Erika Noda: “A true and honest account of what it can be like for someone of dual heritage in a predominantly white city” in her Love Bite, Ai
THE Love Season will soon set hearts pulsing at York Theatre Royal, where the Step 3 reopening will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day that theatres can reopen after restrictions are lifted – and May 18.
The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.
In the third in a series of CharlesHutchPress Q&As,Japanese English actor Erika Noda has five minutes to discuss her Love Bite, Ai, her semi-autobiographical debut solo writing project.
How did you hear about Love Bites, Erika?
“I work as a youth theatre assistant at York Theatre Royal and heard about Love Bites from Kate Veysey, the director of youth theatre. I then went online and looked it up straightaway.”
What is your connection with York?
“I was born in York and lived here most of my life. My family, on my mum’s side, can be traced back generations in the city. I know my four-times great grandad came to York from Rosedale and was a nightwatchman before he became a police sergeant and lived with his family in Micklegate Bar.”
What will feature in your Love Bite, Ai, and why?
“A true and honest account of what it can be like for someone of dual heritage in a predominantly white city. With the Black Lives Matter movement and the escalation of hate crimes against East and Southeast Asian people this past year, it made me think about my own experiences of microaggression and racism, as well as the importance of self-acceptance and self-love.
“It’s important to bring awareness to microaggression because many people are unknowingly hurting others through their words and actions.”
What has been the best and the worst about growing up with dual heritage?
“I’d say the worst part is the racist comments and microaggressions. Through doing this project, I’ve come to realise how deeply emotionally affected I am by what people have said or done.
“It’s so degrading and belittling, it’s like a pin stabbing you in the heart; it hurts but you can survive if it happens once or twice, but if it keeps happening over and over eventually you collapse and you don’t know if you’ll get up again.
“Some of the best things about being dual heritage, for me, is that I’ve been immersed in different cultures since I was born. I was two years old when I first went to Japan and was eating with chopsticks from the age of eight.
“I love how it enables me to understand other people’s experiences and ways of life. I’ve also been fortunate that I’m able to travel and experience other parts of the world and cultures for myself.”
In lockdown, what have you missed most about theatre?
“I miss being on stage and taking theatre to those who may not usually get the opportunity to experience it. After graduating from East 15 Acting School I co-founded a theatre company that specialised in creating sensory shows and workshops for children and young people with complex needs.
“We had planned to tour in Summer 2020 but due to the pandemic it had to be cancelled and an online digital story was created instead.
“I miss the adrenaline rush and feeling of having just done a performance and how rewarding it can be. I also miss watching theatre and being transported to another world.”
What’s coming next for you?
“In terms of acting and creating, I don’t have any set plans yet, but I’ll be keeping an eye out for the next opportunity. Also, I’m working at an immersive art gallery that’s been closed due to lockdowns and now it’s able to open so I expect I’ll be busy there this summer.”
What would be the best way to spend five minutes if you had a choice?
“Other than watching Love Bites, I would have a brew and a catch-up with my friends because I haven’t seen them in ages.”
Tickets for Love Bites cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.
Lister scene: Gus Gowland’s Love Bite, The Streets Of York, will celebrate Gentleman Jack Anne Lister’s unofficial wedding at Holy Trinity Church, Goodramgate
THE Love Season will soon set hearts pulsing at York Theatre Royal, where the Step 3 reopening will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day that theatres can reopen after restrictions are lifted – and May 18.
The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.
In the second in a series of CharlesHutchPress Q&As,musical theatre writer/composer Gus Gowlandhas five minutes to discuss his work, The Streets of York.
How did you hear about Love Bites, Gus?
“I always keep an eye on what is happening at York Theatre Royal so I was aware of their Love Season. I first saw the call-out for artists on the theatre’s Twitter.
“I’ve been keen to work at the Theatre Royal for a while and this was such a wonderful opportunity to be part of the reopening and share the space with a huge number of artists. It was too exciting an opportunity to miss!”
What is your connection with York?
“I moved here just over two years ago with my partner, Max May. He took a job as chief executive officer of Rural Arts, a charity based in Thirsk, and is from Yorkshire so it’s been lovely for me to get to know his hometown. Since being here I’ve really fallen in love with it. There’s so much art being made here that makes it feel exciting.”
What will feature in your Love Bite, The Streets Of York, and why?
“My Love Bite is a musical theatre song, inspired by the unofficial wedding of Anne Lister (alias Gentleman Jack), which took place at Holy Trinity Church, in Goodramgate, in 1834. It’s a fascinating moment, seen through the eyes of Lister herself (as performed, brilliantly, by Dora Rubinstein).
“I love that this incredible moment in LGBTQ+ history happened right here in York. It felt apt to be able to honour and acknowledge Lister whilst also paying homage to the very streets we all know so well.”
Dora Rubinstein: Playing Anne Lister in Gus Gowland’s The Streets Of York
What changes would you make to the streets of York?
“Right now, I’m loving all the outside seating that has popped up everywhere, so I’d make sure that was a permanent feature.”
In lockdown, what have you missed most about theatre?
“Oh gosh, where do I start? I’ve missed sharing an experience with other people. I’ve missed watching a story unfold in front of me, with the electricity of live performance. I’ve seen a huge amount of online theatre and it’s brilliant but there’s nothing that can replace that sensation of sitting in a theatre with an audience, collectively gasping, crying, laughing, at the show in front of you.”
What’s coming next for you?
“I’m releasing an EP of original songs, co-written with Craig Mather, called In Motion. We met when Craig was in my musical Pieces Of String and wrote these songs via Whatsapp during Lockdown 1 and it’s very exciting to be sharing them with the world. That will be on all streaming sites from today (14/5/2021).
“I’m also working on revisions to Pieces Of String and have a few other shows bubbling under that will hopefully be in a theatre before long.”
What would be the best way to spend five minutes if you had a choice?
“Probably listen to a song. Right now, it would be anything by Ben Platt or MUNA [electronic pop group from Los Angeles]. That way I can be transported to a memory, a different place or time, just through the magic of the music.”
Tickets for Love Bites cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.
Maurice Crichton, as Dorn, with Elizabeth Elsworth, as Polina, in York Settlement Community Players’ production of Anton Chekhov’s The Seagull at York Theatre Royal Studio in February-March 2020. Picture: John Saunders
THE Love Season will soon set hearts pulsing at York Theatre Royal, where the Step 3 reopening will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day that theatres can reopen after restrictions are lifted – and May 18.
The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster. Each “bite” will take hold for five minutes.
In the first in a series of CharlesHutchPress Q&As,YorkactorMaurice Crichtonhas five minutes to discuss his work, Where Are You Now, You And I?
How did you hear about Love Bites, Maurice?
“I reckon I saw it come up on Facebook and of course via charleshutchpress.”
What is your connection with York?
“I came south from the Glasgow area to university here in the early 1980s and have been here ever since. My three children grew up here. Then in 2009 I got involved in the York amateur theatre scene and theatrical pursuits are now a big part of my life.”
Helen Wilson: Directing Maurice Crichton in Where Are We Now, You And I?. Here she is pictured performing in York Shakespeare Project’s Sit-down Sonnets in the Holy Trinity Church open air in Goodramgate, York
What will feature in your Love Bite, Where Are We Now, You and I?, and why?
“I can tell you it is a solo piece which I have written and that my partner Helen Wilson is going to bring to bear her considerable directing expertise to try to make sure I don’t make a complete fool of myself.
“The brief was simple and clear for a very special occasion. A love letter to light up the YTR stage after such a long period of darkness. I had an immediate and personal response to the brief, which I hope will do justice to the opportunity.
“I was in Anthony Minghella’s Two Planks And A Passion in 2011 in the main house when it was reconfigured in the round. I did a slightly daunting read-through as Pilate for the 2012 Mystery Plays from the main stage to a big audience the following year. But nothing else in that space. So, for lots of reasons, even though it is only five minutes, for me personally it’s going to be a big five minutes.”
So, where are we now, you and I and the rest of us?
“I hope just about OK. I have been very lucky. With any unexpected trauma, it doesn’t really hit home until the danger is past. What has it cost us all? It’s too early to say.”
In lockdown, what have you missed most about theatre?
“Being able to take for granted that it’s alive and well in our city and has a future.”
“What has it cost us all? It’s too early to say,” says Maurice Crichton of living through these pandemic times
What’s coming next for you?
“I’ve done some filming work on a piece called The Whispering House with Damian Cruden (director) and Bridget Foreman (writer), about the Census in Tang Hall and Heworth, in which I play a Swedish immigrant completing the 1911 census.
“His name is Enoch Stanhope, a real person. He lived at Yew Villa, Heworth Village, and had a jewellery shop on Coney Street. I hope the fruits of that work will be released soon.”
“I’m producing another Sonnets production – the sixth – this summer for York Shakespeare Project. Emilie Knight is going to direct and we hope to able to announce dates for this year in an exciting new outdoor venue very soon.
“I’m also working on a little project for York Mystery Plays Supporters Trust to take a guided walk along the route of the medieval Mystery Plays. (YMPST, along with York Festival Trust are staging A Resurrection For York on wagons in the Residence Garden, Dean’s Park, beside the Minster Library on July 3 and 4, directed by Philip Parr.)
What would be the best way to spend five minutes if you had a choice?
“Right now, it would be to ring my Mum’s doorbell in Fife and give her a hug or to make a surprise second visit to my new granddaughter (aged four weeks) in Bath and to bounce little Emma on my knee.”
Tickets for Love Bites cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.
“It’s happening!” says Velma Celli as York cabaret star moves residency to Impossible, York, from May 21. Picture: Charlie Kirkpatrick, Kirkpatrick Photography
YORK’S drag diva deluxe Velma Celli is on the move.
Out goes the Covid-suspended monthly camp cabaret Friday nights at The Basement, City Screen, York.
In comes a resplendent residency from May 21 at Impossible, York, Tokyo Industries’ new tea-room, cocktail bar, restaurant and speakeasy enterprise in the old Terry’s café in St Helen’s Café, latterly home to Carluccio’s restaurant.
“It’s happening!” says an excited Velma Celli, the exotic international drag alter-ego of musical actor Ian Stroughair, last seen on a York stage in December as the villainous Fleshius Creepius in York Stage’s debut pantomime, Jack And The Beanstalk, at Theatre @41, Monkgate.
How the other half lives: Exit alter-ego Velma Celli, enter Ian Stroughair, musical actor, playing Fleshius Creepius in York Stage’s pantomime Jack And The Beanstalk last winter. Picture: Kirkpatrick Photography
“Velma has a new residency!! My very first live gig at the utterly fabulous Impossible, York. May 21st. Doors 7pm. Show 8pm! My very special guest is [York soul sister] Jessica Steel (obvs). More special West End guests to be announced! Grab those tickets as it will sell out!”
“Basically, it’s replacing the shows at The Basement, where we don’t know when it will reopen for shows under Covid guidance as it’s a small space,” says Ian, as he switches from the impossible to Impossible, York.
The debut poster for Velma Celli’s new residency
“I met the Impossible general manager, Stephanie [Powell], in December, meeting her between Jack And The Beanstalk shows, and then suddenly she knocked on the window saying, ‘I’ve been trying to contact you!’.
“And so the first Velma Celli Show there will be on May 21, up the stairs, in the fabulous Impossible Wonderbar setting overlooking the square, with more monthly shows to be announced later. This one will be fun, comedic, with stand-up, impressions, the usual mix of rock, pop and the blues, plus Jess and guests.”
The Velma Celli Show residency will not be Velma’s only gig in the first-floor Impossible Wonderbar. “On June 5, we’ll be holding the first Drag Brunch, with Velma, surprise guest drag queens, bottomless cocktails and brunch,” says Ian, looking forward to hosting the “ultimate diva brunch in homage to all the queens”, from Whitney to Tina Turner plus many more besides.
Brunch date: Velma Celli will be joined by guest drag queens at Impossible, York, on June 5
That day, there will be two 90-minute sittings, the first from 12 noon, the second from 2.30pm. Tickets June 5 are on sale via info@impossibleyork.com or on 01904 864410.
After being London based for so long – like so many musical performers – Ian first moved back to York for Lockdown 1 when the pandemic sent him home from a Velma Celli Australian tour, and he plans to settle back in his home city permanently from May, travelling to London for three days a week when necessary.
Streamed concerts, first from a Bishopthorpe kitchen and latterly from a riverside abode by the Ouse Bridge, have kept Velma Celli’s voice in spectacular working order, sometimes accompanied by soul-singing York hairdresser Jessica Steel, leading light of Big Ian Donaghy’s fundraising A Night To Remember shows at York Barbican and salon owner of Rock The Barnet in Boroughbridge Road.
West End star Ian has appeared in such musicals as Cats, Fame, Chicago and Rent – not forgetting a sassy cameo for Velma Celli on EastEnders – but had to forego a long run in Funny Girls in Blackpool last year, thwarted by Killjoy Covid.
Ian Stroughair: Musical actor, drag queen , pantomime star
The pandemic strictures put paid to his international travels too, but already he has had two Covid-19 vaccine jabs to enable Ian to plan a week’s travel to Mexico for a Velma Celli show in Cancun.
“Thank god for that because the next cruise is not until October. I lost all the cruise-ship shows last year, and I’d already lost five cruise bookings this year, when in one day I lost three more cruise bookings,” he reveals.
In the diary too is Velma Celli’s participation in The Love Season at York Theatre Royal, performing one of Velma’s regular cabaret shows, re-titled Love Is Love: A Brief Of History Of Drag specially for the May 29 occasion.
Joining Velma that night will be two guest acts, Jordan Fox, Ian’s co-star in Jack And The Beanstalk, and Jessica Steel, backing singers Kimberley Ensor and Grace Lancaster, musical director Ben Papworth, drummer Clark Howard and guitarist Al Morrison.
“I last performed there in Kes, when I was 14, exactly 24 years ago, and sadly I’ve never been back,” says Ian. “I’ve tried to do shows there but it’s never happened, so it’s great to be back now. I love what Tom [chief executive Tom Bird] is doing there.”
When the ships are down: As it stands, Velma Celli will not do a cruise gig until October
Ian has taken A Brief History Of Drag to New York and Australia and on a British tour, as well as staging performances in London and York. “I’ve been doing it for four years now on and off, and I’m so glad the Theatre Royal wants the show,” he says.
“I wrote it when I was stuck in Africa for a few weeks. I thought, ‘let’s write a show’ and it ended up being about how I got into drag and a celebration of the impact of drag in theatre, music, film and popular culture.”
Yet for all the flamboyance of the imposingly tall Velma Celli, for all of Ian’s love of performing, he has a surprising admission to make: “I don’t like fame and celebrity,” he says. “I repel it!”
Tickets for Velma Celli’s 8pm show on May 29 at York Theatre Royal are on sale at yorktheatreroyal.co.uk or on 01904 623568.For the latest Velma Celli trailer, go to: https://www.youtube.com/watch?v=a005o6eGZWI. Hit it!
Love is the drag: Velma Celli’s celebration of the art of the drag queen
Love letters straight to your art from York Theatre Royal’s reopening show, Love Bites
THE Downing Street briefing on Step 3 of the roadmap rollout is just around the tantalising corner. Charles Hutchinson highlights the rising tide of upcoming shows, ongoing festivals and exhibitions and online options.
Love story of the month: The Love Season: Love Bites, York Theatre Royal, May 17 and 18
YORK Theatre Royal reopens with two nights of Love Bites, both a love letter to live performance by York artists and a celebration of the creative talent across the city.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day theatres can reopen under Step 3 of the Government’s lockdown loosening – and May 18. The 22 short pieces will be performed each socially distanced night, introduced by broadcaster Harry Gration.
“We hope Love Bites will turn out to be ‘a many-splendored thing’!” says director Juliet Forster. Prompt booking is advised at yorktheatreroyal.co.uk or on 01904 623568.
Ruth Rogers: Violinist performing at Ryedale Festival’s online Spring Festival on RyeStream
Online festival of the week: Ryedale Festival’s Spring Festival, running until May 8
TOMORROW night will see the fast-rising combo The Immy Churchill Trio toast the arrival of spring with Spring Will Be A Little Late This Year, a late-night session of jazz standards from the Great American Songbook online from Helmsley Arts Centre at 9pm.
Finishing the festival at Castle Howard with The Lark Ascending on May 8 at 3pm, the virtuosic London Mozart Players and violinist Ruth Rogers will perform Grieg’s Holberg Suite, Vaughan Williams’s The Lark Ascending and Vivaldi’s Spring from The Four Seasons.
The Spring Festival season will be available to view on RyeStream until the end of May.
Are you going for Scarborough air? York artist Malcolm Ludvigsen painting on the bracing seafront at the East Coast resort
Exhibition launch of the week in York: Malcolm Ludvigsen’s Art, Village Gallery, York
PROLIFIC York plein-air artist Malcolm Ludvigsen is the focus of Village Gallery’s first new exhibition of 2021 in Colliergate, York.
Erstwhile maths professor Ludvigsen spends much of his time on the beaches and headlands of Yorkshire, fascinated endlessly by the sea and sky.
The show of Ludvigsen oil paintings will run until Saturday, June 19 with Covid-secure, socially distanced measures in place. Opening hours are Tuesday to Saturday, 10am to 4pm.
Not a spoiler alert: Irish humorist Ed Byrne will play York for the first time since his Spoiler Alert tour in 2018
Comedy gig announcement of the week in York: Live At The Theatre Royal Comedy Night, York Theatre Royal, July 1
THIS will be Ed Byrne’s night in York when the observational Southern Irish comedian headlines an all-star bill.
Joining headliner Ed will be Mock The Week’s whip-smart wordsmith Rhys James and Have I Got News For You panellist-in-lockdown Maisie Adam, hosted by “compere-beyond-compare” Arthur Smith, the veteran gloomy weather-faced comedian and presenter from Bermondsey, London.
Tickets are on sale at yorktheatreroyal.co.uk and on 01904 62356.
Cuppa and a couple of gigs at Pocklington Arts Centre for Omid Djalili in July
Comedy gig announcement of the week outside York: Omid Djalili, Pocklington Arts Centre, July 22, at the double
POCKLINGTON Arts Centre has confirmed its first live shows since Tom Rosenthal’s Manhood comedy gig on March 14 last year.
British-Iranian comedian Omid Djalili will perform twice on Thursday, July 22. Significantly too, those 7pm and 9pm performances will be without social-distancing measures, but full of provocative, intelligent cultural observations.
Djalili, 55, originally had been booked for July’s now-cancelled Platform Festival at the Old Station, Pocklington.
Dancing Dan: Dancing On Ice star Dan Whiston glides into Rawcliffe Country Park in August
Get your skates on: Cinderella On Ice, Rawcliffe Country Park, York, August 17 to 22
DANCING On Ice three-time champion Dan Whiston will lead the company for Cinderella On Ice, a show fuelled by high-speed ice-skating and aerial feats.
“I cannot wait to get back on the ice and for the crowds to witness this amazing show after such a troubled past 12 months of lockdowns,” says Whiston. “We hope to both wow and amaze.”
Fairytale On Ice’s ice-palace production will be performed by “some of the world’s most elite entertainers and skilled skaters after thousands of auditions”. Tickets for the 4.30pm matinees and 7.30pm evening performances are on sale at fairytaleonice.com.
Seven UP: Shed Seven’s Shedcember tour to climax with two nights at Leeds O2 Academy
The return of the York heroes: Shed Seven, Shedcember tour
SHED Seven will close their 2021 Shedcember tour with two nights at Leeds O2 Academy on December 20 and 21.
The York band’s 18-date itinerary will take in further Yorkshire shows at Sheffield O2 Academy on November 30 and Hull City Hall on December 1, but not a home-city gig, alas.
The Sheds’ concerts are billed as Another Night, Another Town – The Greatest Hits Live – a nod of acknowledgement in the direction of last December’s 21-track live double album. Tickets are selling very fast at shedseven.com, gigsandtours.com and ticketmaster.co.uk.
Senegal and Wales combine in the Pocklington-bound music-making of Seckou Keita and Catrin Finch
On the move: Catrin Finch & Seckou Keita, Pocklington Arts Centre
WELSH harpist Catrin Finch and Sengalese kora player Seckou Keita will now play Pocklington on May 21 2022.
The 7.30pm concert has been rescheduled from June 10 2021 for the usual Covid reasons. All original tickets remain valid; further tickets go on sale from 10am tomorrow (7/5/2021) at pocklingtonartscentre.co.uk.
Finch and Keita will be showcasing songs from their next album, as yet untitled and set for release next year.
Rapper and beatboxer Testament testifying in Orpheus In The Record Shop
And what about?
AS lockdown’s gradual, grinding release continues to make an impact on live performance, Leeds company Opera North will seek to entertain viewers at home. Check out Orpheus In The Record Shop, available for free at: bbc.co.uk/iplayer/episode/m000vbtx/lights-up-orpheus-in-the-record-shop.
Inspired by the ancient Greek myth, rapper and playwright Testament fuses spoken word and beatboxing with a cinematic score performed by the Orchestra and Chorus of Opera North.
Originally performed during Connecting Voices at Leeds Playhouse, it has been reworked for film by Alex Ramseyer-Bache and Playhouse artistic director James Brining as part of the BBC Lights Up season.
THE Love Season will soon set hearts pulsing at York Theatre Royal, where the Step 3 reopening will make its mark with Love Bites: a love letter to live performance and a toast to the city’s creative talent.
More than 200 artists from a variety of art forms applied for £1,000 love-letter commissions to be staged on May 17 – the first day that theatres can reopen after restrictions are lifted – and May 18.
The 22 short pieces selected will be performed each night at 8pm under the overall direction of Theatre Royal creative director Juliet Forster, who says: “LoveBites is really a love letter to live performance, put together by York artists. It’s a celebration of what we have been missing for over a year now: the chance to come together under one roof and share our stories and experiences.
“There was no one single theatre production that felt enough to mark the reopening of theatres, the lifting of restrictions, so we decided that we needed multiple ones.”
Shortlisting from 200-plus proposals was both extremely difficult and inspiring, according to Juliet. “There are so many talented, inventive, creative people in York – we could have filled the night several times over,” she says.
“The selection of short pieces that you will see on our stage represent a wide range of voices, artforms and approaches to the theme of love, created by both well-established artists and those who are newer to the scene. We hope Love Bites will turn out to be ‘a many-splendored thing’.”
Hosted by York broadcaster Harry Gration, Love Bites will herald the start of The Love Season, wherein Ralph Fiennes will present T S Eliot’s Four Quartets, Coronation Street star Julie Hesmondhalgh will perform husband Ian Kershaw’s one-woman show The Greatest Play In The History Of The World…and perma-cycling Shakespeare enthusiasts The HandleBards will ride riotously through Romeo & Juliet.
The Love Bites line-up
Vanessa Simmons: Reverie
Vanessa is a composer, pianist and piano teacher who lives just outside York, drawing inspiration from the countryside. Reverie is the retelling of a dream that captures falling in love, the soaring emotions of being in love and remembering a love that is lost.
“It’s a rejoicing of the beauty, sorrow and power of real love in musical form, using some elements of the classic piano sonata with added impressionist colours and tones,” says Vanessa. “Reverie is a journey, one that is universal and timeless.”
James Lewis-Knight: Staying Connected
James is an actor and the artistic director of Clown Space, a York company specialising in clowning, mask work and physical theatre. “As a clown, I’ve missed the joy that comes from connecting with a live audience and I can’t wait to find that again with Staying Connected,” he says.
Richard Kay
Richard Kay: For The Love Of Singing
Richard is an actor and writer, creating shows for festivals and attractions, such as the York Maze, as well as writing, directing and performing for Badapple Theatre, the Green Hammerton “theatre on your doorstep” company.
Over the past year, he has led four choirs over Zoom and has composed new music, as well as creating “virtual choir” tracks.
Kitty Greenbrown, Robert Powell, Ben Pugh: The Angels Of Lendal Bridge
Kitty, Robert and Ben are a York trio of artist-producers. The ubiquitous Ben is a creative practitioner with more than 25 years’ experience in working across disciplines, not least for the Covid digital age. Robert has published four collections of poetry, an artist’s book and two short films. Kitty – also known as Katie – is a spoken-word performance poet interested in telling stories and collaborating with artists and musicians.
Story Craft Theatre’s Janet-Emily Bruce and Cassie Vallance
Story Craft Theatre: She Can Go Anywhere
Story Craft Theatre is a children’s theatre company created in York by Cassie Vallance and Janet-Emily Bruce. After setting up in 2018, they have hosted parties, events and classes throughout the UK. Partnerships have been forged with the National Trust, Goose of Harrogate, Rural Arts in Thirsk, Castle Howard, Rowntree Park in York and York Theatre Royal.
Bridget Foreman: 5 Minute Call
Bridget has written more than 30 plays, ranging from one-person shows to large-scale community productions. Among recent works are Clay Fever for York Theatre Royal, Surprise Ending for York company Riding Lights, and York Theatre Royal and Pilot Theatre’s co-production of Everything Is Possible: The York Suffragettes. Her new play, My Place, will tour…sometime soon! She also lectures in playwriting at the University of York.
Claire Spooner and Richard Stephenson: Mise en aby-me
Passionate about theatre and costume, Claire works creatively across several arts sectors as a freelance life model, milliner, costumier for York Theatre Royal and occasional background artist for film and television. In each role, Claire explores and develops ways to tell a story through the human form.
Richard is a professional illustrator, painter, storyteller and music writer living in Leeds. He works predominantly in ink and considers himself more of an image maker, always searching creatively for the next happy accident.
Gus Gowland: The Streets Of York
Gus is a musical theatre writer/composer based in York. For his first musical, Pieces Of String (Mercury Theatre, Colchester 2018), he won The Stage Debut Award for Best Composer/Lyricist. Other projects include Subway: an audio short, Copyright Christmas at the Barbican, London, and an upcoming EP of original songs, In Motion.
Hannah Davies: Love Song To Spring
Hannah is a York writer, theatre-maker and multi slam-winning poet. She is associate artist at Say Owt, York’s spoken-word night, and artistic director of Common Ground Theatre and teaches playwriting at the University of York.
Hannah Davies
Ashleigh J Mills: In Progress
Ashleigh [they/them] is a black, non-binary and unapologetically autistic creator. Politically and poetically minded, their work seeks to explore and digest their lived experience of life on the margins. They believe that within resistance lies creation. They are a work in progress.
Alice Boddy and Leanne Hope: A Love Letter To Female Friendship
Alice and Leanne trained together at the Northern Ballet School, worked together on cruise ships and have spent the past year creating/dancing in their living rooms/kitchen. Through their love letter, they hope to depict the power of female friendship – something they have relied on so heavily in pandemic times.
Erika Noda: Ai
After graduating from East 15 Acting School, this Japanese English actor, from York, co-founded a theatre company that specialised in creating shows and workshops for children with complex needs. Ai is Erika’s first solo writing project; a semi-autobiographical account of what it can be like growing up dual heritage.
Elena Skoreyko Wagner, James Cave and Bethan Ellis: Magic
Elena Skoreyko Wagner is a York illustrator and papercut artist, soon to take part in York Open Studios 2021. Her work seeks to find magic and uncover meaning in the mundane. York composer and singer James Cave sings in the York Minster choir and Gavin Bryars Ensemble. Bethan Ellis is a writer and editor; she works at University of York.
Butshilo Nleya: Ekhaya, Love Them Both?
Butshilo is a Zimbabwean playwright, now living in York, whose work centres on place, home and the multiplicity of cultures. Since 2002, he has worked in Africa, Europe and the USA, using words, music and dance to explore the language of cultures, migration, identity and diversity.
Fladam (Florence Poskitt and Adam Sowter): Love Bytes
York musical comedy duo’s heartfelt and humorous songs tackle the topical with witty wordplay, memorable melodies and a dash of the Carry On! Original songwriting guaranteed to make you smile.
Harri Marshall: I Often Think Of You
Harri is a deaf director based in York, who received training from the Young Vic, Regional Theatre Young Directors Scheme and the Bristol Old Vic. She has an affinity for contemporary theatre, including new writing, adaptation and verbatim theatre, and has directed nine shows. She is an advocate for D/deaf and disabled creatives and is a self-proclaimed proactive busy-body!
Luella Rebbeck, Jamie Marshall-White and Isla Bowles: The Art Of Losing
Luella, Jamie and Isla are three emerging dance artists, studying dance full time at CAPA College, Wakefield, alongside creating their own dance films and works. The Art Of Losing portrays the loving relationships between them and what it means to have contact with one another.
Paul Birch: Lost For Words
Writer/director Paul is artistic director of Out Of Character, a York company comprised of artists with experience of mental illness. Terence Stamp, Richard O’Brien and George Lazenby have been kind enough to speak his words in performance. In real life, his own words often fail him.
Harri Marshall
Hannah Wintie-Hawkins: In The Beginning
Born and raised in York, Hannah moved to London to train professionally in dance. She then progressed her performance career and returned to York in 2016 to set up an independent dance organisation, York Dance Space. She now works as a dance artist and movement director in the city and across the UK.
Tom Nightingale: Elaine
Tom is a musician, performance writer and actor. “My motivation is a therapeutic outlet, in order to make sense of the life I’ve experienced, and my challenge is to shape my creations into something objectively understandable to the general public,” he says.
One of his projects, Nightingales Game. Pretend To Be Like Me, was staged at Tang Hall Smart as a play in the community. He is “very excited” to be able to perform his song Elaine, written for his wife.
Maurice Crichton: Where Are We Now, You and I?
Maurice is an active member of York’s amateur theatre community, both on stage and as an organiser. Credits include: The Duchess Of Malfi, The Seagull (York Theatre Royal Studio); Colder Than Here (York Cemetery Chapel/St Nicks environment centre); Antony And Cleopatra (Theatre @41, Monkgate). During the pandemic, he produced York Shakespeare Project’s Sit-down Sonnets in the churchyard at Holy Trinity, Goodramgate.
Toby Gordon: O Tell Me The Truth About Love by W H Auden
York actor Toby trained at LAMDA. Theatre credits include Two Planks & A Passion and As You Like It (York Theatre Royal and TakeOver), The Great Gatsby (Guild Of Misrule), The York Mystery Plays (York Minster, both as Satan and Jesus) and Antigone (Barbican, London).
Tickets cost Pay What You Feel at yorktheatreroyal.co.uk or on 01904 623568.
JULY I will be Ed Byrne’s night in York when the observational Southern Irish comedian headlines an all-star bill for the Live At The Theatre Royal Comedy Night.
Byrne, 49, from Swords, County Dublin, has presented the television shows Just For Laughs and Uncut! Best Unseen Ads and co-hosted BBC2’s The World’s Most Dangerous Roads, Dara And Ed’s Big Adventure and Dara And Ed’s Road To Mandalay with fellow Irish humorist Dara O Briain.
He is a regular guest on numerous television panel games, most notably Mock The Week and Have I Got News For You and has appeared on TV cooking shows, such as Comic Relief Bake Off 2015.
Byrne last played York in March 2018, presenting his Spoiler Alert tour show at the Grand Opera House, where he explored the thin line between righteous complaining and brattish whining as he asked: “Are we right to be fed up or are we spoiled?”
Joining Bryne will be Mock The Week’s whipsmart wordsmith Rhys James and Have I Got News For You panellist-in-lockdown Maisie Adam, who performed from her living room on the second Your Place Comedy bill with prankster Simon Brodkin last May, as part of the virtual home entertainment series organised by Selby Town Council arts officer Chris Jones in tandem with ten independent Yorkshire and Humber arts centres and theatres during lockdown.
July 1’s 7.30pm show will be hosted by legendary compere-beyond-compare Arthur Smith, the veteran gloomy weather-faced comedian and presenter from Bermondsey, London.
Tickets cost £20 at yorktheatreroyal.co.uk or on 01904 623568.
Love letter to theatre: The reopening season at York Theatre Royal
MUCH ado about nothing but love is promised when York Theatre Royal reopens with two nights of letters from the heart from May 17.
Love Bites will turn the spotlight on the creativity of artists from in and around York, whether poets, performers, singers, dancers or digital artists, who have been commissioned to write love letters celebrating the return to live performances after the easing of the Government’s pandemic restrictions.
More names will be announced nearer the time for the 8pm performances on May 17 and 18, but confirmed already from 200 proposals are Alice Boddy and Leanne Hope’s piece, A Love Letter To Female Friendship, and Japanese-English actor Erika Noda’s semi-autobiographical account of growing up dual heritage, entitled Ai.
Magic trio: writer Bethan Ellis, illustrator Elena Skoreyko Wagner and composer James Cave
Contributing too will be the Magic combination of illustrator and papercut artist Elena Skoreyko Wagner, composer and York Minster choir member James Cave and writer and editor Bethan Ellis, finding magic and meaning in the mundane, and York-based Zimbabwean playwright Butshilo Nleya, who combines words, music and dance in works centred on place, home and the multiplicity of cultures, this time presenting Ekhaya, Love Them Both?.
Juliet Forster, the Theatre Royal’s creative director, says: “Love Bites is really a love letter to live performance, put together by York artists. It’s a celebration of what we have been missing for over a year now: the chance to come together under one roof and share our stories and experiences. There was no one single theatre production that felt enough to mark the reopening of theatres, the lifting of restrictions, so we decided that we needed multiple ones.”
Selecting 20 commissions from more than 200 proposals was “extremely difficult, but really inspiring too,” she reveals. “There are so many talented, inventive, creative people in York – we could have filled the night several times over. The selection of short pieces that you will see on our stage represent a wide range of voices, artforms and approaches to the theme of love, created by both well-established artists and those who are newer to the scene,” she says.
“We hope Love Bites will turn out to be ‘a many-splendored thing’,” says York Theatre Royal creative director Juliet Forster
“Love Bites will explore the idea of love letters, dedicated to people, places, things, actions, occupations and much, much more in a multitude of ways, all presented in five-minute specially commissioned bite-sized chunks. We hope Love Bites will turn out to be ‘a many-splendored thing’”.
After these two nights introduced by Look North alumnus Harry Gration with a Pay What You Feel ticket policy, The Love Season’s focus on human connection, the live experience and a sense of togetherness will embrace solo shows by stage and screen luminary Ralph Fiennes [Four Quartets} and Coronation Street star Julie Hesmondhalgh [The Greatest Play In The History Of The World…]; a new Ben Brown political drama about writer Graham Greene and spy Kim Philby, A Splinter Of Ice, and Swedish playwright August Strindberg’s Miss Julie, transposed to 1940s’ Hong Kong by writer Amy Ng and director Dadiow Lin.
Performances will be presented to socially distanced audiences, adhering to the latest Government and industry Covid-19 guidelines to ensure the safety of staff and audiences with a reduced capacity of 344, but should Step 4 of the roadmap roll-out go ahead as planned on June 21, there is scope for more seats to go on sale for shows later in the season. Over to you, Mr Johnson.
“We’re so chuffed to have Ralph Fiennes coming to York. We can’t believe it,” says Theatre Royal chief executive Tom Bird
Theatre Royal chief executive Tom Bird says: “The last thing we want to do, given our mission and the trouble in keeping theatre alive, is to put up more barriers to people coming, but we have to be Covid-safe, and that’s the bottom line. We did it for the Travelling Pantomime we took around York wards, and we will do it again from May 17.’”
The number one talking point is Ralph Fiennes’s Theatre Royal debut, in six performances from July 26 to 31, directing himself in the world-premiere tour of T S Eliot’s Four Quartets: a solo theatre adaptation of Burnt Norton, East Coker, The Dry Salvages and Little Giddings, a set of poems first published together in 1943 on the themes of time, nature and the elements, faith and spirituality, war and mortality.
Tom says: “The link to bring the show here is James Dacre, artistic director of Northampton’s Royal & Derngate Theatres, who co-produced A View From The Bridge with the Theatre Royal in 2019.
Ralph Fiennes rehearsing T S Eliot’s Four Quartets
“He’s co-producing this tour, helping Ralph put the show together. Ralph is rehearsing in London, opening at the Theatre Royal, Bath, from May 25 and then touring. We’re so chuffed to have Ralph coming to York. We can’t believe it!
“We’re thrilled that Ralph’s show became a possibility for us, and it’s a huge credit to him to recognise the need to support theatre around the country at this time.
“Let’s say it, it’s rare for an actor of his profile and standing to do a regional tour, but he’s seen that he can help to save some incredibly important producing houses, like this one, by doing a tour – and it’s not an act of charity; it’s an important and really exciting piece of work.”
“It’s a huge credit to him to recognise the need to support theatre around the country at this time,” says Theatre Royal chief executive Tom Bird
Tom is delighted by Fiennes’s choice of material too. “There’s a massive tradition of actors doing Eliot poems, like Fiona Shaw doing The Waste Land,” he says. “They lend themselves to performance, and it’s really telling that Ralph has chosen to take Four Quartets on tour at this moment because they’re rooted in life and death; the past and the future; human relationships and a love of place.
“For that reason, it fits into our programme for a season built around love, connection and being rooted in a place. As an American coming to England, Eliot was trying to root himself here by looking for his ancestors in Somerset.”
For full details of The Love Season, go to: yorktheatreroyal.co.uk. Tickets can be booked at yorktheatreroyal.co.uk; on 01904 623568, Monday to Saturday, 12 noon to 3pm, and in person, Thursday to Saturday, 12 noon to 3pm.
Let Ian Massie take you to Another Place in his Northern Soul show at Ryedale Folk Museum, Hutton-le-Hole from May 17
NO mention of home entertainment here, as Charles Hutchinson decides to cast fears aside – albeit while acting responsibly – as he looks forward to theatres, bars, galleries, museums and music venues opening their doors once more.
Cupid, draw back your bow and let the beer flow, straight to the York Theatre Royal patio
LOVE is in the Step 2 air, and soon on the York Theatre Royal stage too for The Love Season from May 17.
Cupid’s Bar: Follow the arrow to the York Theatre Royal patio. Picture: Livy Potter
Perfect timing to launch Cupid’s Bar for five weeks on the Theatre Royal patio, where the bar will run from midday to 9.30pm every Thursday to Sunday, providing an outdoor space in the heart of the city for residents and visitors to socialise safely.
Working with regional suppliers, Cupid’s Bar will offer a range of drink options, such as draught beer from Black Sheep Brewery, Masham, and York Gin from, er, York.
Ian Scott Massie: Finding Northern Soul in his landscape watercolours and screenprints. Picture: Steve Christian
Exhibition of the month ahead outside York: Ian Scott Massie, Northern Soul, Ryedale Folk Museum, Hutton-le-Hole, North York Moors National Park, May 17 to July 11
MASHAM artist Ian Scott Massie’s Northern Soul show of 50 watercolours and screenprints represents his personal journey of living in the north for 45 years.
“The north is the truth of England, where all things are seen clearly,” he says. “The incomparable beauty of the landscape; the harsh ugliness left by industry; the great wealth of the aristocracy; the miserable housing of the poor; the civic pride of the mill towns and a people as likely to be mobilised by political oratory as by a comedian with a ukulele.”
The Waterfall Of Nikko-Zan In Shimotsuke Province, by Utagawa Hiroshige, 1853, from York Art Gallery’s show of rarely seen Japanese prints, Pictures Of The Floating World. Image courtesy of York Museums Trust
Reopening exhibition of the month ahead in York: Pictures Of The Floating World: Japanese Ukiyo-e Prints, York Art Gallery, from May 28
YORK Art Gallery’s display of rarely seen Japanese Ukiyo-e prints, complemented by much-loved paintings from the gallery collection, will go on show in a new Spotlight Series.
Marking next month’s gallery reopening with Covid-secure measures, Pictures Of The Floating World will feature prints by prominent Ukiyo-e artists such as Utagawa Hiroshige, along with works by those influenced by Japanese art, York artist Albert Moore and Walter Greaves among them.
This free-to-visit exhibition will highlight the significant impact of Japanese art on the western world and the consequential rise of the artistic movements of Aestheticism and Art Nouveau.”
Van the manoeuvre: Morrison’s York Barbican gigs put back to July
On the move: Van Morrison’s York Barbican shows
NO reopening date has yet been announced for York Barbican, but Irish veteran Van Morrison’s shows are being moved from May 25 and 26 to July 20 and 21.
“Please keep hold of your tickets as they will be valid for the new date,” says the Barbican website, where seats for Van The Man are on sale without social distancing, in line with Step 4 of the Government’s pandemic Roadmap to Recovery, whereby all legal limits on social contact are potentially to be removed from June 21.
Morrison, 75, will release his 42nd album, Latest Record Project: Volume 1, a 28-track delve into his ongoing love of blues, R&B, jazz and soul, on May 7 on Exile/BMG.
Lockdown love story: The taster poster for Alan Ayckbourn’s new play at the Stephen Joseph Theatre
New play of the summer: Alan Ayckbourn’s The Girl Next Door, Stephen Joseph Theatre, Scarborough, June 4 to July 3
AFTER the 2020 world premiere of his virus play Truth Will Out lost out to the Covid pandemic restrictions, director emeritus Alan Ayckbourn returns to the Stephen Joseph Theatre to direct his 85th play, The Girl Next Door, in the summer season.
“I wrote it back in Spring 2020. I like to think of it as a lockdown love story,” says Ayckbourn, introducing his touching, tender and funny reflection on the ability of love to rise above adversity and reach across the years.
Influenced by his own experiences in two “lockdowns”, one in wartime London in childhood, the other in the on-going pandemic in Scarborough, Ayckbourn will play with time in a plot moving back and forth between 2021 and 1941. Box office: sjt.uk.com.
May and April in tandem: York Barbican date for Imelda next spring on her first tour in five years
Gig announcement of the week in York: Imelda May, York Barbican, April 6 2022
IRISH singer-songwriter Imelda May will play York Barbican next April in the only Yorkshire show of her Made To Love tour, her first in more than five years.
“I cannot wait to see you all again, to dance and sing together, to connect and feel the sparkle in a room where music makes us feel alive and elevated for a while,” says May. “Let’s go!”
Last Friday, the 46-year-old Dubliner released her sixth studio album, 11 Past The Hour. The box office opens tomorrow at 10am at yorkbarbican.co.uk.
Dance like Fred Astaire…or more likely like Tim Booth as James end the summer at Scarborough Open Air Theatre
Gig announcement of the week outside York: James, Scarborough Open Air Theatre, September 9
WHERE better for James to announce a summer show in the week they release new single Beautiful Beaches than at Scarborough Open Air Theatre?
The Manchester legends will play on the East Coast in the wake of launching their new album, All The Colours Of You, on June 4. Tickets go on sale tomorrow (23/4/2021) at 9am at scarboroughopenairtheatre.com.
This will be the third that James, led by Clifford-born Tim Booth, have played Scarborough OAT after shows in 2015 and 2018.
The writers, actors, directors and organisers in a Zoom gathering for Next Door But One’s Yorkshire Trios at The Gillygate pub, York
And what about?
GOOD news: Live theatre bursts into life in York for the first time since December 30 when York community arts collective Next Door But One presents Yorkshire Trios in The Gillygate pub’s new outdoor seating area tomorrow and on Saturday.
Themed around Moments Yet To Happen, trios of actors, directors and writers will bring to theatre-starved York a quintet of short stories of laughter, strength, dreams and everything in between: a neighbour with a secret; a delivery driver full of wanderlust; an optimistic carousel operator; a poet inviting us into her world and a Jane McDonald fan on a soapbox.
Bad news for tardy readers? The 7.30pm shows have sold out.
History maker: Julie Hesmondhalgh in the one-woman show The Greatest Play In The History Of The World
AT the heart of The Love Season when York Theatre Royal reopens from May 17 will be The Greatest Play In The History Of The World…, Julie Hesmondhalgh’s one-woman show.
Produced by Tara Finney Productions in association with Hull Truck Theatre, the debut tour of Ian Kershaw’s multi award-winning play will open at the Stephen Joseph Theatre, from May 18 to 22 before History will be made at the Theatre Royal from June 1 to 5 and Hull Truck from June 7 to 12, with all tour performances being socially distanced with Covid-safe measures in place.
Winner of The Stage Edinburgh Award in 2018, The Greatest Play In The History Of The World…takes a heartfelt journey that starts and ends in a small, unassuming house on a quiet suburban road, as Coronation Street and Broadchurch alumnus Julie Hesmondhalgh narrates the story of two neighbours and the people on their street, navigating her way through the nuances of life, the possibilities of science and the meaning of love.
The show is penned by Accrington-born Julie’s husband, Ian Kershaw, who has written for Coronation Street, Cold Feet and Shameless, and reunites her with award-winning director Raz Shaw after working together on Margaret Edison’s Wit at the Royal Exchange in Manchester in 2016.
The taming of the shoe: Under Covid-safe measures, The Greatest Play In The History Of The World…can no longer make use of audience members’ shows during each show
Explaining the play’s genesis, Julie says: “I had a notion, a romantic notion, that Ian should write a one-woman show for me and we could tour it together into our dotage, like travelling troubadours (or something).
“A couple of Christmases ago, he kept disappearing to the cellar for an hour at a time, wrapping presents maybe, I thought. And then he presented me with this lovely thing: a beautiful play, a love story, but a universal one about learning in time what matters in the end, about leaving a mark.”
Let the show begin: a man wakes in the middle of the night to discover that the world has stopped. Through the crack in his bedroom curtains, he can see no signs of life at all, other than a light in the house opposite where a woman in an over-sized Bowie T-shirt stands, looking back at him. Over to you, Julie, from May 18.
Looking ahead to the tour starting at last, she says: “It doesn’t seem for real in some ways because it’s been put off so many times, but now I’m having to learn my lines again with proper commitment, and I’m so excited to be doing it, performing in theatres’ socially distanced bigger spaces. It’ll be a bit of a recalibration for people to get used to being back in a theatre.
“Though it’s completely not a play about lockdown, it is nevertheless about people living in isolation, connection, love, and all those things that have been writ large in this strange time,” says Julie Hesmondhalgh
“Previously, I was interacting with audiences in the show, using their shoes as a vital part of it, and though I’ll miss doing that, this way of doing it will bring something new to it.
“At the Edinburgh Fringe, it’s funny because there are a lot of people who just book everything that’s on at the Traverse, and they arrive and think, ‘right, what are we seeing now? Oh, she’s wearing jeans’, but with this tour, it’ll be the first thing people will have seen in a long time.”
Julie continues: “Though it’s completely not a play about lockdown, it is nevertheless about people living in isolation, connection, love, and all those things that have been writ large in this strange time, so I think it will now land with people in a really different way than ever before.
“The fact that it’s a play set on northern streets that we’ll be taking around northern theatres, I just think it’s going to be an amazing experience for me.”
“You can never second-guess how an audience will behave or react,” says Julie. “It’s so different every performance”
How does Julie, 51, re-acquaint herself with a play she knows so well? “I need to go into it almost at Ground Zero,” she says. “It’s quite a difficult play for me to do, as you can never second-guess how an audience will behave or react.
“It’s so different every performance. Some nights, they will roll around laughing at every line, and it’s a real rollercoaster, but it’s a play with so many twists and turns for the audience, so sometimes people will be thinking, ‘what’s this about? What’s going on here?’, because I’m speaking directly to them…
“And there can be something that feels innately sociopathic about me doing that for 70 minutes with some of them looking like they don’t want to be there! In real life, you’d go, ‘well, anyway’ and move on.
“On quiet nights, I’ve been quietly dying inside, but at the end, the lights go up and there’ll be tears in their eyes, and they really want to talk to you about the show afterwards.
“It’ll be a bit of a recalibration for people to get used to being back in a theatre,” says Julie, as The Greatest Play In The History Of The World begins its northern tour on May 18
“Now, playing to faces wearing masks for the first time, I’ll just have to remember that my job is to tell a story and yours is to sit there and listen!”
One last question, Julie, is The Greatest Play In The History Of The World…really what it says in the title? “Ian went away, wrote the play and came back with that name, but it’s really important to note that it does finish with three dots…
“We’re constantly apologising for it, but I don’t think Hamlet needs to be worried!”
The Greatest Play In The History Of The World… will play Stephen Joseph Theatre, Scarborough, May 18 to 22, 7.30pm; 1.30pm, Thursday; 2.30pm, Saturday; York Theatre Royal, June 1 to 5, 8pm; 3pm, Thursday and Saturday; Hull Truck Theatre, June 7 to 12, 7.30pm; 2.30pm, Thursday and Saturday. Box office: Scarborough, sjt.uk.com or 01723 370541; York, yorktheatreroyal.co.uk or 01904 623568; Hull, hulltruck.co.uk or 01482 323638.
