York Shakespeare Project launches phase two with January auditions for Richard III UPDATED 4/1/2022

York Shakespeare Project in The Tempest in Autumn 2022. A new chapter will open in springtime

DR Daniel Roy Connelly is to direct the first production of York Shakespeare Project’s second cycle of Shakespeare plays.

As was the case when YSP began its 20-year mission to present all the Bard’s works with the October-November 2002 production of Richard III at the Joseph Rowntree Theatre, so Richard of York’s winter of discontent will be the opening play once more, this time at Friargate Theatre from April 26 to 29.

Dr Connelly, a newcomer to York, will be at the helm, having directed in places as diverse as Shanghai, Rome, America and the Edinburgh Festival.  

This former British diplomat, theatre director, actor, poet and professor will hold auditions at Southlands Methodist Church, in Bishopthorpe Road, on January 10 and 11, from 6.30pm to 9.30pm, and January 14, 2pm to 5pm.

Those interested are asked to fill out the form below to secure an audition slot: https://forms.gle/T4F7Q7aHJCFAqnWe8

Dr Daniel Roy Connelly: Director of York Shakespeare Project’s 2023 production of Richard III

“If you want to audition, but these dates don’t suit, please indicate on the form and we will see what we can do,” advises YSP’s Facebook notice.

Richard III will be one of two YSP productions at the 2023 York International Shakespeare Festival. Auditions for a semi-staged version of Shakespeare’s narrative poem The Rape Of Lucrece, directed by Liz Elsworth, will take place in late-January.

This autumn, YSP completed its goal of performing all 37 of Shakespeare’s plays with its 35th production and first tour: Philip Parr’s production of The Tempest, whose travels concluded at York Theatre Royal on October 1.

YSP begins a new chapter in 2023 with a 25-year project to stage not only those plays again, but also the best works by his contemporaries.

“This expanded remit allows both for a new generation-spanning mission to perform the whole canon of Shakespeare’s works, alongside a wider vision of celebrating and sharing Elizabethan and Jacobean theatre with new audiences,” says YSP.