Consone Quartet: Partners in the NCEM Young Composers Award 2022
COMPOSERS aged 25 and under are invited to write a new work for string quartet for the NCEM Young Composers Award 2022.
Each year, the award is presented by the National Centre for Early Music, in York, in association with BBC Radio 3. For 2022, they are delighted to welcome the Consone Quartet, the BBC New Generation Artists, as creative partners, as announced on BBC Radio 3’s Early Music Show on November 21.
Composers are asked to write a new piece – three to four minutes in length – for string quartet, working alongside the Consone Quartet’s Agata Daraškaite, Magdalena Loth-Hill, Elitsa Bogdanova and George Ross, who play ‘period’ instruments using gut strings.
For next year’s award entries, they invite young composers to learn about the musical sound world of one of their favourite composers, Fanny Mendelssohn, a talented pianist who wrote 400 works but never enjoyed the acclaim that brother Felix received. “This is the opportunity to create a new piece which explores this fascinating time in musical history,” they say.
Shortlisted composers will be invited to the Award Day at the NCEM, at St Margaret’s Church, Walmgate, when the shortlisted compositions will be presented by the Consone Quartet in a workshop led by composer Professor Christopher Fox. In the evening, the Consone Quartet will perform each of the pieces for a panel of judges.
The two winning pieces, one from each age category (see below), will be premiered by the Consone Quartet at Stour Music Festival on June 26 2022, when the performance will be recorded for future broadcast on BBC Radio 3’s Early Music Show.
This major national annual award is open to young composers up to the age of 25, resident in the UK, and is divided into two categories: 18 and under and 19 to 25.
NCEM director Delma Tomlin says: “The Young Composers Award is one of the most important dates in the NCEM’s calendar and gives us a vital opportunity to work with the wider community. Last year, we received an astonishing number of applications from all over the UK and we’re sure that enthusiasm to take part will just keep on growing.
NCEM director Delma Tomlin: “Thrilled to be working with the Consone Quartet”
“For 2022, we’re thrilled to be working with the Consone Quartet, who will be guiding the shortlisted composers and performing their pieces. They’ll be joined in York by composer Professor Christopher Fox to host a day of workshops with the shortlisted candidates before the public performance in the evening.
“This year, the compositions will be performed at the prestigious Stour Music Festival and, of course, broadcast on BBC Radio 3’s Early Music Show – a brilliant beginning for any young composer.”
Alan Davey, controller of BBC Radio 3 and classical music, says: “As Covid restrictions lift and we are able to celebrate the return of live music to UK stages, BBC Radio 3 believes it is vital to give appreciation and encouragement to young composers and performers who represent the future of music in this country.
“That is why we are so proud to partner with the National Centre for Early Music’s 2022 Young Composer Award. Each year, it enables us to help audiences at home discover the brightest talents in Early Music practice, broadcasting their works on our Early Music Show.”
Consone Quartet are “thrilled to be joining forces” with the NCEM for the Young Composers Award. “Having competed in the NCEM’s International Young Artists Competition, we appreciate how much these sorts of opportunities can help to kickstart a young musician’s career,” they say. “We cannot wait to hear what the shortlisted composers have written, to work in more detail with them and eventually to perform their works.”
The Young Composers Award is an integral part of the NCEM’s work, with comments from the 2021 awards illustrating the impact and importance of the experience. Witness: “I have gained confidence in myself. Hearing my piece come to life was an incredible experience,” said one. “Great contacts and lots of fun!” said another. “Christopher Fox’s insightful comments, always thinking outside the box,” enthused a third.
The deadline for registration is 12 noon on Friday, February 18 2022; the deadline for submission of scores is 12 noon, Friday, March 18. Shortlisted candidates will be informed by April 8 and will be invited to attend the Award Day in York on May 19.
L’Apothéose in the grounds of the National Centre for Early Music, St Margaret’s Church, York, after winning the York International Young Artists Competition in 2019. Picture: Jim Poyner
YOUNG ENSEMBLES SOUGHT FOR YORK INTERNATIONAL YOUNG ARTISTS COMPETITION 2022
CALLING young ensembles of the world: the deadline for applications for next year’s York International Young Artists Competition is January 14 2022.
This prestigious longstanding competition for young ensembles will take place on Saturday, July 16 at the National Centre for Early Music as part of next summer’s York Early Music Festival.
The first prize includes a recording contract from Linn Records: a £1,000 prize; opportunities to work with BBC Radio 3 and a concert at the 2023 York Early Music Festival.
Other prizes include: the Friends of York Early Music Festival Prize; the Cambridge Early Music Prize and a prize for The Most Promising Young Artist/s endowed by the EUBO Development Trust.
The competition is open to Early Music ensembles with a minimum of three members; ensembles must have an average age of 33 years or under, with a maximum age of 37 years for individuals.
The ensembles must demonstrate historically informed performance practice and play repertory from any period, spanning the Middle Ages to the 19th century, on period instruments.
Sollazzo Ensemble: “Winning the competition was a turning point in our career”
The competition is recognised as a major international platform for emerging talent in the world of early music. Attracting musicians from all over the globe, it offers a boost to young professional careers with opportunities for performance, recording and broadcasting and international exposure.
NCEM director Delma Tomlin says: “We are so pleased to be staging the 2022 competition, which brings together young musicians of the highest calibre from the UK and all over the world.
“This is one of highlights of the York Early Music Festival and we are always overwhelmed by the superb quality of the performances from these fantastically talented young artists. The competition provides a joyous, optimistic finale to our festival and we are delighted to be able give these rising stars many exciting future opportunities.”
2019 winners L’Apothéose say: “Winning the York competition was an extremely important and prestigious recognition of our career, and taking part was an immensely joyful experience.”
Fellow former winners Sollazzo Ensemble enthuse: “Winning the competition was a turning point in our career, bringing us to the attention of both a wider audience and professionals throughout Europe.”
Details of how to apply can be found at yorkcomp.ncem.co.uk; alternatively, send an email to yorkcomp@ncem.co.uk.
Orchestra Of The Age Of Enlightenment: Opening the 2021 York Early Music Christmas Festival with two sold-out concerts on December 3
YORK Early Music Christmas Festival will be back in full swing this season, combining live concerts with a later online programme of festive music.
Running from December 3 to 11, then on demand from December 17 to January 14, the festival promises Christmas carols, candlelight, Vivaldi, Corelli, Bach, Handel, Purcell, Schubert, mulled wine, mince pies and Mexican melodies.
In the medieval St Margaret’s Church, in Walmgate, this celebration of Advent and the festive season will go ahead with Covid safety measures in place: seating will be socially distanced and proof of two Covid vaccinations or a negative Lateral Flow Test will be required. “No proof, no admission,” will be the strict policy, and the wearing of masks will be actively encouraged too.
To adapt to the prevailing circumstances and smaller capacities, five of the festive programmes will be performed twice, at 5.30pm and the more conventional 7.45pm.
“The philosophy is short concerts, no interval, and still selling to a limited capacity, so that people feel more comfortable because there’s more room and they don’t have to spend too much time together indoors in winter,” says festival director Delma Tomlin.
“In dark December, earlier evening concerts will appeal to a certain demographic, who can get home in good time for supper. It’s all about understanding people’s wishes as we return to going to concerts, and it’s much more practical to do two concerts in an evening, as we don’t have the same level of visitors for afternoon concerts.”
La Palatine: French songs of love, betrayal, disenchantment and loss on December 4
Looking forward to a festival with plenty of concerts sold out already, Delma says: “Christmas in most circles is a time for celebrations, a time of fanfare, ceremony and feasting. At the heart of the celebrations is a very human story which is often so beautifully illustrated through music, and we invite you to find peace, serenity, alongside mince pies and mulled wine at this busy time – and to enjoy some really fabulous music too!
“There is 500 years’ worth of glorious Advent, Christmas and winter music to go at, and frankly we all need a bit of cheering up right now.”
Opening festival proceedings will be an ever innovative, entertaining and engaging British ensemble, the Orchestra Of The Age Of Enlightenment, whose 5.30pm and 7.45pm performances of A Baroque Christmas on December 3 have both sold out. Concertos by Corelli, Manfredini, Torelli and Vivaldi will be complemented by Handel’s Pastorelle from Messiah and works by D Scarlatti and JS Bach.
Replacing Ensemble Caladrius’s O Magum Mysterium in the festival’s first NCEM Platform Artists’ concert on December 4 at 12.15pm will be French ensemble La Palatine, presenting Il n’y a pas d’amour heureux.
The raw emotions of love, betrayal, disenchantment and loss infuse the songs and opera arias of the early baroque in Italy, as explored by Marie Theoleyre, soprano, Noemie Lenhof, viola da gamba, Jeremy Nastasi, theorbo and baroque guitar, and Guillaume Haldenwang, harpsichord, in the works of Tarquinio Merula of Cremona, Domenico Mazzocchi in Rome and Claudio Moneteverdi’s Lamento d’Arianna.
Travelling further afield, the festival takes a Mexican theme with Siglo de Oro’s Christmas In Puebla, a sold-out 6.30pm concert on December 4 that evokes the spirit of the warm breezes of South America, on Christmas Eve in Puebla Cathedral, blending dance-infused villancicos with traditional 17th century carols under the direction of Patrick Allies.
Siglo de Oro: Mexican melodies
“This will be Siglo de Oro’s York debut,” says Delma. “Somewhat delayed, though, because they were supposed to be here two years ago.”
York favourites The Gesualdo Six return to the NCEM once more, this time with In Winter’s House, on December 5 at 5.30pm (sold out) and 7.45pm (tickets still available). Director Owain Park’s programme of music evokes a sense of mystery and joy, from works of the Tudor church to the 21st century by Judith Bingham, Joanna Marsh and Sally Beamish. “They will be wallowing in the deliciousness of both old and new music,” says Delma
The second NCEM Platform Artists’ concert, supported by the NCEM’s Creative Europe-funded programme EEEmerging, will be given by Prisma, a German ensemble comprising Franciska Anna Hadju, violin, Elisabeth Champolion, recorder, Alon Sariel, lute, and David Budai, viola da gamba, on December 7 at 5.30pm and 7.45pm. “They’re so much fun, so cheerful, and a very delightful group to welcome at Christmas,” says Delma.
Their programme, A Baroque Christmas, will be wrapped around baroque trio sonatas and dances, inviting the audience to rediscover Christmas songs by Castello and Fantana in fresh arrangements laced with joie de vivre.
Pocket Sinfonia’s Mozart And A Miracle concert, on December 9 at 5.30pm and 7.45pm, aims to re-create the atmosphere of 19th century living-room parties, where the intimacy of a chamber music performance was applied to orchestral-scale pieces.
Rosie Bowker, flute, Eleanor Corr, violin, Thomas Isaac, cello, and Emil Duncumb, piano and fortepiano, will be taking a journey through the dark wintery nights of Mozart’s Piano Concerto No. 24 in C minor, onwards to the Christmas cheer of Mozart’s Sleigh Ride, in a new Pocket Sinfonia transcription, and Haydn’s Miracle Symphony No. 102 in B flat.
Pocket Sinfonia: Dark journey through wintery nights
“Two members of the ensemble are from Norway, with dual nationality, and they’ll be making their debut here after I saw them on Zoom in a showcase they did in Brussels last year, and booked them on the strength of that,” says Delma.
Tenor James Gilchrist and lutenist Matthew Wadsworth reflect on love, passion and loss in Divine Love And Earthly Passions on December 10 at 5.30pm and 7.45pm, as they open with Purcell’s Evening Hymn and close with Dowland’s In Darkness Let Me Dwell on their thoughtful, sometimes melancholic, always engaging journey, with a sprinkling of Schubert and Praetorius as a taster of the festivities to come.
In A Contest Of Equals, on December 11 at 1pm, Bojan Cicic, violin, Gawain Glenton, cornetto, and Silas Wellston, organ, celebrate the late-16th and 17th century rivalry between the violin, the irreverent newcomer, and the cornetto, the older, aristocratic instrument, with music from Italy, Germany and Spain. Who will emerge victorious? Let Battaglia! commence.
The 2021 live festival concludes on December 11 with Yorkshire Bach Choir’s 7pm to 10pm performance of J S Bach’s Mass in B minor with the Yorkshire Baroque Soloists under conductor Peter Seymour. On solo duty will be Bethany Seymour, soprano, Helen Charlston, alto, Matthew Long, tenor, and Johnny Herford, bass.
“It’s a wonderful opportunity to hear the Yorkshire Bach Choir again at the festival after two years, and especially to hear them doing the Bach mass,” says Delma. “It’s such a cracking piece.”
Joglaresa: Carols, lullabies, dance tunes and wassails
In addition, but separate from the festival, Joglaresa will be presenting Lullay Myn Lykynge, a stand-alone concert on Monday, December 6 at 5.30pm and 7.45pm, complemented by a live-streaming of the second performance.
Their programme will offer encouragement to celebrate Yule effervescently and chase out the chill from the Celtic fringes of Europe with traditional carols, lullabies, dance tunes and wassails from Ireland, Scotland, England and Wales. Armed with fidel, harp, bells, bagpipes and voices, Joglaresa will be ringing in Christmas and the New Year.
Tickets remain available for concerts unless stated otherwise at ncem.co.uk/york-early-music-christmas-festival/ and on 01904 658338.
IN the York Christmas Box Set, seven concerts from the 2021 York Early Music Christmas Festival will be available to watch online throughout the festive season.
Billed as “the perfect festive gift for music lovers” by the National Centre for Early Music, the £40 filmed concert package can be viewed on demand from 10am on December 17 to Friday, January 14.
First prompted by pandemic restrictions, the NCEM continues to share many of its festival highlights online, reaching ever-growing audiences from as far away as Japan and Australia.
The seven festival highlights in the box set are:
Orchestra Of The Age Of Enlightenment, performing A Baroque Christmas;
Siglo de Oro, celebrating Christmas with dance-infused 17th century Mexican music;
The Gesualdo Six, returning to York after sold-out summer concerts to present In Winter’s House, Christmas music spanning many decades;
Prisma: Baroque joy in the York Christmas Box Set
EEEmerging artistsPrisma, bringing Baroque joy with fresh arrangements of Christmas music;
Pocket Sinfonia, conjuring up the atmosphere of 19th century living-room parties with Mozart and more;
Festival favourites James Gilchrist & Matthew Wadsworth, performing Divine Love And Earthly Passions, featuring music by Purcell, Schubert and Dowland;
Battaglia, the combative trio of Bojan Čičić, Gawain Glenton and Silas Wollston, staging an exuberant musical battle between the violin and cornetto, once considered rival instruments.
Festival director Delma Tomlin says: “We’re delighted to be able to bring you this fabulous array of concerts online with this wonderful Christmas Box Set, filmed at our home of St Margaret’s Church during this year York Early Music Christmas Festival.
“We’re continuing to share our music online, so those of you who aren’t able to join us in York will be able to enjoy this fabulous feast of music in the comfort of your own homes – and it’s the perfect gift to share with family and friends.
“We hope that our online friends will enjoy seeing the beautiful surroundings of our medieval home and we hope to welcome them in person in the future.”
For tickets and more information, go to: ncem.co.uk/events/york-christmas-at-home-festival-pass/
“Financial help from the ARG Fund ensures that we can stage the annual York Early Music Christmas Festival,” says director Delma Tomlin
THE National Centre for Early Music, York, has received a “generous grant” from the City of York Council’s Additional Restrictions Grant fund to help with the cost of staging this year’s York Early Music Christmas Festival.
This discretionary scheme supports York businesses affected by the lockdowns but not eligible for Lockdown Restrictions Grant and the Local Restrictions Support Grant (Closed Businesses) payments, thereby helping businesses that, while not legally required to close, were still severely impacted by Covid-19 restrictions.
In keeping with other arts organisations, the NCEM was forced to close its doors for several months but it continued to stage concerts and festivals digitally, sharing specially commissioned concerts all over the world, reaching audiences from as far away as Australia, Japan and the United States.
The return of a week-long York Early Music Christmas Festival from December 3 is one of the NCEM’S most important and high-profile events, attracting not only York residents but also audiences from all over Britain and beyond.
The NCEM, at St Margaret’s Church, Walmgate, is fully open once more, staging its year-round programme of concerts, not only Early Music, but jazz, folk and world music too.
NCEM director Delma Tomlin says: “We’re delighted to receive this generous grant from the City of York Council. Financial help from the ARG Fund ensures that we can stage the annual York Early Music Christmas Festival, a week of music celebration featuring a line-up of world-class performers.
“The festival is hugely popular with residents and attracts visitors from all over the UK, who make it part of their Christmas calendar. It’s wonderful to see the city coming back to life and we’re very proud to be able to be part of its fabulous programme of events celebrating the festive season. We can’t wait to welcome audiences back to our beautiful home of St Margaret’s Church.”
Councillor Derek Smalley, executive member for culture, leisure and communities, says: “York’s live music scene is a crucial and vibrant part of the city’s cultural offer. We recognise the ongoing challenges venues are facing as we ease out of the national restrictions and people get used to a new ‘normal’.
“We are committed to working with the sector to provide all possible support, including promoting the great experiences on our doorstep thanks to the many brilliant live music venues across our city.”
L’Apothéose in the grounds of the National Centre for Early Music, St Margaret’s Church, York, in 2019. Picture: Jim Poyner
CALLING young ensembles of the world: the deadline for applications for next year’s York International Young Artists Competition is January 14 2022.
This prestigious longstanding competition for young ensembles will take place on Saturday, July 16 at the National Centre for Early Music as part of next summer’s York Early Music Festival.
The first prize includes a recording contract from Linn Records: a £1,000 prize; opportunities to work with BBC Radio 3 and a concert at the 2023 York Early Music Festival.
Other prizes include: the Friends of York Early Music Festival Prize; the Cambridge Early Music Prize and a prize for The Most Promising Young Artist/s endowed by the EUBO Development Trust.
The competition is open to Early Music ensembles with a minimum of three members; ensembles must have an average age of 33 years or under, with a maximum age of 37 years for individuals.
The ensembles must demonstrate historically informed performance practice and play repertory from any period, spanning the Middle Ages to the 19th century, on period instruments.
The competition is recognised as a major international platform for emerging talent in the world of early music. Attracting musicians from all over the globe, it offers a boost to young professional careers with opportunities for performance, recording and broadcasting and international exposure.
NCEM director Delma Tomlin says: “We are so pleased to be staging the 2022 competition, which brings together young musicians of the highest calibre from the UK and all over the world.
“This is one of highlights of the York Early Music Festival and we are always overwhelmed by the superb quality of the performances from these fantastically talented young artists. The competition provides a joyous, optimistic finale to our festival and we are delighted to be able give these rising stars many exciting future opportunities.”
2019 winners L’Apothéose say: “Winning the York competition was an extremely important and prestigious recognition of our career, and taking part was an immensely joyful experience.”
Fellow former winners Sollazzo Ensemble enthuse: “Winning the competition was a turning point in our career, bringing us to the attention of both a wider audience and professionals throughout Europe.”
Details of how to apply can be found at yorkcomp.ncem.co.uk; alternatively, send an email to yorkcomp@ncem.co.uk.
FOLK big band Bellowhead are to reunite next year for a tenth anniversary tour of their Broadside album.
Among the 18 dates will be Yorkshire concerts at Harrogate Convention Centre on November 25 2022 and Sheffield City Hall two nights later.
During lockdown in 2020, the 11 members first re-connected online to record New York Girls – At Home remotely, prompting Bellowhead to reconvene in person for a one-off performance, streamed to mark the tenth anniversary of 2010’s Hedonism.
Thousands of fans watched one of the biggest online streams of 2020, confirming contemporary prog-folk act Bellowhead still to be in big demand despite not performing their traditional dance tunes, folk songs and shanties live since 2016.
The stream led to pleas for more and now the stars have aligned for Jon Biden, John Spiers, Sam Sweeney and co to assemble once more next autumn to toast fourth album Broadside’s tenth birthday.
Sam Sweeney: Playing with Bellowhead and providing the tour support with his own band. Picture: Elly Lucas
Produced by John Leckie for release on October 15 2012, Broadside gave Bellowhead their first Top 20 entry in the UK Official Album Charts and features the BBC Radio 2-playlisted singles Roll The Woodpile Down and 10,000 Miles Away.
Bellowhead say: “The reaction to the online concert was overwhelming and we really did enjoy playing together again. The tenth anniversary of Broadside presented an opportunity for us to take things one step further and get back out on the road. We couldn’t say no! It’s going to be lots of fun. Hope you’ll join us for the party.”
Support on all dates will come from Sam Sweeney and his band. Stroud fiddler Sweeney is not only a Bellowhead “veteran” (serving from 2008 to 2016 and now back on the front line) but also former artistic director of the National Folk Youth Ensemble.
Last year, Sweeney released his second solo album, Unearth Repeat; last Friday, he played a sold-out gig at the National Centre for Early Music, York, with Jack Rutter, acoustic guitar, Louis Campbell, electric guitar, and Ben Nicholls, double bass.
Bellowhead formed in 2004; played to thousands of people at festivals and on tour; recorded five studio albums, selling more than 250,000 copies; received two silver discs and won eight BBC Radio 2 Folk Awards before parting ways in 2016. Next autumn’s reunion itinerary is being billed as a “special one-off tour”.
Tickets go on general sale on Friday (26/22/2021) at 10am at gigst.rs/bellowhead.
NCEM director Delma Tomlin: “Delighted to receive grant”
THE National Centre for Early Music, York, is to receive a generous grant from City of York Council’s Additional Restrictions Grant fund.
This financial support will help with the cost of staging this year’s York Early Music Christmas Festival from December 3 to 11.
The city council’s discretionary scheme has supported York businesses affected by the lockdowns but not eligible for the Lockdown Restrictions Grant or Local Restrictions Support Grant (Closed Businesses) payments.
In doing so, it has helped businesses that, although not legally required to close, were still severely impacted by Covid-19 restrictions.
Like fellow arts organisations, the NCEM was forced to close its doors for several months, but it continued to stage concerts and festivals digitally, sharing specially commissioned concerts all over the world, reaching audiences from as far away as Australia, Japan and the United States.
The return of the week-long York Early Music Christmas Festival is one of the NCEM’S most important events, attracting not only York residents but also audiences from all over Britain and beyond.
The festival presents a variety of concerts, many by candlelight, in its celebration of Christmas through the ages. This year’s programme features artists from the UK and Europe, including the return of The Gesualdo Six, who took York Early Music Festival by storm last year; Yorkshire Bach Choir performing JS Bach’s Mass in B minor, plus 17th century Christmas, Mexican style, from Siglo de Oro.
The NCEM is fully open once more, staging its year-round programme of concerts, spanning early music, jazz, folk, and global sounds in the medieval St Margaret’s Church, in Walmgate.
NCEM director Delma Tomlin said: “We are delighted to receive this generous grant from the City of York Council. Financial help from the ARG Fund ensures that we can stage the annual York Early Music Christmas Festival, a week of music celebration featuring a line-up of world-class performers.
“The festival is hugely popular with residents and attracts visitors from all over the UK, who make it part of their Christmas calendar. It’s wonderful to see the city coming back to life and we’re very proud to be able to be part of its fabulous programme of events celebrating the festive season. We can’t wait to welcome audiences back to our beautiful home of St Margaret’s Church.”
Councillor Darryl Smalley, executive member for culture, leisure and communities, said: “York’s live music scene is a crucial and vibrant part of the city’s cultural offer. We recognise the ongoing challenges venues are facing as we ease out of the national restrictions and people get used to a new ‘normal’.
“We are committed to working with the sector to provide all possible support, including promoting the great experiences on our doorstep thanks to the many brilliant live music venues across our city.”
Tickets for the 2021 York Early Music Christmas Festival go on sale from tomorrow at ncem.co.uk or on 01904 658338.
The Russian is Homecoming: Comedy turn Olga Koch tries to figure out “who the heck she is” at Theatre@41, Monkgate, York, tomorrow
GODBER’S comedy, protest art, Russian and American comedy, an adventurous Scott, a DH Lawrence spoof, one of the Wainwrights, operatic Handel, Turkish songs, mountainous films and Velma’s witches find Charles Hutchinson spoilt for choice.
Yorkshire play of the week: John Godber Company in John Godber’s Sunny Side Up!, Stephen Joseph Theatre, Scarborough, 1.30pm, 7.30pm today; 7.30pm, tomorrow; 2.30pm, 7.30pm Saturday
Coastal comedy: John Godber and Jane Thornton in Sunny Side Up! at the Stephen Joseph Theatre, Scarborough. Picture: Martha Godber
THE John Godber Company returns to the SJT with Sunny Side Up!, the coastal comedy premiered by the Godbers in a family bubble in the Round last autumn.
In Godber’s moving account of a struggling Yorkshire coast B&B and the people who run it, down-to-earth proprietors Barney, Cath and Tina share stories of awkward clients, snooty relatives and eggs over easy.
Writer-director Godber plays Barney and Graham alongside his wife, fellow writer Jane Thornton, and daughter, Martha Godber. Box office: 01723 370541 or at sjt.uk.com.
Activist-artist Richard Lees’ campaigning prints are on show at York College
Exhibition of the week: Richard Lees, Justice, York College gallery, until October 21, open 9am to 5pm, Monday to Friday
A STALWART activist Hull artist once at the heart of the Rock Against Racism movement is exhibiting four decades of prints in his first York show, with his latest justice campaign project to the fore.
The exhibition title, Justice, is derived from printmaker Richard Lees’s linocuts inspired by the Black Lives Matter movement.
“I feel that all art has some element of politics in it, even if it’s to distract you,” he says. Entry is free but booking is essential via yorkcollege.ac.uk.
Barron’s night: Sara Barron will keep her Enemies Closer in York on Saturday
Comedy at the double at Theatre@41, Monkgate, York: Olga Koch, Homecoming, tomorrow (8/10/2021); Sara Barron, Enemies Closer, Saturday, both 8pm
BORN in Russia, educated at an American school in Staines, and now starring over here on Mock The Week and in her own BBC Radio 4 show, Olga Koch is touring her third show.
New passport in hand, tomorrow Olga will try to figure out who the heck she is as an immigrant and certified teen drama queen.
Saturday’s headline act, no-holds-barred Sara Barron, from Chicago, Illinois, is on her first British tour, examining kindness, meanness, ex-boyfriends, current husbands, all four of her remaining friends and two of her 12 enemies in Enemies Closer. Box office: tickets.41monkgate.co.uk.
Mike Scott: Back at York Barbican with Memphis keyboard player Brother” Paul Brown, Irish electric fiddler Steve Wickham, drummer Ralph Salmins and bassist Aongus Ralston on Saturday
Return of the week: An Evening With The Waterboys, York Barbican, Saturday, 8pm
FROM the “Big Music” of the mid-1980s, to the Celtic swell of Fisherman’s Blues, to all manner of soul, rock, blues and folk since then, Mike Scott has been ever the adventurer with The Waterboys.
Last year came their 14th studio album, August 2020’s Good Luck, Seeker, and seekers of those songs in a live format should venture to the band’s regular York haunt this weekend. Box office: yorkbarbican.co.uk.
Turning Lady Chatterley’s Lover upside down: Subversive writer-actor Lawrence Russell in a shocking moment for Lord Chatterley in Happy Idiot’s Not: Lady Chatterley’s Lover
Send-up show of the week: Happy Idiot in Not: Lady Chatterley’s Lover, Helmsley Arts Centre, Saturday, 7.30pm
HAPPY Idiot team up with Worthing Theatres to rip through Lawrence Russell’s subversive, witty and, yes, rude parody of D H Lawrence’s once-banned bodice-ripper.
Russell’s Lord Chatterley will be joined in Ben Simpson’s cast by Christina Baston’s Lady Chatterley, Wesley Griffith’s Mellors and Rebecca McClay’s Mrs Bolton, with Chris Jamieson as the narrator and a score by Savage & Spies, for an evening of high drama, high comedy and highly raised eyebrows. Box office: 01439 772112 or at helmsleyarts.co.uk
Turkish delight in song: Olcay Bahir in her National Centre for Early Music debut on Sunday
World music concert of the week: Olcay Bayir, Dream For Anatolia, National Centre for Early Music, York, Sunday, 6.30pm
TURKISH singer Olcay Bayour makes her NCEM debut with her four-piece band, performing songs from her albums Neva and Rüya (Dream).
Born in the historical city of Gaziantep, she moved to Britain as a teenager and trained in opera. Now she showcases ancient poems and original songs in Turkish, Kurdish, and Armenian, reflecting her Anatolian heritage, wrapped in music of deep roots yet applied with contemporary, sophisticated arrangements, suffused with irresistible rhythms. Box office: 01904 658338 or at ncem.co.uk.
On fire: English Touring Opera in Handel’s Amadigi at York Theatre Royal
Two nights at the opera: English Touring Opera in Handel’s Amadigi, York Theatre Royal, Monday and Tuesday, 7.30pm
ENGLISH Touring Opera returns with James Conway’s new production of Handel’s “magic opera” Amadigi on a tour where William Towers and Tim Morgan share the title role.
Francesca Chiejina and Jenny Stafford play sorceress Melissa, whose infatuation with Amadigi drives her to imprison his love Oriana (Harriet Eyley) and torment him and his companion turned rival, Dardano (Rebecca Afonwy-Jones), with shape-shifting spells and devilish devices. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
Taking to the mountains: Spectacle galore at Tuesday’s BANFF Mountain Film Festival night at York Barbican
Film scenery of the week: BANFF Mountain Film Festival World Tour, York Barbican, Tuesday, 7.30pm
THE BANFF Mountain Film Festival joins the world’s best adventure filmmakers and explorers as they push themselves to the limits in the most remote, breath-taking corners of the globe.
Witness epic human-powered feats, life-affirming challenges and mind-blowing cinematography on the big screen in a new collection of short films. Box office: yorkbarbican.co.uk.
Rufus Wainwright: Follow him to York Barbican on Wednesday to discover how to Unfollow The Rules
Rule-breaker of the week ahead: Rufus Wainwright: Unfollow The Rules Tour, York Barbican, Wednesday, doors 7pm
CANADIAN singer-songwriter Rufus Wainwright will be accompanied by a new band, under guitarist Brian Green’s musical direction, for his set of arch classics and new cuts from his latest album.
“I consider Unfollow the Rules my first fully mature album; it is like a bookend to the beginning of my career,” he says. Box office: yorkbarbican.co.uk.
Under discussion: David Suchet’s Poirot years and much more besides from a 52-year career on stage and screen
Chat show of the week ahead: David Suchet, Poirot And More, A Retrospective, York Theatre Royal, Wednesday, 3pm and 8pm
DAVID Suchet is retracing his steps as a young actor on a tour of 20 theatres in conversation with Geoffrey Wansell, journalist, broadcaster, biographer and co-author of Poirot And Me.
Suchet, 75, will be looking back fondly on his illustrious five-decade career, shedding new, intimate light on his most beloved performances as they discuss the actor behind the Belgian detective and the many characters he has portrayed on stage and screen. Box office: 01904 623568 or at yorktheatreroyal.co.uk.
“Out come the witches, creeps and freaks,” promises York vocal drag queen Velma Celli for a Halloweenish Equinox show at Impossible York
The glam night with the Halloweenish swish: The Velma Celli Show: Equinox, Impossible York Wonderbar, York, October 15, 7.30pm
YORK drag diva deluxe Velma Celli’s October residency night at Impossible York will be a Halloweenish twist on Velma’s Equinox show, the one with “witches, creeps and freaks”.
“I’ll be doing Hocus Pocus, I Put A Spell On You, Radiohead’s Creep, A Thousand Years from Twilight and much more gorgeous musical gore besides,” says Velma, the spectacular creation of musical theatre actor, cruise-ship headline act and Nola jazz singer Ian Stroughair. Box office: impossibleyork.com/wonderbar.
Arm in arm: Wife-and-husband duo Kathryn Roberts & Sean Lakeman celebrate 25+ years together in On Reflection at the National Centre for Early Music, York, on October 20
THE autumn and Christmas season of jazz, world, folk, film and classical music at the still socially distanced National Centre for Early Music, York, is under way
Saxophonist Jean Toussaint, who came to prominence with Art Blakey’s Jazz Messengers, returned to St Margaret’s Church, Walmgate, last Friday to launch the NCEM programme in the company of pianist Andrew McCormack and bass player Orlando le Fleming.
Tonight, the Black Swan Folk Club presents Devonian folk singer-songwriter John Smith, supported by Hannah Reed at 7.30pm.
Known for his intimate song-writing, honey-on-gravel voice and pioneering guitar playing, Smith has toured internationally for 15 years, and his session-musician guitar skills have been in demand from Joan Baez and Tom Jones.
Saxophone returns tomorrow at 7.30pm when Tim Garland (saxophone, bass clarinet), Malcolm Creese (double bass) and Gwilym Simcock (piano) celebrate 20 years together as the highly adventurous, ground-breaking British jazz ensemble Acoustic Triangle.
Olcay Bayir: Turkish singer makes her NCEM debut on October 10
Noted for their site-specific work, particularly in sacred buildings, such as St Margaret’s Church, they draw on wide-ranging influences, from ancient themes and folk styles, through impressionism and the jazz era, to the avant-garde, in Garland and Simcock’s compositions, complemented by works by Henry Purcell, John Taylor, Olivier Messiaen, Cole Porter and Maurice Ravel.
A third jazz highlight will be Byron Wallen’s Four Corners showcasing London trumpet player Wallen’s new album, Portrait, on November 10, with guitarist Rob Luft, bass player Paul Michael and drummer Rod Youngs.
Conceived when sitting in the central square in Woolwich, the album’s nucleus is Anthem For Woolwich, composed in response to Wallen being struck by the community around him with its mixture of ages and nationalities.
Taking inspiration from “the timeless sound of the human soul from all corners of the Earth”, Wallen explores and reinvents blues, mode and groove landmarks, while also drawing on early Renaissance music, Central and East African rhythms and polyphony and the works of Miles Davis, Wayne Shorter and Thelonious Monk.
“I’m hoping that York Music Forum’s Ian Chalk will be able to organise for young York jazz players to play with Byron and take part in the concert,” says Delma.
Out of the woods: Fiddle player Sam Sweeney re-emerges with his Unearth Repeat album and concert on November 19. Picture: Elly Lucas
The autumn season presents three world-class guitarists, demonstrating their contrasting styles: Brit Martin Taylor, Spaniard Juan Martin and Italian Antonio Forcione.
First up, on October 15, Grammy-nominated Harlow jazz guitarist Martin Taylor shows why he is widely regarded as the world’s foremost exponent of solo jazz and finger-style playing.
Next, in his solo concert Melodic Beauty And Rhythmic Passion on October 29, Andalusian flamenco master Juan Martin performs pieces from his latest album Guitar Maestro.
Intense, artistic, passionate, unpredictable and formidably inventive jazz guitarist Antonio Forcione, from Molise, Italy, returns to the NCEM on November 26, blessed with “the hands of a tarantula and the heart of a lion”, as one reviewer put it.
Twenty albums to his name, Forcione has toured extensively, to Australia, Hong Kong, Russia and the Caribbean, as well as Europe.
Martin Taylor: Finger-style guitar playing on October 15
“The wonderful acoustics of the NCEM’s beautiful home of St Margaret’s Church provide the perfect setting for the acoustic guitar, adding a special touch of magic to the experience,” says director and programmer Delma Tomlin.
World music is represented by not only Juan Martin but also Olcay Bayir, from Gaziantep, Turkey, and the welcome return of Making Tracks.
Making her NCEM debut on October 10 – and appearing on the cover of the NCEM’s September to December brochure to boot – Olcay Bayir focuses on ancient poems and original songs in Turkish, Kurdish and Armenian in Dream For Anatolia: an evening of music and words that reflect her Anatolian heritage. Note the earlier starting time of 6.30pm.
Set up in 2010 and relaunched with an ambitious new model in 2019, followed by a digital edition in 2020, Making Tracks brings together young artists from the UK and around the world to showcase unique musical traditions, initiate collaborations and contribute towards a global community of environmentally engaged musicians.
Full details of November 1’s NCEM concert are yet to be confirmed but the eight diverse musicians from Britain and Europe have been chosen.
Antonio Forcione: Returning to the NCEM on November 26
Scottish folk multi-instrumentalist, producer and composer John McCusker has cancelled his John McCusker Band 30th Anniversary Tour date on October 3, although The Wishing Tree Tour gig by John Doyle, John McCusker & Michael McGoldrick is still in the diary for The Cresent, York, on November 3.
The enduring folk partnership of wife and husband Kathryn Roberts & Seth Lakeman marks 25+ years of making music with On Reflection at a rearranged NCEM concert on October 20.
Co-promoted by the Black Swan Folk Club, this celebratory night takes a whistle-stop tour through their artistic journey from the early days of folk supergroup Equation to latest album Personae, via a nod or two to their extracurricular musical adventures.
After his Unfinished Violin Project, former Bellowhead fiddle player Sam Sweeney returns the NCEM on November 19 to promote his latest album, Unearth Repeat, wherein he embraces the groove and swagger of traditional English folk and the huge sound, flair, energy and festival spirit of bands from the Celtic and Scandinavian music scenes.
Sweeney first played the NCEM when director of the National Youth Folk Ensemble. This time he will be joined by Jack Rutter on acoustic guitar, Louis Campbell on electric guitar and Ben Nicholls on double bass.
Nanook Of The North: Robert J Flaherty’s 1922 film will be accompanied by an improvised live score by Frame Ensemble at a Yorkshire Silent Film Festival screening on October 14
The Yorkshire Silent Film Festival plays host to Nanook Of The North (certificate U, 79 minutes) on October 14, when the pioneering 1922 documentary film will be accompanied by a live score by Frame Ensemble, a quartet of improvising musicians that specialises in creating spontaneous soundtracks for silent film.
“Pianist Jonny Best, who runs the film festival [as well as being a musician, researcher, producer, educator and writer], will be doing the accompaniment with his ensemble,” says Delma. “I find it so enthralling that they create such musical magic out of nowhere.”
Filmed by director Robert J Flaherty in the vast Canadian Arctic, where Nanook and his family live under an endless sky and in conditions of unimaginable cold, Nanook Of The North is a mix of recorded reality and staged drama, depicting the everyday struggle of the Innuit (Eskimo) people to stay alive.
From the bitter chill of the northern reaches of Arctic Quebec to Christmas at the NCEM in the form of the York Early Music Christmas Festival 2021, running from December 3 to 11.
Guest musicians include The Gesualdo Six; Joglaresa; Pocket Sinfonia; Prisma; tenor James Gilchrist and lutenist Matthew Wadsworth, plus the Yorkshire Baroque Soloists, presenting JS Bach’s B Minor Mass, with more details to follow in a separate preview shortly.
Green Matthews: Midwinter Revels in the mood for Christmas on December 16
.Christmas revelry continues with modern-day folk balladeers Green Matthews on December 16. That night, Chris Green and Sophie Matthews perform Midwinter Revels: A Celebration Of Christmas Past, a seasonal selection of stories, carols, winter folk songs and tunes played on a plethora of weird and wonderful instruments.
Delma says: “We’re so pleased to be able to bring you this wonderful season of music for all tastes and to welcome friends old and new back to our home in York. We decided: let’s get dates in the diary and enjoy music-making again and try to get back to a sense of normality.
“We’ve put together a programme of world-class musicians, and we’re also looking forward to the return of our community singing group, Cuppa And A Chorus, as well as the latest in our not-to-be-missed series of silent films with live music. We hope to see you at the NCEM very soon.”
Nevertheless, in light of these pandemic times, a reduced capacity will be in operation. “The NCEM realises that audiences are returning to live events with caution, and for added safety and comfort, we are reducing our capacity so that social distancing is possible,” explains Delma.
“We’ve put together a programme of world-class musicians,” says NCEM director Delma Tomlin
“We are continuing to operate with many safety precautions in place and recommend mask wearing and hand sanitising.”
Tickets for the autumn season are on sale on 01904 658338 and at ncem.co.uk, joined by the York Early Music Christmas Festival from October 4. “Tickets for all concerts are selling quickly, so early booking is advisable,” recommends Delma.
“So far, there’s definitely a substantial core audience who do want to return, and we’re so fortunate that there’s no fixed seating, so we can give people more space, and hopefully they will feel more comfortable with that and will gain confidence as we come into the winter.
“That’s why we’re retaining social distancing while ensuring there’s still a three-pronged energy between the venue, the artist and the audience.”
Performances start at 7.30pm unless stated otherwise.
Ensemble Molière: First New Generation Baroque Ensemble
ENSEMBLE Molière will be the first New Generation Baroque Ensemble from October, backed by the National Centre for Early Music, York, BBC Radio 3 and the Royal College of Music.
The new scheme will showcase and nurture exceptional British-based ensembles in the early years of their professional careers in the baroque sphere, supporting them to new heights of professionalism and artistry over two years, using the range of expertise, performance and recording opportunities available through each partner organisation.
A new group will join the programme in 2023 to begin a new two-year programme, helping to encourage UK Baroque ensembles of the future, supporting artists at a crucial stage in their careers.
Comprising five musicians playing on historic instruments, Ensemble Molière combine flute, violin, bassoon, viola da gamba/cello and harpsichord in creative programmes from the 17th and 18th century repertoire, performed at many of the leading Baroque and Early Music festivals.
Chosen through a non-competitive process to become the first New Generation Baroque Ensemble, ensemble musicians Flavia Harte, Alice Earll, Catriona McDermid, Kate Conway and Satoko Doi-Luck can build on their early success through residencies at the NCEM and Royal College of Music (RCM) and a regular presence on BBC Radio 3, enabling them to further develop their professional skills, reputation, profile and artistry.
BBC Radio 3’s Early Music Show will feature Ensemble Molière on Sunday, September 19 at 2pm in the first of a series of regular updates, performances and features about the group.
Ensemble Molière say: “We are thrilled and honoured to be appointed the first ever BBC New Generation Baroque Ensemble and to become part of the New Generation family. We are looking forward to collaborating with the wonderful team from three organisations – BBC, RCM and NCEM – as well as to the opportunities and experiences we will enjoy on the scheme, including live performances and broadcasts.
“It will be a fantastic springboard for Ensemble Molière and will help us reach the next step as a group. We are very grateful to the New Generation Baroque Ensemble team for their support.”
“Ensemble Molière have an amazing future ahead of them,” says NCEM director Delma Tomlin
NCEM director Delma Tomlin says: “We are thrilled to be part of this UK-based venture that takes place over the next two years and we look forward to welcoming Ensemble Molière, who will be performing in our festivals in Beverley and York.
“It’s wonderful to be working with the Royal College of Music and BBC Radio 3 once again and this is a fabulous opportunity for Ensemble Molière, who have an amazing future ahead of them.”
BBC Radio 3 controller Alan Davey says: “For some time, we have been keen to see if we can offer help and support to UK-based period-instrument ensembles in the early stages of their careers to allow them to develop and thrive with the same kind of spirit of innovation and adventure we see in the best ensembles across the world.
“With this new scheme – as with our hugely successful New Generation Artists and New Generation Thinkers programmes – we want to support the best new talent and by working in partnership with the chosen Baroque ensembles and with the NCEM and RCM, we hope to build an even richer world of ambitious, innovative and thrillingly excellent music-making for the future.
“We are delighted to welcome Ensemble Molière and look forward to working with them over the coming years to bring their extraordinary music to wider audiences.”
Professor Ashley Solomon, head of historical performance at the Royal College of Music, says: “I am absolutely delighted that together with our colleagues at the NCEM and BBC Radio 3 we have appointed Ensemble Moliere as the first ensemble in the New Generation Baroque Ensemble scheme that we are now launching.
“Nurturing and inspiring the new generation of historical performers is part of our ethos at the Royal College of Music and I look forward to working with and mentoring the players in this exceptional ensemble. We hope that this unique opportunity will help support and enable them to thrive.”
Ensemble Molière’s musicians are: Flavia Hirte, flute; Alice Earll, violin; Catriona McDermid, bassoon; Kate Conway, viola da gamba/cello, and Satoko Doi-Luck, harpsichord.
York Early Music Festival: Florilegium, National Centre for Early Music, York, July 14
FLORILEGIUM is celebrating its 30th anniversary this year. So it was a privilege, not to say entirely appropriate, to have the group in this year’s festival, here cut down to four players for an evening of Bach trio sonatas.
The standard format for the trio sonata is two soloists with continuo (harpsichord and a bass instrument) providing the third “voice”, hence a group of four. So it is hardly surprising that Bach’s Trio Sonatas for organ have been constantly rearranged since Mozart’s time onwards: the ear more easily disentangles the lines when they are played on separate instruments (although I cast no aspersions on the ability of organists to play clearly).
Florilegium’s own arrangement in E minor of the trio sonata, BWV 526, with flute and violin in the leading roles, makes a tasty concoction (even if the original is in C minor). Ashley Solomon’s Baroque flute, made of wood naturally, has a smoother tone than the more incisive modern instrument, which means it provides a satisfying blend with the violin of Bojan Čičić, although both voices remain distinct. They wove around each other engagingly here, above more run-of-the-mill continuo.
But this was a mere aperitif. A lilting Largo led succulently into the Trio Sonata in G, BWV 1038 (written for these specific instruments), before a galloping Vivace. The Gute Nacht theme from Bach’s motet Jesu, Meine Freude emerged with total clarity in the Adagio, pizzicato on Reiko Ichise’s viola da gamba, which then enjoyed an active role in the final Presto.
The gamba enjoyed a more complete spotlight in the last of three sonatas Bach wrote for it, BWV 1029, in G minor. Ichise brought immense enthusiasm to her task and Steven Devine’s harpsichord followed suit. But there was no lack of shading amongst the energy. The central Adagio was taken exceptionally slowly, which allowed its ornamentation to breathe, and the finale was firmly signposted despite its pace.
The extraordinary trio sonata from The Musical Offering, with all four movements derived from a single theme, made an exciting conclusion. The players switched neatly in and out of the texture during the first Allegro and went hell for leather in the final fugue.
The Andante was never more reminiscent of the nocturnal bass arioso in the St John Passion, beautifully scented. As if that were not enough, we then had a rumbustious Leclair encore for contrast.
Review by Martin Dreyer
Available online on demand until August 13 at ncem.co.uk/yemf
The Gesualdo Six with director Owain Park, back row, centre
York Early Music Festival, The Gesualdo Six, National Centre for Early Music, York, July 15
THIS year’s abbreviated festival, which seems to have ended almost before it began, went out in style with The Gesualdo Six, another group whose visits to York are thankfully plentiful.
With a countertenor on the top line, supported by two tenors, a baritone and two basses, it is well geared for a programme of English motets, especially since its director, Owain Park, underpins them all with a firm, deep bass that would be the envy of any choir.
This was almost a roll call of the great names in Tudor music (without Orlando Gibbons), which also reached back to the early 15th century composer John Forest. He was at one time a prebendary of York before becoming Dean of Wells. His three-part motet Qualis Est Dilectus Est revealed his fondness for voices moving in thirds (once thought a quirky Anglicism).
Two tear-jerkers stood out at either end of the programme. Byrd’s Ave Verum Corpus, immediately following Tallis’s Te Lucis, was touchingly intimate, which added to the reverence it naturally engenders.
Even more telling was Tomkins’s When David Heard, with five voices conducted by Park, which wrung every last ounce of pain from David’s lament for his son Absalom, killed in battle. “Would God I had died for thee” was almost unbearably poignant.
Not all was so solemn. Weelkes’s setting of Psalm 47, All People, Clap Your Hands, was cheerful enough, but not quite as imaginative as the Gibbons version of this psalm. But the group really let rip in a full-throated account of Byrd’s Vigilate, merging neatly at its conclusion. The same composer’s Laudate, Pueri was equally joyful, a full-blooded account from all six singers.
In between came two hymns, by White and Tallis, with the latter’s setting of In Manus Tuas balancing an earlier one by John Sheppard that was extremely quiet, yet creamily controlled. Several times the precentor’s role was sung off-stage, which offered an extra dimension. And then there was the Tomkins. What a piece.
The Gesualdos are coming up on the inside of a longer-lived group from a well-known Cambridge college – and may soon overtake.
Review byMartin Dreyer
Available online on demand until August 13at ncem.co.uk/yemf.
Minster Men: The Howl & The Hum to play livestreamed concert at York Minster on Tuesday
THE Indian Variant may be dampening down hopes for June 21, but Charles Hutchinson’s diary is still filled with hope, concerts, festivals, exhibitions and a Minster livestreaming.
Livestreaming of the week ahead: The Howl & The Hum, Live At York Minster, Tuesday, 8pm to 9.30pm
YORK rock band The Howl & The Hum are performing a one-off streamed concert in the Nave of York Minster on Tuesday, with tickets available via Brudenell.ticketco.events/.
The 8.15pm setlist will be built around last year’s debut album, Human Contact, whose prescient title chimed with pandemic times as such contact became more restricted, even barred. New material may well feature too. “I reckon it will,” says frontman Sam Griffiths.
Rachel Croft: York singer-songwriter to perform on Songs Under Skies acoustic double bill with Wounded Bear at the NCEM. Picture: Amy D’Agorne
A fistful of outdoor gigs: Songs Under Skies, National Centre for Early Music, York, in June
SONGS Under Skies will return to the NCEM’s churchyard gardens at St Margaret’s Church, Walmgate, York, next month.
Five outdoor acoustic double bills from 6.30pm to 8.30pm will comprise Wounded Bear and Rachel Croft on June 1; Kell Chambers and Nadedja, June 2; Katie Spencer and Joshua Burnell, June 14; Zak Ford and Alice Simmons, June 15, and Epilogues and Sunflower Thieves, June 16.
As with last September’s debut series, the socially distanced, Covid-safe season two will be presented in association with The Crescent community venue, The Fulford Arms and the Music Venues Alliance. Box office: at tickets.ncem.co.uk.
Hope Is The New Hero, by Jake T, from Rawcliffe and Clifton Without, for the Hope display at the According To McGee gallery in York
Children’s art show of the week in York: Hope projections, According To McGee, York, tonight, tomorrow, then Wednesday to Friday for the next two weeks, 6pm to 9pm nightly
HOPE springs nocturnal in a collaboration between primary school artists from York and around the world at York gallery According To McGee.
Under the title of Hope, the artwork will be on display in light projections in the window of the Tower Street gallery in a creative response to the pandemic.
Digital artists Nick Walters is overseeing evenings featuring projections of 350 artworks selected from 3,000 images from cities in 33 countries.
York artist Sue Clayton, second from right, with NHS York Vaccination Centre site manager Will McEvoy, Nimbuscare director of quality and patient experience Michelle Phillips and Pocklington Arts Centre director Janet Farmer at the unveiling – but not unmasking! – of the 21 exhibition at Askham Bar
Jab in the arm for art: Sue Clayton’s 21 exhibition, NHS York Vaccination Centre, Askham Bar, York, until June 13
WHAT a captive audience for Sue Clayton’s portrait exhibition of children and young adults with Down Syndrome, presented in association with Pocklington Arts Centre (PAC).
As many as 3,000 people a day are attending the Askham Bar vaccination centre to receive a jab in the “Tent Of Hope”, where biodegradable prints of Sue’s paintings are in place.
The theme of 21 symbolises the extra 21st chromosome that people with Down Syndrome have, Sue’s energetic son James among them.
Manic Street Preachers: New tour, new album…oh, and a new single called…Orwellian
Gig announcement of the week in York: Manic Street Preachers, York Barbican, October 4
WELSH rock band Manic Street Preachers’ 14-date autumn itinerary will showcase the September 3 release of their 14th studio album, The Ultra Vivid Lament, on Columbia/Sony.
In a departure from 2018’s Resistance Is Futile, the new record is the first Manics’ studio set to be conceived initially on piano rather than guitar.
James Dean Bradfield, Nicky Wire and Sean Moore last played York Barbican in May 2019. Their support will be The Anchoress, the Welsh-born multi-instrumentalist, songwriter and author Catherine Anne Davies. Tickets sales go live tomorrow (21/5/2021) at 10am at yorkbarbican.co.uk.
Mad about the Boy: Boy George and Culture Club perennial members Roy Hay and Mikey Craig are off to the Yorkshire seaside
Gig announcement of the week outside York: Culture Club, Scarborough Open Air Theatre, August 14
EIGHTIES’ icon Boy George and Culture Club are off to the Yorkshire seaside in a new addition to the packed Scarborough Open Air Theatre programme.
Bexleyheath-born frontman and fashion innovator George O’Dowd, who turns 60 on June 14, will perform alongside original band members Roy Hay and Mikey Craig in a “stunning live band”. Tickets go on sale for the 8,000-capacity show via scarboroughopenairtheatre.com tomorrow (21/5/2021) at 9am.
Rachel Podger: The Violinist Speaks concert at York Early Music Festival 2021. Picture: Theresa Pewal
Festival launch of the week: York Early Music Festival 2021, July 12 to 16
PRESENTED by the National Centre of Early Music, the classical York Early Music Festival 2021 will have the theme of Encounters, most vitally between audience and artists after lockdown loosening.
Among the guest artists will be violinist Rachel Podger; lutenist Jacob Heringman; bass Matthew Brook; the Monteverdi String Band; harpsichordist Steven Devine; The Society Of Strange & Ancient Instruments; La Vaghezza and Ensemble Clement Janequin.
Taking part too will be vocal ensemble Stile Antico and Spanish Baroque ensemble L’Apothéose. Tickets are on sale at ncem.co.uk. Upcoming too will be YEMF 21 Online, from July 15 to 18, featuring festival concerts and commissioned highlights.
Bull in a field: York alt.rock band booked for Deer Shed: Base Camp Plus festival
No Deer Shed 11 festival, but here comes Deer Shed: Base Camp Plus, Baldersby Park, Topcliffe, Thirsk, July 30 to August 1
AFTER last summer’s Base Camp, Deer Shed Festival co-directors Oliver Jones and Kate Webster have created Base Camp Plus with a female-headlined main stage, live music, DJ sets, comedy and shows. As with last year’s event, each camping pitch will contain its own Portaloo and washing facilities.
Jane Weaver, Dream Wife and Porridge Radio are the headliners; York bands Bull and New York Brass Band will be playing too; John Shuttleworth, Mark Watson and Angelos Epithemiou lead the comedy.
The organisers will adhere to the Step 3 restrictions in place since Monday, limiting the capacity, with social distancing and face coverings in covered areas. For tickets, go to: deershedfestival.com/basecampplus.
And what about?
Brief encounter: York drag diva Velma Celli in Love Is Love: A Brief History Of Drag at York Theatre Royal
Velma Celli in Love Is Love: A Brief History Of Drag, York Theatre Royal, May 29,8pm
YORK drag diva deluxe Velma Celli’s fabulous contribution to York Theatre Royal’s reopening Love Season will be one of Velma’s regular cabaret shows, re-titled Love Is Love: A Brief Of History Of Drag specially to meet the love brief.
Joining Velma – the creation of York musical actor Ian Stroughair – will be two guest acts, Jordan Fox, Ian’s co-star in Jack And The Beanstalk, and Jessica Steel, together with backing singers Kimberley Ensor and Grace Lancaster, musical director Ben Papworth, drummer Clark Howard and guitarist Al Morrison.
Ian last appeared on the Theatre Royal in Kes at the age of 14, all of 24 years ago.
