trap. SCRAVIR III – Possession will retail at £10.99.

The book cover to C.M. Vassie’s SCRAVIR III – Possession

Did you know?

HOLMAN’S bookshop is celebrating its 105th anniversary over Whitby Goth Weekend, an occasion marked by the launch of owner Angela O’Connor’s commemorative book, Holman’s, Whitby’s Time Travelling Bookshop, charting the bookshop’s history.

“Angela spent a great deal of time researching at the Whitby Museum, talking with relatives and other shop keepers along the street,” says C.M. Vassie.

“Having spent days in the Whitby Museum researching for my time-travelling story The Whitby Trap, I know how difficult it can be extracting stuff from the archives!

“Interestingly, three members of staff have covered the entire 105 years of Holman’s existence, the last lady retiring earlier this year after nearly half a century at the shop.”

Full interview with C.M. Vassie to follow.

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What’s On in Ryedale, York and beyond. Hutch’s List No.45, from Gazette & Herald

Courtney Brown: Directing Pickering Musical Society for the first time in My Favourite Things – The Music of Rodgers & Hammerstein. Picture: Robert David Photography

FROM Rodgers & Hammerstein favourites to Caliban’s dancing revenge, Francis Rossi’s songs and stories to German beer festivities, Charles Hutchinson delights in October’s diversity.

Musical revue of the week: Pickering Musical Society presents My Favourite Things – The Music of Rodgers & Hammerstein, Kirk Theatre, Pickering, tonight  to Sunday, 7.30pm plus 2.30pm Saturday matinee

LONG-TIME member Courtney Brown directs Pickering Musical Society for the first time in My Favourite Things – The Music of Rodgers & Hammerstein, a showcase of the very best of Broadway’s most iconic songwriting partnership.

As well as the cheeky charm of Honey Bun, the playful fun of The Lonely Goatherd and the rousing barn-dance energy of The Farmer And The Cowman, the show feature songs from The Sound Of Music, Oklahoma!, Carousel, South Pacific and The King And I. Dancers from the Sarah Louise Ashworth School of Dance take part too. Box office: 01751 474833 or kirktheatre.co.uk.

Eddi Reader: Playing York for the first time in seven years at The Citadel

Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, tonight, 7.30pm

EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.

Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.

Banjo at the double: Damien O’Kane and Ron Block team up at the NCEM, York

Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, tonight, 7.30pm

GROUNDBREAKING  banjo players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.

O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.

Francis Rossi: Shaking up the Status Quo with songs and stories at York Barbican. Picture: Jodiphotography

Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, tomorrow, 7.30pm

IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why Quo went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.

Natnael Dawit in Shobana Jeyasingh Dance’s We Caliban at York Theatre Royal. Picture: Foteini Christofilopoulou

Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, Friday, 7.30pm (with post-show discussion) and Saturday, 2pm and 7.30pm

SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.

Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk. 

John Bramwell: Playing solo in Pocklington

As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, Friday, 8pm

HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.

His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Sam Moss: Heading out on to the moors at The Band Room. Picture: Jake Xerxes Fussell

Moorland gig of the week: Sam Moss, The Band Room, Low Mill, Farndale, North York Moors, Saturday, 7.30pm

FINGERPICKING folk virtuoso guitarist, songwriter and multi-instrumentalist Sam Moss heads to the North York Moors this weekend from Staunton, Virginia, USA, to showcase his February 2025 album Swimming, championed by the scribes of Uncut, No Depression and Paste and Los Angeles online magazine Aquarium Drunkward, no less. “For the record, he is a renowned woodworker too, particularly celebrated for his incredible spoons,” says Band Room promoter Nigel Burnham. Sofa Sofa support (as sofas always do!). Box office: 01751 432900 or thebandroom.co.uk.

Drag diva Velma Celli lights up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor

Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, Saturday, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm

MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.

The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.

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More Things To Do in York and beyond monsters, ghosts, banjos and bratwurst. Hutch’s List No. 45, from The York Press

Anna Soden: No bum deal, bum steer or bum’s rush, for that would be a bummer at tonight’s hour of comedy, It Comes Out You Bum, at The Old Paint Shop

FROM royal history re-told to Dickens’ ghost stories, magical monsters to banjo brilliance, Charles Hutchinson delights in October’s diversity.

Homecoming of the week: Anna Soden, It Comes Out Your Bum, The Old Paint Shop, York Theatre Royal Studio, tonight, 8pm

NOW based in Brighton but very much shaped in York, comedian, actor, writer, TikTok sensation and award-nominated Theatre Royal pantomime cow in Jack And The Beanstalk, Anna Soden delivers her debut hour of madcap comedy, full of brainwaves, songs, revenge and talking out your ass. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Robin Simpson: Monster storyteller and York Theatre Royal pantomime dame, performing at Rise@Bluebird Bakery

Spooky entertainment of the week: Robin Simpson’s Magic, Monsters And Mayhem!, Rise at Bluebird Bakery, Acomb, York, Sunday, doors 4pm

YORK Theatre Royal pantomime dame Robin Simpson – soon to give his Nurse Nellie in Sleeping Beauty this winter – celebrates witches, wizards, ghosts and goblins in his storytelling show.

“The audience is in charge in this interactive performance, ideal for fans of spooky stories and silly songs,” says Robin. “The show is perfect for Years 5 and upwards, but smaller siblings and their grown-ups are very welcome too.” Tickets: bluebirdbakery.co.uk/rise.

Out for revenge: Henry VIII’s wives turn the tables in SIX The Musical, returning to the Grand Opera House, York, from Tuesday. Picture: Pamela Raith

Recommended but sold-out already: SIX The Musical, Grand Opera House, York, October 14 to 18; Tuesday & Thursday, 8pm; Wednesday & Friday, 6pm and 8.30pm; Saturday, 4pm and 8pm

FROM Tudor queens to pop princesses, the six wives of Henry VIII take to the mic to tell their tales, remixing 500 years of historical heartbreak into an 80-minute celebration of 21st century girl power. Think you know the rhyme? Think again. Divorced. Beheaded. LIVE!

Lucy Moss and Toby Marlow’s hit show is making its third visit to York, but it’s third time unlucky if you haven’t booked yet. Like Anne Boleyn’s head, every seat has gone.

Eddi Reader: Performing with her full band at The Citadel

Seven-year itch of the week: Hurricane Promotions presents Eddi Reader, The Citadel, York City Church, Gillygate, York, October 15, 7.30pm

EDDI Reader, the Glasgow-born singer who fronted Fairground Attraction, topping the charts with Perfect, also has ten solo albums, three BRIT awards and an MBE for Outstanding Contributions to the Arts to her name.

Straddling differing musical styles and making them her own, from the traditional to the contemporary, and interpreting the songs of Robert Burns to boot, she brings romanticism to her joyful performances, this time with her full band in her first show in York for seven years. Eilidh Patterson supports. Box office: ticketsource.co.uk.

Damien O’Kane and Ron Block: Banjovial partnership at the NCEM

Banjo at the double: Damien O’Kane and Ron Block Band, The Banjovial Tour, National Centre for Early Music, York, October 15, 7.30pm

GROUNDBREAKING  banjo  players Damien O’Kane and Ron Block follow up their Banjophony and Banjophonics albums with this month’s Banjovial and an accompanying tour.

O’Kane, renowned for his work with Barnsley songstress Kate Rusby, is a maestro of Irish traditional music, here expressed on his Irish tenor banjo; Block, a key component of Alison Krauss & Union Station, infuses his signature five-string bluegrass banjo with soulful depth and rhythmic innovation. Together, their styles intertwine in an exhilarating dance of technical mastery. Box office: 01904 658338 or ncem.co.uk.

Francis Rossi: Solo show of song and chat at York Barbican. Picture: Jodiphotography

Hits and titbits aplenty: An Evening of Francis Rossi’s Songs from the Status Quo Songbook and More, York Barbican, October 16, 7.30pm

IN his one-man show, Status Quo frontman Francis Rossi performs signature Quo hits, plus personal favourites and deeper cuts, while telling first-hand backstage tales of appearing more than 100 times on Top Of The Pops, why they went on first at Live Aid, life with Rick Parfitt, notching 57 hits, fellow stars and misadventures across the world. Box office: yorkbarbican.co.uk.

James Swanton: Halloween beckons, so here comes his double bill of Dickens’ ghost stories at York Medical Society. Picture: Jtu Photography

Ghost stories of the week: James Swanton presents The Signal-Man, York Medical Society, Stonegate, York, October 16, 17, 20 to 23, 7pm; October 27 and 28, 5.30pm and 7.30pm

A RED light. A black tunnel. A waving figure. A warning beyond understanding. Here comes the fear that  someone, that something, is drawing closer. Gothic York storyteller James Swanton returns to York Medical Society with The Signal-Man, “one of the most powerful ghost stories of all time and certainly the most frightening ever written by Charles Dickens”.

Swanton pairs it with The Trial For Murder, wherein Dickens treats the supernatural with just as much terrifying gravity. Tickets update: all ten performances bar October 21 have sold out. Box office: 01904 623568 or yorktheatreroyal.co.uk.

Natnael Dawitin in Shobana Jeyasingh Dance’s We Caliban, on tour at York Theatre Royal. Picture: Foteini Christofilopoulou

Dance show of the week: Shobana Jeyasingh Dance in We Caliban, York Theatre Royal, October 17, 7.30pm (with post-show discussion) and October 18, 2pm and 7.30pm

SHOBANA Jeyasingh turns her sharp creative eye to Shakespeare’s final play The Tempest in a new co-production with Sadler’s Wells. A tale of power lost and regained, the play is the starting point for Jeyasingh’s dramatic and contemporary reckoning, We Caliban.

Written as Europe was taking its first step towards colonialism, The Tempest is Prospero’s story. We Caliban is Caliban’s untold story that started and continued long after Prospero’s brief stay. Performed by eight dancers, complemented by Will Duke’s projections and Thierry Pécou’s music, this impressionistic work draws on present-day parallels and the international and intercultural discourse around colonialism, as well as Jeyasingh’s personal experiences. Box office: 01904 623568 or yorktheatreroyal.co.uk.

John Bramwell: Playing solo in Pocklington

As recommended by Cate Blanchett: John Bramwell, Pocklington Arts Centre, October 17, 8pm

HYDE singer, song-spinner and sage John Bramwell, leading light of Mercury Prize nominees I Am Kloot from 1999 to 2014 and screen goddess Cate Blachett’s “favourite songwriter of all time”, has been on a never-ending rolling adventure since his workings away from his cherished Mancunian band.

His sophomore solo album, February 2024’s The Light Fantastic, will be at the heart of his Pocklington one-man show. . “After both my mum and dad died, I started writing these songs to cheer myself up,” Bramwell admits with trademark candour. “The themes are taken from my dreams at the time. Wake up and take whatever impression I had from what I could remember of my dream and write that.” He promises new material and Kloot songs too. Box office: 01759 301547 or pocklingtonartscentre.co.uk.

Velma Celli: York drag diva lighting up Yorktoberfest at York Racecourse. Picture: Sophie Eleanor

Festival of the week: Yorktoberfest, Clocktower Enclosure, York Racecourse, Knavesmire, York, October 18, 1pm to 5pm and 7pm to 11pm; October 24, 7pm to 11pm; October 25, 1pm to 5pm and 7pm to 11pm

MAKING its debut in 2021, Yorktoberfest returns for its fifth anniversary with beer, bratwurst and all things Bavarian. Step inside the giant marquee, fill your stein at the Bavarian Bar with beer from Brew York and grab a bite from the German-inspired Dog Haus food stall.

The Bavarian Strollers oompah band will perform thigh-slapping music and drinking songs; York drag diva Velma Celli will add to the party atmosphere with powerhouse songs and saucy patter. Doors open at 6.30pm and 12.30pm. Tickets: ticketsource.co.uk/yorktoberfest.

In Focus: Charlie Higson and Jim Moir: A Very Short But Epic History Of The Monarchy, York Theatre Royal, Oct 13, 7.30pm

In the frame: Author Charlie Higson and artist Jim Moir discuss royalty and comedy at York Theatre Royal on Monday

36 kings. Five queens. Two comedy legends. Join Charlie Higson and Jim Moir (alias Vic Reeves) for the rip-roaring story of every English ruler since Harold was shot in the eye at the Battle of Hastings.

Higson has always been interested in the story of the fabled English monarchy: from the b*stardly to the benevolent,the brilliant to the brutal. “Far from being a nice, colourful pageant of men and women in funny hats waving to adoring crowds, it’s a story of regicide, fratricide, patricide, uxoricide and mariticide (you might have to look those last two up),” he says.

Launched for the coronation of his namesake King Charles III, Charlie’s podcast Willie, Willie, Harry, Stee takes a deep dive into the murky lives of our monarchs. Now, his new book of the show features illustrations by artist Jim Moir, his compadre in comedy.

On Monday, Charlie and Jim will first share stories from their comic collaborations over 30 years, including Shooting Stars, Randell And Hopkirk Deceased and The Smell Of Reeves and Mortimer. Then they will take the plunge into the storied history of this most treasured of institutions. Bloody treachery? Check. Unruly incest? Check. Short parliaments? Check. A couple of Cromwells? Check.

Their rip-roaring journey takes in the Normans, Tudors and Stuarts, not to mention the infamous Blois (how can we forget them?), tin an “utterly engrossing and grossly entertaining primer on who ruled when and why – with never-before-seen illustrations”!

A signed copy of Higson & Moir’s book Willie, Willie, Harry, Stee: An Epically Short History Of Our Kings and Queens (RRP £22) is included when purchasing Band 1 (£55) tickets, available for collection on the night. Box office: 01904 623568 or yorktheatreroyal.co.uk.

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REVIEW: Martin Dreyer’s verdict on North York Moors Chamber Music Festival, ‘Tread Softly’, W B Yeats, He Wishes For The Cloths O Heaven), Marquee, Welburn Manor, August 19

Tenor James Gilchrist

THIS was an all-English evening and the first this year to include a singer. James Gilchrist lent his eloquent tenor to songs by the first great song-writer John Dowland and by Rubbra and Leighton, alongside instrumental works by Bliss and Britten.

It was a smart idea to include the two Dowland songs upon which Britten based his Lachrymae variations. Both were given in ‘consort’ versions, with a string quartet mimicking the sound of viols. It was certainly satisfactory, although we hardly felt the dance rhythms on which they were built.

What madethem a success, however, was Gilchrist’s intensity, allied to excellent diction. A sole example was his spine-tingling sforzando twice on ‘hell’ in the final verse of ‘Flow my tears’. ‘If my complaints’ was the very essence of melancholy, Dowland’s forte.

Britten wrote his Lachrymae, subtitled ‘Reflections on a song of John Dowland’, in 1950 for viola and piano. But this was his Op 48a, that tiny ‘a’ indicating the version he wrote 26 years later for viola and small string orchestra. It was a treat to hear it in this format, which turns the work into a virtual concerto. Simone Gramaglia was the thoughtful soloist, partnered by a star-studded octet.

Essentially this is a theme and variations in reverse, with Dowland’s ‘Flow my tears’ emerging radiantly at its close after a tortuous journey. Gramaglia led from the front, invigorating his posse with his rhythmic verve and insights.

When bold low strings (built on Will Duerden’s double bass) grew urgent, he soared high above, then asserting his authority in the cadenza. His tremolo led into a rushing passage before the calm dénouement.

In a sense we had also been in the Elizabethan era with Rubbra’s Two Sonnets by William Alabaster (1567-1640). These involved the viola of Simone van der Giessen, along with Gilchrist and the piano of Anna Tilbrook.

They were intense and prayerful, with tenor and viola blending especially well. In ‘Upon the Crucifix’ the pleading was mellowed by more positive thoughts, whereas the quite deliberate tempo of ‘On the Reed of Our Lord’s Passion’, with insistently dissonant viola and piano, underlined the agitation involved in Christian belief. Gilchrist’s delivery was a model of dramatic perplexity.

Gilchrist and Tilbrook also presented two movements from Kenneth Leighton’s cantata Earth, Sweet Earth. ‘Prelude’ sets a passage from Ruskin’s autobiography as a dreamscape, finishing high on a pianissimo falsetto. Gilchrist took it in his stride.

The icy terrain of ‘Contemplation’ by Hopkins grew ever more intense, and demanded particular accuracy from Tilbrook. She delivered in spades.

This left Bliss’s Clarinet Quintet, with Matthew Hunt in the leading role. Benjamin Baker led the strings, with the support of Emma Parker, Simone van der Giessen and Rebecca Gilliver. There was a lovely flow to the dialogue at the start, contrasting strongly with the taut, staccato excitement of the Allegro molto which melted into a contemplative mood.

The Adagietto had an elegiac aroma, progressing into a sighing romanticism. The finale was a real caper, leavened by syncopation right from the start. But there was still room for Hunt’s trademark cantabile before an exciting coda. The strings had kept close order with the clarinet, making their presence felt whenever possible. Teamwork was the order the evening.

Review by Martin Dreyer

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REVIEW: Martin Dreyer’s verdict on York Chamber Music Festival, various venues, September 19 to 21

Pianist Katya Apekisheva

SIX distinguished string players – pairs of violinists, violists and cellists – were joined by the equally eminent pianist Katya Apekisheva in five concerts packed into three days. The highlights of the last four are covered here.

At the National Centre for Early Music (September 19), the vigorous outer movements of Haydn’s Op 76 No 5 in D sandwiched a Largo notable for its delicate shading and a minuet whose trio was eerily mysterious.

The cracking pace of the finale was typical of the sheer enjoyment that these players brought to their task, led by Jonathan Stone.

He exchanged the leader’s chair with Charlotte Scott for Shostakovich’s Eighth, Op 110 in C minor, which erupted into a fiery motor-rhythm after its studied start. There were telling little cadenzas from her and the viola player Gary Pomeroy, but there was no disguising the underlying anger, tinged with sorrow, in this supremely biographical testament.

The original, intimate sextet version of Schoenberg’s Verklärte Nacht, vibrantly led by Scott, was notable for the balance between the voices and the transparency of its textures. Richard Dehmel’s poem, on which it is based, speaks of transformation. Here one constantly sensed the ensemble straining at the harmonic leash, reflecting the composer’s enthusiasm for change. There was also special warmth in the quartet of lower voices and a lovely delicacy at the close.

Lunchtime on the Saturday (September 20) in the Unitarian Chapel brought together the viola of Hélène Clément with the piano of Katya Apekisheva. Clément’s usual instrument, once belonging to Frank Bridge, was in for repairs, so she shelved her announced Bridge pieces and Apekisheva inserted Tchaikovsky’s October between the Rebecca Clarke and Shostakovich sonatas instead.

After a forthright opening, Clément made a useful contrast between the themes of Clarke’s first movement, the second decidedly wistful. The twinkling scherzo had a satanic streak. There might have been more restraint at the start of the finale, so as to offer more contrast with the passionate material that follows, but the crescendo on an extended tremolo boiled neatly into a brilliant coda. The duo was thoroughly alive to Clarke’s freewheeling approach.

The Shostakovich sonata is his last, an initially tortured work completed barely a month before he died in August 1975. At its centre we had a catchy scherzo, but with a dark, hypnotic core. The concluding Adagio was a wonderfully calm approach to impending death, framed by very personal cadenzas and helped by the piano’s reminiscence of the ‘Moonlight’ sonata. Apekisheva’s elegiac treatment of October had paved the way ideally.

That evening, at the Lyons Concert Hall, all seven players were on duty. It opened with a beautifully balanced account of Schubert’s Notturno, D.897, written in his final year. It offered a huge contrast between its quiet frame and the dotted rhythms at its centre. Apekisheva’s arpeggios were velvety.

With Jonathan Stone still in the leader’s chair for Schumann’s Piano Quartet, also in E flat, we were swept into an infectiously joyful milieu, reflecting the composer’s recent marriage in 1842. The opening movement’s crisp rhythms, with real drama in its development section, preceded a scherzo that was almost too forceful. Yet the slow movement was milked for every drop of sentimentality (but with an ending without vibrato), until the players let their hair down in a fun-filled finale.

Tchaikovsky’s Piano Trio in A minor brought together violinist Charlotte Scott with cellist Reinoud Ford and the redoubtable, ever-present Apekisheva. Ford had stepped nobly into the shoes of Tim Lowe, the festival director, who was enjoying an introduction to fatherhood.

Essentially in two movements, the trio is an extended elegy for the pianist Nikolai Rubinstein, written in 1882 a year after his death. As one might expect, it demands considerable virtuosity from the pianist. Apekisheva was more than equal to the task, if – rarely for her – a little too forceful in the insistent second theme (although, in her defence, it is marked fortissimo pesante).

The opening movement’s broad sweep was balanced by a theme and variations of extreme subtlety, based on a folk melody. Most memorable were the Chopin-like mazurka and skittish scherzo of the second and third variations.

We also had a touch of sugar-plum fairy and a flippant waltz, both demanding versatility from the ensemble. But mostly it was the bold, busy piano textures that quite properly dominated, with a respectful diminuendo into the final funeral march.

The six strings provided the festival’s afternoon finale, given at St Olave’s Church (September 21). Mozart’s String Quintet, K.515 in C preceded Brahms’s Second String Quintet, Op 111 in G. There was a strong contrast between the two works.

With Charlotte Scott leading and Reinoud Ford seated centrally as cellist, the Mozart was almost free of vibrato, no doubt in an attempt to deliver a ‘period’ sound. But none of the group is much known for early music and the effect was tight and restrained, as if the players felt shackled.

Nevertheless, the quintet’s emotional power was not obscured. The ‘Mannheim skyrocket’ of the opening, a high-rising arpeggio alternating between violin and cello, had its usual uplifting effect. The minuet was less telling and the slow movement can only be described as squeaky. But the final rondo, taken at a splendid clip, offered ample compensation, not least because it highlighted Charlotte Scott’s virtuosity.

For the Brahms, Jonathan Stone took over as leader and Jonathan Aasgaard was in the cello seat, with the admirable Hélène Clément and Gary Pomeroy continuing as violas. There was an immediate sense of abandon as a reasonable modicum of vibrato returned, with plenty of electricity and strong accents. Incidentally, the cello was now on the right-hand edge, reflecting its less pivotal role here.

The minor-key march had an intimate core, before Pomeroy’s viola took off in the pleasing cadenza-like ending. After the easy-going lilt of the scherzo and trio, the finale’s burst of exuberance made the perfect ending, with percussive accents at its centre and accelerating cross-rhythms in its coda.

This was a beautifully constructed festival and never less than stimulating.

Review by Martin Dreyer

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What’s On in Ryedale, York and beyond. Hutch’s List No 41, from Gazette & Herald

Joanne Shaw Taylor: Promoting new album Black & Gold at York Barbican

FROM blues guitar to saxophone solos, culinary festivities to Friends on song, Charles Hutchinson finds the ones to entertain you.

Blues guitarist of the week: Joanne Shaw Taylor, York Barbican, Thursday, 7.30pm

DISCOVERED by Eurythmics’ Dave Stewart at 16, and now 39, West Midlands blues rock guitarist, singer and songwriter Joanne Shaw Taylor showcases her tenth studio album, Black & Gold, on her return to York Barbican.

Known for her blazing guitar work and soulful voice, Shaw Taylor fuses blues, rock, soul and pop into her live set of new songs such as Hell Of A Good Time, fan favourites from past albums and nods to blues greats. Support comes from Ferris & Sylvester. Box office: yorkbarbican.co.uk.

Skosh chef-proprietor Neil Bentinck: Cookery demonstration at St Crux Hall on September 27 at 1pm at York Food & Drink Festival

Festival of the week: York Food & Drink Festival, cooking until September 28

HIGHLIGHTS of this autumn’s York Food & Drink Festival include 70 street food and produce stands in Parliament Street; the Entertainment Marquee on Parliament Street, serving a bill of Live for St Leonard’s Hospice music acts; more live music in St Sampson’s Square, and demonstrations, events, tastings, and sampling at St Crux Hall.

Further events will be two taste trails; Bedern Hall Pork Pie Competition; the Food Factory in St Crux Hall and Museum Gardens; Chocolate Bar Challenge; Jorvik Viking Centre’s activities with an historic twist and the Meet The Makers drinks fair. For the full festival programme, head to: yorkfoodfestival.com.

Katie Spencer: Introducing new album What Love Is at Kirk Theatre, Pickering. Picture: Tom Arran

Folk gig of the week: Friday Folk Night presents Katie Spencer, Kirk Theatre, Pickering, September 26, 7.30pm

RAISED in the East Yorkshire flatlands on the fringes of Hull, Katie Spencer’s music is influenced by the landscapes that shaped her. Her songwriting and guitar playing reflect a sense of space and movement, drawing inspiration from Joni Mitchell, James Taylor and Michael Chapman.

New album What Love Is will be released on October 3. Produced by Matt Ingram, known for his work with Laura Marling, its ten compositions explore themes of love, introspection and personal growth. Her live performances are peppered with humour and storytelling. Box office: 01751 474833 or kirktheatre.co.uk.

Tom Little: Headlining Hilarity Bites Comedy Club bill at Milton Rooms, Malton. Picture: Alexis Dubus

Comedy gig of the week: Hilarity Bites Comedy Club presents Tom Little, Seeta Wrightson and Kieran Lawless, Milton Rooms, Malton, Friday, 8pm

TOM Little, 2015 Leicester Mercury Comedian of the Year winner and BBC Radio New Comedy Award finalist, plays the well-read fool, taking on diverse facts but refusing to deal with them conventionally.

Bradford-born Seeta Wrightson, 2025 Female Pilot Club winner, spins engaging stories with wit, drawing on her dual Asian and British heritage. From humble beginnings, she has wandered through life wondering exactly where she fits, having adventures aplenty figuring it out.  Nothin’ Butt Funny Comedy award winner Kieran Lawless is an Irish comedian based in Manchester. Doors and bar open at 7pm.Box office: 01653 696240 or themiltonrooms.com.

Snake Davis: Sax to the max at Helmsley Arts Centre

Saxophonist of the week: Snake Davis Band, Helmsley Arts Centre, Friday, 7.30pm

STILL highly in demand as a session player, cheering up records by Olly Murs and Shania Twain lately, and playing to  crowds of up to 70,000 with Japanese rock god Eikichi Yazawa, saxophonist Snake Davis gains most joy from performing warm, friendly venues such as Helmsley Arts Centre.

Leading his four-piece band, featuring guitar, bass guitar and drums, Davis plays “the floaty to the danceable”, from soul to jazz, Northern Soul to pop and world, original material to classic sax pieces such as Baker Street and Night Train. Box office: 01439 771700 or helmsleyarts.co.uk.

Sir Alan Ayckbourn. Picture: Tony Bartholomew

Actors, Audiences And Ayckbourn, It’s All Relative, The McCarthy, Stephen Joseph Theatre, Scarborough, Friday, 7pm

AN evening of Sir Alan Ayckbourn in two halves opens with Ayckbourn archivist Simon Murgatroyd exploring the creation of Relatively Speaking on its 60th anniversary. The second half is a chance to hear stories from a group of actors with years of experience of working with the former SJT artistic director and prolific playwright. Box office: 01723 370541 or sjt.uk.com.

Dame Imogen Cooper: Piano concert at Helmsley Arts Centre on Saturday. Picture: Sussie Ahlburg

Classical concert of the week: Dame Imogen Cooper, Helmsley Arts Centre, Saturday, 7.30pm

AFTER playing St Peter’s Church, Norton, at July’s Ryedale Festival, pianist Dame Imogen Cooper returns to Ryedale this weekend to play Bach’s Nun Freut Euch, Lieben Christen G’mein, arranged by Kempff;  Bach’s chorale-prelude Nun Komm’ der Heiden Heiland, arranged by Busoni and Schubert’s Four Impromptus, D. 899 (Op. 90). Post-interval, her programme continues with Beethoven’s Seven Bagatelles (OP. 33) and Schubert’s Four Impromptus, D. 935 (Op. posth. 142). Box office: 01439 771700 or helmsleyarts.co.uk.

Apollo Theatre Company’s merry crew in Round The Horne

Nostalgia of the week: Apollo Theatre Company in Round The Horne, Stephen Joseph Theatre, Scarborough, September 29, 7.45pm; September 30, 1.30pm and 7.45pm

FROM 1965 to 1968, no show on British radio was bigger than the ground-breaking Round The Horne. Classic comedy fans will be in their element as Apollo Theatre Company transports the audience back to the anarchic, boisterous atmosphere of the BBC’s Paris Theatre during the recordings, complete with a live band and sound effects.

Combining infamous movie spoofs with regular characters such as Julian & Sandy, Rambling Syd Rumpo and J. Peasemold Gruntfuttock, Round The Horne’s merry crew drew up to 15 million listeners per week and made stars of Kenneth Horne, Kenneth Williams, Hugh Paddick and Betty Marsden. Now take a step back in time to experience this vintage comedy live. Box office: 01723 370541 or sjt.uk.com.

Alicia Belgarde (Monica), left, Daniel Parkinson (Chandler), Enzo Benvenuti (Ross), Eva Hope (Rachel), Amelia Atherton (Phoebe) and Ronnie Burden (Joey) in Friends! The Musical Parody, on tour at Grand Opera House, York. Picture: Pamela Raith

The one where they sing: Friends! The Musical Parody, Grand Opera House, York, September 30 to October 4, Tuesday to Thursday, 7.30pm; Friday, 5.30pm and 8.30pm; Saturday, 2.30pm and 7.30pm

NEW York and Las Vegas hit Friends The Musical Parody is a musical comedy packed with iconic moments from all ten seasons of the beloved television series, complemented by an original musical score. Join Rachel, Ross, Monica, Chandler, Joey, and Phoebe, the world’s most famous group of twenty-somethings, as they navigate love, friendship and life’s ups and downs in 1990s’ New York City.

“Whether you’re in a love triangle, trying to make it as an actor, or just can’t quit your day job, you’ll be laughing, crying, and quoting your favourite lines all night long,” the show promises. Box office: atgtickets.com/york.

Sue Ryding, left, recalling her 40-year comedy partnership with the late Maggie Fox (inset) in LipService in Funny Stuff at Pocklington Arts Centre

Reflections on grief: LipService in Funny Stuff, Pocklington Arts Centre, October 2, 7.30pm

SUE Ryding is one half of legendary satirical duo LipService. In March 2022, her comedy partner, York actress and writer Maggie Fox, died and Sue was left with a shipping container full of 40 years of stage props, costumes, wigs, hats, shoes, sheep, you name it.

This show looks at all the “stuff” we accumulate, hoard and hate to let go in her humorous and creative response to grief, wherein Sue struggles to part with a life-sized stuffed sheep, a badger onesie, some ruby slippers, a sinking bog, Charlotte Bronte’s knickers and a host of soft toys. Touring anecdotes are combined with archive footage from LipService shows. Box office: 01759 301547 or pocklingtonartscentre.co.uk.