SOMETHING wicked this way comes…at last.
The curse of “the Scottish Play” had struck again – in the form of a global pandemic, no less – to stop York Shakespeare Project’s penultimate production, Macbeth, only days before its opening night on March 30 2020 at Theatre @41, Monkgate.
Fifteen months later, however, committee member Tony Froud can confirm this morning: “Hot on the heels of announcing our reboot of our ever-popular Sonnet Walks for this summer’s Sonnets At The Bar, we are very pleased to confirm that our production of Macbeth is returning, with Leo Doulton continuing as director. Rehearsals will start in September for performances in the week commencing October 25.”
Rather than Lady Macbeth in her end-of-days fevers, the constant hand washing, over and over again, has been bestowed on the rest of us in these Hands-Face-Space times of Macbeth’s mothballing.
At the time of the postponement, Tony had said with the foresight of one of Macbeth’s Witches: “The ideal solution would be to pick it up again with the same company of actors later in the year, but there could yet be complications.”
How right he was. “After 15 months, circumstances have changed and sadly some actors are no longer available. However, this means there’s an opportunity for new actors to join the company,” says Tony, who will still play Ross in Shakespeare’s dark tale of ambition, murder and supernatural forces.
“Many of the original cast will be continuing in the roles they had already worked hard bringing to life, but some roles, including Lady Macbeth, are open for audition.”
These roles are: Lady Macbeth, Duncan, Lennox, Lady Macduff and Third Witch/Third Murderer/Caithness/Seyton.
“The first round of auditions will be held over Zoom on the evenings of Thursday, June 17 and Friday, June 18 and during the day on Saturday, June 19, taking no more than ten minutes,” says Tony.
“A small number of applicants will then be called back for in-person auditions on Saturday, June 26 and Sunday, June 27.”
Actors interested in auditioning should contact firstname.lastname@example.org with their availability on the above dates, indicating which role or roles they are interested in.
Emma Scott will still lead the cast in the title role in Doulton’s “cyberpunk”Macbeth; Clive Lyons will play Banquo/Siward; Rhiannon Griffiths, Fleance/Donalbain/Son/Young Siward; Harry Summers, MacDuff; Eleanor Frampton, Malcolm; Sarah-Jane Strong, Angus; Joy Warner, First Witch/First Murderer/Doctor, and Alexandra Logan, Second Witch/Second Murderer/Gentlewoman.
Amanda Dales (Lady Macbeth); Jim Paterson (Duncan, Lady Macduff, Menteith), Nick Jones (Lennox) and Chloe Payne (Third Witch, Third Murderer, Caithness, Seyton) are unavailable for this autumn’s run, hence this month’s auditions.
Although Macbeth is play number 29 in Shakespeare’s chronology of 38 plays, YSP had held back the Bard’s tragedy big hitter until production number 36 of 37 as part of a grand finale to the 20-year project planned for 2020, with The Tempest as the final curtain last autumn.
Alas, theatre’s harbinger of bad luck and its Weird Sisters then delivered double, double toil and trouble to YSP. “We were six rehearsals short of the finishing line, when the Coronavirus lockdown was imposed.” says Tony.
When Macbeth and we hopefully more than three shall meet again, we shall encounter a Leo Doulton production set in a dystopian “cyberpunk” future and performed in a promenade style, with the action taking place on the move, around the audience.
“Macbeth is a magnificent tragedy about the earthly struggle between the forces of order and chaos, and how the world becomes corrupted by Macbeth’s strange bargains,” says Leo, who made his YSP directorial debut at the helm of October 2019’s stripped-back Antony And Cleopatra.
“Cyberpunk is an exciting genre for exploring, highlighting and visualising those ideas for a modern audience. We no longer fear witches, but we are still scared of our society being shaped by powers with no concern for those below them.”
The date for The Tempest to conclude YSP’s Shakespeare cycle is yet to be put in Prospero’s book, but the final production is more than likely to be accompanied by an exhibition charting YSP from 2001 formation to stormy finale. “The York Explore library is expressing an interest in presenting it, ideally to coincide with The Tempest’s run,” said Tony in March last year.