Category: Festivals

PRIDE pageantry and wartime memoirs, open studios and open-air Status Quo lead off Charles Hutchinson’s recommendations.

Celebration of the week: York Pride, Knavesmire, York, today

NORTH Yorkshire’s biggest LGBT+ celebration opens with the Parade March for equality and human rights from Duncombe Place, outside York Minster, at 12 noon, processing through the city-centre streets, up Bishopthorpe Road to the festival’s Knavesmire site.

Pride events will be spread between the main stage, Queer Arts’ cabaret tent, Polymath’s dance tent and a funfair, complemented by a licensed bar and marketplace. Among the main stage acts will be headliners Angels Of The North, alias winner Ginger Johnson, Tomara Thomas and Michael Marouli, from RuPaul’s Drag Race UK Season 5, plus Max George, Big Brovaz & Booty Luv, Jaymi Hensley, Janice D and Eric Spike.  Full details: yorkpride.org.uk.

D-Day landmark of the week: Everwitch Theatre, Bomb Happy D-Day 80, In The Footsteps Of Hank Haydock (film premiere) and Sleep/Re-live/Wake Repeat (live performance), Helmsley Arts Centre, tonight, 7.30pm

TO commemorate the 80th anniversary of D-Day, Bomb Happy playwright Helena Fox has created two poignant, lyrical new works telling the stories of two Yorkshire Normandy veterans from conversations and interviews she held with them in 2016.

Featuring York actor George Stagnell, the short film In the Footsteps of Hank Haydock: A Walk In The Park was shot on location in the Duncombe Park woodland with its lyrical account of Coldstream Guardsman Dennis “Hank” Haydock’s experiences in his own words. In Sleep/Re-Live/Wake/Repeat, playwright Helena Fox and vocalist Natasha Jones bring to life the first-hand experiences of D-Day veteran Ken “Smudger” Smith and the lifelong impact of PTSD and sleep trauma through spoken word and a cappella vocals. Box office: 01439 771700 or helmsleyarts.co.uk.

Art event of the week: North Yorkshire Open Studios 2024, today and tomorrow, June 8 and 9, 10am to 5pm

STRETCHING from the coast to the moors, dales and beyond, 169 artists and makers from North Yorkshire’s artistic community invite you to look inside their studios over the next two weekends.

Taking part in and around York will be Robin Grover-Jacques, Adele Karmazyn, Anna Cook, Boxxhead, Simon Palmour, Duncan McEvoy, Evie Leach, Jane Atkin, Jane Dignum, Jen Dring, Parkington Hatter, Jo Walton, Kitty Pennybacker, Lu Mason, Robert Burton, Lincoln Lightfoot, Sharon McDonagh, Claire Castle, Rosie Bramley, Emma Welsh, Lesley Peatfield, Gonzalo Blanco and Freya Horsley. For full details, go to: nyos.org.uk. A full brochure is available.

York community play of the week: York Mystery Plays Supporters Trust in A Creation For York, around Micklegate, York, today, from 2pm and 3.30pm

YORK Mystery Plays Supporters Trust stages a trilogy of 20-minute plays from the Creation cycle, directed by Katie Smith, Dan Norman and Isobel Staton under Dr Tom Straszewski’s mentorship.

The promenade procession starts with Smith’s The Creation Of Man at St Columba’s, Priory Street, at 2pm and 3.30pm, and progresses to Holy Trinity, Micklegate, for Norman’s The Fall Of Man at 3pm and 4.30pm, then onwards to St Martin’s Stained Glass Centre, Micklegate, for Staton’s Cain And Abel at 4pm and 5.30pm. Tickets: ympst.co.uk/creation.

Navigators Art & Performance at York Festival of Ideas (festival running from today until June 14)

YORK arts collective Navigators Art & Performance presents the Micklegate Art Trail, a collaboration between shops, restaurants, artists, makers and community groups, from today until June 23, 10am to 4pm, including a special exhibition at Blossom Street Gallery. Tomorrow is the “official” launch day with activities in participating venues from 11 am.

Tomorrow comes As I Walked Out One Evening, An Exploration of W H Auden’s Poetry in Words, Music and Performance with York musicians, poets and performers at Museum Street Tavern, York, from 7.30pm to 9.30pm. On June 8, The Basement Sessions #4 offers a night of music, spoken word and comedy at The Basement, City Screen Picturehouse at 7pm with Percy, Amy Albright, Cai Moriarty, Danae, Suzy Bradley, Kane Bruce, Rose Drew and John Pease. Tickets and full festival details: yorkfestivalofideas.com.

Coastal gig of the week: Status Quo, Scarborough Open Air Theatre, Sunday, gates 6pm

DENIM rock legends Status Quo open the 2024 season at Scarborough Open Air Theatre, where they played previously in 2013, 2014 and 2016. Led as ever by founder Francis Rossi, who turned 75 on Wednesday, they must pick their set from 64 British hit singles, more than any other band. The support act will be The Alarm. Box office: scarboroughopenairtheatre.com/statusquo.

Musical of the week: An Officer And A Gentleman The Musical, Grand Opera House, York, June 4 to 8, 8pm, Tuesday, 7.30pm, Wednesday to Saturday, plus 2.30pm, Wednesday and Saturday matinees

NORTH Yorkshireman Nikolai Foster directs Leeds-born actor Luke Baker as fearless young officer candidate Zack Mayor in the Curve, Leicester touring production of An Officer And A Gentleman.

Once an award-winning 1982 Taylor Hackford film, now Douglas Day Stewart’s story of love, courage and redemption comes re-booted with George Dyer’s musical theatre arrangements and orchestrations of pop bangers by Bon Jovi, Madonna, Cyndi Lauper, Blondie and the signature song (Love Lift Us) Up Where We Belong. Box office: atgtickets.com/york.

Touring play of the week: Simple8 in Moby Dick, York Theatre Royal, June 6 to 8, 7.30pm plus 2.30pm Saturday matinee

SEBASTIAN Armesto’s stage adaptation captures the spirit of Herman Melville’s novel – romantic, ambiguous and rich with allegory – for Simple8, specialists in creating worlds out of nothing in bold new plays that tackle big ideas with large casts.

Armed with sea shanties played live on stage, planks of wood, tattered sheets and a battered assortment of musical instruments, the ensemble of actors and actor-musicians, led by Guy Rhys’s whale-seeking Captain Ahab, brings Moby Dick ingeniously to life. Box office: 01904 623568 or yorktheatreroyal.co.uk.

In Focus: Northern Silents presents G W Pabst’s film Diary Of A Lost Girl, starring Louise Brooks, at NCEM, York, June 11

TRAILBLAZING New York raga pianist Utsav Lal will provide the live score for Diary Of A Lost Girl, a rarely shown gem of German silent cinema starring Louise Brooks, at the National Centre for Early Music, York, on June 11 at 7.30pm.

Premiered in Vienna, Austria, on September 12 1929, and now screened by Northern Silents, G W Pabst’s film traces the journey of a young woman from the pit of despair to the moment of personal awakening.

Directed with virtuoso flair by Pabst, Diary Of A Lost Girl (PG, 104 minutes) represents the final pairing of the Czechia-born Austrian filmmaker with American silent screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora’s Box, for which Brooks had arrived in Berlin on October 14 1928 to play alluring temptress Lulu.

In Diary Of A Lost Girl, she is pharmacist Robert Henning’s innocent daughter Thymian, who is traumatised by the suicide of housekeeper Elisabeth after her father expels her from the house.

Even more so when Henning’s assistant rapes Thymian. Pregnant, she refuses to marry her assailant, prompting her outraged father to sendher to a reformatory for “wayward women”, where a cruel regime prevails. Henning, meanwhile, makes advances towards new housekeeper, Meta, who insists Thymian should not be allowed to return home.

Thymian escapes with her friend Erika but discovers that her child has passed away. She joins Erika in working at a brothel, then marries a count, but can she ever escape her past?

Pianist Utsav Lal, noted for his innovative performances at Carnegie Hall, Southbank Centre and around the world, will improvise a unique live score at the 7.30pm screening.

Huddersfield-based Northern Silents will return to the NCEM with another fusion of new music and vintage film on October 15. Watch this space for more details.

Tickets for Diary Of A Lost Girl are on sale on 01904 658338 and at ncem.co.uk.

In Focus too: Anita Klein, 30 Years In York, exhibition launch at Pyramid Gallery, York, today at 12 noon

ARTIST Anita Klein will attend today’s opening of her Thirty Years In York exhibition of paintings, linocuts and etchings at Pyramid Gallery, York.

“Anita was one of the first artist printmakers to be shown here and has shown her work in York constantly since June 1994,” says Terry Brett, owner and curator of the gallery in Stonegate.

That first exhibition marked a dramatic change in both the look of the gallery and its fortunes under the new ownership of Terry, who took the keys to Pyramid Gallery on May 31 1994 with his then partner and wife Elaine.

“As soon as Elaine and I had taken over the gallery, I contacted the Greenwich Printmaking co-operative who ran a shop in Greenwich market,” Terry recalls. “They agreed to do a show and I collected work by 15 artists in my car.

“Several of those artists have supplied Pyramid Gallery regularly for 30 years. The first print that sold was a small drypoint print by Anita Klein, which I had put in the window one evening, before the show had opened.”

Terry continues: “Anita was not a big name in the art world in 1994, but she certainly had a following and has since had a very successful career as an artist with features on BBC Radio and national newspapers and magazines.

“‘From working with Anita and other former Greenwich artists, such as Mychael Barratt, Trevor Price and Louise Davies, I have come to realise that the relationship between artist and gallery is something that is really worth nurturing. I place great importance on visiting the South East London-based artists, personally collecting the work for each show.”

To mark the start of Terry Brett’s 30^th year as a gallerist, Anita Klein is travelling up from London to attend today’s opening from 12 noon to 2pm, when she will sign copies of her 2022 book, Out Of The Ordinary, too.

Australian-born Anita began her career by studying painting on degree and post-graduate courses at the Slade School of Art, where she was influenced by Paula Rego, who encouraged her to “draw what she wanted to draw”.

In response, she started to capture scenes depicting ordinary moments of her own life. Given expert guidance at the school, she learnt to reproduce those sketches using the various techniques of printmaking.

She met her future husband and artist Nigel Swift at the Slade. From the outset, Anita’s artistic diary of her life has often featured amusing or romantic scenes of the two of them or sometimes only  ‘Nige’ in the throes of some activity that Anita has observed and captured in a sketch.

In 1984 she was awarded the Joseph Webb Memorial prize by the Royal Society of Painter Printmakers to spend the summer drawing from the Italian masters. Anita and Nigel stayed in a flat in Arezzo, Tuscany, and filled sketch books with sketches of Italian frescoes.

Soon after, they married and had two children, Maia and Leia, Anita recording it all in many small prints using techniques that included woodcuts, etching, lithograph, aquatint and drypoint. When their daughters were small, she made small sketches while they were asleep and developed them into drypoint prints at a printmaking evening class.

For her first solo show in 1986, she had a year to prepare enough images to fill a gallery in London, which led her to simplify the way she worked. Fortunately for all her followers and collectors, the first show was successful and led to another solo show elsewhere.

Many years later, after she supplied her work to as many as 60 galleries, the Royal Society of Painter-Printmakers elected Anita to the prestigious position as president. During those 38 years, her work and life has been profiled in national newspapers and magazines and on BBC Radio 4’s Home Truths, presented by John Peel.

In 2007, Anita and Nigel bought a flat in a medieval hilltop town in Tuscany. After painting large oils from her studio in London for many years, she started to paint in acrylics on canvas when staying in Italy.

By using acrylics, she was able to roll up the paintings and carry them back to London, which in turn enabled Pyramid Gallery to show a few of her paintings, along with a larger exhibition of the prints.

For Terry, the choice of Anita Klein to begin a year of anniversary celebratory shows, is apt. “My own family life corresponds quite closely with Anita’s in that I got married about the same time and had two daughters, Elinor and Suzy, just two years prior to the births of Maia and Leia,” he says.

“I could relate to almost every image that Anita created about her family life. When I was helping my two daughters learn to drive, Anita produced a print that could easily have been about us. We even had a similar car. ‘Picking Maia and Leia up from School’ or ‘Driving to Ballet’ could also easily have been about my own family.”

When asked how she came to start documenting her own life, Anita says: “There was no plan to start with. Drawing my everyday life was at first a continuation of the kind of drawings I did as a child. And as I spent the first 20 or so years of my career bringing up my two children with no extra childcare help, it was really the only subject matter I knew.

“Looking back, I can see that I have always wanted to hold onto and celebrate the ordinary. The small repetitive joys that can so easily go unnoticed and unappreciated.”

 Knowing how fortunate he is still to be able to represent an eminent London artist with such a large following, Terry asked Anita: “What does Pyramid Gallery and York mean to you?”.

“Pyramid Gallery has been very good to me over the years, showing and selling my work from the very early days of my career while other galleries have come and gone,” she says. “At one point I had prints in over 60 galleries worldwide.

“These days I have cut this down substantially – the Internet and social media enables me to reach a wide audience, and Pyramid is one of only a small handful of galleries that has a large selection of my work.” 

Mounting this exhibition has enabled Terry to pause a while and “take a long look at the gallery more as a pleasurable activity than as a business”.

“Sometimes I can become a bit too focused on the sales figures and the marketing, but in recent weeks I’ve been looking forward to celebrating the landmark of having been nurturing the gallery for three decades, as if it were a part of me that I have to ease through challenges and crises,” he says.

“Pyramid Gallery has become a meeting point for those that need to create and those that need the joy of feeling moved or inspired. It really is more about people than it is about art.

“It gives me a glowing feeling of warmth that I am able to connect a great artist like Anita, who is a storyteller and recorder of social history and of human emotions, with those who visit the gallery for exactly the same experience that inspired the creation of the images.”

For Terry’s 30th anniversary show, Anita will be showing two or three acrylic paintings alongside coloured linocut prints and many black-and-white images of various sizes with a price range from £96 for a small etching up to £7,000 for a large painting.

Here Terry Brett puts questions to Anita Klein

You first supplied Pyramid Gallery as part of a show by Greenwich Printmakers in 1994. How important was that co-operative to you and was it an easy decision to be part of that show?

“Greenwich Printmakers was a vital first step to exhibiting and selling my work, both through their gallery in Greenwich Market and through their ‘outside exhibitions’. Those exhibitions introduced my work to a number of regional galleries, including Pyramid.

“In the days before social media it was crucial to get your work seen as much as possible in galleries, so that first show was a great opportunity for me. 

In those days you were bringing up two small daughters and doing your art on the floor when they were napping. Many of your drypoints were quite small – was this by choice or a necessity?

“I did some painting when my children were small, but without a studio in the early days I was limited to small-scale work. I drew my drypoints while the children slept and printed them once a week at a printmaking evening class.” 

Do you enjoy being ‘dragged out’ of London to open a show in York?

“It’s wonderful to have exposure of my work in York, and it’s always a pleasure to visit such a fascinating and vibrant city.” 

When did you realise that other people would very quickly find parallels in their own lives and connect so easily with your work?

“It came as a surprise at first that other people saw themselves in my work. I thought my life was unique! Now I know that we are all much more alike than we think, especially in the most private parts of our lives.” 

Cold water wild swimming has become an important activity to you. Does the need for a new image in your art ever drive you to do find new places to swim?

“Not really. I can always make up the backgrounds! But I’m always on the lookout for beautiful places to swim, so just as with all other parts of my life this feeds into my work.”